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Joe Rogan Experience #2480 - Arsenio Hall

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Joe Rogan Experience #2480 - Arsenio Hall

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5156 segments

0:01

Joe Rogan podcast. Check it out.

0:03

>> The Joe Rogan Experience.

0:06

>> TRAIN BY DAY. JOE ROGAN PODCAST BY

0:08

NIGHT. All day.

0:12

>> All right. Slap some headphones on.

0:14

Let's rock and roll, sir.

0:15

>> Yes.

0:17

Our old friend would be so happy. And

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not just that picture, but so much that

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you've done. Do like do you believe that

0:27

people who have gone on know what we're

0:30

doing or see us?

0:32

>> I don't know. You'd like to think that

0:35

you're that important.

0:36

>> Oh, yeah.

0:37

>> I have a feeling they have more

0:39

important stuff to do on the other side.

0:41

>> Yeah. I guess if you're in heaven,

0:43

you're not thinking about the

0:44

mothership,

0:45

>> right?

0:45

>> But um

0:46

>> Well, the mothership definitely is from

0:49

her.

0:49

>> Yes. Yes.

0:51

>> Yeah. Well, I mean, that's an incredible

0:54

tribute to her. Um,

0:56

>> well, the bar is named after her.

0:57

>> Yeah, I've heard all the comics. I've

0:59

heard Shane and Ian and all the guys

1:01

talk about it after they came back. Um,

1:04

and that's just an honor, man. That that

1:08

plus, you know, I used to say to people,

1:10

if you haven't taken something from

1:13

watching Richard Prior, you're probably

1:14

doing it wrong,

1:16

>> right? And Mitsy

1:19

made the greatest comedy mecca ever. And

1:23

you got to copy what she did.

1:26

>> 100%.

1:27

>> Yeah.

1:28

>> Wow. And this is

1:30

>> Yeah. She taught me everything about how

1:32

to run a club, how to do it right.

1:34

Basically, kind of let the comedians run

1:36

it. Let the inmates run the asylum.

1:38

>> Yeah.

1:39

>> You know.

1:39

>> Yeah. We're uh perfect inmates for that.

1:42

and and and right now the comedy store

1:44

is greater than ever.

1:46

>> That's awesome.

1:47

>> Yeah, it's it it's wonderful there

1:48

because, you know, I even got Jay Leno

1:51

to come back, you know, cuz he

1:52

remembered the old days and hadn't gone

1:54

back and I'm like, dude, it's different.

1:57

They they pay you for coming. They split

2:01

the door in a different way now and

2:03

there are phones in bags. I had to

2:06

explain that concept.

2:07

>> Yeah, we had to encourage them to do all

2:10

that. Yeah, that was your era.

2:12

>> Yeah. Well, once we left, we started

2:14

doing that at the mothership for all the

2:17

shows, then other comedy clubs started

2:19

following suit. It's the way to do it.

2:21

People are too [ __ ] distracted.

2:24

>> Yeah. And I think it it frees us up in a

2:27

way. I'll say things and try things and

2:30

not worry about seeing them on YouTube

2:33

uh when they're not ready or when I've

2:35

made a mistake and gone too far and said

2:37

something, you know.

2:38

>> Oh, 100%. It's also you have to be free

2:41

to [ __ ] around and experiment and if

2:43

someone takes that [ __ ] around

2:44

experiment and you don't know what's

2:46

coming out of your mouth like right now

2:48

I don't know what's coming out of my

2:49

mouth right before I say it right and

2:51

people have to understand that this is

2:52

not like when you're on stage and you're

2:54

working out like a lot of it is free

2:57

balling you've got material that's like

2:59

pre sort of established and you you're

3:03

you know you've got the the bones of it

3:05

but you're also [ __ ] around in the

3:07

moment and sometimes Sometimes you [ __ ]

3:09

around in the moment and it works and

3:11

sometimes you [ __ ] around in the moment

3:12

and it does nothing. It goes or it's

3:14

terrible. You said something awful.

3:16

You're like, "Whoops, sorry."

3:18

>> Yeah. We make mistakes.

3:19

>> You're just [ __ ] creating something

3:22

and then standup is the only art form

3:24

that you have to kind of create in front

3:26

of a crowd. You can't really You can get

3:29

ideas and the concepts and the flesh of

3:32

it alone, but you have it comes alive in

3:35

front of the crowd. You have to be able

3:37

to [ __ ] around.

3:38

>> Yeah. I um

3:40

me and Chappelle and you've you've done

3:43

this kind of thing. Me and Chappelle met

3:45

Chris Rock in Cleveland cuz Chappelle

3:48

lives in Ohio. Obviously he's done

3:50

something very similar to what you've

3:52

done, but we'll get into it later.

3:53

>> Yeah. He's done something really cool.

3:55

>> Incredible.

3:55

>> Basically took over a whole town.

3:57

>> Yeah. Yeah. And it's funny and

4:00

especially had a really funny joke about

4:01

it about how uh when white people move

4:04

into a neighborhood, it's called

4:05

gentrification. and he goes, "They don't

4:07

have a word for I'm doing what I'm doing

4:09

to these motherfuckers."

4:10

>> Yeah. It's crazy to be Dave Chappelle,

4:12

the most important man in town.

4:14

>> Yeah.

4:15

>> But uh Chris Rock was doing Cleveland

4:19

and uh we met him there and that was the

4:22

first time I saw the bags

4:25

>> people and and I was apprehensive. Um,

4:28

as a matter of fact, I saw a celebrity

4:30

in LA who didn't want to put his phone

4:32

in a bag and so they had that

4:34

[ __ ] stay outside, you know?

4:37

>> Yeah. There's too many snitches in this

4:39

world. Too many people just want to film

4:41

everything for the Graham.

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>> Yeah.

4:43

>> Like, stop.

4:44

>> Yeah. Sometimes we're saying the wrong

4:46

thing. Sometimes we're drunk.

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>> Yeah. You know,

4:48

>> for sure. A lot.

4:49

>> Yeah.

4:50

>> Yeah. A lot. Dave loves to get lit and

4:52

go on stage, but it's also like that's

4:54

one of the ways he creates. Like I've

4:56

seen him do entire shows where he's just

4:58

completely [ __ ] around and he films

5:00

everything. So then afterwards he goes

5:02

over it. He's like, "Oh, there's a seed

5:04

right there. Let me plant that seed."

5:05

Yeah.

5:06

>> You know, there's an idea there. And

5:07

then, you know, it's how you come up

5:08

with stuff.

5:09

>> Yeah. I I never drink or smoke before

5:13

going on stage,

5:15

but I love to create it home. And the

5:18

next day, cuz sometimes you can write

5:20

something down and it'll be like uh

5:22

blazer button envelope and the next day

5:25

you're like, I don't know what the [ __ ]

5:26

I thought was funny about that last

5:28

night when I was smoking. But I I like

5:30

to smoke and create at home and then

5:32

take it to the stage. But when I'm on

5:33

stage,

5:34

>> I've had bad experiences trying to do it

5:37

high and say, "This will make me

5:38

creative. I'll be like Hendrickx of

5:39

comedy." And uh uh that's all wrong.

5:42

>> Your memory will go.

5:43

>> Yeah, your memory will go. One time I

5:45

was at the Laugh Factory and uh I came

5:48

off and George Lopez said to me, "Why

5:51

you come off?" And I said, "I told you

5:53

I'd do 20." And he says, "You did five."

5:59

>> I was in Tonight Show mode or some [ __ ]

6:01

you know.

6:01

>> Hey, speak I got to clear something up.

6:03

Speaking of this has nothing to do with

6:05

you, but I did a podcast last week with

6:07

Theo Vaughn and uh in it one there was

6:12

like a video on the internet is accusing

6:14

me of lying about something and what I

6:16

said was that I was in the mountains of

6:19

Utah when the Charlie Kirk thing was

6:21

going down. What it actually happened

6:23

was I was here doing a podcast with

6:26

Charlie Sheen when the Charlie Kirk

6:30

thing went down. when he we stopped and

6:32

take took a piss break, right? And

6:33

that's when we found out about it,

6:35

right?

6:37

>> Um and then when I was in the mountains

6:39

of Utah, that's when the Jimmy Kimmel

6:41

thing was happening. When Jimmy Kimmel

6:43

was getting in trouble and I was getting

6:44

all these messages, but I didn't have

6:46

any service out there, so I had to hook

6:47

up to Starlink in order to find out what

6:49

was happening.

6:49

>> Yeah.

6:50

>> When I did the podcast the other day, it

6:52

seemed like I was saying that I was in

6:54

the mountains when Charlie Kirk got

6:57

shot. I probably was saying that I was

7:00

exhausted when I did that show last

7:03

week. I So I did a show on Tuesday night

7:06

at the club and I have this thing that I

7:09

do unfortunately where I come home and

7:11

it's the only time that I get alone time

7:14

is when everyone's asleep and I stayed

7:16

up way too late. I stayed up super late.

7:18

Then I had to take my kid to school in

7:19

the morning

7:20

>> and I was like I'll just power through.

7:22

The problem when I do that when I get no

7:24

sleep is my memory is dog [ __ ]

7:27

>> Mhm. Like I have a really good memory

7:29

and a terrible memory. It's really good

7:31

a lot of the times and then sometimes,

7:33

especially when I'm tired, it's [ __ ]

7:35

terrible. It's like from doing thousands

7:38

of podcasts.

7:39

>> Yeah.

7:39

>> My memory is like a room that's filled

7:42

with boxes and and files

7:45

>> and I don't know where the [ __ ]

7:46

everything is.

7:47

>> See, as you were talking, the first

7:49

thing everything goes to sports for me.

7:52

some of our greatest home run hitters,

7:54

uh, they strike out a lot because

7:56

they're swinging all the [ __ ]

7:58

time trying to get it to McCovy Cove or

8:00

something, of course. And I think that's

8:02

how we are. Well, not we, you especially

8:05

right now. You're doing this constantly.

8:07

You're talking to lots of people saying

8:09

lots of things

8:10

>> and every now and then there's going to

8:12

be swinging a miss. Let me explain that.

8:14

>> But the real problem was sleepy. The

8:17

real problem was not getting any sleep.

8:18

And I'm not going to do that anymore cuz

8:20

I keep doing the thing. I get home at

8:22

night.

8:22

>> Have you had that problem before? Like

8:24

sleep deprivation and you get yourself

8:25

into something.

8:26

>> I've had that problem before. Usually I

8:27

can fix it with creatine. So creatine is

8:30

a great supplement when you're tired. Um

8:33

it really there there's been studies

8:34

that show that creatine um

8:37

supplementation, especially like 10 to

8:39

20 grams. Um it actually alleviates all

8:44

of the problems that happen with sleep

8:46

deprivation in terms of uh cognitive

8:49

function. Mhm.

8:50

>> But I've been I I just was doing some

8:52

blood work.

8:53

>> So when I was knew that I was going to

8:54

do my blood work, I didn't take any

8:56

creatine for a month because I want to

8:59

cuz I'd read something about creatine

9:01

possibly being bad for your kidneys. So

9:02

I wanted to get a baseline, do it, and

9:05

then do it again when I I suffer. So I

9:08

had this like strategy. But the point is

9:10

like

9:11

>> I went Yeah. My brain was foggy. And so

9:14

for the people that like heard that and

9:16

like what is wrong with you? That's what

9:18

I thought when I saw like somebody put a

9:20

video on the line. Why is he lying about

9:22

this? I'm like, oh, I forgot. It wasn't

9:24

a lie. It's just my brain sucks when I

9:27

don't get sleep and I'm not going to do

9:29

that anymore because it's like when I

9:32

get home at night

9:33

>> is the only time I'm alone. It's like my

9:36

only alone time. And I'm I even though I

9:38

knew I had to get up in the morning and

9:40

take my kid to school, I was like, I

9:41

don't [ __ ] care. I'm staying up. The

9:43

problem with that is like when I have to

9:45

do this the next day, I just don't

9:48

function as good. I've done it. I've

9:50

done it before, but I feel it the next

9:52

day. Like I can't recall things. My my

9:55

words don't come out as smooth. I don't

9:57

have as much. My my vocabulary is

9:59

limited. It's like there's too many

10:01

problems with it. So,

10:02

>> I mean, two things have been my mind.

10:04

First of all, do guys with these arms do

10:07

creatine? I mean, would it help me?

10:08

>> Oh, it's great for everybody. Yeah,

10:10

creatine is not just a supplement for

10:13

muscles. Creatine is actually a really

10:15

good cognitive function supplement. It's

10:18

actually a cognitive enhancing

10:19

supplement. Yeah, there's a lot of

10:21

research on that.

10:22

>> Yeah.

10:22

>> And the other thing that that hit me is

10:24

I was listening to you talk recently and

10:27

you talked about smoking herb and how it

10:31

enhanced the weightlifting process. You

10:33

>> Yeah.

10:34

>> What What's that about?

10:35

>> You feel it in your tissues, man. It's

10:37

like you feel it's really good for

10:40

coordination exercise. Like there's a

10:42

lot of jiu-jitsu guys who smoke weed.

10:44

>> They smoke weed right before class like

10:46

get ripped

10:47

>> and then

10:48

>> So the were high when I first started

10:49

seeing

10:50

>> Not those guys. Those guys don't do it,

10:52

but a lot of guys do. I think one of the

10:54

one of the I don't want to throw them

10:55

under the bus, but one of the brothers

10:57

was really into smoking weed and doing

10:59

jiu-jitsu and

11:00

>> arguably the best one. Definitely the

11:02

best one. But um a lot of jiu-jitsu guys

11:05

do it and uh a lot of guys like to do it

11:08

before kickboxing. It's like you just

11:11

feel your muscles more. You feel like

11:14

your coordination more. You're more

11:16

sensitive. It's weird.

11:17

>> It's like instead of it you being like

11:19

abstract with your movements and you

11:22

know just kind of like doing it. It's

11:23

like you feel all the tissues, all the

11:26

connection when you lift weights. You're

11:27

like like you feel all the fibers of all

11:31

your [ __ ] moving. It's like it just

11:33

makes you more sensitive. It's such an

11:35

un misunderstood substance. Not for

11:39

everybody. I really believe some people

11:41

should not get high. I think for some

11:43

people it throws them off and sends them

11:45

down a dark road and it's just not

11:47

>> causes them to procrastinate about their

11:49

life and personal responsibilities.

11:51

>> There's a lot of that. There's a lot of

11:52

people that just wake and bake and just

11:54

live in the cloud all day and never get

11:56

anything anything done. And then there's

11:57

a lot of people that also get like super

11:59

paranoid and they get anxiety and they

12:01

freak out. And then there's people that

12:03

there's a lot of uh connections to

12:06

marijuana and psychosis or um

12:11

schizophrenic states that some But the

12:13

problem with that is

12:15

>> were they already like did they already

12:18

have a propensity towards schizophrenia

12:19

and marijuana pushed them over the edge?

12:21

Were they going to get it anyway? Like

12:22

it's hard to say.

12:23

>> A lot of those guys on a diet coke would

12:26

have problems.

12:26

>> Yeah. Right. Right. There's a lot of

12:28

guys just [ __ ] red lights freak them

12:29

out. There's there's people that just

12:31

life is too hard for them and they don't

12:34

need something else that [ __ ] with it.

12:35

You know, if you already have mental

12:36

health struggles, probably shouldn't do

12:38

mushrooms. You know, if you're already

12:40

[ __ ] up, if there's already some

12:42

things that you're like struggling to

12:44

hang on to everyday life, yeah, you

12:46

probably shouldn't do acid. You know

12:48

what I mean? Like you should probably

12:49

just

12:50

>> just try to like keep your [ __ ]

12:52

together. But that's not everybody. It's

12:54

like alcohol. Like alcohol is not for

12:57

everybody, but some people can have a

12:59

glass of wine at dinner and just start

13:00

laughing. It's a nice social lubricant.

13:03

Some people they got one drink and then

13:05

they're doing coke and they're getting

13:06

hookers and they're [ __ ] driving on

13:08

the freeway. They're shooting at cops.

13:11

There's like they go crazy. Like some

13:12

people just can't handle alcohol.

13:14

Doesn't mean it should be illegal.

13:16

>> Like that's crazy. And this the same

13:18

thing I feel with pot. pot is super

13:20

beneficial to a lot of people

13:22

>> and has been for millions of years. For

13:26

me, that's my uh like in the old days,

13:29

you'd watch a television show and a guy

13:31

would have a martini when he comes home,

13:32

you know.

13:33

>> I even talk about that in the book. When

13:35

I come home, my girl has me a joint laid

13:38

out on the counter, you know, and uh you

13:40

know, nice little raw papers.

13:43

>> And uh that's my that that's daddy's

13:46

cocktail.

13:47

>> Yeah. It's a nice one, too, because it

13:49

doesn't [ __ ] with your body. The problem

13:50

with alcohol is,

13:52

>> you know, it feels good while you're

13:54

doing it, but then the next day you're

13:55

like,

13:57

>> yeah,

13:57

>> your [ __ ] head and your body's tired.

14:00

I hear swelling

14:02

>> and, you know, and different kinds of

14:04

things can. And also, I'm from a home

14:07

where my favorite person, my cousin,

14:10

because I I didn't have brothers and

14:12

sisters, biological brothers and

14:14

sisters. So, when my cousin came to live

14:16

with me, a male, he's a teenager, and he

14:19

had a drinking problem. Like, I would go

14:22

>> inside uh my toy box and find Scotch.

14:26

>> Oh, you hide it.

14:27

>> Yeah. He would hide it. He's parked in

14:29

the garage when there were already two

14:32

cars in the garage, you know, and and I

14:34

loved him and he was hilarious and he in

14:37

part helped to make me who I am. But but

14:41

a bad experience like that in your youth

14:43

can make you a little bit leery about

14:46

liquor.

14:46

>> Oh yeah. I had a friend of mine when I

14:48

was in high school and his cousin sold

14:51

coke and I watched this guy fall apart.

14:53

I watched him do cocaine constantly and

14:55

fall apart. His life just went down the

14:58

toilet and I never touched cocaine

15:00

because of that. I never did. I've still

15:01

never done coke

15:02

>> and I think that's why because I watched

15:04

his

15:05

>> So you you've never tried a line?

15:07

>> Never. Never. That's heavy. Not once.

15:09

Yeah. because I had to try it to see

15:11

what it smelled like, you know? I mean,

15:13

>> I'm sure I'd like it. My friend Jimmy

15:16

said, "Don't do this. You'd love it."

15:17

But he's probably right.

15:19

>> But you also have a certain kind of

15:20

discipline where I think you could do a

15:21

line and say, "Okay, I get it." But I

15:24

love that you have the discipline to

15:26

never try it. I I I don't have that kind

15:29

of strength. I got to see what it's like

15:31

once.

15:32

>> There's the thing is like I don't know

15:33

anybody who's had like cocaine was

15:35

really good for me. Like doing cocaine

15:37

was really good. When I started doing

15:39

cocaine, my life just really changed. I

15:40

really got clarity. I started focusing.

15:42

I was nicer to people. I don't ever hear

15:44

that story. You never, not once.

15:46

>> I did a little coke and then I was

15:48

president of Yale and I ran for

15:50

>> I do hear people say that about speed,

15:52

which is weird. You hear people say that

15:54

about amphetamines, like especially

15:56

Aderall, like how like, oh my god, it

15:58

makes me so productive. I got so much

16:00

done. But it's generally it's like

16:02

journalists and people that have to

16:04

write a lot,

16:05

>> students. I I'm very curious about

16:08

Adderall because I'm hearing so much

16:11

>> and I'm thinking

16:13

>> like when I was doing the book, right?

16:15

I'm like, would Aderall

16:17

be good to focus me to do for me what it

16:20

does for students that I hear talk about

16:22

it?

16:23

>> Probably. Probably. But I don't.

16:25

>> It's a pill, right?

16:26

>> It scares me though because I know a lot

16:28

of people with problems with it. It's

16:31

It's a It's a real It's a real catchy

16:34

one. It gets you.

16:36

>> Yeah.

16:36

>> And then you start leaning on.

16:38

>> So that that's one of the one of the

16:39

downs is it's extremely addicting.

16:41

>> Very addictive.

16:42

>> But what's the other downside? Any other

16:44

>> Well, I would imagine when you get off

16:45

of it, you're exhausted because I would

16:47

imagine whenever there's there's always

16:49

some sort of a biological,

16:52

you know, there's there's whenever

16:55

there's no free lunch, right? Anything

16:57

that speeds you up is going to bring you

16:59

down. Like this get if you're ramping

17:01

your body up where you're focusing for

17:03

[ __ ] 16 hours just sitting in front

17:05

of the typer.

17:06

>> Yeah. And that's what like why

17:08

journalists like it.

17:09

>> Yeah.

17:10

>> I would imagine the the back end of it.

17:12

You've done it Jamie.

17:13

>> Yeah.

17:14

>> Only twice cuz it kept me up for two

17:15

days.

17:16

>> See that's what I'm talking about.

17:18

That's it.

17:18

>> It's an amphetamine. So yeah, I went to

17:20

try to go to bed and was like, "Oh, this

17:22

isn't happening. So let's get up and see

17:24

how Oh, we're up all day. All right."

17:26

>> Two days.

17:27

>> Yeah. I just I had to call off work. It

17:28

wasn't good. And then you feel real

17:30

dopey after it wears off. Right.

17:31

>> Yeah. It didn't I didn't feel like I

17:33

succeeded on anything that day.

17:35

>> Man, that is a a [ __ ] problem for me

17:37

is like the lack of sleep thing after

17:40

this whole Charlie Kirk thing with this

17:41

what I was just talking about. I'm

17:43

really going to concentrate a lot more

17:44

on sleep.

17:46

>> You can't [ __ ] with that because it's

17:47

like

17:48

>> especially me. It's like I need my brain

17:51

to be functioning at its highest

17:53

potential most of the time. Like that's

17:56

what you're do. Especially when I'm in

17:57

here. I was talking to Theo Vaughn. I

17:59

didn't think it would that be that big

18:00

of a deal. Theo's a comic. We're just

18:02

gonna be silly. Probably

18:03

>> the most the most recent one.

18:04

>> Yeah, the one I was just talking about.

18:05

It probably be good to be loopy, you

18:07

know, like cuz you know the writers on

18:10

news radio, they would stay up all night

18:12

on purpose

18:13

>> just to get loopy because that that was

18:15

how because they didn't really do any

18:17

drugs. They just would use sleep

18:19

deprivation to be silly.

18:21

>> Yeah.

18:21

>> It was hilarious. Like these guys would

18:23

start writing at like 2:00 in the

18:26

morning. Like they would stay up, they

18:28

would play video games and they would

18:29

start writing a script at like two

18:30

o'clock in the morning and then they

18:32

would stumble in to like when we have a

18:34

table read, they would stumble into the

18:36

table read like just finishing the

18:38

script. They would lay it out to us.

18:39

They just got done printing it. And

18:42

these guys would be [ __ ] just

18:44

completely out of it. Hair all [ __ ]

18:46

up, barefoot. It was really funny the

18:48

way they operated. But it was there was

18:50

a method to their madness. And that

18:52

method was the more tired you get, the

18:55

more exhausted you get, you get into

18:56

sleep deprivation, you get loopy and you

18:59

get silly and you start thinking silly

19:01

things.

19:02

>> Yeah.

19:02

>> When those guys, that's how they would

19:04

use it. They would use that weird state

19:06

of mind, that loopiness to write.

19:08

>> Exactly.

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20:30

>> I need my sleep, man. If I have sleep, I

20:33

can do anything.

20:35

>> Um

20:35

>> I feel like they could have got there

20:36

with weed without all the the loopiness.

20:39

you know, you want to get there like you

20:41

can get there with weed and you know,

20:42

you don't have to stay up all night. You

20:44

get it like right away.

20:46

>> Yeah. But weed ain't for everybody.

20:48

>> It's not for everybody.

20:49

>> It ain't for everybody. And and but but

20:51

yeah, I I love having my sleep. As a

20:54

matter of fact,

20:56

um that's the drug that's most important

20:59

to me. Having an ambient nearby.

21:02

>> You like that?

21:03

>> Yeah. A quarter. A just a little bite of

21:06

ambient.

21:06

>> A little bite.

21:07

>> Yeah. We'll we'll hook you up.

21:09

>> I knew a dude who would take that [ __ ]

21:10

every day. He had to take it all the

21:12

time. And then he was taking two and he

21:16

told me like, "Dude, my house could be

21:17

on fire and I would have no idea."

21:20

>> I'm like, "That can't be good." But he

21:22

needed it. It was the only way he could

21:24

go to sleep. But he was also taking

21:26

Adderall. So he was taking Adderall in

21:27

the day and then he was taking ambient

21:29

at night.

21:30

>> Can't believe he's still alive.

21:31

>> Yeah. That's That's too much.

21:34

>> Yeah, the Add a [ __ ] his life up, too.

21:37

Woo. Yeah, it's not, you know, I don't

21:41

think you should rely on anything for

21:43

sleep. For me, I just I've never had a

21:46

sleep problem, fortunately. I could go

21:48

to sleep on a bag of rocks. I could just

21:50

crash. It drives my wife nuts

21:52

>> cuz like if we're on a plane, the moment

21:54

the plane takes off, I'm out cold. I

21:57

could just go to sleep. The bad thing

21:58

about me is I can sleep best in places I

22:01

shouldn't sleep like church

22:05

or or sitting talking to my woman

22:08

sleepy. I don't know why. Why is why

22:10

does church make you so sleepy?

22:11

>> Or or reading like reading will put you

22:13

out.

22:14

>> There are some audible books that are

22:16

worse than ambient,

22:17

>> right?

22:18

>> You know.

22:18

>> Yeah. Something about physically reading

22:20

puts me out.

22:21

>> Yeah.

22:21

>> Just sitting there like looking at the

22:23

pages, I just start nodding off.

22:25

>> Yeah. I I um The Alchemist.

22:29

I have been on page 12 for like a year

22:32

and a half, you know. Sit down on a

22:35

plane and just just read the alchemist

22:38

at the top of the page and I'm out.

22:40

>> Yeah. It's fiction for me that puts me

22:43

out. Non-fiction doesn't really put me

22:45

out. Non-fiction is more like I guess

22:48

it's more stimulating because it's real,

22:50

you know, because I'm reading about real

22:52

things. Something about reading fiction

22:53

is what puts me to sleep.

22:54

>> Yeah. For me, it's just reading. Just I

22:57

can take out my license,

22:58

>> you know, and look and say, "Oh,

23:03

halfway through my name,

23:05

out. This is cool, man."

23:08

>> Not having sleep is got like a person

23:10

that's got like legitimate insomnia.

23:12

That's got to be the nuttiest [ __ ]

23:14

problem. Like that's that movie The

23:17

Mechanic. No, The Machinist. Did you

23:18

ever see that movie The Machinist?

23:20

>> No. Is that an action movie? Well, it's

23:22

that's the movie with uh

23:25

>> what's Christian Bale. Christian Bale

23:28

where he lost an insane amount of

23:30

weight. Like Christian Bale is a big guy

23:32

and I think he got to like 130 something

23:35

pounds.

23:35

>> Yeah.

23:36

>> And the the the idea was that this guy

23:38

was going completely insane cuz he

23:40

couldn't sleep and so he wasn't eating.

23:42

And so he was just like up all the time

23:44

like out of it. And

23:46

>> like if you see what he looked like when

23:48

he made that movie, it's like that's

23:51

what he looked like in the movie.

23:52

>> Oh [ __ ]

23:53

>> Yeah.

23:54

>> That looks like he's about to make a

23:56

whole different movie.

23:57

>> Yeah. Like he was about to die and then

23:59

he went from that and right afterwards

24:01

he did Batman. So he got super jacked.

24:04

He went from that and by the way the

24:06

movie sucks. So this guy like wrecked

24:09

his health for a movie that wasn't even

24:12

good.

24:13

And I mean, I wonder how good it could

24:16

even be when your main guy is dying.

24:20

Look at that image on the far right. The

24:23

one that you just Look at that. Look at

24:25

the difference between That was like six

24:27

months later.

24:29

>> That can't be healthy.

24:30

>> No. [ __ ] terrible for you. It has to

24:33

be terrible.

24:34

>> Terrible.

24:35

>> Do you like to act?

24:37

>> No.

24:38

>> I don't hate it.

24:39

>> I don't like the process. I don't like

24:42

waiting around all day. I don't like

24:43

being on set. I don't like dealing with

24:46

Some actors are great. Some actors, just

24:49

like all kinds of people, you know,

24:50

cops. There's a lot of cops that are

24:52

awesome.

24:52

>> Cuz I know you're at a point in your

24:53

life when you could probably do anything

24:55

you want. And I never see you pursuing

24:59

any acting roles.

25:01

>> No, I avoid them. Yeah. I've been

25:03

offered some fun stuff and I was like,

25:06

I'm not going to Bulgaria for three

25:08

months. [ __ ] that. I'm just I it's not

25:11

my thing. And if it was my thing, I

25:13

would I'd be like feel very fortunate

25:15

and I' I'd dive on it. I'd be like, "Oh

25:16

my god."

25:17

>> So when you look at something you've

25:18

done and you're watching a role at in

25:21

dailies or uh at the premiere, you don't

25:24

love what you see so much that you do

25:26

more of it.

25:27

>> It doesn't bother me, but it's not it's

25:29

just not what I enjoy doing.

25:32

>> And again, it's the process that's the

25:34

problem. It's the 16-hour days. It's

25:36

like, and it's being around actors

25:39

because you're around people that need

25:43

to think and need to talk in a very

25:46

specific way because they're always

25:48

worried they're going to be cast out of

25:50

the kingdom.

25:51

>> You know what I mean? So, it's like this

25:53

very disingenuous way of communicating

25:55

that a lot of actors have. And it's just

25:58

>> and you always feel when you do

25:59

something that this person's going to be

26:01

your friend for life. I I'll see you

26:02

next month and you never see that [ __ ]

26:04

ever again. It's it's it's such a

26:07

disingenuous environment.

26:08

>> Do you enjoy it? Do you enjoy acting?

26:09

>> Um I kind of like it, but at 70, I

26:14

prefer to just be at home.

26:16

>> You're 70.

26:17

>> Yeah.

26:18

>> You look so good.

26:19

>> Oh, thank you.

26:20

>> That's kind of crazy that you're 70.

26:22

>> And no creatine.

26:24

>> Imagine how good you'd look at me.

26:26

Creatine.

26:26

>> I'm going go get it.

26:27

>> 70, man. If you told me that you were

26:30

45, if I didn't know you, you told me

26:32

you were 45, I'd believe you. That's

26:33

nuts. That's a blessing. I I

26:36

>> Isn't that crazy?

26:37

>> Yeah. Yeah. And I'm happy. So, that's

26:40

unusual.

26:42

>> Yeah. Right. A lot of people when

26:43

they're 70, they're bitter and tired.

26:45

>> Yeah. I I um I talk a little bit in the

26:49

book about Richard Prior coming to my

26:52

first condo. I bought a condo so I could

26:55

I didn't have a car yet and eventually I

26:57

got one. But when I first came to LA, I

26:59

wanted to be between the comedy store

27:01

and the improv so I could get to both,

27:02

you know.

27:03

>> Oh, right. So, I bought me a a condo and

27:05

I told Richard Prior that I got a condo.

27:08

I don't know. It's one of those I I

27:10

think I heard you and Shane talking

27:12

about it. How you see your heroes now

27:15

and then and sometimes you just say the

27:16

wrong [ __ ] And I was expecting this to

27:19

be the wrong [ __ ] but it's all I could

27:20

think of. And I said, "Richard, I just

27:22

bought a condo." And he said, "Oh, wow.

27:25

I like to see it."

27:28

And I was like, "Oh, okay."

27:32

and uh him and Rashan, his body man,

27:36

came to see my condo and uh that was the

27:39

coolest thing in the world. But the one

27:41

thing I remember, I remember I had no

27:43

furniture and Rashan had told me his his

27:46

guy had told me to get some kvassier. So

27:48

I had some kvasier, you know, and we sat

27:51

on the floor and drank kvassier and

27:54

listened to a boom box with jazz on it

27:57

and talked. And he looked around at one

28:00

point and he said, "This reminds me of

28:02

when I was happy." Whoa. And I don't

28:06

even have to tell you what went through

28:07

my head and what I thought that meant.

28:10

And I didn't listen to him then. That's

28:13

the thing is people disperse knowledge

28:15

to us from their experiences. And

28:17

sometimes we're too young and dumb to

28:18

listen.

28:19

>> What did that mean to you at the time

28:20

when he said, "This reminds me when I

28:23

was happy."

28:23

>> You know, I was I was so excited that

28:25

Richard Prior came to see my condo. I

28:27

didn't process it. But years later, I

28:29

started realizing

28:31

um

28:34

that he bought things and philosophies

28:38

that made his life more complex and uh

28:42

he was happy. This is what I think it

28:44

means. He was happy with the simple

28:46

[ __ ] you know, and sometimes I mean

28:49

it's nice to have, isn't it cool to have

28:51

money but still eat burgers if you want

28:53

to? I mean, cuz I remember walking

28:55

through supermarkets and pretending I

28:58

was shopping and eating out of the child

29:00

cart, that little that little top part,

29:04

and then leaving the supermarket, you

29:06

know? So, it's nice to be able to buy

29:09

anything we want, but at the same time,

29:11

I get that thing of the simplicity and,

29:15

you know, no guard gate.

29:18

Um, nobody's knocking down your door

29:21

trying to get to you.

29:22

>> Yeah. just just a conto with no

29:23

furniture. And for a guy like that, for

29:26

the greatest that I've ever known in our

29:29

world

29:30

>> to say I was happy when I had a little

29:32

place with no furniture. Um I didn't

29:36

think about it enough then, but later I

29:38

realized what he meant when I was in a

29:40

house that was too big with guest

29:43

houses.

29:43

>> Yeah. that would, you know, you walk

29:46

into a guest house and cobwebs get on

29:49

your face, you know, because you ain't

29:51

been in there in a while and you

29:52

realize, okay, this is what Richard was

29:54

talking about. I'm doing a lot of [ __ ]

29:55

for other people that I don't need,

29:58

>> right? And too much complexity.

30:00

>> Yeah. I Somebody said complications. My

30:03

business manager said something about my

30:05

staff and it dawned on me, what the [ __ ]

30:07

do I have a staff for?

30:10

you know, I and and I've simplified

30:13

things a little bit in my life and I'm

30:15

really happy. It's

30:18

>> uh just, you know, me and my woman and a

30:21

scaled down life.

30:24

>> That's better. Yeah. There's a lot of

30:26

people that just want a lot of people

30:28

around them because it makes them feel

30:29

important. They have a big staff. They

30:32

have a lot of people working for them, a

30:33

lot of things going on, a lot of

30:34

different projects.

30:36

>> Keep moving. Keep moving.

30:38

>> But no peace.

30:39

>> Yeah.

30:39

>> Yeah. Not good. I always tell comedians

30:41

like they're they're like, "Oh, I got to

30:42

get an assistant." I go, "No, you don't.

30:44

Just do less shit."

30:45

>> Don't get an assistant. You get an

30:47

assistant, that person's going to want

30:48

to kill you. That person's

30:50

>> They're going to feel entitled. You're

30:52

making all this money. They're not.

30:53

You're famous. They're not. They They

30:55

see you for who you really are. They're

30:57

f you like you [ __ ] regular guy. Why

31:00

has he got all this? Like David Spade's

31:02

assistant duct taped him and tased him.

31:04

Remember that?

31:05

>> Yeah.

31:06

>> Try to kill him.

31:07

>> That's That's That's heavy, man. That's

31:09

And and I've heard that the people who

31:12

work for us always hate us. I've always

31:15

avoided. Somebody told me,

31:16

>> "It's not always the case."

31:17

>> They said, "Yo, you know, your

31:18

housekeeper hates you." And I'm like,

31:20

"No, she's been with me 22 years." Like,

31:22

"That [ __ ] hates you, man."

31:26

>> And and I don't want to believe that.

31:28

It's not always the case, but it is

31:30

often the case that people that are

31:32

around people that have so much, they

31:35

feel like, "Why don't I have this? Like

31:37

I'm working for this person. Why am I

31:39

not doing But why am I not rich? This

31:41

person could just make me rich.

31:42

>> It's weird. You know what I mean?

31:44

>> Yeah.

31:45

>> Like that's not what the job is. The job

31:47

is you're a gardener. Gardener doesn't

31:50

make $5 million a year. Like this is

31:52

you're kind of being crazy.

31:54

>> And then you you get people that take

31:56

advantage of you where you get a bill

31:58

and you're like, why does it cost this

31:59

much? Like this is kind like I have a

32:01

friend who's very wealthy. He's a

32:03

businessman and he goes over every

32:05

[ __ ] little thing that people charge

32:07

him and he's always looking for they're

32:09

[ __ ] trying to overcharge me. He gets

32:11

>> signs his own checks.

32:12

>> Yeah. But he gets crazy when he thinks

32:14

people are overcharging him. But I'm

32:15

like, dude, you're almost 80 and you're

32:18

worth a billion dollars. Like why do you

32:20

why are you looking at like how much the

32:22

car wash guy charges you? This is crazy.

32:24

>> Maybe that's why he has a billion.

32:27

>> Perhaps. I mean, he's a businessman.

32:29

That's his thing. But what drives him

32:31

nuts is this idea that people are

32:34

overcharging him because he's wealthy.

32:36

They're taking advantage of him.

32:38

>> Joe,

32:40

the the craziest I ever went was I had a

32:42

barber when I had hair,

32:45

>> you know, and you know, a black barber

32:47

is a skilled scientist, you know, cuz

32:50

back then I had it fried, dyed, and laid

32:53

to the side with three Adidas stripes

32:56

over on the left. And you know, my [ __ ]

32:59

was intricate that year. And um my

33:03

business manager happened to be a

33:05

business manager for two other

33:06

entertainers.

33:08

And he's also my friend. And one day he

33:12

says, "You know that guy charges the

33:14

three of you different prices."

33:16

And I'm like, "Get the [ __ ] are So I

33:20

found out that Johnny Gil was paying

33:22

100, I was paying 350." Ah,

33:27

>> and that drives me crazy cuz basically

33:30

like you say, he was charging based on

33:33

who I am,

33:34

>> right? Yeah. He like you can afford it.

33:37

>> Yeah. Yeah. And I had a friend who had

33:40

more money than me and he was charging

33:42

him a crazy amount. It was it was like

33:44

the rental of a rose, you know. Crazy

33:48

money.

33:49

Yeah. Well, that's what comes with the

33:51

territory. People just think you're not

33:53

going to notice. They don't care, you

33:55

know.

33:57

>> Yeah,

33:58

I guess. Yeah. Do you think you are

34:01

happier now than you were when the

34:04

Arsenal Hall show was at its peak?

34:09

Yeah, I think I'm happier now because

34:12

with that peak comes a lot of pressure

34:16

and a lot of work. And I'd be a liar to

34:19

say I don't enjoy having the money

34:22

without the other [ __ ]

34:24

>> You know, I I did a good job of

34:27

investing and making sure that when the

34:30

lights went out,

34:31

>> uh I was good. So,

34:34

I love my life right now, man. More

34:37

relaxed, less pressure.

34:38

>> And being the OG and

34:40

>> pretty much your responsibility is just

34:42

uh giving advice to a comic in the

34:44

hallway.

34:45

>> Yeah. Uh, you know, a lot of the young

34:47

guys don't understand what you did

34:49

because what your show was like back in

34:53

I guess when was it when did it first

34:56

come on the air? What year?

34:57

>> Probably uh Coming to America was like

34:59

86 87 I left New York and went and

35:01

started the show. So 87 88 sometime

35:03

around in there. I'm bad with years.

35:05

>> Yeah. During that time and in the the

35:07

'9s it changed the whole landscape of

35:12

late night television. like completely

35:14

changed it because late night television

35:16

was stiff, you know? It was like, "Yeah,

35:18

a [ __ ] the desk. The desk made no

35:21

sense to me."

35:22

>> I talk I talk about the desk and how I

35:24

got rid of it. But but

35:25

>> it made no sense. But you what? I was

35:27

like, "Oh, finally he got rid of the

35:28

desk. The [ __ ] are are we being

35:31

lectured? Are am I in the principal's

35:33

office? Like what is the [ __ ] desk

35:34

for?"

35:35

>> But when they first started doing that

35:36

in the 1950s, if you went to work, you

35:38

had a desk. You had to wear a tie, you

35:41

had a desk. And they all smoke

35:43

cigarettes while they were on the job.

35:45

You know, he watch like the Johnny

35:46

Carson show

35:47

>> during commercials. Johnny would go

35:48

under his desk.

35:49

>> Get a cigarette.

35:51

>> Yeah. Well, they would often smoke on

35:53

air. They would do it all the time back

35:54

then. They all smoked.

35:56

>> How about planes? How about the fact

35:58

that we could get on a plane to go to a

36:00

gig and there was a row behind us where

36:02

smoking began,

36:04

>> right? And I'm in the no smoking row.

36:06

And the [ __ ] behind me got a cigar.

36:08

>> Yeah. You know,

36:10

>> and it was just flooding the entire

36:12

cabin.

36:12

>> Yes.

36:13

>> You know, Dice used to have a joke about

36:14

it. You're in a [ __ ] tube.

36:17

>> Where's the air going?

36:18

>> Yeah.

36:20

>> It was a weird time. But the the whole

36:23

idea was what I was getting to was like

36:26

late night television was very stiff. It

36:29

was, you know, it was like

36:33

and then your show came around.

36:35

>> Paul Anker wrote that,

36:36

>> did he?

36:37

>> Yeah.

36:37

>> Oh, wow.

36:39

>> Your show came around and then all of a

36:41

sudden it was fun and loose and I

36:44

remember when Clinton came on your show

36:45

and played the saxophone.

36:47

>> Yeah.

36:48

>> And that I mean everybody was like,

36:49

"What is happening?" The [ __ ]

36:52

president of the Was he the president

36:54

back then or was he running?

36:54

>> No, he was a governor

36:56

>> and uh that's right. He was trying to

36:58

get the young vote, so he did me. And

37:00

then the next day they decided to do MTV

37:04

because I think what my show did that

37:07

night was changed how you run for the

37:10

highest office in the land. And and

37:12

>> look at that.

37:12

>> Yeah.

37:13

>> Look at that.

37:14

>> That the joke I had just done was

37:16

finally a Democrat blowing something

37:19

other than the election.

37:22

You when you look you remember jokes in

37:24

in the moment. And dude, so What's

37:27

interesting is after this

37:31

presidential candidates realized they

37:34

had to come to Rogan and Sunday morning

37:38

to meet the press,

37:39

>> you know, and I like that, you know,

37:42

they they have to go everywhere now.

37:45

Well, they go where the people are

37:46

paying attention, right? Mhm.

37:48

>> But it's it was different because if

37:50

they did the Tonight Show with Johnny

37:52

Carson, it would be a, you know, a very

37:55

competent interview, but it would be

37:58

stiff. It was It was like very I mean,

38:00

not even stiff's not the right word. It

38:03

was traditional.

38:04

>> It was like this was different. Like him

38:06

playing the saxophone, running for

38:08

president, playing the saxophone. I was

38:09

like, "What is happening here?"

38:11

>> And I tried to get I I told Jenna Bush

38:14

this last week. I'm on this book

38:16

slinging tour. And uh I told her I said

38:19

I invited your grandpa because back then

38:23

there was a mentality that you do equal

38:27

uh both sides, you know, and I don't

38:29

think it was a rule. But but first of

38:32

all, my dad was a Republican, my mother

38:34

was a Democrat, so I was used to hearing

38:36

both sides and learning both sides. And

38:38

I thought the best thing I could do for

38:40

young people is show them both sides and

38:42

that would be fair of me as a host. And

38:45

we got a call from a man named Marlon

38:47

Fitzwwater who said, "No [ __ ] way

38:50

we're coming there." You know, and and I

38:53

wonder why.

38:54

>> Um it's almost like what you talk about

38:56

with the desk.

38:58

Um society at a certain point is stiff

39:01

and it takes certain people to loosen it

39:04

up and make a change. And uh I I think

39:06

it was just they're not used to it. It's

39:09

like, why are they barking? And and what

39:12

is you know

39:14

>> that's right. Things that make you go

39:16

hm.

39:16

>> Oh yeah. Yeah.

39:17

>> Yeah. There was a lot going on.

39:19

>> I had a couple of hooks going.

39:20

>> Oh, you had a great hook. The things

39:21

that make you go home. Everybody used

39:23

that all day long. Like when if

39:25

something weird was going on in the

39:27

office, people things that make you go

39:28

hm.

39:29

>> And it was so cool. Then they wrote a

39:31

song about it. And I would turn on TV

39:34

and I would see

39:34

>> Was that CNC Music Factory?

39:36

>> Yes, that's right.

39:37

>> Yeah. And um um I would turn on TV and

39:39

like Nordstrom's would have a sale that

39:41

makes you go and I was like that's very

39:44

cool, you know, and and and it came

39:46

about sitting with the writers and um

39:50

>> I had done it at the comedy store and he

39:53

says, you know, we could use that and

39:55

just throw any joke in there like randos

39:58

that we don't know where to put,

40:00

>> right?

40:00

>> And so it really was a a cheating

40:03

technique for a comic.

40:04

>> Yeah. Perfect nonsequittor. Just

40:07

transition

40:07

>> every now and then. Hey, why don't black

40:10

women breastfeed chocolate milk? And you

40:12

have no place else to put that that

40:14

thought, right? So, it's a a stream of

40:18

things that make you go h

40:20

>> Yeah. Yeah.

40:22

>> Well, it was just finally there was a

40:24

different kind of talk show. It was like

40:27

finally there was a talk show that was

40:28

more fun. Hey, the the desk thing. Um,

40:32

my partner and executive producer Mara

40:36

Keel Brown, we were sitting around one

40:38

day and she said after coming to

40:40

America, I had done the Joan Rivers

40:42

thing. I filled in for her for 11 weeks

40:45

and I think she uh her husband committed

40:47

suicide and she was going through all

40:49

that period, right? Conan's creating the

40:52

Wilton North report in the room that I

40:54

leave and I go to Paramount and she

40:56

says, "I'm asking you one thing." She

40:58

said, "I watched you do standup the

41:00

other night at the comedy store, and

41:04

there is a freedom that you have that I

41:06

would like you to have on the talk show,

41:08

and I don't think we can have it with

41:10

that desk between you and the guest. So,

41:12

I want you to just try without the

41:14

desk." And um I tried it without the

41:17

desk and never went back.

41:19

>> Yeah, you changed it. I mean, like, and

41:23

then George Lopez did No Desk when he

41:25

did his show. Mh.

41:26

>> A few people have tried the no dust

41:28

thing.

41:29

>> Yeah.

41:29

>> But

41:30

>> for us, I think it's great. And And you

41:31

know what? I was able like somebody like

41:33

Rosie Perez, who would be nervous,

41:36

>> I'd hold her hand

41:38

>> and you can't reach across the desk and

41:40

and hold somebody's hand.

41:41

>> Well, also the desk was always elevated.

41:43

>> Oh, yeah. You want to be

41:44

>> was always above the guest.

41:45

>> We must be higher,

41:46

>> which is weird.

41:47

>> Well, that's that's a bizarre. I don't

41:50

know if that's the ego of the

41:52

entertainer or whether that's some

41:54

asskissing prop

41:57

uh set designer move because

42:00

we always wanted to be higher and I

42:02

remember they put something under my

42:03

seat. So

42:04

>> make your seat higher.

42:06

>> Yeah. So I'm sitting even with Kareem,

42:09

you know, which is [ __ ]

42:11

you know.

42:13

Yeah. It's a weird thing. It's like why

42:15

would the host be above movie stars like

42:19

and rock stars and

42:21

>> why? That doesn't make any sense at all.

42:23

>> Yeah. Unless your host is David Bowie.

42:25

>> Yeah. Right.

42:26

>> Right.

42:28

>> Unless he decides to do a talk show. And

42:30

even then it doesn't make any sense.

42:31

It's like if you want to have a

42:33

conversation the way you did it was the

42:35

best way to do it. Just be sitting

42:36

there.

42:37

>> Yeah.

42:37

>> Sitting with each other, you know.

42:39

>> And now

42:40

>> you can lean in.

42:41

>> Oh yeah.

42:42

>> Yeah. You could you could touch the

42:43

person, you could poke the person. Uh

42:45

>> now we have a different era where

42:50

everyone can do talk. I saw Mike Eps

42:53

talking on his back from his bed the

42:56

other day holding his phone above him.

42:59

And that's when it hit me. It's like now

43:01

we have a hard time finding a guest that

43:03

doesn't have a show,

43:04

>> right?

43:05

>> We can anyone can have a show now.

43:07

>> Yeah.

43:08

>> And that's kind of cool.

43:09

>> It is kind of cool. And it's just like

43:12

and you find your as long as you do it

43:14

long enough and you put the right

43:16

attention to it and do it honestly,

43:19

you'll find your own lane. You find your

43:21

own way of doing things.

43:22

>> I have friends who have children who

43:24

have shows,

43:26

>> makeup tutorials and successful things

43:28

going on in their bedroom.

43:30

>> One of the biggest shows on YouTube for

43:32

a long time was a kid that was like

43:34

unboxing toys.

43:36

>> Oh, that's cool. And it was sort of, but

43:38

then they started monetizing it. And I

43:40

think, you know, soon as your parents

43:42

start making all that money off of you

43:44

opening toy boxes, [ __ ] gets weird. It's

43:46

weird for kids to get famous, period.

43:48

But but it was just like no one had

43:51

thought that out like that. There would

43:53

be a lot of people that were interested

43:56

in you watching toys.

43:58

>> Yeah. Yeah.

43:59

>> Like there's a lot of shows that I watch

44:01

on YouTube that it's just people

44:02

cooking.

44:03

>> Oh, yeah.

44:04

>> I just I love watching people cook.

44:05

Watch a lady cook with big titties and

44:08

and uh uh just an apron, you know, and

44:12

you know, side boobage be coming out.

44:14

>> That's a trick. She's tricking you. I

44:17

like watching people cook with no

44:19

talking. It's just ASMR, you know, just

44:21

they're like chopping up the food and

44:23

you hear the sizzle in the pan and like

44:25

it's I don't know why I like it. I love

44:26

I love watching people do things. Isn't

44:28

it amazing that you're younger than I

44:31

am, but when I was growing up in

44:33

Cleveland, we had three channels,

44:35

>> right? I remember those days.

44:36

>> Yeah. And and and the [ __ ] signed off at

44:39

two, right?

44:40

>> Yeah. You da

44:42

da

44:43

>> and you fall asleep watching TV and that

44:45

would wake you up.

44:46

>> Yeah. Cuz it would be just crackling

44:48

like, "Oh jeez, I stayed up too late."

44:50

>> You have to shut it off after the

44:52

American flag because the American flag

44:53

would wave

44:54

>> on the TV, right?

44:55

>> Yeah. There would be a a match fade from

44:58

a soldier to the American flag.

45:01

>> Yeah. And then it would just go static

45:03

at 2 in the morning. And then I remember

45:05

when Fox came out and everybody's like,

45:08

"This channel is crazy."

45:10

>> Yeah.

45:11

>> Foxes, they have the Simpsons and M.

45:13

>> They changed my life, man. th those uh

45:16

Tracy Alman

45:17

>> and then of course

45:19

>> they discovered that they could get

45:21

numbers with me and Living Color

45:24

>> and uh Fox was really important to us.

45:28

Fox was important to America. I mean it

45:31

was it was a looser, wilder network. It

45:34

was like a network that was a little

45:36

crazier.

45:37

>> Like they were doing things that they

45:38

were getting nuts

45:39

>> and they had to they had to take some

45:41

chances and roll the dice in a different

45:42

way,

45:43

>> right? Yeah. And then cable came along.

45:45

It was like the slow descent into

45:47

madness.

45:48

>> Yeah. Yeah.

45:49

>> And then all a sudden you have 150

45:51

channels and now you have like literally

45:53

an infinite number of channels because

45:55

of streaming and YouTube. It's like you

45:57

can never run out of things to look at.

46:00

Which is crazy because I turn a lot and

46:03

I'm like, "Yo, [ __ ] They got

46:05

two million stations and you channel

46:08

chasing. You can't find something." But

46:11

I'm a big YouTube guy because I I don't

46:14

like commercials. I want what I want and

46:16

I want it in small increments. I

46:18

actually, as a 70-year-old, fit more

46:19

into this culture than I did the culture

46:21

I was born into. I

46:24

>> I like things for three minutes. It's

46:25

It's [ __ ] me up, too. You know, I I

46:28

don't want long [ __ ] I want quick [ __ ]

46:31

>> And uh I'm jumping around. Well, when

46:34

I'm watching TV, I'm I'm generally

46:37

trying to check out, you know, or I'm

46:40

trying to be educated, right? So, either

46:42

I'm watching some um like particle

46:45

physicist talk about the the way they

46:48

find new particles by using particle

46:52

colliders and large hadron colliders and

46:54

the amount of energy required to

46:56

duplicate the, you know, the conditions

46:59

that happened right after the big bang.

47:00

You know, I'm just like,

47:02

>> I I watch a lot of that [ __ ] and then I

47:03

just watch people play pool.

47:05

>> I watch people play pool and I watch,

47:08

you know, people make furniture and

47:10

people cook. I I'm just trying to like

47:13

unwind.

47:14

>> Yeah.

47:14

>> I'm just trying to like relax.

47:15

>> But that's so heavy. I heard you and Cat

47:18

talking about the pyramids.

47:20

>> Mhm.

47:21

>> And um as a matter of fact, it was part

47:25

of the reason I was afraid to come here

47:27

because I've heard you talk about the

47:30

reexplosion of

47:32

it's just when you hear that kind of

47:34

[ __ ] and you're like,

47:35

>> I don't want to be here. It's like [ __ ]

47:37

crazy, huh?

47:39

I don't want to be that guy, you know?

47:42

So, it it's intimidating to watch

47:44

intelligent people have an exchange and

47:47

say, "I got to go there."

47:48

>> Is it?

47:49

>> Oh, yeah.

47:50

>> Well, I I guess

47:51

>> you don't want You don't want to be the

47:52

first idiot in the room. Nobody

47:54

>> Oh, you definitely wouldn't be the first

47:55

idiot on this show.

47:56

>> And you're not an idiot anyway. But if

47:58

there's been plenty of really [ __ ]

48:01

dumb people on this show that were

48:02

great,

48:02

>> but do you know somebody that is really

48:04

intelligent and conversation with them

48:06

is intimidating?

48:07

>> Oh, sure.

48:08

>> So, I was afraid of this room. I I mean

48:10

I know people like Bill Clinton.

48:12

>> The first time I sat and talked to Bill

48:14

Clinton, not on the air or the second

48:17

time I guess I should say.

48:19

>> It was kind of daunting because

48:22

he no matter what your politics is, he's

48:24

a really smart guy. Yeah. Cat Williams

48:27

is the same way. That [ __ ] read

48:29

a lot more books than I read.

48:31

>> Well, Cat's brilliant. I mean, you can't

48:33

be that funny and not be very

48:36

intelligent.

48:37

>> It's the reason Bill Cosby was so funny.

48:39

He was a bright man.

48:41

>> Uh

48:41

>> oh. I got

48:43

something.

48:44

>> He's just He just That's a problematic

48:46

subject.

48:48

>> Was also Bill Clinton. I wish Bill

48:50

Clinton didn't have so many problems

48:52

because I would like to talk to him. I

48:53

would love to have to sit down with him

48:55

on a podcast. You know, the problem is

48:58

like how do you sit down and not talk

49:00

about all the chaos and all the nutty

49:03

[ __ ] and the Epstein files and all the

49:04

other [ __ ] Like you kind of almost have

49:06

to talk about it. So, it's too bad

49:09

>> because I think he's a fascinating

49:10

person and I think he's one of the

49:12

greatest presidents of all time for

49:15

sure. And if you go back and look at

49:16

what he accomplished during his

49:18

administration, they balanced the

49:20

budget. There was like one of the first

49:22

times in the history of this [ __ ]

49:24

country that we didn't have a gigantic

49:25

debt. Now our debt's like 39 trillion.

49:29

>> It's crazy. Everybody's so bad at

49:32

balancing the budget. And you go back

49:34

and listen to him talk when he was

49:35

running for president. He's like super

49:37

sensible. Like everything he said made

49:39

sense.

49:40

>> And didn't he move a little to the

49:41

right?

49:42

>> Well, I mean it wasn't to the right. It

49:45

was just sensible. Like what is to the

49:47

right and what is to the left?

49:49

>> It's accepting that

49:51

a lot of things are valuable that are

49:55

not a part of your party's philosophy. I

49:58

think we have to be willing

49:59

>> to compromise and move a little bit. Uh

50:02

and and that goes for all politicians.

50:04

We have to be able to move a little bit

50:05

to be logical and serve all of America

50:09

>> for sure. But I think the problem is

50:11

parties all have to agree and they then

50:14

they form ideologies that you cannot

50:16

stray from. So if you're one of those

50:18

people that says like hey maybe an open

50:20

border is a bad idea because terrorists

50:23

can come through like

50:25

no there's no one's illegal on stolen

50:28

land. You know you get everybody gets

50:30

crazy because there's a party line that

50:32

you have to stick with. This is today.

50:34

Today things are incredibly polarizing.

50:36

But if you go back and listen to some of

50:38

the things that Clinton was saying when

50:39

he was running for president and when he

50:41

was president, boy, these are like

50:43

almost right-wing talking points in a

50:45

lot of ways. But they're not but it's

50:47

not right. But it's not really

50:49

rightwing. It's just sensible. Like what

50:52

is right and what is left? Left used to

50:54

be um first of all, freedom of speech

50:57

was of paramount importance. It used to

51:01

be that they were very open-minded. It

51:03

used to be like the that education was

51:06

of crucial importance and that discourse

51:09

was crucially important and that you

51:12

have to look out for citizens and in

51:14

sense of like having social safety nets

51:16

and having welfare programs and and food

51:19

stamps and all those things are which

51:20

are really important for a society

51:22

because not everybody is in the same

51:24

position in life. And if we're a

51:26

community of people, which is what a

51:28

country is supposed to be, you're

51:29

supposed to look out for everyone. You

51:31

know, that that's sensible. That's what

51:33

the left used to be. And then it became

51:36

trans women or women. Men can get

51:38

pregnant.

51:39

>> And by the way, when you deal with left

51:41

and right, you have to almost attach a

51:43

year because we've seen parties

51:47

change. Um

51:49

I'm always reminded that the Democratic

51:52

Party was the party of the clan. if you

51:55

go far enough back.

51:56

>> So, I'm I'm a Republic. I have to look

51:59

at it all.

52:00

>> But wasn't Lincoln a Republican?

52:04

>> Um,

52:04

>> I believe Lincoln was a Republican. I

52:06

think the Republicans were the ones who

52:08

were trying to abolish slavery.

52:10

>> There was a a lot of there's a lot of

52:12

weird things that shift back and forth

52:14

and that you you think of right-wing and

52:18

leftwing in today's standards. Like we

52:21

were playing a clip of Hillary Clinton

52:22

the other day when she was running for

52:24

president. I think it was was it 2008 or

52:26

2012?

52:28

>> 8 when she was she was running for

52:31

president. She's like if you're here

52:33

illegal from another country, you should

52:35

have to pay a stiff penalty. You should

52:37

have to learn English and if you have

52:41

any criminal history whatsoever, no

52:43

questions asked. You get out of the

52:45

country. And everyone was cheering like

52:47

the lady's MAGA. That sounds completely

52:49

MAGA. That's why I say when you deal

52:51

with Democrat, Republican, you have to

52:53

attach a year because it's evolved and

52:55

changed many times.

52:56

>> Well, it's all you're just being

52:57

manipulated and you're being manipulated

52:59

by these two teams and you have to pick

53:02

a team. You have to decide which team

53:03

are you on.

53:04

>> I hate that.

53:05

>> It's so stupid. I'm politically

53:06

homeless. I've always been politically

53:09

homeless for a long [ __ ] time. It

53:11

neither one of them make any sense to

53:13

me. We need like a logical centrist

53:16

government that like just says there's a

53:19

lot of things that we should do to make

53:21

this country a better place. We can we

53:23

can do these things and we don't have to

53:25

attach them to left or right and

53:27

anything that the left says that's

53:30

logical to people on the right. They

53:31

immediately dismiss it because it's

53:33

coming from the left. And that happens

53:34

the same with where the left does it to

53:36

people on the right. It's dumb. It's a

53:38

it's a team thing. It's like the

53:39

Dolphins versus the Raiders. It's just

53:41

you pick a [ __ ] team and you team a

53:43

horrible game, by the way.

53:47

>> You pick a team and your team rules and

53:49

the other team sucks. And there's a lot

53:52

of people out there that are not that

53:54

they're not open-minded and they love a

53:57

good rigid ideology that they could

53:59

adhere to. So now I don't have to think

54:01

for myself. I have a predetermined

54:04

pattern of opinions that I could just

54:05

adopt and I'll just accept those and

54:08

that's how I think and that's what I'm

54:09

going to argue with.

54:11

When I was young, I used to

54:14

in some jokes say, "My my heart is

54:17

Democratic, but my wallet is Republican,

54:20

you know." But it's not even that simple

54:22

anymore. It's gotten much more

54:23

complicated.

54:24

>> Yeah. Much much more complicated. It's

54:26

like, you know, everyone should be

54:28

anti-fraud whether you're on the left or

54:30

on the right.

54:31

>> Unless you're committing fraud,

54:33

>> right?

54:33

>> Then, you know, then I'm pro me.

54:36

>> Yeah. Well, I think a lot of people

54:37

that, you know, are certainly benefiting

54:39

from fraud would like to dismiss it,

54:41

whether it's the left or the right.

54:43

Yeah. There's like

54:45

>> we have a problem in this country where

54:46

we have a two-party system. Two-party

54:48

systems are inherently flawed because

54:49

there's no [ __ ] way that one side is

54:52

going to represent you entirely. And

54:56

it's much more likely if you have like

54:58

five, 10, 15 different parties that are

55:00

all legitimate because we don't have

55:02

another legitimate party. If you vote

55:04

for libertarian, and I've voted

55:05

libertarian before, you're basically

55:07

saying, "Fuck these people."

55:08

>> You know, [ __ ] these people. I'm voting

55:11

>> You're jacking up the Dolphin Raider

55:12

game.

55:16

>> Yeah.

55:16

>> I'm voting for rugby.

55:18

>> That's what you're basically saying.

55:20

You're like, I can't get behind either

55:21

one of these [ __ ] so I'm going

55:23

to vote for this guy who has no chance,

55:25

>> you know? And I've done that before. I

55:27

did that with Joe Jorgensson. I did that

55:29

with Gary Johnson. I voted for both of

55:32

them. But why do you think we've not

55:34

been able to come up with legitimate

55:37

third, fourth, and fifth parties?

55:39

>> Well, they got it locked down. They've

55:41

got it locked down

55:42

>> with donations and money.

55:43

>> Yeah. It's money. Money and politics.

55:45

When they got when they allowed

55:46

corporations to just essentially give as

55:49

much as they feel like it like and when

55:51

corporations

55:52

>> and not not just corporations, but other

55:54

countries.

55:54

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That's betterhp.com/jre.

57:16

Oh yeah. Yeah. Yeah. It's not good. It's

57:19

not good. Money in politics is the real

57:21

problem. You know, it should, you know,

57:24

the whole thing. It's a mess. And then

57:25

you find out how much money politicians

57:27

make

57:28

>> while the TSA guys have nothing.

57:30

>> Yeah.

57:30

>> And politicians are still getting a

57:32

[ __ ] check.

57:33

>> Yes. Exactly. Well, I felt that way also

57:35

about the lockdowns in California. I was

57:38

like, all these people that are saying

57:39

that you should have no outdoor dining,

57:41

your paycheck should be entirely

57:43

dependent on the GDP of your city. And

57:45

if your city starts suffering, you

57:48

should [ __ ] suffer. And I guarantee

57:49

you want those businesses to open right

57:51

the [ __ ] back up because it didn't make

57:52

any sense. They were doing things for

57:54

optics only. And they were doing things

57:56

because they like control. People love

57:58

control. They love it. And once you give

58:00

them power over people, they're in the

58:02

control business. They like to keep that

58:04

control. And it just gets gross. And

58:06

they don't have any there's no

58:08

repercussions. They don't get in trouble

58:10

if all these like California lost.

58:12

>> Somebody should be in trouble for the

58:13

Epstein fouls. somebody.

58:15

>> At least one person, please.

58:17

>> Yes. It's crazy that we're sitting

58:19

around looking at that.

58:20

>> It's crazy

58:20

>> and we know it and we say it, but ain't

58:23

a [ __ ] thing we can do about

58:24

it,

58:24

>> right? It's like right now there's some

58:29

talk about journalists getting in

58:31

trouble for leaking information about

58:33

the down pilot and that they want to

58:36

prosecute these journalists. At the same

58:38

time, no one's being prosecuted for the

58:40

Epste files.

58:41

>> Yeah,

58:42

>> that's nuts. That's a sick society.

58:45

>> As a kid, I did magic, right? And

58:49

there's a thing in magic, I take a coin

58:51

and put in this hand, there's a thing

58:53

called misdirection. That's what I just

58:55

did to you. You looked at that and I'm

58:57

doing some [ __ ] right here. That's the

58:59

story of American politics.

59:00

>> Oh yeah. Whenever something weird's

59:02

going on, look, when Monica Lewinsky,

59:04

when when Trump when Bill Clinton got

59:06

caught with Monica Lewinsky, they may

59:08

start bombing some other countries.

59:09

Like, we got to distract these people.

59:11

This is just too complicated. Yeah,

59:13

>> look, the Epstein Files comes out. We go

59:15

to war with Iran. It's It's a good way

59:18

to get people to stop talking about

59:19

certain things. You give them a new

59:21

problem to think about.

59:22

>> Hey, this morning I wake up in a very

59:24

nice hotel, thanks to you. Uh, breakfast

59:26

was paid for, the tip was done, all that

59:28

[ __ ] It was kind of cool. Um,

59:31

and I was nervous and I'm thinking, I'm

59:34

nervous

59:36

to go see my guy and talk, which is

59:39

insane. But then, you know, sometimes

59:41

you try to focus on why you're really

59:43

nervous. Why am I so nervous? And I

59:45

realized it wasn't just coming here. I

59:47

had watched about a half hour of news

59:51

and it was making my stomach hurt, you

59:53

know, because I I feel so sad on a lot

59:56

of levels, you know,

59:57

>> and anxiety.

59:58

>> Yes. Yes.

59:59

>> News just gives me anxiety.

60:01

>> But I got to as a comic, I got to watch

60:04

cuz I got to know everything. I got to

60:05

have that that that mental rolodex

60:08

loaded.

60:08

>> Yes. for crowd work or whatever.

60:11

>> Well, you have to know what's going on

60:12

in the world. Unfortunately, if I wasn't

60:15

a comic, I would have no social media. I

60:17

would never consume the news. I would

60:19

just hide.

60:20

>> Yeah.

60:20

>> I would just like go to a peaceful

60:22

place. I'd probably have a place in the

60:24

mountain somewhere and just [ __ ]

60:25

chill.

60:26

>> I would not want to have anything to do

60:28

with any of this [ __ ] that's going

60:29

on in the world. And I know people, a

60:30

lot of people say, "Oh, you have to

60:32

participate and this and that." Like,

60:34

man, yeah, I guess. But I don't think

60:37

your participation is having the kind of

60:40

effect that you'd like it to have. I

60:41

think it's having an effect on the way

60:42

you think and feel much more so like a

60:45

disproportionate effect on your mental

60:47

health and your anxiety levels and all

60:49

these different things that you cannot

60:50

control by paying attention to it. You

60:53

can't control what these [ __ ] people

60:54

are doing. And it just drives you nuts.

60:57

And

60:58

>> it's frustrating because we realize I

61:00

mean you and I are both millionaires.

61:02

You a lot more than me. Uh but at the

61:05

same time we realize we don't have

61:07

enough money to really affect it. I mean

61:10

you

61:11

>> you can affect some things I guess.

61:13

>> Yeah. I now that I think about

61:14

>> I don't want to I don't want to affect

61:18

if I can affect things in a positive way

61:20

I can. Yeah. I mean there's some things

61:21

like

61:22

>> things by by dispersing information of

61:24

candidates and in helping to inform

61:27

people. But but that kind of money that

61:29

you have to have to have a dinner in

61:32

Malibu and uh and later get some [ __ ]

61:37

done that you want to get done cuz the

61:39

president is your guy now.

61:40

>> Yeah.

61:41

>> Or girl.

61:42

>> It's very complicated.

61:43

>> Yeah.

61:44

>> Very. And then that kind of complication

61:46

comes with a lot of scrutiny, a lot of

61:48

weirdness. And and also like you don't

61:50

really know these people. You you you

61:53

support people like for running for

61:55

president or governor or mayor,

61:56

whatever. How do you how much do you

61:58

know them? Are you really sure that you

62:01

is this like is there no good option? So

62:03

you go with the least evil option?

62:05

>> Well, a lot of us do that and that's

62:07

that's really painful to think that the

62:11

lesser of two evils is a horrible thing

62:14

as a philosophy for a place we raise our

62:16

children,

62:17

>> right? Yeah. There's no one person that

62:19

really comes along. You're like,

62:21

"Finally, like a peaceful, God-loving

62:23

person who's just looking out for

62:25

everybody's best interest, who really

62:27

only wants to do this cuz they think

62:28

they can affect change." And then once

62:29

they do try to affect change, they get

62:31

[ __ ] shot cuz cuz nobody really wants

62:34

that because they're all making money.

62:35

>> When we were coming up, remember the Sam

62:37

Kenisonson bit?

62:38

>> Which bit?

62:39

>> Um I think it was very similar to that

62:42

people who have an idea, we kill them.

62:44

>> Oh, that was Bill Hicks.

62:45

>> Oh, it was Hicks.

62:46

>> Yeah. Okay. Yeah. Yeah. Yeah. Yeah.

62:48

Hicks. Hicks had a great bit about that.

62:50

Yeah. And it's totally true.

62:51

>> I mean, anybody that really wants to

62:53

rock the apple cart, like that that

62:55

person's a problem,

62:56

>> you know? And all these people that are

62:58

making, look at these sociopaths that

62:59

are making [ __ ] billions of dollars

63:01

just being [ __ ] Like they do not want

63:04

you coming along and waking people up to

63:06

that and saying, "Hey, we should put a

63:08

stop to all this. We should, you know,

63:10

we should stop these people from like

63:12

that's why people cheered when that guy

63:14

got shot. The United Healthcare guy,

63:16

>> he got shot. People were happy. They

63:19

were happy. Like finally,

63:21

>> at first I thought it was I thought

63:22

homie who shot him. I thought it was his

63:24

eyebrows, you know, cuz women were going

63:25

crazy, you know?

63:26

>> He's a hot guy. He's a good-looking guy,

63:28

too. He's like perfect guy to to be like

63:31

a martyr, like an assassin.

63:33

>> By by the way,

63:35

have you noticed throughout history,

63:37

good-looking people get treated

63:39

differently when it comes to the justice

63:40

system? They've done experimental trials

63:43

where the hot guy gets off on for

63:45

murder. Easy cuz the 11 women were cool

63:50

with it, you know.

63:51

>> Well, women are weird with killers, you

63:54

know. When guys are even serial killers,

63:56

when they go to jail, women like

63:58

>> they get great letters proposals.

64:00

>> Weird. Marry me.

64:02

>> Yeah. Even like Richard Ramirez was

64:04

getting all these proposals while he was

64:05

in jail. But the ultimate game for a

64:07

woman is to be married but not have to

64:09

live with that [ __ ] you know?

64:11

So that might be kind of cool, you know,

64:15

>> kind of. I don't know what it is. Um I I

64:17

heard someone talk about that saying

64:19

that there's women that like men that

64:21

are capable of killing

64:23

>> because

64:25

back in the day it was if someone was if

64:29

you needed someone to protect you, you

64:30

didn't you didn't want someone that

64:32

would hesitate if they were going to

64:34

kill someone. You wanted someone who has

64:35

experience killing people.

64:37

>> So it's almost like an attractive trait

64:39

that someone's willing to cross that

64:41

terrible line

64:42

>> and just has no problem murdering

64:44

people. And if they like you, they won't

64:46

murder you, but they'll murder other

64:47

people. Like anybody, that's a problem.

64:49

>> I knew a girl who went out with a couple

64:52

friends of mine. And her MMO was to do

64:55

something publicly that would make the

64:58

man whip somebody's ass to defend her

65:00

honor or something.

65:01

>> Oh,

65:02

>> and she because that that made her feel

65:06

>> better.

65:07

>> That's a crazy [ __ ] I've been around

65:08

people like that before. I always got

65:10

rid of them real quick. I've had a few

65:12

ladies like that when

65:13

>> you gonna let him say that to me, you

65:15

know,

65:15

>> I'd be like, "Why'd you say that to

65:16

him?" The [ __ ] Don't get me involved in

65:18

this stupid [ __ ]

65:19

>> But it's hard, man. I was in a club as a

65:21

young man on Sunset. Left the comedy

65:23

store, went down the street to a place

65:25

called Carlos and Charlie's. And back

65:27

then, they had uh this garment called a

65:30

tube top.

65:31

>> It was just an elastic

65:33

>> about elastic piece about 8 in or

65:35

depending on your breast. And um I

65:38

watched a dude take his finger and just

65:41

pull the girl's tube top down. Titties

65:43

fell out. And I'm watching her man. He

65:47

didn't know what to do, you know,

65:49

because you don't want to fight these

65:51

guys.

65:52

>> You almost want to just say, "Baby, just

65:54

pull up your top. Let's go home." You

65:56

know, but he had to fight.

65:57

>> Yeah.

65:58

>> And uh in that situation, I I think you

66:02

have to fight.

66:03

>> You just definitely shouldn't be there

66:04

in the first place. That's the problem

66:06

with going to clubs.

66:07

>> You're the wrong club.

66:08

>> They're running into the potential

66:10

psychopath

66:12

>> is just too like that's where they go

66:15

where people act like [ __ ] That's

66:17

where they go.

66:18

>> When is the last time you went to a

66:19

club?

66:20

>> I never go to clubs.

66:21

>> Yeah. It's been a long time for me. I

66:22

mean there is no club for 70 year olds.

66:24

>> No. No. No.

66:25

>> You know that's called ARP.

66:26

>> Well, if you do go, it's sad. If you

66:29

>> Yeah. You don't want to be the oldest at

66:30

the bar.

66:31

>> Yeah.

66:31

>> Hey ladies, what is [ __ ] grandpa

66:33

doing here? But but are do kids dance

66:36

now?

66:37

>> That's a good question.

66:38

>> My my son has has like I remember a time

66:40

when you say I'm doing the cabbage patch

66:42

now. You know it's like you knew what

66:44

the latest dance was. My son never

66:46

dances. I've taken him to New Year's Eve

66:49

parties. He never during the slow record

66:51

says to a girl you want to dance. You

66:53

know, you go out and slow dance. What

66:55

happened to that [ __ ]

66:56

>> That's that's true. Right. Well, because

66:57

clubs got associated with violence. Like

67:00

clubs get associated with people getting

67:02

drunk. They're doing drugs and chaos and

67:05

people getting shot,

67:07

>> you know? Yeah.

67:08

>> There's just too much of that going on.

67:10

You hear about that at concerts, too.

67:11

But yeah, you're right. You don't

67:13

There's no new dances.

67:14

>> There's no things that like you have to

67:16

learn,

67:17

>> you know?

67:17

>> Yeah. But you know, you know what's

67:19

replaced it? Maybe the entire family on

67:21

Tik Tok,

67:22

>> right?

67:23

>> Tik Tok has definitely got dances that

67:25

you got to learn.

67:26

>> Oh, really?

67:26

>> That's all it is.

67:27

>> Oh, really?

67:27

>> Yeah. Yeah. I mean, for people that are

67:29

>> Right. That's where the dances are.

67:30

That's where the dances are. They're not

67:32

going to clubs. They're just doing

67:33

>> song just got viral again because

67:34

they're dancing the freak on a leash.

67:37

>> It's a 25-year-old song that has got a

67:39

dance to it.

67:40

>> What's the dance? Show me the dance.

67:42

>> Couldn't even begin to start it, but I

67:44

can show you.

67:45

>> Get up here and do it.

67:46

>> Show you the video.

67:47

>> You do it. You've been practicing.

67:48

>> No, I used to do it.

67:50

>> Show me the video. What's the What's the

67:52

corn dance?

67:53

>> In my head, you're like, get up and do

67:55

it. But I'm not.

67:56

>> Do we have to not play the music?

67:57

>> Yeah, I'll probably not play the music.

67:59

>> So, this is this is the dance. See, it's

68:01

a new day.

68:02

>> You don't go to a club, you do it with

68:04

your girl.

68:05

>> I think they made it back on Billboard

68:06

because you know, like the song is

68:08

>> Oh, that's hilarious.

68:09

>> Got so many plays on it.

68:11

>> That's hilar.

68:13

>> Yeah, it's old.

68:14

>> Wow, that's crazy.

68:17

>> So, I don't know. And then to contrast

68:19

to this is the club in Austin where

68:21

everybody goes. They're not necessarily

68:22

doing those dances.

68:23

>> What club is this?

68:24

>> This is called the concourse.

68:25

>> Oh, see I I can't go to a club with no

68:28

shirt on.

68:29

>> And what do they do here? I like DJs.

68:31

>> Oh, DJ.

68:33

>> So, they just bounce around.

68:34

>> Bunch of lasers.

68:35

>> Yeah, this is like a jazz concert. This

68:38

is

68:38

>> jazzy Jeff.

68:41

>> Yeah, they just bounce around. They're

68:44

all on ecstasy.

68:44

>> Everybody stares at the DJ stage like

68:46

they're performing music. And

68:49

>> yeah, this is a sign of a sick culture.

68:51

>> Not that there's anything wrong with

68:52

>> a different culture,

68:53

>> but it is like but but that there's no

68:55

the other thing. There's no like people

68:57

dancing, you know? Yeah.

68:59

>> On the old days, like if you go back and

69:01

you watch like nightclubs from like the

69:03

1960s and 70s, what was everybody like

69:06

the disco days, right? That's perfect.

69:07

>> When [ __ ] was singing,

69:09

>> burnt burn this mother down.

69:12

>> Yeah.

69:13

>> Yeah. People

69:15

>> Well, I remember when I was a kid,

69:17

Saturday Night Live or Saturday Night

69:19

Fever rather came out.

69:20

>> Oo. And that's when everybody wanted to

69:23

learn how to dance because John

69:24

Travolta,

69:25

>> he could [ __ ] dance. And they would

69:27

have dance offs

69:28

>> and black people were saying,

69:29

>> "We got to step up the game if this boy

69:32

can do that,

69:33

>> you know." So we had to get better,

69:34

>> right? And then you had Soul Train,

69:36

right? Where everybody dancing on TV.

69:39

>> Yes.

69:39

>> Yeah.

69:40

>> Saturday morning was that that was life

69:43

for me. There's no shows where there's

69:47

like a bunch of people performing music

69:49

on TV anymore.

69:51

>> Well, that's the that's that gap between

69:53

me and you as talkers. Um, one of the

69:57

problems I had and I talk in the book

70:00

about this. I love music and I grew up

70:02

wanting to do that show. So when they

70:04

start telling me, you know, you can get

70:07

better numbers with Howie Mandel just

70:11

talking than you can with this because I

70:14

put Boys to Men and the Temptations

70:16

together once. I had to fly Boys to Men

70:19

from Philly. I had, you know, and and

70:21

they wanted it less black and now I got

70:23

14 brothers doing choreography, you

70:26

know, and it's like, no, that's not what

70:27

>> they wanted it less black.

70:29

>> Well, they would say [ __ ] like that to

70:30

you.

70:30

>> Oh, yeah. And they they wanted um this

70:34

is the carrot. They said we know

70:37

Johnny's going to leave one day. You

70:39

know, you always think it's going to be

70:41

two years. So, you can inherit his

70:43

audience if you do the right show.

70:45

>> But I Joe, I I used to do the talk show

70:48

in my basement, man. We put on a

70:50

Temptations record. And my friend Junior

70:53

would be my guest, and he would sing Get

70:54

Ready on Soul Train. They lip-sync. We

70:57

knew the microphones wasn't plugged in.

70:59

And so he would sing and then I'd

71:01

interview him. I wanted to do that show.

71:03

But you were doing that when you were

71:05

young.

71:05

>> Oh yeah.

71:05

>> When did you How old were you when you

71:07

doing that?

71:07

>> Uh 11.

71:09

>> Really?

71:09

>> Yeah. My mother would have rent parties

71:11

and so she'd rent these card tables and

71:15

chairs and the people like in LA we call

71:18

it town and country, right? That you can

71:20

rent stuff for your party. So the next

71:22

day they come and pick up the stuff in

71:23

the truck. But before they pick it up, I

71:26

would do a talk show with that stuff.

71:28

And um I dreamed of everything that I

71:31

did eventually in my life.

71:33

>> Wow.

71:34

>> And it was it was um the show I wanted

71:37

to do. So at a certain point when they

71:39

say um does Prince need a purple piano?

71:43

You know, I said, "Yeah, he won a purple

71:46

piano." And the show I was doing was

71:48

just too expensive. And you and I talked

71:50

once at the Ice House when I tried to do

71:53

the reboot show. Yeah.

71:54

>> And I was telling you how complicated it

71:56

was. They wanted my Twitter site.

71:58

>> They took your I was telling people they

72:00

took over your [ __ ] social media and

72:02

they wouldn't give it back.

72:03

>> Yeah, it was hard to get back in.

72:04

>> That's crazy. I remember you telling me

72:06

that. We were standing outside the

72:08

outside area of the Ice House and you

72:10

were like, I can't get my [ __ ] social

72:11

media back. I'm like, that's crazy. They

72:13

took your social media.

72:15

>> Yeah.

72:15

>> And they would use it to promote other

72:17

shows.

72:17

>> Absolutely. And the end of of that

72:19

reboot experience

72:21

um didn't go down exactly the way I

72:23

wanted to. like like I got picked up

72:25

first and Jay Leno came out and read a

72:28

letter from Les Moonveves that I was

72:29

picked up for a second season and then

72:32

we start talking about the second season

72:34

and here's the great thing they wanted

72:37

you you really got to stop doing the

72:40

music as a matter of fact how about no

72:41

house band and it's interesting well but

72:45

but economically speaking Joe when I

72:47

look at it they wanted me to do Joe

72:49

Rogan before there was a Joe Rogan they

72:51

just want you to talk to people and

72:53

I watched Fallon with Will Smith one

72:56

night and Will Smith rode in on a horse

72:59

and I'm like that's expensive. You know,

73:02

they wanted me to do what we're doing

73:04

right now because this is cheaper to do.

73:07

I would love for us to uh have a hip-hop

73:12

star here right now following me, but

73:14

this is economically sound. It's a new

73:16

day,

73:17

>> right? So that's all it was. It was just

73:19

a money thing. They just

73:22

>> uh well that was the reboot show. The

73:23

first show

73:26

um you know if they want me to be in the

73:28

position to inherit Johnny's audience

73:30

because that's they they wanted me and

73:34

themselves to make more money a lot of

73:36

money. Keep making money. And I was kind

73:39

of kicking the bag because

73:42

I had wanted to do this show since I was

73:44

a kid. I I couldn't imagine. Meanwhile,

73:47

the thing is your show was so popular.

73:50

And by the way, they got numbers one

73:51

night when Whitney didn't sing. She just

73:53

came on

73:55

>> and that was the kiss of death in my

73:58

morning meetings cuz they were like,

73:59

"Look, Whitney saying nothing." And look

74:01

at the numbers, you know? So, so they

74:04

were shooting for the Joe Rogan

74:06

experience before there was an

74:08

experience.

74:08

>> [ __ ] people concentrate on the

74:10

numbers. It's like you you're missing

74:12

the trees.

74:12

>> You got to Joe. Yeah. It's sometimes I,

74:14

you know, it's really important for me

74:16

to look back and say

74:18

I love that show that I did and I don't

74:21

regret a moment of it, but I get

74:26

a corporate organization saying we can

74:29

make more more money and we can get more

74:32

people in.

74:33

>> Yeah. If I was a cor I would be a

74:35

terrible corporate executive by the way

74:37

>> because you would Yeah. I would say just

74:40

be you. just have fun and whatever ads

74:43

we get, we get. Whatever money we get,

74:45

we get and that's good. You get plenty.

74:47

It'll be fine.

74:49

>> You can't You got to let a a It has to I

74:53

feel like every show has to be a unique

74:57

expression of the person that's hosting

74:59

it and what they're trying to do. Like,

75:01

let that person be free. Like, can you

75:04

imagine if Quinton Tarantino had to sit

75:06

down with a group of people that were

75:08

executives before he wrote a script? You

75:12

would never get any of these [ __ ]

75:13

chaotic, crazy movies. They were like,

75:15

"No, no, no, no, no. You can't bash a

75:17

woman's head on a mantle piece. That's

75:19

nuts. Like, don't do that. No, you

75:21

can't, you know, like in Jackie Brown.

75:23

No, you can't [ __ ] shoot that girl in

75:24

the parking lot. That's nuts. You can't

75:26

do that. You can't do any of these

75:27

things. You've got to let someone just

75:30

be free. And then it finds its audience.

75:34

>> Yeah. I remember when Ice Tea came on to

75:37

explain Cop Killer and um his way of

75:41

explaining

75:42

>> by the way.

75:43

>> Yeah. Yeah.

75:44

>> And it was a metal band.

75:46

>> Yeah.

75:46

>> People don't realize that like I Tea

75:48

People forgot Body Count was a metal

75:50

band.

75:51

>> Yeah. You got to search that, y'all.

75:53

>> Right. A lot of people don't even know

75:54

that he did that. You think of IC Tea,

75:57

you think of 6 in the morning. You think

75:59

of, you know, Hustler. You think of all

76:01

those classic songs, Colors, you think

76:04

of that. You You don't think of Body

76:07

Count, which is like Ice Tea reinvented

76:09

himself. And he was like, "I always love

76:12

this kind of music. You can't tell me

76:13

what the [ __ ] I do. I like this kind of

76:15

music, too." Music, too.

76:17

>> Amazing career. That

76:18

>> I know. And now he's he plays a cop for

76:20

like 25 years.

76:21

>> How about that for irony?

76:23

I knew him when he was a pimp. And now

76:26

>> that's crazy.

76:27

>> Remember when he was in Pimps Up, Hose

76:29

Down?

76:29

>> Yeah, absolutely. He was in that, too.

76:31

>> Yeah.

76:32

>> I mean, he was talking about the pimp

76:34

game. It was hilarious.

76:35

>> Yeah. He he came on, by the way. They

76:38

didn't want me to do that, you know, uh,

76:42

book him, but but I thought it was I

76:44

thought it was cool to expose America to

76:47

some conversations they might not hear

76:49

normally, right?

76:50

>> And the more power I got, the more I

76:52

tried to push that envelope and do those

76:54

things. He compared it to

76:56

Schwarzenegger. He says, "You don't

76:57

think he's really the Terminator, right?

77:00

you know, and and he says, "I I'm not a

77:02

cop killer,

77:03

>> but there's a message through this

77:05

character, and I'm paraphrasing, but

77:07

>> but it it was nice to

77:09

>> to hear people who I know." I I would

77:12

talk to Tupac

77:14

>> and I would say, "Say that on the air.

77:16

You got to talk about that on the air."

77:17

And that was we didn't have Twitter. We

77:21

didn't have the bluebird. I was kind of

77:22

the blackbird. And I was able to have

77:25

these like Tupac called me once and he

77:27

says, "Man, they want me to take a AIDS

77:29

test before I do this movie. And unless

77:31

I'm really going to [ __ ] Janet, I don't

77:34

think I should have to take a AIDS

77:36

test." And I'm like, "Please don't say

77:38

anymore. Just come on the show." And and

77:40

this fit into both categories. Come on

77:42

the show, don't do any music. Just sit

77:44

and talk. And those nights would do

77:47

really good.

77:48

>> Of course.

77:49

>> Of course. because people want to hear

77:51

people really talk. Especially in those

77:53

weird settings where most of the time

77:55

when people were coming on talk shows,

77:57

they would just have this like very

77:59

canned sort of like pre-programmed thing

78:02

that they would talk about. They would

78:03

talk about their character and the

78:06

>> people don't know we have pre-ins which

78:08

you don't have in a show like this, but

78:10

>> I get a card

78:12

>> that morning. It's like, okay, here's

78:14

what Jackie Collins would like to talk

78:16

about, right?

78:17

>> You know, or or uh Nicole Kidman has

78:20

requested that you don't mention Tom

78:22

Cruz.

78:24

And I'm like, well, tell Nicole, the

78:26

only reason that [ __ ] is here is cuz I

78:28

think Tom Cruz is going to walk out, you

78:30

know, and Oh, it was it was crazy back

78:33

then.

78:34

>> Yeah. Well, it was all PR people. And

78:37

it's again, you're dealing with too many

78:38

different people that are peripheral

78:40

people where all their money is

78:42

dependent on this one person performing.

78:45

So they just want to make sure they make

78:46

the maximum amount of money possible.

78:48

Like don't make any ripples. Don't cause

78:50

any waves. Don't cause any problems.

78:52

Just go out there and smile and and sell

78:55

more. We'll sell more records. We'll

78:57

sell more movies. TV show will get

78:59

better ratings. Don't mess it up.

79:01

>> Yeah. Guys like Prince used to

79:03

>> be frustrated with the fact that

79:06

>> if something's a hit, can you give us

79:07

something like that again? How many

79:09

beats per second is that? Can you give

79:10

us that again? Or any big artist? It's

79:13

like we want more of of Waterfall.

79:16

>> Yeah. Yeah.

79:17

>> Yeah. No, Prince was one of the most

79:21

revolutionary artists ever. And people

79:24

that don't know the early stuff, they

79:26

don't know how crazy it was that this

79:28

guy was the house song called Head

79:31

>> just singing about getting head.

79:33

>> First time I saw him, he was opening for

79:35

the Rolling Stones.

79:37

>> Wow.

79:38

>> And the audience didn't dig him because

79:40

it was different back then and he was

79:41

singing soft and wet.

79:44

>> Right. Right. Well, Prince was just he

79:47

was so unique, man.

79:48

>> And he predicted a lot of the things

79:50

that we're dealing with now and going

79:51

through. I remember the first time he

79:53

talked about what became Napster and he

79:56

talked about um owning your own property

79:59

and what was going to slave on his jaw

80:02

and we thought that was silly but it

80:04

meant something. Well, he was dealing

80:06

with these crazy contracts where these

80:10

record companies, these predatory record

80:12

companies would lock you into these

80:14

contracts and they [ __ ] owned you. So

80:16

his response to that was like, "Okay, I

80:18

won't perform as Prince anymore. Now I'm

80:20

[ __ ] this [ __ ] I'm this squiggly.

80:23

I'm a symbol

80:23

>> with a slave insignia on my

80:26

>> What are you going to do now? I'm a

80:27

symbol. I'm not even selling myself as

80:29

prince.

80:29

>> And he would just I mean, how

80:31

revolutionary is that? This guy said,

80:33

"Okay, I know the workaround. I won't

80:35

use my name anymore. I'll just be a

80:38

symbol."

80:39

>> But he was such a bad [ __ ] that

80:41

people like, I know who that is. I don't

80:43

care what that [ __ ] symbol is. That's

80:45

Prince. Let him sing. Let him do things.

80:48

>> Did you ever meet him? No man, I had one

80:51

opportunity to [ __ ] see him live.

80:53

Yeah. And I blew it

80:54

>> at the Great Western Forum.

80:55

>> No, it was at It was at one of the

80:58

hotels in Vegas, but it was a really

81:01

late show

81:02

>> and uh I had a show earlier that night

81:05

and they said, and Prince was doing

81:07

small shows back then. It was like this

81:09

small like intimate audience, but it was

81:12

like after midnight. I was like, I'm

81:14

[ __ ] tired. I'm going to go to sleep.

81:15

And this is like, oh, I [ __ ] up, man.

81:18

I [ __ ] up. It's like when his career

81:21

was in a weird place cuz he wasn't doing

81:23

like big shows anymore and he was doing

81:26

this late night show and people were

81:28

saying it was really good but I was like

81:29

I'm tired. I'm not going to see this.

81:31

And then years later when he was dead I

81:33

was like god did I [ __ ] up. I always

81:35

thought Prince was going to be around.

81:37

>> Yeah. And Prince we lost Prince to

81:39

Fentinel.

81:40

>> Yeah. A lot of people don't in an

81:41

elevator.

81:42

>> God damn. Uh, I I remember the

81:45

Musicology album where he toured and he

81:49

attached the album to the ticket so that

81:52

when you bought a ticket, you were

81:54

buying an album and it instantly became

81:56

a million-doll seller with that

81:58

philosophy. He had

81:59

>> genius that was way ahead of the pimps,

82:02

>> you know. I love it.

82:04

>> He just knew that he was being [ __ ]

82:07

and he knew that all they're selling is

82:09

his brilliance. They don't have

82:11

anything. What is a record company

82:13

selling? They're only selling the art.

82:15

That's it. They don't make it.

82:16

>> And they were getting a penny a copy.

82:19

Exactly. The the the record company was

82:21

getting most of it. And now it makes

82:23

even less sense because nobody even buys

82:26

albums anymore. It's like, how the [ __ ]

82:28

are these record companies even

82:29

surviving? It's so crazy that there they

82:33

still figure out a way to latch their

82:35

tentacles onto these young artists. And

82:37

for young artists, they feel like

82:38

they've made it when they're a part of a

82:40

record deal. like I got a deal. And I

82:43

almost want to tell them like

82:45

that ain't a deal.

82:46

>> You got to deal with the devil. Like if

82:47

you just put your [ __ ] on YouTube or on

82:49

Soundcloud or anywhere where people hear

82:51

it and they start sharing it, you'll be

82:54

huge.

82:54

>> Yeah. We're getting smarter and learning

82:57

how to deal with the pimps that you

83:00

know. Uh I I talk in in the book about

83:02

Prince also had a great sense of humor.

83:05

you would have loved him, you know, as a

83:08

person uh beyond the musician. And there

83:11

was a time when I was hosting the MTV

83:13

Awards and he had no ass in his pants.

83:17

And um

83:20

you know, so when he's coming past me

83:22

down the hall, I realize, oh [ __ ] cuz

83:26

this [ __ ] ain't got no ass in

83:28

his pants. We'll be talking about this

83:30

tomorrow. So, so obviously when I get

83:32

back to the show, my first monologue is

83:34

about that night.

83:35

>> Look at that.

83:36

>> Yes. YES.

83:41

>> 1991. Isn't that crazy?

83:43

>> That was That was nuts.

83:44

>> 1991. So I do jokes about that in the

83:47

monologue and u like a week or two after

83:52

the jokes I get a box

83:56

in the mail at Paramount and it's from

83:58

Prince

84:00

and I open it. I figure it's maybe a

84:02

hoodie,

84:03

>> you know. I opened it and it's a

84:05

beautiful black and white suit with all

84:07

the Prince symbols on it. Made me look

84:10

like I was the drummer for New Power

84:11

Generation or something. It was a cool

84:13

cool suit. And I'm looking at it and my

84:16

assistant said, "Turn it around."

84:22

I turned it around. There was no ass,

84:26

>> no leg. Hell no.

84:29

Not even at the crib. I never put it on.

84:32

It's like I I could never bring myself

84:34

to putting on that suit. It had no back,

84:36

Joe. That's hilarious.

84:38

>> But that's his sense of humor.

84:40

>> That's hilarious. That's so funny. I

84:42

took him to an after hours joint once. I

84:44

talk about that in the book of because

84:47

he was very interested in what people

84:49

listen to and what moved people in

84:51

clubs. And I told him about an after

84:53

hours joint down the way south of

84:54

Wilshire that was in a lady's house and

84:57

you have put pitbulls and and a fence

84:59

and they let you in. They lock the chain

85:01

back, bring you to the back and um you

85:04

know you put money on the counter and

85:06

they put your liquor in a solo cup. you

85:09

know, not a legal place. And I told him

85:12

about the place and he said, "I want to

85:14

go." And I took him down the way to this

85:18

spot. He had an acrylic cane and a suit

85:22

where the shoes match the suit, exact

85:24

same material. And he sat with me in

85:28

this after hours joint and listened to

85:31

the music and and it was where the

85:33

strippers.

85:33

>> What year was this? Oh god, this was

85:36

maybe two years after I left the talk

85:38

show. And um

85:40

>> So did he need the cane back then? Was

85:42

that when he was having hip problems?

85:43

>> I think so. Now we understand that maybe

85:46

he had a replacement, a hip replacement

85:48

or something.

85:49

>> I thought it was fashion, but it

85:51

probably was a little necessary that

85:53

year

85:54

>> and he all his dancing and

85:56

>> Oh, he used to jump off speakers, Joe.

85:58

>> Yeah. Yeah.

85:59

>> And land with heels.

86:01

>> Mhm.

86:02

>> So

86:02

>> that's what [ __ ] him up.

86:03

>> Yeah. Yeah.

86:05

>> Yeah.

86:05

>> Yeah.

86:06

>> A lot of pictures with him with a cane

86:07

over the time though.

86:08

>> That's Well, he probably was struggling

86:10

even back then cuz there's a lot of guys

86:13

that blew their their hips out. Yeah.

86:17

>> He probably needed it

86:18

>> cuz he was an athlete, per se, you know.

86:20

>> Oh, for sure. I mean, his dancing was

86:22

insane. And he was a good basketball

86:25

player.

86:26

>> Hey, I I have one of those. He um the

86:29

hat with the police hat with the chain.

86:32

He sent me that one day.

86:34

>> So, I'm sure there are a few of them,

86:35

but just to have one of those from him.

86:37

And he sent me like what looks like a

86:41

Smith and Wesson 38 long, but it was

86:45

fixed up. So, the microphone was where

86:48

the barrel is.

86:49

>> So, he could hold the gun and sing into

86:51

it like that. I have that. Very cool.

86:54

Very cool.

86:54

>> I became good friends with Charlie

86:56

Murphy and Charlie Charlie had Oh, look

86:58

at that.

86:59

>> Yes.

86:59

>> Wow. Wow.

87:02

Wow.

87:04

>> I have one of those. I don't know how

87:05

many there were, but I have one from

87:07

him.

87:07

>> That's crazy.

87:09

>> Wow.

87:10

>> But Charlie Murphy,

87:11

>> well, Charlie had all those great

87:14

stories about Prince that he did on

87:15

Chappelle's show.

87:16

>> Yeah.

87:16

>> You know, I mean, that was like that

87:17

whole segment of like uh how how good

87:20

Prince was as a basketball

87:22

>> and then people didn't believe it

87:23

because, you know, he's so short, but

87:24

meanwhile, he could [ __ ] play like a

87:26

[ __ ]

87:26

>> Yeah. He had he had a crossover move

87:29

that was crazy. And he could roller

87:32

skate

87:33

and I mean amazing with with a lollipop

87:36

backwards and [ __ ] on one foot, you

87:38

know? So he he was

87:40

>> he was an athlete.

87:41

>> Yeah.

87:42

>> Really. I mean you can't dance like that

87:44

and not have incredible body control.

87:46

>> Yeah.

87:47

>> But the problem is when you're doing

87:48

show after show after show after show

87:49

after show for years,

87:51

>> you're you're tearing your [ __ ]

87:52

joints apart. And that's probably what

87:54

blew his hips out. That's one thing

87:56

about us with the exception of the [ __ ]

87:57

you used to do on a stool. That

87:59

balancing act. Uh

88:00

>> oh, the Kardashian joke.

88:02

>> Yeah. Our joke, our our our life of

88:04

jokes isn't very f we No. You know, all

88:06

we got to do is take care of from the

88:08

neck up. Take care of your mind.

88:10

>> Our body we No comedian has a bad hip.

88:13

>> Well, you generally don't get it from

88:15

performing on stage, that's for sure.

88:17

But when you're dancing and jumping

88:18

around and doing all that [ __ ] like Ted

88:20

Nent blew his his knees out jumping off

88:23

of uh speakers.

88:24

>> Mhm. Mhm. Like a lot of people did that,

88:26

you know, they just they went crazy.

88:27

They were just putting on a show and you

88:29

don't realize you're doing it. Maynard

88:31

from Tulle, he blew his hip out,

88:33

stomping on the ground all the time.

88:34

>> Wow.

88:35

>> Just stomping while he was singing. He

88:36

had to get a hip replacement.

88:38

>> Yeah. I like being a standup.

88:41

>> Well, it's definitely easier on the

88:43

body. That's true. You know,

88:45

>> you still get up on stage ever?

88:46

>> Oh, yeah. All the time. I'm going up

88:48

>> in your own club.

88:49

>> Yeah.

88:50

>> What nights do you go up? Usually

88:51

Tuesday and Wednesday I do it, but I do

88:53

it, you know, off nights too, different

88:55

nights. But Tuesday and Wednesday almost

88:57

every week I do a show there.

88:58

>> I promised my woman I wouldn't go to the

89:00

mothership. When I I told her, she's

89:03

like, "When you go, I want to go. It's

89:05

it's a big deal if you're a comic,

89:08

>> you know? I mean, uh, it's it's it's a

89:11

huge deal." But I want to come one

89:13

night, fly in, and just just let me have

89:16

10. Dude, you can go up anytime. You can

89:18

go up tonight if you want. I got a show

89:20

tonight.

89:20

>> Yeah, I I got to fly home and do I'm

89:23

still slinging this book, man.

89:25

>> I hear you, brother. Well, anytime

89:26

anytime you want to come by and do a

89:28

set, you're more than welcome.

89:29

>> I love it though.

89:30

>> Come and hang hang out.

89:31

>> Everybody's been so friendly.

89:32

>> The green room is an amazing hang, too.

89:34

>> That's what I hear. But I've heard both

89:36

sides of that. I've heard don't be in

89:38

that [ __ ] if you're not supposed

89:39

to.

89:40

>> Well, the problem is you don't want

89:41

anybody coming in [ __ ] up the

89:43

conversation, you know? So, we, you

89:45

know, you got to be kind of vetted. But

89:47

it's only like during shows when you're

89:49

not on, you know, if like if it's a show

89:53

and you're on the show, everyone's

89:55

allowed to be in the green room. Yeah.

89:57

It's just like we don't allow people to

89:59

just come in out of nowhere. There's

90:01

like you're from out of town, you want

90:02

to come in and hang out in the green

90:03

room. Then there's too many people in

90:04

the green room. Yeah. And then people

90:06

have to prepare. They're going over

90:07

their notes. The green room is supposed

90:09

to be a hang with the comics on the show

90:12

that are getting ready to go on stage.

90:13

And the problem is that's the cool spot.

90:15

That's where Shane Gillis is and Ron

90:17

White is Tony Hinchcliffe is everybody

90:20

wants to come in and you know it gets it

90:22

gets to be a little bit of a problem. So

90:24

you can't go in the green room if you're

90:26

not on the show unless we know who you

90:27

are and you know you're in town. You

90:29

want to come hang

90:30

>> but it's like you know it's like you're

90:31

having a party. You can't let everybody

90:33

in. The problem is everybody wants to be

90:35

there.

90:35

>> I mean look at the level I'm at and how

90:37

long I've been doing it and I know about

90:39

the green room and want to get in there.

90:41

>> You can get it. You can get in anytime.

90:44

Hey, when you were in living in

90:46

Hollywood still, um, did your kids ever

90:49

want to act?

90:50

>> No. No, they're not interested in that.

90:52

>> Yeah.

90:53

>> Never wanted to stand up.

90:55

>> Thank No, they wouldn't. First of all,

90:57

rich kids are not going to be good

90:58

stand-ups.

91:01

>> You're not going to be able to deal with

91:03

the torture of bombing. You know, you're

91:05

not

91:06

>> And they don't have to.

91:07

>> And they don't have pain. You know,

91:09

their their pain is so minor in

91:11

comparison to the pain of poverty. the

91:13

pain of struggle, the pain of, you know,

91:15

not getting enough attention when you're

91:17

young and, you know, moving around a

91:19

lot, all the different [ __ ] that most

91:21

comics go through. I I've never met a

91:23

good comic who had a great childhood. I,

91:25

as you're talking, I'm thinking, I'm

91:26

like, do we know any comics who are

91:29

good, who are from wealth?

91:31

>> None. I don't know any. I'm sure they

91:33

can exist. I'm sure it's possible, but

91:35

it takes a very exceptional person to

91:37

want to be a great comic that's grew up

91:41

wealthy. It's just not a thing that they

91:43

seek to do.

91:45

>> So much so much comedy comes from our

91:47

pain.

91:48

>> I think the only exception to that would

91:49

be the weigh-ins brothers because the

91:52

sons of the weigh-ins brothers all went

91:54

on to be great comics. They all went on

91:57

to have big careers in movies and films

91:58

and television. But I think that's it's

92:01

like a family thing over there. Like I

92:03

remember Damon telling me that he set up

92:05

a stage in his house.

92:07

>> That's absolutely true. Well, they just

92:09

I mean they love standup so much they

92:11

would [ __ ] do stand up for each

92:12

other. Just [ __ ] around. I I used to see

92:16

first of all I think to this day Damon

92:19

is one of the most underappreciated

92:21

great comics of all time and

92:23

>> and he's back out there now. I I noticed

92:25

uh in my room uh Damon is at the improv

92:29

and

92:29

>> he's always been quit. No, no, no. He

92:31

never quit. He was always doing stand up

92:33

but he's low-key about it. He makes his

92:35

money off of television,

92:36

>> you know, and even like he wanted to do,

92:38

we talked years ago about him coming on

92:41

my podcast and he was like, "I'd like

92:43

to, but I'll say some crazy [ __ ] and

92:45

then I'll

92:46

>> get in trouble." Because he was in that

92:48

what I call the velvet prison. The TV

92:50

velvet prison. You're doing TV shows.

92:52

You're playing a dad on a TV show. You

92:55

know,

92:56

>> you can't come on a podcast, talk about

92:58

getting your dick sucked. It's just

93:00

>> Howie Mandel goes through that. I work

93:02

with him a lot. and Howie is on

93:05

America's Got Talent. Exactly. This real

93:07

commercial television vehicle, but

93:10

nobody is more real and edgy than Howie

93:15

Mandel

93:15

>> when he's on stage and in the green room

93:18

hanging out. Like he's done sets of the

93:19

mothership. He's come and hung out with

93:21

us.

93:21

>> Yeah.

93:21

>> He came he did my podcast and he came to

93:24

the club. He's like, "Fuck, I want to be

93:25

like that. I want to do do what you guys

93:26

are doing."

93:27

>> I'm like, "You can.

93:28

>> You can do it." But he's worried that he

93:30

would lose that velvet prison. Hey, when

93:33

we're working and they have the phones

93:36

and bags, that's when he's amazing to us

93:39

because he'll he'll drop the sea bomb in

93:41

a minute.

93:41

>> He was saying it. He was saying on

93:43

stage. I'm just so happy I could say

93:44

[ __ ] Yeah.

93:45

>> I just want to say it.

93:47

>> But he was funny. It was like he was

93:49

having a good time. He was loose and you

93:51

could tell it's like cuz Howie was a

93:53

great comic. Like Howie had some

93:55

hilarious [ __ ] specials.

93:57

>> I hated following him at the Westwood

93:59

comedy store. Mity used to send us there

94:01

to get better. me, him, and Paulie.

94:04

That's the one thing I loved about her.

94:06

You know how we have Nepo babies? She

94:09

didn't have no Nepo babies. She was

94:10

like, "Paulie, you're not ready."

94:12

>> Yeah. Oh, she made his Westwood.

94:14

>> Oh, she made Paulie work. Yeah. I mean,

94:17

Pauliey's a rare dude in that regard.

94:19

like he became a really funny comedian

94:22

while he was, you know, living with a

94:25

woman who's the great as as in terms of

94:27

like

94:29

people in comedy that are like the some

94:32

of the most critical important people.

94:34

She is the most important person in the

94:36

history of comedy that's not a comic.

94:38

>> Absolutely. There there is no argument.

94:40

>> No argument. There's no one even close

94:42

to her.

94:43

>> And her son, you know, I mean, went on

94:45

to have huge success in movies. I took

94:48

Mity. Remember when we had the Universal

94:50

Amphitheater?

94:51

>> I got tickets and took Mity to see

94:56

Paulie open for Sam Kenison.

94:58

>> Wow.

94:59

>> And uh it just blew her away cuz she had

95:01

never seen him in that large

95:02

environment. And it was really cool to

95:05

watch her watch her son.

95:06

>> Well, she let she let him grow the right

95:09

way, you know. She didn't she didn't

95:11

give him a silver spoon. By the way,

95:14

Mity Shore started the comedy store and

95:16

she's the mother of Paulie Shore because

95:17

I say Mity to you like it's a cousin,

95:21

>> right? Well, we talk about her so much.

95:23

I think a lot of people listening know,

95:25

but she's the most important person in

95:28

comedy that wasn't a comic and more

95:30

important than most comedians. Like, she

95:32

would tell you how to do it right and if

95:34

she liked you, man, it was like

95:36

>> she'd tell you how to do it in her

95:40

opinion. I've seen her tell some people

95:42

some crazy [ __ ]

95:43

>> Oh, yeah. She was done right a lot of

95:45

times.

95:45

>> She had some wild ideas that weren't

95:47

>> She had a girl put on a green wig one

95:49

time and I'm like,

95:51

>> I'm not sure, you know, but she was

95:52

trying to find some kind of hook for

95:54

this girl. And I'm like, if you don't

95:56

want to have to wear the green wig, go

95:58

home and figure out a hook.

95:59

>> Yeah, she she made Joey Diaz call

96:02

himself Fat Baby. She

96:03

>> Ouch.

96:06

She when you would look at the lineup

96:08

like I bet you could find it online if

96:10

you look there's lineups from the comedy

96:12

store it be a bunch of comedians Bill

96:14

Burr blah blah blah and then you'd see

96:16

fat baby and that was Joey Diaz she

96:18

would call him fat baby she would

96:20

wouldn't even let him use his [ __ ]

96:22

name in the lineup it would be fat baby

96:25

I remember having a conversation with

96:28

her and Paul and Paul was exacerbating

96:30

the problem cuz she was like

96:32

>> Rodriguez

96:33

>> uh Paul Mooney

96:34

>> Paul Mooney We got so many Pauls in our

96:36

life. So, we're sitting dude talking

96:38

>> and uh Mity is about to start the belly

96:42

room cuz she thinks women need a place

96:44

to perform

96:45

>> and uh to get better. She

96:47

>> that was what the belly room originally

96:48

was.

96:49

>> A little college up there

96:50

>> for ladies and she was trying to think

96:53

of a name for it. And she says, "I'm

96:55

also thinking about having one night of

96:57

just black comics." You know, because

96:59

there was only George Wallace, Dave

97:02

Tyrie, and Mooney at one time when I

97:04

arrived. And uh

97:05

>> What year was that?

97:07

>> I came in 1980, New Year's Eve.

97:10

>> Wow.

97:11

>> I drove out from Chicago cuz I'm from

97:13

Cleveland, and there were no comedy

97:14

clubs in Cleveland back then. So, I had

97:16

to go to New York, LA, or Chicago. And

97:18

my mother was living in Chicago at that

97:20

time. So, I went there cuz rent was free

97:23

for a while. And uh that that was a a

97:27

lot of fun. But Mity for the Black

97:30

Knight, she said, "Paul, what do you

97:32

think I should call in?" And and she

97:34

says, "I was thinking cotton comedy."

97:38

And and I'm not No, Mity, no. No, you

97:40

can't. You can't. And I was trying to

97:42

explain why. And Paul was like, "Oh,

97:44

that's wonderful. Let's

97:47

exactly what we should call it."

97:49

>> Oh, homie. Oh, homie. Comedy.

97:53

>> He was cool.

97:55

>> Oh, man. Paul, that guy, that guy would

97:57

write, man. It'd be something that would

97:59

happen in the news like the day before

98:01

and Mooney would go on stage and have

98:03

like 15 minutes on it and just crush.

98:05

>> And he did something that I know I

98:07

hated. He requested the last spot.

98:10

>> Oh, he loved that last

98:11

>> Wanted to go on late. Wanted to stay on

98:13

as long as he wanted and would [ __ ] with

98:15

you if you tried to get up. M

98:17

>> Oh, you don't like a smart [ __ ]

98:22

>> but don't leave too early. My friends

98:24

are at your house robbing that

98:25

[ __ ]

98:26

>> He He would have so many things like

98:27

that, so many hooks. And he was just so

98:30

good at working those small crowds. He

98:32

just liked the freedom of just being

98:34

able to [ __ ] around, you know,

98:36

>> with a bottle of champagne with a straw.

98:38

>> Little tiny bottle of champagne.

98:40

>> Yeah. And he would he would sip on it

98:42

during punch lines.

98:43

>> Oh, [ __ ] please. And then take a sip.

98:46

We always used to just sit in the back

98:48

and watch him. It's like if you thought

98:49

you were good at comedy, you'd watch

98:51

Mooney and go, "God, I got so much to

98:52

learn."

98:53

>> Yeah.

98:53

>> I got so much to learn.

98:55

>> All the great comics that we know now at

98:58

one time would sit in the back of the O

99:01

and come late to watch Paul.

99:04

>> Absolutely.

99:04

>> I used to on a landline. I used to call

99:07

Kenan and say, "Yo, I'll meet you

99:09

there." We were going to see Mooney at

99:11

11:15. I would always love to see Mooney

99:13

when something [ __ ] up happened in the

99:15

news.

99:16

>> Like if there was something [ __ ] up

99:17

happened in the news, I'm like, "When's

99:18

Paul going up?"

99:19

>> Yeah.

99:19

>> You know, it just like you had to go see

99:21

him because he always had a take and you

99:24

know that take was always like, "Oh

99:26

shit." You know, it was like he would

99:28

get you. He would like find an angle

99:30

where you'd be like, "Oh my god, oh my

99:33

god." He was he was so clever. the

99:35

coolest conversations at the comedy show

99:38

when Richard would come up every night

99:39

and Richard would go from five minutes

99:41

to an hour and then it would become a

99:43

great special that you go to at the

99:45

theater to see.

99:46

>> But I would watch Paul Mooney before we

99:48

had cell phones

99:50

>> after it was over. Richard would go and

99:51

have a cigarette in the main room like

99:53

on a Monday or Sunday. I think it would

99:55

be closed and that's where he would we'd

99:57

call it holding court. He would go in

99:59

there first and just want to dry off for

100:01

a minute, smoke a cigarette, and Paul

100:03

would come in with a napkin with stuff

100:06

written on it. And he would just, you

100:08

know, oh, and how about this? And he

100:10

would give him tags. And as a matter of

100:12

fact, Richard on the back of an album

100:14

that that joke you go to, you go to

100:16

prison, you get justice, just us, [ __ ]

100:20

>> And he gave that to Richard and it was

100:22

on a prior album. But uh oh those Joe

100:26

that was a time Richard would work out

100:28

every night. He'd work the original

100:30

room, go in the main room and entertain

100:34

his guest and it would be like Bert

100:36

Reynolds, uh Moses, uh Charlton H.

100:40

>> Uh Wow.

100:41

>> Bernie Casey.

100:43

>> You you would see like uh Oh, Bert

100:46

Reynolds would have Sally Field with

100:47

him.

100:48

>> Wow.

100:48

>> It was amazing. They would all come and

100:50

bow to the King Dog.

100:52

>> Yeah. Well, he was so different. Yeah. I

100:55

always say that the godfather of comedy

100:57

who started everything was Lenny Bruce,

101:00

but then Richard

101:01

>> figured out a way to take that and make

101:03

it way funnier.

101:05

>> He figured out how to take that kind of

101:07

honesty and social commentary and figure

101:10

out how to like talk about life.

101:12

>> Cuz people don't know that before before

101:16

Lenny Bruce came around, it was just

101:19

jokes. It was just like two Jews walking

101:22

to a bar, they buy it, punch.

101:24

>> Yeah.

101:24

>> It was jokes. It was like Dangerfield's

101:27

rhythm.

101:28

>> Yeah. But you know what? Dangerfield was

101:31

a He was a special guy, too. He was a

101:33

beast, man.

101:34

>> And he didn't He took like 10 years off

101:37

and never stopped riding and was selling

101:39

aluminum siding. Yeah.

101:41

>> And then came back and made it in his

101:43

40s.

101:44

>> Yeah.

101:45

>> Wow. Look at this. Willie, that's the

101:48

main room. That's the main room.

101:49

>> That's crazy. Bert Reynolds, Sally

101:51

Fields.

101:52

>> Now, you see that picture? One night I'm

101:53

in that room and Stevie Wonder

101:57

>> is over on the piano. Remember how the

101:58

piano used to be in the main room on the

101:59

far left of the stage? Steviey's playing

102:02

>> and there a few people snorting Coke. I

102:05

think to this day, Stevie still thinks a

102:08

few of those people have allergies

102:10

because, you know, Yeah. He's just

102:12

sitting playing and people Wow. Wow.

102:15

Look at that. Bert Reynolds on stage.

102:17

Robin Williams.

102:18

>> I saw Bert Reynolds give the parking

102:20

attendant $100 and I thought I was on

102:22

another planet. I'm like, get the [ __ ]

102:24

out of here. I should be parking cars.

102:26

[ __ ] Stand up. Yeah, that was that's

102:29

And for people who are looking at this

102:32

picture, that's Richard holding court

102:34

after his set. Wow.

102:38

What an amazing photo. Well, Jamie, we

102:41

should get some of these photos and

102:43

>> Yeah. Get some of these photos and let's

102:45

print them up and put them in the green

102:46

room at the mother ship.

102:48

>> I saw a picture.

102:49

>> That's a back. He's got the zero signs

102:51

in the back.

102:52

>> Oh, yeah. Still wow.

102:54

>> That tells you a lot about the history.

102:56

Uh search.

102:58

That sign used to be Mity had this

103:00

warehouse room like was just not a

103:02

warehouse, but you know, it was a

103:04

storage room where she had all the old

103:05

CRO stuff. And I remember seeing that

103:08

sign there and they eventually hung it

103:10

up in the back bar area and you just

103:12

look like, "Wow, this was this was a mob

103:15

club in like the [ __ ] 50s."

103:19

>> Yeah,

103:20

>> that's crazy. I saw a picture you have

103:24

in the entry of Richard Prior's mug

103:27

shot.

103:27

>> Yeah.

103:28

>> I had never seen that. What did he do?

103:32

>> I don't remember.

103:34

>> Yeah,

103:35

>> I don't remember. But he was very young.

103:37

That mug shot was I think he was like

103:38

18.

103:40

>> Yeah.

103:40

>> I don't remember what it was. I have mug

103:42

shots from everybody who got arrested.

103:44

>> Yeah. I saw Larry King. Larry King was

103:46

like bad checks. He was writing bad

103:48

checks. He had a gambling problem.

103:50

>> Oh

103:51

>> yeah.

103:52

>> Yeah. Willie Nelson's up there.

103:55

>> Yeah.

103:55

>> I got everybody up there. There is a

103:57

book that I have in my garage and it's

104:00

the first edition to tell you

104:03

how much of of this kind of stuff

104:06

existed, but it's all celebrities and

104:09

their mug shots.

104:11

>> So, it's a coffee table book of just the

104:13

mug shots.

104:14

>> Oh, I should probably get that book. I

104:15

bet there's a few in there that I don't

104:16

have.

104:17

>> And I bet there is a a second one that

104:19

they could do

104:20

>> because the book's only like a half inch

104:22

thick. We got a lot of good ones out

104:25

there, but you know, so many people got

104:28

arrested. You know, we got David Bowie

104:31

out there, of course. Morrison, you

104:35

know, it's like Hrix. Got to have that

104:37

mug shot. That's a classic.

104:39

>> Yeah.

104:39

>> This There was a lot of mug shots.

104:41

>> Have you ever taken a mug shot?

104:42

>> No, I've never been arrested.

104:44

>> Yeah, I've never been arrested.

104:44

>> I'm a good boy, believe it or not. Yeah,

104:48

you know, I mean, we we've done things,

104:52

but not enough to have to take those

104:54

pictures.

104:55

>> Yeah. Luckily,

104:57

>> but also we live in a different time,

104:59

you know, in the 1960s and 70s when

105:01

those guys are getting arrested. They're

105:03

they're getting arrested for like having

105:04

a joint or something like that, you

105:06

know.

105:06

>> Oh, yeah.

105:07

>> Richard or excuse me, Jimmy, I think he

105:09

got arrested in Toronto for having

105:11

heroin on him. I think that's what he

105:13

got arrested for. I got pulled over and

105:16

had a joint in my ashtray

105:18

in 1989.

105:22

And uh I was scared to death. And the

105:25

cop was real nice to me. But he did the

105:27

corniest thing. He says, "Get out of the

105:29

car." And he made me rip up the joint

105:32

and drop it in the sewer at the curb

105:34

there. And he says, "Now get your life

105:37

together."

105:40

>> Like [ __ ] is helping me get my life

105:42

together.

105:42

>> Absolutely. It makes me funnier. That's

105:44

funny. That's hilarious.

105:45

>> The good old days, man. I remember you

105:48

talking about Rodney earlier, Rodney

105:51

Dangerfield.

105:53

You know how we love com comedy. We'll

105:55

never stop doing it. We'll do it until

105:56

until the wheels fall off. And I

105:58

remember him on stage at the Laugh

106:00

Factory near the end of his life. And

106:03

>> I saw him there.

106:04

>> Yeah. And his wife was in the balcony

106:08

>> giving him lines through a wireless

106:10

earwig. And uh if you went up top, you

106:13

would hear her say, "I don't get no

106:16

respect." And

106:18

>> I don't get no respect.

106:19

>> You know, and first of all, two things.

106:23

It first of all, it warmed my heart that

106:25

the woman who loves you is going to help

106:27

you do what you love.

106:29

>> So that

106:31

made me feel so good and it was like, I

106:33

want a woman with that kind of heart

106:35

because I know I'm going to want to do

106:36

it when I'm older. She gave us his notes

106:39

from one of his Tonight Show appearances

106:41

and they're framed uh in the on the wall

106:43

in the green room. It's his handwritten

106:45

notes in in bold. He would like write it

106:48

in bold where the punch lines were.

106:50

>> It's like sitting there right above the

106:52

couch.

106:53

>> That's cool, man.

106:54

>> Yeah. It was one of the first things uh

106:56

Whitney Cummings hooked it up. She got

106:58

it for us from her. She wanted us to

107:00

have it.

107:01

>> Whitney Cummings. I

107:02

>> I saw Rodney live when I was a security

107:06

guard. I was a security guard at Great

107:08

Woods. Great Woods Center for the

107:10

Performing Arts, which was in Mansfield,

107:12

Massachusetts.

107:13

>> Oh.

107:14

>> Where I lived in Boston.

107:15

>> Yeah.

107:15

>> Um me and a bunch of the black belts

107:18

from this taekwondo team that I was on,

107:20

got jobs as security guards.

107:22

>> And I was 19 and I was backstage and

107:24

Rodney was walking around with a

107:25

bathrobe on with nothing underneath it.

107:28

>> That was when he was going on stage with

107:29

a bathrobe. He got to such a [ __ ] it

107:31

point in his life where he would

107:33

literally go on stage with nothing but a

107:35

bathrobe. He would walk out there with a

107:37

bathrobe and slippers and just [ __ ]

107:40

murder. I remember being in the and I

107:43

wasn't even thinking about doing standup

107:44

back then. Back then I was just fighting

107:47

and I was a fan of comedy. I always love

107:50

comedy.

107:50

>> Your fighting friends talked you into

107:52

doing standup, right?

107:53

>> Yeah. Yeah. One of the guys that I

107:54

trained with, my friend Steve. But when

107:56

I when I went there, I remember like

107:58

like you want to talk about not giving a

108:00

[ __ ] Like this guy really didn't give a

108:02

[ __ ] Like he had gotten to a point

108:04

where he had so much success and so much

108:06

money. And this was after back to school

108:08

and all those big movies and he was

108:10

still just going out there doing stand

108:12

up. He was smoking weed back there and

108:13

he just would go on stage with a

108:16

bathrobe on

108:17

>> and I remember thinking that is the

108:19

wildest [ __ ] I've ever seen in my life.

108:20

I remember as a young man cuz I was

108:22

always, you know, you're [ __ ] 19.

108:25

You're scared of everything. You're

108:27

worried about the future. You don't know

108:28

what, you know, you have no security in

108:31

your life at all. And here's this guy

108:33

with, you know, millions of dollars,

108:36

massive amounts of fame. And he got to

108:39

that I don't give a [ __ ] stage. And he

108:41

but he really did. He wasn't faking it.

108:44

Nobody told him he has to go on stage in

108:46

a bathroom. I was like, I'll tell you

108:47

what I want to do. Mhm.

108:48

>> I want to go on stage with a bathrobe.

108:50

>> He just went on stage with a [ __ ]

108:52

bathrobe.

108:53

>> See if you can find some photos of him

108:55

on stage with a bathrobe on. I know he

108:57

did it for years.

108:58

>> I got in trouble because Easy E came on

109:01

my show in his bathrobe.

109:03

>> And he was like, "You gave it to me."

109:06

You know, cuz we give out bathroes. And

109:08

so he said, "Well, [ __ ] it. I'll wear it

109:10

out there." And he wore it out and had a

109:12

he was picking his teeth with a knife.

109:14

And Paramount was like, "Oh man, this is

109:17

not what we asked him for. This is

109:19

really not what we asked him for. He'll

109:22

never replace Johnny."

109:23

>> Oh, [ __ ] off.

109:24

>> But but I knew people were ridiculous.

109:26

>> Hey, I was where I was because I snuck

109:29

in through syndication. Did a first run

109:31

syndication. I know network wasn't for

109:33

me. And when Letterman got CBS, I knew I

109:36

was really in trouble. So, I had to

109:37

figure out an exit plan. But the bottom

109:39

line is for six years, I did it the way

109:42

I wanted to do it. And I wouldn't change

109:43

a thing, man. To to do it for 26 years.

109:45

I wouldn't trade those six.

109:47

>> The thing about it is, man, everybody

109:49

wanted to be Johnny back then. It was so

109:51

crazy. Even Letterman, I joked that the

109:53

Emmys I I said I I had a dream. I wanted

109:56

to be an old white man with a desk,

109:58

>> you know, and that was my I to the

110:01

point, Joe, that when I made it, I hired

110:05

Johnny's architect that built his house

110:07

to build me a house. I was deep into the

110:10

[ __ ] like that. Well, he was the guy.

110:12

People don't realize like that was the

110:14

carrot. That was the thing that they got

110:17

I mean Jay Leno and like that famous

110:19

scene in that movie that talked about it

110:21

where Jay Leno would hide in the closet

110:23

and listen to them talk about it because

110:25

he wanted that spot when Johnny retired

110:27

but they wanted Letterman and it was

110:29

like this battle between like it made no

110:31

sense to me. I'm like Letterman has the

110:33

Letterman show. It's [ __ ] huge. It's

110:35

amazing. Why would you want to do

110:37

anything else? But everybody wanted that

110:38

Tonight Show. Absolutely. I wanted the

110:40

Tonight Show

110:41

>> and when I was a kid, I was a magician.

110:43

That's how I started. And I read an

110:46

article that said that Johnny did Slight

110:48

of Hand and was a magician. So to me,

110:50

that was God speaking to me.

110:52

>> It was like, you are a magician and you

110:55

do a talk show in the basement. Oo,

110:58

>> one day.

110:59

>> Yeah, one day.

111:00

>> Isn't it crazy though that it had to be

111:02

the tonight show for everybody? It

111:05

wasn't get your own talk show,

111:07

>> Joe. Doing standup, getting that five

111:09

minutes, having Jim McCauley come see

111:11

you. I got on

111:13

>> Dinosaur. No, no, uh Mike Douglas and I

111:16

got on MV Griffin.

111:18

>> Didn't Didn't do it for me.

111:20

>> I needed Jim McCauley say that tonight

111:23

show is yours.

111:24

>> Yeah. Ain't that crazy?

111:25

>> Did you do Did you Were you You were too

111:27

young.

111:27

>> I was too young. And it's also like for

111:30

me, I didn't understand it. Mhm.

111:33

>> Like I used to like watching when comics

111:36

were on the Tonight Show, but it didn't

111:38

>> remember the night Roseanne came on the

111:40

domestic goddess.

111:42

>> Yeah.

111:42

>> I was like, "Oh [ __ ] she's funny."

111:44

>> Oh, she was so funny.

111:45

>> She can write.

111:46

>> She was so funny. Roseanne was like way

111:48

ahead of her time. She was so wild.

111:50

There was no one like her when she came

111:52

out.

111:52

>> Yeah,

111:52

>> she's still wild. She comes to this to

111:54

the mothership all the time. And as wild

111:56

as she is, Joe, the night I called her

112:00

and said, "I need

112:04

to rearrange the show tonight, her and

112:06

Tom were coming."

112:07

>> And it was Tom Arnold.

112:08

>> Yes. And it was the morning that I'd

112:11

gotten the call from Irvin Magic Johnson

112:13

that he was HIV positive.

112:15

>> So I needed the whole show.

112:17

>> And this is how cool she was. She says,

112:20

>> "Give me another date, but I'm still

112:22

coming cuz we love Irvin."

112:24

>> Oh, wow. And they came and stood on the

112:26

side that night when Irvin came and

112:29

talked about it.

112:30

>> Wow. She's cool.

112:32

>> She's cool. She's crazy as [ __ ] She's

112:36

cool.

112:36

>> Aren't we all? And don't we have to be?

112:38

>> You have to be. Yeah.

112:40

>> A little bit. We got to be the different

112:41

kid in the neighborhood.

112:43

>> Yeah. Well, if you want to be as good as

112:45

she was cuz people, they don't. You got

112:47

to go back and watch some of her

112:49

specials. She was killing in a way that

112:51

no woman killed like that. It was

112:54

different. It was like aggressive.

112:56

>> It was aggressive and angry. It was It

112:58

was attention on She didn't sell us any

113:01

sexuality at all. It was just great

113:03

writing.

113:04

>> Just great writing and great performing

113:06

and a lot of I don't give a [ __ ]

113:08

>> And it was just Do you find any photos

113:11

of Rodney with a bathrobe on?

113:13

>> I mean, yes, but not on stage.

113:14

>> No.

113:15

>> There's only Yeah. I don't even know if

113:17

they exist.

113:18

>> They similar clothes. That was

113:21

>> They don't exist. That's crazy. That was

113:23

a pre-show right there.

113:25

>> He's You think he's not ready, but he's

113:27

dressed to go on,

113:29

>> right? And he's writing.

113:30

>> Look at the phone. Look at the landline.

113:32

>> Ain't that crazy?

113:34

>> I showed my son one of those. He

113:36

couldn't believe that to drop dollar

113:38

nine. It was And if you missed one of

113:41

them and [ __ ] it up, you had to start

113:42

from scratch. It was crazy.

113:44

>> Yeah.

113:45

>> Back in the day. I remember when uh the

113:50

iPhone first came out and it didn't have

113:53

actual buttons like a Star Trek

113:56

>> and I was freaking. It's like how will I

113:58

know where the L is?

114:00

>> Yeah,

114:00

>> I can't feel it.

114:01

>> I remember I had a Blackberry back then.

114:03

You couldn't convince me that I needed

114:05

to get an iPhone. I was like, "This is

114:06

ridiculous.

114:07

>> I'm not typing on that stupid thing. I

114:09

don't even know where the buttons are.

114:10

It's cra You don't It makes a click

114:13

sound. That's stupid." Before you know

114:15

it, we were doing it. We turn off the

114:16

click and it says a lot about progress.

114:18

Don't don't be afraid to change.

114:19

>> Well, now I talk to it. Now I hardly

114:22

ever text. I just say, uh, text Arsenio,

114:25

like say, "Hey, man. Looking forward to

114:27

seeing you tonight, blah blah blah." And

114:29

just send it.

114:30

>> Yeah.

114:30

>> I I make most of my text messages I just

114:32

talk to my phone.

114:34

>> Yeah, pretty much. Uh, me and Siri. Uh,

114:37

and you can't say the N-word to Siri.

114:39

The other night, I was writing a joke.

114:41

No, she won't [ __ ] with the nword

114:43

because seriously, I wonder if Google

114:45

will.

114:45

>> She's like, I'm not getting cancelled,

114:47

you know, and let Alexa have the whole

114:49

business. I'm not to get, you know, but

114:51

you know, I'm writing the joke and I

114:52

said the N word. Uh, of course, I didn't

114:55

say n word. I said negative

114:57

>> and Siri would not write it.

114:59

>> And then when I kept saying it, she

115:01

started writing other things, you know,

115:03

that started with an N, you know, but

115:05

they weren't even words.

115:07

>> And I'm like, so they got Siri trained.

115:09

>> That's so weird. She not getting

115:11

cancelled.

115:12

>> It's weird that it took

115:15

it wasn't even 10 years and then

115:18

everybody just got accustomed to having

115:20

a phone with them all the time. Like

115:22

there there was think about like the

115:25

difference between like it was probably

115:26

like what is it like 9798

115:29

when everybody had those Motoras,

115:32

>> right? It was around then, right?

115:33

>> Yeah.

115:34

>> It was around then like 96 97.

115:37

>> My friends laughed at me. My first phone

115:40

was in a Hallebertton briefcase. And you

115:43

open the silver Hallebertton briefcase,

115:45

take the phone out and the phone was

115:47

maybe 10 in, you know, with a and and I

115:51

had an antenna that screwed on the

115:53

outside of the briefcase because you had

115:55

this big possum tail.

115:57

>> Yeah. I had one on the roof of my car.

115:59

>> Oh yeah.

116:00

>> In 1989.

116:01

>> Yeah. You you Wow. Back back then,

116:06

I couldn't imagine that kids would be

116:08

watching movies on the phone,

116:11

>> right? Playing games, watching movies,

116:13

and that would be most of their social

116:14

life was communicating through that

116:16

thing.

116:16

>> Yeah. Remember there was a time when

116:19

dudes said to each other, "Yo, he got a

116:20

strong rap, man. His pimp hand is crazy.

116:23

He can get a [ __ ] in a second, you

116:24

know, and blah blah blah. He can talk."

116:26

And now young men don't know what the

116:29

[ __ ] to say to a woman leaning against a

116:31

wall in a club.

116:32

>> Dating apps now. Yes. Swiping.

116:35

>> Crazy.

116:36

>> But what I was going to get at like how

116:38

quickly the culture changed from let's

116:41

just say 98 when most a lot of people

116:44

had a phone. At least half the people

116:46

had a phone on them. 2008 everybody had

116:49

a phone.

116:49

>> Mhm.

116:50

>> 2018 you'd be crazy to not have a phone.

116:53

>> Yeah.

116:53

>> 20 years like that.

116:55

>> Okay. Now now hold your thought.

116:57

>> Okay. I remember a time

117:00

when

117:02

you and I were the only parents that

117:04

didn't allow cell phones

117:08

in the hands of our kids. I cuz I

117:09

remember my son said, "Uh, Dad, you got

117:13

to let me have a phone, you know, and

117:14

I'm like, I'm not doing it. I'm until

117:17

you were a certain age, I'd set it up

117:18

and and I said, does everyone in your

117:20

class have a phone?" And he said, "No,

117:25

two of us don't."

117:28

>> And I realized you were the other

117:29

parent.

117:30

>> Yeah.

117:30

>> That was saying, "We're not [ __ ]

117:32

>> I gave her a phone that has two numbers

117:34

on it." It would they There was a weird

117:36

little cell phone that you could get for

117:38

kids where she could dial like my phone

117:41

number or my wife's phone number.

117:43

>> It was like that's it. Those like it was

117:45

like I forget what it was called. It was

117:46

like the frog or something like that.

117:48

Some little cell phone for kids.

117:51

>> Yeah. Yeah. Yeah. But you didn't have to

117:52

worry about the things that kids have to

117:54

worry about now. Like I was watching

117:55

this thing about Roblox. You know that

117:57

game that kids like to play that they're

118:00

getting like predators are on Roblox and

118:03

they're trying to pick up kids like

118:05

child predators on. So you have to worry

118:08

about the games they play. You have to

118:10

worry about them getting DM'd by creeps.

118:13

You have to worry about so much more

118:15

access than just a phone to call people.

118:18

>> Yeah. There was a time when my kid used

118:21

to play games with a headset on and he

118:24

would play with people you don't know,

118:26

just somebody in the world.

118:28

>> They would gather.

118:29

>> Yeah.

118:29

>> And um

118:31

I remember feeling like this can't be

118:34

good,

118:34

>> right?

118:35

>> You know, cuz these probably aren't all

118:38

kids he's playing with.

118:39

>> 100%. Yeah.

118:41

>> Yeah. Well, when I first started playing

118:43

video games, you'd have to chat by

118:45

pulling down a window and you'd have to

118:47

type in the things that you wanted to

118:48

say. You couldn't talk to people.

118:50

>> Yeah.

118:50

>> And then when people started talking to

118:52

people in video games, I'm like, "Oh,

118:53

this is crazy."

118:55

>> Yeah.

118:55

>> But then the problem is whenever there's

118:57

anything the kids are doing, you're

118:59

going to have some creeps that are

119:00

targeting kids. And they find where the

119:03

kids are hanging out, what the kids are

119:04

doing, and then they try to get those

119:06

kids to meet them somewhere. That's

119:08

what's scary about cell phones and the

119:11

internet and all that [ __ ] is that it's

119:13

not just a phone. It's it's a a way that

119:16

you can connect with people and there's

119:19

always creeps that are trying to connect

119:21

with kids.

119:21

>> Yeah. I I was lucky as a kid because I

119:24

talk about being a magician and I worked

119:26

at a magic shop when I was 12. Took cash

119:29

because I couldn't actually have a job.

119:32

And I remember meeting older magicians.

119:35

I remember going to people's house to

119:37

see a new guillotine trick and my mother

119:41

my mother worked two jobs. I was a latch

119:43

key kid. I never had any problems and I

119:46

never was warned about it, you know, but

119:48

um I was a I could have been a target

119:51

because

119:52

>> Yeah, you got lucky. Yeah, I really got

119:54

lucky because I, you know, when I was

119:56

writing the book, I'm looking and I'm

119:57

saying

119:58

>> there was a guy I met who uh

120:01

worked until he died for Pen and Teller.

120:05

And this dude, I met him at a magic show

120:07

and every year when he would come to

120:09

Cleveland, I'd go sit with him. My

120:10

mother never knew I had this 40-year-old

120:13

friend, you know.

120:15

>> Weird, right?

120:15

>> But yeah, but he was cool and I got

120:17

lucky.

120:18

>> Yeah, that's the thing about Latchkkey

120:20

kids. I mean, the thing is though, I was

120:22

watching this um this YouTube video

120:25

where they were talking about kids of

120:27

our age, you know, our our generation,

120:30

latch key kids

120:32

>> that grew up like that are so much more

120:35

resilient because no problems were

120:37

solved for you. You had to figure it out

120:39

on your own. You went out on your own.

120:41

You were outside with no cell phone

120:44

communication, no way to call anybody,

120:46

right? when you were 10, 11, you're

120:48

wandering around with your friends. It's

120:50

like it was a different world. You had

120:52

to figure life out in a way that like

120:55

helicopter parenting and parents that

120:57

are like tracking their kids,

120:59

>> you know, like a lot of parents like

121:00

they're tracking their kids on their

121:02

phone. They know where they're You said

121:03

you were at Debbiey's house. You're not

121:04

at Debbiey's house. Where are you right

121:05

now? Like everyone is like looking out

121:07

for their kids maybe a little too much.

121:10

It's like you want your children to be

121:11

safe, but you also want them to have

121:14

like a little bit of freedom to figure

121:16

out who the [ __ ] they are. Yeah. I gosh,

121:19

as a kid, when I would tell my mother,

121:23

I'm spending a night at Kenny's house, I

121:26

was never at Kenny's house.

121:29

You know, my my girl when I was 14

121:34

had a mom who was a nurse that worked

121:35

the 11 to seven shift. So, we kind of

121:39

lived together like a couple, you know.

121:41

I would tell my mother I'm going one

121:43

place, I'd go to Robin's house. I would

121:45

stay at her house till morning when I

121:46

went home to get ready for school. You

121:48

know, I was like a grown ass man with a

121:49

woman. It's just

121:50

>> That's wild.

121:51

>> Until one day her parents uh had the

121:54

grandparents come to town and to

121:56

surprise her. And so, the mom's at work,

122:00

there's a knock at the door and she

122:02

said, "It's my grandmother." We had

122:04

little peeppholes. It's my grandmother,

122:05

my grandfather. and I had to jump uh

122:09

with my clothes off their balcony.

122:14

That was my action adventure teenage

122:16

period.

122:17

>> Yeah, it's a different world. I don't

122:19

know if it's better or worse, but I

122:21

think it definitely made you more

122:22

resilient. And that was this argument

122:24

that they were making in this YouTube

122:26

video that that generation is the most

122:28

emotionally resilient

122:30

>> and that this generation coming up is

122:31

like the least emotionally resilient.

122:33

That's why they're always looking for

122:36

things that are you know, problems.

122:38

They're always looking for things that

122:39

bother them, things that cause them

122:41

anxiety. They're always looking for

122:43

things that, you know, they can't

122:44

tolerate.

122:45

>> Where's my bike helmet?

122:47

>> You know, I we used to have a car. It

122:50

was a station wagon and the back seat

122:52

you sit facing the opposite way. No seat

122:56

belts. That had to be dangerous.

122:58

>> It It's all dangerous. Those cars were

123:00

dangerous. They could barely stop.

123:02

>> Yeah.

123:02

>> They had drum brakes.

123:03

>> Yeah. Yeah. You ever drive like an old I

123:05

have old cars, but I have what they call

123:07

resto mods where they take an old car,

123:09

but they put like modern suspension,

123:11

modern brakes, modern steering. It

123:14

handles like a new car, but they have

123:16

all the outside of an old car and you

123:18

know, and then the dashboard of an old

123:20

car and all that stuff. That's what I

123:21

like. If you drive a real like if you

123:24

try to drive a 1968 Camaro, you're like,

123:26

"What is this piece of shit?"

123:28

>> Like they can't break. You can't go

123:30

around a corner. They There's no

123:32

traction. What was your first car?

123:34

>> I had a 1973 Chevel.

123:37

>> I had a Cutless.

123:39

>> Had a Cutless once. Yeah, I had a 70 a

123:42

70 Cutless.

123:44

>> Those are great cars. God, they knew how

123:46

to make a beautiful car back then.

123:48

>> You like muscle cars?

123:49

>> Yeah. I love the Well, when I was in

123:52

high school, like those were the So, I

123:54

was in high school in the 1980s. I went

123:56

to I was a freshman in 1981.

123:58

>> I had four kids in the 1980s.

124:00

>> Wow. That's crazy.

124:00

>> I'm much older than you. In those days,

124:04

those cars were the cars that we all

124:07

like looked at. Like you couldn't

124:09

believe when someone had it. I remember

124:11

I have a 1970 Chevel to that I got to

124:15

this day. I I I have it because when I

124:17

was like 17, my friend picked me up in a

124:21

1970 Chevel with his buddy and it was

124:24

perfect. It was a perfect car. I

124:26

couldn't believe this guy had it.

124:28

>> I was like, "How do you have this?" And

124:29

and when you say perfect to non-car

124:32

people like me, what does that mean?

124:34

>> Oh, first of all, it was what you would

124:36

call cherry, meaning there was no dents,

124:38

no scratches, perfect paint. It was

124:41

beautiful. The sound it made when he

124:43

pulled up, I couldn't I think I was 16

124:45

cuz I don't think I had a license yet.

124:46

And I remember getting in the backseat

124:48

of the car going, "How does this guy

124:49

have this car? This is crazy. It's a You

124:53

know what a 1970 Chevel looks like?"

124:55

>> Absolutely.

124:55

>> With the white stripes. Black with the

124:57

white stripes. That was it. I have that

124:58

exact car right now. I love it. Whenever

125:01

I get in, I think about when I was 16. I

125:03

think about all those years ago

125:06

>> when Bert Reynolds drove up. Those

125:08

pictures we just looked at, when he

125:09

drove up, he had what was called A TRANS

125:12

AM.

125:12

>> YES.

125:13

>> And it had a big eagle on the

125:14

>> Yes. Smoking the Bandit car. I

125:16

>> almost lost my mind.

125:18

>> Oh my god. That was the Smokeoky and the

125:19

Bandit car. That was the car that he had

125:21

in those movies with Sally Fields.

125:23

>> $100 tip. Um, have you ever been to uh

125:26

you ever been to Jay Leno's spot

125:29

>> with with the cars? Yeah, I did his show

125:31

once. I brought my uh Corvette on. I

125:34

have a 1965 Corvette and I brought it to

125:36

his show. It's a Resto Mod 2 and Jay

125:38

drove it around. He's the only person

125:40

that's ever driven it other than me

125:41

>> and you know, it's an honor. But you go

125:44

to his place, it's like

125:45

>> he has warehouses. Not a warehouse where

125:49

there's there's

125:50

>> he never sells one. He He swears to me

125:53

he's never sold a car. So, anything he's

125:55

ever bought, he keeps. And he recently

125:59

told me,

125:59

>> "Why did someone turn it gold?"

126:01

>> A clip thumbnail, someone YouTube video.

126:04

>> No, go to the other one. The other

126:06

picture with the real picture.

126:07

>> I was just clicking around,

126:08

>> but go to the go to the real picture so

126:09

you can see what it looks like.

126:10

>> You know, you know what he has now?

126:11

That's kind of cool. He has two tanks.

126:14

Two army tanks.

126:16

>> That's us right there. That's my car.

126:19

>> Look at that. See? But that like you see

126:21

that modern suspension, modern wheels.

126:24

>> Those are exhaust pipes on the side.

126:26

>> Yeah. That that car is so fun.

126:28

>> Do those things get hot?

126:30

>> Yeah. Yeah. You'll [ __ ] your leg up. If

126:32

you got shorts on, your leg touches it,

126:34

you're in trouble. The outside part

126:36

won't because like the outside is like

126:38

to protect you from the actual exhaust

126:40

pipes, but underneath it is exhaust

126:42

pipes. But where Jay's leg is, if he

126:45

backed up right there, if it was hot,

126:47

he'd singe the back of his calves.

126:50

>> Joe, he has tanks.

126:51

>> Yeah, he has everything.

126:53

>> The king of Jordan gave him a tank.

126:56

>> And this [ __ ] was riding through

126:58

Sherman Oak with the

126:59

>> He drives everything he has, too. That's

127:01

the thing about Jay.

127:02

>> Yeah.

127:02

>> Like, it's kind of nuts.

127:04

>> It's a lot of rotation.

127:05

>> Well, he w he crashed one of his

127:07

motorcycles just a few years ago.

127:08

>> Yeah.

127:09

>> [ __ ] himself up.

127:10

>> He does a bit about that. He's [ __ ]

127:12

himself up without a motorcycle.

127:14

>> Oh, that was the one time he was

127:15

climbing up a hill.

127:16

>> Yeah. Yeah. We We've done a lot of dates

127:18

together. We have the same agent, right?

127:20

And he called us one day and he says,

127:22

"How about you, Jay and Craig Kilbornne,

127:25

and we call it Kings of Late Night." And

127:27

so we went out and did like five dates

127:29

and it was a lot of fun. And me and Jay

127:31

enjoyed it. So we added 20 more dates to

127:34

it. And uh

127:35

>> Oh, that had to be great.

127:36

>> Fun.

127:37

>> He was a great comic in the 70s.

127:39

>> Yeah. People don't know when I was in

127:41

college, we would go in the TV lounge

127:45

and watch Jay Leno. Uh to this day, I

127:49

remember him saying I was a philosophy

127:51

major and so I just got out of college

127:52

and I opened up a little philosophy

127:54

shop, you know, just to to explain what

127:58

[ __ ] majors,

128:00

>> right,

128:00

>> were actually being pedal to. Well, he

128:02

was the edgy comic in the 1970s and when

128:04

he would go on Letterman show, he was

128:06

like the edgy guy that would sit on the

128:08

couch and be

128:08

>> Letterman would say, "What's your beef?"

128:10

>> Yeah. And he would always be mad at

128:11

something.

128:11

>> Mhm.

128:12

>> He was like, People don't realize that

128:14

you see him as But is again that carrot,

128:16

the carrot for him was the Tonight Show.

128:18

That was more important to him than

128:20

anything. And once he got that Tonight

128:22

Show, everything else was like took a

128:24

backseat.

128:25

>> Did you do Letterman as a standup?

128:27

>> No. No.

128:28

>> That was my first.

128:30

That's a that's that's a classic.

128:32

>> That was a great place for comedy

128:34

because Letterman like he really loved

128:37

comics and he really loved like solid

128:39

standup. I never liked doing standup on

128:42

those talk shows.

128:43

>> Is it the five minutes?

128:45

>> Yeah. To me, it's a different kind of

128:47

comedy. My comedy needs some time. I

128:49

need to cook, you know? I need time to

128:51

open up ideas. It's like and I didn't

128:54

like

128:56

what

128:56

>> I didn't like TV comedy. It's not my I

128:59

was a nightclub comic. That's all I ever

129:01

wanted to be. I wanted to be a nightclub

129:03

comic. I like doing comedy for drunk

129:05

people.

129:06

>> Yeah. But when I first saw you, it all

129:08

wasn't dirty. It some of it was TV

129:10

stuff.

129:11

>> Well, it wasn't necessarily dirty, but

129:13

it was free. It was like I was being

129:14

free. I was doing thing whatever I

129:16

wanted to talk about. I didn't like the

129:19

idea of being constrained by any sorts

129:21

of standards and practices and like

129:24

>> I'm not interested. I've been not

129:26

interested in that. I worked on my

129:29

Tonight Show set to try to get on the

129:31

Tonight Show with Johnny and uh the guy

129:34

would come see me a lot. He would change

129:36

my jokes. That I hate.

129:38

>> I hate when they say try try you saying

129:41

vacation

129:42

>> instead of gift shop and I'm like, "Oh,

129:45

let me just do my thing." But

129:47

>> after a year of him trying to get my set

129:50

right, he says,

129:52

>> "You're not a Johnny comic."

129:54

>> Oh god,

129:54

>> you're not a Johnny guy.

129:55

>> What does that even mean? But then I got

129:57

on on a Monday night with Joan because I

130:00

guess I was a Joan guy. And then I got

130:02

to sit with Johnny just as a guest to

130:05

promote Coming to America. So finally

130:07

full circle from my basement.

130:09

>> That's amazing. I watch a lot of his old

130:12

clips like with Don Rickles and all

130:15

these

130:15

>> Oh, Don Rickles talking about Snookie,

130:17

the brother in the band, you know, and

130:19

he would do a a a noise of a blow gun.

130:22

It's like Snookie, you liking this

130:24

stuff. Oh,

130:25

>> you know, and you can't [ __ ] with that

130:28

now.

130:29

>> No.

130:30

>> There's so much. It's funny how we've

130:32

come forward into a new era, but we've

130:35

gone backwards in certain ways.

130:37

>> Yeah. Yeah. You can't joke about certain

130:39

things anymore.

130:40

>> Like, I'm scared to death right now cuz

130:41

I'm going to say something that I

130:43

shouldn't say and I'm going to be in TLC

130:47

to you now. They can't do [ __ ] to you

130:48

now.

130:49

>> They can just be mad, I guess.

130:50

>> Yeah. Let them be mad. Just don't pay

130:51

attention. That's what I do. I just

130:52

don't pay attention.

130:53

>> Really? Yeah. I just don't read anything

130:56

about me.

130:57

>> Stay away.

130:58

>> That's the best way.

130:59

>> Are you a comic who when you're on

131:01

stage, it can be 200 people laughing,

131:04

but that one person who's not laughing

131:06

annoys the [ __ ] out of you. You you

131:08

can't even enjoy the others. You don't

131:09

even look at that person.

131:10

>> No. Those those people have their own

131:12

problems.

131:13

>> Yeah. And but by the way, sometimes

131:15

they're just not laughers cuz that

131:17

person will sometimes come up to you and

131:18

say, "Love what you're doing. Love the

131:20

new stuff."

131:21

>> Some people just like to smile. They

131:23

don't want to laugh. They just want to

131:24

sit there and watch or they just want to

131:25

take it in. Take in the performance.

131:27

Doesn't mean they don't like it. And

131:29

then some people just are upset by

131:31

everything. You can't control that.

131:33

>> Just control what you what I what the

131:36

only thing that bothers me is if I'm

131:38

off. That's it. If I'm off, if

131:40

something's if I stumble on a word, if I

131:41

[ __ ] something up, that's the only thing

131:43

that bothers me. And the audience is

131:45

like, you can't control that. Why why be

131:47

upset at things you can't control?

131:48

Because who knows what their trip is?

131:50

Who who knows what they're carrying

131:51

around with them?

131:52

>> As a famous star now,

131:55

do you ever bomb?

131:57

>> I have jokes that bomb for sure. New

131:59

ones, we trot out a new one.

132:02

>> Especially like uh we do this show

132:04

called Bottom of the Barrel and Bottom

132:06

of the Barrel at the Mothership is

132:07

there's like a whiskey barrel and you

132:09

reach into the whiskey barrel and you

132:10

pull out premises, just ideas

132:13

>> and you just run with it. That's tonight

132:15

actually.

132:15

>> And so you pull out a piece of paper and

132:18

it, you know, have a subject, you know,

132:20

>> ice cream sundae, whatever, whatever the

132:22

[ __ ] it is.

132:23

>> That takes intestinal for

132:24

>> Oh, a lot of those [ __ ] go nowhere.

132:27

>> Yeah.

132:28

>> But some of them don't. Every now and

132:30

then you get a great premise out of

132:32

those and it's like a little premise

132:33

factory. But the audience knows it

132:35

there. So, it's different than like when

132:38

they go to see you and they paid money

132:39

and they're expecting a polish show and

132:42

you have a new joke and the new joke is

132:44

just not right. It's not ready.

132:47

Something's missing. You're not finding

132:49

it and you're trying to work through it.

132:51

Yeah. It's always going to happen. And

132:53

if it doesn't happen, you're not taking

132:54

enough chances.

132:56

>> Yeah. See, I'm I'm not

132:59

as chance driven as you are. I'd be

133:01

afraid to do that because I'm my

133:03

feelings get hurt too easy.

133:05

>> Yeah. Well, it's part of the process.

133:07

>> Yeah, you're right. You're right. It we

133:09

should do the things we fear.

133:10

>> You definitely have to. If you want to

133:13

write new [ __ ] you you're gonna have to

133:15

There's that moment where you're like,

133:16

do I trot this new one out?

133:19

[ __ ] it. Let's go. And you know, a lot

133:21

of the new ones, the way they come out,

133:23

for me at least first, it's just a

133:26

frame. It doesn't have sides. It doesn't

133:29

have windows. It doesn't have doors.

133:30

It's just a frame.

133:31

>> And I have to figure out how to make a

133:33

house out of that frame. That's what I

133:35

loved about going to the original room

133:37

back in the day when we were young,

133:38

watching Richard take out a pack of

133:41

cigarettes, take a cigarette, and Mitzy

133:44

had those those smoke things that

133:46

popped.

133:47

You get got smoke and everything and and

133:50

Richard would have two minutes and then

133:53

he'd have five.

133:54

>> He would just build.

133:55

>> Yeah. And I It was like a like when

133:57

grandma used to make a quilt

133:59

>> and it gets bigger and bigger and you

134:01

got an hour. I used to love watching him

134:03

develop it.

134:04

>> I would heard I heard that Richard would

134:06

go in on a Monday and have a joke that

134:09

bombed and then it would be murdering by

134:11

Saturday

134:12

>> and then that's what he would do. He

134:14

would just go and figure it out on

134:16

stage. Damon used to do that a lot.

134:18

Damon used to go and sit on stage and

134:20

just sit with a premise.

134:23

>> Just sit with it and and he would trot

134:25

it out for like 10 minutes and try to

134:27

figure and then finally he'd find

134:29

something and everybody would be dying.

134:30

We we got away from that earlier, but

134:34

>> I totally got your point. Damon is one

134:37

of the great ones, and I hope he

134:40

continues to do stand up and pop out to

134:41

the clubs because he's one of the great

134:43

ones that a lot of people don't realize.

134:45

>> They don't realize how great he was when

134:47

he did the Last Stand, that that one HBO

134:50

special that he did way back in the day.

134:51

It's a phenomenal special. It's

134:54

phenomenal. He was so good,

134:56

>> but he wanted to be a movie star,

134:58

>> you know.

134:58

>> Yeah. And and he like Richard He had an

135:01

ability to also be vulnerable and tell

135:04

the truth about something that most of

135:06

us wouldn't tell. Like he talk about

135:08

having a club foot

135:10

>> as a kid and

135:10

>> Yeah.

135:11

>> And he he he was special and I'm glad

135:14

he's back out there.

135:15

>> Yeah. Well, I think he never really stop

135:17

you know one of the other thing that he

135:18

did that is very unique.

135:20

>> Damon brings a camera to all of his

135:23

shows and he films all of his shows and

135:26

he archives them. Every set he ever

135:29

does. Really?

135:30

>> Yep. And he goes over it.

135:31

>> That's work.

135:32

>> It's work because one of the things that

135:34

he does, like I said, is like he'll take

135:36

a premise and just try to find fi try to

135:39

find it on stage, try to figure out what

135:41

about it works. What about it pops? Like

135:43

what is it? And you know, I guess like

135:47

doing that with a camera and then you

135:49

can go home, sit and watch it on the

135:50

computer and just go, "What is in this

135:53

[ __ ] There's something here. I

135:55

got to find it." And just look at it

135:57

from every angle. Look at it over here.

135:59

Look at it over there. Try to do it

136:01

backwards. Try to figure out what the

136:03

[ __ ] makes it work.

136:04

>> Yeah.

136:04

>> And he would just He had no fear of

136:07

silence.

136:08

>> See, that's that's the sentence right

136:10

there. When it's quiet in the comedy

136:12

club, I lose my mind.

136:16

>> Chris Rock does that, too. Chris Rock

136:18

did a lot of that at the comedy store.

136:20

He would come in and just he would have

136:22

material that he was working on. Like

136:23

one time I remember I brought him up on

136:26

stage and uh everyone's going crazy.

136:28

Chris Rocks here. They're cheering,

136:29

cheering, cheering. And he goes, "Relax,

136:32

relax. It ain't going to be that funny.

136:34

>> Just let people know I'm working on some

136:36

new [ __ ] This ain't going to be that

136:37

funny."

136:38

>> Yeah.

136:38

>> And but with confidence. Like everybody

136:41

already knew

136:42

>> he's funny. They already saw Bigger and

136:45

Blacker. They already saw his specials.

136:47

It wasn't It was Bring the Pain.

136:48

Everybody already knew. The one the one

136:50

where he shot with three different

136:52

outfits in three different places.

136:53

>> I hated that one.

136:54

>> You didn't like that one?

136:55

>> No.

136:56

>> Not that I didn't like the material. I

136:58

didn't like the idea of swapping

137:00

outfits.

137:01

>> The problem with that is it you realize

137:03

he's saying the same thing in all these

137:05

different places. It takes away from the

137:07

but it takes away from the magic of a

137:09

performer. I want to see you and I don't

137:12

want anything to distract me from these

137:14

thought. I don't want to say, "Oh, he

137:15

just performs this the same way

137:18

everywhere. Mhm.

137:19

>> I want you to just be saying it. The

137:21

magic, like the trick is you are in the

137:25

moment with whatever you're talking

137:26

about. If you're changing outfits and

137:28

you all of a sudden you're in

137:29

Johannesburg and now you're in

137:30

Cleveland, like uh uh uh don't do that

137:33

to me. Why you got a leather jacket on

137:35

in the beginning and then the punchline

137:36

you got a a [ __ ] silk shirt? Uh-uh.

137:40

Don't do that.

137:40

>> See, I saw it as a guy creatively trying

137:43

to find new horizons and do different

137:45

things.

137:46

>> Some horizons suck.

137:47

>> Yeah.

137:50

It's not that the jokes were great. It's

137:52

like he's a great comic. It's not that.

137:54

It's like I just didn't like the idea of

137:56

changing outfits. If I was friends with

137:57

him back then, I would say don't I don't

137:59

like it at all. And I that would

138:01

explain. The problem is you're taking

138:02

people out of the premise and then

138:04

there's a new additional thing that they

138:06

have to think of. Oh, this is a

138:07

different set. Oh, he's wearing

138:08

different clothes. It's a new thing to

138:10

distract you from the most the primary

138:12

thing. The primary thing is what are you

138:14

talking about? Like what is this thing

138:16

you're talking about? Let me get inside

138:17

your head while you explain this thing

138:19

that's so hilarious. But if you're doing

138:22

that and changing outfits and changing

138:23

stages, like I know you perform in

138:25

different places. I know you wear

138:27

different clothes. Don't show me right

138:28

now.

138:30

>> In retrospect, I wonder how he looks at

138:32

that special if he

138:33

>> Yeah. I don't know. I mean, he never did

138:35

it again.

138:36

>> Yeah.

138:37

>> Well, you don't want to do it again.

138:38

That's right. You know,

138:39

>> I mean, he did it once, he tried it.

138:41

Different people like to do different

138:42

things and try them. I just didn't like

138:44

that for that reason. And I felt like it

138:46

was an added element that took me away

138:48

from the premise itself.

138:50

>> And by the way, something that's come

138:53

out of this conversation in my head is

138:55

the guys who are the best seem to go

138:58

deeper and work the hardest. I mean,

138:59

when you talk about

139:01

>> archiving your practice sets,

139:04

>> all of them. Damon has all of them.

139:06

>> And he told me this years ago cuz I saw

139:08

him at the improv. He was in the lab. We

139:11

were in the big room and he was in the

139:12

lab. This was not that long ago. When I

139:14

say years ago, like 10,

139:16

>> nine years ago, something like that. And

139:19

uh I go, "You record all of them?" He's

139:21

like, "Every set since like 1990

139:24

something." He goes, "I I record them

139:26

all. I got this camera. I take them all

139:28

and I archive them. I put them on my

139:30

computer." I'm like, "Whoa." It made me

139:32

think, "Fuck, I'm lazy."

139:33

>> Yeah, that's exactly what I'm thinking.

139:35

And I'm also thinking what an amazing

139:38

documentary

139:40

>> if we could go through the history of

139:43

Damon's personal archives. That would be

139:45

a great I think there's a special there.

139:49

>> Probably. Yeah, probably. But I mean, I

139:51

think that's just part of his creative

139:53

process.

139:54

>> Mhm.

139:54

>> And again, like I just think people

139:56

don't realize, especially in the '9s,

139:59

the early 90s, how what a monster he was

140:02

on stage.

140:02

>> Yeah.

140:03

>> He was a monster. He was one of the

140:04

first guys that was like a really famous

140:06

guy that I saw at the store. I came to

140:09

the store in '94 and he was one of the

140:11

first guys was like, "Oh [ __ ] Damon

140:13

Ways is here." Like it was weird. It was

140:15

like weird when people would show up

140:17

like you'd seen him in movies and [ __ ]

140:18

and all a sudden they're there in real

140:20

life. Like,

140:21

>> you know, I was just coming from New

140:22

York. I didn't know anybody and I was

140:23

like, "This is so strange. I can't

140:25

believe I'm around these people."

140:26

>> So, you went from Boston to New York.

140:28

>> Boston to New York.

140:29

>> Catch a rising star. Where'd you work

140:30

out in New York from those days? Well, I

140:33

did uh the Boston Comedy Club that you

140:35

know the little place that Barry Cats

140:37

had. I did uh The Seller J Moore's

140:41

manager, right?

140:42

>> Yes. Barry Cats. I did um Catch Rising

140:45

Star back when that was there. I did um

140:49

was there was a

140:49

>> comic strip.

140:50

>> Yeah, I did the strip. Yeah. I did the

140:53

clubs in town. I did Dangerfields a lot.

140:56

But honestly, when I lived in New York,

140:57

I really liked doing the road more

141:00

because when I did the road, I could

141:01

make money. So, like I came up in Boston

141:04

and in Boston, you made a lot of your

141:06

money not in the clubs in town, but you

141:09

made a lot of your money in like the bar

141:11

shows, you know, outside of town in the

141:13

suburbs.

141:14

>> And the thing about that is like you

141:16

could headline and so you could do 45

141:18

minutes or an hour. And that that

141:21

allowed me to grow and like to really

141:24

become a headliner. Whereas like I found

141:26

like a lot of the New York comics that I

141:28

would go on the road with when I would

141:30

work with them, even when I was a middle

141:32

act and they were a headliner, they had

141:34

like these 10 and 15 minute sets that

141:37

they'd stitch together to put to make an

141:40

hour. Whereas the guys that I work with

141:42

in Boston, like the big headliners in

141:44

Boston, they had a real hour. Like that

141:46

[ __ ] that was an hour of thunder, you

141:48

know? They had a beginning, a middle,

141:50

and an end. And it was like tight. It

141:53

was tight. And I felt like I could do

141:57

sets in New York, but I don't think it's

141:58

really helping my career, right? There's

142:00

no one there to see me. I I felt like

142:04

I'm going to make money. Like I could do

142:05

a set in New York and I make 25 bucks.

142:07

Or I could do a set in Connecticut and

142:09

make $250. I was like, I'll go to

142:12

Connecticut. Plus, like the people are

142:14

more fun. They're more loose. They're a

142:17

bunch of [ __ ] crazy drunks. I love

142:19

doing Long Island. I love doing New

142:21

Jersey. I I liked doing the road more.

142:24

That's what I liked.

142:25

>> I think I'm a product

142:28

of my childhood environment. I I

142:31

discovered standup cuz I was a drummer,

142:33

had a band, I was a magician, had doves,

142:36

boxes, and [ __ ] And then my house

142:37

burned down.

142:38

>> So, I lost Wow. Yeah. I lost everything.

142:41

>> But I had gone to an Al Green concert.

142:44

And Al Green had a comic come out. House

142:46

lights are on. People are still making

142:49

their way to their seats and this guy

142:52

slowly gets him and then the lights go

142:55

down and by the time he gets to 30

142:57

minutes he's killing and all he had was

143:00

a glass of juice something on the stool

143:04

and this is a kid who just lost his

143:05

house and his symbols and his TomToms

143:07

and his doves and his boxes and I'm like

143:09

that's me. Johnny was a standup so I'm

143:13

still dreaming.

143:14

>> Wow. and and to this day um or even when

143:18

I start making a lot of money after

143:21

seeing that guy, I loved opening for

143:23

people. I went on the road with

143:25

everybody from Lou Rolls to Patty Leel.

143:28

>> Still to this day, I'm comfortable doing

143:30

30 minutes because that's what I did.

143:32

But I I had money. Like I would come to

143:35

the comedy store and I would have a

143:38

really nice car cuz I'd spend most of my

143:40

time on the road with Patrice Russian

143:43

and Johnny Guitar Watson.

143:45

>> Oh wow. That's a different world.

143:47

Opening for musicians is a different

143:49

kind of comedy because like they're not

143:51

there to see you.

143:52

>> And that's what I found to be the

143:53

challenge. It's like I'm going to make

143:55

you [ __ ] who don't know me and

143:58

are mad because a lot of you know people

144:00

would look at you like that ain't one of

144:02

the temptations. Right. You know, right?

144:04

I got to get them. And I like that

144:06

challenge.

144:07

>> It is a real challenge because there's a

144:09

lot of people like, "Boo."

144:11

>> Yeah.

144:11

>> Bring on Metallica.

144:14

>> Yeah. They they they don't want to see

144:16

you. They want to see the music act.

144:18

>> I open for Blood, Sweat, and Tears once.

144:20

>> Wow.

144:21

>> And uh they really did not want to see

144:23

me. You think the Johnny Guitar Watson

144:25

audience didn't want to see me? Them

144:27

[ __ ] from Blood, Sweat, and

144:28

Tears not [ __ ] with me. Well, it's

144:31

definitely running with weights on

144:32

though. If you can make those people

144:34

laugh, boy, you take those weights off

144:36

and go to a comedy club where they're

144:37

there to see you.

144:38

>> It's like, oh,

144:40

>> just there to see comedy

144:41

>> made it easier.

144:43

>> Yeah. I just don't want to perform for

144:45

people that aren't there to see comedy.

144:47

But there's a value in it, I think.

144:49

>> But that's when you're you're young.

144:51

>> Yeah.

144:51

>> And I had a nice car condo

144:54

>> because I had just come off the road

144:56

with Artha.

144:57

>> Yeah. I did a few of those. I opened up

144:59

for BonJovi once. I opened up for Bon

145:02

Joy for VH1. They had a a theater in the

145:05

round show, like a performance in the

145:07

round. My job was to open up for Bon Joy

145:09

and then get the pretty girls and move

145:12

them to the front so that they could be

145:13

on camera. That's what they told me to

145:15

do.

145:15

>> Yeah.

145:15

>> So, I did did some stand up and then I

145:17

had to get people like, "Come up here,

145:19

come closer."

145:21

>> Yeah.

145:22

>> Yeah. I I remember those times being on

145:24

the road and if there were six girls in

145:27

the green room and you're opening for

145:28

the Temptations. Number six is yours.

145:33

The other five go first to the temps.

145:36

>> Yeah. The that's a different world

145:38

opening for musicians. That's a hard

145:40

world. And I know a lot of people like

145:42

made a living just traveling with bands

145:45

and that's all they did. They would just

145:46

open up for bands.

145:48

>> Yeah. I would open up for R&B acts

145:51

>> and um as a matter of fact I got

145:53

discovered by a jazz singer Nancy Wilson

145:55

and I used to love jazz audiences

145:57

because that was the perfect type of

145:59

music for a comic a jazz because they

146:01

were mellow jazz audience don't scream

146:04

get the [ __ ] off right they just you

146:07

know they

146:08

>> Alonzo Bowden he does jazz tours still

146:11

like he'll do like

146:13

>> he'll do like a a jazz cruise ship

146:16

>> you know like and he'll do standup with

146:18

the jazz audiences.

146:20

>> Hey, every year.

146:21

>> But he loves jazz.

146:22

>> I I love jazz, too. And I remember going

146:24

to see

146:27

the Playboy Jazz Festival and Bill Cosby

146:29

was the host at the Hollywood Bowl. I

146:31

host that every year now. I still love

146:33

jazz and I that's the coolest two days

146:36

of my summer. What is it about jazz?

146:38

like

146:39

>> um

146:39

>> what do you love about

146:40

>> Oh, about the actual

146:43

>> By the way, the coolest experience was

146:45

sitting

146:48

on the beach in Malibu with Miles Davis.

146:50

After he came on the show once, he says,

146:52

"Why don't you come over to the house,

146:54

hang out?" And he was a painter, and he

146:58

was sitting with his trumpet. It was a

147:00

red trumpet. I had never seen a red

147:01

trumpet, like a crimson trumpet. And it

147:04

was sitting beside him, and he wouldn't

147:06

use an easel. He had the canvas on a

147:09

table and he'd roll a new piece out and

147:11

he would paint. He said, "You ever

147:13

thought about painting?"

147:15

No, I'm not a good artist, but being a

147:19

jazz fan, that was the coolest moment

147:22

ever. And um what do I like about it? I

147:26

I almost equate my comedy to jazz

147:29

because I love to say I'm going in D

147:31

guys and just play.

147:34

>> Mhm.

147:34

>> You know, as a standup, you know, I used

147:37

to love to equate how I work to jazz.

147:41

>> But it takes a very specific type of

147:42

person to be like a jazz fan that really

147:45

enjoys listening to jazz. I'm also a

147:48

musician and I know that some of the

147:50

most respected musicians in my mind are

147:54

jazz musicians. You know, the intricacy

147:58

spending time with I talk about this in

148:00

the book, spending time with Quincy

148:02

Jones who was from the world of jazz and

148:05

a former trumpet player and all that

148:08

stuff. Then he ends up the year I meet

148:10

him, he plays for me these tracks and I

148:14

don't know what I'm about to listen to

148:15

and he says, "You hear that?" He takes

148:17

all he he slides all the slides down. He

148:19

says, "Listen to this." And he plays

148:20

this thing. Tink.

148:23

I'm like, "What is that?" He says, "You

148:25

ever heard of Sheila Eman?" And I said,

148:28

"Yeah, the Esavito family." And I I I

148:30

know the family. And he says, "She put

148:33

different amounts of water in little pop

148:35

bottles." And that's her tinging on

148:38

those bottles. Then he starts bringing

148:40

up the pots and you hear the bass and

148:42

the drums and you realize you're

148:44

listening to stuff from off the wall and

148:49

it it's just this incredible moment when

148:52

I realize, yo, he getting ready to bring

148:54

Michael back in a crazy way. I'm

148:57

listening to, you know, you got me

149:00

working, working working day and night,

149:01

you know, and he would just take out

149:03

everything and just have Michael's voice

149:04

and I'd never been in a recording studio

149:06

and he's at the board 18 channel track

149:11

studio and and then he he says, "You're

149:13

from Ohio, right?" And he had seen me do

149:15

standup at the Roxy and invited me to

149:17

his studio and he says, "You're from

149:18

Ohio, right?" And I said, "Yeah." And so

149:20

he says, "Let me play you this, man. And

149:21

you have to take big giant reels and put

149:23

them on this machine." and he put the

149:26

reels on and the song starts and he says

149:28

this a scratch track and I'm like what's

149:30

that? He said that's a demo and he says

149:32

they want me to uh find a singer for

149:34

this and he plays me James Ingram find

149:37

100 ways and James Ingram just once

149:41

brilliant beautiful songs and I'm like

149:43

what's wrong with that guy? He says,

149:44

"Yeah, I'm thinking about it, man. He

149:45

pretty good. He pretty good." And it

149:47

ends up being the James Ingram from

149:49

Ohio. And and that was an incredible

149:51

day. But I I tell that story to say this

149:55

great jazz musician

149:57

had this talent

150:00

that other producers didn't have because

150:03

of his music genius. And he was able to

150:06

bring us the Off-the-Wall album and put

150:08

Michael back in the mix.

150:10

>> Yeah. Layers and layers to the sound.

150:13

>> Yeah. That's the thing. When you hear a

150:15

song, you don't realize like how much

150:16

[ __ ] is going on in the background.

150:18

>> Sheila E with pop bottles.

150:20

>> Yeah.

150:20

>> Crazy.

150:21

>> I I I I loved that day. That's a that's

150:24

a favorite time because Michael had been

150:26

missing, you know, and I had bought the

150:28

Moving Violation album. So I I knew he

150:31

needed Quincy. Wow. Yeah. There's some

150:35

geniuses of music, man. I had Rick Rick

150:37

Rubin on the podcast and he's explaining

150:40

like his creative process and just like

150:42

that guy's out there.

150:44

>> Yeah. Yeah. I had to go his way when I

150:47

started the talk show that I took over

150:49

for Joan Rivers when I first had the

150:52

idea that I want to try to find my own

150:55

friends of the show. I want to find my

150:58

show. And I put on LL CoolJ

151:02

doing a song called I'm Bad.

151:06

And that night I found what I was going

151:07

to do. Win or lose. Uh next I booked uh

151:11

The Freaks Come Out at Night. Uh

151:13

Houdini.

151:14

>> Oh, I remember that.

151:15

>> That was So I found my home.

151:17

>> When you did the Joan Rivers thing, did

151:19

you think that that was going to lead to

151:20

you doing your own show or

151:21

>> Absolutely

151:22

>> you did. I I was like I am because Joan

151:25

leaves goes through all the stuff she's

151:28

going through and um they give me the

151:31

show for 11 weeks and it starts to get

151:33

numbers

151:35

and I know that she left because of a

151:38

lack of numbers

151:40

and I'm like oh this [ __ ] is mine. So

151:42

when I come back from doing Coming to

151:44

America I'm going to come back to Fox

151:46

and do this show. And one day I walk

151:49

into the cafeteria

151:52

and I realize they had hired Conan

151:54

O'Brien to create a show

151:57

and um I think the show was called the

151:59

Wilton North Report or something like

152:01

that. And but I realized I wasn't in

152:03

their future. M so um Paramount

152:09

they were popping over to say hi sending

152:11

me flowers and uh when I finished coming

152:15

to America actually halfway through they

152:17

were like when you finish you can do

152:19

that talk show here in first run

152:21

syndication and they had to explain that

152:23

to me and at the same time I was being

152:25

pitched by the King brothers who created

152:28

Oprah. So, I kind of understood that

152:30

first run syndication could work except

152:32

Oprah had ABC networks behind her, which

152:34

is good. I had some CBS affiliates and

152:37

uh

152:38

it it all worked out. Right now, with

152:42

the exception of Byron Allen, I don't

152:44

think anybody gets rich in first run

152:47

syndication.

152:48

>> Well, he is a very unusual case, you

152:50

know.

152:51

>> Yeah. Yeah.

152:51

>> I mean, he's figured out a cheat code

152:54

like Byron Allen, you I heard that.

152:56

>> And when he when they cheat him, he sues

152:58

them and wins.

153:00

>> I think Byron Allen's show Comics

153:02

Unleashed is going to replace Coar.

153:04

>> Absolutely. That was just announced this

153:06

week.

153:06

>> Yeah. Late Show will be replaced by

153:08

Byron Allen's Comics Unleashed. That's

153:10

crazy. That's how Ain't that weird? Like

153:13

late shows just don't work anymore.

153:17

>> They just don't have the same thing

153:19

anymore. Like that standard model show.

153:22

>> Yeah.

153:22

>> Where people like I don't think they do

153:24

well anymore. They're expensive, Joe.

153:26

>> Oh, I can imagine. They were saying the

153:27

Co Bear show was costing them like $50

153:30

million a year to keep it on the air.

153:32

That's I don't understand it. Like, how

153:35

how's it costing you so much money?

153:37

>> Oh gosh. Well,

153:38

>> but you know what I'm saying? Like, you

153:39

have

153:39

>> When there were three channels though

153:41

and only one had a talk show, everybody

153:44

was there and it made sense. It made

153:47

dollars and cents. There's also the

153:49

problem in that in when you compare it

153:52

to things that are on the internet is

153:53

that you have to stop conversations

153:55

every seven minutes for a commercial.

153:57

>> Mhm.

153:57

>> That's an issue. It's an issue with

153:59

depth. You don't get to go like you and

154:02

I have been talking for 2 hours and 40

154:03

minutes.

154:04

>> Wow.

154:05

>> Yeah. So, like when you're doing this

154:07

kind of thing, you just flow. Everything

154:09

flows. You just have a conversation. You

154:11

just have a good time. It's so different

154:14

when you're stuck in this format where

154:17

you only have an hour. Everything is

154:19

like you got to cut to the commercial in

154:21

five, fourth, like we'll be right back.

154:23

Like we'll be right back. Where you

154:24

going? Stay here. Like no, you have to

154:27

sell Tide,

154:28

>> you know? It's like you that format is

154:30

so limited. It's so restrictive

154:33

>> that people knowing that that that

154:36

there's other things out there now where

154:38

you could just go and watch it anytime

154:40

you want. You don't have to tune in at

154:41

11 p.m.

154:42

>> Yeah. We used to have Musk CV and we

154:44

would all gather as a nation to watch

154:46

the finale of Cheers and now we don't do

154:49

anything together.

154:50

>> Nope. As a nation except sports except

154:53

like Super Bowl. There's only sports,

154:55

live boxing events, UFC, that kind of

154:57

[ __ ] where it's live. That is the only

154:59

thing that people all watch together.

155:01

>> Yeah,

155:02

>> that's it.

155:02

>> Did you watch Chris Rock live? Selective

155:06

outrage.

155:06

>> I didn't watch his live special. I

155:09

watched it after, but I didn't watch it

155:10

when it was live.

155:11

>> So, you knew it was available.

155:12

>> I was busy. I had

155:13

>> When we grew up, it wasn't the [ __ ]

155:15

wasn't available the second time.

155:17

>> But I did a live special on Netflix for

155:19

that very reason, just because I thought

155:20

it was scary. Just cuz my last one I did

155:23

live and I only did it live because the

155:25

first time they asked me, I said, "No,

155:27

[ __ ] that." And then I was like, "Why

155:29

you being such a pussy?" And I remember

155:30

driving home. I had a conversation with

155:32

my manager and I called her right back

155:33

and I go,

155:34

>> "Let me decide tomorrow."

155:36

>> I go, "I'm thinking about this. Hold

155:37

on." because I was driving home feeling

155:39

like I was a [ __ ] for not wanting to do

155:40

it live.

155:41

>> And now in retrospect, what did you get

155:43

out of agreeing to do it live?

155:45

>> Fear.

155:48

>> You wanted to feel that?

155:49

>> Yeah. I wanted to be nervous. I was

155:51

legitimately nervous. I never get

155:53

nervous for shows anymore. I guessed

155:56

when you have a when you killing a a

155:58

wild I heard you talk about killing a

155:59

wild hog. When you go hunting like that

156:02

is the same kind of

156:03

>> That's a very different kind of fear.

156:05

That's a primal thing. That's very

156:07

different. That's a very different

156:08

thing. That's like That's a life or

156:10

death you're in. That That's a weird

156:13

That's a weird primal connection with

156:16

nature where you're going to eat this

156:18

thing. You're sneaking up on this thing

156:20

that has these survival instincts and

156:22

sense of smell and ears pop up

156:24

>> and you have, you know, you don't want

156:25

to [ __ ] it up either. You have one

156:27

moment to take a shot. That's even more

156:29

intense. Honestly, like elk hunting with

156:32

a bow and arrow is even more intense

156:33

than doing a live comedy special,

156:35

>> if you could believe it.

156:36

>> I

156:38

Wow. Yeah. Yeah, I believe it.

156:40

>> I like things that scare me. I like

156:43

things that are scary to do because I

156:45

think it's good for you.

156:46

>> Except cocaine.

156:47

>> Yeah. I don't want to ruin my life.

156:49

That's the problem. I just, like I said,

156:51

I don't hear any success stories from

156:54

cocaine.

156:54

>> No.

156:55

>> You know, nobody's like, nobody's got

156:57

like a meth story. Yeah, it's

156:58

>> like, man, I started doing meth and I

157:00

started seeing the world for what it

157:02

really is.

157:03

>> Start being more at peace. I was living

157:05

in the moment.

157:07

>> Nobody says right before I invented the

157:08

hard drive, I did coke for three days,

157:11

>> right? No, no, I'm not interested in

157:14

anything that's going to ruin my life,

157:16

but uh I'm interested in things that are

157:18

going to help me grow and help me uh

157:22

expand my capacity to do things that are

157:25

scary.

157:25

>> Would you do standup live again?

157:27

>> 100%. Okay.

157:28

>> Yeah. I'm thinking about doing my next

157:29

one live again, too.

157:31

>> I liked it.

157:32

>> Did you Did you make any mistakes that

157:34

>> No, I didn't make any mistakes, but I

157:36

prepared more than I ever prepared

157:37

before. One of one of the things I did,

157:39

I listened to my recordings every night,

157:41

and I wrote out my act over and over and

157:44

over and over again. I wrote it out. I

157:46

wrote it out both uh on paper, like hand

157:50

to paper, and I wrote it out with keys,

157:52

like typing it on a laptop. I did it

157:54

over and over again. I listened to

157:55

recordings. I watched recordings. I I

157:57

had way more preparation than I had ever

158:00

done before for any other show.

158:01

>> The night that you did it, did you

158:03

change anything or do anything new?

158:04

>> No. No. But I was free. I felt very

158:07

loose once once the show started. I felt

158:10

like a regular show. I didn't because I

158:12

was prepared. But it's like just like a

158:14

fight. Like if you go into a fight and

158:16

you're like, "Oh, I should have done

158:16

more road work. Oh, I should have

158:18

sparred more. Oh, I should have hit the

158:19

pads more." You're, you know, that's not

158:21

a good place to be to hope that you

158:23

could pull it off. You have to be 100%

158:25

prepared. And that's the thing about

158:28

doing a live show as opposed to usually

158:30

when I would film a special, I would

158:32

have four shows. So I'd film all four of

158:35

them and I'll be like, "Oh, fine. One of

158:37

them is going to be great. I'll just use

158:39

that one."

158:40

>> Yeah.

158:40

>> But when it's just one and the whole

158:42

world, like millions of people are

158:44

watching simultaneously, it's very

158:46

scary.

158:47

>> Makes you prepare.

158:48

>> Yeah. It makes you prepare. It makes you

158:50

prepare. And it also it's like it's

158:52

[ __ ] fun to do something that scares

158:54

the [ __ ] out of you. like let's go.

158:57

>> Where did you shoot it?

158:58

>> Go um San Antonio.

159:01

>> Okay.

159:01

>> Yeah,

159:02

>> that's cool.

159:03

>> Yeah.

159:04

>> Yeah. I've only done one Netflix.

159:05

>> I barely leave Texas these days.

159:07

>> Really?

159:07

>> I [ __ ] love it here. I love it. I

159:10

love it.

159:11

>> Yeah. It was amazing when you made the

159:13

move, man, because that's I asked you

159:15

when we first started talking. It's

159:16

like, were you thinking about this in

159:18

LA? But way back like 20 years ago.

159:21

>> I was thinking 20 years ago about

159:24

getting out. I moved to Colorado for a

159:26

little while in 2009.

159:29

Um, but

159:30

>> legal weed.

159:31

>> No, no, no, no. I just wanted to get

159:33

out. I just wanted to try I I but I went

159:37

too crazy. I got a house in the

159:39

mountains that was 8,500 feet above sea

159:41

level. It was like

159:43

>> it was too much. But when I came back to

159:45

LA, I always had this thing like

159:48

eventually I got to get out of here.

159:50

First of all, I always thought LA is

159:53

100% gonna have a massive earthquake one

159:56

day.

159:56

>> Yeah.

159:57

>> Like a massive earthquake where

159:58

everything [ __ ] up and falls apart. And

160:00

>> you lived through the Northridge

160:01

earthquake?

160:02

>> I didn't. Oh.

160:03

>> I came to California right after it

160:05

happened.

160:05

>> Okay.

160:06

>> And when I got there, like parts of like

160:07

one of the freeways was collapsed on the

160:09

other one. I was like, "This is nuts.

160:11

The freeways fall down here. This is

160:13

crazy." So, I feel like I've always been

160:16

thinking that there's going to come a

160:17

time where that place just breaks off

160:19

and sinks into the ocean and it's just

160:22

not wellrun. Like the whole thing is

160:25

like just waiting for one little

160:27

catastrophe. There's very little

160:29

coordination, very little people don't

160:33

they don't there's not like a sense of

160:35

community in the greater Los Angeles

160:37

area like you get in a smaller place

160:40

like Austin.

160:41

>> Yeah. Austin like feels like a small

160:43

town that has everything you want.

160:46

Whereas LA just feels like a poorlyrun,

160:50

bureaucracydriven,

160:52

chaotic shell game. It's like just a a

160:55

shell game of [ __ ] and money and

161:00

people just grifting and [ __ ]

161:04

the homeless situation is nuts. Like

161:06

everything's nuts in LA. It's just

161:08

beyond fixing. I think

161:10

>> here in Austin, a lot of homeless.

161:12

>> Not nearly as many. I mean, it's very

161:14

small problem. You're always going to

161:16

have homeless people because you're

161:17

always going to have mental illness.

161:18

You're always going to have drug

161:19

addiction. You're always going to have

161:20

some people that have problems. But in

161:22

comparison, like Skid Row is 50 blocks.

161:26

>> Yeah.

161:27

>> 50 blocks. 50 blocks

161:30

>> of homeless people just outside just

161:33

camped out.

161:34

>> I left a Laker game recently and went

161:37

through that area.

161:38

>> It's nuts. Broke my heart, man.

161:40

>> It broke my heart in 2005.

161:43

>> Yeah,

161:43

>> I was filming Fear Factor downtown in

161:46

like 2005.

161:47

>> Shout out to David Herurwitz.

161:49

>> You know, Dave,

161:51

>> he was my intern. I set him up for you.

161:53

I taught him so he could come and get

161:55

worms for you.

161:56

>> Crazy. That's crazy.

161:58

>> Yeah. Um, we were filming downtown and I

162:00

went for a I was driving home and I took

162:02

a wrong turn and all a sudden I was in

162:04

Skid Row. I was like, "This is crazy."

162:06

And this was back then and no one was

162:08

talking about it back then. I was like,

162:10

"There's so many homeless people. It's

162:11

like a zombie movie." Remember I came to

162:13

the set the next day. I was like, "You

162:14

guys ever go this way and take a left.

162:17

It's [ __ ] nuts. There's so many

162:19

homeless people." Like, and they've

162:21

they've figured out a way to keep them

162:23

there. They just pushed people there.

162:25

Like they started doing it decades ago

162:28

where they would take all the problem

162:29

people out of Los Angeles and Beverly

162:31

Hills and they would just bring them to

162:33

downtown and go, "You got to stay here."

162:34

And that's what created Skid Row.

162:36

>> When we were kids, I used to hear about

162:39

mental institutions. We don't have that

162:42

anymore.

162:42

>> Oh, they shut them down during the

162:43

Reagan administration. That was one of

162:45

the giant errors of society when they

162:49

shut down all the mental health

162:50

institutions and they just let all these

162:51

people just exist on the street with

162:53

schizophrenia and just let them do drugs

162:56

and then in some places give them drugs

162:58

and give them needles and encourage them

163:00

to come there and give them money so

163:02

they could stay on the street.

163:04

Austin loves you, but you ever think

163:06

about back in the day not leaving

163:08

California and running for governor?

163:10

>> [ __ ] that. I don't want to be a

163:11

politician. Why would I want that job?

163:13

>> Terrible job.

163:14

>> You want the problem? You see, you want

163:16

to help.

163:16

>> Yeah. You ain't helping nothing, man.

163:18

You're going to get killed. If I My help

163:20

would be expose all the fraud and lock

163:23

everybody up, then they wind up killing

163:24

me.

163:24

>> Then you'd lose the big money from the

163:26

rich.

163:27

>> They're not going to give it to me

163:28

anyway. It's like a good guy. I'm not I

163:31

wouldn't be good at it. I wouldn't be

163:32

good at the job. I'd be a good adviser.

163:34

I tell people what the people want, but

163:36

no one's going to listen. I think

163:37

politics, we're talking about with money

163:39

being involved in it, it's almost

163:41

inexraably unfixable.

163:44

>> It's almost impossible to untangle that

163:47

[ __ ]

163:49

beehive of chaos.

163:51

>> This is so much dirty money involved.

163:53

>> And if I'm a politician, I'm not going

163:56

to stop taking this money. I'm not going

163:57

to be first. If we all going to do it,

163:59

I'm not going to be first.

164:00

>> Exactly. Look at all these congressmen

164:01

that make, you know, $170,000 a year and

164:05

they're worth 80 million. How the [ __ ]

164:06

did that happen? What did you do? And

164:09

how would how did you how do you have

164:10

time to invest? Aren't you busy being a

164:12

congressperson? How the [ __ ] do you have

164:14

all that money?

164:15

>> You got all that money because you're a

164:16

grifter. They're all griing and they're

164:18

all just like doing it sneaky. It's red

164:21

and blue. If you look at we pulled up

164:23

the numbers of people whether it's a

164:25

Democrat or Republican, how many of them

164:27

are insider trading? It's across the

164:30

board.

164:30

>> Yeah.

164:31

>> They all have just unexplainable amounts

164:34

of money.

164:35

>> Yeah.

164:35

>> It's a dirty [ __ ] business.

164:37

>> It's not like one of the parties loves

164:39

money more than the other.

164:40

>> No.

164:41

>> They're all I mean I see I get in

164:42

trouble for that because usually my

164:44

humor is written around not liking any

164:47

of them.

164:48

>> Yeah.

164:49

>> And people want me to take a side.

164:51

>> Yeah. That's a problem. I I had a joke

164:53

in my Netflix special about, you know,

164:56

the Democrat versus the Republican that

164:58

was running at that time. And it was

164:59

like that's like asking me who my

165:01

favorite Menendez brother is. You know,

165:04

[ __ ] did not.

165:07

>> That's a great joke.

165:08

>> Yeah. Like, oh, kind of like Lyall, you

165:11

know, he made them prison with a toupe.

165:14

He's special.

165:15

>> Weren't they trying to get them out

165:16

recently?

165:17

>> Oh, yeah. Bro, that documentary on them

165:19

was nuts. the docu drama series where

165:22

they recreated it like

165:23

>> oh my god

165:25

>> I love documentaries.

165:26

>> Well that was a docu drama like a like

165:29

they recreated actor so you don't know

165:31

how much of it is true but boy did they

165:33

come off like [ __ ] complete psychos.

165:35

I remember for the uh OJ Simpson uh

165:39

scripted doc, they wanted me to come

165:41

read for OJ.

165:43

>> What?

165:43

>> And I'm like, yo, man,

165:45

>> how the [ __ ] are you going to be judge

165:47

barking? Cuz I'm just too recognizable

165:50

as me.

165:50

>> Exactly. That wouldn't work at all.

165:52

That's crazy to

165:53

>> I think they chose Kuba Gooding Jr.

165:55

>> That's right. That's right. He actually

165:57

did a great job in that.

165:59

>> But what a that that story was nuts. He

166:03

was the first famous There it is. Yes.

166:06

>> Wow.

166:06

>> And that's Kim's dad.

166:09

>> Wow.

166:10

>> That's Mr. Kardashian's second.

166:12

>> John Travolta is in there, too. I forgot

166:13

Travolta is in there.

166:16

>> It's Those are [ __ ] so weird with a

166:18

dream team, though. Famous people

166:20

pretending to be

166:22

>> other famous people.

166:23

>> Yeah. So odd.

166:24

>> I do a story in my book about OJ coming

166:28

to Stage 29 at Paramount to whip my ass

166:30

one time. Well, he was angry. Uh, and

166:34

>> did you say a joke on on the show or

166:36

something? I booked

166:39

um is when Naked Gun was out and I

166:42

booked Lesie Neielen and we got a call

166:45

from OJ's people because he wanted to

166:48

come on obviously he was in that movie

166:50

but the second one it had legs so I

166:53

booked Priscilla Presley who was a great

166:55

guest and a lot of history and after

166:58

that I get a call from the gate is OJ

167:03

Sumps on the earth the gate wants to

167:04

talk to you and he didn't park. He

167:06

didn't want a space. He parked outside

167:09

the elephant door, stage 29, and wanted

167:11

me to come out.

167:13

>> Uh-oh.

167:13

>> Yeah. And by the way, this is this is at

167:16

a time when we didn't know he cut a

167:17

motherfucker's head off. You know what I

167:18

mean?

167:18

>> Also at a time we didn't know about CTE.

167:21

>> Oh yeah. Yeah.

167:22

>> Which is probably a lot of what OJ was

167:26

going through. A lot of that violent

167:27

behavior.

167:28

>> Yeah.

167:29

>> There's probably a lot of CTE.

167:31

>> Yeah, man. And I mean, when you think

167:33

about it, those days in San Francisco

167:35

when he couldn't quite cut the way he

167:37

used to, he was getting hit. He was

167:38

taking head-on shots.

167:40

>> Oh, yeah. And NFL back then was nuts.

167:43

>> Yeah. I feel bad for him and Junior Sea

167:45

and some of those guys. Junior Sea was

167:47

trying to scream to us what was going

167:48

on,

167:49

>> right?

167:49

>> You know, he he committed suicide, left

167:51

a note, left his made sure he didn't

167:53

damage his brain with the bullet,

167:55

>> right? So they could check it out. Yeah.

167:57

But but O OJ stopped by and we had a

167:59

talk and and uh

168:00

>> so he was mad that you didn't have him

168:01

on the show.

168:02

>> Yeah, he he he was a little mad and um

168:05

>> But was it your call?

168:06

>> Oh yeah. I mean

168:10

I mean but by the way it was my call to

168:13

just do things that would get numbers,

168:15

>> right?

168:15

>> You know, well the um the Lesie Nielsen

168:19

one, I liked him because I saw him

168:21

someplace with a little thing in his

168:23

hand to make fart noises.

168:25

>> I saw that. Yeah.

168:26

>> Yeah. So I So I knew that I would say to

168:28

him,

168:28

>> "So you got a big hit here?" And you and

168:31

he would do it, squeeze the thing. And

168:34

um

168:34

>> yeah, I was just trying to find the

168:36

funniest guest, you know. And OJ, you

168:38

know, he told me uh he said some [ __ ]

168:40

about uh

168:41

>> you know, I thought having a black host

168:43

things would be different, you know, and

168:45

I'm like, "Don't you play the race car?"

168:47

Yeah. You know,

168:48

>> settle down.

168:49

>> Yeah. Yeah. Not you, Juice.

168:52

But uh I I ran into him in a club one

168:55

night. I was hanging out with a couple

168:57

members of New Edition and uh we're in

168:59

this club and he comes over and he gets

169:02

drunk with us and after we're pretty

169:05

tanked, Nicole and this gorgeous girl

169:09

named FA Resnik, I'll never forget her

169:11

name. She was beautiful. And these two

169:14

women come over and I realize, oh, so

169:17

because OJ is alone, I realize he was

169:19

going to places finding her.

169:22

>> And so, oh,

169:23

>> so she comes over and she says, "Juice,

169:26

>> you know, and what are you, you know,

169:27

and he says, hang out with these guys

169:29

and he, you know, when you drunk, spit

169:31

be flying." I wasn't drunk enough that I

169:33

didn't see the spit.

169:35

And uh, so she said, "Well, I'm going to

169:37

be over here with FA and blah blah blah.

169:39

Say something before you leave." And uh

169:41

so we sit there and talk, but he said

169:42

something that night that blew me away,

169:45

we talked about her and he said, "I

169:47

still love her. I've tried to give her

169:49

up and I can't."

169:52

>> Wow.

169:53

>> And

169:53

>> that's crazy.

169:54

>> Not too much later,

169:56

>> she was dead. That's what that's around

169:59

the time, too. I remember

170:01

>> missing the show cuz one thing that's

170:03

addictive about the talk show is

170:05

anything in the news, you get to handle

170:07

it,

170:07

>> right? And uh I remember watching a

170:10

basketball game and seeing the freeway

170:12

chase with the Bronco and I was like I

170:15

want a monologue tomorrow.

170:18

You know, I couldn't believe I didn't

170:19

have a show that night. That's the only

170:21

time I've ever really missed it because

170:22

most of the time you just go to the

170:23

store.

170:24

>> Right. Right. Right. That's hilarious.

170:26

>> I wanted to talk to the nation that

170:27

night.

170:28

>> Well, listen, brother. You had a

170:30

gigantic impact on culture. You really

170:32

did. Your show was amazing. you know,

170:34

you have an incredible life and I'm I'm

170:36

really happy to hear that you're happy

170:38

now and just enjoying life, you know,

170:41

and you look [ __ ] fantastic for 70.

170:44

That's amazing.

170:45

>> Thank you, man. I I I appreciate you

170:47

inviting me.

170:48

>> Uh this is one of those shows

170:50

>> next time you're going to come to the

170:51

club. Next time you're in town, just let

170:54

me know you want to come.

170:56

>> But I can't I look at the mothership

170:58

behind you, the neon mothership.

171:01

>> That was actually before the mothership

171:02

was made. Oh

171:04

>> yeah, this this was six years old. This

171:06

sign this is we got this sign. My friend

171:09

Brighgam got me this when I first moved

171:10

to Austin.

171:12

>> So what did the spaceship mean before

171:14

there was a club to you?

171:15

>> I'm just I'm UFO fanatic.

171:17

>> Oh, okay.

171:18

>> I'm I've always been obsessed

171:20

>> cuz that looked like some [ __ ] I went

171:21

to a Parliament Funkadilic concert where

171:23

they landed in some [ __ ] like that and

171:25

George Clinton came out and sang One

171:27

Nation under a group.

171:28

>> Yeah.

171:30

>> Wow.

171:30

>> I've just always been obsessed. That's

171:31

all it is. But next time you're in town,

171:33

you're coming.

171:34

>> Promise?

171:35

>> Absolutely. I'll come. I won't be in

171:37

town. I'll figure out a way to hit you

171:41

and say, "Siri, Joe, I'm coming.

171:44

>> Let's go."

171:44

>> And I'll be here. And thanks for doing

171:46

this, man. Cuz uh your demographic reads

171:49

and uh I know I sold some books today.

171:51

>> Yeah. Tell everybody the name of your

171:52

book. And

171:53

>> Oh, is it out?

171:54

>> We had a long ass meeting about that. Do

171:56

we call it things that make you go a

171:58

life that makes you go? Do we call it?

172:00

But we didn't know what. And uh then

172:02

finally one day we named it Arsenio.

172:05

>> Perfect.

172:05

>> That's it.

172:06

>> That's perfect.

172:07

>> Yeah. And there's a book on tape for

172:08

those who don't like to read. Oh, that's

172:10

the book. And you know what? If you open

172:12

it and you don't want to read it, there

172:13

are really cool pictures inside.

172:16

>> There you go. All right.

172:18

>> The art department threw some AI on me.

172:21

I'm 35 in that picture. You look 35

172:23

right now. All right. Appreciate you,

172:25

brother.

172:25

>> Thank you, dog.

172:26

>> Bye, everybody.

Interactive Summary

This video features a conversation between Joe Rogan and Arsenio Hall. They discuss various topics including the nature of fame, the comedy scene, personal experiences with substances, political commentary, the evolution of television and social media, and life philosophies. Arsenio shares insights from his career, his early influences like Richard Pryor, and his transition to a more relaxed lifestyle. Joe and Arsenio also touch upon societal issues such as mental health, political polarization, and the impact of technology. The conversation highlights the importance of authenticity, resilience, and finding personal fulfillment amidst the complexities of modern life.

Suggested questions

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