Hi guys, I'm Edo. Thank you to be here

today with this channel. We talk about

AI, diffusion models, advanced technique

for using this kind of stuff. But today

I want to show you something in

Photoshop beta in Adobe. I'm not us and

it's not usual. I'm talking about Adobe

and its tools. But today it's uh it's

because they are released something very

very special, very powerful in beta um

beta suite for Photoshop beta version.

So you can download from your creative

cloud desktop of course you need u an

account creative cloud and we can

introduce something very powerful. Okay.

And see, I created something very simple

with uh I think was Nano or Quen, I

don't remember, but something very s

simple, a can with a stupid pop

something uh label. Um okay, but very

recognizable, very, you know, um very

precise and specific, right? This is

very important to um demonstrate the

power of this tool. So right now we

double the the layer just to have a

backup. Okay. And I want to select I'm

using the Italian version. So it's a

selection. Select object. Okay. It's

quite powerful. Um I want to duplicate

this object in order to have just this

one. Okay. I rec I retake the the shape.

Just controllclick.

I mute the level. And here I want to

filter uh sorry selection modify expand

7 pixel. Okay. And again filter uh no

selection modify blur two pixels. Okay.

right there. I just create um you know

uh a selection wider than my my can and

I using the generative filling field and

I'm using the expand forfly in my

opinion the best one for do for this

kind of stuff very simple very easy I

don't need to prompt anything so just

generate

this will consume some credit remember.

So use with caution if you are if you

want to to control your credits. Okay.

So in a couple seconds we have a you

know a quite good you know

quite good

recreation of the background. I just

want to you unite levels. Okay. Or I

don't know in English the English

version. And I want to use this right

here just to blend out better this part

here.

Okay, it's a mess. So I want to use

another one more powerful the

remove, you know, this the second in the

the palette. Sorry, I I don't know the

the the English version of the of the

tool.

Okay, just to have something more

blended. Okay.

And this is very useful to have

something to work with in background.

Okay. Right there. So we have of course

our can and our background. Very easy,

very simple. Wow. Now Ctrl T or or

command T if you are with Mac and we

have this selection, right? the the

simple control T selection to rotate

object to scale object whatsoever but in

the beta version we have something like

this rotate object I think it's in in in

English and this will use credits

okay so remember this when you are going

to use this kind of stuff tools okay so

I want to create a version um um you

know an an editable version of this scan

and I want to show you the power of this

model.

I was very skeptic at the beginning but

again okay as you can see is a low low

rest version. I want to rotate right

there. I want to move up. I want to

rotate in this way. And I want to rotate

something like this. Right.

Okay. Just scale.

Just rotate here. Just rotate right

there. So, right here is a mess. Okay.

But now we have um an enhancement of the

rotation. I think I I'm quite sure it's

nano or quen edit in the background, but

I'm not sure. So, who knows? But the

model is quite powerful as you can see.

It's quite powerful. We have a major

issue right there, but it's it's right

because he has to uh rethink everything

up there without without any uh you know

um points of start point. So I think

it's powerful but I want to create

something again. Okay, I rotate. So

another 20 credits

uh Adobe Adobe

but it's powerful. So I'm I'm happy to

use the credits in this way

if the tool help me to work better.

Okay. So I want to try to rotate right

here a little bit. Right here a little

bit. I want to show you. Okay.

Of course, we don't know what's it's

what's in the back of the can because we

just start from here. But it's powerful

enough to to give us the the possibility

to to play around

and to have something very, you know,

coherent, very specific

and very precise with, you know,

everything. color font

um lettering letters. Okay, we can read

energy drink stay white neon berry blast

the okay we have something right here

but remember we start from here so this

is a quite good you know rotation quite

good um

interpretation of the new position and

we can do something more if we want we

can introduce something like this. Okay.

I have this, you know, bar with a girl

or we can open in another um file. Okay.

Right there. Better. I want to take this

right here. I put the can right here in

the right,

you know, right position.

Okay. And again I want to uh you know

work with this scan

in the perspective. Okay it's maybe too

big for for our purpose but again is

just a test. Okay we want to Oh this is

very unusful.

Oh right there.

Right there. Maybe right there. I want

to rotate this

again.

I think it's good.

Okay.

Now you can work with, you know, colors

or just simple reflection or simple.

Okay. Now we have we can we can work

with, you know,

something photographic.

Okay. Like this warm filter. Okay. Much

better in my opinion. Okay. Uh we can

just double it

right there.

Oops. Right there.

Okay. We can just

flip

the Okay, I want to resize this level.

So, we have a new Okay, I want to flip

this right here. I know it's a simple

way to do these things. There are many

more proficient, more more correct.

Okay, in uh but we are we we don't need

to be precise right there. Just

Just a simple, you know, iterations.

Simple.

Just this one. Just

Okay. And we can add something like um a

simple shadow.

But again the main task here it's to use

this tool uh in order to have something

very powerful in terms of rotation. But

again the limit it's of course uh the

model itself because if we want to

rotate entirely the model the can in

this case we face we face uh problems

and artifacts of course okay but but

it's quite quite powerful

okay I want to stress the the model

right there

Okay.

Oh, wow. I can do rotation

to click up this one.

I want to do something like this. And

again like this. It's a mess right

there. I don't know how to to to

pronounce this kind of stuff of of the

can. The metal something. There is no

hole right here. There is no graphic in

the back of course again of course but

it's not the point of the the

neither the video or the model the point

is

maybe in a year

I think we will be able to manage our

our um part in the image in another way

in a proficient way in a faster way, in

a better way. This is awesome. In my

opinion, it's very, very powerful. It's

very funny.

It's quite demanding in terms of credit,

I think. Let me see my balance right

here.

I think it's here. I don't remember.

It's my AI generative

bus right here. Right here

again.

I have

used

Where is my balance?

Yeah, I I right there. I use

150 credits

and I I think I have 4,000 credits from

for months. So

it's it's expensive

but in a right way in my opinion it's

good and it's powerful.

Again look

in look look at the graphic. Okay

I just want to step back a couple times.

Okay this is the right graphic and this

is the rotated graphic.

Right.

No, it's good.

Also, this small details here, the right

shape of the font,

the ch the Japanese, you know, KJI here

and here. It's quite good in this

rotation here. It's quite good.

We have no no difference in the pose of

the the hand just in the rotation. And

it's it's good. It's fine

guys. This is quite quite impressive.

Very very very well done Adobe. Thank

you for and I hope to see this uh you

know this this feature in the the the

standard version of uh Photoshop because

this will change the the you know the

the market I think because right now I

was a a very

daily user of Photoshop and use

Photoshop for everything for everything.

Nowadays, I'm using Photoshop just to

make the finetuning of something I

created in a in another

suit in another way in in Confui or just

in, you know, Freik or Ifield or Flora

or Luma or whatsoever. I'm using

Photoshop like a refiner. Okay, I'm

using the pen. I'm using the the the

table and the graphic table and just to

uh make some something very specific

that I could not right now handle. So

in my opinion this will change again

market and the way we use this kind of

stuffs.

I but this is all for today. Hope this

could u help you um and I hope this kind

of video could uh um could help you in

your AI journey. I'm very happy with

this this new this new new feature. So

Adobe keep going and thank you to be

here. Thank you for your comments for

your feedback. I'm trying to do my best.

I'm trying to bring to my channel

something, you know, cherry peeking of

what I'm really use in my daybyday

professional work. And I hope to see you

again next video.