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Joe Rogan Experience #2480 - Arsenio Hall

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Joe Rogan Experience #2480 - Arsenio Hall

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5156 segments

0:01

Joe Rogan podcast. Check it out.

0:03

>> The Joe Rogan Experience.

0:06

>> TRAIN BY DAY. JOE ROGAN PODCAST BY

0:08

NIGHT. All day.

0:12

>> All right. Slap some headphones on.

0:14

Let's rock and roll, sir.

0:15

>> Yes.

0:17

Our old friend would be so happy. And

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not just that picture, but so much that

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you've done. Do like do you believe that

0:27

people who have gone on know what we're

0:30

doing or see us?

0:32

>> I don't know. You'd like to think that

0:35

you're that important.

0:36

>> Oh, yeah.

0:37

>> I have a feeling they have more

0:39

important stuff to do on the other side.

0:41

>> Yeah. I guess if you're in heaven,

0:43

you're not thinking about the

0:44

mothership,

0:45

>> right?

0:45

>> But um

0:46

>> Well, the mothership definitely is from

0:49

her.

0:49

>> Yes. Yes.

0:51

>> Yeah. Well, I mean, that's an incredible

0:54

tribute to her. Um,

0:56

>> well, the bar is named after her.

0:57

>> Yeah, I've heard all the comics. I've

0:59

heard Shane and Ian and all the guys

1:01

talk about it after they came back. Um,

1:04

and that's just an honor, man. That that

1:08

plus, you know, I used to say to people,

1:10

if you haven't taken something from

1:13

watching Richard Prior, you're probably

1:14

doing it wrong,

1:16

>> right? And Mitsy

1:19

made the greatest comedy mecca ever. And

1:23

you got to copy what she did.

1:26

>> 100%.

1:27

>> Yeah.

1:28

>> Wow. And this is

1:30

>> Yeah. She taught me everything about how

1:32

to run a club, how to do it right.

1:34

Basically, kind of let the comedians run

1:36

it. Let the inmates run the asylum.

1:38

>> Yeah.

1:39

>> You know.

1:39

>> Yeah. We're uh perfect inmates for that.

1:42

and and and right now the comedy store

1:44

is greater than ever.

1:46

>> That's awesome.

1:47

>> Yeah, it's it it's wonderful there

1:48

because, you know, I even got Jay Leno

1:51

to come back, you know, cuz he

1:52

remembered the old days and hadn't gone

1:54

back and I'm like, dude, it's different.

1:57

They they pay you for coming. They split

2:01

the door in a different way now and

2:03

there are phones in bags. I had to

2:06

explain that concept.

2:07

>> Yeah, we had to encourage them to do all

2:10

that. Yeah, that was your era.

2:12

>> Yeah. Well, once we left, we started

2:14

doing that at the mothership for all the

2:17

shows, then other comedy clubs started

2:19

following suit. It's the way to do it.

2:21

People are too [ __ ] distracted.

2:24

>> Yeah. And I think it it frees us up in a

2:27

way. I'll say things and try things and

2:30

not worry about seeing them on YouTube

2:33

uh when they're not ready or when I've

2:35

made a mistake and gone too far and said

2:37

something, you know.

2:38

>> Oh, 100%. It's also you have to be free

2:41

to [ __ ] around and experiment and if

2:43

someone takes that [ __ ] around

2:44

experiment and you don't know what's

2:46

coming out of your mouth like right now

2:48

I don't know what's coming out of my

2:49

mouth right before I say it right and

2:51

people have to understand that this is

2:52

not like when you're on stage and you're

2:54

working out like a lot of it is free

2:57

balling you've got material that's like

2:59

pre sort of established and you you're

3:03

you know you've got the the bones of it

3:05

but you're also [ __ ] around in the

3:07

moment and sometimes Sometimes you [ __ ]

3:09

around in the moment and it works and

3:11

sometimes you [ __ ] around in the moment

3:12

and it does nothing. It goes or it's

3:14

terrible. You said something awful.

3:16

You're like, "Whoops, sorry."

3:18

>> Yeah. We make mistakes.

3:19

>> You're just [ __ ] creating something

3:22

and then standup is the only art form

3:24

that you have to kind of create in front

3:26

of a crowd. You can't really You can get

3:29

ideas and the concepts and the flesh of

3:32

it alone, but you have it comes alive in

3:35

front of the crowd. You have to be able

3:37

to [ __ ] around.

3:38

>> Yeah. I um

3:40

me and Chappelle and you've you've done

3:43

this kind of thing. Me and Chappelle met

3:45

Chris Rock in Cleveland cuz Chappelle

3:48

lives in Ohio. Obviously he's done

3:50

something very similar to what you've

3:52

done, but we'll get into it later.

3:53

>> Yeah. He's done something really cool.

3:55

>> Incredible.

3:55

>> Basically took over a whole town.

3:57

>> Yeah. Yeah. And it's funny and

4:00

especially had a really funny joke about

4:01

it about how uh when white people move

4:04

into a neighborhood, it's called

4:05

gentrification. and he goes, "They don't

4:07

have a word for I'm doing what I'm doing

4:09

to these motherfuckers."

4:10

>> Yeah. It's crazy to be Dave Chappelle,

4:12

the most important man in town.

4:14

>> Yeah.

4:15

>> But uh Chris Rock was doing Cleveland

4:19

and uh we met him there and that was the

4:22

first time I saw the bags

4:25

>> people and and I was apprehensive. Um,

4:28

as a matter of fact, I saw a celebrity

4:30

in LA who didn't want to put his phone

4:32

in a bag and so they had that

4:34

[ __ ] stay outside, you know?

4:37

>> Yeah. There's too many snitches in this

4:39

world. Too many people just want to film

4:41

everything for the Graham.

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>> Yeah.

4:43

>> Like, stop.

4:44

>> Yeah. Sometimes we're saying the wrong

4:46

thing. Sometimes we're drunk.

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>> Yeah. You know,

4:48

>> for sure. A lot.

4:49

>> Yeah.

4:50

>> Yeah. A lot. Dave loves to get lit and

4:52

go on stage, but it's also like that's

4:54

one of the ways he creates. Like I've

4:56

seen him do entire shows where he's just

4:58

completely [ __ ] around and he films

5:00

everything. So then afterwards he goes

5:02

over it. He's like, "Oh, there's a seed

5:04

right there. Let me plant that seed."

5:05

Yeah.

5:06

>> You know, there's an idea there. And

5:07

then, you know, it's how you come up

5:08

with stuff.

5:09

>> Yeah. I I never drink or smoke before

5:13

going on stage,

5:15

but I love to create it home. And the

5:18

next day, cuz sometimes you can write

5:20

something down and it'll be like uh

5:22

blazer button envelope and the next day

5:25

you're like, I don't know what the [ __ ]

5:26

I thought was funny about that last

5:28

night when I was smoking. But I I like

5:30

to smoke and create at home and then

5:32

take it to the stage. But when I'm on

5:33

stage,

5:34

>> I've had bad experiences trying to do it

5:37

high and say, "This will make me

5:38

creative. I'll be like Hendrickx of

5:39

comedy." And uh uh that's all wrong.

5:42

>> Your memory will go.

5:43

>> Yeah, your memory will go. One time I

5:45

was at the Laugh Factory and uh I came

5:48

off and George Lopez said to me, "Why

5:51

you come off?" And I said, "I told you

5:53

I'd do 20." And he says, "You did five."

5:59

>> I was in Tonight Show mode or some [ __ ]

6:01

you know.

6:01

>> Hey, speak I got to clear something up.

6:03

Speaking of this has nothing to do with

6:05

you, but I did a podcast last week with

6:07

Theo Vaughn and uh in it one there was

6:12

like a video on the internet is accusing

6:14

me of lying about something and what I

6:16

said was that I was in the mountains of

6:19

Utah when the Charlie Kirk thing was

6:21

going down. What it actually happened

6:23

was I was here doing a podcast with

6:26

Charlie Sheen when the Charlie Kirk

6:30

thing went down. when he we stopped and

6:32

take took a piss break, right? And

6:33

that's when we found out about it,

6:35

right?

6:37

>> Um and then when I was in the mountains

6:39

of Utah, that's when the Jimmy Kimmel

6:41

thing was happening. When Jimmy Kimmel

6:43

was getting in trouble and I was getting

6:44

all these messages, but I didn't have

6:46

any service out there, so I had to hook

6:47

up to Starlink in order to find out what

6:49

was happening.

6:49

>> Yeah.

6:50

>> When I did the podcast the other day, it

6:52

seemed like I was saying that I was in

6:54

the mountains when Charlie Kirk got

6:57

shot. I probably was saying that I was

7:00

exhausted when I did that show last

7:03

week. I So I did a show on Tuesday night

7:06

at the club and I have this thing that I

7:09

do unfortunately where I come home and

7:11

it's the only time that I get alone time

7:14

is when everyone's asleep and I stayed

7:16

up way too late. I stayed up super late.

7:18

Then I had to take my kid to school in

7:19

the morning

7:20

>> and I was like I'll just power through.

7:22

The problem when I do that when I get no

7:24

sleep is my memory is dog [ __ ]

7:27

>> Mhm. Like I have a really good memory

7:29

and a terrible memory. It's really good

7:31

a lot of the times and then sometimes,

7:33

especially when I'm tired, it's [ __ ]

7:35

terrible. It's like from doing thousands

7:38

of podcasts.

7:39

>> Yeah.

7:39

>> My memory is like a room that's filled

7:42

with boxes and and files

7:45

>> and I don't know where the [ __ ]

7:46

everything is.

7:47

>> See, as you were talking, the first

7:49

thing everything goes to sports for me.

7:52

some of our greatest home run hitters,

7:54

uh, they strike out a lot because

7:56

they're swinging all the [ __ ]

7:58

time trying to get it to McCovy Cove or

8:00

something, of course. And I think that's

8:02

how we are. Well, not we, you especially

8:05

right now. You're doing this constantly.

8:07

You're talking to lots of people saying

8:09

lots of things

8:10

>> and every now and then there's going to

8:12

be swinging a miss. Let me explain that.

8:14

>> But the real problem was sleepy. The

8:17

real problem was not getting any sleep.

8:18

And I'm not going to do that anymore cuz

8:20

I keep doing the thing. I get home at

8:22

night.

8:22

>> Have you had that problem before? Like

8:24

sleep deprivation and you get yourself

8:25

into something.

8:26

>> I've had that problem before. Usually I

8:27

can fix it with creatine. So creatine is

8:30

a great supplement when you're tired. Um

8:33

it really there there's been studies

8:34

that show that creatine um

8:37

supplementation, especially like 10 to

8:39

20 grams. Um it actually alleviates all

8:44

of the problems that happen with sleep

8:46

deprivation in terms of uh cognitive

8:49

function. Mhm.

8:50

>> But I've been I I just was doing some

8:52

blood work.

8:53

>> So when I was knew that I was going to

8:54

do my blood work, I didn't take any

8:56

creatine for a month because I want to

8:59

cuz I'd read something about creatine

9:01

possibly being bad for your kidneys. So

9:02

I wanted to get a baseline, do it, and

9:05

then do it again when I I suffer. So I

9:08

had this like strategy. But the point is

9:10

like

9:11

>> I went Yeah. My brain was foggy. And so

9:14

for the people that like heard that and

9:16

like what is wrong with you? That's what

9:18

I thought when I saw like somebody put a

9:20

video on the line. Why is he lying about

9:22

this? I'm like, oh, I forgot. It wasn't

9:24

a lie. It's just my brain sucks when I

9:27

don't get sleep and I'm not going to do

9:29

that anymore because it's like when I

9:32

get home at night

9:33

>> is the only time I'm alone. It's like my

9:36

only alone time. And I'm I even though I

9:38

knew I had to get up in the morning and

9:40

take my kid to school, I was like, I

9:41

don't [ __ ] care. I'm staying up. The

9:43

problem with that is like when I have to

9:45

do this the next day, I just don't

9:48

function as good. I've done it. I've

9:50

done it before, but I feel it the next

9:52

day. Like I can't recall things. My my

9:55

words don't come out as smooth. I don't

9:57

have as much. My my vocabulary is

9:59

limited. It's like there's too many

10:01

problems with it. So,

10:02

>> I mean, two things have been my mind.

10:04

First of all, do guys with these arms do

10:07

creatine? I mean, would it help me?

10:08

>> Oh, it's great for everybody. Yeah,

10:10

creatine is not just a supplement for

10:13

muscles. Creatine is actually a really

10:15

good cognitive function supplement. It's

10:18

actually a cognitive enhancing

10:19

supplement. Yeah, there's a lot of

10:21

research on that.

10:22

>> Yeah.

10:22

>> And the other thing that that hit me is

10:24

I was listening to you talk recently and

10:27

you talked about smoking herb and how it

10:31

enhanced the weightlifting process. You

10:33

>> Yeah.

10:34

>> What What's that about?

10:35

>> You feel it in your tissues, man. It's

10:37

like you feel it's really good for

10:40

coordination exercise. Like there's a

10:42

lot of jiu-jitsu guys who smoke weed.

10:44

>> They smoke weed right before class like

10:46

get ripped

10:47

>> and then

10:48

>> So the were high when I first started

10:49

seeing

10:50

>> Not those guys. Those guys don't do it,

10:52

but a lot of guys do. I think one of the

10:54

one of the I don't want to throw them

10:55

under the bus, but one of the brothers

10:57

was really into smoking weed and doing

10:59

jiu-jitsu and

11:00

>> arguably the best one. Definitely the

11:02

best one. But um a lot of jiu-jitsu guys

11:05

do it and uh a lot of guys like to do it

11:08

before kickboxing. It's like you just

11:11

feel your muscles more. You feel like

11:14

your coordination more. You're more

11:16

sensitive. It's weird.

11:17

>> It's like instead of it you being like

11:19

abstract with your movements and you

11:22

know just kind of like doing it. It's

11:23

like you feel all the tissues, all the

11:26

connection when you lift weights. You're

11:27

like like you feel all the fibers of all

11:31

your [ __ ] moving. It's like it just

11:33

makes you more sensitive. It's such an

11:35

un misunderstood substance. Not for

11:39

everybody. I really believe some people

11:41

should not get high. I think for some

11:43

people it throws them off and sends them

11:45

down a dark road and it's just not

11:47

>> causes them to procrastinate about their

11:49

life and personal responsibilities.

11:51

>> There's a lot of that. There's a lot of

11:52

people that just wake and bake and just

11:54

live in the cloud all day and never get

11:56

anything anything done. And then there's

11:57

a lot of people that also get like super

11:59

paranoid and they get anxiety and they

12:01

freak out. And then there's people that

12:03

there's a lot of uh connections to

12:06

marijuana and psychosis or um

12:11

schizophrenic states that some But the

12:13

problem with that is

12:15

>> were they already like did they already

12:18

have a propensity towards schizophrenia

12:19

and marijuana pushed them over the edge?

12:21

Were they going to get it anyway? Like

12:22

it's hard to say.

12:23

>> A lot of those guys on a diet coke would

12:26

have problems.

12:26

>> Yeah. Right. Right. There's a lot of

12:28

guys just [ __ ] red lights freak them

12:29

out. There's there's people that just

12:31

life is too hard for them and they don't

12:34

need something else that [ __ ] with it.

12:35

You know, if you already have mental

12:36

health struggles, probably shouldn't do

12:38

mushrooms. You know, if you're already

12:40

[ __ ] up, if there's already some

12:42

things that you're like struggling to

12:44

hang on to everyday life, yeah, you

12:46

probably shouldn't do acid. You know

12:48

what I mean? Like you should probably

12:49

just

12:50

>> just try to like keep your [ __ ]

12:52

together. But that's not everybody. It's

12:54

like alcohol. Like alcohol is not for

12:57

everybody, but some people can have a

12:59

glass of wine at dinner and just start

13:00

laughing. It's a nice social lubricant.

13:03

Some people they got one drink and then

13:05

they're doing coke and they're getting

13:06

hookers and they're [ __ ] driving on

13:08

the freeway. They're shooting at cops.

13:11

There's like they go crazy. Like some

13:12

people just can't handle alcohol.

13:14

Doesn't mean it should be illegal.

13:16

>> Like that's crazy. And this the same

13:18

thing I feel with pot. pot is super

13:20

beneficial to a lot of people

13:22

>> and has been for millions of years. For

13:26

me, that's my uh like in the old days,

13:29

you'd watch a television show and a guy

13:31

would have a martini when he comes home,

13:32

you know.

13:33

>> I even talk about that in the book. When

13:35

I come home, my girl has me a joint laid

13:38

out on the counter, you know, and uh you

13:40

know, nice little raw papers.

13:43

>> And uh that's my that that's daddy's

13:46

cocktail.

13:47

>> Yeah. It's a nice one, too, because it

13:49

doesn't [ __ ] with your body. The problem

13:50

with alcohol is,

13:52

>> you know, it feels good while you're

13:54

doing it, but then the next day you're

13:55

like,

13:57

>> yeah,

13:57

>> your [ __ ] head and your body's tired.

14:00

I hear swelling

14:02

>> and, you know, and different kinds of

14:04

things can. And also, I'm from a home

14:07

where my favorite person, my cousin,

14:10

because I I didn't have brothers and

14:12

sisters, biological brothers and

14:14

sisters. So, when my cousin came to live

14:16

with me, a male, he's a teenager, and he

14:19

had a drinking problem. Like, I would go

14:22

>> inside uh my toy box and find Scotch.

14:26

>> Oh, you hide it.

14:27

>> Yeah. He would hide it. He's parked in

14:29

the garage when there were already two

14:32

cars in the garage, you know, and and I

14:34

loved him and he was hilarious and he in

14:37

part helped to make me who I am. But but

14:41

a bad experience like that in your youth

14:43

can make you a little bit leery about

14:46

liquor.

14:46

>> Oh yeah. I had a friend of mine when I

14:48

was in high school and his cousin sold

14:51

coke and I watched this guy fall apart.

14:53

I watched him do cocaine constantly and

14:55

fall apart. His life just went down the

14:58

toilet and I never touched cocaine

15:00

because of that. I never did. I've still

15:01

never done coke

15:02

>> and I think that's why because I watched

15:04

his

15:05

>> So you you've never tried a line?

15:07

>> Never. Never. That's heavy. Not once.

15:09

Yeah. because I had to try it to see

15:11

what it smelled like, you know? I mean,

15:13

>> I'm sure I'd like it. My friend Jimmy

15:16

said, "Don't do this. You'd love it."

15:17

But he's probably right.

15:19

>> But you also have a certain kind of

15:20

discipline where I think you could do a

15:21

line and say, "Okay, I get it." But I

15:24

love that you have the discipline to

15:26

never try it. I I I don't have that kind

15:29

of strength. I got to see what it's like

15:31

once.

15:32

>> There's the thing is like I don't know

15:33

anybody who's had like cocaine was

15:35

really good for me. Like doing cocaine

15:37

was really good. When I started doing

15:39

cocaine, my life just really changed. I

15:40

really got clarity. I started focusing.

15:42

I was nicer to people. I don't ever hear

15:44

that story. You never, not once.

15:46

>> I did a little coke and then I was

15:48

president of Yale and I ran for

15:50

>> I do hear people say that about speed,

15:52

which is weird. You hear people say that

15:54

about amphetamines, like especially

15:56

Aderall, like how like, oh my god, it

15:58

makes me so productive. I got so much

16:00

done. But it's generally it's like

16:02

journalists and people that have to

16:04

write a lot,

16:05

>> students. I I'm very curious about

16:08

Adderall because I'm hearing so much

16:11

>> and I'm thinking

16:13

>> like when I was doing the book, right?

16:15

I'm like, would Aderall

16:17

be good to focus me to do for me what it

16:20

does for students that I hear talk about

16:22

it?

16:23

>> Probably. Probably. But I don't.

16:25

>> It's a pill, right?

16:26

>> It scares me though because I know a lot

16:28

of people with problems with it. It's

16:31

It's a It's a real It's a real catchy

16:34

one. It gets you.

16:36

>> Yeah.

16:36

>> And then you start leaning on.

16:38

>> So that that's one of the one of the

16:39

downs is it's extremely addicting.

16:41

>> Very addictive.

16:42

>> But what's the other downside? Any other

16:44

>> Well, I would imagine when you get off

16:45

of it, you're exhausted because I would

16:47

imagine whenever there's there's always

16:49

some sort of a biological,

16:52

you know, there's there's whenever

16:55

there's no free lunch, right? Anything

16:57

that speeds you up is going to bring you

16:59

down. Like this get if you're ramping

17:01

your body up where you're focusing for

17:03

[ __ ] 16 hours just sitting in front

17:05

of the typer.

17:06

>> Yeah. And that's what like why

17:08

journalists like it.

17:09

>> Yeah.

17:10

>> I would imagine the the back end of it.

17:12

You've done it Jamie.

17:13

>> Yeah.

17:14

>> Only twice cuz it kept me up for two

17:15

days.

17:16

>> See that's what I'm talking about.

17:18

That's it.

17:18

>> It's an amphetamine. So yeah, I went to

17:20

try to go to bed and was like, "Oh, this

17:22

isn't happening. So let's get up and see

17:24

how Oh, we're up all day. All right."

17:26

>> Two days.

17:27

>> Yeah. I just I had to call off work. It

17:28

wasn't good. And then you feel real

17:30

dopey after it wears off. Right.

17:31

>> Yeah. It didn't I didn't feel like I

17:33

succeeded on anything that day.

17:35

>> Man, that is a a [ __ ] problem for me

17:37

is like the lack of sleep thing after

17:40

this whole Charlie Kirk thing with this

17:41

what I was just talking about. I'm

17:43

really going to concentrate a lot more

17:44

on sleep.

17:46

>> You can't [ __ ] with that because it's

17:47

like

17:48

>> especially me. It's like I need my brain

17:51

to be functioning at its highest

17:53

potential most of the time. Like that's

17:56

what you're do. Especially when I'm in

17:57

here. I was talking to Theo Vaughn. I

17:59

didn't think it would that be that big

18:00

of a deal. Theo's a comic. We're just

18:02

gonna be silly. Probably

18:03

>> the most the most recent one.

18:04

>> Yeah, the one I was just talking about.

18:05

It probably be good to be loopy, you

18:07

know, like cuz you know the writers on

18:10

news radio, they would stay up all night

18:12

on purpose

18:13

>> just to get loopy because that that was

18:15

how because they didn't really do any

18:17

drugs. They just would use sleep

18:19

deprivation to be silly.

18:21

>> Yeah.

18:21

>> It was hilarious. Like these guys would

18:23

start writing at like 2:00 in the

18:26

morning. Like they would stay up, they

18:28

would play video games and they would

18:29

start writing a script at like two

18:30

o'clock in the morning and then they

18:32

would stumble in to like when we have a

18:34

table read, they would stumble into the

18:36

table read like just finishing the

18:38

script. They would lay it out to us.

18:39

They just got done printing it. And

18:42

these guys would be [ __ ] just

18:44

completely out of it. Hair all [ __ ]

18:46

up, barefoot. It was really funny the

18:48

way they operated. But it was there was

18:50

a method to their madness. And that

18:52

method was the more tired you get, the

18:55

more exhausted you get, you get into

18:56

sleep deprivation, you get loopy and you

18:59

get silly and you start thinking silly

19:01

things.

19:02

>> Yeah.

19:02

>> When those guys, that's how they would

19:04

use it. They would use that weird state

19:06

of mind, that loopiness to write.

19:08

>> Exactly.

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20:30

>> I need my sleep, man. If I have sleep, I

20:33

can do anything.

20:35

>> Um

20:35

>> I feel like they could have got there

20:36

with weed without all the the loopiness.

20:39

you know, you want to get there like you

20:41

can get there with weed and you know,

20:42

you don't have to stay up all night. You

20:44

get it like right away.

20:46

>> Yeah. But weed ain't for everybody.

20:48

>> It's not for everybody.

20:49

>> It ain't for everybody. And and but but

20:51

yeah, I I love having my sleep. As a

20:54

matter of fact,

20:56

um that's the drug that's most important

20:59

to me. Having an ambient nearby.

21:02

>> You like that?

21:03

>> Yeah. A quarter. A just a little bite of

21:06

ambient.

21:06

>> A little bite.

21:07

>> Yeah. We'll we'll hook you up.

21:09

>> I knew a dude who would take that [ __ ]

21:10

every day. He had to take it all the

21:12

time. And then he was taking two and he

21:16

told me like, "Dude, my house could be

21:17

on fire and I would have no idea."

21:20

>> I'm like, "That can't be good." But he

21:22

needed it. It was the only way he could

21:24

go to sleep. But he was also taking

21:26

Adderall. So he was taking Adderall in

21:27

the day and then he was taking ambient

21:29

at night.

21:30

>> Can't believe he's still alive.

21:31

>> Yeah. That's That's too much.

21:34

>> Yeah, the Add a [ __ ] his life up, too.

21:37

Woo. Yeah, it's not, you know, I don't

21:41

think you should rely on anything for

21:43

sleep. For me, I just I've never had a

21:46

sleep problem, fortunately. I could go

21:48

to sleep on a bag of rocks. I could just

21:50

crash. It drives my wife nuts

21:52

>> cuz like if we're on a plane, the moment

21:54

the plane takes off, I'm out cold. I

21:57

could just go to sleep. The bad thing

21:58

about me is I can sleep best in places I

22:01

shouldn't sleep like church

22:05

or or sitting talking to my woman

22:08

sleepy. I don't know why. Why is why

22:10

does church make you so sleepy?

22:11

>> Or or reading like reading will put you

22:13

out.

22:14

>> There are some audible books that are

22:16

worse than ambient,

22:17

>> right?

22:18

>> You know.

22:18

>> Yeah. Something about physically reading

22:20

puts me out.

22:21

>> Yeah.

22:21

>> Just sitting there like looking at the

22:23

pages, I just start nodding off.

22:25

>> Yeah. I I um The Alchemist.

22:29

I have been on page 12 for like a year

22:32

and a half, you know. Sit down on a

22:35

plane and just just read the alchemist

22:38

at the top of the page and I'm out.

22:40

>> Yeah. It's fiction for me that puts me

22:43

out. Non-fiction doesn't really put me

22:45

out. Non-fiction is more like I guess

22:48

it's more stimulating because it's real,

22:50

you know, because I'm reading about real

22:52

things. Something about reading fiction

22:53

is what puts me to sleep.

22:54

>> Yeah. For me, it's just reading. Just I

22:57

can take out my license,

22:58

>> you know, and look and say, "Oh,

23:03

halfway through my name,

23:05

out. This is cool, man."

23:08

>> Not having sleep is got like a person

23:10

that's got like legitimate insomnia.

23:12

That's got to be the nuttiest [ __ ]

23:14

problem. Like that's that movie The

23:17

Mechanic. No, The Machinist. Did you

23:18

ever see that movie The Machinist?

23:20

>> No. Is that an action movie? Well, it's

23:22

that's the movie with uh

23:25

>> what's Christian Bale. Christian Bale

23:28

where he lost an insane amount of

23:30

weight. Like Christian Bale is a big guy

23:32

and I think he got to like 130 something

23:35

pounds.

23:35

>> Yeah.

23:36

>> And the the the idea was that this guy

23:38

was going completely insane cuz he

23:40

couldn't sleep and so he wasn't eating.

23:42

And so he was just like up all the time

23:44

like out of it. And

23:46

>> like if you see what he looked like when

23:48

he made that movie, it's like that's

23:51

what he looked like in the movie.

23:52

>> Oh [ __ ]

23:53

>> Yeah.

23:54

>> That looks like he's about to make a

23:56

whole different movie.

23:57

>> Yeah. Like he was about to die and then

23:59

he went from that and right afterwards

24:01

he did Batman. So he got super jacked.

24:04

He went from that and by the way the

24:06

movie sucks. So this guy like wrecked

24:09

his health for a movie that wasn't even

24:12

good.

24:13

And I mean, I wonder how good it could

24:16

even be when your main guy is dying.

24:20

Look at that image on the far right. The

24:23

one that you just Look at that. Look at

24:25

the difference between That was like six

24:27

months later.

24:29

>> That can't be healthy.

24:30

>> No. [ __ ] terrible for you. It has to

24:33

be terrible.

24:34

>> Terrible.

24:35

>> Do you like to act?

24:37

>> No.

24:38

>> I don't hate it.

24:39

>> I don't like the process. I don't like

24:42

waiting around all day. I don't like

24:43

being on set. I don't like dealing with

24:46

Some actors are great. Some actors, just

24:49

like all kinds of people, you know,

24:50

cops. There's a lot of cops that are

24:52

awesome.

24:52

>> Cuz I know you're at a point in your

24:53

life when you could probably do anything

24:55

you want. And I never see you pursuing

24:59

any acting roles.

25:01

>> No, I avoid them. Yeah. I've been

25:03

offered some fun stuff and I was like,

25:06

I'm not going to Bulgaria for three

25:08

months. [ __ ] that. I'm just I it's not

25:11

my thing. And if it was my thing, I

25:13

would I'd be like feel very fortunate

25:15

and I' I'd dive on it. I'd be like, "Oh

25:16

my god."

25:17

>> So when you look at something you've

25:18

done and you're watching a role at in

25:21

dailies or uh at the premiere, you don't

25:24

love what you see so much that you do

25:26

more of it.

25:27

>> It doesn't bother me, but it's not it's

25:29

just not what I enjoy doing.

25:32

>> And again, it's the process that's the

25:34

problem. It's the 16-hour days. It's

25:36

like, and it's being around actors

25:39

because you're around people that need

25:43

to think and need to talk in a very

25:46

specific way because they're always

25:48

worried they're going to be cast out of

25:50

the kingdom.

25:51

>> You know what I mean? So, it's like this

25:53

very disingenuous way of communicating

25:55

that a lot of actors have. And it's just

25:58

>> and you always feel when you do

25:59

something that this person's going to be

26:01

your friend for life. I I'll see you

26:02

next month and you never see that [ __ ]

26:04

ever again. It's it's it's such a

26:07

disingenuous environment.

26:08

>> Do you enjoy it? Do you enjoy acting?

26:09

>> Um I kind of like it, but at 70, I

26:14

prefer to just be at home.

26:16

>> You're 70.

26:17

>> Yeah.

26:18

>> You look so good.

26:19

>> Oh, thank you.

26:20

>> That's kind of crazy that you're 70.

26:22

>> And no creatine.

26:24

>> Imagine how good you'd look at me.

26:26

Creatine.

26:26

>> I'm going go get it.

26:27

>> 70, man. If you told me that you were

26:30

45, if I didn't know you, you told me

26:32

you were 45, I'd believe you. That's

26:33

nuts. That's a blessing. I I

26:36

>> Isn't that crazy?

26:37

>> Yeah. Yeah. And I'm happy. So, that's

26:40

unusual.

26:42

>> Yeah. Right. A lot of people when

26:43

they're 70, they're bitter and tired.

26:45

>> Yeah. I I um I talk a little bit in the

26:49

book about Richard Prior coming to my

26:52

first condo. I bought a condo so I could

26:55

I didn't have a car yet and eventually I

26:57

got one. But when I first came to LA, I

26:59

wanted to be between the comedy store

27:01

and the improv so I could get to both,

27:02

you know.

27:03

>> Oh, right. So, I bought me a a condo and

27:05

I told Richard Prior that I got a condo.

27:08

I don't know. It's one of those I I

27:10

think I heard you and Shane talking

27:12

about it. How you see your heroes now

27:15

and then and sometimes you just say the

27:16

wrong [ __ ] And I was expecting this to

27:19

be the wrong [ __ ] but it's all I could

27:20

think of. And I said, "Richard, I just

27:22

bought a condo." And he said, "Oh, wow.

27:25

I like to see it."

27:28

And I was like, "Oh, okay."

27:32

and uh him and Rashan, his body man,

27:36

came to see my condo and uh that was the

27:39

coolest thing in the world. But the one

27:41

thing I remember, I remember I had no

27:43

furniture and Rashan had told me his his

27:46

guy had told me to get some kvassier. So

27:48

I had some kvasier, you know, and we sat

27:51

on the floor and drank kvassier and

27:54

listened to a boom box with jazz on it

27:57

and talked. And he looked around at one

28:00

point and he said, "This reminds me of

28:02

when I was happy." Whoa. And I don't

28:06

even have to tell you what went through

28:07

my head and what I thought that meant.

28:10

And I didn't listen to him then. That's

28:13

the thing is people disperse knowledge

28:15

to us from their experiences. And

28:17

sometimes we're too young and dumb to

28:18

listen.

28:19

>> What did that mean to you at the time

28:20

when he said, "This reminds me when I

28:23

was happy."

28:23

>> You know, I was I was so excited that

28:25

Richard Prior came to see my condo. I

28:27

didn't process it. But years later, I

28:29

started realizing

28:31

um

28:34

that he bought things and philosophies

28:38

that made his life more complex and uh

28:42

he was happy. This is what I think it

28:44

means. He was happy with the simple

28:46

[ __ ] you know, and sometimes I mean

28:49

it's nice to have, isn't it cool to have

28:51

money but still eat burgers if you want

28:53

to? I mean, cuz I remember walking

28:55

through supermarkets and pretending I

28:58

was shopping and eating out of the child

29:00

cart, that little that little top part,

29:04

and then leaving the supermarket, you

29:06

know? So, it's nice to be able to buy

29:09

anything we want, but at the same time,

29:11

I get that thing of the simplicity and,

29:15

you know, no guard gate.

29:18

Um, nobody's knocking down your door

29:21

trying to get to you.

29:22

>> Yeah. just just a conto with no

29:23

furniture. And for a guy like that, for

29:26

the greatest that I've ever known in our

29:29

world

29:30

>> to say I was happy when I had a little

29:32

place with no furniture. Um I didn't

29:36

think about it enough then, but later I

29:38

realized what he meant when I was in a

29:40

house that was too big with guest

29:43

houses.

29:43

>> Yeah. that would, you know, you walk

29:46

into a guest house and cobwebs get on

29:49

your face, you know, because you ain't

29:51

been in there in a while and you

29:52

realize, okay, this is what Richard was

29:54

talking about. I'm doing a lot of [ __ ]

29:55

for other people that I don't need,

29:58

>> right? And too much complexity.

30:00

>> Yeah. I Somebody said complications. My

30:03

business manager said something about my

30:05

staff and it dawned on me, what the [ __ ]

30:07

do I have a staff for?

30:10

you know, I and and I've simplified

30:13

things a little bit in my life and I'm

30:15

really happy. It's

30:18

>> uh just, you know, me and my woman and a

30:21

scaled down life.

30:24

>> That's better. Yeah. There's a lot of

30:26

people that just want a lot of people

30:28

around them because it makes them feel

30:29

important. They have a big staff. They

30:32

have a lot of people working for them, a

30:33

lot of things going on, a lot of

30:34

different projects.

30:36

>> Keep moving. Keep moving.

30:38

>> But no peace.

30:39

>> Yeah.

30:39

>> Yeah. Not good. I always tell comedians

30:41

like they're they're like, "Oh, I got to

30:42

get an assistant." I go, "No, you don't.

30:44

Just do less shit."

30:45

>> Don't get an assistant. You get an

30:47

assistant, that person's going to want

30:48

to kill you. That person's

30:50

>> They're going to feel entitled. You're

30:52

making all this money. They're not.

30:53

You're famous. They're not. They They

30:55

see you for who you really are. They're

30:57

f you like you [ __ ] regular guy. Why

31:00

has he got all this? Like David Spade's

31:02

assistant duct taped him and tased him.

31:04

Remember that?

31:05

>> Yeah.

31:06

>> Try to kill him.

31:07

>> That's That's That's heavy, man. That's

31:09

And and I've heard that the people who

31:12

work for us always hate us. I've always

31:15

avoided. Somebody told me,

31:16

>> "It's not always the case."

31:17

>> They said, "Yo, you know, your

31:18

housekeeper hates you." And I'm like,

31:20

"No, she's been with me 22 years." Like,

31:22

"That [ __ ] hates you, man."

31:26

>> And and I don't want to believe that.

31:28

It's not always the case, but it is

31:30

often the case that people that are

31:32

around people that have so much, they

31:35

feel like, "Why don't I have this? Like

31:37

I'm working for this person. Why am I

31:39

not doing But why am I not rich? This

31:41

person could just make me rich.

31:42

>> It's weird. You know what I mean?

31:44

>> Yeah.

31:45

>> Like that's not what the job is. The job

31:47

is you're a gardener. Gardener doesn't

31:50

make $5 million a year. Like this is

31:52

you're kind of being crazy.

31:54

>> And then you you get people that take

31:56

advantage of you where you get a bill

31:58

and you're like, why does it cost this

31:59

much? Like this is kind like I have a

32:01

friend who's very wealthy. He's a

32:03

businessman and he goes over every

32:05

[ __ ] little thing that people charge

32:07

him and he's always looking for they're

32:09

[ __ ] trying to overcharge me. He gets

32:11

>> signs his own checks.

32:12

>> Yeah. But he gets crazy when he thinks

32:14

people are overcharging him. But I'm

32:15

like, dude, you're almost 80 and you're

32:18

worth a billion dollars. Like why do you

32:20

why are you looking at like how much the

32:22

car wash guy charges you? This is crazy.

32:24

>> Maybe that's why he has a billion.

32:27

>> Perhaps. I mean, he's a businessman.

32:29

That's his thing. But what drives him

32:31

nuts is this idea that people are

32:34

overcharging him because he's wealthy.

32:36

They're taking advantage of him.

32:38

>> Joe,

32:40

the the craziest I ever went was I had a

32:42

barber when I had hair,

32:45

>> you know, and you know, a black barber

32:47

is a skilled scientist, you know, cuz

32:50

back then I had it fried, dyed, and laid

32:53

to the side with three Adidas stripes

32:56

over on the left. And you know, my [ __ ]

32:59

was intricate that year. And um my

33:03

business manager happened to be a

33:05

business manager for two other

33:06

entertainers.

33:08

And he's also my friend. And one day he

33:12

says, "You know that guy charges the

33:14

three of you different prices."

33:16

And I'm like, "Get the [ __ ] are So I

33:20

found out that Johnny Gil was paying

33:22

100, I was paying 350." Ah,

33:27

>> and that drives me crazy cuz basically

33:30

like you say, he was charging based on

33:33

who I am,

33:34

>> right? Yeah. He like you can afford it.

33:37

>> Yeah. Yeah. And I had a friend who had

33:40

more money than me and he was charging

33:42

him a crazy amount. It was it was like

33:44

the rental of a rose, you know. Crazy

33:48

money.

33:49

Yeah. Well, that's what comes with the

33:51

territory. People just think you're not

33:53

going to notice. They don't care, you

33:55

know.

33:57

>> Yeah,

33:58

I guess. Yeah. Do you think you are

34:01

happier now than you were when the

34:04

Arsenal Hall show was at its peak?

34:09

Yeah, I think I'm happier now because

34:12

with that peak comes a lot of pressure

34:16

and a lot of work. And I'd be a liar to

34:19

say I don't enjoy having the money

34:22

without the other [ __ ]

34:24

>> You know, I I did a good job of

34:27

investing and making sure that when the

34:30

lights went out,

34:31

>> uh I was good. So,

34:34

I love my life right now, man. More

34:37

relaxed, less pressure.

34:38

>> And being the OG and

34:40

>> pretty much your responsibility is just

34:42

uh giving advice to a comic in the

34:44

hallway.

34:45

>> Yeah. Uh, you know, a lot of the young

34:47

guys don't understand what you did

34:49

because what your show was like back in

34:53

I guess when was it when did it first

34:56

come on the air? What year?

34:57

>> Probably uh Coming to America was like

34:59

86 87 I left New York and went and

35:01

started the show. So 87 88 sometime

35:03

around in there. I'm bad with years.

35:05

>> Yeah. During that time and in the the

35:07

'9s it changed the whole landscape of

35:12

late night television. like completely

35:14

changed it because late night television

35:16

was stiff, you know? It was like, "Yeah,

35:18

a [ __ ] the desk. The desk made no

35:21

sense to me."

35:22

>> I talk I talk about the desk and how I

35:24

got rid of it. But but

35:25

>> it made no sense. But you what? I was

35:27

like, "Oh, finally he got rid of the

35:28

desk. The [ __ ] are are we being

35:31

lectured? Are am I in the principal's

35:33

office? Like what is the [ __ ] desk

35:34

for?"

35:35

>> But when they first started doing that

35:36

in the 1950s, if you went to work, you

35:38

had a desk. You had to wear a tie, you

35:41

had a desk. And they all smoke

35:43

cigarettes while they were on the job.

35:45

You know, he watch like the Johnny

35:46

Carson show

35:47

>> during commercials. Johnny would go

35:48

under his desk.

35:49

>> Get a cigarette.

35:51

>> Yeah. Well, they would often smoke on

35:53

air. They would do it all the time back

35:54

then. They all smoked.

35:56

>> How about planes? How about the fact

35:58

that we could get on a plane to go to a

36:00

gig and there was a row behind us where

36:02

smoking began,

36:04

>> right? And I'm in the no smoking row.

36:06

And the [ __ ] behind me got a cigar.

36:08

>> Yeah. You know,

36:10

>> and it was just flooding the entire

36:12

cabin.

36:12

>> Yes.

36:13

>> You know, Dice used to have a joke about

36:14

it. You're in a [ __ ] tube.

36:17

>> Where's the air going?

36:18

>> Yeah.

36:20

>> It was a weird time. But the the whole

36:23

idea was what I was getting to was like

36:26

late night television was very stiff. It

36:29

was, you know, it was like

36:33

and then your show came around.

36:35

>> Paul Anker wrote that,

36:36

>> did he?

36:37

>> Yeah.

36:37

>> Oh, wow.

36:39

>> Your show came around and then all of a

36:41

sudden it was fun and loose and I

36:44

remember when Clinton came on your show

36:45

and played the saxophone.

36:47

>> Yeah.

36:48

>> And that I mean everybody was like,

36:49

"What is happening?" The [ __ ]

36:52

president of the Was he the president

36:54

back then or was he running?

36:54

>> No, he was a governor

36:56

>> and uh that's right. He was trying to

36:58

get the young vote, so he did me. And

37:00

then the next day they decided to do MTV

37:04

because I think what my show did that

37:07

night was changed how you run for the

37:10

highest office in the land. And and

37:12

>> look at that.

37:12

>> Yeah.

37:13

>> Look at that.

37:14

>> That the joke I had just done was

37:16

finally a Democrat blowing something

37:19

other than the election.

37:22

You when you look you remember jokes in

37:24

in the moment. And dude, so What's

37:27

interesting is after this

37:31

presidential candidates realized they

37:34

had to come to Rogan and Sunday morning

37:38

to meet the press,

37:39

>> you know, and I like that, you know,

37:42

they they have to go everywhere now.

37:45

Well, they go where the people are

37:46

paying attention, right? Mhm.

37:48

>> But it's it was different because if

37:50

they did the Tonight Show with Johnny

37:52

Carson, it would be a, you know, a very

37:55

competent interview, but it would be

37:58

stiff. It was It was like very I mean,

38:00

not even stiff's not the right word. It

38:03

was traditional.

38:04

>> It was like this was different. Like him

38:06

playing the saxophone, running for

38:08

president, playing the saxophone. I was

38:09

like, "What is happening here?"

38:11

>> And I tried to get I I told Jenna Bush

38:14

this last week. I'm on this book

38:16

slinging tour. And uh I told her I said

38:19

I invited your grandpa because back then

38:23

there was a mentality that you do equal

38:27

uh both sides, you know, and I don't

38:29

think it was a rule. But but first of

38:32

all, my dad was a Republican, my mother

38:34

was a Democrat, so I was used to hearing

38:36

both sides and learning both sides. And

38:38

I thought the best thing I could do for

38:40

young people is show them both sides and

38:42

that would be fair of me as a host. And

38:45

we got a call from a man named Marlon

38:47

Fitzwwater who said, "No [ __ ] way

38:50

we're coming there." You know, and and I

38:53

wonder why.

38:54

>> Um it's almost like what you talk about

38:56

with the desk.

38:58

Um society at a certain point is stiff

39:01

and it takes certain people to loosen it

39:04

up and make a change. And uh I I think

39:06

it was just they're not used to it. It's

39:09

like, why are they barking? And and what

39:12

is you know

39:14

>> that's right. Things that make you go

39:16

hm.

39:16

>> Oh yeah. Yeah.

39:17

>> Yeah. There was a lot going on.

39:19

>> I had a couple of hooks going.

39:20

>> Oh, you had a great hook. The things

39:21

that make you go home. Everybody used

39:23

that all day long. Like when if

39:25

something weird was going on in the

39:27

office, people things that make you go

39:28

hm.

39:29

>> And it was so cool. Then they wrote a

39:31

song about it. And I would turn on TV

39:34

and I would see

39:34

>> Was that CNC Music Factory?

39:36

>> Yes, that's right.

39:37

>> Yeah. And um um I would turn on TV and

39:39

like Nordstrom's would have a sale that

39:41

makes you go and I was like that's very

39:44

cool, you know, and and and it came

39:46

about sitting with the writers and um

39:50

>> I had done it at the comedy store and he

39:53

says, you know, we could use that and

39:55

just throw any joke in there like randos

39:58

that we don't know where to put,

40:00

>> right?

40:00

>> And so it really was a a cheating

40:03

technique for a comic.

40:04

>> Yeah. Perfect nonsequittor. Just

40:07

transition

40:07

>> every now and then. Hey, why don't black

40:10

women breastfeed chocolate milk? And you

40:12

have no place else to put that that

40:14

thought, right? So, it's a a stream of

40:18

things that make you go h

40:20

>> Yeah. Yeah.

40:22

>> Well, it was just finally there was a

40:24

different kind of talk show. It was like

40:27

finally there was a talk show that was

40:28

more fun. Hey, the the desk thing. Um,

40:32

my partner and executive producer Mara

40:36

Keel Brown, we were sitting around one

40:38

day and she said after coming to

40:40

America, I had done the Joan Rivers

40:42

thing. I filled in for her for 11 weeks

40:45

and I think she uh her husband committed

40:47

suicide and she was going through all

40:49

that period, right? Conan's creating the

40:52

Wilton North report in the room that I

40:54

leave and I go to Paramount and she

40:56

says, "I'm asking you one thing." She

40:58

said, "I watched you do standup the

41:00

other night at the comedy store, and

41:04

there is a freedom that you have that I

41:06

would like you to have on the talk show,

41:08

and I don't think we can have it with

41:10

that desk between you and the guest. So,

41:12

I want you to just try without the

41:14

desk." And um I tried it without the

41:17

desk and never went back.

41:19

>> Yeah, you changed it. I mean, like, and

41:23

then George Lopez did No Desk when he

41:25

did his show. Mh.

41:26

>> A few people have tried the no dust

41:28

thing.

41:29

>> Yeah.

41:29

>> But

41:30

>> for us, I think it's great. And And you

41:31

know what? I was able like somebody like

41:33

Rosie Perez, who would be nervous,

41:36

>> I'd hold her hand

41:38

>> and you can't reach across the desk and

41:40

and hold somebody's hand.

41:41

>> Well, also the desk was always elevated.

41:43

>> Oh, yeah. You want to be

41:44

>> was always above the guest.

41:45

>> We must be higher,

41:46

>> which is weird.

41:47

>> Well, that's that's a bizarre. I don't

41:50

know if that's the ego of the

41:52

entertainer or whether that's some

41:54

asskissing prop

41:57

uh set designer move because

42:00

we always wanted to be higher and I

42:02

remember they put something under my

42:03

seat. So

42:04

>> make your seat higher.

42:06

>> Yeah. So I'm sitting even with Kareem,

42:09

you know, which is [ __ ]

42:11

you know.

42:13

Yeah. It's a weird thing. It's like why

42:15

would the host be above movie stars like

42:19

and rock stars and

42:21

>> why? That doesn't make any sense at all.

42:23

>> Yeah. Unless your host is David Bowie.

42:25

>> Yeah. Right.

42:26

>> Right.

42:28

>> Unless he decides to do a talk show. And

42:30

even then it doesn't make any sense.

42:31

It's like if you want to have a

42:33

conversation the way you did it was the

42:35

best way to do it. Just be sitting

42:36

there.

42:37

>> Yeah.

42:37

>> Sitting with each other, you know.

42:39

>> And now

42:40

>> you can lean in.

42:41

>> Oh yeah.

42:42

>> Yeah. You could you could touch the

42:43

person, you could poke the person. Uh

42:45

>> now we have a different era where

42:50

everyone can do talk. I saw Mike Eps

42:53

talking on his back from his bed the

42:56

other day holding his phone above him.

42:59

And that's when it hit me. It's like now

43:01

we have a hard time finding a guest that

43:03

doesn't have a show,

43:04

>> right?

43:05

>> We can anyone can have a show now.

43:07

>> Yeah.

43:08

>> And that's kind of cool.

43:09

>> It is kind of cool. And it's just like

43:12

and you find your as long as you do it

43:14

long enough and you put the right

43:16

attention to it and do it honestly,

43:19

you'll find your own lane. You find your

43:21

own way of doing things.

43:22

>> I have friends who have children who

43:24

have shows,

43:26

>> makeup tutorials and successful things

43:28

going on in their bedroom.

43:30

>> One of the biggest shows on YouTube for

43:32

a long time was a kid that was like

43:34

unboxing toys.

43:36

>> Oh, that's cool. And it was sort of, but

43:38

then they started monetizing it. And I

43:40

think, you know, soon as your parents

43:42

start making all that money off of you

43:44

opening toy boxes, [ __ ] gets weird. It's

43:46

weird for kids to get famous, period.

43:48

But but it was just like no one had

43:51

thought that out like that. There would

43:53

be a lot of people that were interested

43:56

in you watching toys.

43:58

>> Yeah. Yeah.

43:59

>> Like there's a lot of shows that I watch

44:01

on YouTube that it's just people

44:02

cooking.

44:03

>> Oh, yeah.

44:04

>> I just I love watching people cook.

44:05

Watch a lady cook with big titties and

44:08

and uh uh just an apron, you know, and

44:12

you know, side boobage be coming out.

44:14

>> That's a trick. She's tricking you. I

44:17

like watching people cook with no

44:19

talking. It's just ASMR, you know, just

44:21

they're like chopping up the food and

44:23

you hear the sizzle in the pan and like

44:25

it's I don't know why I like it. I love

44:26

I love watching people do things. Isn't

44:28

it amazing that you're younger than I

44:31

am, but when I was growing up in

44:33

Cleveland, we had three channels,

44:35

>> right? I remember those days.

44:36

>> Yeah. And and and the [ __ ] signed off at

44:39

two, right?

44:40

>> Yeah. You da

44:42

da

44:43

>> and you fall asleep watching TV and that

44:45

would wake you up.

44:46

>> Yeah. Cuz it would be just crackling

44:48

like, "Oh jeez, I stayed up too late."

44:50

>> You have to shut it off after the

44:52

American flag because the American flag

44:53

would wave

44:54

>> on the TV, right?

44:55

>> Yeah. There would be a a match fade from

44:58

a soldier to the American flag.

45:01

>> Yeah. And then it would just go static

45:03

at 2 in the morning. And then I remember

45:05

when Fox came out and everybody's like,

45:08

"This channel is crazy."

45:10

>> Yeah.

45:11

>> Foxes, they have the Simpsons and M.

45:13

>> They changed my life, man. th those uh

45:16

Tracy Alman

45:17

>> and then of course

45:19

>> they discovered that they could get

45:21

numbers with me and Living Color

45:24

>> and uh Fox was really important to us.

45:28

Fox was important to America. I mean it

45:31

was it was a looser, wilder network. It

45:34

was like a network that was a little

45:36

crazier.

45:37

>> Like they were doing things that they

45:38

were getting nuts

45:39

>> and they had to they had to take some

45:41

chances and roll the dice in a different

45:42

way,

45:43

>> right? Yeah. And then cable came along.

45:45

It was like the slow descent into

45:47

madness.

45:48

>> Yeah. Yeah.

45:49

>> And then all a sudden you have 150

45:51

channels and now you have like literally

45:53

an infinite number of channels because

45:55

of streaming and YouTube. It's like you

45:57

can never run out of things to look at.

46:00

Which is crazy because I turn a lot and

46:03

I'm like, "Yo, [ __ ] They got

46:05

two million stations and you channel

46:08

chasing. You can't find something." But

46:11

I'm a big YouTube guy because I I don't

46:14

like commercials. I want what I want and

46:16

I want it in small increments. I

46:18

actually, as a 70-year-old, fit more

46:19

into this culture than I did the culture

46:21

I was born into. I

46:24

>> I like things for three minutes. It's

46:25

It's [ __ ] me up, too. You know, I I

46:28

don't want long [ __ ] I want quick [ __ ]

46:31

>> And uh I'm jumping around. Well, when

46:34

I'm watching TV, I'm I'm generally

46:37

trying to check out, you know, or I'm

46:40

trying to be educated, right? So, either

46:42

I'm watching some um like particle

46:45

physicist talk about the the way they

46:48

find new particles by using particle

46:52

colliders and large hadron colliders and

46:54

the amount of energy required to

46:56

duplicate the, you know, the conditions

46:59

that happened right after the big bang.

47:00

You know, I'm just like,

47:02

>> I I watch a lot of that [ __ ] and then I

47:03

just watch people play pool.

47:05

>> I watch people play pool and I watch,

47:08

you know, people make furniture and

47:10

people cook. I I'm just trying to like

47:13

unwind.

47:14

>> Yeah.

47:14

>> I'm just trying to like relax.

47:15

>> But that's so heavy. I heard you and Cat

47:18

talking about the pyramids.

47:20

>> Mhm.

47:21

>> And um as a matter of fact, it was part

47:25

of the reason I was afraid to come here

47:27

because I've heard you talk about the

47:30

reexplosion of

47:32

it's just when you hear that kind of

47:34

[ __ ] and you're like,

47:35

>> I don't want to be here. It's like [ __ ]

47:37

crazy, huh?

47:39

I don't want to be that guy, you know?

47:42

So, it it's intimidating to watch

47:44

intelligent people have an exchange and

47:47

say, "I got to go there."

47:48

>> Is it?

47:49

>> Oh, yeah.

47:50

>> Well, I I guess

47:51

>> you don't want You don't want to be the

47:52

first idiot in the room. Nobody

47:54

>> Oh, you definitely wouldn't be the first

47:55

idiot on this show.

47:56

>> And you're not an idiot anyway. But if

47:58

there's been plenty of really [ __ ]

48:01

dumb people on this show that were

48:02

great,

48:02

>> but do you know somebody that is really

48:04

intelligent and conversation with them

48:06

is intimidating?

48:07

>> Oh, sure.

48:08

>> So, I was afraid of this room. I I mean

48:10

I know people like Bill Clinton.

48:12

>> The first time I sat and talked to Bill

48:14

Clinton, not on the air or the second

48:17

time I guess I should say.

48:19

>> It was kind of daunting because

48:22

he no matter what your politics is, he's

48:24

a really smart guy. Yeah. Cat Williams

48:27

is the same way. That [ __ ] read

48:29

a lot more books than I read.

48:31

>> Well, Cat's brilliant. I mean, you can't

48:33

be that funny and not be very

48:36

intelligent.

48:37

>> It's the reason Bill Cosby was so funny.

48:39

He was a bright man.

48:41

>> Uh

48:41

>> oh. I got

48:43

something.

48:44

>> He's just He just That's a problematic

48:46

subject.

48:48

>> Was also Bill Clinton. I wish Bill

48:50

Clinton didn't have so many problems

48:52

because I would like to talk to him. I

48:53

would love to have to sit down with him

48:55

on a podcast. You know, the problem is

48:58

like how do you sit down and not talk

49:00

about all the chaos and all the nutty

49:03

[ __ ] and the Epstein files and all the

49:04

other [ __ ] Like you kind of almost have

49:06

to talk about it. So, it's too bad

49:09

>> because I think he's a fascinating

49:10

person and I think he's one of the

49:12

greatest presidents of all time for

49:15

sure. And if you go back and look at

49:16

what he accomplished during his

49:18

administration, they balanced the

49:20

budget. There was like one of the first

49:22

times in the history of this [ __ ]

49:24

country that we didn't have a gigantic

49:25

debt. Now our debt's like 39 trillion.

49:29

>> It's crazy. Everybody's so bad at

49:32

balancing the budget. And you go back

49:34

and listen to him talk when he was

49:35

running for president. He's like super

49:37

sensible. Like everything he said made

49:39

sense.

49:40

>> And didn't he move a little to the

49:41

right?

49:42

>> Well, I mean it wasn't to the right. It

49:45

was just sensible. Like what is to the

49:47

right and what is to the left?

49:49

>> It's accepting that

49:51

a lot of things are valuable that are

49:55

not a part of your party's philosophy. I

49:58

think we have to be willing

49:59

>> to compromise and move a little bit. Uh

50:02

and and that goes for all politicians.

50:04

We have to be able to move a little bit

50:05

to be logical and serve all of America

50:09

>> for sure. But I think the problem is

50:11

parties all have to agree and they then

50:14

they form ideologies that you cannot

50:16

stray from. So if you're one of those

50:18

people that says like hey maybe an open

50:20

border is a bad idea because terrorists

50:23

can come through like

50:25

no there's no one's illegal on stolen

50:28

land. You know you get everybody gets

50:30

crazy because there's a party line that

50:32

you have to stick with. This is today.

50:34

Today things are incredibly polarizing.

50:36

But if you go back and listen to some of

50:38

the things that Clinton was saying when

50:39

he was running for president and when he

50:41

was president, boy, these are like

50:43

almost right-wing talking points in a

50:45

lot of ways. But they're not but it's

50:47

not right. But it's not really

50:49

rightwing. It's just sensible. Like what

50:52

is right and what is left? Left used to

50:54

be um first of all, freedom of speech

50:57

was of paramount importance. It used to

51:01

be that they were very open-minded. It

51:03

used to be like the that education was

51:06

of crucial importance and that discourse

51:09

was crucially important and that you

51:12

have to look out for citizens and in

51:14

sense of like having social safety nets

51:16

and having welfare programs and and food

51:19

stamps and all those things are which

51:20

are really important for a society

51:22

because not everybody is in the same

51:24

position in life. And if we're a

51:26

community of people, which is what a

51:28

country is supposed to be, you're

51:29

supposed to look out for everyone. You

51:31

know, that that's sensible. That's what

51:33

the left used to be. And then it became

51:36

trans women or women. Men can get

51:38

pregnant.

51:39

>> And by the way, when you deal with left

51:41

and right, you have to almost attach a

51:43

year because we've seen parties

51:47

change. Um

51:49

I'm always reminded that the Democratic

51:52

Party was the party of the clan. if you

51:55

go far enough back.

51:56

>> So, I'm I'm a Republic. I have to look

51:59

at it all.

52:00

>> But wasn't Lincoln a Republican?

52:04

>> Um,

52:04

>> I believe Lincoln was a Republican. I

52:06

think the Republicans were the ones who

52:08

were trying to abolish slavery.

52:10

>> There was a a lot of there's a lot of

52:12

weird things that shift back and forth

52:14

and that you you think of right-wing and

52:18

leftwing in today's standards. Like we

52:21

were playing a clip of Hillary Clinton

52:22

the other day when she was running for

52:24

president. I think it was was it 2008 or

52:26

2012?

52:28

>> 8 when she was she was running for

52:31

president. She's like if you're here

52:33

illegal from another country, you should

52:35

have to pay a stiff penalty. You should

52:37

have to learn English and if you have

52:41

any criminal history whatsoever, no

52:43

questions asked. You get out of the

52:45

country. And everyone was cheering like

52:47

the lady's MAGA. That sounds completely

52:49

MAGA. That's why I say when you deal

52:51

with Democrat, Republican, you have to

52:53

attach a year because it's evolved and

52:55

changed many times.

52:56

>> Well, it's all you're just being

52:57

manipulated and you're being manipulated

52:59

by these two teams and you have to pick

53:02

a team. You have to decide which team

53:03

are you on.

53:04

>> I hate that.

53:05

>> It's so stupid. I'm politically

53:06

homeless. I've always been politically

53:09

homeless for a long [ __ ] time. It

53:11

neither one of them make any sense to

53:13

me. We need like a logical centrist

53:16

government that like just says there's a

53:19

lot of things that we should do to make

53:21

this country a better place. We can we

53:23

can do these things and we don't have to

53:25

attach them to left or right and

53:27

anything that the left says that's

53:30

logical to people on the right. They

53:31

immediately dismiss it because it's

53:33

coming from the left. And that happens

53:34

the same with where the left does it to

53:36

people on the right. It's dumb. It's a

53:38

it's a team thing. It's like the

53:39

Dolphins versus the Raiders. It's just

53:41

you pick a [ __ ] team and you team a

53:43

horrible game, by the way.

53:47

>> You pick a team and your team rules and

53:49

the other team sucks. And there's a lot

53:52

of people out there that are not that

53:54

they're not open-minded and they love a

53:57

good rigid ideology that they could

53:59

adhere to. So now I don't have to think

54:01

for myself. I have a predetermined

54:04

pattern of opinions that I could just

54:05

adopt and I'll just accept those and

54:08

that's how I think and that's what I'm

54:09

going to argue with.

54:11

When I was young, I used to

54:14

in some jokes say, "My my heart is

54:17

Democratic, but my wallet is Republican,

54:20

you know." But it's not even that simple

54:22

anymore. It's gotten much more

54:23

complicated.

54:24

>> Yeah. Much much more complicated. It's

54:26

like, you know, everyone should be

54:28

anti-fraud whether you're on the left or

54:30

on the right.

54:31

>> Unless you're committing fraud,

54:33

>> right?

54:33

>> Then, you know, then I'm pro me.

54:36

>> Yeah. Well, I think a lot of people

54:37

that, you know, are certainly benefiting

54:39

from fraud would like to dismiss it,

54:41

whether it's the left or the right.

54:43

Yeah. There's like

54:45

>> we have a problem in this country where

54:46

we have a two-party system. Two-party

54:48

systems are inherently flawed because

54:49

there's no [ __ ] way that one side is

54:52

going to represent you entirely. And

54:56

it's much more likely if you have like

54:58

five, 10, 15 different parties that are

55:00

all legitimate because we don't have

55:02

another legitimate party. If you vote

55:04

for libertarian, and I've voted

55:05

libertarian before, you're basically

55:07

saying, "Fuck these people."

55:08

>> You know, [ __ ] these people. I'm voting

55:11

>> You're jacking up the Dolphin Raider

55:12

game.

55:16

>> Yeah.

55:16

>> I'm voting for rugby.

55:18

>> That's what you're basically saying.

55:20

You're like, I can't get behind either

55:21

one of these [ __ ] so I'm going

55:23

to vote for this guy who has no chance,

55:25

>> you know? And I've done that before. I

55:27

did that with Joe Jorgensson. I did that

55:29

with Gary Johnson. I voted for both of

55:32

them. But why do you think we've not

55:34

been able to come up with legitimate

55:37

third, fourth, and fifth parties?

55:39

>> Well, they got it locked down. They've

55:41

got it locked down

55:42

>> with donations and money.

55:43

>> Yeah. It's money. Money and politics.

55:45

When they got when they allowed

55:46

corporations to just essentially give as

55:49

much as they feel like it like and when

55:51

corporations

55:52

>> and not not just corporations, but other

55:54

countries.

55:54

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That's betterhp.com/jre.

57:16

Oh yeah. Yeah. Yeah. It's not good. It's

57:19

not good. Money in politics is the real

57:21

problem. You know, it should, you know,

57:24

the whole thing. It's a mess. And then

57:25

you find out how much money politicians

57:27

make

57:28

>> while the TSA guys have nothing.

57:30

>> Yeah.

57:30

>> And politicians are still getting a

57:32

[ __ ] check.

57:33

>> Yes. Exactly. Well, I felt that way also

57:35

about the lockdowns in California. I was

57:38

like, all these people that are saying

57:39

that you should have no outdoor dining,

57:41

your paycheck should be entirely

57:43

dependent on the GDP of your city. And

57:45

if your city starts suffering, you

57:48

should [ __ ] suffer. And I guarantee

57:49

you want those businesses to open right

57:51

the [ __ ] back up because it didn't make

57:52

any sense. They were doing things for

57:54

optics only. And they were doing things

57:56

because they like control. People love

57:58

control. They love it. And once you give

58:00

them power over people, they're in the

58:02

control business. They like to keep that

58:04

control. And it just gets gross. And

58:06

they don't have any there's no

58:08

repercussions. They don't get in trouble

58:10

if all these like California lost.

58:12

>> Somebody should be in trouble for the

58:13

Epstein fouls. somebody.

58:15

>> At least one person, please.

58:17

>> Yes. It's crazy that we're sitting

58:19

around looking at that.

58:20

>> It's crazy

58:20

>> and we know it and we say it, but ain't

58:23

a [ __ ] thing we can do about

58:24

it,

58:24

>> right? It's like right now there's some

58:29

talk about journalists getting in

58:31

trouble for leaking information about

58:33

the down pilot and that they want to

58:36

prosecute these journalists. At the same

58:38

time, no one's being prosecuted for the

58:40

Epste files.

58:41

>> Yeah,

58:42

>> that's nuts. That's a sick society.

58:45

>> As a kid, I did magic, right? And

58:49

there's a thing in magic, I take a coin

58:51

and put in this hand, there's a thing

58:53

called misdirection. That's what I just

58:55

did to you. You looked at that and I'm

58:57

doing some [ __ ] right here. That's the

58:59

story of American politics.

59:00

>> Oh yeah. Whenever something weird's

59:02

going on, look, when Monica Lewinsky,

59:04

when when Trump when Bill Clinton got

59:06

caught with Monica Lewinsky, they may

59:08

start bombing some other countries.

59:09

Like, we got to distract these people.

59:11

This is just too complicated. Yeah,

59:13

>> look, the Epstein Files comes out. We go

59:15

to war with Iran. It's It's a good way

59:18

to get people to stop talking about

59:19

certain things. You give them a new

59:21

problem to think about.

59:22

>> Hey, this morning I wake up in a very

59:24

nice hotel, thanks to you. Uh, breakfast

59:26

was paid for, the tip was done, all that

59:28

[ __ ] It was kind of cool. Um,

59:31

and I was nervous and I'm thinking, I'm

59:34

nervous

59:36

to go see my guy and talk, which is

59:39

insane. But then, you know, sometimes

59:41

you try to focus on why you're really

59:43

nervous. Why am I so nervous? And I

59:45

realized it wasn't just coming here. I

59:47

had watched about a half hour of news

59:51

and it was making my stomach hurt, you

59:53

know, because I I feel so sad on a lot

59:56

of levels, you know,

59:57

>> and anxiety.

59:58

>> Yes. Yes.

59:59

>> News just gives me anxiety.

60:01

>> But I got to as a comic, I got to watch

60:04

cuz I got to know everything. I got to

60:05

have that that that mental rolodex

60:08

loaded.

60:08

>> Yes. for crowd work or whatever.

60:11

>> Well, you have to know what's going on

60:12

in the world. Unfortunately, if I wasn't

60:15

a comic, I would have no social media. I

60:17

would never consume the news. I would

60:19

just hide.

60:20

>> Yeah.

60:20

>> I would just like go to a peaceful

60:22

place. I'd probably have a place in the

60:24

mountain somewhere and just [ __ ]

60:25

chill.

60:26

>> I would not want to have anything to do

60:28

with any of this [ __ ] that's going

60:29

on in the world. And I know people, a

60:30

lot of people say, "Oh, you have to

60:32

participate and this and that." Like,

60:34

man, yeah, I guess. But I don't think

60:37

your participation is having the kind of

60:40

effect that you'd like it to have. I

60:41

think it's having an effect on the way

60:42

you think and feel much more so like a

60:45

disproportionate effect on your mental

60:47

health and your anxiety levels and all

60:49

these different things that you cannot

60:50

control by paying attention to it. You

60:53

can't control what these [ __ ] people

60:54

are doing. And it just drives you nuts.

60:57

And

60:58

>> it's frustrating because we realize I

61:00

mean you and I are both millionaires.

61:02

You a lot more than me. Uh but at the

61:05

same time we realize we don't have

61:07

enough money to really affect it. I mean

61:10

you

61:11

>> you can affect some things I guess.

61:13

>> Yeah. I now that I think about

61:14

>> I don't want to I don't want to affect

61:18

if I can affect things in a positive way

61:20

I can. Yeah. I mean there's some things

61:21

like

61:22

>> things by by dispersing information of

61:24

candidates and in helping to inform

61:27

people. But but that kind of money that

61:29

you have to have to have a dinner in

61:32

Malibu and uh and later get some [ __ ]

61:37

done that you want to get done cuz the

61:39

president is your guy now.

61:40

>> Yeah.

61:41

>> Or girl.

61:42

>> It's very complicated.

61:43

>> Yeah.

61:44

>> Very. And then that kind of complication

61:46

comes with a lot of scrutiny, a lot of

61:48

weirdness. And and also like you don't

61:50

really know these people. You you you

61:53

support people like for running for

61:55

president or governor or mayor,

61:56

whatever. How do you how much do you

61:58

know them? Are you really sure that you

62:01

is this like is there no good option? So

62:03

you go with the least evil option?

62:05

>> Well, a lot of us do that and that's

62:07

that's really painful to think that the

62:11

lesser of two evils is a horrible thing

62:14

as a philosophy for a place we raise our

62:16

children,

62:17

>> right? Yeah. There's no one person that

62:19

really comes along. You're like,

62:21

"Finally, like a peaceful, God-loving

62:23

person who's just looking out for

62:25

everybody's best interest, who really

62:27

only wants to do this cuz they think

62:28

they can affect change." And then once

62:29

they do try to affect change, they get

62:31

[ __ ] shot cuz cuz nobody really wants

62:34

that because they're all making money.

62:35

>> When we were coming up, remember the Sam

62:37

Kenisonson bit?

62:38

>> Which bit?

62:39

>> Um I think it was very similar to that

62:42

people who have an idea, we kill them.

62:44

>> Oh, that was Bill Hicks.

62:45

>> Oh, it was Hicks.

62:46

>> Yeah. Okay. Yeah. Yeah. Yeah. Yeah.

62:48

Hicks. Hicks had a great bit about that.

62:50

Yeah. And it's totally true.

62:51

>> I mean, anybody that really wants to

62:53

rock the apple cart, like that that

62:55

person's a problem,

62:56

>> you know? And all these people that are

62:58

making, look at these sociopaths that

62:59

are making [ __ ] billions of dollars

63:01

just being [ __ ] Like they do not want

63:04

you coming along and waking people up to

63:06

that and saying, "Hey, we should put a

63:08

stop to all this. We should, you know,

63:10

we should stop these people from like

63:12

that's why people cheered when that guy

63:14

got shot. The United Healthcare guy,

63:16

>> he got shot. People were happy. They

63:19

were happy. Like finally,

63:21

>> at first I thought it was I thought

63:22

homie who shot him. I thought it was his

63:24

eyebrows, you know, cuz women were going

63:25

crazy, you know?

63:26

>> He's a hot guy. He's a good-looking guy,

63:28

too. He's like perfect guy to to be like

63:31

a martyr, like an assassin.

63:33

>> By by the way,

63:35

have you noticed throughout history,

63:37

good-looking people get treated

63:39

differently when it comes to the justice

63:40

system? They've done experimental trials

63:43

where the hot guy gets off on for

63:45

murder. Easy cuz the 11 women were cool

63:50

with it, you know.

63:51

>> Well, women are weird with killers, you

63:54

know. When guys are even serial killers,

63:56

when they go to jail, women like

63:58

>> they get great letters proposals.

64:00

>> Weird. Marry me.

64:02

>> Yeah. Even like Richard Ramirez was

64:04

getting all these proposals while he was

64:05

in jail. But the ultimate game for a

64:07

woman is to be married but not have to

64:09

live with that [ __ ] you know?

64:11

So that might be kind of cool, you know,

64:15

>> kind of. I don't know what it is. Um I I

64:17

heard someone talk about that saying

64:19

that there's women that like men that

64:21

are capable of killing

64:23

>> because

64:25

back in the day it was if someone was if

64:29

you needed someone to protect you, you

64:30

didn't you didn't want someone that

64:32

would hesitate if they were going to

64:34

kill someone. You wanted someone who has

64:35

experience killing people.

64:37

>> So it's almost like an attractive trait

64:39

that someone's willing to cross that

64:41

terrible line

64:42

>> and just has no problem murdering

64:44

people. And if they like you, they won't

64:46

murder you, but they'll murder other

64:47

people. Like anybody, that's a problem.

64:49

>> I knew a girl who went out with a couple

64:52

friends of mine. And her MMO was to do

64:55

something publicly that would make the

64:58

man whip somebody's ass to defend her

65:00

honor or something.

65:01

>> Oh,

65:02

>> and she because that that made her feel

65:06

>> better.

65:07

>> That's a crazy [ __ ] I've been around

65:08

people like that before. I always got

65:10

rid of them real quick. I've had a few

65:12

ladies like that when

65:13

>> you gonna let him say that to me, you

65:15

know,

65:15

>> I'd be like, "Why'd you say that to

65:16

him?" The [ __ ] Don't get me involved in

65:18

this stupid [ __ ]

65:19

>> But it's hard, man. I was in a club as a

65:21

young man on Sunset. Left the comedy

65:23

store, went down the street to a place

65:25

called Carlos and Charlie's. And back

65:27

then, they had uh this garment called a

65:30

tube top.

65:31

>> It was just an elastic

65:33

>> about elastic piece about 8 in or

65:35

depending on your breast. And um I

65:38

watched a dude take his finger and just

65:41

pull the girl's tube top down. Titties

65:43

fell out. And I'm watching her man. He

65:47

didn't know what to do, you know,

65:49

because you don't want to fight these

65:51

guys.

65:52

>> You almost want to just say, "Baby, just

65:54

pull up your top. Let's go home." You

65:56

know, but he had to fight.

65:57

>> Yeah.

65:58

>> And uh in that situation, I I think you

66:02

have to fight.

66:03

>> You just definitely shouldn't be there

66:04

in the first place. That's the problem

66:06

with going to clubs.

66:07

>> You're the wrong club.

66:08

>> They're running into the potential

66:10

psychopath

66:12

>> is just too like that's where they go

66:15

where people act like [ __ ] That's

66:17

where they go.

66:18

>> When is the last time you went to a

66:19

club?

66:20

>> I never go to clubs.

66:21

>> Yeah. It's been a long time for me. I

66:22

mean there is no club for 70 year olds.

66:24

>> No. No. No.

66:25

>> You know that's called ARP.

66:26

>> Well, if you do go, it's sad. If you

66:29

>> Yeah. You don't want to be the oldest at

66:30

the bar.

66:31

>> Yeah.

66:31

>> Hey ladies, what is [ __ ] grandpa

66:33

doing here? But but are do kids dance

66:36

now?

66:37

>> That's a good question.

66:38

>> My my son has has like I remember a time

66:40

when you say I'm doing the cabbage patch

66:42

now. You know it's like you knew what

66:44

the latest dance was. My son never

66:46

dances. I've taken him to New Year's Eve

66:49

parties. He never during the slow record

66:51

says to a girl you want to dance. You

66:53

know, you go out and slow dance. What

66:55

happened to that [ __ ]

66:56

>> That's that's true. Right. Well, because

66:57

clubs got associated with violence. Like

67:00

clubs get associated with people getting

67:02

drunk. They're doing drugs and chaos and

67:05

people getting shot,

67:07

>> you know? Yeah.

67:08

>> There's just too much of that going on.

67:10

You hear about that at concerts, too.

67:11

But yeah, you're right. You don't

67:13

There's no new dances.

67:14

>> There's no things that like you have to

67:16

learn,

67:17

>> you know?

67:17

>> Yeah. But you know, you know what's

67:19

replaced it? Maybe the entire family on

67:21

Tik Tok,

67:22

>> right?

67:23

>> Tik Tok has definitely got dances that

67:25

you got to learn.

67:26

>> Oh, really?

67:26

>> That's all it is.

67:27

>> Oh, really?

67:27

>> Yeah. Yeah. I mean, for people that are

67:29

>> Right. That's where the dances are.

67:30

That's where the dances are. They're not

67:32

going to clubs. They're just doing

67:33

>> song just got viral again because

67:34

they're dancing the freak on a leash.

67:37

>> It's a 25-year-old song that has got a

67:39

dance to it.

67:40

>> What's the dance? Show me the dance.

67:42

>> Couldn't even begin to start it, but I

67:44

can show you.

67:45

>> Get up here and do it.

67:46

>> Show you the video.

67:47

>> You do it. You've been practicing.

67:48

>> No, I used to do it.

67:50

>> Show me the video. What's the What's the

67:52

corn dance?

67:53

>> In my head, you're like, get up and do

67:55

it. But I'm not.

67:56

>> Do we have to not play the music?

67:57

>> Yeah, I'll probably not play the music.

67:59

>> So, this is this is the dance. See, it's

68:01

a new day.

68:02

>> You don't go to a club, you do it with

68:04

your girl.

68:05

>> I think they made it back on Billboard

68:06

because you know, like the song is

68:08

>> Oh, that's hilarious.

68:09

>> Got so many plays on it.

68:11

>> That's hilar.

68:13

>> Yeah, it's old.

68:14

>> Wow, that's crazy.

68:17

>> So, I don't know. And then to contrast

68:19

to this is the club in Austin where

68:21

everybody goes. They're not necessarily

68:22

doing those dances.

68:23

>> What club is this?

68:24

>> This is called the concourse.

68:25

>> Oh, see I I can't go to a club with no

68:28

shirt on.

68:29

>> And what do they do here? I like DJs.

68:31

>> Oh, DJ.

68:33

>> So, they just bounce around.

68:34

>> Bunch of lasers.

68:35

>> Yeah, this is like a jazz concert. This

68:38

is

68:38

>> jazzy Jeff.

68:41

>> Yeah, they just bounce around. They're

68:44

all on ecstasy.

68:44

>> Everybody stares at the DJ stage like

68:46

they're performing music. And

68:49

>> yeah, this is a sign of a sick culture.

68:51

>> Not that there's anything wrong with

68:52

>> a different culture,

68:53

>> but it is like but but that there's no

68:55

the other thing. There's no like people

68:57

dancing, you know? Yeah.

68:59

>> On the old days, like if you go back and

69:01

you watch like nightclubs from like the

69:03

1960s and 70s, what was everybody like

69:06

the disco days, right? That's perfect.

69:07

>> When [ __ ] was singing,

69:09

>> burnt burn this mother down.

69:12

>> Yeah.

69:13

>> Yeah. People

69:15

>> Well, I remember when I was a kid,

69:17

Saturday Night Live or Saturday Night

69:19

Fever rather came out.

69:20

>> Oo. And that's when everybody wanted to

69:23

learn how to dance because John

69:24

Travolta,

69:25

>> he could [ __ ] dance. And they would

69:27

have dance offs

69:28

>> and black people were saying,

69:29

>> "We got to step up the game if this boy

69:32

can do that,

69:33

>> you know." So we had to get better,

69:34

>> right? And then you had Soul Train,

69:36

right? Where everybody dancing on TV.

69:39

>> Yes.

69:39

>> Yeah.

69:40

>> Saturday morning was that that was life

69:43

for me. There's no shows where there's

69:47

like a bunch of people performing music

69:49

on TV anymore.

69:51

>> Well, that's the that's that gap between

69:53

me and you as talkers. Um, one of the

69:57

problems I had and I talk in the book

70:00

about this. I love music and I grew up

70:02

wanting to do that show. So when they

70:04

start telling me, you know, you can get

70:07

better numbers with Howie Mandel just

70:11

talking than you can with this because I

70:14

put Boys to Men and the Temptations

70:16

together once. I had to fly Boys to Men

70:19

from Philly. I had, you know, and and

70:21

they wanted it less black and now I got

70:23

14 brothers doing choreography, you

70:26

know, and it's like, no, that's not what

70:27

>> they wanted it less black.

70:29

>> Well, they would say [ __ ] like that to

70:30

you.

70:30

>> Oh, yeah. And they they wanted um this

70:34

is the carrot. They said we know

70:37

Johnny's going to leave one day. You

70:39

know, you always think it's going to be

70:41

two years. So, you can inherit his

70:43

audience if you do the right show.

70:45

>> But I Joe, I I used to do the talk show

70:48

in my basement, man. We put on a

70:50

Temptations record. And my friend Junior

70:53

would be my guest, and he would sing Get

70:54

Ready on Soul Train. They lip-sync. We

70:57

knew the microphones wasn't plugged in.

70:59

And so he would sing and then I'd

71:01

interview him. I wanted to do that show.

71:03

But you were doing that when you were

71:05

young.

71:05

>> Oh yeah.

71:05

>> When did you How old were you when you

71:07

doing that?

71:07

>> Uh 11.

71:09

>> Really?

71:09

>> Yeah. My mother would have rent parties

71:11

and so she'd rent these card tables and

71:15

chairs and the people like in LA we call

71:18

it town and country, right? That you can

71:20

rent stuff for your party. So the next

71:22

day they come and pick up the stuff in

71:23

the truck. But before they pick it up, I

71:26

would do a talk show with that stuff.

71:28

And um I dreamed of everything that I

71:31

did eventually in my life.

71:33

>> Wow.

71:34

>> And it was it was um the show I wanted

71:37

to do. So at a certain point when they

71:39

say um does Prince need a purple piano?

71:43

You know, I said, "Yeah, he won a purple

71:46

piano." And the show I was doing was

71:48

just too expensive. And you and I talked

71:50

once at the Ice House when I tried to do

71:53

the reboot show. Yeah.

71:54

>> And I was telling you how complicated it

71:56

was. They wanted my Twitter site.

71:58

>> They took your I was telling people they

72:00

took over your [ __ ] social media and

72:02

they wouldn't give it back.

72:03

>> Yeah, it was hard to get back in.

72:04

>> That's crazy. I remember you telling me

72:06

that. We were standing outside the

72:08

outside area of the Ice House and you

72:10

were like, I can't get my [ __ ] social

72:11

media back. I'm like, that's crazy. They

72:13

took your social media.

72:15

>> Yeah.

72:15

>> And they would use it to promote other

72:17

shows.

72:17

>> Absolutely. And the end of of that

72:19

reboot experience

72:21

um didn't go down exactly the way I

72:23

wanted to. like like I got picked up

72:25

first and Jay Leno came out and read a

72:28

letter from Les Moonveves that I was

72:29

picked up for a second season and then

72:32

we start talking about the second season

72:34

and here's the great thing they wanted

72:37

you you really got to stop doing the

72:40

music as a matter of fact how about no

72:41

house band and it's interesting well but

72:45

but economically speaking Joe when I

72:47

look at it they wanted me to do Joe

72:49

Rogan before there was a Joe Rogan they

72:51

just want you to talk to people and

72:53

I watched Fallon with Will Smith one

72:56

night and Will Smith rode in on a horse

72:59

and I'm like that's expensive. You know,

73:02

they wanted me to do what we're doing

73:04

right now because this is cheaper to do.

73:07

I would love for us to uh have a hip-hop

73:12

star here right now following me, but

73:14

this is economically sound. It's a new

73:16

day,

73:17

>> right? So that's all it was. It was just

73:19

a money thing. They just

73:22

>> uh well that was the reboot show. The

73:23

first show

73:26

um you know if they want me to be in the

73:28

position to inherit Johnny's audience

73:30

because that's they they wanted me and

73:34

themselves to make more money a lot of

73:36

money. Keep making money. And I was kind

73:39

of kicking the bag because

73:42

I had wanted to do this show since I was

73:44

a kid. I I couldn't imagine. Meanwhile,

73:47

the thing is your show was so popular.

73:50

And by the way, they got numbers one

73:51

night when Whitney didn't sing. She just

73:53

came on

73:55

>> and that was the kiss of death in my

73:58

morning meetings cuz they were like,

73:59

"Look, Whitney saying nothing." And look

74:01

at the numbers, you know? So, so they

74:04

were shooting for the Joe Rogan

74:06

experience before there was an

74:08

experience.

74:08

>> [ __ ] people concentrate on the

74:10

numbers. It's like you you're missing

74:12

the trees.

74:12

>> You got to Joe. Yeah. It's sometimes I,

74:14

you know, it's really important for me

74:16

to look back and say

74:18

I love that show that I did and I don't

74:21

regret a moment of it, but I get

74:26

a corporate organization saying we can

74:29

make more more money and we can get more

74:32

people in.

74:33

>> Yeah. If I was a cor I would be a

74:35

terrible corporate executive by the way

74:37

>> because you would Yeah. I would say just

74:40

be you. just have fun and whatever ads

74:43

we get, we get. Whatever money we get,

74:45

we get and that's good. You get plenty.

74:47

It'll be fine.

74:49

>> You can't You got to let a a It has to I

74:53

feel like every show has to be a unique

74:57

expression of the person that's hosting

74:59

it and what they're trying to do. Like,

75:01

let that person be free. Like, can you

75:04

imagine if Quinton Tarantino had to sit

75:06

down with a group of people that were

75:08

executives before he wrote a script? You

75:12

would never get any of these [ __ ]

75:13

chaotic, crazy movies. They were like,

75:15

"No, no, no, no, no. You can't bash a

75:17

woman's head on a mantle piece. That's

75:19

nuts. Like, don't do that. No, you

75:21

can't, you know, like in Jackie Brown.

75:23

No, you can't [ __ ] shoot that girl in

75:24

the parking lot. That's nuts. You can't

75:26

do that. You can't do any of these

75:27

things. You've got to let someone just

75:30

be free. And then it finds its audience.

75:34

>> Yeah. I remember when Ice Tea came on to

75:37

explain Cop Killer and um his way of

75:41

explaining

75:42

>> by the way.

75:43

>> Yeah. Yeah.

75:44

>> And it was a metal band.

75:46

>> Yeah.

75:46

>> People don't realize that like I Tea

75:48

People forgot Body Count was a metal

75:50

band.

75:51

>> Yeah. You got to search that, y'all.

75:53

>> Right. A lot of people don't even know

75:54

that he did that. You think of IC Tea,

75:57

you think of 6 in the morning. You think

75:59

of, you know, Hustler. You think of all

76:01

those classic songs, Colors, you think

76:04

of that. You You don't think of Body

76:07

Count, which is like Ice Tea reinvented

76:09

himself. And he was like, "I always love

76:12

this kind of music. You can't tell me

76:13

what the [ __ ] I do. I like this kind of

76:15

music, too." Music, too.

76:17

>> Amazing career. That

76:18

>> I know. And now he's he plays a cop for

76:20

like 25 years.

76:21

>> How about that for irony?

76:23

I knew him when he was a pimp. And now

76:26

>> that's crazy.

76:27

>> Remember when he was in Pimps Up, Hose

76:29

Down?

76:29

>> Yeah, absolutely. He was in that, too.

76:31

>> Yeah.

76:32

>> I mean, he was talking about the pimp

76:34

game. It was hilarious.

76:35

>> Yeah. He he came on, by the way. They

76:38

didn't want me to do that, you know, uh,

76:42

book him, but but I thought it was I

76:44

thought it was cool to expose America to

76:47

some conversations they might not hear

76:49

normally, right?

76:50

>> And the more power I got, the more I

76:52

tried to push that envelope and do those

76:54

things. He compared it to

76:56

Schwarzenegger. He says, "You don't

76:57

think he's really the Terminator, right?

77:00

you know, and and he says, "I I'm not a

77:02

cop killer,

77:03

>> but there's a message through this

77:05

character, and I'm paraphrasing, but

77:07

>> but it it was nice to

77:09

>> to hear people who I know." I I would

77:12

talk to Tupac

77:14

>> and I would say, "Say that on the air.

77:16

You got to talk about that on the air."

77:17

And that was we didn't have Twitter. We

77:21

didn't have the bluebird. I was kind of

77:22

the blackbird. And I was able to have

77:25

these like Tupac called me once and he

77:27

says, "Man, they want me to take a AIDS

77:29

test before I do this movie. And unless

77:31

I'm really going to [ __ ] Janet, I don't

77:34

think I should have to take a AIDS

77:36

test." And I'm like, "Please don't say

77:38

anymore. Just come on the show." And and

77:40

this fit into both categories. Come on

77:42

the show, don't do any music. Just sit

77:44

and talk. And those nights would do

77:47

really good.

77:48

>> Of course.

77:49

>> Of course. because people want to hear

77:51

people really talk. Especially in those

77:53

weird settings where most of the time

77:55

when people were coming on talk shows,

77:57

they would just have this like very

77:59

canned sort of like pre-programmed thing

78:02

that they would talk about. They would

78:03

talk about their character and the

78:06

>> people don't know we have pre-ins which

78:08

you don't have in a show like this, but

78:10

>> I get a card

78:12

>> that morning. It's like, okay, here's

78:14

what Jackie Collins would like to talk

78:16

about, right?

78:17

>> You know, or or uh Nicole Kidman has

78:20

requested that you don't mention Tom

78:22

Cruz.

78:24

And I'm like, well, tell Nicole, the

78:26

only reason that [ __ ] is here is cuz I

78:28

think Tom Cruz is going to walk out, you

78:30

know, and Oh, it was it was crazy back

78:33

then.

78:34

>> Yeah. Well, it was all PR people. And

78:37

it's again, you're dealing with too many

78:38

different people that are peripheral

78:40

people where all their money is

78:42

dependent on this one person performing.

78:45

So they just want to make sure they make

78:46

the maximum amount of money possible.

78:48

Like don't make any ripples. Don't cause

78:50

any waves. Don't cause any problems.

78:52

Just go out there and smile and and sell

78:55

more. We'll sell more records. We'll

78:57

sell more movies. TV show will get

78:59

better ratings. Don't mess it up.

79:01

>> Yeah. Guys like Prince used to

79:03

>> be frustrated with the fact that

79:06

>> if something's a hit, can you give us

79:07

something like that again? How many

79:09

beats per second is that? Can you give

79:10

us that again? Or any big artist? It's

79:13

like we want more of of Waterfall.

79:16

>> Yeah. Yeah.

79:17

>> Yeah. No, Prince was one of the most

79:21

revolutionary artists ever. And people

79:24

that don't know the early stuff, they

79:26

don't know how crazy it was that this

79:28

guy was the house song called Head

79:31

>> just singing about getting head.

79:33

>> First time I saw him, he was opening for

79:35

the Rolling Stones.

79:37

>> Wow.

79:38

>> And the audience didn't dig him because

79:40

it was different back then and he was

79:41

singing soft and wet.

79:44

>> Right. Right. Well, Prince was just he

79:47

was so unique, man.

79:48

>> And he predicted a lot of the things

79:50

that we're dealing with now and going

79:51

through. I remember the first time he

79:53

talked about what became Napster and he

79:56

talked about um owning your own property

79:59

and what was going to slave on his jaw

80:02

and we thought that was silly but it

80:04

meant something. Well, he was dealing

80:06

with these crazy contracts where these

80:10

record companies, these predatory record

80:12

companies would lock you into these

80:14

contracts and they [ __ ] owned you. So

80:16

his response to that was like, "Okay, I

80:18

won't perform as Prince anymore. Now I'm

80:20

[ __ ] this [ __ ] I'm this squiggly.

80:23

I'm a symbol

80:23

>> with a slave insignia on my

80:26

>> What are you going to do now? I'm a

80:27

symbol. I'm not even selling myself as

80:29

prince.

80:29

>> And he would just I mean, how

80:31

revolutionary is that? This guy said,

80:33

"Okay, I know the workaround. I won't

80:35

use my name anymore. I'll just be a

80:38

symbol."

80:39

>> But he was such a bad [ __ ] that

80:41

people like, I know who that is. I don't

80:43

care what that [ __ ] symbol is. That's

80:45

Prince. Let him sing. Let him do things.

80:48

>> Did you ever meet him? No man, I had one

80:51

opportunity to [ __ ] see him live.

80:53

Yeah. And I blew it

80:54

>> at the Great Western Forum.

80:55

>> No, it was at It was at one of the

80:58

hotels in Vegas, but it was a really

81:01

late show

81:02

>> and uh I had a show earlier that night

81:05

and they said, and Prince was doing

81:07

small shows back then. It was like this

81:09

small like intimate audience, but it was

81:12

like after midnight. I was like, I'm

81:14

[ __ ] tired. I'm going to go to sleep.

81:15

And this is like, oh, I [ __ ] up, man.

81:18

I [ __ ] up. It's like when his career

81:21

was in a weird place cuz he wasn't doing

81:23

like big shows anymore and he was doing

81:26

this late night show and people were

81:28

saying it was really good but I was like

81:29

I'm tired. I'm not going to see this.

81:31

And then years later when he was dead I

81:33

was like god did I [ __ ] up. I always

81:35

thought Prince was going to be around.

81:37

>> Yeah. And Prince we lost Prince to

81:39

Fentinel.

81:40

>> Yeah. A lot of people don't in an

81:41

elevator.

81:42

>> God damn. Uh, I I remember the

81:45

Musicology album where he toured and he

81:49

attached the album to the ticket so that

81:52

when you bought a ticket, you were

81:54

buying an album and it instantly became

81:56

a million-doll seller with that

81:58

philosophy. He had

81:59

>> genius that was way ahead of the pimps,

82:02

>> you know. I love it.

82:04

>> He just knew that he was being [ __ ]

82:07

and he knew that all they're selling is

82:09

his brilliance. They don't have

82:11

anything. What is a record company

82:13

selling? They're only selling the art.

82:15

That's it. They don't make it.

82:16

>> And they were getting a penny a copy.

82:19

Exactly. The the the record company was

82:21

getting most of it. And now it makes

82:23

even less sense because nobody even buys

82:26

albums anymore. It's like, how the [ __ ]

82:28

are these record companies even

82:29

surviving? It's so crazy that there they

82:33

still figure out a way to latch their

82:35

tentacles onto these young artists. And

82:37

for young artists, they feel like

82:38

they've made it when they're a part of a

82:40

record deal. like I got a deal. And I

82:43

almost want to tell them like

82:45

that ain't a deal.

82:46

>> You got to deal with the devil. Like if

82:47

you just put your [ __ ] on YouTube or on

82:49

Soundcloud or anywhere where people hear

82:51

it and they start sharing it, you'll be

82:54

huge.

82:54

>> Yeah. We're getting smarter and learning

82:57

how to deal with the pimps that you

83:00

know. Uh I I talk in in the book about

83:02

Prince also had a great sense of humor.

83:05

you would have loved him, you know, as a

83:08

person uh beyond the musician. And there

83:11

was a time when I was hosting the MTV

83:13

Awards and he had no ass in his pants.

83:17

And um

83:20

you know, so when he's coming past me

83:22

down the hall, I realize, oh [ __ ] cuz

83:26

this [ __ ] ain't got no ass in

83:28

his pants. We'll be talking about this

83:30

tomorrow. So, so obviously when I get

83:32

back to the show, my first monologue is

83:34

about that night.

83:35

>> Look at that.

83:36

>> Yes. YES.

83:41

>> 1991. Isn't that crazy?

83:43

>> That was That was nuts.

83:44

>> 1991. So I do jokes about that in the

83:47

monologue and u like a week or two after

83:52

the jokes I get a box

83:56

in the mail at Paramount and it's from

83:58

Prince

84:00

and I open it. I figure it's maybe a

84:02

hoodie,

84:03

>> you know. I opened it and it's a

84:05

beautiful black and white suit with all

84:07

the Prince symbols on it. Made me look

84:10

like I was the drummer for New Power

84:11

Generation or something. It was a cool

84:13

cool suit. And I'm looking at it and my

84:16

assistant said, "Turn it around."

84:22

I turned it around. There was no ass,

84:26

>> no leg. Hell no.

84:29

Not even at the crib. I never put it on.

84:32

It's like I I could never bring myself

84:34

to putting on that suit. It had no back,

84:36

Joe. That's hilarious.

84:38

>> But that's his sense of humor.

84:40

>> That's hilarious. That's so funny. I

84:42

took him to an after hours joint once. I

84:44

talk about that in the book of because

84:47

he was very interested in what people

84:49

listen to and what moved people in

84:51

clubs. And I told him about an after

84:53

hours joint down the way south of

84:54

Wilshire that was in a lady's house and

84:57

you have put pitbulls and and a fence

84:59

and they let you in. They lock the chain

85:01

back, bring you to the back and um you

85:04

know you put money on the counter and

85:06

they put your liquor in a solo cup. you

85:09

know, not a legal place. And I told him

85:12

about the place and he said, "I want to

85:14

go." And I took him down the way to this

85:18

spot. He had an acrylic cane and a suit

85:22

where the shoes match the suit, exact

85:24

same material. And he sat with me in

85:28

this after hours joint and listened to

85:31

the music and and it was where the

85:33

strippers.

85:33

>> What year was this? Oh god, this was

85:36

maybe two years after I left the talk

85:38

show. And um

85:40

>> So did he need the cane back then? Was

85:42

that when he was having hip problems?

85:43

>> I think so. Now we understand that maybe

85:46

he had a replacement, a hip replacement

85:48

or something.

85:49

>> I thought it was fashion, but it

85:51

probably was a little necessary that

85:53

year

85:54

>> and he all his dancing and

85:56

>> Oh, he used to jump off speakers, Joe.

85:58

>> Yeah. Yeah.

85:59

>> And land with heels.

86:01

>> Mhm.

86:02

>> So

86:02

>> that's what [ __ ] him up.

86:03

>> Yeah. Yeah.

86:05

>> Yeah.

86:05

>> Yeah.

86:06

>> A lot of pictures with him with a cane

86:07

over the time though.

86:08

>> That's Well, he probably was struggling

86:10

even back then cuz there's a lot of guys

86:13

that blew their their hips out. Yeah.

86:17

>> He probably needed it

86:18

>> cuz he was an athlete, per se, you know.

86:20

>> Oh, for sure. I mean, his dancing was

86:22

insane. And he was a good basketball

86:25

player.

86:26

>> Hey, I I have one of those. He um the

86:29

hat with the police hat with the chain.

86:32

He sent me that one day.

86:34

>> So, I'm sure there are a few of them,

86:35

but just to have one of those from him.

86:37

And he sent me like what looks like a

86:41

Smith and Wesson 38 long, but it was

86:45

fixed up. So, the microphone was where

86:48

the barrel is.

86:49

>> So, he could hold the gun and sing into

86:51

it like that. I have that. Very cool.

86:54

Very cool.

86:54

>> I became good friends with Charlie

86:56

Murphy and Charlie Charlie had Oh, look

86:58

at that.

86:59

>> Yes.

86:59

>> Wow. Wow.

87:02

Wow.

87:04

>> I have one of those. I don't know how

87:05

many there were, but I have one from

87:07

him.

87:07

>> That's crazy.

87:09

>> Wow.

87:10

>> But Charlie Murphy,

87:11

>> well, Charlie had all those great

87:14

stories about Prince that he did on

87:15

Chappelle's show.

87:16

>> Yeah.

87:16

>> You know, I mean, that was like that

87:17

whole segment of like uh how how good

87:20

Prince was as a basketball

87:22

>> and then people didn't believe it

87:23

because, you know, he's so short, but

87:24

meanwhile, he could [ __ ] play like a

87:26

[ __ ]

87:26

>> Yeah. He had he had a crossover move

87:29

that was crazy. And he could roller

87:32

skate

87:33

and I mean amazing with with a lollipop

87:36

backwards and [ __ ] on one foot, you

87:38

know? So he he was

87:40

>> he was an athlete.

87:41

>> Yeah.

87:42

>> Really. I mean you can't dance like that

87:44

and not have incredible body control.

87:46

>> Yeah.

87:47

>> But the problem is when you're doing

87:48

show after show after show after show

87:49

after show for years,

87:51

>> you're you're tearing your [ __ ]

87:52

joints apart. And that's probably what

87:54

blew his hips out. That's one thing

87:56

about us with the exception of the [ __ ]

87:57

you used to do on a stool. That

87:59

balancing act. Uh

88:00

>> oh, the Kardashian joke.

88:02

>> Yeah. Our joke, our our our life of

88:04

jokes isn't very f we No. You know, all

88:06

we got to do is take care of from the

88:08

neck up. Take care of your mind.

88:10

>> Our body we No comedian has a bad hip.

88:13

>> Well, you generally don't get it from

88:15

performing on stage, that's for sure.

88:17

But when you're dancing and jumping

88:18

around and doing all that [ __ ] like Ted

88:20

Nent blew his his knees out jumping off

88:23

of uh speakers.

88:24

>> Mhm. Mhm. Like a lot of people did that,

88:26

you know, they just they went crazy.

88:27

They were just putting on a show and you

88:29

don't realize you're doing it. Maynard

88:31

from Tulle, he blew his hip out,

88:33

stomping on the ground all the time.

88:34

>> Wow.

88:35

>> Just stomping while he was singing. He

88:36

had to get a hip replacement.

88:38

>> Yeah. I like being a standup.

88:41

>> Well, it's definitely easier on the

88:43

body. That's true. You know,

88:45

>> you still get up on stage ever?

88:46

>> Oh, yeah. All the time. I'm going up

88:48

>> in your own club.

88:49

>> Yeah.

88:50

>> What nights do you go up? Usually

88:51

Tuesday and Wednesday I do it, but I do

88:53

it, you know, off nights too, different

88:55

nights. But Tuesday and Wednesday almost

88:57

every week I do a show there.

88:58

>> I promised my woman I wouldn't go to the

89:00

mothership. When I I told her, she's

89:03

like, "When you go, I want to go. It's

89:05

it's a big deal if you're a comic,

89:08

>> you know? I mean, uh, it's it's it's a

89:11

huge deal." But I want to come one

89:13

night, fly in, and just just let me have

89:16

10. Dude, you can go up anytime. You can

89:18

go up tonight if you want. I got a show

89:20

tonight.

89:20

>> Yeah, I I got to fly home and do I'm

89:23

still slinging this book, man.

89:25

>> I hear you, brother. Well, anytime

89:26

anytime you want to come by and do a

89:28

set, you're more than welcome.

89:29

>> I love it though.

89:30

>> Come and hang hang out.

89:31

>> Everybody's been so friendly.

89:32

>> The green room is an amazing hang, too.

89:34

>> That's what I hear. But I've heard both

89:36

sides of that. I've heard don't be in

89:38

that [ __ ] if you're not supposed

89:39

to.

89:40

>> Well, the problem is you don't want

89:41

anybody coming in [ __ ] up the

89:43

conversation, you know? So, we, you

89:45

know, you got to be kind of vetted. But

89:47

it's only like during shows when you're

89:49

not on, you know, if like if it's a show

89:53

and you're on the show, everyone's

89:55

allowed to be in the green room. Yeah.

89:57

It's just like we don't allow people to

89:59

just come in out of nowhere. There's

90:01

like you're from out of town, you want

90:02

to come in and hang out in the green

90:03

room. Then there's too many people in

90:04

the green room. Yeah. And then people

90:06

have to prepare. They're going over

90:07

their notes. The green room is supposed

90:09

to be a hang with the comics on the show

90:12

that are getting ready to go on stage.

90:13

And the problem is that's the cool spot.

90:15

That's where Shane Gillis is and Ron

90:17

White is Tony Hinchcliffe is everybody

90:20

wants to come in and you know it gets it

90:22

gets to be a little bit of a problem. So

90:24

you can't go in the green room if you're

90:26

not on the show unless we know who you

90:27

are and you know you're in town. You

90:29

want to come hang

90:30

>> but it's like you know it's like you're

90:31

having a party. You can't let everybody

90:33

in. The problem is everybody wants to be

90:35

there.

90:35

>> I mean look at the level I'm at and how

90:37

long I've been doing it and I know about

90:39

the green room and want to get in there.

90:41

>> You can get it. You can get in anytime.

90:44

Hey, when you were in living in

90:46

Hollywood still, um, did your kids ever

90:49

want to act?

90:50

>> No. No, they're not interested in that.

90:52

>> Yeah.

90:53

>> Never wanted to stand up.

90:55

>> Thank No, they wouldn't. First of all,

90:57

rich kids are not going to be good

90:58

stand-ups.

91:01

>> You're not going to be able to deal with

91:03

the torture of bombing. You know, you're

91:05

not

91:06

>> And they don't have to.

91:07

>> And they don't have pain. You know,

91:09

their their pain is so minor in

91:11

comparison to the pain of poverty. the

91:13

pain of struggle, the pain of, you know,

91:15

not getting enough attention when you're

91:17

young and, you know, moving around a

91:19

lot, all the different [ __ ] that most

91:21

comics go through. I I've never met a

91:23

good comic who had a great childhood. I,

91:25

as you're talking, I'm thinking, I'm

91:26

like, do we know any comics who are

91:29

good, who are from wealth?

91:31

>> None. I don't know any. I'm sure they

91:33

can exist. I'm sure it's possible, but

91:35

it takes a very exceptional person to

91:37

want to be a great comic that's grew up

91:41

wealthy. It's just not a thing that they

91:43

seek to do.

91:45

>> So much so much comedy comes from our

91:47

pain.

91:48

>> I think the only exception to that would

91:49

be the weigh-ins brothers because the

91:52

sons of the weigh-ins brothers all went

91:54

on to be great comics. They all went on

91:57

to have big careers in movies and films

91:58

and television. But I think that's it's

92:01

like a family thing over there. Like I

92:03

remember Damon telling me that he set up

92:05

a stage in his house.

92:07

>> That's absolutely true. Well, they just

92:09

I mean they love standup so much they

92:11

would [ __ ] do stand up for each

92:12

other. Just [ __ ] around. I I used to see

92:16

first of all I think to this day Damon

92:19

is one of the most underappreciated

92:21

great comics of all time and

92:23

>> and he's back out there now. I I noticed

92:25

uh in my room uh Damon is at the improv

92:29

and

92:29

>> he's always been quit. No, no, no. He

92:31

never quit. He was always doing stand up

92:33

but he's low-key about it. He makes his

92:35

money off of television,

92:36

>> you know, and even like he wanted to do,

92:38

we talked years ago about him coming on

92:41

my podcast and he was like, "I'd like

92:43

to, but I'll say some crazy [ __ ] and

92:45

then I'll

92:46

>> get in trouble." Because he was in that

92:48

what I call the velvet prison. The TV

92:50

velvet prison. You're doing TV shows.

92:52

You're playing a dad on a TV show. You

92:55

know,

92:56

>> you can't come on a podcast, talk about

92:58

getting your dick sucked. It's just

93:00

>> Howie Mandel goes through that. I work

93:02

with him a lot. and Howie is on

93:05

America's Got Talent. Exactly. This real

93:07

commercial television vehicle, but

93:10

nobody is more real and edgy than Howie

93:15

Mandel

93:15

>> when he's on stage and in the green room

93:18

hanging out. Like he's done sets of the

93:19

mothership. He's come and hung out with

93:21

us.

93:21

>> Yeah.

93:21

>> He came he did my podcast and he came to

93:24

the club. He's like, "Fuck, I want to be

93:25

like that. I want to do do what you guys

93:26

are doing."

93:27

>> I'm like, "You can.

93:28

>> You can do it." But he's worried that he

93:30

would lose that velvet prison. Hey, when

93:33

we're working and they have the phones

93:36

and bags, that's when he's amazing to us

93:39

because he'll he'll drop the sea bomb in

93:41

a minute.

93:41

>> He was saying it. He was saying on

93:43

stage. I'm just so happy I could say

93:44

[ __ ] Yeah.

93:45

>> I just want to say it.

93:47

>> But he was funny. It was like he was

93:49

having a good time. He was loose and you

93:51

could tell it's like cuz Howie was a

93:53

great comic. Like Howie had some

93:55

hilarious [ __ ] specials.

93:57

>> I hated following him at the Westwood

93:59

comedy store. Mity used to send us there

94:01

to get better. me, him, and Paulie.

94:04

That's the one thing I loved about her.

94:06

You know how we have Nepo babies? She

94:09

didn't have no Nepo babies. She was

94:10

like, "Paulie, you're not ready."

94:12

>> Yeah. Oh, she made his Westwood.

94:14

>> Oh, she made Paulie work. Yeah. I mean,

94:17

Pauliey's a rare dude in that regard.

94:19

like he became a really funny comedian

94:22

while he was, you know, living with a

94:25

woman who's the great as as in terms of

94:27

like

94:29

people in comedy that are like the some

94:32

of the most critical important people.

94:34

She is the most important person in the

94:36

history of comedy that's not a comic.

94:38

>> Absolutely. There there is no argument.

94:40

>> No argument. There's no one even close

94:42

to her.

94:43

>> And her son, you know, I mean, went on

94:45

to have huge success in movies. I took

94:48

Mity. Remember when we had the Universal

94:50

Amphitheater?

94:51

>> I got tickets and took Mity to see

94:56

Paulie open for Sam Kenison.

94:58

>> Wow.

94:59

>> And uh it just blew her away cuz she had

95:01

never seen him in that large

95:02

environment. And it was really cool to

95:05

watch her watch her son.

95:06

>> Well, she let she let him grow the right

95:09

way, you know. She didn't she didn't

95:11

give him a silver spoon. By the way,

95:14

Mity Shore started the comedy store and

95:16

she's the mother of Paulie Shore because

95:17

I say Mity to you like it's a cousin,

95:21

>> right? Well, we talk about her so much.

95:23

I think a lot of people listening know,

95:25

but she's the most important person in

95:28

comedy that wasn't a comic and more

95:30

important than most comedians. Like, she

95:32

would tell you how to do it right and if

95:34

she liked you, man, it was like

95:36

>> she'd tell you how to do it in her

95:40

opinion. I've seen her tell some people

95:42

some crazy [ __ ]

95:43

>> Oh, yeah. She was done right a lot of

95:45

times.

95:45

>> She had some wild ideas that weren't

95:47

>> She had a girl put on a green wig one

95:49

time and I'm like,

95:51

>> I'm not sure, you know, but she was

95:52

trying to find some kind of hook for

95:54

this girl. And I'm like, if you don't

95:56

want to have to wear the green wig, go

95:58

home and figure out a hook.

95:59

>> Yeah, she she made Joey Diaz call

96:02

himself Fat Baby. She

96:03

>> Ouch.

96:06

She when you would look at the lineup

96:08

like I bet you could find it online if

96:10

you look there's lineups from the comedy

96:12

store it be a bunch of comedians Bill

96:14

Burr blah blah blah and then you'd see

96:16

fat baby and that was Joey Diaz she

96:18

would call him fat baby she would

96:20

wouldn't even let him use his [ __ ]

96:22

name in the lineup it would be fat baby

96:25

I remember having a conversation with

96:28

her and Paul and Paul was exacerbating

96:30

the problem cuz she was like

96:32

>> Rodriguez

96:33

>> uh Paul Mooney

96:34

>> Paul Mooney We got so many Pauls in our

96:36

life. So, we're sitting dude talking

96:38

>> and uh Mity is about to start the belly

96:42

room cuz she thinks women need a place

96:44

to perform

96:45

>> and uh to get better. She

96:47

>> that was what the belly room originally

96:48

was.

96:49

>> A little college up there

96:50

>> for ladies and she was trying to think

96:53

of a name for it. And she says, "I'm

96:55

also thinking about having one night of

96:57

just black comics." You know, because

96:59

there was only George Wallace, Dave

97:02

Tyrie, and Mooney at one time when I

97:04

arrived. And uh

97:05

>> What year was that?

97:07

>> I came in 1980, New Year's Eve.

97:10

>> Wow.

97:11

>> I drove out from Chicago cuz I'm from

97:13

Cleveland, and there were no comedy

97:14

clubs in Cleveland back then. So, I had

97:16

to go to New York, LA, or Chicago. And

97:18

my mother was living in Chicago at that

97:20

time. So, I went there cuz rent was free

97:23

for a while. And uh that that was a a

97:27

lot of fun. But Mity for the Black

97:30

Knight, she said, "Paul, what do you

97:32

think I should call in?" And and she

97:34

says, "I was thinking cotton comedy."

97:38

And and I'm not No, Mity, no. No, you

97:40

can't. You can't. And I was trying to

97:42

explain why. And Paul was like, "Oh,

97:44

that's wonderful. Let's

97:47

exactly what we should call it."

97:49

>> Oh, homie. Oh, homie. Comedy.

97:53

>> He was cool.

97:55

>> Oh, man. Paul, that guy, that guy would

97:57

write, man. It'd be something that would

97:59

happen in the news like the day before

98:01

and Mooney would go on stage and have

98:03

like 15 minutes on it and just crush.

98:05

>> And he did something that I know I

98:07

hated. He requested the last spot.

98:10

>> Oh, he loved that last

98:11

>> Wanted to go on late. Wanted to stay on

98:13

as long as he wanted and would [ __ ] with

98:15

you if you tried to get up. M

98:17

>> Oh, you don't like a smart [ __ ]

98:22

>> but don't leave too early. My friends

98:24

are at your house robbing that

98:25

[ __ ]

98:26

>> He He would have so many things like

98:27

that, so many hooks. And he was just so

98:30

good at working those small crowds. He

98:32

just liked the freedom of just being

98:34

able to [ __ ] around, you know,

98:36

>> with a bottle of champagne with a straw.

98:38

>> Little tiny bottle of champagne.

98:40

>> Yeah. And he would he would sip on it

98:42

during punch lines.

98:43

>> Oh, [ __ ] please. And then take a sip.

98:46

We always used to just sit in the back

98:48

and watch him. It's like if you thought

98:49

you were good at comedy, you'd watch

98:51

Mooney and go, "God, I got so much to

98:52

learn."

98:53

>> Yeah.

98:53

>> I got so much to learn.

98:55

>> All the great comics that we know now at

98:58

one time would sit in the back of the O

99:01

and come late to watch Paul.

99:04

>> Absolutely.

99:04

>> I used to on a landline. I used to call

99:07

Kenan and say, "Yo, I'll meet you

99:09

there." We were going to see Mooney at

99:11

11:15. I would always love to see Mooney

99:13

when something [ __ ] up happened in the

99:15

news.

99:16

>> Like if there was something [ __ ] up

99:17

happened in the news, I'm like, "When's

99:18

Paul going up?"

99:19

>> Yeah.

99:19

>> You know, it just like you had to go see

99:21

him because he always had a take and you

99:24

know that take was always like, "Oh

99:26

shit." You know, it was like he would

99:28

get you. He would like find an angle

99:30

where you'd be like, "Oh my god, oh my

99:33

god." He was he was so clever. the

99:35

coolest conversations at the comedy show

99:38

when Richard would come up every night

99:39

and Richard would go from five minutes

99:41

to an hour and then it would become a

99:43

great special that you go to at the

99:45

theater to see.

99:46

>> But I would watch Paul Mooney before we

99:48

had cell phones

99:50

>> after it was over. Richard would go and

99:51

have a cigarette in the main room like

99:53

on a Monday or Sunday. I think it would

99:55

be closed and that's where he would we'd

99:57

call it holding court. He would go in

99:59

there first and just want to dry off for

100:01

a minute, smoke a cigarette, and Paul

100:03

would come in with a napkin with stuff

100:06

written on it. And he would just, you

100:08

know, oh, and how about this? And he

100:10

would give him tags. And as a matter of

100:12

fact, Richard on the back of an album

100:14

that that joke you go to, you go to

100:16

prison, you get justice, just us, [ __ ]

100:20

>> And he gave that to Richard and it was

100:22

on a prior album. But uh oh those Joe

100:26

that was a time Richard would work out

100:28

every night. He'd work the original

100:30

room, go in the main room and entertain

100:34

his guest and it would be like Bert

100:36

Reynolds, uh Moses, uh Charlton H.

100:40

>> Uh Wow.

100:41

>> Bernie Casey.

100:43

>> You you would see like uh Oh, Bert

100:46

Reynolds would have Sally Field with

100:47

him.

100:48

>> Wow.

100:48

>> It was amazing. They would all come and

100:50

bow to the King Dog.

100:52

>> Yeah. Well, he was so different. Yeah. I

100:55

always say that the godfather of comedy

100:57

who started everything was Lenny Bruce,

101:00

but then Richard

101:01

>> figured out a way to take that and make

101:03

it way funnier.

101:05

>> He figured out how to take that kind of

101:07

honesty and social commentary and figure

101:10

out how to like talk about life.

101:12

>> Cuz people don't know that before before

101:16

Lenny Bruce came around, it was just

101:19

jokes. It was just like two Jews walking

101:22

to a bar, they buy it, punch.

101:24

>> Yeah.

101:24

>> It was jokes. It was like Dangerfield's

101:27

rhythm.

101:28

>> Yeah. But you know what? Dangerfield was

101:31

a He was a special guy, too. He was a

101:33

beast, man.

101:34

>> And he didn't He took like 10 years off

101:37

and never stopped riding and was selling

101:39

aluminum siding. Yeah.

101:41

>> And then came back and made it in his

101:43

40s.

101:44

>> Yeah.

101:45

>> Wow. Look at this. Willie, that's the

101:48

main room. That's the main room.

101:49

>> That's crazy. Bert Reynolds, Sally

101:51

Fields.

101:52

>> Now, you see that picture? One night I'm

101:53

in that room and Stevie Wonder

101:57

>> is over on the piano. Remember how the

101:58

piano used to be in the main room on the

101:59

far left of the stage? Steviey's playing

102:02

>> and there a few people snorting Coke. I

102:05

think to this day, Stevie still thinks a

102:08

few of those people have allergies

102:10

because, you know, Yeah. He's just

102:12

sitting playing and people Wow. Wow.

102:15

Look at that. Bert Reynolds on stage.

102:17

Robin Williams.

102:18

>> I saw Bert Reynolds give the parking

102:20

attendant $100 and I thought I was on

102:22

another planet. I'm like, get the [ __ ]

102:24

out of here. I should be parking cars.

102:26

[ __ ] Stand up. Yeah, that was that's

102:29

And for people who are looking at this

102:32

picture, that's Richard holding court

102:34

after his set. Wow.

102:38

What an amazing photo. Well, Jamie, we

102:41

should get some of these photos and

102:43

>> Yeah. Get some of these photos and let's

102:45

print them up and put them in the green

102:46

room at the mother ship.

102:48

>> I saw a picture.

102:49

>> That's a back. He's got the zero signs

102:51

in the back.

102:52

>> Oh, yeah. Still wow.

102:54

>> That tells you a lot about the history.

102:56

Uh search.

102:58

That sign used to be Mity had this

103:00

warehouse room like was just not a

103:02

warehouse, but you know, it was a

103:04

storage room where she had all the old

103:05

CRO stuff. And I remember seeing that

103:08

sign there and they eventually hung it

103:10

up in the back bar area and you just

103:12

look like, "Wow, this was this was a mob

103:15

club in like the [ __ ] 50s."

103:19

>> Yeah,

103:20

>> that's crazy. I saw a picture you have

103:24

in the entry of Richard Prior's mug

103:27

shot.

103:27

>> Yeah.

103:28

>> I had never seen that. What did he do?

103:32

>> I don't remember.

103:34

>> Yeah,

103:35

>> I don't remember. But he was very young.

103:37

That mug shot was I think he was like

103:38

18.

103:40

>> Yeah.

103:40

>> I don't remember what it was. I have mug

103:42

shots from everybody who got arrested.

103:44

>> Yeah. I saw Larry King. Larry King was

103:46

like bad checks. He was writing bad

103:48

checks. He had a gambling problem.

103:50

>> Oh

103:51

>> yeah.

103:52

>> Yeah. Willie Nelson's up there.

103:55

>> Yeah.

103:55

>> I got everybody up there. There is a

103:57

book that I have in my garage and it's

104:00

the first edition to tell you

104:03

how much of of this kind of stuff

104:06

existed, but it's all celebrities and

104:09

their mug shots.

104:11

>> So, it's a coffee table book of just the

104:13

mug shots.

104:14

>> Oh, I should probably get that book. I

104:15

bet there's a few in there that I don't

104:16

have.

104:17

>> And I bet there is a a second one that

104:19

they could do

104:20

>> because the book's only like a half inch

104:22

thick. We got a lot of good ones out

104:25

there, but you know, so many people got

104:28

arrested. You know, we got David Bowie

104:31

out there, of course. Morrison, you

104:35

know, it's like Hrix. Got to have that

104:37

mug shot. That's a classic.

104:39

>> Yeah.

104:39

>> This There was a lot of mug shots.

104:41

>> Have you ever taken a mug shot?

104:42

>> No, I've never been arrested.

104:44

>> Yeah, I've never been arrested.

104:44

>> I'm a good boy, believe it or not. Yeah,

104:48

you know, I mean, we we've done things,

104:52

but not enough to have to take those

104:54

pictures.

104:55

>> Yeah. Luckily,

104:57

>> but also we live in a different time,

104:59

you know, in the 1960s and 70s when

105:01

those guys are getting arrested. They're

105:03

they're getting arrested for like having

105:04

a joint or something like that, you

105:06

know.

105:06

>> Oh, yeah.

105:07

>> Richard or excuse me, Jimmy, I think he

105:09

got arrested in Toronto for having

105:11

heroin on him. I think that's what he

105:13

got arrested for. I got pulled over and

105:16

had a joint in my ashtray

105:18

in 1989.

105:22

And uh I was scared to death. And the

105:25

cop was real nice to me. But he did the

105:27

corniest thing. He says, "Get out of the

105:29

car." And he made me rip up the joint

105:32

and drop it in the sewer at the curb

105:34

there. And he says, "Now get your life

105:37

together."

105:40

>> Like [ __ ] is helping me get my life

105:42

together.

105:42

>> Absolutely. It makes me funnier. That's

105:44

funny. That's hilarious.

105:45

>> The good old days, man. I remember you

105:48

talking about Rodney earlier, Rodney

105:51

Dangerfield.

105:53

You know how we love com comedy. We'll

105:55

never stop doing it. We'll do it until

105:56

until the wheels fall off. And I

105:58

remember him on stage at the Laugh

106:00

Factory near the end of his life. And

106:03

>> I saw him there.

106:04

>> Yeah. And his wife was in the balcony

106:08

>> giving him lines through a wireless

106:10

earwig. And uh if you went up top, you

106:13

would hear her say, "I don't get no

106:16

respect." And

106:18

>> I don't get no respect.

106:19

>> You know, and first of all, two things.

106:23

It first of all, it warmed my heart that

106:25

the woman who loves you is going to help

106:27

you do what you love.

106:29

>> So that

106:31

made me feel so good and it was like, I

106:33

want a woman with that kind of heart

106:35

because I know I'm going to want to do

106:36

it when I'm older. She gave us his notes

106:39

from one of his Tonight Show appearances

106:41

and they're framed uh in the on the wall

106:43

in the green room. It's his handwritten

106:45

notes in in bold. He would like write it

106:48

in bold where the punch lines were.

106:50

>> It's like sitting there right above the

106:52

couch.

106:53

>> That's cool, man.

106:54

>> Yeah. It was one of the first things uh

106:56

Whitney Cummings hooked it up. She got

106:58

it for us from her. She wanted us to

107:00

have it.

107:01

>> Whitney Cummings. I

107:02

>> I saw Rodney live when I was a security

107:06

guard. I was a security guard at Great

107:08

Woods. Great Woods Center for the

107:10

Performing Arts, which was in Mansfield,

107:12

Massachusetts.

107:13

>> Oh.

107:14

>> Where I lived in Boston.

107:15

>> Yeah.

107:15

>> Um me and a bunch of the black belts

107:18

from this taekwondo team that I was on,

107:20

got jobs as security guards.

107:22

>> And I was 19 and I was backstage and

107:24

Rodney was walking around with a

107:25

bathrobe on with nothing underneath it.

107:28

>> That was when he was going on stage with

107:29

a bathrobe. He got to such a [ __ ] it

107:31

point in his life where he would

107:33

literally go on stage with nothing but a

107:35

bathrobe. He would walk out there with a

107:37

bathrobe and slippers and just [ __ ]

107:40

murder. I remember being in the and I

107:43

wasn't even thinking about doing standup

107:44

back then. Back then I was just fighting

107:47

and I was a fan of comedy. I always love

107:50

comedy.

107:50

>> Your fighting friends talked you into

107:52

doing standup, right?

107:53

>> Yeah. Yeah. One of the guys that I

107:54

trained with, my friend Steve. But when

107:56

I when I went there, I remember like

107:58

like you want to talk about not giving a

108:00

[ __ ] Like this guy really didn't give a

108:02

[ __ ] Like he had gotten to a point

108:04

where he had so much success and so much

108:06

money. And this was after back to school

108:08

and all those big movies and he was

108:10

still just going out there doing stand

108:12

up. He was smoking weed back there and

108:13

he just would go on stage with a

108:16

bathrobe on

108:17

>> and I remember thinking that is the

108:19

wildest [ __ ] I've ever seen in my life.

108:20

I remember as a young man cuz I was

108:22

always, you know, you're [ __ ] 19.

108:25

You're scared of everything. You're

108:27

worried about the future. You don't know

108:28

what, you know, you have no security in

108:31

your life at all. And here's this guy

108:33

with, you know, millions of dollars,

108:36

massive amounts of fame. And he got to

108:39

that I don't give a [ __ ] stage. And he

108:41

but he really did. He wasn't faking it.

108:44

Nobody told him he has to go on stage in

108:46

a bathroom. I was like, I'll tell you

108:47

what I want to do. Mhm.

108:48

>> I want to go on stage with a bathrobe.

108:50

>> He just went on stage with a [ __ ]

108:52

bathrobe.

108:53

>> See if you can find some photos of him

108:55

on stage with a bathrobe on. I know he

108:57

did it for years.

108:58

>> I got in trouble because Easy E came on

109:01

my show in his bathrobe.

109:03

>> And he was like, "You gave it to me."

109:06

You know, cuz we give out bathroes. And

109:08

so he said, "Well, [ __ ] it. I'll wear it

109:10

out there." And he wore it out and had a

109:12

he was picking his teeth with a knife.

109:14

And Paramount was like, "Oh man, this is

109:17

not what we asked him for. This is

109:19

really not what we asked him for. He'll

109:22

never replace Johnny."

109:23

>> Oh, [ __ ] off.

109:24

>> But but I knew people were ridiculous.

109:26

>> Hey, I was where I was because I snuck

109:29

in through syndication. Did a first run

109:31

syndication. I know network wasn't for

109:33

me. And when Letterman got CBS, I knew I

109:36

was really in trouble. So, I had to

109:37

figure out an exit plan. But the bottom

109:39

line is for six years, I did it the way

109:42

I wanted to do it. And I wouldn't change

109:43

a thing, man. To to do it for 26 years.

109:45

I wouldn't trade those six.

109:47

>> The thing about it is, man, everybody

109:49

wanted to be Johnny back then. It was so

109:51

crazy. Even Letterman, I joked that the

109:53

Emmys I I said I I had a dream. I wanted

109:56

to be an old white man with a desk,

109:58

>> you know, and that was my I to the

110:01

point, Joe, that when I made it, I hired

110:05

Johnny's architect that built his house

110:07

to build me a house. I was deep into the

110:10

[ __ ] like that. Well, he was the guy.

110:12

People don't realize like that was the

110:14

carrot. That was the thing that they got

110:17

I mean Jay Leno and like that famous

110:19

scene in that movie that talked about it

110:21

where Jay Leno would hide in the closet

110:23

and listen to them talk about it because

110:25

he wanted that spot when Johnny retired

110:27

but they wanted Letterman and it was

110:29

like this battle between like it made no

110:31

sense to me. I'm like Letterman has the

110:33

Letterman show. It's [ __ ] huge. It's

110:35

amazing. Why would you want to do

110:37

anything else? But everybody wanted that

110:38

Tonight Show. Absolutely. I wanted the

110:40

Tonight Show

110:41

>> and when I was a kid, I was a magician.

110:43

That's how I started. And I read an

110:46

article that said that Johnny did Slight

110:48

of Hand and was a magician. So to me,

110:50

that was God speaking to me.

110:52

>> It was like, you are a magician and you

110:55

do a talk show in the basement. Oo,

110:58

>> one day.

110:59

>> Yeah, one day.

111:00

>> Isn't it crazy though that it had to be

111:02

the tonight show for everybody? It

111:05

wasn't get your own talk show,

111:07

>> Joe. Doing standup, getting that five

111:09

minutes, having Jim McCauley come see

111:11

you. I got on

111:13

>> Dinosaur. No, no, uh Mike Douglas and I

111:16

got on MV Griffin.

111:18

>> Didn't Didn't do it for me.

111:20

>> I needed Jim McCauley say that tonight

111:23

show is yours.

111:24

>> Yeah. Ain't that crazy?

111:25

>> Did you do Did you Were you You were too

111:27

young.

111:27

>> I was too young. And it's also like for

111:30

me, I didn't understand it. Mhm.

111:33

>> Like I used to like watching when comics

111:36

were on the Tonight Show, but it didn't

111:38

>> remember the night Roseanne came on the

111:40

domestic goddess.

111:42

>> Yeah.

111:42

>> I was like, "Oh [ __ ] she's funny."

111:44

>> Oh, she was so funny.

111:45

>> She can write.

111:46

>> She was so funny. Roseanne was like way

111:48

ahead of her time. She was so wild.

111:50

There was no one like her when she came

111:52

out.

111:52

>> Yeah,

111:52

>> she's still wild. She comes to this to

111:54

the mothership all the time. And as wild

111:56

as she is, Joe, the night I called her

112:00

and said, "I need

112:04

to rearrange the show tonight, her and

112:06

Tom were coming."

112:07

>> And it was Tom Arnold.

112:08

>> Yes. And it was the morning that I'd

112:11

gotten the call from Irvin Magic Johnson

112:13

that he was HIV positive.

112:15

>> So I needed the whole show.

112:17

>> And this is how cool she was. She says,

112:20

>> "Give me another date, but I'm still

112:22

coming cuz we love Irvin."

112:24

>> Oh, wow. And they came and stood on the

112:26

side that night when Irvin came and

112:29

talked about it.

112:30

>> Wow. She's cool.

112:32

>> She's cool. She's crazy as [ __ ] She's

112:36

cool.

112:36

>> Aren't we all? And don't we have to be?

112:38

>> You have to be. Yeah.

112:40

>> A little bit. We got to be the different

112:41

kid in the neighborhood.

112:43

>> Yeah. Well, if you want to be as good as

112:45

she was cuz people, they don't. You got

112:47

to go back and watch some of her

112:49

specials. She was killing in a way that

112:51

no woman killed like that. It was

112:54

different. It was like aggressive.

112:56

>> It was aggressive and angry. It was It

112:58

was attention on She didn't sell us any

113:01

sexuality at all. It was just great

113:03

writing.

113:04

>> Just great writing and great performing

113:06

and a lot of I don't give a [ __ ]

113:08

>> And it was just Do you find any photos

113:11

of Rodney with a bathrobe on?

113:13

>> I mean, yes, but not on stage.

113:14

>> No.

113:15

>> There's only Yeah. I don't even know if

113:17

they exist.

113:18

>> They similar clothes. That was

113:21

>> They don't exist. That's crazy. That was

113:23

a pre-show right there.

113:25

>> He's You think he's not ready, but he's

113:27

dressed to go on,

113:29

>> right? And he's writing.

113:30

>> Look at the phone. Look at the landline.

113:32

>> Ain't that crazy?

113:34

>> I showed my son one of those. He

113:36

couldn't believe that to drop dollar

113:38

nine. It was And if you missed one of

113:41

them and [ __ ] it up, you had to start

113:42

from scratch. It was crazy.

113:44

>> Yeah.

113:45

>> Back in the day. I remember when uh the

113:50

iPhone first came out and it didn't have

113:53

actual buttons like a Star Trek

113:56

>> and I was freaking. It's like how will I

113:58

know where the L is?

114:00

>> Yeah,

114:00

>> I can't feel it.

114:01

>> I remember I had a Blackberry back then.

114:03

You couldn't convince me that I needed

114:05

to get an iPhone. I was like, "This is

114:06

ridiculous.

114:07

>> I'm not typing on that stupid thing. I

114:09

don't even know where the buttons are.

114:10

It's cra You don't It makes a click

114:13

sound. That's stupid." Before you know

114:15

it, we were doing it. We turn off the

114:16

click and it says a lot about progress.

114:18

Don't don't be afraid to change.

114:19

>> Well, now I talk to it. Now I hardly

114:22

ever text. I just say, uh, text Arsenio,

114:25

like say, "Hey, man. Looking forward to

114:27

seeing you tonight, blah blah blah." And

114:29

just send it.

114:30

>> Yeah.

114:30

>> I I make most of my text messages I just

114:32

talk to my phone.

114:34

>> Yeah, pretty much. Uh, me and Siri. Uh,

114:37

and you can't say the N-word to Siri.

114:39

The other night, I was writing a joke.

114:41

No, she won't [ __ ] with the nword

114:43

because seriously, I wonder if Google

114:45

will.

114:45

>> She's like, I'm not getting cancelled,

114:47

you know, and let Alexa have the whole

114:49

business. I'm not to get, you know, but

114:51

you know, I'm writing the joke and I

114:52

said the N word. Uh, of course, I didn't

114:55

say n word. I said negative

114:57

>> and Siri would not write it.

114:59

>> And then when I kept saying it, she

115:01

started writing other things, you know,

115:03

that started with an N, you know, but

115:05

they weren't even words.

115:07

>> And I'm like, so they got Siri trained.

115:09

>> That's so weird. She not getting

115:11

cancelled.

115:12

>> It's weird that it took

115:15

it wasn't even 10 years and then

115:18

everybody just got accustomed to having

115:20

a phone with them all the time. Like

115:22

there there was think about like the

115:25

difference between like it was probably

115:26

like what is it like 9798

115:29

when everybody had those Motoras,

115:32

>> right? It was around then, right?

115:33

>> Yeah.

115:34

>> It was around then like 96 97.

115:37

>> My friends laughed at me. My first phone

115:40

was in a Hallebertton briefcase. And you

115:43

open the silver Hallebertton briefcase,

115:45

take the phone out and the phone was

115:47

maybe 10 in, you know, with a and and I

115:51

had an antenna that screwed on the

115:53

outside of the briefcase because you had

115:55

this big possum tail.

115:57

>> Yeah. I had one on the roof of my car.

115:59

>> Oh yeah.

116:00

>> In 1989.

116:01

>> Yeah. You you Wow. Back back then,

116:06

I couldn't imagine that kids would be

116:08

watching movies on the phone,

116:11

>> right? Playing games, watching movies,

116:13

and that would be most of their social

116:14

life was communicating through that

116:16

thing.

116:16

>> Yeah. Remember there was a time when

116:19

dudes said to each other, "Yo, he got a

116:20

strong rap, man. His pimp hand is crazy.

116:23

He can get a [ __ ] in a second, you

116:24

know, and blah blah blah. He can talk."

116:26

And now young men don't know what the

116:29

[ __ ] to say to a woman leaning against a

116:31

wall in a club.

116:32

>> Dating apps now. Yes. Swiping.

116:35

>> Crazy.

116:36

>> But what I was going to get at like how

116:38

quickly the culture changed from let's

116:41

just say 98 when most a lot of people

116:44

had a phone. At least half the people

116:46

had a phone on them. 2008 everybody had

116:49

a phone.

116:49

>> Mhm.

116:50

>> 2018 you'd be crazy to not have a phone.

116:53

>> Yeah.

116:53

>> 20 years like that.

116:55

>> Okay. Now now hold your thought.

116:57

>> Okay. I remember a time

117:00

when

117:02

you and I were the only parents that

117:04

didn't allow cell phones

117:08

in the hands of our kids. I cuz I

117:09

remember my son said, "Uh, Dad, you got

117:13

to let me have a phone, you know, and

117:14

I'm like, I'm not doing it. I'm until

117:17

you were a certain age, I'd set it up

117:18

and and I said, does everyone in your

117:20

class have a phone?" And he said, "No,

117:25

two of us don't."

117:28

>> And I realized you were the other

117:29

parent.

117:30

>> Yeah.

117:30

>> That was saying, "We're not [ __ ]

117:32

>> I gave her a phone that has two numbers

117:34

on it." It would they There was a weird

117:36

little cell phone that you could get for

117:38

kids where she could dial like my phone

117:41

number or my wife's phone number.

117:43

>> It was like that's it. Those like it was

117:45

like I forget what it was called. It was

117:46

like the frog or something like that.

117:48

Some little cell phone for kids.

117:51

>> Yeah. Yeah. Yeah. But you didn't have to

117:52

worry about the things that kids have to

117:54

worry about now. Like I was watching

117:55

this thing about Roblox. You know that

117:57

game that kids like to play that they're

118:00

getting like predators are on Roblox and

118:03

they're trying to pick up kids like

118:05

child predators on. So you have to worry

118:08

about the games they play. You have to

118:10

worry about them getting DM'd by creeps.

118:13

You have to worry about so much more

118:15

access than just a phone to call people.

118:18

>> Yeah. There was a time when my kid used

118:21

to play games with a headset on and he

118:24

would play with people you don't know,

118:26

just somebody in the world.

118:28

>> They would gather.

118:29

>> Yeah.

118:29

>> And um

118:31

I remember feeling like this can't be

118:34

good,

118:34

>> right?

118:35

>> You know, cuz these probably aren't all

118:38

kids he's playing with.

118:39

>> 100%. Yeah.

118:41

>> Yeah. Well, when I first started playing

118:43

video games, you'd have to chat by

118:45

pulling down a window and you'd have to

118:47

type in the things that you wanted to

118:48

say. You couldn't talk to people.

118:50

>> Yeah.

118:50

>> And then when people started talking to

118:52

people in video games, I'm like, "Oh,

118:53

this is crazy."

118:55

>> Yeah.

118:55

>> But then the problem is whenever there's

118:57

anything the kids are doing, you're

118:59

going to have some creeps that are

119:00

targeting kids. And they find where the

119:03

kids are hanging out, what the kids are

119:04

doing, and then they try to get those

119:06

kids to meet them somewhere. That's

119:08

what's scary about cell phones and the

119:11

internet and all that [ __ ] is that it's

119:13

not just a phone. It's it's a a way that

119:16

you can connect with people and there's

119:19

always creeps that are trying to connect

119:21

with kids.

119:21

>> Yeah. I I was lucky as a kid because I

119:24

talk about being a magician and I worked

119:26

at a magic shop when I was 12. Took cash

119:29

because I couldn't actually have a job.

119:32

And I remember meeting older magicians.

119:35

I remember going to people's house to

119:37

see a new guillotine trick and my mother

119:41

my mother worked two jobs. I was a latch

119:43

key kid. I never had any problems and I

119:46

never was warned about it, you know, but

119:48

um I was a I could have been a target

119:51

because

119:52

>> Yeah, you got lucky. Yeah, I really got

119:54

lucky because I, you know, when I was

119:56

writing the book, I'm looking and I'm

119:57

saying

119:58

>> there was a guy I met who uh

120:01

worked until he died for Pen and Teller.

120:05

And this dude, I met him at a magic show

120:07

and every year when he would come to

120:09

Cleveland, I'd go sit with him. My

120:10

mother never knew I had this 40-year-old

120:13

friend, you know.

120:15

>> Weird, right?

120:15

>> But yeah, but he was cool and I got

120:17

lucky.

120:18

>> Yeah, that's the thing about Latchkkey

120:20

kids. I mean, the thing is though, I was

120:22

watching this um this YouTube video

120:25

where they were talking about kids of

120:27

our age, you know, our our generation,

120:30

latch key kids

120:32

>> that grew up like that are so much more

120:35

resilient because no problems were

120:37

solved for you. You had to figure it out

120:39

on your own. You went out on your own.

120:41

You were outside with no cell phone

120:44

communication, no way to call anybody,

120:46

right? when you were 10, 11, you're

120:48

wandering around with your friends. It's

120:50

like it was a different world. You had

120:52

to figure life out in a way that like

120:55

helicopter parenting and parents that

120:57

are like tracking their kids,

120:59

>> you know, like a lot of parents like

121:00

they're tracking their kids on their

121:02

phone. They know where they're You said

121:03

you were at Debbiey's house. You're not

121:04

at Debbiey's house. Where are you right

121:05

now? Like everyone is like looking out

121:07

for their kids maybe a little too much.

121:10

It's like you want your children to be

121:11

safe, but you also want them to have

121:14

like a little bit of freedom to figure

121:16

out who the [ __ ] they are. Yeah. I gosh,

121:19

as a kid, when I would tell my mother,

121:23

I'm spending a night at Kenny's house, I

121:26

was never at Kenny's house.

121:29

You know, my my girl when I was 14

121:34

had a mom who was a nurse that worked

121:35

the 11 to seven shift. So, we kind of

121:39

lived together like a couple, you know.

121:41

I would tell my mother I'm going one

121:43

place, I'd go to Robin's house. I would

121:45

stay at her house till morning when I

121:46

went home to get ready for school. You

121:48

know, I was like a grown ass man with a

121:49

woman. It's just

121:50

>> That's wild.

121:51

>> Until one day her parents uh had the

121:54

grandparents come to town and to

121:56

surprise her. And so, the mom's at work,

122:00

there's a knock at the door and she

122:02

said, "It's my grandmother." We had

122:04

little peeppholes. It's my grandmother,

122:05

my grandfather. and I had to jump uh

122:09

with my clothes off their balcony.

122:14

That was my action adventure teenage

122:16

period.

122:17

>> Yeah, it's a different world. I don't

122:19

know if it's better or worse, but I

122:21

think it definitely made you more

122:22

resilient. And that was this argument

122:24

that they were making in this YouTube

122:26

video that that generation is the most

122:28

emotionally resilient

122:30

>> and that this generation coming up is

122:31

like the least emotionally resilient.

122:33

That's why they're always looking for

122:36

things that are you know, problems.

122:38

They're always looking for things that

122:39

bother them, things that cause them

122:41

anxiety. They're always looking for

122:43

things that, you know, they can't

122:44

tolerate.

122:45

>> Where's my bike helmet?

122:47

>> You know, I we used to have a car. It

122:50

was a station wagon and the back seat

122:52

you sit facing the opposite way. No seat

122:56

belts. That had to be dangerous.

122:58

>> It It's all dangerous. Those cars were

123:00

dangerous. They could barely stop.

123:02

>> Yeah.

123:02

>> They had drum brakes.

123:03

>> Yeah. Yeah. You ever drive like an old I

123:05

have old cars, but I have what they call

123:07

resto mods where they take an old car,

123:09

but they put like modern suspension,

123:11

modern brakes, modern steering. It

123:14

handles like a new car, but they have

123:16

all the outside of an old car and you

123:18

know, and then the dashboard of an old

123:20

car and all that stuff. That's what I

123:21

like. If you drive a real like if you

123:24

try to drive a 1968 Camaro, you're like,

123:26

"What is this piece of shit?"

123:28

>> Like they can't break. You can't go

123:30

around a corner. They There's no

123:32

traction. What was your first car?

123:34

>> I had a 1973 Chevel.

123:37

>> I had a Cutless.

123:39

>> Had a Cutless once. Yeah, I had a 70 a

123:42

70 Cutless.

123:44

>> Those are great cars. God, they knew how

123:46

to make a beautiful car back then.

123:48

>> You like muscle cars?

123:49

>> Yeah. I love the Well, when I was in

123:52

high school, like those were the So, I

123:54

was in high school in the 1980s. I went

123:56

to I was a freshman in 1981.

123:58

>> I had four kids in the 1980s.

124:00

>> Wow. That's crazy.

124:00

>> I'm much older than you. In those days,

124:04

those cars were the cars that we all

124:07

like looked at. Like you couldn't

124:09

believe when someone had it. I remember

124:11

I have a 1970 Chevel to that I got to

124:15

this day. I I I have it because when I

124:17

was like 17, my friend picked me up in a

124:21

1970 Chevel with his buddy and it was

124:24

perfect. It was a perfect car. I

124:26

couldn't believe this guy had it.

124:28

>> I was like, "How do you have this?" And

124:29

and when you say perfect to non-car

124:32

people like me, what does that mean?

124:34

>> Oh, first of all, it was what you would

124:36

call cherry, meaning there was no dents,

124:38

no scratches, perfect paint. It was

124:41

beautiful. The sound it made when he

124:43

pulled up, I couldn't I think I was 16

124:45

cuz I don't think I had a license yet.

124:46

And I remember getting in the backseat

124:48

of the car going, "How does this guy

124:49

have this car? This is crazy. It's a You

124:53

know what a 1970 Chevel looks like?"

124:55

>> Absolutely.

124:55

>> With the white stripes. Black with the

124:57

white stripes. That was it. I have that

124:58

exact car right now. I love it. Whenever

125:01

I get in, I think about when I was 16. I

125:03

think about all those years ago

125:06

>> when Bert Reynolds drove up. Those

125:08

pictures we just looked at, when he

125:09

drove up, he had what was called A TRANS

125:12

AM.

125:12

>> YES.

125:13

>> And it had a big eagle on the

125:14

>> Yes. Smoking the Bandit car. I

125:16

>> almost lost my mind.

125:18

>> Oh my god. That was the Smokeoky and the

125:19

Bandit car. That was the car that he had

125:21

in those movies with Sally Fields.

125:23

>> $100 tip. Um, have you ever been to uh

125:26

you ever been to Jay Leno's spot

125:29

>> with with the cars? Yeah, I did his show

125:31

once. I brought my uh Corvette on. I

125:34

have a 1965 Corvette and I brought it to

125:36

his show. It's a Resto Mod 2 and Jay

125:38

drove it around. He's the only person

125:40

that's ever driven it other than me

125:41

>> and you know, it's an honor. But you go

125:44

to his place, it's like

125:45

>> he has warehouses. Not a warehouse where

125:49

there's there's

125:50

>> he never sells one. He He swears to me

125:53

he's never sold a car. So, anything he's

125:55

ever bought, he keeps. And he recently

125:59

told me,

125:59

>> "Why did someone turn it gold?"

126:01

>> A clip thumbnail, someone YouTube video.

126:04

>> No, go to the other one. The other

126:06

picture with the real picture.

126:07

>> I was just clicking around,

126:08

>> but go to the go to the real picture so

126:09

you can see what it looks like.

126:10

>> You know, you know what he has now?

126:11

That's kind of cool. He has two tanks.

126:14

Two army tanks.

126:16

>> That's us right there. That's my car.

126:19

>> Look at that. See? But that like you see

126:21

that modern suspension, modern wheels.

126:24

>> Those are exhaust pipes on the side.

126:26

>> Yeah. That that car is so fun.

126:28

>> Do those things get hot?

126:30

>> Yeah. Yeah. You'll [ __ ] your leg up. If

126:32

you got shorts on, your leg touches it,

126:34

you're in trouble. The outside part

126:36

won't because like the outside is like

126:38

to protect you from the actual exhaust

126:40

pipes, but underneath it is exhaust

126:42

pipes. But where Jay's leg is, if he

126:45

backed up right there, if it was hot,

126:47

he'd singe the back of his calves.

126:50

>> Joe, he has tanks.

126:51

>> Yeah, he has everything.

126:53

>> The king of Jordan gave him a tank.

126:56

>> And this [ __ ] was riding through

126:58

Sherman Oak with the

126:59

>> He drives everything he has, too. That's

127:01

the thing about Jay.

127:02

>> Yeah.

127:02

>> Like, it's kind of nuts.

127:04

>> It's a lot of rotation.

127:05

>> Well, he w he crashed one of his

127:07

motorcycles just a few years ago.

127:08

>> Yeah.

127:09

>> [ __ ] himself up.

127:10

>> He does a bit about that. He's [ __ ]

127:12

himself up without a motorcycle.

127:14

>> Oh, that was the one time he was

127:15

climbing up a hill.

127:16

>> Yeah. Yeah. We We've done a lot of dates

127:18

together. We have the same agent, right?

127:20

And he called us one day and he says,

127:22

"How about you, Jay and Craig Kilbornne,

127:25

and we call it Kings of Late Night." And

127:27

so we went out and did like five dates

127:29

and it was a lot of fun. And me and Jay

127:31

enjoyed it. So we added 20 more dates to

127:34

it. And uh

127:35

>> Oh, that had to be great.

127:36

>> Fun.

127:37

>> He was a great comic in the 70s.

127:39

>> Yeah. People don't know when I was in

127:41

college, we would go in the TV lounge

127:45

and watch Jay Leno. Uh to this day, I

127:49

remember him saying I was a philosophy

127:51

major and so I just got out of college

127:52

and I opened up a little philosophy

127:54

shop, you know, just to to explain what

127:58

[ __ ] majors,

128:00

>> right,

128:00

>> were actually being pedal to. Well, he

128:02

was the edgy comic in the 1970s and when

128:04

he would go on Letterman show, he was

128:06

like the edgy guy that would sit on the

128:08

couch and be

128:08

>> Letterman would say, "What's your beef?"

128:10

>> Yeah. And he would always be mad at

128:11

something.

128:11

>> Mhm.

128:12

>> He was like, People don't realize that

128:14

you see him as But is again that carrot,

128:16

the carrot for him was the Tonight Show.

128:18

That was more important to him than

128:20

anything. And once he got that Tonight

128:22

Show, everything else was like took a

128:24

backseat.

128:25

>> Did you do Letterman as a standup?

128:27

>> No. No.

128:28

>> That was my first.

128:30

That's a that's that's a classic.

128:32

>> That was a great place for comedy

128:34

because Letterman like he really loved

128:37

comics and he really loved like solid

128:39

standup. I never liked doing standup on

128:42

those talk shows.

128:43

>> Is it the five minutes?

128:45

>> Yeah. To me, it's a different kind of

128:47

comedy. My comedy needs some time. I

128:49

need to cook, you know? I need time to

128:51

open up ideas. It's like and I didn't

128:54

like

128:56

what

128:56

>> I didn't like TV comedy. It's not my I

128:59

was a nightclub comic. That's all I ever

129:01

wanted to be. I wanted to be a nightclub

129:03

comic. I like doing comedy for drunk

129:05

people.

129:06

>> Yeah. But when I first saw you, it all

129:08

wasn't dirty. It some of it was TV

129:10

stuff.

129:11

>> Well, it wasn't necessarily dirty, but

129:13

it was free. It was like I was being

129:14

free. I was doing thing whatever I

129:16

wanted to talk about. I didn't like the

129:19

idea of being constrained by any sorts

129:21

of standards and practices and like

129:24

>> I'm not interested. I've been not

129:26

interested in that. I worked on my

129:29

Tonight Show set to try to get on the

129:31

Tonight Show with Johnny and uh the guy

129:34

would come see me a lot. He would change

129:36

my jokes. That I hate.

129:38

>> I hate when they say try try you saying

129:41

vacation

129:42

>> instead of gift shop and I'm like, "Oh,

129:45

let me just do my thing." But

129:47

>> after a year of him trying to get my set

129:50

right, he says,

129:52

>> "You're not a Johnny comic."

129:54

>> Oh god,

129:54

>> you're not a Johnny guy.

129:55

>> What does that even mean? But then I got

129:57

on on a Monday night with Joan because I

130:00

guess I was a Joan guy. And then I got

130:02

to sit with Johnny just as a guest to

130:05

promote Coming to America. So finally

130:07

full circle from my basement.

130:09

>> That's amazing. I watch a lot of his old

130:12

clips like with Don Rickles and all

130:15

these

130:15

>> Oh, Don Rickles talking about Snookie,

130:17

the brother in the band, you know, and

130:19

he would do a a a noise of a blow gun.

130:22

It's like Snookie, you liking this

130:24

stuff. Oh,

130:25

>> you know, and you can't [ __ ] with that

130:28

now.

130:29

>> No.

130:30

>> There's so much. It's funny how we've

130:32

come forward into a new era, but we've

130:35

gone backwards in certain ways.

130:37

>> Yeah. Yeah. You can't joke about certain

130:39

things anymore.

130:40

>> Like, I'm scared to death right now cuz

130:41

I'm going to say something that I

130:43

shouldn't say and I'm going to be in TLC

130:47

to you now. They can't do [ __ ] to you

130:48

now.

130:49

>> They can just be mad, I guess.

130:50

>> Yeah. Let them be mad. Just don't pay

130:51

attention. That's what I do. I just

130:52

don't pay attention.

130:53

>> Really? Yeah. I just don't read anything

130:56

about me.

130:57

>> Stay away.

130:58

>> That's the best way.

130:59

>> Are you a comic who when you're on

131:01

stage, it can be 200 people laughing,

131:04

but that one person who's not laughing

131:06

annoys the [ __ ] out of you. You you

131:08

can't even enjoy the others. You don't

131:09

even look at that person.

131:10

>> No. Those those people have their own

131:12

problems.

131:13

>> Yeah. And but by the way, sometimes

131:15

they're just not laughers cuz that

131:17

person will sometimes come up to you and

131:18

say, "Love what you're doing. Love the

131:20

new stuff."

131:21

>> Some people just like to smile. They

131:23

don't want to laugh. They just want to

131:24

sit there and watch or they just want to

131:25

take it in. Take in the performance.

131:27

Doesn't mean they don't like it. And

131:29

then some people just are upset by

131:31

everything. You can't control that.

131:33

>> Just control what you what I what the

131:36

only thing that bothers me is if I'm

131:38

off. That's it. If I'm off, if

131:40

something's if I stumble on a word, if I

131:41

[ __ ] something up, that's the only thing

131:43

that bothers me. And the audience is

131:45

like, you can't control that. Why why be

131:47

upset at things you can't control?

131:48

Because who knows what their trip is?

131:50

Who who knows what they're carrying

131:51

around with them?

131:52

>> As a famous star now,

131:55

do you ever bomb?

131:57

>> I have jokes that bomb for sure. New

131:59

ones, we trot out a new one.

132:02

>> Especially like uh we do this show

132:04

called Bottom of the Barrel and Bottom

132:06

of the Barrel at the Mothership is

132:07

there's like a whiskey barrel and you

132:09

reach into the whiskey barrel and you

132:10

pull out premises, just ideas

132:13

>> and you just run with it. That's tonight

132:15

actually.

132:15

>> And so you pull out a piece of paper and

132:18

it, you know, have a subject, you know,

132:20

>> ice cream sundae, whatever, whatever the

132:22

[ __ ] it is.

132:23

>> That takes intestinal for

132:24

>> Oh, a lot of those [ __ ] go nowhere.

132:27

>> Yeah.

132:28

>> But some of them don't. Every now and

132:30

then you get a great premise out of

132:32

those and it's like a little premise

132:33

factory. But the audience knows it

132:35

there. So, it's different than like when

132:38

they go to see you and they paid money

132:39

and they're expecting a polish show and

132:42

you have a new joke and the new joke is

132:44

just not right. It's not ready.

132:47

Something's missing. You're not finding

132:49

it and you're trying to work through it.

132:51

Yeah. It's always going to happen. And

132:53

if it doesn't happen, you're not taking

132:54

enough chances.

132:56

>> Yeah. See, I'm I'm not

132:59

as chance driven as you are. I'd be

133:01

afraid to do that because I'm my

133:03

feelings get hurt too easy.

133:05

>> Yeah. Well, it's part of the process.

133:07

>> Yeah, you're right. You're right. It we

133:09

should do the things we fear.

133:10

>> You definitely have to. If you want to

133:13

write new [ __ ] you you're gonna have to

133:15

There's that moment where you're like,

133:16

do I trot this new one out?

133:19

[ __ ] it. Let's go. And you know, a lot

133:21

of the new ones, the way they come out,

133:23

for me at least first, it's just a

133:26

frame. It doesn't have sides. It doesn't

133:29

have windows. It doesn't have doors.

133:30

It's just a frame.

133:31

>> And I have to figure out how to make a

133:33

house out of that frame. That's what I

133:35

loved about going to the original room

133:37

back in the day when we were young,

133:38

watching Richard take out a pack of

133:41

cigarettes, take a cigarette, and Mitzy

133:44

had those those smoke things that

133:46

popped.

133:47

You get got smoke and everything and and

133:50

Richard would have two minutes and then

133:53

he'd have five.

133:54

>> He would just build.

133:55

>> Yeah. And I It was like a like when

133:57

grandma used to make a quilt

133:59

>> and it gets bigger and bigger and you

134:01

got an hour. I used to love watching him

134:03

develop it.

134:04

>> I would heard I heard that Richard would

134:06

go in on a Monday and have a joke that

134:09

bombed and then it would be murdering by

134:11

Saturday

134:12

>> and then that's what he would do. He

134:14

would just go and figure it out on

134:16

stage. Damon used to do that a lot.

134:18

Damon used to go and sit on stage and

134:20

just sit with a premise.

134:23

>> Just sit with it and and he would trot

134:25

it out for like 10 minutes and try to

134:27

figure and then finally he'd find

134:29

something and everybody would be dying.

134:30

We we got away from that earlier, but

134:34

>> I totally got your point. Damon is one

134:37

of the great ones, and I hope he

134:40

continues to do stand up and pop out to

134:41

the clubs because he's one of the great

134:43

ones that a lot of people don't realize.

134:45

>> They don't realize how great he was when

134:47

he did the Last Stand, that that one HBO

134:50

special that he did way back in the day.

134:51

It's a phenomenal special. It's

134:54

phenomenal. He was so good,

134:56

>> but he wanted to be a movie star,

134:58

>> you know.

134:58

>> Yeah. And and he like Richard He had an

135:01

ability to also be vulnerable and tell

135:04

the truth about something that most of

135:06

us wouldn't tell. Like he talk about

135:08

having a club foot

135:10

>> as a kid and

135:10

>> Yeah.

135:11

>> And he he he was special and I'm glad

135:14

he's back out there.

135:15

>> Yeah. Well, I think he never really stop

135:17

you know one of the other thing that he

135:18

did that is very unique.

135:20

>> Damon brings a camera to all of his

135:23

shows and he films all of his shows and

135:26

he archives them. Every set he ever

135:29

does. Really?

135:30

>> Yep. And he goes over it.

135:31

>> That's work.

135:32

>> It's work because one of the things that

135:34

he does, like I said, is like he'll take

135:36

a premise and just try to find fi try to

135:39

find it on stage, try to figure out what

135:41

about it works. What about it pops? Like

135:43

what is it? And you know, I guess like

135:47

doing that with a camera and then you

135:49

can go home, sit and watch it on the

135:50

computer and just go, "What is in this

135:53

[ __ ] There's something here. I

135:55

got to find it." And just look at it

135:57

from every angle. Look at it over here.

135:59

Look at it over there. Try to do it

136:01

backwards. Try to figure out what the

136:03

[ __ ] makes it work.

136:04

>> Yeah.

136:04

>> And he would just He had no fear of

136:07

silence.

136:08

>> See, that's that's the sentence right

136:10

there. When it's quiet in the comedy

136:12

club, I lose my mind.

136:16

>> Chris Rock does that, too. Chris Rock

136:18

did a lot of that at the comedy store.

136:20

He would come in and just he would have

136:22

material that he was working on. Like

136:23

one time I remember I brought him up on

136:26

stage and uh everyone's going crazy.

136:28

Chris Rocks here. They're cheering,

136:29

cheering, cheering. And he goes, "Relax,

136:32

relax. It ain't going to be that funny.

136:34

>> Just let people know I'm working on some

136:36

new [ __ ] This ain't going to be that

136:37

funny."

136:38

>> Yeah.

136:38

>> And but with confidence. Like everybody

136:41

already knew

136:42

>> he's funny. They already saw Bigger and

136:45

Blacker. They already saw his specials.

136:47

It wasn't It was Bring the Pain.

136:48

Everybody already knew. The one the one

136:50

where he shot with three different

136:52

outfits in three different places.

136:53

>> I hated that one.

136:54

>> You didn't like that one?

136:55

>> No.

136:56

>> Not that I didn't like the material. I

136:58

didn't like the idea of swapping

137:00

outfits.

137:01

>> The problem with that is it you realize

137:03

he's saying the same thing in all these

137:05

different places. It takes away from the

137:07

but it takes away from the magic of a

137:09

performer. I want to see you and I don't

137:12

want anything to distract me from these

137:14

thought. I don't want to say, "Oh, he

137:15

just performs this the same way

137:18

everywhere. Mhm.

137:19

>> I want you to just be saying it. The

137:21

magic, like the trick is you are in the

137:25

moment with whatever you're talking

137:26

about. If you're changing outfits and

137:28

you all of a sudden you're in

137:29

Johannesburg and now you're in

137:30

Cleveland, like uh uh uh don't do that

137:33

to me. Why you got a leather jacket on

137:35

in the beginning and then the punchline

137:36

you got a a [ __ ] silk shirt? Uh-uh.

137:40

Don't do that.

137:40

>> See, I saw it as a guy creatively trying

137:43

to find new horizons and do different

137:45

things.

137:46

>> Some horizons suck.

137:47

>> Yeah.

137:50

It's not that the jokes were great. It's

137:52

like he's a great comic. It's not that.

137:54

It's like I just didn't like the idea of

137:56

changing outfits. If I was friends with

137:57

him back then, I would say don't I don't

137:59

like it at all. And I that would

138:01

explain. The problem is you're taking

138:02

people out of the premise and then

138:04

there's a new additional thing that they

138:06

have to think of. Oh, this is a

138:07

different set. Oh, he's wearing

138:08

different clothes. It's a new thing to

138:10

distract you from the most the primary

138:12

thing. The primary thing is what are you

138:14

talking about? Like what is this thing

138:16

you're talking about? Let me get inside

138:17

your head while you explain this thing

138:19

that's so hilarious. But if you're doing

138:22

that and changing outfits and changing

138:23

stages, like I know you perform in

138:25

different places. I know you wear

138:27

different clothes. Don't show me right

138:28

now.

138:30

>> In retrospect, I wonder how he looks at

138:32

that special if he

138:33

>> Yeah. I don't know. I mean, he never did

138:35

it again.

138:36

>> Yeah.

138:37

>> Well, you don't want to do it again.

138:38

That's right. You know,

138:39

>> I mean, he did it once, he tried it.

138:41

Different people like to do different

138:42

things and try them. I just didn't like

138:44

that for that reason. And I felt like it

138:46

was an added element that took me away

138:48

from the premise itself.

138:50

>> And by the way, something that's come

138:53

out of this conversation in my head is

138:55

the guys who are the best seem to go

138:58

deeper and work the hardest. I mean,

138:59

when you talk about

139:01

>> archiving your practice sets,

139:04

>> all of them. Damon has all of them.

139:06

>> And he told me this years ago cuz I saw

139:08

him at the improv. He was in the lab. We

139:11

were in the big room and he was in the

139:12

lab. This was not that long ago. When I

139:14

say years ago, like 10,

139:16

>> nine years ago, something like that. And

139:19

uh I go, "You record all of them?" He's

139:21

like, "Every set since like 1990

139:24

something." He goes, "I I record them

139:26

all. I got this camera. I take them all

139:28

and I archive them. I put them on my

139:30

computer." I'm like, "Whoa." It made me

139:32

think, "Fuck, I'm lazy."

139:33

>> Yeah, that's exactly what I'm thinking.

139:35

And I'm also thinking what an amazing

139:38

documentary

139:40

>> if we could go through the history of

139:43

Damon's personal archives. That would be

139:45

a great I think there's a special there.

139:49

>> Probably. Yeah, probably. But I mean, I

139:51

think that's just part of his creative

139:53

process.

139:54

>> Mhm.

139:54

>> And again, like I just think people

139:56

don't realize, especially in the '9s,

139:59

the early 90s, how what a monster he was

140:02

on stage.

140:02

>> Yeah.

140:03

>> He was a monster. He was one of the

140:04

first guys that was like a really famous

140:06

guy that I saw at the store. I came to

140:09

the store in '94 and he was one of the

140:11

first guys was like, "Oh [ __ ] Damon

140:13

Ways is here." Like it was weird. It was

140:15

like weird when people would show up

140:17

like you'd seen him in movies and [ __ ]

140:18

and all a sudden they're there in real

140:20

life. Like,

140:21

>> you know, I was just coming from New

140:22

York. I didn't know anybody and I was

140:23

like, "This is so strange. I can't

140:25

believe I'm around these people."

140:26

>> So, you went from Boston to New York.

140:28

>> Boston to New York.

140:29

>> Catch a rising star. Where'd you work

140:30

out in New York from those days? Well, I

140:33

did uh the Boston Comedy Club that you

140:35

know the little place that Barry Cats

140:37

had. I did uh The Seller J Moore's

140:41

manager, right?

140:42

>> Yes. Barry Cats. I did um Catch Rising

140:45

Star back when that was there. I did um

140:49

was there was a

140:49

>> comic strip.

140:50

>> Yeah, I did the strip. Yeah. I did the

140:53

clubs in town. I did Dangerfields a lot.

140:56

But honestly, when I lived in New York,

140:57

I really liked doing the road more

141:00

because when I did the road, I could

141:01

make money. So, like I came up in Boston

141:04

and in Boston, you made a lot of your

141:06

money not in the clubs in town, but you

141:09

made a lot of your money in like the bar

141:11

shows, you know, outside of town in the

141:13

suburbs.

141:14

>> And the thing about that is like you

141:16

could headline and so you could do 45

141:18

minutes or an hour. And that that

141:21

allowed me to grow and like to really

141:24

become a headliner. Whereas like I found

141:26

like a lot of the New York comics that I

141:28

would go on the road with when I would

141:30

work with them, even when I was a middle

141:32

act and they were a headliner, they had

141:34

like these 10 and 15 minute sets that

141:37

they'd stitch together to put to make an

141:40

hour. Whereas the guys that I work with

141:42

in Boston, like the big headliners in

141:44

Boston, they had a real hour. Like that

141:46

[ __ ] that was an hour of thunder, you

141:48

know? They had a beginning, a middle,

141:50

and an end. And it was like tight. It

141:53

was tight. And I felt like I could do

141:57

sets in New York, but I don't think it's

141:58

really helping my career, right? There's

142:00

no one there to see me. I I felt like

142:04

I'm going to make money. Like I could do

142:05

a set in New York and I make 25 bucks.

142:07

Or I could do a set in Connecticut and

142:09

make $250. I was like, I'll go to

142:12

Connecticut. Plus, like the people are

142:14

more fun. They're more loose. They're a

142:17

bunch of [ __ ] crazy drunks. I love

142:19

doing Long Island. I love doing New

142:21

Jersey. I I liked doing the road more.

142:24

That's what I liked.

142:25

>> I think I'm a product

142:28

of my childhood environment. I I

142:31

discovered standup cuz I was a drummer,

142:33

had a band, I was a magician, had doves,

142:36

boxes, and [ __ ] And then my house

142:37

burned down.

142:38

>> So, I lost Wow. Yeah. I lost everything.

142:41

>> But I had gone to an Al Green concert.

142:44

And Al Green had a comic come out. House

142:46

lights are on. People are still making

142:49

their way to their seats and this guy

142:52

slowly gets him and then the lights go

142:55

down and by the time he gets to 30

142:57

minutes he's killing and all he had was

143:00

a glass of juice something on the stool

143:04

and this is a kid who just lost his

143:05

house and his symbols and his TomToms

143:07

and his doves and his boxes and I'm like

143:09

that's me. Johnny was a standup so I'm

143:13

still dreaming.

143:14

>> Wow. and and to this day um or even when

143:18

I start making a lot of money after

143:21

seeing that guy, I loved opening for

143:23

people. I went on the road with

143:25

everybody from Lou Rolls to Patty Leel.

143:28

>> Still to this day, I'm comfortable doing

143:30

30 minutes because that's what I did.

143:32

But I I had money. Like I would come to

143:35

the comedy store and I would have a

143:38

really nice car cuz I'd spend most of my

143:40

time on the road with Patrice Russian

143:43

and Johnny Guitar Watson.

143:45

>> Oh wow. That's a different world.

143:47

Opening for musicians is a different

143:49

kind of comedy because like they're not

143:51

there to see you.

143:52

>> And that's what I found to be the

143:53

challenge. It's like I'm going to make

143:55

you [ __ ] who don't know me and

143:58

are mad because a lot of you know people

144:00

would look at you like that ain't one of

144:02

the temptations. Right. You know, right?

144:04

I got to get them. And I like that

144:06

challenge.

144:07

>> It is a real challenge because there's a

144:09

lot of people like, "Boo."

144:11

>> Yeah.

144:11

>> Bring on Metallica.

144:14

>> Yeah. They they they don't want to see

144:16

you. They want to see the music act.

144:18

>> I open for Blood, Sweat, and Tears once.

144:20

>> Wow.

144:21

>> And uh they really did not want to see

144:23

me. You think the Johnny Guitar Watson

144:25

audience didn't want to see me? Them

144:27

[ __ ] from Blood, Sweat, and

144:28

Tears not [ __ ] with me. Well, it's

144:31

definitely running with weights on

144:32

though. If you can make those people

144:34

laugh, boy, you take those weights off

144:36

and go to a comedy club where they're

144:37

there to see you.

144:38

>> It's like, oh,

144:40

>> just there to see comedy

144:41

>> made it easier.

144:43

>> Yeah. I just don't want to perform for

144:45

people that aren't there to see comedy.

144:47

But there's a value in it, I think.

144:49

>> But that's when you're you're young.

144:51

>> Yeah.

144:51

>> And I had a nice car condo

144:54

>> because I had just come off the road

144:56

with Artha.

144:57

>> Yeah. I did a few of those. I opened up

144:59

for BonJovi once. I opened up for Bon

145:02

Joy for VH1. They had a a theater in the

145:05

round show, like a performance in the

145:07

round. My job was to open up for Bon Joy

145:09

and then get the pretty girls and move

145:12

them to the front so that they could be

145:13

on camera. That's what they told me to

145:15

do.

145:15

>> Yeah.

145:15

>> So, I did did some stand up and then I

145:17

had to get people like, "Come up here,

145:19

come closer."

145:21

>> Yeah.

145:22

>> Yeah. I I remember those times being on

145:24

the road and if there were six girls in

145:27

the green room and you're opening for

145:28

the Temptations. Number six is yours.

145:33

The other five go first to the temps.

145:36

>> Yeah. The that's a different world

145:38

opening for musicians. That's a hard

145:40

world. And I know a lot of people like

145:42

made a living just traveling with bands

145:45

and that's all they did. They would just

145:46

open up for bands.

145:48

>> Yeah. I would open up for R&B acts

145:51

>> and um as a matter of fact I got

145:53

discovered by a jazz singer Nancy Wilson

145:55

and I used to love jazz audiences

145:57

because that was the perfect type of

145:59

music for a comic a jazz because they

146:01

were mellow jazz audience don't scream

146:04

get the [ __ ] off right they just you

146:07

know they

146:08

>> Alonzo Bowden he does jazz tours still

146:11

like he'll do like

146:13

>> he'll do like a a jazz cruise ship

146:16

>> you know like and he'll do standup with

146:18

the jazz audiences.

146:20

>> Hey, every year.

146:21

>> But he loves jazz.

146:22

>> I I love jazz, too. And I remember going

146:24

to see

146:27

the Playboy Jazz Festival and Bill Cosby

146:29

was the host at the Hollywood Bowl. I

146:31

host that every year now. I still love

146:33

jazz and I that's the coolest two days

146:36

of my summer. What is it about jazz?

146:38

like

146:39

>> um

146:39

>> what do you love about

146:40

>> Oh, about the actual

146:43

>> By the way, the coolest experience was

146:45

sitting

146:48

on the beach in Malibu with Miles Davis.

146:50

After he came on the show once, he says,

146:52

"Why don't you come over to the house,

146:54

hang out?" And he was a painter, and he

146:58

was sitting with his trumpet. It was a

147:00

red trumpet. I had never seen a red

147:01

trumpet, like a crimson trumpet. And it

147:04

was sitting beside him, and he wouldn't

147:06

use an easel. He had the canvas on a

147:09

table and he'd roll a new piece out and

147:11

he would paint. He said, "You ever

147:13

thought about painting?"

147:15

No, I'm not a good artist, but being a

147:19

jazz fan, that was the coolest moment

147:22

ever. And um what do I like about it? I

147:26

I almost equate my comedy to jazz

147:29

because I love to say I'm going in D

147:31

guys and just play.

147:34

>> Mhm.

147:34

>> You know, as a standup, you know, I used

147:37

to love to equate how I work to jazz.

147:41

>> But it takes a very specific type of

147:42

person to be like a jazz fan that really

147:45

enjoys listening to jazz. I'm also a

147:48

musician and I know that some of the

147:50

most respected musicians in my mind are

147:54

jazz musicians. You know, the intricacy

147:58

spending time with I talk about this in

148:00

the book, spending time with Quincy

148:02

Jones who was from the world of jazz and

148:05

a former trumpet player and all that

148:08

stuff. Then he ends up the year I meet

148:10

him, he plays for me these tracks and I

148:14

don't know what I'm about to listen to

148:15

and he says, "You hear that?" He takes

148:17

all he he slides all the slides down. He

148:19

says, "Listen to this." And he plays

148:20

this thing. Tink.

148:23

I'm like, "What is that?" He says, "You

148:25

ever heard of Sheila Eman?" And I said,

148:28

"Yeah, the Esavito family." And I I I

148:30

know the family. And he says, "She put

148:33

different amounts of water in little pop

148:35

bottles." And that's her tinging on

148:38

those bottles. Then he starts bringing

148:40

up the pots and you hear the bass and

148:42

the drums and you realize you're

148:44

listening to stuff from off the wall and

148:49

it it's just this incredible moment when

148:52

I realize, yo, he getting ready to bring

148:54

Michael back in a crazy way. I'm

148:57

listening to, you know, you got me

149:00

working, working working day and night,

149:01

you know, and he would just take out

149:03

everything and just have Michael's voice

149:04

and I'd never been in a recording studio

149:06

and he's at the board 18 channel track

149:11

studio and and then he he says, "You're

149:13

from Ohio, right?" And he had seen me do

149:15

standup at the Roxy and invited me to

149:17

his studio and he says, "You're from

149:18

Ohio, right?" And I said, "Yeah." And so

149:20

he says, "Let me play you this, man. And

149:21

you have to take big giant reels and put

149:23

them on this machine." and he put the

149:26

reels on and the song starts and he says

149:28

this a scratch track and I'm like what's

149:30

that? He said that's a demo and he says

149:32

they want me to uh find a singer for

149:34

this and he plays me James Ingram find

149:37

100 ways and James Ingram just once

149:41

brilliant beautiful songs and I'm like

149:43

what's wrong with that guy? He says,

149:44

"Yeah, I'm thinking about it, man. He

149:45

pretty good. He pretty good." And it

149:47

ends up being the James Ingram from

149:49

Ohio. And and that was an incredible

149:51

day. But I I tell that story to say this

149:55

great jazz musician

149:57

had this talent

150:00

that other producers didn't have because

150:03

of his music genius. And he was able to

150:06

bring us the Off-the-Wall album and put

150:08

Michael back in the mix.

150:10

>> Yeah. Layers and layers to the sound.

150:13

>> Yeah. That's the thing. When you hear a

150:15

song, you don't realize like how much

150:16

[ __ ] is going on in the background.

150:18

>> Sheila E with pop bottles.

150:20

>> Yeah.

150:20

>> Crazy.

150:21

>> I I I I loved that day. That's a that's

150:24

a favorite time because Michael had been

150:26

missing, you know, and I had bought the

150:28

Moving Violation album. So I I knew he

150:31

needed Quincy. Wow. Yeah. There's some

150:35

geniuses of music, man. I had Rick Rick

150:37

Rubin on the podcast and he's explaining

150:40

like his creative process and just like

150:42

that guy's out there.

150:44

>> Yeah. Yeah. I had to go his way when I

150:47

started the talk show that I took over

150:49

for Joan Rivers when I first had the

150:52

idea that I want to try to find my own

150:55

friends of the show. I want to find my

150:58

show. And I put on LL CoolJ

151:02

doing a song called I'm Bad.

151:06

And that night I found what I was going

151:07

to do. Win or lose. Uh next I booked uh

151:11

The Freaks Come Out at Night. Uh

151:13

Houdini.

151:14

>> Oh, I remember that.

151:15

>> That was So I found my home.

151:17

>> When you did the Joan Rivers thing, did

151:19

you think that that was going to lead to

151:20

you doing your own show or

151:21

>> Absolutely

151:22

>> you did. I I was like I am because Joan

151:25

leaves goes through all the stuff she's

151:28

going through and um they give me the

151:31

show for 11 weeks and it starts to get

151:33

numbers

151:35

and I know that she left because of a

151:38

lack of numbers

151:40

and I'm like oh this [ __ ] is mine. So

151:42

when I come back from doing Coming to

151:44

America I'm going to come back to Fox

151:46

and do this show. And one day I walk

151:49

into the cafeteria

151:52

and I realize they had hired Conan

151:54

O'Brien to create a show

151:57

and um I think the show was called the

151:59

Wilton North Report or something like

152:01

that. And but I realized I wasn't in

152:03

their future. M so um Paramount

152:09

they were popping over to say hi sending

152:11

me flowers and uh when I finished coming

152:15

to America actually halfway through they

152:17

were like when you finish you can do

152:19

that talk show here in first run

152:21

syndication and they had to explain that

152:23

to me and at the same time I was being

152:25

pitched by the King brothers who created

152:28

Oprah. So, I kind of understood that

152:30

first run syndication could work except

152:32

Oprah had ABC networks behind her, which

152:34

is good. I had some CBS affiliates and

152:37

uh

152:38

it it all worked out. Right now, with

152:42

the exception of Byron Allen, I don't

152:44

think anybody gets rich in first run

152:47

syndication.

152:48

>> Well, he is a very unusual case, you

152:50

know.

152:51

>> Yeah. Yeah.

152:51

>> I mean, he's figured out a cheat code

152:54

like Byron Allen, you I heard that.

152:56

>> And when he when they cheat him, he sues

152:58

them and wins.

153:00

>> I think Byron Allen's show Comics

153:02

Unleashed is going to replace Coar.

153:04

>> Absolutely. That was just announced this

153:06

week.

153:06

>> Yeah. Late Show will be replaced by

153:08

Byron Allen's Comics Unleashed. That's

153:10

crazy. That's how Ain't that weird? Like

153:13

late shows just don't work anymore.

153:17

>> They just don't have the same thing

153:19

anymore. Like that standard model show.

153:22

>> Yeah.

153:22

>> Where people like I don't think they do

153:24

well anymore. They're expensive, Joe.

153:26

>> Oh, I can imagine. They were saying the

153:27

Co Bear show was costing them like $50

153:30

million a year to keep it on the air.

153:32

That's I don't understand it. Like, how

153:35

how's it costing you so much money?

153:37

>> Oh gosh. Well,

153:38

>> but you know what I'm saying? Like, you

153:39

have

153:39

>> When there were three channels though

153:41

and only one had a talk show, everybody

153:44

was there and it made sense. It made

153:47

dollars and cents. There's also the

153:49

problem in that in when you compare it

153:52

to things that are on the internet is

153:53

that you have to stop conversations

153:55

every seven minutes for a commercial.

153:57

>> Mhm.

153:57

>> That's an issue. It's an issue with

153:59

depth. You don't get to go like you and

154:02

I have been talking for 2 hours and 40

154:03

minutes.

154:04

>> Wow.

154:05

>> Yeah. So, like when you're doing this

154:07

kind of thing, you just flow. Everything

154:09

flows. You just have a conversation. You

154:11

just have a good time. It's so different

154:14

when you're stuck in this format where

154:17

you only have an hour. Everything is

154:19

like you got to cut to the commercial in

154:21

five, fourth, like we'll be right back.

154:23

Like we'll be right back. Where you

154:24

going? Stay here. Like no, you have to

154:27

sell Tide,

154:28

>> you know? It's like you that format is

154:30

so limited. It's so restrictive

154:33

>> that people knowing that that that

154:36

there's other things out there now where

154:38

you could just go and watch it anytime

154:40

you want. You don't have to tune in at

154:41

11 p.m.

154:42

>> Yeah. We used to have Musk CV and we

154:44

would all gather as a nation to watch

154:46

the finale of Cheers and now we don't do

154:49

anything together.

154:50

>> Nope. As a nation except sports except

154:53

like Super Bowl. There's only sports,

154:55

live boxing events, UFC, that kind of

154:57

[ __ ] where it's live. That is the only

154:59

thing that people all watch together.

155:01

>> Yeah,

155:02

>> that's it.

155:02

>> Did you watch Chris Rock live? Selective

155:06

outrage.

155:06

>> I didn't watch his live special. I

155:09

watched it after, but I didn't watch it

155:10

when it was live.

155:11

>> So, you knew it was available.

155:12

>> I was busy. I had

155:13

>> When we grew up, it wasn't the [ __ ]

155:15

wasn't available the second time.

155:17

>> But I did a live special on Netflix for

155:19

that very reason, just because I thought

155:20

it was scary. Just cuz my last one I did

155:23

live and I only did it live because the

155:25

first time they asked me, I said, "No,

155:27

[ __ ] that." And then I was like, "Why

155:29

you being such a pussy?" And I remember

155:30

driving home. I had a conversation with

155:32

my manager and I called her right back

155:33

and I go,

155:34

>> "Let me decide tomorrow."

155:36

>> I go, "I'm thinking about this. Hold

155:37

on." because I was driving home feeling

155:39

like I was a [ __ ] for not wanting to do

155:40

it live.

155:41

>> And now in retrospect, what did you get

155:43

out of agreeing to do it live?

155:45

>> Fear.

155:48

>> You wanted to feel that?

155:49

>> Yeah. I wanted to be nervous. I was

155:51

legitimately nervous. I never get

155:53

nervous for shows anymore. I guessed

155:56

when you have a when you killing a a

155:58

wild I heard you talk about killing a

155:59

wild hog. When you go hunting like that

156:02

is the same kind of

156:03

>> That's a very different kind of fear.

156:05

That's a primal thing. That's very

156:07

different. That's a very different

156:08

thing. That's like That's a life or

156:10

death you're in. That That's a weird

156:13

That's a weird primal connection with

156:16

nature where you're going to eat this

156:18

thing. You're sneaking up on this thing

156:20

that has these survival instincts and

156:22

sense of smell and ears pop up

156:24

>> and you have, you know, you don't want

156:25

to [ __ ] it up either. You have one

156:27

moment to take a shot. That's even more

156:29

intense. Honestly, like elk hunting with

156:32

a bow and arrow is even more intense

156:33

than doing a live comedy special,

156:35

>> if you could believe it.

156:36

>> I

156:38

Wow. Yeah. Yeah, I believe it.

156:40

>> I like things that scare me. I like

156:43

things that are scary to do because I

156:45

think it's good for you.

156:46

>> Except cocaine.

156:47

>> Yeah. I don't want to ruin my life.

156:49

That's the problem. I just, like I said,

156:51

I don't hear any success stories from

156:54

cocaine.

156:54

>> No.

156:55

>> You know, nobody's like, nobody's got

156:57

like a meth story. Yeah, it's

156:58

>> like, man, I started doing meth and I

157:00

started seeing the world for what it

157:02

really is.

157:03

>> Start being more at peace. I was living

157:05

in the moment.

157:07

>> Nobody says right before I invented the

157:08

hard drive, I did coke for three days,

157:11

>> right? No, no, I'm not interested in

157:14

anything that's going to ruin my life,

157:16

but uh I'm interested in things that are

157:18

going to help me grow and help me uh

157:22

expand my capacity to do things that are

157:25

scary.

157:25

>> Would you do standup live again?

157:27

>> 100%. Okay.

157:28

>> Yeah. I'm thinking about doing my next

157:29

one live again, too.

157:31

>> I liked it.

157:32

>> Did you Did you make any mistakes that

157:34

>> No, I didn't make any mistakes, but I

157:36

prepared more than I ever prepared

157:37

before. One of one of the things I did,

157:39

I listened to my recordings every night,

157:41

and I wrote out my act over and over and

157:44

over and over again. I wrote it out. I

157:46

wrote it out both uh on paper, like hand

157:50

to paper, and I wrote it out with keys,

157:52

like typing it on a laptop. I did it

157:54

over and over again. I listened to

157:55

recordings. I watched recordings. I I

157:57

had way more preparation than I had ever

158:00

done before for any other show.

158:01

>> The night that you did it, did you

158:03

change anything or do anything new?

158:04

>> No. No. But I was free. I felt very

158:07

loose once once the show started. I felt

158:10

like a regular show. I didn't because I

158:12

was prepared. But it's like just like a

158:14

fight. Like if you go into a fight and

158:16

you're like, "Oh, I should have done

158:16

more road work. Oh, I should have

158:18

sparred more. Oh, I should have hit the

158:19

pads more." You're, you know, that's not

158:21

a good place to be to hope that you

158:23

could pull it off. You have to be 100%

158:25

prepared. And that's the thing about

158:28

doing a live show as opposed to usually

158:30

when I would film a special, I would

158:32

have four shows. So I'd film all four of

158:35

them and I'll be like, "Oh, fine. One of

158:37

them is going to be great. I'll just use

158:39

that one."

158:40

>> Yeah.

158:40

>> But when it's just one and the whole

158:42

world, like millions of people are

158:44

watching simultaneously, it's very

158:46

scary.

158:47

>> Makes you prepare.

158:48

>> Yeah. It makes you prepare. It makes you

158:50

prepare. And it also it's like it's

158:52

[ __ ] fun to do something that scares

158:54

the [ __ ] out of you. like let's go.

158:57

>> Where did you shoot it?

158:58

>> Go um San Antonio.

159:01

>> Okay.

159:01

>> Yeah,

159:02

>> that's cool.

159:03

>> Yeah.

159:04

>> Yeah. I've only done one Netflix.

159:05

>> I barely leave Texas these days.

159:07

>> Really?

159:07

>> I [ __ ] love it here. I love it. I

159:10

love it.

159:11

>> Yeah. It was amazing when you made the

159:13

move, man, because that's I asked you

159:15

when we first started talking. It's

159:16

like, were you thinking about this in

159:18

LA? But way back like 20 years ago.

159:21

>> I was thinking 20 years ago about

159:24

getting out. I moved to Colorado for a

159:26

little while in 2009.

159:29

Um, but

159:30

>> legal weed.

159:31

>> No, no, no, no. I just wanted to get

159:33

out. I just wanted to try I I but I went

159:37

too crazy. I got a house in the

159:39

mountains that was 8,500 feet above sea

159:41

level. It was like

159:43

>> it was too much. But when I came back to

159:45

LA, I always had this thing like

159:48

eventually I got to get out of here.

159:50

First of all, I always thought LA is

159:53

100% gonna have a massive earthquake one

159:56

day.

159:56

>> Yeah.

159:57

>> Like a massive earthquake where

159:58

everything [ __ ] up and falls apart. And

160:00

>> you lived through the Northridge

160:01

earthquake?

160:02

>> I didn't. Oh.

160:03

>> I came to California right after it

160:05

happened.

160:05

>> Okay.

160:06

>> And when I got there, like parts of like

160:07

one of the freeways was collapsed on the

160:09

other one. I was like, "This is nuts.

160:11

The freeways fall down here. This is

160:13

crazy." So, I feel like I've always been

160:16

thinking that there's going to come a

160:17

time where that place just breaks off

160:19

and sinks into the ocean and it's just

160:22

not wellrun. Like the whole thing is

160:25

like just waiting for one little

160:27

catastrophe. There's very little

160:29

coordination, very little people don't

160:33

they don't there's not like a sense of

160:35

community in the greater Los Angeles

160:37

area like you get in a smaller place

160:40

like Austin.

160:41

>> Yeah. Austin like feels like a small

160:43

town that has everything you want.

160:46

Whereas LA just feels like a poorlyrun,

160:50

bureaucracydriven,

160:52

chaotic shell game. It's like just a a

160:55

shell game of [ __ ] and money and

161:00

people just grifting and [ __ ]

161:04

the homeless situation is nuts. Like

161:06

everything's nuts in LA. It's just

161:08

beyond fixing. I think

161:10

>> here in Austin, a lot of homeless.

161:12

>> Not nearly as many. I mean, it's very

161:14

small problem. You're always going to

161:16

have homeless people because you're

161:17

always going to have mental illness.

161:18

You're always going to have drug

161:19

addiction. You're always going to have

161:20

some people that have problems. But in

161:22

comparison, like Skid Row is 50 blocks.

161:26

>> Yeah.

161:27

>> 50 blocks. 50 blocks

161:30

>> of homeless people just outside just

161:33

camped out.

161:34

>> I left a Laker game recently and went

161:37

through that area.

161:38

>> It's nuts. Broke my heart, man.

161:40

>> It broke my heart in 2005.

161:43

>> Yeah,

161:43

>> I was filming Fear Factor downtown in

161:46

like 2005.

161:47

>> Shout out to David Herurwitz.

161:49

>> You know, Dave,

161:51

>> he was my intern. I set him up for you.

161:53

I taught him so he could come and get

161:55

worms for you.

161:56

>> Crazy. That's crazy.

161:58

>> Yeah. Um, we were filming downtown and I

162:00

went for a I was driving home and I took

162:02

a wrong turn and all a sudden I was in

162:04

Skid Row. I was like, "This is crazy."

162:06

And this was back then and no one was

162:08

talking about it back then. I was like,

162:10

"There's so many homeless people. It's

162:11

like a zombie movie." Remember I came to

162:13

the set the next day. I was like, "You

162:14

guys ever go this way and take a left.

162:17

It's [ __ ] nuts. There's so many

162:19

homeless people." Like, and they've

162:21

they've figured out a way to keep them

162:23

there. They just pushed people there.

162:25

Like they started doing it decades ago

162:28

where they would take all the problem

162:29

people out of Los Angeles and Beverly

162:31

Hills and they would just bring them to

162:33

downtown and go, "You got to stay here."

162:34

And that's what created Skid Row.

162:36

>> When we were kids, I used to hear about

162:39

mental institutions. We don't have that

162:42

anymore.

162:42

>> Oh, they shut them down during the

162:43

Reagan administration. That was one of

162:45

the giant errors of society when they

162:49

shut down all the mental health

162:50

institutions and they just let all these

162:51

people just exist on the street with

162:53

schizophrenia and just let them do drugs

162:56

and then in some places give them drugs

162:58

and give them needles and encourage them

163:00

to come there and give them money so

163:02

they could stay on the street.

163:04

Austin loves you, but you ever think

163:06

about back in the day not leaving

163:08

California and running for governor?

163:10

>> [ __ ] that. I don't want to be a

163:11

politician. Why would I want that job?

163:13

>> Terrible job.

163:14

>> You want the problem? You see, you want

163:16

to help.

163:16

>> Yeah. You ain't helping nothing, man.

163:18

You're going to get killed. If I My help

163:20

would be expose all the fraud and lock

163:23

everybody up, then they wind up killing

163:24

me.

163:24

>> Then you'd lose the big money from the

163:26

rich.

163:27

>> They're not going to give it to me

163:28

anyway. It's like a good guy. I'm not I

163:31

wouldn't be good at it. I wouldn't be

163:32

good at the job. I'd be a good adviser.

163:34

I tell people what the people want, but

163:36

no one's going to listen. I think

163:37

politics, we're talking about with money

163:39

being involved in it, it's almost

163:41

inexraably unfixable.

163:44

>> It's almost impossible to untangle that

163:47

[ __ ]

163:49

beehive of chaos.

163:51

>> This is so much dirty money involved.

163:53

>> And if I'm a politician, I'm not going

163:56

to stop taking this money. I'm not going

163:57

to be first. If we all going to do it,

163:59

I'm not going to be first.

164:00

>> Exactly. Look at all these congressmen

164:01

that make, you know, $170,000 a year and

164:05

they're worth 80 million. How the [ __ ]

164:06

did that happen? What did you do? And

164:09

how would how did you how do you have

164:10

time to invest? Aren't you busy being a

164:12

congressperson? How the [ __ ] do you have

164:14

all that money?

164:15

>> You got all that money because you're a

164:16

grifter. They're all griing and they're

164:18

all just like doing it sneaky. It's red

164:21

and blue. If you look at we pulled up

164:23

the numbers of people whether it's a

164:25

Democrat or Republican, how many of them

164:27

are insider trading? It's across the

164:30

board.

164:30

>> Yeah.

164:31

>> They all have just unexplainable amounts

164:34

of money.

164:35

>> Yeah.

164:35

>> It's a dirty [ __ ] business.

164:37

>> It's not like one of the parties loves

164:39

money more than the other.

164:40

>> No.

164:41

>> They're all I mean I see I get in

164:42

trouble for that because usually my

164:44

humor is written around not liking any

164:47

of them.

164:48

>> Yeah.

164:49

>> And people want me to take a side.

164:51

>> Yeah. That's a problem. I I had a joke

164:53

in my Netflix special about, you know,

164:56

the Democrat versus the Republican that

164:58

was running at that time. And it was

164:59

like that's like asking me who my

165:01

favorite Menendez brother is. You know,

165:04

[ __ ] did not.

165:07

>> That's a great joke.

165:08

>> Yeah. Like, oh, kind of like Lyall, you

165:11

know, he made them prison with a toupe.

165:14

He's special.

165:15

>> Weren't they trying to get them out

165:16

recently?

165:17

>> Oh, yeah. Bro, that documentary on them

165:19

was nuts. the docu drama series where

165:22

they recreated it like

165:23

>> oh my god

165:25

>> I love documentaries.

165:26

>> Well that was a docu drama like a like

165:29

they recreated actor so you don't know

165:31

how much of it is true but boy did they

165:33

come off like [ __ ] complete psychos.

165:35

I remember for the uh OJ Simpson uh

165:39

scripted doc, they wanted me to come

165:41

read for OJ.

165:43

>> What?

165:43

>> And I'm like, yo, man,

165:45

>> how the [ __ ] are you going to be judge

165:47

barking? Cuz I'm just too recognizable

165:50

as me.

165:50

>> Exactly. That wouldn't work at all.

165:52

That's crazy to

165:53

>> I think they chose Kuba Gooding Jr.

165:55

>> That's right. That's right. He actually

165:57

did a great job in that.

165:59

>> But what a that that story was nuts. He

166:03

was the first famous There it is. Yes.

166:06

>> Wow.

166:06

>> And that's Kim's dad.

166:09

>> Wow.

166:10

>> That's Mr. Kardashian's second.

166:12

>> John Travolta is in there, too. I forgot

166:13

Travolta is in there.

166:16

>> It's Those are [ __ ] so weird with a

166:18

dream team, though. Famous people

166:20

pretending to be

166:22

>> other famous people.

166:23

>> Yeah. So odd.

166:24

>> I do a story in my book about OJ coming

166:28

to Stage 29 at Paramount to whip my ass

166:30

one time. Well, he was angry. Uh, and

166:34

>> did you say a joke on on the show or

166:36

something? I booked

166:39

um is when Naked Gun was out and I

166:42

booked Lesie Neielen and we got a call

166:45

from OJ's people because he wanted to

166:48

come on obviously he was in that movie

166:50

but the second one it had legs so I

166:53

booked Priscilla Presley who was a great

166:55

guest and a lot of history and after

166:58

that I get a call from the gate is OJ

167:03

Sumps on the earth the gate wants to

167:04

talk to you and he didn't park. He

167:06

didn't want a space. He parked outside

167:09

the elephant door, stage 29, and wanted

167:11

me to come out.

167:13

>> Uh-oh.

167:13

>> Yeah. And by the way, this is this is at

167:16

a time when we didn't know he cut a

167:17

motherfucker's head off. You know what I

167:18

mean?

167:18

>> Also at a time we didn't know about CTE.

167:21

>> Oh yeah. Yeah.

167:22

>> Which is probably a lot of what OJ was

167:26

going through. A lot of that violent

167:27

behavior.

167:28

>> Yeah.

167:29

>> There's probably a lot of CTE.

167:31

>> Yeah, man. And I mean, when you think

167:33

about it, those days in San Francisco

167:35

when he couldn't quite cut the way he

167:37

used to, he was getting hit. He was

167:38

taking head-on shots.

167:40

>> Oh, yeah. And NFL back then was nuts.

167:43

>> Yeah. I feel bad for him and Junior Sea

167:45

and some of those guys. Junior Sea was

167:47

trying to scream to us what was going

167:48

on,

167:49

>> right?

167:49

>> You know, he he committed suicide, left

167:51

a note, left his made sure he didn't

167:53

damage his brain with the bullet,

167:55

>> right? So they could check it out. Yeah.

167:57

But but O OJ stopped by and we had a

167:59

talk and and uh

168:00

>> so he was mad that you didn't have him

168:01

on the show.

168:02

>> Yeah, he he he was a little mad and um

168:05

>> But was it your call?

168:06

>> Oh yeah. I mean

168:10

I mean but by the way it was my call to

168:13

just do things that would get numbers,

168:15

>> right?

168:15

>> You know, well the um the Lesie Nielsen

168:19

one, I liked him because I saw him

168:21

someplace with a little thing in his

168:23

hand to make fart noises.

168:25

>> I saw that. Yeah.

168:26

>> Yeah. So I So I knew that I would say to

168:28

him,

168:28

>> "So you got a big hit here?" And you and

168:31

he would do it, squeeze the thing. And

168:34

um

168:34

>> yeah, I was just trying to find the

168:36

funniest guest, you know. And OJ, you

168:38

know, he told me uh he said some [ __ ]

168:40

about uh

168:41

>> you know, I thought having a black host

168:43

things would be different, you know, and

168:45

I'm like, "Don't you play the race car?"

168:47

Yeah. You know,

168:48

>> settle down.

168:49

>> Yeah. Yeah. Not you, Juice.

168:52

But uh I I ran into him in a club one

168:55

night. I was hanging out with a couple

168:57

members of New Edition and uh we're in

168:59

this club and he comes over and he gets

169:02

drunk with us and after we're pretty

169:05

tanked, Nicole and this gorgeous girl

169:09

named FA Resnik, I'll never forget her

169:11

name. She was beautiful. And these two

169:14

women come over and I realize, oh, so

169:17

because OJ is alone, I realize he was

169:19

going to places finding her.

169:22

>> And so, oh,

169:23

>> so she comes over and she says, "Juice,

169:26

>> you know, and what are you, you know,

169:27

and he says, hang out with these guys

169:29

and he, you know, when you drunk, spit

169:31

be flying." I wasn't drunk enough that I

169:33

didn't see the spit.

169:35

And uh, so she said, "Well, I'm going to

169:37

be over here with FA and blah blah blah.

169:39

Say something before you leave." And uh

169:41

so we sit there and talk, but he said

169:42

something that night that blew me away,

169:45

we talked about her and he said, "I

169:47

still love her. I've tried to give her

169:49

up and I can't."

169:52

>> Wow.

169:53

>> And

169:53

>> that's crazy.

169:54

>> Not too much later,

169:56

>> she was dead. That's what that's around

169:59

the time, too. I remember

170:01

>> missing the show cuz one thing that's

170:03

addictive about the talk show is

170:05

anything in the news, you get to handle

170:07

it,

170:07

>> right? And uh I remember watching a

170:10

basketball game and seeing the freeway

170:12

chase with the Bronco and I was like I

170:15

want a monologue tomorrow.

170:18

You know, I couldn't believe I didn't

170:19

have a show that night. That's the only

170:21

time I've ever really missed it because

170:22

most of the time you just go to the

170:23

store.

170:24

>> Right. Right. Right. That's hilarious.

170:26

>> I wanted to talk to the nation that

170:27

night.

170:28

>> Well, listen, brother. You had a

170:30

gigantic impact on culture. You really

170:32

did. Your show was amazing. you know,

170:34

you have an incredible life and I'm I'm

170:36

really happy to hear that you're happy

170:38

now and just enjoying life, you know,

170:41

and you look [ __ ] fantastic for 70.

170:44

That's amazing.

170:45

>> Thank you, man. I I I appreciate you

170:47

inviting me.

170:48

>> Uh this is one of those shows

170:50

>> next time you're going to come to the

170:51

club. Next time you're in town, just let

170:54

me know you want to come.

170:56

>> But I can't I look at the mothership

170:58

behind you, the neon mothership.

171:01

>> That was actually before the mothership

171:02

was made. Oh

171:04

>> yeah, this this was six years old. This

171:06

sign this is we got this sign. My friend

171:09

Brighgam got me this when I first moved

171:10

to Austin.

171:12

>> So what did the spaceship mean before

171:14

there was a club to you?

171:15

>> I'm just I'm UFO fanatic.

171:17

>> Oh, okay.

171:18

>> I'm I've always been obsessed

171:20

>> cuz that looked like some [ __ ] I went

171:21

to a Parliament Funkadilic concert where

171:23

they landed in some [ __ ] like that and

171:25

George Clinton came out and sang One

171:27

Nation under a group.

171:28

>> Yeah.

171:30

>> Wow.

171:30

>> I've just always been obsessed. That's

171:31

all it is. But next time you're in town,

171:33

you're coming.

171:34

>> Promise?

171:35

>> Absolutely. I'll come. I won't be in

171:37

town. I'll figure out a way to hit you

171:41

and say, "Siri, Joe, I'm coming.

171:44

>> Let's go."

171:44

>> And I'll be here. And thanks for doing

171:46

this, man. Cuz uh your demographic reads

171:49

and uh I know I sold some books today.

171:51

>> Yeah. Tell everybody the name of your

171:52

book. And

171:53

>> Oh, is it out?

171:54

>> We had a long ass meeting about that. Do

171:56

we call it things that make you go a

171:58

life that makes you go? Do we call it?

172:00

But we didn't know what. And uh then

172:02

finally one day we named it Arsenio.

172:05

>> Perfect.

172:05

>> That's it.

172:06

>> That's perfect.

172:07

>> Yeah. And there's a book on tape for

172:08

those who don't like to read. Oh, that's

172:10

the book. And you know what? If you open

172:12

it and you don't want to read it, there

172:13

are really cool pictures inside.

172:16

>> There you go. All right.

172:18

>> The art department threw some AI on me.

172:21

I'm 35 in that picture. You look 35

172:23

right now. All right. Appreciate you,

172:25

brother.

172:25

>> Thank you, dog.

172:26

>> Bye, everybody.

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