Joe Rogan Experience #2480 - Arsenio Hall
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>> All right. Slap some headphones on.
Let's rock and roll, sir.
>> Yes.
Our old friend would be so happy. And
not just that picture, but so much that
you've done. Do like do you believe that
people who have gone on know what we're
doing or see us?
>> I don't know. You'd like to think that
you're that important.
>> Oh, yeah.
>> I have a feeling they have more
important stuff to do on the other side.
>> Yeah. I guess if you're in heaven,
you're not thinking about the
mothership,
>> right?
>> But um
>> Well, the mothership definitely is from
her.
>> Yes. Yes.
>> Yeah. Well, I mean, that's an incredible
tribute to her. Um,
>> well, the bar is named after her.
>> Yeah, I've heard all the comics. I've
heard Shane and Ian and all the guys
talk about it after they came back. Um,
and that's just an honor, man. That that
plus, you know, I used to say to people,
if you haven't taken something from
watching Richard Prior, you're probably
doing it wrong,
>> right? And Mitsy
made the greatest comedy mecca ever. And
you got to copy what she did.
>> 100%.
>> Yeah.
>> Wow. And this is
>> Yeah. She taught me everything about how
to run a club, how to do it right.
Basically, kind of let the comedians run
it. Let the inmates run the asylum.
>> Yeah.
>> You know.
>> Yeah. We're uh perfect inmates for that.
and and and right now the comedy store
is greater than ever.
>> That's awesome.
>> Yeah, it's it it's wonderful there
because, you know, I even got Jay Leno
to come back, you know, cuz he
remembered the old days and hadn't gone
back and I'm like, dude, it's different.
They they pay you for coming. They split
the door in a different way now and
there are phones in bags. I had to
explain that concept.
>> Yeah, we had to encourage them to do all
that. Yeah, that was your era.
>> Yeah. Well, once we left, we started
doing that at the mothership for all the
shows, then other comedy clubs started
following suit. It's the way to do it.
People are too [ __ ] distracted.
>> Yeah. And I think it it frees us up in a
way. I'll say things and try things and
not worry about seeing them on YouTube
uh when they're not ready or when I've
made a mistake and gone too far and said
something, you know.
>> Oh, 100%. It's also you have to be free
to [ __ ] around and experiment and if
someone takes that [ __ ] around
experiment and you don't know what's
coming out of your mouth like right now
I don't know what's coming out of my
mouth right before I say it right and
people have to understand that this is
not like when you're on stage and you're
working out like a lot of it is free
balling you've got material that's like
pre sort of established and you you're
you know you've got the the bones of it
but you're also [ __ ] around in the
moment and sometimes Sometimes you [ __ ]
around in the moment and it works and
sometimes you [ __ ] around in the moment
and it does nothing. It goes or it's
terrible. You said something awful.
You're like, "Whoops, sorry."
>> Yeah. We make mistakes.
>> You're just [ __ ] creating something
and then standup is the only art form
that you have to kind of create in front
of a crowd. You can't really You can get
ideas and the concepts and the flesh of
it alone, but you have it comes alive in
front of the crowd. You have to be able
to [ __ ] around.
>> Yeah. I um
me and Chappelle and you've you've done
this kind of thing. Me and Chappelle met
Chris Rock in Cleveland cuz Chappelle
lives in Ohio. Obviously he's done
something very similar to what you've
done, but we'll get into it later.
>> Yeah. He's done something really cool.
>> Incredible.
>> Basically took over a whole town.
>> Yeah. Yeah. And it's funny and
especially had a really funny joke about
it about how uh when white people move
into a neighborhood, it's called
gentrification. and he goes, "They don't
have a word for I'm doing what I'm doing
to these motherfuckers."
>> Yeah. It's crazy to be Dave Chappelle,
the most important man in town.
>> Yeah.
>> But uh Chris Rock was doing Cleveland
and uh we met him there and that was the
first time I saw the bags
>> people and and I was apprehensive. Um,
as a matter of fact, I saw a celebrity
in LA who didn't want to put his phone
in a bag and so they had that
[ __ ] stay outside, you know?
>> Yeah. There's too many snitches in this
world. Too many people just want to film
everything for the Graham.
>> Yeah.
>> Like, stop.
>> Yeah. Sometimes we're saying the wrong
thing. Sometimes we're drunk.
>> Yeah. You know,
>> for sure. A lot.
>> Yeah.
>> Yeah. A lot. Dave loves to get lit and
go on stage, but it's also like that's
one of the ways he creates. Like I've
seen him do entire shows where he's just
completely [ __ ] around and he films
everything. So then afterwards he goes
over it. He's like, "Oh, there's a seed
right there. Let me plant that seed."
Yeah.
>> You know, there's an idea there. And
then, you know, it's how you come up
with stuff.
>> Yeah. I I never drink or smoke before
going on stage,
but I love to create it home. And the
next day, cuz sometimes you can write
something down and it'll be like uh
blazer button envelope and the next day
you're like, I don't know what the [ __ ]
I thought was funny about that last
night when I was smoking. But I I like
to smoke and create at home and then
take it to the stage. But when I'm on
stage,
>> I've had bad experiences trying to do it
high and say, "This will make me
creative. I'll be like Hendrickx of
comedy." And uh uh that's all wrong.
>> Your memory will go.
>> Yeah, your memory will go. One time I
was at the Laugh Factory and uh I came
off and George Lopez said to me, "Why
you come off?" And I said, "I told you
I'd do 20." And he says, "You did five."
>> I was in Tonight Show mode or some [ __ ]
you know.
>> Hey, speak I got to clear something up.
Speaking of this has nothing to do with
you, but I did a podcast last week with
Theo Vaughn and uh in it one there was
like a video on the internet is accusing
me of lying about something and what I
said was that I was in the mountains of
Utah when the Charlie Kirk thing was
going down. What it actually happened
was I was here doing a podcast with
Charlie Sheen when the Charlie Kirk
thing went down. when he we stopped and
take took a piss break, right? And
that's when we found out about it,
right?
>> Um and then when I was in the mountains
of Utah, that's when the Jimmy Kimmel
thing was happening. When Jimmy Kimmel
was getting in trouble and I was getting
all these messages, but I didn't have
any service out there, so I had to hook
up to Starlink in order to find out what
was happening.
>> Yeah.
>> When I did the podcast the other day, it
seemed like I was saying that I was in
the mountains when Charlie Kirk got
shot. I probably was saying that I was
exhausted when I did that show last
week. I So I did a show on Tuesday night
at the club and I have this thing that I
do unfortunately where I come home and
it's the only time that I get alone time
is when everyone's asleep and I stayed
up way too late. I stayed up super late.
Then I had to take my kid to school in
the morning
>> and I was like I'll just power through.
The problem when I do that when I get no
sleep is my memory is dog [ __ ]
>> Mhm. Like I have a really good memory
and a terrible memory. It's really good
a lot of the times and then sometimes,
especially when I'm tired, it's [ __ ]
terrible. It's like from doing thousands
of podcasts.
>> Yeah.
>> My memory is like a room that's filled
with boxes and and files
>> and I don't know where the [ __ ]
everything is.
>> See, as you were talking, the first
thing everything goes to sports for me.
some of our greatest home run hitters,
uh, they strike out a lot because
they're swinging all the [ __ ]
time trying to get it to McCovy Cove or
something, of course. And I think that's
how we are. Well, not we, you especially
right now. You're doing this constantly.
You're talking to lots of people saying
lots of things
>> and every now and then there's going to
be swinging a miss. Let me explain that.
>> But the real problem was sleepy. The
real problem was not getting any sleep.
And I'm not going to do that anymore cuz
I keep doing the thing. I get home at
night.
>> Have you had that problem before? Like
sleep deprivation and you get yourself
into something.
>> I've had that problem before. Usually I
can fix it with creatine. So creatine is
a great supplement when you're tired. Um
it really there there's been studies
that show that creatine um
supplementation, especially like 10 to
20 grams. Um it actually alleviates all
of the problems that happen with sleep
deprivation in terms of uh cognitive
function. Mhm.
>> But I've been I I just was doing some
blood work.
>> So when I was knew that I was going to
do my blood work, I didn't take any
creatine for a month because I want to
cuz I'd read something about creatine
possibly being bad for your kidneys. So
I wanted to get a baseline, do it, and
then do it again when I I suffer. So I
had this like strategy. But the point is
like
>> I went Yeah. My brain was foggy. And so
for the people that like heard that and
like what is wrong with you? That's what
I thought when I saw like somebody put a
video on the line. Why is he lying about
this? I'm like, oh, I forgot. It wasn't
a lie. It's just my brain sucks when I
don't get sleep and I'm not going to do
that anymore because it's like when I
get home at night
>> is the only time I'm alone. It's like my
only alone time. And I'm I even though I
knew I had to get up in the morning and
take my kid to school, I was like, I
don't [ __ ] care. I'm staying up. The
problem with that is like when I have to
do this the next day, I just don't
function as good. I've done it. I've
done it before, but I feel it the next
day. Like I can't recall things. My my
words don't come out as smooth. I don't
have as much. My my vocabulary is
limited. It's like there's too many
problems with it. So,
>> I mean, two things have been my mind.
First of all, do guys with these arms do
creatine? I mean, would it help me?
>> Oh, it's great for everybody. Yeah,
creatine is not just a supplement for
muscles. Creatine is actually a really
good cognitive function supplement. It's
actually a cognitive enhancing
supplement. Yeah, there's a lot of
research on that.
>> Yeah.
>> And the other thing that that hit me is
I was listening to you talk recently and
you talked about smoking herb and how it
enhanced the weightlifting process. You
>> Yeah.
>> What What's that about?
>> You feel it in your tissues, man. It's
like you feel it's really good for
coordination exercise. Like there's a
lot of jiu-jitsu guys who smoke weed.
>> They smoke weed right before class like
get ripped
>> and then
>> So the were high when I first started
seeing
>> Not those guys. Those guys don't do it,
but a lot of guys do. I think one of the
one of the I don't want to throw them
under the bus, but one of the brothers
was really into smoking weed and doing
jiu-jitsu and
>> arguably the best one. Definitely the
best one. But um a lot of jiu-jitsu guys
do it and uh a lot of guys like to do it
before kickboxing. It's like you just
feel your muscles more. You feel like
your coordination more. You're more
sensitive. It's weird.
>> It's like instead of it you being like
abstract with your movements and you
know just kind of like doing it. It's
like you feel all the tissues, all the
connection when you lift weights. You're
like like you feel all the fibers of all
your [ __ ] moving. It's like it just
makes you more sensitive. It's such an
un misunderstood substance. Not for
everybody. I really believe some people
should not get high. I think for some
people it throws them off and sends them
down a dark road and it's just not
>> causes them to procrastinate about their
life and personal responsibilities.
>> There's a lot of that. There's a lot of
people that just wake and bake and just
live in the cloud all day and never get
anything anything done. And then there's
a lot of people that also get like super
paranoid and they get anxiety and they
freak out. And then there's people that
there's a lot of uh connections to
marijuana and psychosis or um
schizophrenic states that some But the
problem with that is
>> were they already like did they already
have a propensity towards schizophrenia
and marijuana pushed them over the edge?
Were they going to get it anyway? Like
it's hard to say.
>> A lot of those guys on a diet coke would
have problems.
>> Yeah. Right. Right. There's a lot of
guys just [ __ ] red lights freak them
out. There's there's people that just
life is too hard for them and they don't
need something else that [ __ ] with it.
You know, if you already have mental
health struggles, probably shouldn't do
mushrooms. You know, if you're already
[ __ ] up, if there's already some
things that you're like struggling to
hang on to everyday life, yeah, you
probably shouldn't do acid. You know
what I mean? Like you should probably
just
>> just try to like keep your [ __ ]
together. But that's not everybody. It's
like alcohol. Like alcohol is not for
everybody, but some people can have a
glass of wine at dinner and just start
laughing. It's a nice social lubricant.
Some people they got one drink and then
they're doing coke and they're getting
hookers and they're [ __ ] driving on
the freeway. They're shooting at cops.
There's like they go crazy. Like some
people just can't handle alcohol.
Doesn't mean it should be illegal.
>> Like that's crazy. And this the same
thing I feel with pot. pot is super
beneficial to a lot of people
>> and has been for millions of years. For
me, that's my uh like in the old days,
you'd watch a television show and a guy
would have a martini when he comes home,
you know.
>> I even talk about that in the book. When
I come home, my girl has me a joint laid
out on the counter, you know, and uh you
know, nice little raw papers.
>> And uh that's my that that's daddy's
cocktail.
>> Yeah. It's a nice one, too, because it
doesn't [ __ ] with your body. The problem
with alcohol is,
>> you know, it feels good while you're
doing it, but then the next day you're
like,
>> yeah,
>> your [ __ ] head and your body's tired.
I hear swelling
>> and, you know, and different kinds of
things can. And also, I'm from a home
where my favorite person, my cousin,
because I I didn't have brothers and
sisters, biological brothers and
sisters. So, when my cousin came to live
with me, a male, he's a teenager, and he
had a drinking problem. Like, I would go
>> inside uh my toy box and find Scotch.
>> Oh, you hide it.
>> Yeah. He would hide it. He's parked in
the garage when there were already two
cars in the garage, you know, and and I
loved him and he was hilarious and he in
part helped to make me who I am. But but
a bad experience like that in your youth
can make you a little bit leery about
liquor.
>> Oh yeah. I had a friend of mine when I
was in high school and his cousin sold
coke and I watched this guy fall apart.
I watched him do cocaine constantly and
fall apart. His life just went down the
toilet and I never touched cocaine
because of that. I never did. I've still
never done coke
>> and I think that's why because I watched
his
>> So you you've never tried a line?
>> Never. Never. That's heavy. Not once.
Yeah. because I had to try it to see
what it smelled like, you know? I mean,
>> I'm sure I'd like it. My friend Jimmy
said, "Don't do this. You'd love it."
But he's probably right.
>> But you also have a certain kind of
discipline where I think you could do a
line and say, "Okay, I get it." But I
love that you have the discipline to
never try it. I I I don't have that kind
of strength. I got to see what it's like
once.
>> There's the thing is like I don't know
anybody who's had like cocaine was
really good for me. Like doing cocaine
was really good. When I started doing
cocaine, my life just really changed. I
really got clarity. I started focusing.
I was nicer to people. I don't ever hear
that story. You never, not once.
>> I did a little coke and then I was
president of Yale and I ran for
>> I do hear people say that about speed,
which is weird. You hear people say that
about amphetamines, like especially
Aderall, like how like, oh my god, it
makes me so productive. I got so much
done. But it's generally it's like
journalists and people that have to
write a lot,
>> students. I I'm very curious about
Adderall because I'm hearing so much
>> and I'm thinking
>> like when I was doing the book, right?
I'm like, would Aderall
be good to focus me to do for me what it
does for students that I hear talk about
it?
>> Probably. Probably. But I don't.
>> It's a pill, right?
>> It scares me though because I know a lot
of people with problems with it. It's
It's a It's a real It's a real catchy
one. It gets you.
>> Yeah.
>> And then you start leaning on.
>> So that that's one of the one of the
downs is it's extremely addicting.
>> Very addictive.
>> But what's the other downside? Any other
>> Well, I would imagine when you get off
of it, you're exhausted because I would
imagine whenever there's there's always
some sort of a biological,
you know, there's there's whenever
there's no free lunch, right? Anything
that speeds you up is going to bring you
down. Like this get if you're ramping
your body up where you're focusing for
[ __ ] 16 hours just sitting in front
of the typer.
>> Yeah. And that's what like why
journalists like it.
>> Yeah.
>> I would imagine the the back end of it.
You've done it Jamie.
>> Yeah.
>> Only twice cuz it kept me up for two
days.
>> See that's what I'm talking about.
That's it.
>> It's an amphetamine. So yeah, I went to
try to go to bed and was like, "Oh, this
isn't happening. So let's get up and see
how Oh, we're up all day. All right."
>> Two days.
>> Yeah. I just I had to call off work. It
wasn't good. And then you feel real
dopey after it wears off. Right.
>> Yeah. It didn't I didn't feel like I
succeeded on anything that day.
>> Man, that is a a [ __ ] problem for me
is like the lack of sleep thing after
this whole Charlie Kirk thing with this
what I was just talking about. I'm
really going to concentrate a lot more
on sleep.
>> You can't [ __ ] with that because it's
like
>> especially me. It's like I need my brain
to be functioning at its highest
potential most of the time. Like that's
what you're do. Especially when I'm in
here. I was talking to Theo Vaughn. I
didn't think it would that be that big
of a deal. Theo's a comic. We're just
gonna be silly. Probably
>> the most the most recent one.
>> Yeah, the one I was just talking about.
It probably be good to be loopy, you
know, like cuz you know the writers on
news radio, they would stay up all night
on purpose
>> just to get loopy because that that was
how because they didn't really do any
drugs. They just would use sleep
deprivation to be silly.
>> Yeah.
>> It was hilarious. Like these guys would
start writing at like 2:00 in the
morning. Like they would stay up, they
would play video games and they would
start writing a script at like two
o'clock in the morning and then they
would stumble in to like when we have a
table read, they would stumble into the
table read like just finishing the
script. They would lay it out to us.
They just got done printing it. And
these guys would be [ __ ] just
completely out of it. Hair all [ __ ]
up, barefoot. It was really funny the
way they operated. But it was there was
a method to their madness. And that
method was the more tired you get, the
more exhausted you get, you get into
sleep deprivation, you get loopy and you
get silly and you start thinking silly
things.
>> Yeah.
>> When those guys, that's how they would
use it. They would use that weird state
of mind, that loopiness to write.
>> Exactly.
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>> I need my sleep, man. If I have sleep, I
can do anything.
>> Um
>> I feel like they could have got there
with weed without all the the loopiness.
you know, you want to get there like you
can get there with weed and you know,
you don't have to stay up all night. You
get it like right away.
>> Yeah. But weed ain't for everybody.
>> It's not for everybody.
>> It ain't for everybody. And and but but
yeah, I I love having my sleep. As a
matter of fact,
um that's the drug that's most important
to me. Having an ambient nearby.
>> You like that?
>> Yeah. A quarter. A just a little bite of
ambient.
>> A little bite.
>> Yeah. We'll we'll hook you up.
>> I knew a dude who would take that [ __ ]
every day. He had to take it all the
time. And then he was taking two and he
told me like, "Dude, my house could be
on fire and I would have no idea."
>> I'm like, "That can't be good." But he
needed it. It was the only way he could
go to sleep. But he was also taking
Adderall. So he was taking Adderall in
the day and then he was taking ambient
at night.
>> Can't believe he's still alive.
>> Yeah. That's That's too much.
>> Yeah, the Add a [ __ ] his life up, too.
Woo. Yeah, it's not, you know, I don't
think you should rely on anything for
sleep. For me, I just I've never had a
sleep problem, fortunately. I could go
to sleep on a bag of rocks. I could just
crash. It drives my wife nuts
>> cuz like if we're on a plane, the moment
the plane takes off, I'm out cold. I
could just go to sleep. The bad thing
about me is I can sleep best in places I
shouldn't sleep like church
or or sitting talking to my woman
sleepy. I don't know why. Why is why
does church make you so sleepy?
>> Or or reading like reading will put you
out.
>> There are some audible books that are
worse than ambient,
>> right?
>> You know.
>> Yeah. Something about physically reading
puts me out.
>> Yeah.
>> Just sitting there like looking at the
pages, I just start nodding off.
>> Yeah. I I um The Alchemist.
I have been on page 12 for like a year
and a half, you know. Sit down on a
plane and just just read the alchemist
at the top of the page and I'm out.
>> Yeah. It's fiction for me that puts me
out. Non-fiction doesn't really put me
out. Non-fiction is more like I guess
it's more stimulating because it's real,
you know, because I'm reading about real
things. Something about reading fiction
is what puts me to sleep.
>> Yeah. For me, it's just reading. Just I
can take out my license,
>> you know, and look and say, "Oh,
halfway through my name,
out. This is cool, man."
>> Not having sleep is got like a person
that's got like legitimate insomnia.
That's got to be the nuttiest [ __ ]
problem. Like that's that movie The
Mechanic. No, The Machinist. Did you
ever see that movie The Machinist?
>> No. Is that an action movie? Well, it's
that's the movie with uh
>> what's Christian Bale. Christian Bale
where he lost an insane amount of
weight. Like Christian Bale is a big guy
and I think he got to like 130 something
pounds.
>> Yeah.
>> And the the the idea was that this guy
was going completely insane cuz he
couldn't sleep and so he wasn't eating.
And so he was just like up all the time
like out of it. And
>> like if you see what he looked like when
he made that movie, it's like that's
what he looked like in the movie.
>> Oh [ __ ]
>> Yeah.
>> That looks like he's about to make a
whole different movie.
>> Yeah. Like he was about to die and then
he went from that and right afterwards
he did Batman. So he got super jacked.
He went from that and by the way the
movie sucks. So this guy like wrecked
his health for a movie that wasn't even
good.
And I mean, I wonder how good it could
even be when your main guy is dying.
Look at that image on the far right. The
one that you just Look at that. Look at
the difference between That was like six
months later.
>> That can't be healthy.
>> No. [ __ ] terrible for you. It has to
be terrible.
>> Terrible.
>> Do you like to act?
>> No.
>> I don't hate it.
>> I don't like the process. I don't like
waiting around all day. I don't like
being on set. I don't like dealing with
Some actors are great. Some actors, just
like all kinds of people, you know,
cops. There's a lot of cops that are
awesome.
>> Cuz I know you're at a point in your
life when you could probably do anything
you want. And I never see you pursuing
any acting roles.
>> No, I avoid them. Yeah. I've been
offered some fun stuff and I was like,
I'm not going to Bulgaria for three
months. [ __ ] that. I'm just I it's not
my thing. And if it was my thing, I
would I'd be like feel very fortunate
and I' I'd dive on it. I'd be like, "Oh
my god."
>> So when you look at something you've
done and you're watching a role at in
dailies or uh at the premiere, you don't
love what you see so much that you do
more of it.
>> It doesn't bother me, but it's not it's
just not what I enjoy doing.
>> And again, it's the process that's the
problem. It's the 16-hour days. It's
like, and it's being around actors
because you're around people that need
to think and need to talk in a very
specific way because they're always
worried they're going to be cast out of
the kingdom.
>> You know what I mean? So, it's like this
very disingenuous way of communicating
that a lot of actors have. And it's just
>> and you always feel when you do
something that this person's going to be
your friend for life. I I'll see you
next month and you never see that [ __ ]
ever again. It's it's it's such a
disingenuous environment.
>> Do you enjoy it? Do you enjoy acting?
>> Um I kind of like it, but at 70, I
prefer to just be at home.
>> You're 70.
>> Yeah.
>> You look so good.
>> Oh, thank you.
>> That's kind of crazy that you're 70.
>> And no creatine.
>> Imagine how good you'd look at me.
Creatine.
>> I'm going go get it.
>> 70, man. If you told me that you were
45, if I didn't know you, you told me
you were 45, I'd believe you. That's
nuts. That's a blessing. I I
>> Isn't that crazy?
>> Yeah. Yeah. And I'm happy. So, that's
unusual.
>> Yeah. Right. A lot of people when
they're 70, they're bitter and tired.
>> Yeah. I I um I talk a little bit in the
book about Richard Prior coming to my
first condo. I bought a condo so I could
I didn't have a car yet and eventually I
got one. But when I first came to LA, I
wanted to be between the comedy store
and the improv so I could get to both,
you know.
>> Oh, right. So, I bought me a a condo and
I told Richard Prior that I got a condo.
I don't know. It's one of those I I
think I heard you and Shane talking
about it. How you see your heroes now
and then and sometimes you just say the
wrong [ __ ] And I was expecting this to
be the wrong [ __ ] but it's all I could
think of. And I said, "Richard, I just
bought a condo." And he said, "Oh, wow.
I like to see it."
And I was like, "Oh, okay."
and uh him and Rashan, his body man,
came to see my condo and uh that was the
coolest thing in the world. But the one
thing I remember, I remember I had no
furniture and Rashan had told me his his
guy had told me to get some kvassier. So
I had some kvasier, you know, and we sat
on the floor and drank kvassier and
listened to a boom box with jazz on it
and talked. And he looked around at one
point and he said, "This reminds me of
when I was happy." Whoa. And I don't
even have to tell you what went through
my head and what I thought that meant.
And I didn't listen to him then. That's
the thing is people disperse knowledge
to us from their experiences. And
sometimes we're too young and dumb to
listen.
>> What did that mean to you at the time
when he said, "This reminds me when I
was happy."
>> You know, I was I was so excited that
Richard Prior came to see my condo. I
didn't process it. But years later, I
started realizing
um
that he bought things and philosophies
that made his life more complex and uh
he was happy. This is what I think it
means. He was happy with the simple
[ __ ] you know, and sometimes I mean
it's nice to have, isn't it cool to have
money but still eat burgers if you want
to? I mean, cuz I remember walking
through supermarkets and pretending I
was shopping and eating out of the child
cart, that little that little top part,
and then leaving the supermarket, you
know? So, it's nice to be able to buy
anything we want, but at the same time,
I get that thing of the simplicity and,
you know, no guard gate.
Um, nobody's knocking down your door
trying to get to you.
>> Yeah. just just a conto with no
furniture. And for a guy like that, for
the greatest that I've ever known in our
world
>> to say I was happy when I had a little
place with no furniture. Um I didn't
think about it enough then, but later I
realized what he meant when I was in a
house that was too big with guest
houses.
>> Yeah. that would, you know, you walk
into a guest house and cobwebs get on
your face, you know, because you ain't
been in there in a while and you
realize, okay, this is what Richard was
talking about. I'm doing a lot of [ __ ]
for other people that I don't need,
>> right? And too much complexity.
>> Yeah. I Somebody said complications. My
business manager said something about my
staff and it dawned on me, what the [ __ ]
do I have a staff for?
you know, I and and I've simplified
things a little bit in my life and I'm
really happy. It's
>> uh just, you know, me and my woman and a
scaled down life.
>> That's better. Yeah. There's a lot of
people that just want a lot of people
around them because it makes them feel
important. They have a big staff. They
have a lot of people working for them, a
lot of things going on, a lot of
different projects.
>> Keep moving. Keep moving.
>> But no peace.
>> Yeah.
>> Yeah. Not good. I always tell comedians
like they're they're like, "Oh, I got to
get an assistant." I go, "No, you don't.
Just do less shit."
>> Don't get an assistant. You get an
assistant, that person's going to want
to kill you. That person's
>> They're going to feel entitled. You're
making all this money. They're not.
You're famous. They're not. They They
see you for who you really are. They're
f you like you [ __ ] regular guy. Why
has he got all this? Like David Spade's
assistant duct taped him and tased him.
Remember that?
>> Yeah.
>> Try to kill him.
>> That's That's That's heavy, man. That's
And and I've heard that the people who
work for us always hate us. I've always
avoided. Somebody told me,
>> "It's not always the case."
>> They said, "Yo, you know, your
housekeeper hates you." And I'm like,
"No, she's been with me 22 years." Like,
"That [ __ ] hates you, man."
>> And and I don't want to believe that.
It's not always the case, but it is
often the case that people that are
around people that have so much, they
feel like, "Why don't I have this? Like
I'm working for this person. Why am I
not doing But why am I not rich? This
person could just make me rich.
>> It's weird. You know what I mean?
>> Yeah.
>> Like that's not what the job is. The job
is you're a gardener. Gardener doesn't
make $5 million a year. Like this is
you're kind of being crazy.
>> And then you you get people that take
advantage of you where you get a bill
and you're like, why does it cost this
much? Like this is kind like I have a
friend who's very wealthy. He's a
businessman and he goes over every
[ __ ] little thing that people charge
him and he's always looking for they're
[ __ ] trying to overcharge me. He gets
>> signs his own checks.
>> Yeah. But he gets crazy when he thinks
people are overcharging him. But I'm
like, dude, you're almost 80 and you're
worth a billion dollars. Like why do you
why are you looking at like how much the
car wash guy charges you? This is crazy.
>> Maybe that's why he has a billion.
>> Perhaps. I mean, he's a businessman.
That's his thing. But what drives him
nuts is this idea that people are
overcharging him because he's wealthy.
They're taking advantage of him.
>> Joe,
the the craziest I ever went was I had a
barber when I had hair,
>> you know, and you know, a black barber
is a skilled scientist, you know, cuz
back then I had it fried, dyed, and laid
to the side with three Adidas stripes
over on the left. And you know, my [ __ ]
was intricate that year. And um my
business manager happened to be a
business manager for two other
entertainers.
And he's also my friend. And one day he
says, "You know that guy charges the
three of you different prices."
And I'm like, "Get the [ __ ] are So I
found out that Johnny Gil was paying
100, I was paying 350." Ah,
>> and that drives me crazy cuz basically
like you say, he was charging based on
who I am,
>> right? Yeah. He like you can afford it.
>> Yeah. Yeah. And I had a friend who had
more money than me and he was charging
him a crazy amount. It was it was like
the rental of a rose, you know. Crazy
money.
Yeah. Well, that's what comes with the
territory. People just think you're not
going to notice. They don't care, you
know.
>> Yeah,
I guess. Yeah. Do you think you are
happier now than you were when the
Arsenal Hall show was at its peak?
Yeah, I think I'm happier now because
with that peak comes a lot of pressure
and a lot of work. And I'd be a liar to
say I don't enjoy having the money
without the other [ __ ]
>> You know, I I did a good job of
investing and making sure that when the
lights went out,
>> uh I was good. So,
I love my life right now, man. More
relaxed, less pressure.
>> And being the OG and
>> pretty much your responsibility is just
uh giving advice to a comic in the
hallway.
>> Yeah. Uh, you know, a lot of the young
guys don't understand what you did
because what your show was like back in
I guess when was it when did it first
come on the air? What year?
>> Probably uh Coming to America was like
86 87 I left New York and went and
started the show. So 87 88 sometime
around in there. I'm bad with years.
>> Yeah. During that time and in the the
'9s it changed the whole landscape of
late night television. like completely
changed it because late night television
was stiff, you know? It was like, "Yeah,
a [ __ ] the desk. The desk made no
sense to me."
>> I talk I talk about the desk and how I
got rid of it. But but
>> it made no sense. But you what? I was
like, "Oh, finally he got rid of the
desk. The [ __ ] are are we being
lectured? Are am I in the principal's
office? Like what is the [ __ ] desk
for?"
>> But when they first started doing that
in the 1950s, if you went to work, you
had a desk. You had to wear a tie, you
had a desk. And they all smoke
cigarettes while they were on the job.
You know, he watch like the Johnny
Carson show
>> during commercials. Johnny would go
under his desk.
>> Get a cigarette.
>> Yeah. Well, they would often smoke on
air. They would do it all the time back
then. They all smoked.
>> How about planes? How about the fact
that we could get on a plane to go to a
gig and there was a row behind us where
smoking began,
>> right? And I'm in the no smoking row.
And the [ __ ] behind me got a cigar.
>> Yeah. You know,
>> and it was just flooding the entire
cabin.
>> Yes.
>> You know, Dice used to have a joke about
it. You're in a [ __ ] tube.
>> Where's the air going?
>> Yeah.
>> It was a weird time. But the the whole
idea was what I was getting to was like
late night television was very stiff. It
was, you know, it was like
and then your show came around.
>> Paul Anker wrote that,
>> did he?
>> Yeah.
>> Oh, wow.
>> Your show came around and then all of a
sudden it was fun and loose and I
remember when Clinton came on your show
and played the saxophone.
>> Yeah.
>> And that I mean everybody was like,
"What is happening?" The [ __ ]
president of the Was he the president
back then or was he running?
>> No, he was a governor
>> and uh that's right. He was trying to
get the young vote, so he did me. And
then the next day they decided to do MTV
because I think what my show did that
night was changed how you run for the
highest office in the land. And and
>> look at that.
>> Yeah.
>> Look at that.
>> That the joke I had just done was
finally a Democrat blowing something
other than the election.
You when you look you remember jokes in
in the moment. And dude, so What's
interesting is after this
presidential candidates realized they
had to come to Rogan and Sunday morning
to meet the press,
>> you know, and I like that, you know,
they they have to go everywhere now.
Well, they go where the people are
paying attention, right? Mhm.
>> But it's it was different because if
they did the Tonight Show with Johnny
Carson, it would be a, you know, a very
competent interview, but it would be
stiff. It was It was like very I mean,
not even stiff's not the right word. It
was traditional.
>> It was like this was different. Like him
playing the saxophone, running for
president, playing the saxophone. I was
like, "What is happening here?"
>> And I tried to get I I told Jenna Bush
this last week. I'm on this book
slinging tour. And uh I told her I said
I invited your grandpa because back then
there was a mentality that you do equal
uh both sides, you know, and I don't
think it was a rule. But but first of
all, my dad was a Republican, my mother
was a Democrat, so I was used to hearing
both sides and learning both sides. And
I thought the best thing I could do for
young people is show them both sides and
that would be fair of me as a host. And
we got a call from a man named Marlon
Fitzwwater who said, "No [ __ ] way
we're coming there." You know, and and I
wonder why.
>> Um it's almost like what you talk about
with the desk.
Um society at a certain point is stiff
and it takes certain people to loosen it
up and make a change. And uh I I think
it was just they're not used to it. It's
like, why are they barking? And and what
is you know
>> that's right. Things that make you go
hm.
>> Oh yeah. Yeah.
>> Yeah. There was a lot going on.
>> I had a couple of hooks going.
>> Oh, you had a great hook. The things
that make you go home. Everybody used
that all day long. Like when if
something weird was going on in the
office, people things that make you go
hm.
>> And it was so cool. Then they wrote a
song about it. And I would turn on TV
and I would see
>> Was that CNC Music Factory?
>> Yes, that's right.
>> Yeah. And um um I would turn on TV and
like Nordstrom's would have a sale that
makes you go and I was like that's very
cool, you know, and and and it came
about sitting with the writers and um
>> I had done it at the comedy store and he
says, you know, we could use that and
just throw any joke in there like randos
that we don't know where to put,
>> right?
>> And so it really was a a cheating
technique for a comic.
>> Yeah. Perfect nonsequittor. Just
transition
>> every now and then. Hey, why don't black
women breastfeed chocolate milk? And you
have no place else to put that that
thought, right? So, it's a a stream of
things that make you go h
>> Yeah. Yeah.
>> Well, it was just finally there was a
different kind of talk show. It was like
finally there was a talk show that was
more fun. Hey, the the desk thing. Um,
my partner and executive producer Mara
Keel Brown, we were sitting around one
day and she said after coming to
America, I had done the Joan Rivers
thing. I filled in for her for 11 weeks
and I think she uh her husband committed
suicide and she was going through all
that period, right? Conan's creating the
Wilton North report in the room that I
leave and I go to Paramount and she
says, "I'm asking you one thing." She
said, "I watched you do standup the
other night at the comedy store, and
there is a freedom that you have that I
would like you to have on the talk show,
and I don't think we can have it with
that desk between you and the guest. So,
I want you to just try without the
desk." And um I tried it without the
desk and never went back.
>> Yeah, you changed it. I mean, like, and
then George Lopez did No Desk when he
did his show. Mh.
>> A few people have tried the no dust
thing.
>> Yeah.
>> But
>> for us, I think it's great. And And you
know what? I was able like somebody like
Rosie Perez, who would be nervous,
>> I'd hold her hand
>> and you can't reach across the desk and
and hold somebody's hand.
>> Well, also the desk was always elevated.
>> Oh, yeah. You want to be
>> was always above the guest.
>> We must be higher,
>> which is weird.
>> Well, that's that's a bizarre. I don't
know if that's the ego of the
entertainer or whether that's some
asskissing prop
uh set designer move because
we always wanted to be higher and I
remember they put something under my
seat. So
>> make your seat higher.
>> Yeah. So I'm sitting even with Kareem,
you know, which is [ __ ]
you know.
Yeah. It's a weird thing. It's like why
would the host be above movie stars like
and rock stars and
>> why? That doesn't make any sense at all.
>> Yeah. Unless your host is David Bowie.
>> Yeah. Right.
>> Right.
>> Unless he decides to do a talk show. And
even then it doesn't make any sense.
It's like if you want to have a
conversation the way you did it was the
best way to do it. Just be sitting
there.
>> Yeah.
>> Sitting with each other, you know.
>> And now
>> you can lean in.
>> Oh yeah.
>> Yeah. You could you could touch the
person, you could poke the person. Uh
>> now we have a different era where
everyone can do talk. I saw Mike Eps
talking on his back from his bed the
other day holding his phone above him.
And that's when it hit me. It's like now
we have a hard time finding a guest that
doesn't have a show,
>> right?
>> We can anyone can have a show now.
>> Yeah.
>> And that's kind of cool.
>> It is kind of cool. And it's just like
and you find your as long as you do it
long enough and you put the right
attention to it and do it honestly,
you'll find your own lane. You find your
own way of doing things.
>> I have friends who have children who
have shows,
>> makeup tutorials and successful things
going on in their bedroom.
>> One of the biggest shows on YouTube for
a long time was a kid that was like
unboxing toys.
>> Oh, that's cool. And it was sort of, but
then they started monetizing it. And I
think, you know, soon as your parents
start making all that money off of you
opening toy boxes, [ __ ] gets weird. It's
weird for kids to get famous, period.
But but it was just like no one had
thought that out like that. There would
be a lot of people that were interested
in you watching toys.
>> Yeah. Yeah.
>> Like there's a lot of shows that I watch
on YouTube that it's just people
cooking.
>> Oh, yeah.
>> I just I love watching people cook.
Watch a lady cook with big titties and
and uh uh just an apron, you know, and
you know, side boobage be coming out.
>> That's a trick. She's tricking you. I
like watching people cook with no
talking. It's just ASMR, you know, just
they're like chopping up the food and
you hear the sizzle in the pan and like
it's I don't know why I like it. I love
I love watching people do things. Isn't
it amazing that you're younger than I
am, but when I was growing up in
Cleveland, we had three channels,
>> right? I remember those days.
>> Yeah. And and and the [ __ ] signed off at
two, right?
>> Yeah. You da
da
>> and you fall asleep watching TV and that
would wake you up.
>> Yeah. Cuz it would be just crackling
like, "Oh jeez, I stayed up too late."
>> You have to shut it off after the
American flag because the American flag
would wave
>> on the TV, right?
>> Yeah. There would be a a match fade from
a soldier to the American flag.
>> Yeah. And then it would just go static
at 2 in the morning. And then I remember
when Fox came out and everybody's like,
"This channel is crazy."
>> Yeah.
>> Foxes, they have the Simpsons and M.
>> They changed my life, man. th those uh
Tracy Alman
>> and then of course
>> they discovered that they could get
numbers with me and Living Color
>> and uh Fox was really important to us.
Fox was important to America. I mean it
was it was a looser, wilder network. It
was like a network that was a little
crazier.
>> Like they were doing things that they
were getting nuts
>> and they had to they had to take some
chances and roll the dice in a different
way,
>> right? Yeah. And then cable came along.
It was like the slow descent into
madness.
>> Yeah. Yeah.
>> And then all a sudden you have 150
channels and now you have like literally
an infinite number of channels because
of streaming and YouTube. It's like you
can never run out of things to look at.
Which is crazy because I turn a lot and
I'm like, "Yo, [ __ ] They got
two million stations and you channel
chasing. You can't find something." But
I'm a big YouTube guy because I I don't
like commercials. I want what I want and
I want it in small increments. I
actually, as a 70-year-old, fit more
into this culture than I did the culture
I was born into. I
>> I like things for three minutes. It's
It's [ __ ] me up, too. You know, I I
don't want long [ __ ] I want quick [ __ ]
>> And uh I'm jumping around. Well, when
I'm watching TV, I'm I'm generally
trying to check out, you know, or I'm
trying to be educated, right? So, either
I'm watching some um like particle
physicist talk about the the way they
find new particles by using particle
colliders and large hadron colliders and
the amount of energy required to
duplicate the, you know, the conditions
that happened right after the big bang.
You know, I'm just like,
>> I I watch a lot of that [ __ ] and then I
just watch people play pool.
>> I watch people play pool and I watch,
you know, people make furniture and
people cook. I I'm just trying to like
unwind.
>> Yeah.
>> I'm just trying to like relax.
>> But that's so heavy. I heard you and Cat
talking about the pyramids.
>> Mhm.
>> And um as a matter of fact, it was part
of the reason I was afraid to come here
because I've heard you talk about the
reexplosion of
it's just when you hear that kind of
[ __ ] and you're like,
>> I don't want to be here. It's like [ __ ]
crazy, huh?
I don't want to be that guy, you know?
So, it it's intimidating to watch
intelligent people have an exchange and
say, "I got to go there."
>> Is it?
>> Oh, yeah.
>> Well, I I guess
>> you don't want You don't want to be the
first idiot in the room. Nobody
>> Oh, you definitely wouldn't be the first
idiot on this show.
>> And you're not an idiot anyway. But if
there's been plenty of really [ __ ]
dumb people on this show that were
great,
>> but do you know somebody that is really
intelligent and conversation with them
is intimidating?
>> Oh, sure.
>> So, I was afraid of this room. I I mean
I know people like Bill Clinton.
>> The first time I sat and talked to Bill
Clinton, not on the air or the second
time I guess I should say.
>> It was kind of daunting because
he no matter what your politics is, he's
a really smart guy. Yeah. Cat Williams
is the same way. That [ __ ] read
a lot more books than I read.
>> Well, Cat's brilliant. I mean, you can't
be that funny and not be very
intelligent.
>> It's the reason Bill Cosby was so funny.
He was a bright man.
>> Uh
>> oh. I got
something.
>> He's just He just That's a problematic
subject.
>> Was also Bill Clinton. I wish Bill
Clinton didn't have so many problems
because I would like to talk to him. I
would love to have to sit down with him
on a podcast. You know, the problem is
like how do you sit down and not talk
about all the chaos and all the nutty
[ __ ] and the Epstein files and all the
other [ __ ] Like you kind of almost have
to talk about it. So, it's too bad
>> because I think he's a fascinating
person and I think he's one of the
greatest presidents of all time for
sure. And if you go back and look at
what he accomplished during his
administration, they balanced the
budget. There was like one of the first
times in the history of this [ __ ]
country that we didn't have a gigantic
debt. Now our debt's like 39 trillion.
>> It's crazy. Everybody's so bad at
balancing the budget. And you go back
and listen to him talk when he was
running for president. He's like super
sensible. Like everything he said made
sense.
>> And didn't he move a little to the
right?
>> Well, I mean it wasn't to the right. It
was just sensible. Like what is to the
right and what is to the left?
>> It's accepting that
a lot of things are valuable that are
not a part of your party's philosophy. I
think we have to be willing
>> to compromise and move a little bit. Uh
and and that goes for all politicians.
We have to be able to move a little bit
to be logical and serve all of America
>> for sure. But I think the problem is
parties all have to agree and they then
they form ideologies that you cannot
stray from. So if you're one of those
people that says like hey maybe an open
border is a bad idea because terrorists
can come through like
no there's no one's illegal on stolen
land. You know you get everybody gets
crazy because there's a party line that
you have to stick with. This is today.
Today things are incredibly polarizing.
But if you go back and listen to some of
the things that Clinton was saying when
he was running for president and when he
was president, boy, these are like
almost right-wing talking points in a
lot of ways. But they're not but it's
not right. But it's not really
rightwing. It's just sensible. Like what
is right and what is left? Left used to
be um first of all, freedom of speech
was of paramount importance. It used to
be that they were very open-minded. It
used to be like the that education was
of crucial importance and that discourse
was crucially important and that you
have to look out for citizens and in
sense of like having social safety nets
and having welfare programs and and food
stamps and all those things are which
are really important for a society
because not everybody is in the same
position in life. And if we're a
community of people, which is what a
country is supposed to be, you're
supposed to look out for everyone. You
know, that that's sensible. That's what
the left used to be. And then it became
trans women or women. Men can get
pregnant.
>> And by the way, when you deal with left
and right, you have to almost attach a
year because we've seen parties
change. Um
I'm always reminded that the Democratic
Party was the party of the clan. if you
go far enough back.
>> So, I'm I'm a Republic. I have to look
at it all.
>> But wasn't Lincoln a Republican?
>> Um,
>> I believe Lincoln was a Republican. I
think the Republicans were the ones who
were trying to abolish slavery.
>> There was a a lot of there's a lot of
weird things that shift back and forth
and that you you think of right-wing and
leftwing in today's standards. Like we
were playing a clip of Hillary Clinton
the other day when she was running for
president. I think it was was it 2008 or
2012?
>> 8 when she was she was running for
president. She's like if you're here
illegal from another country, you should
have to pay a stiff penalty. You should
have to learn English and if you have
any criminal history whatsoever, no
questions asked. You get out of the
country. And everyone was cheering like
the lady's MAGA. That sounds completely
MAGA. That's why I say when you deal
with Democrat, Republican, you have to
attach a year because it's evolved and
changed many times.
>> Well, it's all you're just being
manipulated and you're being manipulated
by these two teams and you have to pick
a team. You have to decide which team
are you on.
>> I hate that.
>> It's so stupid. I'm politically
homeless. I've always been politically
homeless for a long [ __ ] time. It
neither one of them make any sense to
me. We need like a logical centrist
government that like just says there's a
lot of things that we should do to make
this country a better place. We can we
can do these things and we don't have to
attach them to left or right and
anything that the left says that's
logical to people on the right. They
immediately dismiss it because it's
coming from the left. And that happens
the same with where the left does it to
people on the right. It's dumb. It's a
it's a team thing. It's like the
Dolphins versus the Raiders. It's just
you pick a [ __ ] team and you team a
horrible game, by the way.
>> You pick a team and your team rules and
the other team sucks. And there's a lot
of people out there that are not that
they're not open-minded and they love a
good rigid ideology that they could
adhere to. So now I don't have to think
for myself. I have a predetermined
pattern of opinions that I could just
adopt and I'll just accept those and
that's how I think and that's what I'm
going to argue with.
When I was young, I used to
in some jokes say, "My my heart is
Democratic, but my wallet is Republican,
you know." But it's not even that simple
anymore. It's gotten much more
complicated.
>> Yeah. Much much more complicated. It's
like, you know, everyone should be
anti-fraud whether you're on the left or
on the right.
>> Unless you're committing fraud,
>> right?
>> Then, you know, then I'm pro me.
>> Yeah. Well, I think a lot of people
that, you know, are certainly benefiting
from fraud would like to dismiss it,
whether it's the left or the right.
Yeah. There's like
>> we have a problem in this country where
we have a two-party system. Two-party
systems are inherently flawed because
there's no [ __ ] way that one side is
going to represent you entirely. And
it's much more likely if you have like
five, 10, 15 different parties that are
all legitimate because we don't have
another legitimate party. If you vote
for libertarian, and I've voted
libertarian before, you're basically
saying, "Fuck these people."
>> You know, [ __ ] these people. I'm voting
>> You're jacking up the Dolphin Raider
game.
>> Yeah.
>> I'm voting for rugby.
>> That's what you're basically saying.
You're like, I can't get behind either
one of these [ __ ] so I'm going
to vote for this guy who has no chance,
>> you know? And I've done that before. I
did that with Joe Jorgensson. I did that
with Gary Johnson. I voted for both of
them. But why do you think we've not
been able to come up with legitimate
third, fourth, and fifth parties?
>> Well, they got it locked down. They've
got it locked down
>> with donations and money.
>> Yeah. It's money. Money and politics.
When they got when they allowed
corporations to just essentially give as
much as they feel like it like and when
corporations
>> and not not just corporations, but other
countries.
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That's betterhp.com/jre.
Oh yeah. Yeah. Yeah. It's not good. It's
not good. Money in politics is the real
problem. You know, it should, you know,
the whole thing. It's a mess. And then
you find out how much money politicians
make
>> while the TSA guys have nothing.
>> Yeah.
>> And politicians are still getting a
[ __ ] check.
>> Yes. Exactly. Well, I felt that way also
about the lockdowns in California. I was
like, all these people that are saying
that you should have no outdoor dining,
your paycheck should be entirely
dependent on the GDP of your city. And
if your city starts suffering, you
should [ __ ] suffer. And I guarantee
you want those businesses to open right
the [ __ ] back up because it didn't make
any sense. They were doing things for
optics only. And they were doing things
because they like control. People love
control. They love it. And once you give
them power over people, they're in the
control business. They like to keep that
control. And it just gets gross. And
they don't have any there's no
repercussions. They don't get in trouble
if all these like California lost.
>> Somebody should be in trouble for the
Epstein fouls. somebody.
>> At least one person, please.
>> Yes. It's crazy that we're sitting
around looking at that.
>> It's crazy
>> and we know it and we say it, but ain't
a [ __ ] thing we can do about
it,
>> right? It's like right now there's some
talk about journalists getting in
trouble for leaking information about
the down pilot and that they want to
prosecute these journalists. At the same
time, no one's being prosecuted for the
Epste files.
>> Yeah,
>> that's nuts. That's a sick society.
>> As a kid, I did magic, right? And
there's a thing in magic, I take a coin
and put in this hand, there's a thing
called misdirection. That's what I just
did to you. You looked at that and I'm
doing some [ __ ] right here. That's the
story of American politics.
>> Oh yeah. Whenever something weird's
going on, look, when Monica Lewinsky,
when when Trump when Bill Clinton got
caught with Monica Lewinsky, they may
start bombing some other countries.
Like, we got to distract these people.
This is just too complicated. Yeah,
>> look, the Epstein Files comes out. We go
to war with Iran. It's It's a good way
to get people to stop talking about
certain things. You give them a new
problem to think about.
>> Hey, this morning I wake up in a very
nice hotel, thanks to you. Uh, breakfast
was paid for, the tip was done, all that
[ __ ] It was kind of cool. Um,
and I was nervous and I'm thinking, I'm
nervous
to go see my guy and talk, which is
insane. But then, you know, sometimes
you try to focus on why you're really
nervous. Why am I so nervous? And I
realized it wasn't just coming here. I
had watched about a half hour of news
and it was making my stomach hurt, you
know, because I I feel so sad on a lot
of levels, you know,
>> and anxiety.
>> Yes. Yes.
>> News just gives me anxiety.
>> But I got to as a comic, I got to watch
cuz I got to know everything. I got to
have that that that mental rolodex
loaded.
>> Yes. for crowd work or whatever.
>> Well, you have to know what's going on
in the world. Unfortunately, if I wasn't
a comic, I would have no social media. I
would never consume the news. I would
just hide.
>> Yeah.
>> I would just like go to a peaceful
place. I'd probably have a place in the
mountain somewhere and just [ __ ]
chill.
>> I would not want to have anything to do
with any of this [ __ ] that's going
on in the world. And I know people, a
lot of people say, "Oh, you have to
participate and this and that." Like,
man, yeah, I guess. But I don't think
your participation is having the kind of
effect that you'd like it to have. I
think it's having an effect on the way
you think and feel much more so like a
disproportionate effect on your mental
health and your anxiety levels and all
these different things that you cannot
control by paying attention to it. You
can't control what these [ __ ] people
are doing. And it just drives you nuts.
And
>> it's frustrating because we realize I
mean you and I are both millionaires.
You a lot more than me. Uh but at the
same time we realize we don't have
enough money to really affect it. I mean
you
>> you can affect some things I guess.
>> Yeah. I now that I think about
>> I don't want to I don't want to affect
if I can affect things in a positive way
I can. Yeah. I mean there's some things
like
>> things by by dispersing information of
candidates and in helping to inform
people. But but that kind of money that
you have to have to have a dinner in
Malibu and uh and later get some [ __ ]
done that you want to get done cuz the
president is your guy now.
>> Yeah.
>> Or girl.
>> It's very complicated.
>> Yeah.
>> Very. And then that kind of complication
comes with a lot of scrutiny, a lot of
weirdness. And and also like you don't
really know these people. You you you
support people like for running for
president or governor or mayor,
whatever. How do you how much do you
know them? Are you really sure that you
is this like is there no good option? So
you go with the least evil option?
>> Well, a lot of us do that and that's
that's really painful to think that the
lesser of two evils is a horrible thing
as a philosophy for a place we raise our
children,
>> right? Yeah. There's no one person that
really comes along. You're like,
"Finally, like a peaceful, God-loving
person who's just looking out for
everybody's best interest, who really
only wants to do this cuz they think
they can affect change." And then once
they do try to affect change, they get
[ __ ] shot cuz cuz nobody really wants
that because they're all making money.
>> When we were coming up, remember the Sam
Kenisonson bit?
>> Which bit?
>> Um I think it was very similar to that
people who have an idea, we kill them.
>> Oh, that was Bill Hicks.
>> Oh, it was Hicks.
>> Yeah. Okay. Yeah. Yeah. Yeah. Yeah.
Hicks. Hicks had a great bit about that.
Yeah. And it's totally true.
>> I mean, anybody that really wants to
rock the apple cart, like that that
person's a problem,
>> you know? And all these people that are
making, look at these sociopaths that
are making [ __ ] billions of dollars
just being [ __ ] Like they do not want
you coming along and waking people up to
that and saying, "Hey, we should put a
stop to all this. We should, you know,
we should stop these people from like
that's why people cheered when that guy
got shot. The United Healthcare guy,
>> he got shot. People were happy. They
were happy. Like finally,
>> at first I thought it was I thought
homie who shot him. I thought it was his
eyebrows, you know, cuz women were going
crazy, you know?
>> He's a hot guy. He's a good-looking guy,
too. He's like perfect guy to to be like
a martyr, like an assassin.
>> By by the way,
have you noticed throughout history,
good-looking people get treated
differently when it comes to the justice
system? They've done experimental trials
where the hot guy gets off on for
murder. Easy cuz the 11 women were cool
with it, you know.
>> Well, women are weird with killers, you
know. When guys are even serial killers,
when they go to jail, women like
>> they get great letters proposals.
>> Weird. Marry me.
>> Yeah. Even like Richard Ramirez was
getting all these proposals while he was
in jail. But the ultimate game for a
woman is to be married but not have to
live with that [ __ ] you know?
So that might be kind of cool, you know,
>> kind of. I don't know what it is. Um I I
heard someone talk about that saying
that there's women that like men that
are capable of killing
>> because
back in the day it was if someone was if
you needed someone to protect you, you
didn't you didn't want someone that
would hesitate if they were going to
kill someone. You wanted someone who has
experience killing people.
>> So it's almost like an attractive trait
that someone's willing to cross that
terrible line
>> and just has no problem murdering
people. And if they like you, they won't
murder you, but they'll murder other
people. Like anybody, that's a problem.
>> I knew a girl who went out with a couple
friends of mine. And her MMO was to do
something publicly that would make the
man whip somebody's ass to defend her
honor or something.
>> Oh,
>> and she because that that made her feel
>> better.
>> That's a crazy [ __ ] I've been around
people like that before. I always got
rid of them real quick. I've had a few
ladies like that when
>> you gonna let him say that to me, you
know,
>> I'd be like, "Why'd you say that to
him?" The [ __ ] Don't get me involved in
this stupid [ __ ]
>> But it's hard, man. I was in a club as a
young man on Sunset. Left the comedy
store, went down the street to a place
called Carlos and Charlie's. And back
then, they had uh this garment called a
tube top.
>> It was just an elastic
>> about elastic piece about 8 in or
depending on your breast. And um I
watched a dude take his finger and just
pull the girl's tube top down. Titties
fell out. And I'm watching her man. He
didn't know what to do, you know,
because you don't want to fight these
guys.
>> You almost want to just say, "Baby, just
pull up your top. Let's go home." You
know, but he had to fight.
>> Yeah.
>> And uh in that situation, I I think you
have to fight.
>> You just definitely shouldn't be there
in the first place. That's the problem
with going to clubs.
>> You're the wrong club.
>> They're running into the potential
psychopath
>> is just too like that's where they go
where people act like [ __ ] That's
where they go.
>> When is the last time you went to a
club?
>> I never go to clubs.
>> Yeah. It's been a long time for me. I
mean there is no club for 70 year olds.
>> No. No. No.
>> You know that's called ARP.
>> Well, if you do go, it's sad. If you
>> Yeah. You don't want to be the oldest at
the bar.
>> Yeah.
>> Hey ladies, what is [ __ ] grandpa
doing here? But but are do kids dance
now?
>> That's a good question.
>> My my son has has like I remember a time
when you say I'm doing the cabbage patch
now. You know it's like you knew what
the latest dance was. My son never
dances. I've taken him to New Year's Eve
parties. He never during the slow record
says to a girl you want to dance. You
know, you go out and slow dance. What
happened to that [ __ ]
>> That's that's true. Right. Well, because
clubs got associated with violence. Like
clubs get associated with people getting
drunk. They're doing drugs and chaos and
people getting shot,
>> you know? Yeah.
>> There's just too much of that going on.
You hear about that at concerts, too.
But yeah, you're right. You don't
There's no new dances.
>> There's no things that like you have to
learn,
>> you know?
>> Yeah. But you know, you know what's
replaced it? Maybe the entire family on
Tik Tok,
>> right?
>> Tik Tok has definitely got dances that
you got to learn.
>> Oh, really?
>> That's all it is.
>> Oh, really?
>> Yeah. Yeah. I mean, for people that are
>> Right. That's where the dances are.
That's where the dances are. They're not
going to clubs. They're just doing
>> song just got viral again because
they're dancing the freak on a leash.
>> It's a 25-year-old song that has got a
dance to it.
>> What's the dance? Show me the dance.
>> Couldn't even begin to start it, but I
can show you.
>> Get up here and do it.
>> Show you the video.
>> You do it. You've been practicing.
>> No, I used to do it.
>> Show me the video. What's the What's the
corn dance?
>> In my head, you're like, get up and do
it. But I'm not.
>> Do we have to not play the music?
>> Yeah, I'll probably not play the music.
>> So, this is this is the dance. See, it's
a new day.
>> You don't go to a club, you do it with
your girl.
>> I think they made it back on Billboard
because you know, like the song is
>> Oh, that's hilarious.
>> Got so many plays on it.
>> That's hilar.
>> Yeah, it's old.
>> Wow, that's crazy.
>> So, I don't know. And then to contrast
to this is the club in Austin where
everybody goes. They're not necessarily
doing those dances.
>> What club is this?
>> This is called the concourse.
>> Oh, see I I can't go to a club with no
shirt on.
>> And what do they do here? I like DJs.
>> Oh, DJ.
>> So, they just bounce around.
>> Bunch of lasers.
>> Yeah, this is like a jazz concert. This
is
>> jazzy Jeff.
>> Yeah, they just bounce around. They're
all on ecstasy.
>> Everybody stares at the DJ stage like
they're performing music. And
>> yeah, this is a sign of a sick culture.
>> Not that there's anything wrong with
>> a different culture,
>> but it is like but but that there's no
the other thing. There's no like people
dancing, you know? Yeah.
>> On the old days, like if you go back and
you watch like nightclubs from like the
1960s and 70s, what was everybody like
the disco days, right? That's perfect.
>> When [ __ ] was singing,
>> burnt burn this mother down.
>> Yeah.
>> Yeah. People
>> Well, I remember when I was a kid,
Saturday Night Live or Saturday Night
Fever rather came out.
>> Oo. And that's when everybody wanted to
learn how to dance because John
Travolta,
>> he could [ __ ] dance. And they would
have dance offs
>> and black people were saying,
>> "We got to step up the game if this boy
can do that,
>> you know." So we had to get better,
>> right? And then you had Soul Train,
right? Where everybody dancing on TV.
>> Yes.
>> Yeah.
>> Saturday morning was that that was life
for me. There's no shows where there's
like a bunch of people performing music
on TV anymore.
>> Well, that's the that's that gap between
me and you as talkers. Um, one of the
problems I had and I talk in the book
about this. I love music and I grew up
wanting to do that show. So when they
start telling me, you know, you can get
better numbers with Howie Mandel just
talking than you can with this because I
put Boys to Men and the Temptations
together once. I had to fly Boys to Men
from Philly. I had, you know, and and
they wanted it less black and now I got
14 brothers doing choreography, you
know, and it's like, no, that's not what
>> they wanted it less black.
>> Well, they would say [ __ ] like that to
you.
>> Oh, yeah. And they they wanted um this
is the carrot. They said we know
Johnny's going to leave one day. You
know, you always think it's going to be
two years. So, you can inherit his
audience if you do the right show.
>> But I Joe, I I used to do the talk show
in my basement, man. We put on a
Temptations record. And my friend Junior
would be my guest, and he would sing Get
Ready on Soul Train. They lip-sync. We
knew the microphones wasn't plugged in.
And so he would sing and then I'd
interview him. I wanted to do that show.
But you were doing that when you were
young.
>> Oh yeah.
>> When did you How old were you when you
doing that?
>> Uh 11.
>> Really?
>> Yeah. My mother would have rent parties
and so she'd rent these card tables and
chairs and the people like in LA we call
it town and country, right? That you can
rent stuff for your party. So the next
day they come and pick up the stuff in
the truck. But before they pick it up, I
would do a talk show with that stuff.
And um I dreamed of everything that I
did eventually in my life.
>> Wow.
>> And it was it was um the show I wanted
to do. So at a certain point when they
say um does Prince need a purple piano?
You know, I said, "Yeah, he won a purple
piano." And the show I was doing was
just too expensive. And you and I talked
once at the Ice House when I tried to do
the reboot show. Yeah.
>> And I was telling you how complicated it
was. They wanted my Twitter site.
>> They took your I was telling people they
took over your [ __ ] social media and
they wouldn't give it back.
>> Yeah, it was hard to get back in.
>> That's crazy. I remember you telling me
that. We were standing outside the
outside area of the Ice House and you
were like, I can't get my [ __ ] social
media back. I'm like, that's crazy. They
took your social media.
>> Yeah.
>> And they would use it to promote other
shows.
>> Absolutely. And the end of of that
reboot experience
um didn't go down exactly the way I
wanted to. like like I got picked up
first and Jay Leno came out and read a
letter from Les Moonveves that I was
picked up for a second season and then
we start talking about the second season
and here's the great thing they wanted
you you really got to stop doing the
music as a matter of fact how about no
house band and it's interesting well but
but economically speaking Joe when I
look at it they wanted me to do Joe
Rogan before there was a Joe Rogan they
just want you to talk to people and
I watched Fallon with Will Smith one
night and Will Smith rode in on a horse
and I'm like that's expensive. You know,
they wanted me to do what we're doing
right now because this is cheaper to do.
I would love for us to uh have a hip-hop
star here right now following me, but
this is economically sound. It's a new
day,
>> right? So that's all it was. It was just
a money thing. They just
>> uh well that was the reboot show. The
first show
um you know if they want me to be in the
position to inherit Johnny's audience
because that's they they wanted me and
themselves to make more money a lot of
money. Keep making money. And I was kind
of kicking the bag because
I had wanted to do this show since I was
a kid. I I couldn't imagine. Meanwhile,
the thing is your show was so popular.
And by the way, they got numbers one
night when Whitney didn't sing. She just
came on
>> and that was the kiss of death in my
morning meetings cuz they were like,
"Look, Whitney saying nothing." And look
at the numbers, you know? So, so they
were shooting for the Joe Rogan
experience before there was an
experience.
>> [ __ ] people concentrate on the
numbers. It's like you you're missing
the trees.
>> You got to Joe. Yeah. It's sometimes I,
you know, it's really important for me
to look back and say
I love that show that I did and I don't
regret a moment of it, but I get
a corporate organization saying we can
make more more money and we can get more
people in.
>> Yeah. If I was a cor I would be a
terrible corporate executive by the way
>> because you would Yeah. I would say just
be you. just have fun and whatever ads
we get, we get. Whatever money we get,
we get and that's good. You get plenty.
It'll be fine.
>> You can't You got to let a a It has to I
feel like every show has to be a unique
expression of the person that's hosting
it and what they're trying to do. Like,
let that person be free. Like, can you
imagine if Quinton Tarantino had to sit
down with a group of people that were
executives before he wrote a script? You
would never get any of these [ __ ]
chaotic, crazy movies. They were like,
"No, no, no, no, no. You can't bash a
woman's head on a mantle piece. That's
nuts. Like, don't do that. No, you
can't, you know, like in Jackie Brown.
No, you can't [ __ ] shoot that girl in
the parking lot. That's nuts. You can't
do that. You can't do any of these
things. You've got to let someone just
be free. And then it finds its audience.
>> Yeah. I remember when Ice Tea came on to
explain Cop Killer and um his way of
explaining
>> by the way.
>> Yeah. Yeah.
>> And it was a metal band.
>> Yeah.
>> People don't realize that like I Tea
People forgot Body Count was a metal
band.
>> Yeah. You got to search that, y'all.
>> Right. A lot of people don't even know
that he did that. You think of IC Tea,
you think of 6 in the morning. You think
of, you know, Hustler. You think of all
those classic songs, Colors, you think
of that. You You don't think of Body
Count, which is like Ice Tea reinvented
himself. And he was like, "I always love
this kind of music. You can't tell me
what the [ __ ] I do. I like this kind of
music, too." Music, too.
>> Amazing career. That
>> I know. And now he's he plays a cop for
like 25 years.
>> How about that for irony?
I knew him when he was a pimp. And now
>> that's crazy.
>> Remember when he was in Pimps Up, Hose
Down?
>> Yeah, absolutely. He was in that, too.
>> Yeah.
>> I mean, he was talking about the pimp
game. It was hilarious.
>> Yeah. He he came on, by the way. They
didn't want me to do that, you know, uh,
book him, but but I thought it was I
thought it was cool to expose America to
some conversations they might not hear
normally, right?
>> And the more power I got, the more I
tried to push that envelope and do those
things. He compared it to
Schwarzenegger. He says, "You don't
think he's really the Terminator, right?
you know, and and he says, "I I'm not a
cop killer,
>> but there's a message through this
character, and I'm paraphrasing, but
>> but it it was nice to
>> to hear people who I know." I I would
talk to Tupac
>> and I would say, "Say that on the air.
You got to talk about that on the air."
And that was we didn't have Twitter. We
didn't have the bluebird. I was kind of
the blackbird. And I was able to have
these like Tupac called me once and he
says, "Man, they want me to take a AIDS
test before I do this movie. And unless
I'm really going to [ __ ] Janet, I don't
think I should have to take a AIDS
test." And I'm like, "Please don't say
anymore. Just come on the show." And and
this fit into both categories. Come on
the show, don't do any music. Just sit
and talk. And those nights would do
really good.
>> Of course.
>> Of course. because people want to hear
people really talk. Especially in those
weird settings where most of the time
when people were coming on talk shows,
they would just have this like very
canned sort of like pre-programmed thing
that they would talk about. They would
talk about their character and the
>> people don't know we have pre-ins which
you don't have in a show like this, but
>> I get a card
>> that morning. It's like, okay, here's
what Jackie Collins would like to talk
about, right?
>> You know, or or uh Nicole Kidman has
requested that you don't mention Tom
Cruz.
And I'm like, well, tell Nicole, the
only reason that [ __ ] is here is cuz I
think Tom Cruz is going to walk out, you
know, and Oh, it was it was crazy back
then.
>> Yeah. Well, it was all PR people. And
it's again, you're dealing with too many
different people that are peripheral
people where all their money is
dependent on this one person performing.
So they just want to make sure they make
the maximum amount of money possible.
Like don't make any ripples. Don't cause
any waves. Don't cause any problems.
Just go out there and smile and and sell
more. We'll sell more records. We'll
sell more movies. TV show will get
better ratings. Don't mess it up.
>> Yeah. Guys like Prince used to
>> be frustrated with the fact that
>> if something's a hit, can you give us
something like that again? How many
beats per second is that? Can you give
us that again? Or any big artist? It's
like we want more of of Waterfall.
>> Yeah. Yeah.
>> Yeah. No, Prince was one of the most
revolutionary artists ever. And people
that don't know the early stuff, they
don't know how crazy it was that this
guy was the house song called Head
>> just singing about getting head.
>> First time I saw him, he was opening for
the Rolling Stones.
>> Wow.
>> And the audience didn't dig him because
it was different back then and he was
singing soft and wet.
>> Right. Right. Well, Prince was just he
was so unique, man.
>> And he predicted a lot of the things
that we're dealing with now and going
through. I remember the first time he
talked about what became Napster and he
talked about um owning your own property
and what was going to slave on his jaw
and we thought that was silly but it
meant something. Well, he was dealing
with these crazy contracts where these
record companies, these predatory record
companies would lock you into these
contracts and they [ __ ] owned you. So
his response to that was like, "Okay, I
won't perform as Prince anymore. Now I'm
[ __ ] this [ __ ] I'm this squiggly.
I'm a symbol
>> with a slave insignia on my
>> What are you going to do now? I'm a
symbol. I'm not even selling myself as
prince.
>> And he would just I mean, how
revolutionary is that? This guy said,
"Okay, I know the workaround. I won't
use my name anymore. I'll just be a
symbol."
>> But he was such a bad [ __ ] that
people like, I know who that is. I don't
care what that [ __ ] symbol is. That's
Prince. Let him sing. Let him do things.
>> Did you ever meet him? No man, I had one
opportunity to [ __ ] see him live.
Yeah. And I blew it
>> at the Great Western Forum.
>> No, it was at It was at one of the
hotels in Vegas, but it was a really
late show
>> and uh I had a show earlier that night
and they said, and Prince was doing
small shows back then. It was like this
small like intimate audience, but it was
like after midnight. I was like, I'm
[ __ ] tired. I'm going to go to sleep.
And this is like, oh, I [ __ ] up, man.
I [ __ ] up. It's like when his career
was in a weird place cuz he wasn't doing
like big shows anymore and he was doing
this late night show and people were
saying it was really good but I was like
I'm tired. I'm not going to see this.
And then years later when he was dead I
was like god did I [ __ ] up. I always
thought Prince was going to be around.
>> Yeah. And Prince we lost Prince to
Fentinel.
>> Yeah. A lot of people don't in an
elevator.
>> God damn. Uh, I I remember the
Musicology album where he toured and he
attached the album to the ticket so that
when you bought a ticket, you were
buying an album and it instantly became
a million-doll seller with that
philosophy. He had
>> genius that was way ahead of the pimps,
>> you know. I love it.
>> He just knew that he was being [ __ ]
and he knew that all they're selling is
his brilliance. They don't have
anything. What is a record company
selling? They're only selling the art.
That's it. They don't make it.
>> And they were getting a penny a copy.
Exactly. The the the record company was
getting most of it. And now it makes
even less sense because nobody even buys
albums anymore. It's like, how the [ __ ]
are these record companies even
surviving? It's so crazy that there they
still figure out a way to latch their
tentacles onto these young artists. And
for young artists, they feel like
they've made it when they're a part of a
record deal. like I got a deal. And I
almost want to tell them like
that ain't a deal.
>> You got to deal with the devil. Like if
you just put your [ __ ] on YouTube or on
Soundcloud or anywhere where people hear
it and they start sharing it, you'll be
huge.
>> Yeah. We're getting smarter and learning
how to deal with the pimps that you
know. Uh I I talk in in the book about
Prince also had a great sense of humor.
you would have loved him, you know, as a
person uh beyond the musician. And there
was a time when I was hosting the MTV
Awards and he had no ass in his pants.
And um
you know, so when he's coming past me
down the hall, I realize, oh [ __ ] cuz
this [ __ ] ain't got no ass in
his pants. We'll be talking about this
tomorrow. So, so obviously when I get
back to the show, my first monologue is
about that night.
>> Look at that.
>> Yes. YES.
>> 1991. Isn't that crazy?
>> That was That was nuts.
>> 1991. So I do jokes about that in the
monologue and u like a week or two after
the jokes I get a box
in the mail at Paramount and it's from
Prince
and I open it. I figure it's maybe a
hoodie,
>> you know. I opened it and it's a
beautiful black and white suit with all
the Prince symbols on it. Made me look
like I was the drummer for New Power
Generation or something. It was a cool
cool suit. And I'm looking at it and my
assistant said, "Turn it around."
I turned it around. There was no ass,
>> no leg. Hell no.
Not even at the crib. I never put it on.
It's like I I could never bring myself
to putting on that suit. It had no back,
Joe. That's hilarious.
>> But that's his sense of humor.
>> That's hilarious. That's so funny. I
took him to an after hours joint once. I
talk about that in the book of because
he was very interested in what people
listen to and what moved people in
clubs. And I told him about an after
hours joint down the way south of
Wilshire that was in a lady's house and
you have put pitbulls and and a fence
and they let you in. They lock the chain
back, bring you to the back and um you
know you put money on the counter and
they put your liquor in a solo cup. you
know, not a legal place. And I told him
about the place and he said, "I want to
go." And I took him down the way to this
spot. He had an acrylic cane and a suit
where the shoes match the suit, exact
same material. And he sat with me in
this after hours joint and listened to
the music and and it was where the
strippers.
>> What year was this? Oh god, this was
maybe two years after I left the talk
show. And um
>> So did he need the cane back then? Was
that when he was having hip problems?
>> I think so. Now we understand that maybe
he had a replacement, a hip replacement
or something.
>> I thought it was fashion, but it
probably was a little necessary that
year
>> and he all his dancing and
>> Oh, he used to jump off speakers, Joe.
>> Yeah. Yeah.
>> And land with heels.
>> Mhm.
>> So
>> that's what [ __ ] him up.
>> Yeah. Yeah.
>> Yeah.
>> Yeah.
>> A lot of pictures with him with a cane
over the time though.
>> That's Well, he probably was struggling
even back then cuz there's a lot of guys
that blew their their hips out. Yeah.
>> He probably needed it
>> cuz he was an athlete, per se, you know.
>> Oh, for sure. I mean, his dancing was
insane. And he was a good basketball
player.
>> Hey, I I have one of those. He um the
hat with the police hat with the chain.
He sent me that one day.
>> So, I'm sure there are a few of them,
but just to have one of those from him.
And he sent me like what looks like a
Smith and Wesson 38 long, but it was
fixed up. So, the microphone was where
the barrel is.
>> So, he could hold the gun and sing into
it like that. I have that. Very cool.
Very cool.
>> I became good friends with Charlie
Murphy and Charlie Charlie had Oh, look
at that.
>> Yes.
>> Wow. Wow.
Wow.
>> I have one of those. I don't know how
many there were, but I have one from
him.
>> That's crazy.
>> Wow.
>> But Charlie Murphy,
>> well, Charlie had all those great
stories about Prince that he did on
Chappelle's show.
>> Yeah.
>> You know, I mean, that was like that
whole segment of like uh how how good
Prince was as a basketball
>> and then people didn't believe it
because, you know, he's so short, but
meanwhile, he could [ __ ] play like a
[ __ ]
>> Yeah. He had he had a crossover move
that was crazy. And he could roller
skate
and I mean amazing with with a lollipop
backwards and [ __ ] on one foot, you
know? So he he was
>> he was an athlete.
>> Yeah.
>> Really. I mean you can't dance like that
and not have incredible body control.
>> Yeah.
>> But the problem is when you're doing
show after show after show after show
after show for years,
>> you're you're tearing your [ __ ]
joints apart. And that's probably what
blew his hips out. That's one thing
about us with the exception of the [ __ ]
you used to do on a stool. That
balancing act. Uh
>> oh, the Kardashian joke.
>> Yeah. Our joke, our our our life of
jokes isn't very f we No. You know, all
we got to do is take care of from the
neck up. Take care of your mind.
>> Our body we No comedian has a bad hip.
>> Well, you generally don't get it from
performing on stage, that's for sure.
But when you're dancing and jumping
around and doing all that [ __ ] like Ted
Nent blew his his knees out jumping off
of uh speakers.
>> Mhm. Mhm. Like a lot of people did that,
you know, they just they went crazy.
They were just putting on a show and you
don't realize you're doing it. Maynard
from Tulle, he blew his hip out,
stomping on the ground all the time.
>> Wow.
>> Just stomping while he was singing. He
had to get a hip replacement.
>> Yeah. I like being a standup.
>> Well, it's definitely easier on the
body. That's true. You know,
>> you still get up on stage ever?
>> Oh, yeah. All the time. I'm going up
>> in your own club.
>> Yeah.
>> What nights do you go up? Usually
Tuesday and Wednesday I do it, but I do
it, you know, off nights too, different
nights. But Tuesday and Wednesday almost
every week I do a show there.
>> I promised my woman I wouldn't go to the
mothership. When I I told her, she's
like, "When you go, I want to go. It's
it's a big deal if you're a comic,
>> you know? I mean, uh, it's it's it's a
huge deal." But I want to come one
night, fly in, and just just let me have
10. Dude, you can go up anytime. You can
go up tonight if you want. I got a show
tonight.
>> Yeah, I I got to fly home and do I'm
still slinging this book, man.
>> I hear you, brother. Well, anytime
anytime you want to come by and do a
set, you're more than welcome.
>> I love it though.
>> Come and hang hang out.
>> Everybody's been so friendly.
>> The green room is an amazing hang, too.
>> That's what I hear. But I've heard both
sides of that. I've heard don't be in
that [ __ ] if you're not supposed
to.
>> Well, the problem is you don't want
anybody coming in [ __ ] up the
conversation, you know? So, we, you
know, you got to be kind of vetted. But
it's only like during shows when you're
not on, you know, if like if it's a show
and you're on the show, everyone's
allowed to be in the green room. Yeah.
It's just like we don't allow people to
just come in out of nowhere. There's
like you're from out of town, you want
to come in and hang out in the green
room. Then there's too many people in
the green room. Yeah. And then people
have to prepare. They're going over
their notes. The green room is supposed
to be a hang with the comics on the show
that are getting ready to go on stage.
And the problem is that's the cool spot.
That's where Shane Gillis is and Ron
White is Tony Hinchcliffe is everybody
wants to come in and you know it gets it
gets to be a little bit of a problem. So
you can't go in the green room if you're
not on the show unless we know who you
are and you know you're in town. You
want to come hang
>> but it's like you know it's like you're
having a party. You can't let everybody
in. The problem is everybody wants to be
there.
>> I mean look at the level I'm at and how
long I've been doing it and I know about
the green room and want to get in there.
>> You can get it. You can get in anytime.
Hey, when you were in living in
Hollywood still, um, did your kids ever
want to act?
>> No. No, they're not interested in that.
>> Yeah.
>> Never wanted to stand up.
>> Thank No, they wouldn't. First of all,
rich kids are not going to be good
stand-ups.
>> You're not going to be able to deal with
the torture of bombing. You know, you're
not
>> And they don't have to.
>> And they don't have pain. You know,
their their pain is so minor in
comparison to the pain of poverty. the
pain of struggle, the pain of, you know,
not getting enough attention when you're
young and, you know, moving around a
lot, all the different [ __ ] that most
comics go through. I I've never met a
good comic who had a great childhood. I,
as you're talking, I'm thinking, I'm
like, do we know any comics who are
good, who are from wealth?
>> None. I don't know any. I'm sure they
can exist. I'm sure it's possible, but
it takes a very exceptional person to
want to be a great comic that's grew up
wealthy. It's just not a thing that they
seek to do.
>> So much so much comedy comes from our
pain.
>> I think the only exception to that would
be the weigh-ins brothers because the
sons of the weigh-ins brothers all went
on to be great comics. They all went on
to have big careers in movies and films
and television. But I think that's it's
like a family thing over there. Like I
remember Damon telling me that he set up
a stage in his house.
>> That's absolutely true. Well, they just
I mean they love standup so much they
would [ __ ] do stand up for each
other. Just [ __ ] around. I I used to see
first of all I think to this day Damon
is one of the most underappreciated
great comics of all time and
>> and he's back out there now. I I noticed
uh in my room uh Damon is at the improv
and
>> he's always been quit. No, no, no. He
never quit. He was always doing stand up
but he's low-key about it. He makes his
money off of television,
>> you know, and even like he wanted to do,
we talked years ago about him coming on
my podcast and he was like, "I'd like
to, but I'll say some crazy [ __ ] and
then I'll
>> get in trouble." Because he was in that
what I call the velvet prison. The TV
velvet prison. You're doing TV shows.
You're playing a dad on a TV show. You
know,
>> you can't come on a podcast, talk about
getting your dick sucked. It's just
>> Howie Mandel goes through that. I work
with him a lot. and Howie is on
America's Got Talent. Exactly. This real
commercial television vehicle, but
nobody is more real and edgy than Howie
Mandel
>> when he's on stage and in the green room
hanging out. Like he's done sets of the
mothership. He's come and hung out with
us.
>> Yeah.
>> He came he did my podcast and he came to
the club. He's like, "Fuck, I want to be
like that. I want to do do what you guys
are doing."
>> I'm like, "You can.
>> You can do it." But he's worried that he
would lose that velvet prison. Hey, when
we're working and they have the phones
and bags, that's when he's amazing to us
because he'll he'll drop the sea bomb in
a minute.
>> He was saying it. He was saying on
stage. I'm just so happy I could say
[ __ ] Yeah.
>> I just want to say it.
>> But he was funny. It was like he was
having a good time. He was loose and you
could tell it's like cuz Howie was a
great comic. Like Howie had some
hilarious [ __ ] specials.
>> I hated following him at the Westwood
comedy store. Mity used to send us there
to get better. me, him, and Paulie.
That's the one thing I loved about her.
You know how we have Nepo babies? She
didn't have no Nepo babies. She was
like, "Paulie, you're not ready."
>> Yeah. Oh, she made his Westwood.
>> Oh, she made Paulie work. Yeah. I mean,
Pauliey's a rare dude in that regard.
like he became a really funny comedian
while he was, you know, living with a
woman who's the great as as in terms of
like
people in comedy that are like the some
of the most critical important people.
She is the most important person in the
history of comedy that's not a comic.
>> Absolutely. There there is no argument.
>> No argument. There's no one even close
to her.
>> And her son, you know, I mean, went on
to have huge success in movies. I took
Mity. Remember when we had the Universal
Amphitheater?
>> I got tickets and took Mity to see
Paulie open for Sam Kenison.
>> Wow.
>> And uh it just blew her away cuz she had
never seen him in that large
environment. And it was really cool to
watch her watch her son.
>> Well, she let she let him grow the right
way, you know. She didn't she didn't
give him a silver spoon. By the way,
Mity Shore started the comedy store and
she's the mother of Paulie Shore because
I say Mity to you like it's a cousin,
>> right? Well, we talk about her so much.
I think a lot of people listening know,
but she's the most important person in
comedy that wasn't a comic and more
important than most comedians. Like, she
would tell you how to do it right and if
she liked you, man, it was like
>> she'd tell you how to do it in her
opinion. I've seen her tell some people
some crazy [ __ ]
>> Oh, yeah. She was done right a lot of
times.
>> She had some wild ideas that weren't
>> She had a girl put on a green wig one
time and I'm like,
>> I'm not sure, you know, but she was
trying to find some kind of hook for
this girl. And I'm like, if you don't
want to have to wear the green wig, go
home and figure out a hook.
>> Yeah, she she made Joey Diaz call
himself Fat Baby. She
>> Ouch.
She when you would look at the lineup
like I bet you could find it online if
you look there's lineups from the comedy
store it be a bunch of comedians Bill
Burr blah blah blah and then you'd see
fat baby and that was Joey Diaz she
would call him fat baby she would
wouldn't even let him use his [ __ ]
name in the lineup it would be fat baby
I remember having a conversation with
her and Paul and Paul was exacerbating
the problem cuz she was like
>> Rodriguez
>> uh Paul Mooney
>> Paul Mooney We got so many Pauls in our
life. So, we're sitting dude talking
>> and uh Mity is about to start the belly
room cuz she thinks women need a place
to perform
>> and uh to get better. She
>> that was what the belly room originally
was.
>> A little college up there
>> for ladies and she was trying to think
of a name for it. And she says, "I'm
also thinking about having one night of
just black comics." You know, because
there was only George Wallace, Dave
Tyrie, and Mooney at one time when I
arrived. And uh
>> What year was that?
>> I came in 1980, New Year's Eve.
>> Wow.
>> I drove out from Chicago cuz I'm from
Cleveland, and there were no comedy
clubs in Cleveland back then. So, I had
to go to New York, LA, or Chicago. And
my mother was living in Chicago at that
time. So, I went there cuz rent was free
for a while. And uh that that was a a
lot of fun. But Mity for the Black
Knight, she said, "Paul, what do you
think I should call in?" And and she
says, "I was thinking cotton comedy."
And and I'm not No, Mity, no. No, you
can't. You can't. And I was trying to
explain why. And Paul was like, "Oh,
that's wonderful. Let's
exactly what we should call it."
>> Oh, homie. Oh, homie. Comedy.
>> He was cool.
>> Oh, man. Paul, that guy, that guy would
write, man. It'd be something that would
happen in the news like the day before
and Mooney would go on stage and have
like 15 minutes on it and just crush.
>> And he did something that I know I
hated. He requested the last spot.
>> Oh, he loved that last
>> Wanted to go on late. Wanted to stay on
as long as he wanted and would [ __ ] with
you if you tried to get up. M
>> Oh, you don't like a smart [ __ ]
>> but don't leave too early. My friends
are at your house robbing that
[ __ ]
>> He He would have so many things like
that, so many hooks. And he was just so
good at working those small crowds. He
just liked the freedom of just being
able to [ __ ] around, you know,
>> with a bottle of champagne with a straw.
>> Little tiny bottle of champagne.
>> Yeah. And he would he would sip on it
during punch lines.
>> Oh, [ __ ] please. And then take a sip.
We always used to just sit in the back
and watch him. It's like if you thought
you were good at comedy, you'd watch
Mooney and go, "God, I got so much to
learn."
>> Yeah.
>> I got so much to learn.
>> All the great comics that we know now at
one time would sit in the back of the O
and come late to watch Paul.
>> Absolutely.
>> I used to on a landline. I used to call
Kenan and say, "Yo, I'll meet you
there." We were going to see Mooney at
11:15. I would always love to see Mooney
when something [ __ ] up happened in the
news.
>> Like if there was something [ __ ] up
happened in the news, I'm like, "When's
Paul going up?"
>> Yeah.
>> You know, it just like you had to go see
him because he always had a take and you
know that take was always like, "Oh
shit." You know, it was like he would
get you. He would like find an angle
where you'd be like, "Oh my god, oh my
god." He was he was so clever. the
coolest conversations at the comedy show
when Richard would come up every night
and Richard would go from five minutes
to an hour and then it would become a
great special that you go to at the
theater to see.
>> But I would watch Paul Mooney before we
had cell phones
>> after it was over. Richard would go and
have a cigarette in the main room like
on a Monday or Sunday. I think it would
be closed and that's where he would we'd
call it holding court. He would go in
there first and just want to dry off for
a minute, smoke a cigarette, and Paul
would come in with a napkin with stuff
written on it. And he would just, you
know, oh, and how about this? And he
would give him tags. And as a matter of
fact, Richard on the back of an album
that that joke you go to, you go to
prison, you get justice, just us, [ __ ]
>> And he gave that to Richard and it was
on a prior album. But uh oh those Joe
that was a time Richard would work out
every night. He'd work the original
room, go in the main room and entertain
his guest and it would be like Bert
Reynolds, uh Moses, uh Charlton H.
>> Uh Wow.
>> Bernie Casey.
>> You you would see like uh Oh, Bert
Reynolds would have Sally Field with
him.
>> Wow.
>> It was amazing. They would all come and
bow to the King Dog.
>> Yeah. Well, he was so different. Yeah. I
always say that the godfather of comedy
who started everything was Lenny Bruce,
but then Richard
>> figured out a way to take that and make
it way funnier.
>> He figured out how to take that kind of
honesty and social commentary and figure
out how to like talk about life.
>> Cuz people don't know that before before
Lenny Bruce came around, it was just
jokes. It was just like two Jews walking
to a bar, they buy it, punch.
>> Yeah.
>> It was jokes. It was like Dangerfield's
rhythm.
>> Yeah. But you know what? Dangerfield was
a He was a special guy, too. He was a
beast, man.
>> And he didn't He took like 10 years off
and never stopped riding and was selling
aluminum siding. Yeah.
>> And then came back and made it in his
40s.
>> Yeah.
>> Wow. Look at this. Willie, that's the
main room. That's the main room.
>> That's crazy. Bert Reynolds, Sally
Fields.
>> Now, you see that picture? One night I'm
in that room and Stevie Wonder
>> is over on the piano. Remember how the
piano used to be in the main room on the
far left of the stage? Steviey's playing
>> and there a few people snorting Coke. I
think to this day, Stevie still thinks a
few of those people have allergies
because, you know, Yeah. He's just
sitting playing and people Wow. Wow.
Look at that. Bert Reynolds on stage.
Robin Williams.
>> I saw Bert Reynolds give the parking
attendant $100 and I thought I was on
another planet. I'm like, get the [ __ ]
out of here. I should be parking cars.
[ __ ] Stand up. Yeah, that was that's
And for people who are looking at this
picture, that's Richard holding court
after his set. Wow.
What an amazing photo. Well, Jamie, we
should get some of these photos and
>> Yeah. Get some of these photos and let's
print them up and put them in the green
room at the mother ship.
>> I saw a picture.
>> That's a back. He's got the zero signs
in the back.
>> Oh, yeah. Still wow.
>> That tells you a lot about the history.
Uh search.
That sign used to be Mity had this
warehouse room like was just not a
warehouse, but you know, it was a
storage room where she had all the old
CRO stuff. And I remember seeing that
sign there and they eventually hung it
up in the back bar area and you just
look like, "Wow, this was this was a mob
club in like the [ __ ] 50s."
>> Yeah,
>> that's crazy. I saw a picture you have
in the entry of Richard Prior's mug
shot.
>> Yeah.
>> I had never seen that. What did he do?
>> I don't remember.
>> Yeah,
>> I don't remember. But he was very young.
That mug shot was I think he was like
18.
>> Yeah.
>> I don't remember what it was. I have mug
shots from everybody who got arrested.
>> Yeah. I saw Larry King. Larry King was
like bad checks. He was writing bad
checks. He had a gambling problem.
>> Oh
>> yeah.
>> Yeah. Willie Nelson's up there.
>> Yeah.
>> I got everybody up there. There is a
book that I have in my garage and it's
the first edition to tell you
how much of of this kind of stuff
existed, but it's all celebrities and
their mug shots.
>> So, it's a coffee table book of just the
mug shots.
>> Oh, I should probably get that book. I
bet there's a few in there that I don't
have.
>> And I bet there is a a second one that
they could do
>> because the book's only like a half inch
thick. We got a lot of good ones out
there, but you know, so many people got
arrested. You know, we got David Bowie
out there, of course. Morrison, you
know, it's like Hrix. Got to have that
mug shot. That's a classic.
>> Yeah.
>> This There was a lot of mug shots.
>> Have you ever taken a mug shot?
>> No, I've never been arrested.
>> Yeah, I've never been arrested.
>> I'm a good boy, believe it or not. Yeah,
you know, I mean, we we've done things,
but not enough to have to take those
pictures.
>> Yeah. Luckily,
>> but also we live in a different time,
you know, in the 1960s and 70s when
those guys are getting arrested. They're
they're getting arrested for like having
a joint or something like that, you
know.
>> Oh, yeah.
>> Richard or excuse me, Jimmy, I think he
got arrested in Toronto for having
heroin on him. I think that's what he
got arrested for. I got pulled over and
had a joint in my ashtray
in 1989.
And uh I was scared to death. And the
cop was real nice to me. But he did the
corniest thing. He says, "Get out of the
car." And he made me rip up the joint
and drop it in the sewer at the curb
there. And he says, "Now get your life
together."
>> Like [ __ ] is helping me get my life
together.
>> Absolutely. It makes me funnier. That's
funny. That's hilarious.
>> The good old days, man. I remember you
talking about Rodney earlier, Rodney
Dangerfield.
You know how we love com comedy. We'll
never stop doing it. We'll do it until
until the wheels fall off. And I
remember him on stage at the Laugh
Factory near the end of his life. And
>> I saw him there.
>> Yeah. And his wife was in the balcony
>> giving him lines through a wireless
earwig. And uh if you went up top, you
would hear her say, "I don't get no
respect." And
>> I don't get no respect.
>> You know, and first of all, two things.
It first of all, it warmed my heart that
the woman who loves you is going to help
you do what you love.
>> So that
made me feel so good and it was like, I
want a woman with that kind of heart
because I know I'm going to want to do
it when I'm older. She gave us his notes
from one of his Tonight Show appearances
and they're framed uh in the on the wall
in the green room. It's his handwritten
notes in in bold. He would like write it
in bold where the punch lines were.
>> It's like sitting there right above the
couch.
>> That's cool, man.
>> Yeah. It was one of the first things uh
Whitney Cummings hooked it up. She got
it for us from her. She wanted us to
have it.
>> Whitney Cummings. I
>> I saw Rodney live when I was a security
guard. I was a security guard at Great
Woods. Great Woods Center for the
Performing Arts, which was in Mansfield,
Massachusetts.
>> Oh.
>> Where I lived in Boston.
>> Yeah.
>> Um me and a bunch of the black belts
from this taekwondo team that I was on,
got jobs as security guards.
>> And I was 19 and I was backstage and
Rodney was walking around with a
bathrobe on with nothing underneath it.
>> That was when he was going on stage with
a bathrobe. He got to such a [ __ ] it
point in his life where he would
literally go on stage with nothing but a
bathrobe. He would walk out there with a
bathrobe and slippers and just [ __ ]
murder. I remember being in the and I
wasn't even thinking about doing standup
back then. Back then I was just fighting
and I was a fan of comedy. I always love
comedy.
>> Your fighting friends talked you into
doing standup, right?
>> Yeah. Yeah. One of the guys that I
trained with, my friend Steve. But when
I when I went there, I remember like
like you want to talk about not giving a
[ __ ] Like this guy really didn't give a
[ __ ] Like he had gotten to a point
where he had so much success and so much
money. And this was after back to school
and all those big movies and he was
still just going out there doing stand
up. He was smoking weed back there and
he just would go on stage with a
bathrobe on
>> and I remember thinking that is the
wildest [ __ ] I've ever seen in my life.
I remember as a young man cuz I was
always, you know, you're [ __ ] 19.
You're scared of everything. You're
worried about the future. You don't know
what, you know, you have no security in
your life at all. And here's this guy
with, you know, millions of dollars,
massive amounts of fame. And he got to
that I don't give a [ __ ] stage. And he
but he really did. He wasn't faking it.
Nobody told him he has to go on stage in
a bathroom. I was like, I'll tell you
what I want to do. Mhm.
>> I want to go on stage with a bathrobe.
>> He just went on stage with a [ __ ]
bathrobe.
>> See if you can find some photos of him
on stage with a bathrobe on. I know he
did it for years.
>> I got in trouble because Easy E came on
my show in his bathrobe.
>> And he was like, "You gave it to me."
You know, cuz we give out bathroes. And
so he said, "Well, [ __ ] it. I'll wear it
out there." And he wore it out and had a
he was picking his teeth with a knife.
And Paramount was like, "Oh man, this is
not what we asked him for. This is
really not what we asked him for. He'll
never replace Johnny."
>> Oh, [ __ ] off.
>> But but I knew people were ridiculous.
>> Hey, I was where I was because I snuck
in through syndication. Did a first run
syndication. I know network wasn't for
me. And when Letterman got CBS, I knew I
was really in trouble. So, I had to
figure out an exit plan. But the bottom
line is for six years, I did it the way
I wanted to do it. And I wouldn't change
a thing, man. To to do it for 26 years.
I wouldn't trade those six.
>> The thing about it is, man, everybody
wanted to be Johnny back then. It was so
crazy. Even Letterman, I joked that the
Emmys I I said I I had a dream. I wanted
to be an old white man with a desk,
>> you know, and that was my I to the
point, Joe, that when I made it, I hired
Johnny's architect that built his house
to build me a house. I was deep into the
[ __ ] like that. Well, he was the guy.
People don't realize like that was the
carrot. That was the thing that they got
I mean Jay Leno and like that famous
scene in that movie that talked about it
where Jay Leno would hide in the closet
and listen to them talk about it because
he wanted that spot when Johnny retired
but they wanted Letterman and it was
like this battle between like it made no
sense to me. I'm like Letterman has the
Letterman show. It's [ __ ] huge. It's
amazing. Why would you want to do
anything else? But everybody wanted that
Tonight Show. Absolutely. I wanted the
Tonight Show
>> and when I was a kid, I was a magician.
That's how I started. And I read an
article that said that Johnny did Slight
of Hand and was a magician. So to me,
that was God speaking to me.
>> It was like, you are a magician and you
do a talk show in the basement. Oo,
>> one day.
>> Yeah, one day.
>> Isn't it crazy though that it had to be
the tonight show for everybody? It
wasn't get your own talk show,
>> Joe. Doing standup, getting that five
minutes, having Jim McCauley come see
you. I got on
>> Dinosaur. No, no, uh Mike Douglas and I
got on MV Griffin.
>> Didn't Didn't do it for me.
>> I needed Jim McCauley say that tonight
show is yours.
>> Yeah. Ain't that crazy?
>> Did you do Did you Were you You were too
young.
>> I was too young. And it's also like for
me, I didn't understand it. Mhm.
>> Like I used to like watching when comics
were on the Tonight Show, but it didn't
>> remember the night Roseanne came on the
domestic goddess.
>> Yeah.
>> I was like, "Oh [ __ ] she's funny."
>> Oh, she was so funny.
>> She can write.
>> She was so funny. Roseanne was like way
ahead of her time. She was so wild.
There was no one like her when she came
out.
>> Yeah,
>> she's still wild. She comes to this to
the mothership all the time. And as wild
as she is, Joe, the night I called her
and said, "I need
to rearrange the show tonight, her and
Tom were coming."
>> And it was Tom Arnold.
>> Yes. And it was the morning that I'd
gotten the call from Irvin Magic Johnson
that he was HIV positive.
>> So I needed the whole show.
>> And this is how cool she was. She says,
>> "Give me another date, but I'm still
coming cuz we love Irvin."
>> Oh, wow. And they came and stood on the
side that night when Irvin came and
talked about it.
>> Wow. She's cool.
>> She's cool. She's crazy as [ __ ] She's
cool.
>> Aren't we all? And don't we have to be?
>> You have to be. Yeah.
>> A little bit. We got to be the different
kid in the neighborhood.
>> Yeah. Well, if you want to be as good as
she was cuz people, they don't. You got
to go back and watch some of her
specials. She was killing in a way that
no woman killed like that. It was
different. It was like aggressive.
>> It was aggressive and angry. It was It
was attention on She didn't sell us any
sexuality at all. It was just great
writing.
>> Just great writing and great performing
and a lot of I don't give a [ __ ]
>> And it was just Do you find any photos
of Rodney with a bathrobe on?
>> I mean, yes, but not on stage.
>> No.
>> There's only Yeah. I don't even know if
they exist.
>> They similar clothes. That was
>> They don't exist. That's crazy. That was
a pre-show right there.
>> He's You think he's not ready, but he's
dressed to go on,
>> right? And he's writing.
>> Look at the phone. Look at the landline.
>> Ain't that crazy?
>> I showed my son one of those. He
couldn't believe that to drop dollar
nine. It was And if you missed one of
them and [ __ ] it up, you had to start
from scratch. It was crazy.
>> Yeah.
>> Back in the day. I remember when uh the
iPhone first came out and it didn't have
actual buttons like a Star Trek
>> and I was freaking. It's like how will I
know where the L is?
>> Yeah,
>> I can't feel it.
>> I remember I had a Blackberry back then.
You couldn't convince me that I needed
to get an iPhone. I was like, "This is
ridiculous.
>> I'm not typing on that stupid thing. I
don't even know where the buttons are.
It's cra You don't It makes a click
sound. That's stupid." Before you know
it, we were doing it. We turn off the
click and it says a lot about progress.
Don't don't be afraid to change.
>> Well, now I talk to it. Now I hardly
ever text. I just say, uh, text Arsenio,
like say, "Hey, man. Looking forward to
seeing you tonight, blah blah blah." And
just send it.
>> Yeah.
>> I I make most of my text messages I just
talk to my phone.
>> Yeah, pretty much. Uh, me and Siri. Uh,
and you can't say the N-word to Siri.
The other night, I was writing a joke.
No, she won't [ __ ] with the nword
because seriously, I wonder if Google
will.
>> She's like, I'm not getting cancelled,
you know, and let Alexa have the whole
business. I'm not to get, you know, but
you know, I'm writing the joke and I
said the N word. Uh, of course, I didn't
say n word. I said negative
>> and Siri would not write it.
>> And then when I kept saying it, she
started writing other things, you know,
that started with an N, you know, but
they weren't even words.
>> And I'm like, so they got Siri trained.
>> That's so weird. She not getting
cancelled.
>> It's weird that it took
it wasn't even 10 years and then
everybody just got accustomed to having
a phone with them all the time. Like
there there was think about like the
difference between like it was probably
like what is it like 9798
when everybody had those Motoras,
>> right? It was around then, right?
>> Yeah.
>> It was around then like 96 97.
>> My friends laughed at me. My first phone
was in a Hallebertton briefcase. And you
open the silver Hallebertton briefcase,
take the phone out and the phone was
maybe 10 in, you know, with a and and I
had an antenna that screwed on the
outside of the briefcase because you had
this big possum tail.
>> Yeah. I had one on the roof of my car.
>> Oh yeah.
>> In 1989.
>> Yeah. You you Wow. Back back then,
I couldn't imagine that kids would be
watching movies on the phone,
>> right? Playing games, watching movies,
and that would be most of their social
life was communicating through that
thing.
>> Yeah. Remember there was a time when
dudes said to each other, "Yo, he got a
strong rap, man. His pimp hand is crazy.
He can get a [ __ ] in a second, you
know, and blah blah blah. He can talk."
And now young men don't know what the
[ __ ] to say to a woman leaning against a
wall in a club.
>> Dating apps now. Yes. Swiping.
>> Crazy.
>> But what I was going to get at like how
quickly the culture changed from let's
just say 98 when most a lot of people
had a phone. At least half the people
had a phone on them. 2008 everybody had
a phone.
>> Mhm.
>> 2018 you'd be crazy to not have a phone.
>> Yeah.
>> 20 years like that.
>> Okay. Now now hold your thought.
>> Okay. I remember a time
when
you and I were the only parents that
didn't allow cell phones
in the hands of our kids. I cuz I
remember my son said, "Uh, Dad, you got
to let me have a phone, you know, and
I'm like, I'm not doing it. I'm until
you were a certain age, I'd set it up
and and I said, does everyone in your
class have a phone?" And he said, "No,
two of us don't."
>> And I realized you were the other
parent.
>> Yeah.
>> That was saying, "We're not [ __ ]
>> I gave her a phone that has two numbers
on it." It would they There was a weird
little cell phone that you could get for
kids where she could dial like my phone
number or my wife's phone number.
>> It was like that's it. Those like it was
like I forget what it was called. It was
like the frog or something like that.
Some little cell phone for kids.
>> Yeah. Yeah. Yeah. But you didn't have to
worry about the things that kids have to
worry about now. Like I was watching
this thing about Roblox. You know that
game that kids like to play that they're
getting like predators are on Roblox and
they're trying to pick up kids like
child predators on. So you have to worry
about the games they play. You have to
worry about them getting DM'd by creeps.
You have to worry about so much more
access than just a phone to call people.
>> Yeah. There was a time when my kid used
to play games with a headset on and he
would play with people you don't know,
just somebody in the world.
>> They would gather.
>> Yeah.
>> And um
I remember feeling like this can't be
good,
>> right?
>> You know, cuz these probably aren't all
kids he's playing with.
>> 100%. Yeah.
>> Yeah. Well, when I first started playing
video games, you'd have to chat by
pulling down a window and you'd have to
type in the things that you wanted to
say. You couldn't talk to people.
>> Yeah.
>> And then when people started talking to
people in video games, I'm like, "Oh,
this is crazy."
>> Yeah.
>> But then the problem is whenever there's
anything the kids are doing, you're
going to have some creeps that are
targeting kids. And they find where the
kids are hanging out, what the kids are
doing, and then they try to get those
kids to meet them somewhere. That's
what's scary about cell phones and the
internet and all that [ __ ] is that it's
not just a phone. It's it's a a way that
you can connect with people and there's
always creeps that are trying to connect
with kids.
>> Yeah. I I was lucky as a kid because I
talk about being a magician and I worked
at a magic shop when I was 12. Took cash
because I couldn't actually have a job.
And I remember meeting older magicians.
I remember going to people's house to
see a new guillotine trick and my mother
my mother worked two jobs. I was a latch
key kid. I never had any problems and I
never was warned about it, you know, but
um I was a I could have been a target
because
>> Yeah, you got lucky. Yeah, I really got
lucky because I, you know, when I was
writing the book, I'm looking and I'm
saying
>> there was a guy I met who uh
worked until he died for Pen and Teller.
And this dude, I met him at a magic show
and every year when he would come to
Cleveland, I'd go sit with him. My
mother never knew I had this 40-year-old
friend, you know.
>> Weird, right?
>> But yeah, but he was cool and I got
lucky.
>> Yeah, that's the thing about Latchkkey
kids. I mean, the thing is though, I was
watching this um this YouTube video
where they were talking about kids of
our age, you know, our our generation,
latch key kids
>> that grew up like that are so much more
resilient because no problems were
solved for you. You had to figure it out
on your own. You went out on your own.
You were outside with no cell phone
communication, no way to call anybody,
right? when you were 10, 11, you're
wandering around with your friends. It's
like it was a different world. You had
to figure life out in a way that like
helicopter parenting and parents that
are like tracking their kids,
>> you know, like a lot of parents like
they're tracking their kids on their
phone. They know where they're You said
you were at Debbiey's house. You're not
at Debbiey's house. Where are you right
now? Like everyone is like looking out
for their kids maybe a little too much.
It's like you want your children to be
safe, but you also want them to have
like a little bit of freedom to figure
out who the [ __ ] they are. Yeah. I gosh,
as a kid, when I would tell my mother,
I'm spending a night at Kenny's house, I
was never at Kenny's house.
You know, my my girl when I was 14
had a mom who was a nurse that worked
the 11 to seven shift. So, we kind of
lived together like a couple, you know.
I would tell my mother I'm going one
place, I'd go to Robin's house. I would
stay at her house till morning when I
went home to get ready for school. You
know, I was like a grown ass man with a
woman. It's just
>> That's wild.
>> Until one day her parents uh had the
grandparents come to town and to
surprise her. And so, the mom's at work,
there's a knock at the door and she
said, "It's my grandmother." We had
little peeppholes. It's my grandmother,
my grandfather. and I had to jump uh
with my clothes off their balcony.
That was my action adventure teenage
period.
>> Yeah, it's a different world. I don't
know if it's better or worse, but I
think it definitely made you more
resilient. And that was this argument
that they were making in this YouTube
video that that generation is the most
emotionally resilient
>> and that this generation coming up is
like the least emotionally resilient.
That's why they're always looking for
things that are you know, problems.
They're always looking for things that
bother them, things that cause them
anxiety. They're always looking for
things that, you know, they can't
tolerate.
>> Where's my bike helmet?
>> You know, I we used to have a car. It
was a station wagon and the back seat
you sit facing the opposite way. No seat
belts. That had to be dangerous.
>> It It's all dangerous. Those cars were
dangerous. They could barely stop.
>> Yeah.
>> They had drum brakes.
>> Yeah. Yeah. You ever drive like an old I
have old cars, but I have what they call
resto mods where they take an old car,
but they put like modern suspension,
modern brakes, modern steering. It
handles like a new car, but they have
all the outside of an old car and you
know, and then the dashboard of an old
car and all that stuff. That's what I
like. If you drive a real like if you
try to drive a 1968 Camaro, you're like,
"What is this piece of shit?"
>> Like they can't break. You can't go
around a corner. They There's no
traction. What was your first car?
>> I had a 1973 Chevel.
>> I had a Cutless.
>> Had a Cutless once. Yeah, I had a 70 a
70 Cutless.
>> Those are great cars. God, they knew how
to make a beautiful car back then.
>> You like muscle cars?
>> Yeah. I love the Well, when I was in
high school, like those were the So, I
was in high school in the 1980s. I went
to I was a freshman in 1981.
>> I had four kids in the 1980s.
>> Wow. That's crazy.
>> I'm much older than you. In those days,
those cars were the cars that we all
like looked at. Like you couldn't
believe when someone had it. I remember
I have a 1970 Chevel to that I got to
this day. I I I have it because when I
was like 17, my friend picked me up in a
1970 Chevel with his buddy and it was
perfect. It was a perfect car. I
couldn't believe this guy had it.
>> I was like, "How do you have this?" And
and when you say perfect to non-car
people like me, what does that mean?
>> Oh, first of all, it was what you would
call cherry, meaning there was no dents,
no scratches, perfect paint. It was
beautiful. The sound it made when he
pulled up, I couldn't I think I was 16
cuz I don't think I had a license yet.
And I remember getting in the backseat
of the car going, "How does this guy
have this car? This is crazy. It's a You
know what a 1970 Chevel looks like?"
>> Absolutely.
>> With the white stripes. Black with the
white stripes. That was it. I have that
exact car right now. I love it. Whenever
I get in, I think about when I was 16. I
think about all those years ago
>> when Bert Reynolds drove up. Those
pictures we just looked at, when he
drove up, he had what was called A TRANS
AM.
>> YES.
>> And it had a big eagle on the
>> Yes. Smoking the Bandit car. I
>> almost lost my mind.
>> Oh my god. That was the Smokeoky and the
Bandit car. That was the car that he had
in those movies with Sally Fields.
>> $100 tip. Um, have you ever been to uh
you ever been to Jay Leno's spot
>> with with the cars? Yeah, I did his show
once. I brought my uh Corvette on. I
have a 1965 Corvette and I brought it to
his show. It's a Resto Mod 2 and Jay
drove it around. He's the only person
that's ever driven it other than me
>> and you know, it's an honor. But you go
to his place, it's like
>> he has warehouses. Not a warehouse where
there's there's
>> he never sells one. He He swears to me
he's never sold a car. So, anything he's
ever bought, he keeps. And he recently
told me,
>> "Why did someone turn it gold?"
>> A clip thumbnail, someone YouTube video.
>> No, go to the other one. The other
picture with the real picture.
>> I was just clicking around,
>> but go to the go to the real picture so
you can see what it looks like.
>> You know, you know what he has now?
That's kind of cool. He has two tanks.
Two army tanks.
>> That's us right there. That's my car.
>> Look at that. See? But that like you see
that modern suspension, modern wheels.
>> Those are exhaust pipes on the side.
>> Yeah. That that car is so fun.
>> Do those things get hot?
>> Yeah. Yeah. You'll [ __ ] your leg up. If
you got shorts on, your leg touches it,
you're in trouble. The outside part
won't because like the outside is like
to protect you from the actual exhaust
pipes, but underneath it is exhaust
pipes. But where Jay's leg is, if he
backed up right there, if it was hot,
he'd singe the back of his calves.
>> Joe, he has tanks.
>> Yeah, he has everything.
>> The king of Jordan gave him a tank.
>> And this [ __ ] was riding through
Sherman Oak with the
>> He drives everything he has, too. That's
the thing about Jay.
>> Yeah.
>> Like, it's kind of nuts.
>> It's a lot of rotation.
>> Well, he w he crashed one of his
motorcycles just a few years ago.
>> Yeah.
>> [ __ ] himself up.
>> He does a bit about that. He's [ __ ]
himself up without a motorcycle.
>> Oh, that was the one time he was
climbing up a hill.
>> Yeah. Yeah. We We've done a lot of dates
together. We have the same agent, right?
And he called us one day and he says,
"How about you, Jay and Craig Kilbornne,
and we call it Kings of Late Night." And
so we went out and did like five dates
and it was a lot of fun. And me and Jay
enjoyed it. So we added 20 more dates to
it. And uh
>> Oh, that had to be great.
>> Fun.
>> He was a great comic in the 70s.
>> Yeah. People don't know when I was in
college, we would go in the TV lounge
and watch Jay Leno. Uh to this day, I
remember him saying I was a philosophy
major and so I just got out of college
and I opened up a little philosophy
shop, you know, just to to explain what
[ __ ] majors,
>> right,
>> were actually being pedal to. Well, he
was the edgy comic in the 1970s and when
he would go on Letterman show, he was
like the edgy guy that would sit on the
couch and be
>> Letterman would say, "What's your beef?"
>> Yeah. And he would always be mad at
something.
>> Mhm.
>> He was like, People don't realize that
you see him as But is again that carrot,
the carrot for him was the Tonight Show.
That was more important to him than
anything. And once he got that Tonight
Show, everything else was like took a
backseat.
>> Did you do Letterman as a standup?
>> No. No.
>> That was my first.
That's a that's that's a classic.
>> That was a great place for comedy
because Letterman like he really loved
comics and he really loved like solid
standup. I never liked doing standup on
those talk shows.
>> Is it the five minutes?
>> Yeah. To me, it's a different kind of
comedy. My comedy needs some time. I
need to cook, you know? I need time to
open up ideas. It's like and I didn't
like
what
>> I didn't like TV comedy. It's not my I
was a nightclub comic. That's all I ever
wanted to be. I wanted to be a nightclub
comic. I like doing comedy for drunk
people.
>> Yeah. But when I first saw you, it all
wasn't dirty. It some of it was TV
stuff.
>> Well, it wasn't necessarily dirty, but
it was free. It was like I was being
free. I was doing thing whatever I
wanted to talk about. I didn't like the
idea of being constrained by any sorts
of standards and practices and like
>> I'm not interested. I've been not
interested in that. I worked on my
Tonight Show set to try to get on the
Tonight Show with Johnny and uh the guy
would come see me a lot. He would change
my jokes. That I hate.
>> I hate when they say try try you saying
vacation
>> instead of gift shop and I'm like, "Oh,
let me just do my thing." But
>> after a year of him trying to get my set
right, he says,
>> "You're not a Johnny comic."
>> Oh god,
>> you're not a Johnny guy.
>> What does that even mean? But then I got
on on a Monday night with Joan because I
guess I was a Joan guy. And then I got
to sit with Johnny just as a guest to
promote Coming to America. So finally
full circle from my basement.
>> That's amazing. I watch a lot of his old
clips like with Don Rickles and all
these
>> Oh, Don Rickles talking about Snookie,
the brother in the band, you know, and
he would do a a a noise of a blow gun.
It's like Snookie, you liking this
stuff. Oh,
>> you know, and you can't [ __ ] with that
now.
>> No.
>> There's so much. It's funny how we've
come forward into a new era, but we've
gone backwards in certain ways.
>> Yeah. Yeah. You can't joke about certain
things anymore.
>> Like, I'm scared to death right now cuz
I'm going to say something that I
shouldn't say and I'm going to be in TLC
to you now. They can't do [ __ ] to you
now.
>> They can just be mad, I guess.
>> Yeah. Let them be mad. Just don't pay
attention. That's what I do. I just
don't pay attention.
>> Really? Yeah. I just don't read anything
about me.
>> Stay away.
>> That's the best way.
>> Are you a comic who when you're on
stage, it can be 200 people laughing,
but that one person who's not laughing
annoys the [ __ ] out of you. You you
can't even enjoy the others. You don't
even look at that person.
>> No. Those those people have their own
problems.
>> Yeah. And but by the way, sometimes
they're just not laughers cuz that
person will sometimes come up to you and
say, "Love what you're doing. Love the
new stuff."
>> Some people just like to smile. They
don't want to laugh. They just want to
sit there and watch or they just want to
take it in. Take in the performance.
Doesn't mean they don't like it. And
then some people just are upset by
everything. You can't control that.
>> Just control what you what I what the
only thing that bothers me is if I'm
off. That's it. If I'm off, if
something's if I stumble on a word, if I
[ __ ] something up, that's the only thing
that bothers me. And the audience is
like, you can't control that. Why why be
upset at things you can't control?
Because who knows what their trip is?
Who who knows what they're carrying
around with them?
>> As a famous star now,
do you ever bomb?
>> I have jokes that bomb for sure. New
ones, we trot out a new one.
>> Especially like uh we do this show
called Bottom of the Barrel and Bottom
of the Barrel at the Mothership is
there's like a whiskey barrel and you
reach into the whiskey barrel and you
pull out premises, just ideas
>> and you just run with it. That's tonight
actually.
>> And so you pull out a piece of paper and
it, you know, have a subject, you know,
>> ice cream sundae, whatever, whatever the
[ __ ] it is.
>> That takes intestinal for
>> Oh, a lot of those [ __ ] go nowhere.
>> Yeah.
>> But some of them don't. Every now and
then you get a great premise out of
those and it's like a little premise
factory. But the audience knows it
there. So, it's different than like when
they go to see you and they paid money
and they're expecting a polish show and
you have a new joke and the new joke is
just not right. It's not ready.
Something's missing. You're not finding
it and you're trying to work through it.
Yeah. It's always going to happen. And
if it doesn't happen, you're not taking
enough chances.
>> Yeah. See, I'm I'm not
as chance driven as you are. I'd be
afraid to do that because I'm my
feelings get hurt too easy.
>> Yeah. Well, it's part of the process.
>> Yeah, you're right. You're right. It we
should do the things we fear.
>> You definitely have to. If you want to
write new [ __ ] you you're gonna have to
There's that moment where you're like,
do I trot this new one out?
[ __ ] it. Let's go. And you know, a lot
of the new ones, the way they come out,
for me at least first, it's just a
frame. It doesn't have sides. It doesn't
have windows. It doesn't have doors.
It's just a frame.
>> And I have to figure out how to make a
house out of that frame. That's what I
loved about going to the original room
back in the day when we were young,
watching Richard take out a pack of
cigarettes, take a cigarette, and Mitzy
had those those smoke things that
popped.
You get got smoke and everything and and
Richard would have two minutes and then
he'd have five.
>> He would just build.
>> Yeah. And I It was like a like when
grandma used to make a quilt
>> and it gets bigger and bigger and you
got an hour. I used to love watching him
develop it.
>> I would heard I heard that Richard would
go in on a Monday and have a joke that
bombed and then it would be murdering by
Saturday
>> and then that's what he would do. He
would just go and figure it out on
stage. Damon used to do that a lot.
Damon used to go and sit on stage and
just sit with a premise.
>> Just sit with it and and he would trot
it out for like 10 minutes and try to
figure and then finally he'd find
something and everybody would be dying.
We we got away from that earlier, but
>> I totally got your point. Damon is one
of the great ones, and I hope he
continues to do stand up and pop out to
the clubs because he's one of the great
ones that a lot of people don't realize.
>> They don't realize how great he was when
he did the Last Stand, that that one HBO
special that he did way back in the day.
It's a phenomenal special. It's
phenomenal. He was so good,
>> but he wanted to be a movie star,
>> you know.
>> Yeah. And and he like Richard He had an
ability to also be vulnerable and tell
the truth about something that most of
us wouldn't tell. Like he talk about
having a club foot
>> as a kid and
>> Yeah.
>> And he he he was special and I'm glad
he's back out there.
>> Yeah. Well, I think he never really stop
you know one of the other thing that he
did that is very unique.
>> Damon brings a camera to all of his
shows and he films all of his shows and
he archives them. Every set he ever
does. Really?
>> Yep. And he goes over it.
>> That's work.
>> It's work because one of the things that
he does, like I said, is like he'll take
a premise and just try to find fi try to
find it on stage, try to figure out what
about it works. What about it pops? Like
what is it? And you know, I guess like
doing that with a camera and then you
can go home, sit and watch it on the
computer and just go, "What is in this
[ __ ] There's something here. I
got to find it." And just look at it
from every angle. Look at it over here.
Look at it over there. Try to do it
backwards. Try to figure out what the
[ __ ] makes it work.
>> Yeah.
>> And he would just He had no fear of
silence.
>> See, that's that's the sentence right
there. When it's quiet in the comedy
club, I lose my mind.
>> Chris Rock does that, too. Chris Rock
did a lot of that at the comedy store.
He would come in and just he would have
material that he was working on. Like
one time I remember I brought him up on
stage and uh everyone's going crazy.
Chris Rocks here. They're cheering,
cheering, cheering. And he goes, "Relax,
relax. It ain't going to be that funny.
>> Just let people know I'm working on some
new [ __ ] This ain't going to be that
funny."
>> Yeah.
>> And but with confidence. Like everybody
already knew
>> he's funny. They already saw Bigger and
Blacker. They already saw his specials.
It wasn't It was Bring the Pain.
Everybody already knew. The one the one
where he shot with three different
outfits in three different places.
>> I hated that one.
>> You didn't like that one?
>> No.
>> Not that I didn't like the material. I
didn't like the idea of swapping
outfits.
>> The problem with that is it you realize
he's saying the same thing in all these
different places. It takes away from the
but it takes away from the magic of a
performer. I want to see you and I don't
want anything to distract me from these
thought. I don't want to say, "Oh, he
just performs this the same way
everywhere. Mhm.
>> I want you to just be saying it. The
magic, like the trick is you are in the
moment with whatever you're talking
about. If you're changing outfits and
you all of a sudden you're in
Johannesburg and now you're in
Cleveland, like uh uh uh don't do that
to me. Why you got a leather jacket on
in the beginning and then the punchline
you got a a [ __ ] silk shirt? Uh-uh.
Don't do that.
>> See, I saw it as a guy creatively trying
to find new horizons and do different
things.
>> Some horizons suck.
>> Yeah.
It's not that the jokes were great. It's
like he's a great comic. It's not that.
It's like I just didn't like the idea of
changing outfits. If I was friends with
him back then, I would say don't I don't
like it at all. And I that would
explain. The problem is you're taking
people out of the premise and then
there's a new additional thing that they
have to think of. Oh, this is a
different set. Oh, he's wearing
different clothes. It's a new thing to
distract you from the most the primary
thing. The primary thing is what are you
talking about? Like what is this thing
you're talking about? Let me get inside
your head while you explain this thing
that's so hilarious. But if you're doing
that and changing outfits and changing
stages, like I know you perform in
different places. I know you wear
different clothes. Don't show me right
now.
>> In retrospect, I wonder how he looks at
that special if he
>> Yeah. I don't know. I mean, he never did
it again.
>> Yeah.
>> Well, you don't want to do it again.
That's right. You know,
>> I mean, he did it once, he tried it.
Different people like to do different
things and try them. I just didn't like
that for that reason. And I felt like it
was an added element that took me away
from the premise itself.
>> And by the way, something that's come
out of this conversation in my head is
the guys who are the best seem to go
deeper and work the hardest. I mean,
when you talk about
>> archiving your practice sets,
>> all of them. Damon has all of them.
>> And he told me this years ago cuz I saw
him at the improv. He was in the lab. We
were in the big room and he was in the
lab. This was not that long ago. When I
say years ago, like 10,
>> nine years ago, something like that. And
uh I go, "You record all of them?" He's
like, "Every set since like 1990
something." He goes, "I I record them
all. I got this camera. I take them all
and I archive them. I put them on my
computer." I'm like, "Whoa." It made me
think, "Fuck, I'm lazy."
>> Yeah, that's exactly what I'm thinking.
And I'm also thinking what an amazing
documentary
>> if we could go through the history of
Damon's personal archives. That would be
a great I think there's a special there.
>> Probably. Yeah, probably. But I mean, I
think that's just part of his creative
process.
>> Mhm.
>> And again, like I just think people
don't realize, especially in the '9s,
the early 90s, how what a monster he was
on stage.
>> Yeah.
>> He was a monster. He was one of the
first guys that was like a really famous
guy that I saw at the store. I came to
the store in '94 and he was one of the
first guys was like, "Oh [ __ ] Damon
Ways is here." Like it was weird. It was
like weird when people would show up
like you'd seen him in movies and [ __ ]
and all a sudden they're there in real
life. Like,
>> you know, I was just coming from New
York. I didn't know anybody and I was
like, "This is so strange. I can't
believe I'm around these people."
>> So, you went from Boston to New York.
>> Boston to New York.
>> Catch a rising star. Where'd you work
out in New York from those days? Well, I
did uh the Boston Comedy Club that you
know the little place that Barry Cats
had. I did uh The Seller J Moore's
manager, right?
>> Yes. Barry Cats. I did um Catch Rising
Star back when that was there. I did um
was there was a
>> comic strip.
>> Yeah, I did the strip. Yeah. I did the
clubs in town. I did Dangerfields a lot.
But honestly, when I lived in New York,
I really liked doing the road more
because when I did the road, I could
make money. So, like I came up in Boston
and in Boston, you made a lot of your
money not in the clubs in town, but you
made a lot of your money in like the bar
shows, you know, outside of town in the
suburbs.
>> And the thing about that is like you
could headline and so you could do 45
minutes or an hour. And that that
allowed me to grow and like to really
become a headliner. Whereas like I found
like a lot of the New York comics that I
would go on the road with when I would
work with them, even when I was a middle
act and they were a headliner, they had
like these 10 and 15 minute sets that
they'd stitch together to put to make an
hour. Whereas the guys that I work with
in Boston, like the big headliners in
Boston, they had a real hour. Like that
[ __ ] that was an hour of thunder, you
know? They had a beginning, a middle,
and an end. And it was like tight. It
was tight. And I felt like I could do
sets in New York, but I don't think it's
really helping my career, right? There's
no one there to see me. I I felt like
I'm going to make money. Like I could do
a set in New York and I make 25 bucks.
Or I could do a set in Connecticut and
make $250. I was like, I'll go to
Connecticut. Plus, like the people are
more fun. They're more loose. They're a
bunch of [ __ ] crazy drunks. I love
doing Long Island. I love doing New
Jersey. I I liked doing the road more.
That's what I liked.
>> I think I'm a product
of my childhood environment. I I
discovered standup cuz I was a drummer,
had a band, I was a magician, had doves,
boxes, and [ __ ] And then my house
burned down.
>> So, I lost Wow. Yeah. I lost everything.
>> But I had gone to an Al Green concert.
And Al Green had a comic come out. House
lights are on. People are still making
their way to their seats and this guy
slowly gets him and then the lights go
down and by the time he gets to 30
minutes he's killing and all he had was
a glass of juice something on the stool
and this is a kid who just lost his
house and his symbols and his TomToms
and his doves and his boxes and I'm like
that's me. Johnny was a standup so I'm
still dreaming.
>> Wow. and and to this day um or even when
I start making a lot of money after
seeing that guy, I loved opening for
people. I went on the road with
everybody from Lou Rolls to Patty Leel.
>> Still to this day, I'm comfortable doing
30 minutes because that's what I did.
But I I had money. Like I would come to
the comedy store and I would have a
really nice car cuz I'd spend most of my
time on the road with Patrice Russian
and Johnny Guitar Watson.
>> Oh wow. That's a different world.
Opening for musicians is a different
kind of comedy because like they're not
there to see you.
>> And that's what I found to be the
challenge. It's like I'm going to make
you [ __ ] who don't know me and
are mad because a lot of you know people
would look at you like that ain't one of
the temptations. Right. You know, right?
I got to get them. And I like that
challenge.
>> It is a real challenge because there's a
lot of people like, "Boo."
>> Yeah.
>> Bring on Metallica.
>> Yeah. They they they don't want to see
you. They want to see the music act.
>> I open for Blood, Sweat, and Tears once.
>> Wow.
>> And uh they really did not want to see
me. You think the Johnny Guitar Watson
audience didn't want to see me? Them
[ __ ] from Blood, Sweat, and
Tears not [ __ ] with me. Well, it's
definitely running with weights on
though. If you can make those people
laugh, boy, you take those weights off
and go to a comedy club where they're
there to see you.
>> It's like, oh,
>> just there to see comedy
>> made it easier.
>> Yeah. I just don't want to perform for
people that aren't there to see comedy.
But there's a value in it, I think.
>> But that's when you're you're young.
>> Yeah.
>> And I had a nice car condo
>> because I had just come off the road
with Artha.
>> Yeah. I did a few of those. I opened up
for BonJovi once. I opened up for Bon
Joy for VH1. They had a a theater in the
round show, like a performance in the
round. My job was to open up for Bon Joy
and then get the pretty girls and move
them to the front so that they could be
on camera. That's what they told me to
do.
>> Yeah.
>> So, I did did some stand up and then I
had to get people like, "Come up here,
come closer."
>> Yeah.
>> Yeah. I I remember those times being on
the road and if there were six girls in
the green room and you're opening for
the Temptations. Number six is yours.
The other five go first to the temps.
>> Yeah. The that's a different world
opening for musicians. That's a hard
world. And I know a lot of people like
made a living just traveling with bands
and that's all they did. They would just
open up for bands.
>> Yeah. I would open up for R&B acts
>> and um as a matter of fact I got
discovered by a jazz singer Nancy Wilson
and I used to love jazz audiences
because that was the perfect type of
music for a comic a jazz because they
were mellow jazz audience don't scream
get the [ __ ] off right they just you
know they
>> Alonzo Bowden he does jazz tours still
like he'll do like
>> he'll do like a a jazz cruise ship
>> you know like and he'll do standup with
the jazz audiences.
>> Hey, every year.
>> But he loves jazz.
>> I I love jazz, too. And I remember going
to see
the Playboy Jazz Festival and Bill Cosby
was the host at the Hollywood Bowl. I
host that every year now. I still love
jazz and I that's the coolest two days
of my summer. What is it about jazz?
like
>> um
>> what do you love about
>> Oh, about the actual
>> By the way, the coolest experience was
sitting
on the beach in Malibu with Miles Davis.
After he came on the show once, he says,
"Why don't you come over to the house,
hang out?" And he was a painter, and he
was sitting with his trumpet. It was a
red trumpet. I had never seen a red
trumpet, like a crimson trumpet. And it
was sitting beside him, and he wouldn't
use an easel. He had the canvas on a
table and he'd roll a new piece out and
he would paint. He said, "You ever
thought about painting?"
No, I'm not a good artist, but being a
jazz fan, that was the coolest moment
ever. And um what do I like about it? I
I almost equate my comedy to jazz
because I love to say I'm going in D
guys and just play.
>> Mhm.
>> You know, as a standup, you know, I used
to love to equate how I work to jazz.
>> But it takes a very specific type of
person to be like a jazz fan that really
enjoys listening to jazz. I'm also a
musician and I know that some of the
most respected musicians in my mind are
jazz musicians. You know, the intricacy
spending time with I talk about this in
the book, spending time with Quincy
Jones who was from the world of jazz and
a former trumpet player and all that
stuff. Then he ends up the year I meet
him, he plays for me these tracks and I
don't know what I'm about to listen to
and he says, "You hear that?" He takes
all he he slides all the slides down. He
says, "Listen to this." And he plays
this thing. Tink.
I'm like, "What is that?" He says, "You
ever heard of Sheila Eman?" And I said,
"Yeah, the Esavito family." And I I I
know the family. And he says, "She put
different amounts of water in little pop
bottles." And that's her tinging on
those bottles. Then he starts bringing
up the pots and you hear the bass and
the drums and you realize you're
listening to stuff from off the wall and
it it's just this incredible moment when
I realize, yo, he getting ready to bring
Michael back in a crazy way. I'm
listening to, you know, you got me
working, working working day and night,
you know, and he would just take out
everything and just have Michael's voice
and I'd never been in a recording studio
and he's at the board 18 channel track
studio and and then he he says, "You're
from Ohio, right?" And he had seen me do
standup at the Roxy and invited me to
his studio and he says, "You're from
Ohio, right?" And I said, "Yeah." And so
he says, "Let me play you this, man. And
you have to take big giant reels and put
them on this machine." and he put the
reels on and the song starts and he says
this a scratch track and I'm like what's
that? He said that's a demo and he says
they want me to uh find a singer for
this and he plays me James Ingram find
100 ways and James Ingram just once
brilliant beautiful songs and I'm like
what's wrong with that guy? He says,
"Yeah, I'm thinking about it, man. He
pretty good. He pretty good." And it
ends up being the James Ingram from
Ohio. And and that was an incredible
day. But I I tell that story to say this
great jazz musician
had this talent
that other producers didn't have because
of his music genius. And he was able to
bring us the Off-the-Wall album and put
Michael back in the mix.
>> Yeah. Layers and layers to the sound.
>> Yeah. That's the thing. When you hear a
song, you don't realize like how much
[ __ ] is going on in the background.
>> Sheila E with pop bottles.
>> Yeah.
>> Crazy.
>> I I I I loved that day. That's a that's
a favorite time because Michael had been
missing, you know, and I had bought the
Moving Violation album. So I I knew he
needed Quincy. Wow. Yeah. There's some
geniuses of music, man. I had Rick Rick
Rubin on the podcast and he's explaining
like his creative process and just like
that guy's out there.
>> Yeah. Yeah. I had to go his way when I
started the talk show that I took over
for Joan Rivers when I first had the
idea that I want to try to find my own
friends of the show. I want to find my
show. And I put on LL CoolJ
doing a song called I'm Bad.
And that night I found what I was going
to do. Win or lose. Uh next I booked uh
The Freaks Come Out at Night. Uh
Houdini.
>> Oh, I remember that.
>> That was So I found my home.
>> When you did the Joan Rivers thing, did
you think that that was going to lead to
you doing your own show or
>> Absolutely
>> you did. I I was like I am because Joan
leaves goes through all the stuff she's
going through and um they give me the
show for 11 weeks and it starts to get
numbers
and I know that she left because of a
lack of numbers
and I'm like oh this [ __ ] is mine. So
when I come back from doing Coming to
America I'm going to come back to Fox
and do this show. And one day I walk
into the cafeteria
and I realize they had hired Conan
O'Brien to create a show
and um I think the show was called the
Wilton North Report or something like
that. And but I realized I wasn't in
their future. M so um Paramount
they were popping over to say hi sending
me flowers and uh when I finished coming
to America actually halfway through they
were like when you finish you can do
that talk show here in first run
syndication and they had to explain that
to me and at the same time I was being
pitched by the King brothers who created
Oprah. So, I kind of understood that
first run syndication could work except
Oprah had ABC networks behind her, which
is good. I had some CBS affiliates and
uh
it it all worked out. Right now, with
the exception of Byron Allen, I don't
think anybody gets rich in first run
syndication.
>> Well, he is a very unusual case, you
know.
>> Yeah. Yeah.
>> I mean, he's figured out a cheat code
like Byron Allen, you I heard that.
>> And when he when they cheat him, he sues
them and wins.
>> I think Byron Allen's show Comics
Unleashed is going to replace Coar.
>> Absolutely. That was just announced this
week.
>> Yeah. Late Show will be replaced by
Byron Allen's Comics Unleashed. That's
crazy. That's how Ain't that weird? Like
late shows just don't work anymore.
>> They just don't have the same thing
anymore. Like that standard model show.
>> Yeah.
>> Where people like I don't think they do
well anymore. They're expensive, Joe.
>> Oh, I can imagine. They were saying the
Co Bear show was costing them like $50
million a year to keep it on the air.
That's I don't understand it. Like, how
how's it costing you so much money?
>> Oh gosh. Well,
>> but you know what I'm saying? Like, you
have
>> When there were three channels though
and only one had a talk show, everybody
was there and it made sense. It made
dollars and cents. There's also the
problem in that in when you compare it
to things that are on the internet is
that you have to stop conversations
every seven minutes for a commercial.
>> Mhm.
>> That's an issue. It's an issue with
depth. You don't get to go like you and
I have been talking for 2 hours and 40
minutes.
>> Wow.
>> Yeah. So, like when you're doing this
kind of thing, you just flow. Everything
flows. You just have a conversation. You
just have a good time. It's so different
when you're stuck in this format where
you only have an hour. Everything is
like you got to cut to the commercial in
five, fourth, like we'll be right back.
Like we'll be right back. Where you
going? Stay here. Like no, you have to
sell Tide,
>> you know? It's like you that format is
so limited. It's so restrictive
>> that people knowing that that that
there's other things out there now where
you could just go and watch it anytime
you want. You don't have to tune in at
11 p.m.
>> Yeah. We used to have Musk CV and we
would all gather as a nation to watch
the finale of Cheers and now we don't do
anything together.
>> Nope. As a nation except sports except
like Super Bowl. There's only sports,
live boxing events, UFC, that kind of
[ __ ] where it's live. That is the only
thing that people all watch together.
>> Yeah,
>> that's it.
>> Did you watch Chris Rock live? Selective
outrage.
>> I didn't watch his live special. I
watched it after, but I didn't watch it
when it was live.
>> So, you knew it was available.
>> I was busy. I had
>> When we grew up, it wasn't the [ __ ]
wasn't available the second time.
>> But I did a live special on Netflix for
that very reason, just because I thought
it was scary. Just cuz my last one I did
live and I only did it live because the
first time they asked me, I said, "No,
[ __ ] that." And then I was like, "Why
you being such a pussy?" And I remember
driving home. I had a conversation with
my manager and I called her right back
and I go,
>> "Let me decide tomorrow."
>> I go, "I'm thinking about this. Hold
on." because I was driving home feeling
like I was a [ __ ] for not wanting to do
it live.
>> And now in retrospect, what did you get
out of agreeing to do it live?
>> Fear.
>> You wanted to feel that?
>> Yeah. I wanted to be nervous. I was
legitimately nervous. I never get
nervous for shows anymore. I guessed
when you have a when you killing a a
wild I heard you talk about killing a
wild hog. When you go hunting like that
is the same kind of
>> That's a very different kind of fear.
That's a primal thing. That's very
different. That's a very different
thing. That's like That's a life or
death you're in. That That's a weird
That's a weird primal connection with
nature where you're going to eat this
thing. You're sneaking up on this thing
that has these survival instincts and
sense of smell and ears pop up
>> and you have, you know, you don't want
to [ __ ] it up either. You have one
moment to take a shot. That's even more
intense. Honestly, like elk hunting with
a bow and arrow is even more intense
than doing a live comedy special,
>> if you could believe it.
>> I
Wow. Yeah. Yeah, I believe it.
>> I like things that scare me. I like
things that are scary to do because I
think it's good for you.
>> Except cocaine.
>> Yeah. I don't want to ruin my life.
That's the problem. I just, like I said,
I don't hear any success stories from
cocaine.
>> No.
>> You know, nobody's like, nobody's got
like a meth story. Yeah, it's
>> like, man, I started doing meth and I
started seeing the world for what it
really is.
>> Start being more at peace. I was living
in the moment.
>> Nobody says right before I invented the
hard drive, I did coke for three days,
>> right? No, no, I'm not interested in
anything that's going to ruin my life,
but uh I'm interested in things that are
going to help me grow and help me uh
expand my capacity to do things that are
scary.
>> Would you do standup live again?
>> 100%. Okay.
>> Yeah. I'm thinking about doing my next
one live again, too.
>> I liked it.
>> Did you Did you make any mistakes that
>> No, I didn't make any mistakes, but I
prepared more than I ever prepared
before. One of one of the things I did,
I listened to my recordings every night,
and I wrote out my act over and over and
over and over again. I wrote it out. I
wrote it out both uh on paper, like hand
to paper, and I wrote it out with keys,
like typing it on a laptop. I did it
over and over again. I listened to
recordings. I watched recordings. I I
had way more preparation than I had ever
done before for any other show.
>> The night that you did it, did you
change anything or do anything new?
>> No. No. But I was free. I felt very
loose once once the show started. I felt
like a regular show. I didn't because I
was prepared. But it's like just like a
fight. Like if you go into a fight and
you're like, "Oh, I should have done
more road work. Oh, I should have
sparred more. Oh, I should have hit the
pads more." You're, you know, that's not
a good place to be to hope that you
could pull it off. You have to be 100%
prepared. And that's the thing about
doing a live show as opposed to usually
when I would film a special, I would
have four shows. So I'd film all four of
them and I'll be like, "Oh, fine. One of
them is going to be great. I'll just use
that one."
>> Yeah.
>> But when it's just one and the whole
world, like millions of people are
watching simultaneously, it's very
scary.
>> Makes you prepare.
>> Yeah. It makes you prepare. It makes you
prepare. And it also it's like it's
[ __ ] fun to do something that scares
the [ __ ] out of you. like let's go.
>> Where did you shoot it?
>> Go um San Antonio.
>> Okay.
>> Yeah,
>> that's cool.
>> Yeah.
>> Yeah. I've only done one Netflix.
>> I barely leave Texas these days.
>> Really?
>> I [ __ ] love it here. I love it. I
love it.
>> Yeah. It was amazing when you made the
move, man, because that's I asked you
when we first started talking. It's
like, were you thinking about this in
LA? But way back like 20 years ago.
>> I was thinking 20 years ago about
getting out. I moved to Colorado for a
little while in 2009.
Um, but
>> legal weed.
>> No, no, no, no. I just wanted to get
out. I just wanted to try I I but I went
too crazy. I got a house in the
mountains that was 8,500 feet above sea
level. It was like
>> it was too much. But when I came back to
LA, I always had this thing like
eventually I got to get out of here.
First of all, I always thought LA is
100% gonna have a massive earthquake one
day.
>> Yeah.
>> Like a massive earthquake where
everything [ __ ] up and falls apart. And
>> you lived through the Northridge
earthquake?
>> I didn't. Oh.
>> I came to California right after it
happened.
>> Okay.
>> And when I got there, like parts of like
one of the freeways was collapsed on the
other one. I was like, "This is nuts.
The freeways fall down here. This is
crazy." So, I feel like I've always been
thinking that there's going to come a
time where that place just breaks off
and sinks into the ocean and it's just
not wellrun. Like the whole thing is
like just waiting for one little
catastrophe. There's very little
coordination, very little people don't
they don't there's not like a sense of
community in the greater Los Angeles
area like you get in a smaller place
like Austin.
>> Yeah. Austin like feels like a small
town that has everything you want.
Whereas LA just feels like a poorlyrun,
bureaucracydriven,
chaotic shell game. It's like just a a
shell game of [ __ ] and money and
people just grifting and [ __ ]
the homeless situation is nuts. Like
everything's nuts in LA. It's just
beyond fixing. I think
>> here in Austin, a lot of homeless.
>> Not nearly as many. I mean, it's very
small problem. You're always going to
have homeless people because you're
always going to have mental illness.
You're always going to have drug
addiction. You're always going to have
some people that have problems. But in
comparison, like Skid Row is 50 blocks.
>> Yeah.
>> 50 blocks. 50 blocks
>> of homeless people just outside just
camped out.
>> I left a Laker game recently and went
through that area.
>> It's nuts. Broke my heart, man.
>> It broke my heart in 2005.
>> Yeah,
>> I was filming Fear Factor downtown in
like 2005.
>> Shout out to David Herurwitz.
>> You know, Dave,
>> he was my intern. I set him up for you.
I taught him so he could come and get
worms for you.
>> Crazy. That's crazy.
>> Yeah. Um, we were filming downtown and I
went for a I was driving home and I took
a wrong turn and all a sudden I was in
Skid Row. I was like, "This is crazy."
And this was back then and no one was
talking about it back then. I was like,
"There's so many homeless people. It's
like a zombie movie." Remember I came to
the set the next day. I was like, "You
guys ever go this way and take a left.
It's [ __ ] nuts. There's so many
homeless people." Like, and they've
they've figured out a way to keep them
there. They just pushed people there.
Like they started doing it decades ago
where they would take all the problem
people out of Los Angeles and Beverly
Hills and they would just bring them to
downtown and go, "You got to stay here."
And that's what created Skid Row.
>> When we were kids, I used to hear about
mental institutions. We don't have that
anymore.
>> Oh, they shut them down during the
Reagan administration. That was one of
the giant errors of society when they
shut down all the mental health
institutions and they just let all these
people just exist on the street with
schizophrenia and just let them do drugs
and then in some places give them drugs
and give them needles and encourage them
to come there and give them money so
they could stay on the street.
Austin loves you, but you ever think
about back in the day not leaving
California and running for governor?
>> [ __ ] that. I don't want to be a
politician. Why would I want that job?
>> Terrible job.
>> You want the problem? You see, you want
to help.
>> Yeah. You ain't helping nothing, man.
You're going to get killed. If I My help
would be expose all the fraud and lock
everybody up, then they wind up killing
me.
>> Then you'd lose the big money from the
rich.
>> They're not going to give it to me
anyway. It's like a good guy. I'm not I
wouldn't be good at it. I wouldn't be
good at the job. I'd be a good adviser.
I tell people what the people want, but
no one's going to listen. I think
politics, we're talking about with money
being involved in it, it's almost
inexraably unfixable.
>> It's almost impossible to untangle that
[ __ ]
beehive of chaos.
>> This is so much dirty money involved.
>> And if I'm a politician, I'm not going
to stop taking this money. I'm not going
to be first. If we all going to do it,
I'm not going to be first.
>> Exactly. Look at all these congressmen
that make, you know, $170,000 a year and
they're worth 80 million. How the [ __ ]
did that happen? What did you do? And
how would how did you how do you have
time to invest? Aren't you busy being a
congressperson? How the [ __ ] do you have
all that money?
>> You got all that money because you're a
grifter. They're all griing and they're
all just like doing it sneaky. It's red
and blue. If you look at we pulled up
the numbers of people whether it's a
Democrat or Republican, how many of them
are insider trading? It's across the
board.
>> Yeah.
>> They all have just unexplainable amounts
of money.
>> Yeah.
>> It's a dirty [ __ ] business.
>> It's not like one of the parties loves
money more than the other.
>> No.
>> They're all I mean I see I get in
trouble for that because usually my
humor is written around not liking any
of them.
>> Yeah.
>> And people want me to take a side.
>> Yeah. That's a problem. I I had a joke
in my Netflix special about, you know,
the Democrat versus the Republican that
was running at that time. And it was
like that's like asking me who my
favorite Menendez brother is. You know,
[ __ ] did not.
>> That's a great joke.
>> Yeah. Like, oh, kind of like Lyall, you
know, he made them prison with a toupe.
He's special.
>> Weren't they trying to get them out
recently?
>> Oh, yeah. Bro, that documentary on them
was nuts. the docu drama series where
they recreated it like
>> oh my god
>> I love documentaries.
>> Well that was a docu drama like a like
they recreated actor so you don't know
how much of it is true but boy did they
come off like [ __ ] complete psychos.
I remember for the uh OJ Simpson uh
scripted doc, they wanted me to come
read for OJ.
>> What?
>> And I'm like, yo, man,
>> how the [ __ ] are you going to be judge
barking? Cuz I'm just too recognizable
as me.
>> Exactly. That wouldn't work at all.
That's crazy to
>> I think they chose Kuba Gooding Jr.
>> That's right. That's right. He actually
did a great job in that.
>> But what a that that story was nuts. He
was the first famous There it is. Yes.
>> Wow.
>> And that's Kim's dad.
>> Wow.
>> That's Mr. Kardashian's second.
>> John Travolta is in there, too. I forgot
Travolta is in there.
>> It's Those are [ __ ] so weird with a
dream team, though. Famous people
pretending to be
>> other famous people.
>> Yeah. So odd.
>> I do a story in my book about OJ coming
to Stage 29 at Paramount to whip my ass
one time. Well, he was angry. Uh, and
>> did you say a joke on on the show or
something? I booked
um is when Naked Gun was out and I
booked Lesie Neielen and we got a call
from OJ's people because he wanted to
come on obviously he was in that movie
but the second one it had legs so I
booked Priscilla Presley who was a great
guest and a lot of history and after
that I get a call from the gate is OJ
Sumps on the earth the gate wants to
talk to you and he didn't park. He
didn't want a space. He parked outside
the elephant door, stage 29, and wanted
me to come out.
>> Uh-oh.
>> Yeah. And by the way, this is this is at
a time when we didn't know he cut a
motherfucker's head off. You know what I
mean?
>> Also at a time we didn't know about CTE.
>> Oh yeah. Yeah.
>> Which is probably a lot of what OJ was
going through. A lot of that violent
behavior.
>> Yeah.
>> There's probably a lot of CTE.
>> Yeah, man. And I mean, when you think
about it, those days in San Francisco
when he couldn't quite cut the way he
used to, he was getting hit. He was
taking head-on shots.
>> Oh, yeah. And NFL back then was nuts.
>> Yeah. I feel bad for him and Junior Sea
and some of those guys. Junior Sea was
trying to scream to us what was going
on,
>> right?
>> You know, he he committed suicide, left
a note, left his made sure he didn't
damage his brain with the bullet,
>> right? So they could check it out. Yeah.
But but O OJ stopped by and we had a
talk and and uh
>> so he was mad that you didn't have him
on the show.
>> Yeah, he he he was a little mad and um
>> But was it your call?
>> Oh yeah. I mean
I mean but by the way it was my call to
just do things that would get numbers,
>> right?
>> You know, well the um the Lesie Nielsen
one, I liked him because I saw him
someplace with a little thing in his
hand to make fart noises.
>> I saw that. Yeah.
>> Yeah. So I So I knew that I would say to
him,
>> "So you got a big hit here?" And you and
he would do it, squeeze the thing. And
um
>> yeah, I was just trying to find the
funniest guest, you know. And OJ, you
know, he told me uh he said some [ __ ]
about uh
>> you know, I thought having a black host
things would be different, you know, and
I'm like, "Don't you play the race car?"
Yeah. You know,
>> settle down.
>> Yeah. Yeah. Not you, Juice.
But uh I I ran into him in a club one
night. I was hanging out with a couple
members of New Edition and uh we're in
this club and he comes over and he gets
drunk with us and after we're pretty
tanked, Nicole and this gorgeous girl
named FA Resnik, I'll never forget her
name. She was beautiful. And these two
women come over and I realize, oh, so
because OJ is alone, I realize he was
going to places finding her.
>> And so, oh,
>> so she comes over and she says, "Juice,
>> you know, and what are you, you know,
and he says, hang out with these guys
and he, you know, when you drunk, spit
be flying." I wasn't drunk enough that I
didn't see the spit.
And uh, so she said, "Well, I'm going to
be over here with FA and blah blah blah.
Say something before you leave." And uh
so we sit there and talk, but he said
something that night that blew me away,
we talked about her and he said, "I
still love her. I've tried to give her
up and I can't."
>> Wow.
>> And
>> that's crazy.
>> Not too much later,
>> she was dead. That's what that's around
the time, too. I remember
>> missing the show cuz one thing that's
addictive about the talk show is
anything in the news, you get to handle
it,
>> right? And uh I remember watching a
basketball game and seeing the freeway
chase with the Bronco and I was like I
want a monologue tomorrow.
You know, I couldn't believe I didn't
have a show that night. That's the only
time I've ever really missed it because
most of the time you just go to the
store.
>> Right. Right. Right. That's hilarious.
>> I wanted to talk to the nation that
night.
>> Well, listen, brother. You had a
gigantic impact on culture. You really
did. Your show was amazing. you know,
you have an incredible life and I'm I'm
really happy to hear that you're happy
now and just enjoying life, you know,
and you look [ __ ] fantastic for 70.
That's amazing.
>> Thank you, man. I I I appreciate you
inviting me.
>> Uh this is one of those shows
>> next time you're going to come to the
club. Next time you're in town, just let
me know you want to come.
>> But I can't I look at the mothership
behind you, the neon mothership.
>> That was actually before the mothership
was made. Oh
>> yeah, this this was six years old. This
sign this is we got this sign. My friend
Brighgam got me this when I first moved
to Austin.
>> So what did the spaceship mean before
there was a club to you?
>> I'm just I'm UFO fanatic.
>> Oh, okay.
>> I'm I've always been obsessed
>> cuz that looked like some [ __ ] I went
to a Parliament Funkadilic concert where
they landed in some [ __ ] like that and
George Clinton came out and sang One
Nation under a group.
>> Yeah.
>> Wow.
>> I've just always been obsessed. That's
all it is. But next time you're in town,
you're coming.
>> Promise?
>> Absolutely. I'll come. I won't be in
town. I'll figure out a way to hit you
and say, "Siri, Joe, I'm coming.
>> Let's go."
>> And I'll be here. And thanks for doing
this, man. Cuz uh your demographic reads
and uh I know I sold some books today.
>> Yeah. Tell everybody the name of your
book. And
>> Oh, is it out?
>> We had a long ass meeting about that. Do
we call it things that make you go a
life that makes you go? Do we call it?
But we didn't know what. And uh then
finally one day we named it Arsenio.
>> Perfect.
>> That's it.
>> That's perfect.
>> Yeah. And there's a book on tape for
those who don't like to read. Oh, that's
the book. And you know what? If you open
it and you don't want to read it, there
are really cool pictures inside.
>> There you go. All right.
>> The art department threw some AI on me.
I'm 35 in that picture. You look 35
right now. All right. Appreciate you,
brother.
>> Thank you, dog.
>> Bye, everybody.
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