Joe Rogan Experience #2468 - Luke Grimes
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>> The Joe Rogan experience.
>> TRAIN BY DAY. JOE ROGAN PODCAST BY
NIGHT. All day.
>> It's surreal being here.
>> Is it?
>> Yeah. I've been listening to the show
for years.
>> Well, I've been watching your show for
years. Yeah.
>> Are we rolling, Jamie? All right.
Beautiful. I love your [ __ ] show.
It's great.
>> A thanks, man.
>> It's really awesome, man. Espec Well, I
haven't watched Marshalls yet. Is it out
now?
>> It is.
>> When did it come out? Uh March 1st.
Okay. So they just had the second
episode air.
>> I like to binge, man. I like to wait
until stay offline. I like to sit down
and binge them
>> for sure.
>> Yeah. But Yellowstone's [ __ ] awesome.
It's such a great show. Did you have any
idea it was going to be what it is?
>> Uh not. No, I don't think anybody did. I
thought it would find an audience for
sure. I mean, Taylor was really, you
know, hot at the time. He he he'd been
nominated for Oscars and I was kind of
like surprised he was even writing a
television show. He was just like so hot
in the the film business.
>> How the [ __ ] does that guy even sleep?
>> I don't know, man.
>> Where does he have the time? Every time
I look in the news or there's a new show
that he's doing, a new thing he's doing
is like, how are you doing all this?
>> It's impressive. You know, I feel like
there's a lot of people I've worked with
where they do things that are
impressive, but his is impossible,
>> right? You know, like someone would be
like, "Could you direct a movie as good
as Unforgiven?" I'm like, "Maybe, maybe
if I tried real hard." But like, could
you write 10 television shows
single-handedly? No. No way. Not
possible. He directed Unforgiven.
>> No, I'm just saying like people that I
look up to that I'm impressed by. It's
like his is a different level, right?
His is like it's like impossible.
>> Who did direct Unforgiven?
>> Clinty SW.
>> That's the [ __ ] greatest western
movie of all time.
>> It is. It's the best.
>> Yeah.
>> It's like, you know what it was like to
me? It was like he was making up for all
the silly westerns and was like, "Let me
show you what it was probably really
like."
>> Yeah.
>> What was really like when a man was
about to get shot? What was really like
when a dude was a stone cold killer?
What was it really like? The hardships
of living back then.
>> Yeah. And it's interesting, too, because
he starts out kind of a loser.
>> Yeah. those first, you know, like the
first three quarters of the movie, he's
this sort of timid guy who's lost his
power, you know, and then he takes that
one sip of whiskey and it's all over for
everybody else. It's a crazy premise.
>> It's such a good movie, man. It's such a
good [ __ ] movie, man. But yeah,
Taylor is a he's a real freak and
there's not a lot of humans like him and
it's his background story is so
interesting, you know, like he was just
kind of scrambling around till he was
almost like 40. Yeah, it's like a real
life Rocky story or something. Like rags
to riches, the whole the whole thing.
>> I know, man. It's just I just don't I
guess that's why he has so much ambition
because he knows what it's like to be
poor,
>> right?
>> You know, he knows what it's like to
like barely make it,
>> right?
>> Then all of a sudden, he's got a kid on
the way and he's like, "Oh [ __ ] I got
to buckle down
>> and really get moving." And he kept his
foot on the gas.
>> Absolutely. Do you guys keep in touch?
Yeah.
>> His buddies.
>> Yeah. Yeah. All the time.
>> I love Taylor, man.
>> I love him. He's an awesome dude. I just
worry about him. Like, you know, you do
so much. Like, don't have a [ __ ]
heart attack, man. Don't go crazy.
>> You know what's weird is he does he does
like have a good time, too. It's not
like he doesn't hang out with his family
or friends or, you know, that's the the
craziest thing to me is like the guy has
a really fun life and is able to do all
that. I guess like the moral of the
story is don't play golf. You know,
that'll take up all your time.
>> No [ __ ] man. Tell that to Jamie.
>> If I can get out once a week, it's
great.
>> Yeah.
>> He's an addict. Jamie's an addict. He's
got a simulator back there. He's always
whacking golf balls. Yeah. All my
friends are trying to get me to play.
I'm like, I'm not doing it, man. That's
a six-hour commitment. [ __ ] off.
>> No, man. The the the amount of time it
takes to get good enough that it's not
the worst thing ever is too much time.
>> Right. And my problem is I'm I'm an
addict. Like, when I start doing things,
I just start like, "Okay, I need to play
in the PGA."
I start I start going crazy. I'll start
getting lessons and [ __ ] that.
>> Yeah, don't do it. We need your show,
man. We need you.
>> It's Well, I'm never doing it.
>> We can do both.
>> No, no, no, no, no, no, no.
>> Try it. We try it. Try it out.
>> No, I know. All my friends who play
[ __ ] love it. Ron White and Tony
Hinchcliff, they go out every day. It's
like, it's too much, man. I can't do it.
>> Yeah.
>> Yeah. It's You can't play golf and do
what Taylor's doing. That's for damn
sure.
>> No way. No.
>> Well, how is how the [ __ ] is Trump doing
it? Like he's in the middle of
everything. He's always playing golf.
>> But that's sort of the criticism, right?
Like he he's playing too much golf and
not running the country enough.
>> But don't they say that about every
president?
>> Yeah.
>> Like I think it's almost like a
prerequisite to be president. You have
to play golf,
>> you know? Don't they all do it?
>> I guess so.
>> It's like one of those weird businessmen
things. Like they make deals out there.
They have a couple of cocktails. They
talk a little [ __ ]
>> right?
>> Do a bump.
>> Not my thing.
>> Make some deals.
>> I I just don't I don't know. something
about being on like a manicured lawn
that I don't I don't know. I'd rather be
out in the middle of nowhere.
>> I'm sure I'd love it. I'm sure. Which is
why I don't do it.
>> But I play pool and I'm addicted to
pool. Like I play pool all the time.
It's it's a real problem. When I lived
in New York, I was playing like eight
hours a day.
>> Yeah.
>> I was playing in tournaments. I was
traveling around. It was like
>> I can't I can't get another thing like
that in my life.
>> Are you done playing pool?
>> No, I play all the time. Okay.
>> Yeah. But you could play pool for like a
couple hours and stop.
>> Maybe I'll try that.
>> Pool's fun.
>> Yeah.
>> Yeah. Like real pool, like tournament
pool, you know, like competitive like
real tournament pool. It's legit. But
it's like it's another thing. It's It'll
get in your blood and then you'll be
thinking about it all the time and
watching videos and taking lessons. And
>> I'm ready for something though.
>> Yeah.
>> Yeah. Not golf. Pool sounds like
>> Well, you have you have music and you
have acting. Like you said, that's got
to be kind of hard to manage.
>> Yeah, it's proving pretty difficult. And
I have an 18-month-old
>> Oh, that too.
>> Mix. Yeah.
>> So, no sleep.
>> Uh yeah, we're we're getting there. I I
you know, the the music thing is sort of
it's kind of nice because there's not a
lot of pressure on it. You know, for me,
I'm I have a day job. You know, I have
this thing that supports my family and
the music I can do to like my passion
level. uh you know and I and I wouldn't
do it to the point where I'm like away
from my family too much you know so I
can I like making the music touring is
kind of hard and it's and it's also new
for me so learning how to do that at 40
was uh kind of interesting you know I
feel like in my 20s that would have been
the most fun ever
>> sleeping on a bus with 12 dudes and just
going from city to city and you know
drinking backstage and playing country
music that would have been a blast but
I'm you know too old for to do that the
right way.
>> Yeah. When you tour, do you go out or do
you do like a weekend and then come
back? Or do you
>> When you're on a full-blown tour, the
the the way that it financially works
the best is to just stay kind of going.
So, you're doing like three shows like
Thursday, Friday, Saturday because
you've got the bus rented, you've got
all the equipment rented, you got the
guys, you know, on salary. So, you just
have to keep going. It's actually really
hard to for it to pencil out when you're
just doing a show here and there,
>> right? Yeah, that's standup comedy so
much easier in that regard. I've only
done one standup comedy tour tour. I did
it with Charlie Murphy and John Hefron.
We we did this Bud Light Maxim tour back
in 2007 and we did like 22 dates in a
month. And so it was like I would wake
up and I wouldn't know where I was. I'd
look at the ceiling. I'm where the [ __ ]
am I? I don't I would have to think uh
Columbus, you know? I'd have to like go
through my head and figure out where I
am when I woke up.
>> Was there ever like a period of stage
fright when you started doing standup?
>> Oh, yeah. Yeah. Yeah. The first day I
was more afraid the first time I got on
stage than I was the first time I
fought.
>> It was nuts. Yeah.
>> I was like, why am I so nervous?
>> I was like I was thinking about
chickening out. I was thinking about not
doing it.
>> I do that every time I play a music
show, dude. I'm like, can I just call it
off?
Do you still get stage fright right now?
>> Really bad. Really?
>> Well, that's the thing, man. I' I I'd
always played music, but and when I was
playing in bands and playing out, I was
the drummer.
>> Oh.
>> So, but I always wrote songs and stuff,
but I never thought I had never had
ambition around like I want to be the
guy in front of the microphone. That was
never, you know, the plan. And then, you
know, to be able to make an album, which
I wanted to do, you have to go stand in
front of the microphone. And that's the
hard part for me. I love being in the
studio. I love writing the songs. I love
making the music, recording the music.
But there's something about knowing that
all these people have shown up and
bought a ticket
>> to see you and you're like all of a
sudden this thing starts happening in me
where like
>> they bought a ticket imposttor syndrome.
You're not good enough for them to have
spent their money. You know, it's just
this whole thing and it's like dude shut
up. I know it's going to be okay but it
doesn't matter.
>> Every time I still get a little bit of
the, you know,
>> I think everybody who's sane gets
imposttor syndrome.
>> Yeah.
>> Yeah. Everybody that I've talked to
that's sane. It's like the really cookie
ones don't like I don't think Kanye's
ever gotten imposttor syndrome.
>> You know what I'm saying? It's like the
the better be also he's a genius but
it's like the ones who were sane like it
doesn't make any sense. Like none of it
makes any sense.
>> Yeah. Well, I I get it in droves and and
way more for the music than the acting.
But it's again I've I've been acting in
film and TV for over 20 years now.
>> When did you first get on stage to sing?
How old were you?
>> Um, the very first show I played I was
39.
>> Oh my god.
>> Yeah. Yeah. Like I had done karaoke
before, right?
But, you know, I it kind it came about
in the weirdest way. I I literally was
on set one day and get a call out of the
blue from this manager, this music
manager, uh, Matt Graham, who's a great
manager and a really good friend of
mine, but he called and said, "Hey, I
know you don't know who I am, but I know
that you're a musician and you know, I I
love Yellowstone. I love you and that
show. Would is that something that you
would want to take seriously?" And I was
like, like, what does that mean? He's
like, I bet I could get you a record
deal. And I was like, no, man. That's no
I don't want to do that. and we talked
for two years and over the course of the
two years I really started to trust him.
He sort of like explained to me what you
know what would be required and long
story short my my father passed away
somewhere in there and sort of one of
the last things he sort of conveyed to
me was like if there's anything you want
to do while you're here do it you know
and
something about that moment I was like
I'm just going to [ __ ] do it you know
I don't care what's what's the worst
thing that can happen I'm another actor
who made a goofy album
>> right
>> so what I got to do it you know
>> um so So I did and then immediately it's
like well now you have to go tour it
otherwise you know they're not going to
put up the money for you to make these
things if you don't go sell it you know
so the tour is sort of to get the music
out there and get people buying it. Um
and so yeah first show it was in
Billings Montana for I think it was
1,200 people.
>> Whoa.
>> Um at this place called I think it was
Pub Station.
>> What was that like first time doing it?
Dude, I blacked out. Like, not drinking.
Like, I just blacked out on nerves,
dude. Like, it, you know, it started, my
knees were shaking, my hands were
shaking. This is before I knew about
like beta blockers or anything like
that. And I the show was over and I was
like, how was was that okay? How how did
that go? And everyone was It was good,
you know. It was good. I was fine. The
fourth show I ever played was Stage
Coach.
>> Whoa.
>> Yeah. Um, that's nuts.
>> It was crazy. I mean, it was earlier in
the day. It's not like I had, you know,
100,000 people out there, but still,
that's a big stage.
>> That's a big stage.
>> And, um, yeah. So, but, you know, little
by little, it got somewhat better. I
don't black out anymore. I kind of I
know where I'm at and I'm there, but
it's still something I deal with.
>> Oliver Anthony, the first show he ever
played live in front of people was like
20,000 people. That's insane.
>> It's so nuts.
>> That's insane,
>> wasn't it? Like that. It was huge,
right? It was like it was some it was a
gigantic crowd. I I don't think I'm
exaggerating because he got really
famous before he ever went on tour. That
one song Richmond north of Richmond that
that song like in instantly made him
famous.
>> He wrote a rocket dude. That rarely
happens. There's you know few people
know that feeling. I I I can't imagine.
>> Bro, he he was freaking out. like uh I
became friends with him like right when
it was happening cuz he was like a
little lost and he said a bunch of
people I go let's talk so we got on the
phone like it was before he had you know
he had gotten a ton of record deals and
all these different people were saying
you know hey sign with me we'll give you
x amount of money in advance I go don't
sign nothing and he was like everybody's
telling me that I got to act strike
while the iron's I go no no no no no I
go dude
>> you got talent I go you got real talent
You're always going to have talent. It's
just a matter of putting in the work and
you're going to be huge. You don't need
these people. These people are all
vampires. They're all just trying to
suck on your neck. Don't let them. Don't
let them.
>> Thank god he listened because he was
getting offers like $7 million and [ __ ]
And he he was a [ __ ] heavy equipment
salesman, you know? And so then all of a
sudden he's like, "What the [ __ ] is
going on?" One song with him and a
guitar just standing in a field and
that's all it took.
>> That's amazing. I mean, that's how it
should be, right? I have the complete
opposite story. My story is not cool at
all. I'm like, I'm a successful actor
and I got a record deal for no reason.
>> Yeah, but you had a record deal because
you wanted to do it. Cuz you're
interested in that, too. Like, you can
do anything you want to do. Like, just
because you're a successful actor
doesn't mean you can't do it,
>> right? But I think, you know, a lot of
the thing with music is the story of the
person.
>> So, I knew going in like I don't have
the best story. I I I I do come from
nothing and I did work my ass off to
become an actor and all that, but you
know, the my way into the music was a
little wonky, but
>> Well, sometimes that's good because it
makes you work harder to prove to people
that you're legit,
>> you know, because you have this thing
over your head where they're like, "Fuck
that pretty boy [ __ ] TV star
[ __ ] [ __ ] that dude.
>> [ __ ] Casey Dutton."
>> There we go. So, the music's going to
have to be good enough. That's just sort
of the thing.
>> That's all it is. It's just it just will
force you to work harder, but it's just
>> everybody's story is different. That's
what makes it fun. If everybody had the
same story, you know.
>> Yeah. I mean, you're kind of the the
king of following your passion, right?
You you've done that.
>> Yeah. I've been super lucky, you know. I
just lucky that there's a job for all
these things I like, you know?
>> There wasn't
for this one.
>> This one there was other people doing it
already, but it wasn't a job for the
longest time. It's kind of a fun story
that me and my wife always joke around
about because like one time she was
taking the kid, we were all supposed to
go to Disneyland, but I I had to do this
podcast. I'm like, she was like, "You
don't have to do it." I go, "But I do. I
do it every week." But it wasn't really
making any money back then, but I was
like, "I promised people it would be
out." Like, "I got to do it." Now she's
like, "Thank God you didn't listen to
me."
>> It's just I mean, I got lucky. I I came
in right at the right time. There was
only a few people doing it back then and
I just did it for fun. I just thought
that would be fun to do.
>> Yeah.
>> And then all of a sudden it became a
job.
>> Yeah. And with the UFC stuff too. Yeah.
>> That too. That was fun too.
>> Did you think that would become what it
became?
>> Yeah. When I first started doing it was
in 1997
and it was uh in a high school
auditorium in Dothan, Alabama and we had
to take a propeller plane to get there
and uh it was banned from cable so you
could only watch it on Direct TV. This
was UFC 12 and wow there was no one in
the audience and no one was watching it
and I was already on a TV show. I was on
news radio and the people on news radio
the actors and the producers they were
like what are you doing? you're flying
to go do cage fighting. It was almost
like I was doing porn,
>> you know? It's like or [ __ ] snuff
films or something. It's like, dude,
dude, you're gonna ruin your life doing
this.
>> I was like, I don't I don't know what
you guys are talking about. This is what
I've always wanted to see. I've always
wanted to see all the best martial
artists of different styles get
together. Nobody ever did it. These guys
are doing it. I'm going to go.
>> Yeah.
>> Like, this is
>> I remember renting the like first few
from Blockbuster. Remember that? Oh, it
was the best. It was like Blood Sport
back then.
>> Oh, yeah. Oh, it changed my life. I got
UFC 2 was the first one. The first one
wasn't available. You had to get two was
the only one. And it was on VHS tape.
And I had a buddy of mine who told me
about it. He's like, "Dude, you got to
see this thing, man." He goes, "They got
these guys. They're fighting in a cage
and this one dude's just choking
everybody and he's wearing a ghee." I
was like, "Really? What is it?" And then
I watched it. I was like, "Holy shit."
>> Yeah.
>> I was hooked like right away. I was
like, "They [ __ ] did it. They
actually did it." Cuz like when I was a
kid, everybody thought that what they
were if you did karate, you thought
karate was the best. If you thought
judo, you thought judo was the best. And
nobody really knew what was the most
effective martial art because nobody had
ever put together anything like the UFC,
>> right?
>> So once it happened, I mean, it was just
such a huge part of my life. I was like,
I'm not going to not do this just
because it's bad for my acting career.
I'm like, if my acting career goes away,
I I don't, you know, whatever. I'm only
doing this for money anyway. So I was
like, I'll just figure it out.
You were the only person in LA with that
mentality, by the way. That really
served you well.
>> Well, I wasn't supposed to be in LA, you
know? I mean, I only came to LA for
money. I And I would have moved back. I
was living in New York and um I did a
show called Hard Ball and that got
cancelled. And the only reason why I
stayed is cuz I got a lease on an
apartment. I was fully ready to get out
of there. I was like, I got to get the
[ __ ] out of this place. I hated it. I
hated being around actors. I hated being
around producers and casting agents. I
was like, "These people are so fake."
>> I was used to being around fighters and
comedians and pool players, like the the
rawest, funniest, like outcasts of
society. Like those were my people. I
was used to like cracking jokes with
friends and everybody was like busting
on each other and everybody had a great
sense of humor, just silly weirdos. And
then all of a sudden I'm around these
people that like all had these like
predetermined things that they thought
they should say so they would say them,
you know, and everybody had like it was
all group think. It was like, "Oh, this
is [ __ ] horrible."
>> Yeah. I always say that felt like when I
lived in LA, I lived in LA for 16 years
and and you know, I don't want to
complain about it. I was obviously good
to me. Like it, you know, helped my life
quite a bit, but it always felt like
everybody was trying to become the same
person.
>> Yeah.
>> But they don't know who that person is.
I'm like, can we can you just tell me
who the person is so I can right
>> you know what I mean? There's like a
memo that went out that I didn't get or
something. Yeah.
>> So,
>> nobody got that memo. They were all
playing it by ear, you know, and they
were just it was all dependent upon what
the producers and the casting agents
wanted you to be.
>> So, everybody would sort of adapt like
whenever you got a place where everybody
has the same politics,
>> that's not a good sign.
>> Like that something's gone wrong. and
everybody has these progressive
left-wing politics regardless of whether
or not any of their positions make
sense. They all just sort of spit it
out.
>> Well, I think it's just that there is
sort of a desperation that gets bred
from I mean, these people left their
families. They moved away. They
>> left everything they've ever known and
gave up a lot of comfort and security
and love to to follow this dream.
>> And so that that dream becomes more and
more and more important. You need it
more and more because now you have
nothing else. Yeah,
>> you've given everything else up.
>> And so I think at that point you can you
can sort of mold people into whatever
you like.
>> It ruins comics
>> because when comics start doing well,
one of the first as soon as they start
getting on television, the first thing
they start doing is tempering their
material. They tone it down a little
bit, take the edge off, don't say
anything that can get you in trouble.
And you know, generally those are the
funniest things. Yeah, the funniest
things are the things that can go
terribly wrong, you know, and get you in
trouble. So, they do that and then just,
you know, they become like an I I always
call it the velvet prison because you
get locked into that velvet prison. You
get get on TV, you get get money, but
also you become just one of everybody
else.
>> Yeah. It's hard it's hard not to do. I
mean, I'm that's where I'm at. You know,
I still have a boss.
>> Yeah. you know, my my checks are written
by a very specific company that, you
know, I have to be careful sometimes.
>> I know.
>> You know, even doing this today, I'm
like,
>> just a little bit. I don't want to do
that to you and sit here and like police
myself the whole time, but I got to be
like, just don't say this, you know,
right? Oh, yeah. No, I'm firmly aware of
it. People come in here and I I could
see it in their face like, please don't
bring up anything crazy. No trans talk
>> for sure, dude.
>> Stay away from that today.
>> Yeah. I mean people I mean it's it's you
know it's a tricky situation and the the
thing about LA too is everybody has to
get picked for stuff.
>> Yeah.
>> It's not like even like music like
especially like look at Oliver Anthony.
No music deal, no nothing. Just put
something on YouTube blows up. Yeah.
>> That's a real in this day and age that's
a real thing. But in acting it's still
you have to get chosen. You have to get
cast for something. And just that weird
thing alone where you're going into this
thing and these people have to approve
you and most of the people that get
involved in acting in the first place, a
lot a large percentage of them, they did
it because they didn't get enough
attention when they were younger. And
this is like they they just want to make
up for well that's why I became a
comedian. I'm pretty sure
>> you know it's all the same kind of
mindset. Like there's something about
you that wants to be famous, right?
once, you know, unless you're like
someone who's just in love with the
craft of acting, you know,
>> right? Which how could you be when you
know I made the decision that I wanted
to be an actor when I was like 5 years
old.
>> I didn't know what the craft of acting
was.
>> My thing though, honestly, was
>> I loved movies so much. I think I just
because I I I liked them more than my
life,
>> you know? I wanted to live in the movie.
>> I didn't know what making them would
actually be like. I didn't know what
that career looked like. I didn't know
what acting was. But I would go to the
movie theater and want to be in it. And
I'd also see the guy and I I don't know,
whatever the skill set was, I was like,
"Whatever they're doing, I think I can
do that. I I think I have whatever that
is." And, you know, thank God I was at
least somewhat right or I'd be waiting
tables in LA right now.
>> Well, it's an interesting thing, right?
because
it's a craft that seems like you're just
doing normal life, right? Like you're
you're pretending, but you're you're
acting and behaving in a way that people
do act and behave. Like that's the key
to it. It has to be believable.
>> Yeah.
>> So most people watch it go, I can do
that. Like it's this is normal life.
They're act just acting like they're in
normal life,
>> right? But what you don't realize is
that there's like a dude with a beard
with a microphone in your face and 200
people standing around waiting for you
to be done so they can do their job
again.
>> Sipping coffee shaking their head
right at their lot.
>> Maybe you [ __ ] up a line like, "Oh
Jesus, this [ __ ] guy [ __ ]
unprofessional." Yeah,
>> exactly.
>> Yeah. It's a weird gig, man. It's a
weird gig. And it's not what most people
think it is. And you could tell that by
like the masters, the real masters. You
know, when you see like a Daniel D.
Lewis do it, you're like, "Okay,
whatever he's doing, I'm not doing
that." That's that's a [ __ ] totally
different thing, right?
>> This guy's in some weird place where he
becomes Gary Oldman becomes a different
person every movie and you believe it.
>> Yeah.
>> That's the real craft of it, right?
Where like I [ __ ] know that's Gary
Oldman, right? But he's different in
every now. He's Dracula and I believe
it.
>> He's amazing. Both of those guys
amazing.
>> You ever watch that show um Slow Horses?
>> I love it. It's
>> [ __ ] great show, right?
>> It's really good.
>> It's a great show. I can't wait for the
new season. I was hooked. Somebody told
me about it and I was a little skeptical
at first. I was like, "All right."
>> And you never see like a lead your your
number one be like a total piece of
[ __ ]
>> right? Total piece of [ __ ] Yeah. Except
Tony Soprano.
>> There you go. Yeah.
>> Yeah. That he that was a weird show,
right? Like a guy was a murderer and a
thief and you love him.
>> Loved him. He was so good.
Yeah, there's another guy, Gandalfeni.
Man, that you [ __ ] believed him.
>> And there wasn't acting like that in
television yet.
>> No,
>> that was like the first of its kind.
>> Yeah.
>> And even within that show, he was doing
something no one else was doing,
>> right?
>> And that's hard to that's hard to keep
up for, you know, you can if you do it
for a film, you're doing it for a couple
months,
>> you know, at that at that level of
intensity, but to do that for seven
years for months and months at a time is
impossible. Well, there was a danger in
his eyes. Like a real danger. Like
there's something about that dude that
that dude's got or while he was alive,
he had demons but in his brain. Like you
could tell, right?
>> Like there was moments the these
menacing moments where he was like
threatening someone or doing something.
You're like that's coming from a real
place. Right.
>> That's that guy a you know there's some
guys who play tough guys in movies like
I'm not buying it.
>> But with that guy you're like oh okay
this this guy could kill somebody.
>> Yeah. You don't want to piss him off in
real life.
>> Well he's also out of [ __ ] control.
You know if you ever uh see the list of
the things that he consumed before he
died.
>> I have seen that.
>> It's bananas.
>> Yeah. I mean he was just off the rails.
Just out of his [ __ ] mind.
>> Have you seen the Hunter S. Thompson
one? Oh, dude. We narrated it. We read
it and then this guy, what was the dude?
What's the guy's name that turned it
into a song?
>> I don't know.
>> There's a there's a a dance song like a
electric music dance song.
>> I haven't heard that.
>> With me and my friend Greg Fitz Simmons
were reading off Hunter S. Thompson's
like his daily routine with his beardy
man. Yeah. Shout out to beardy man. It's
pretty dope. Play it. [ __ ] it.
>> Can we
>> I
>> We get in trouble.
>> Can isn't the right word to ask.
>> We can.
>> What would happen?
>> We lose like revenue changes and stuff
like that
>> for sure.
>> Yeah, 100%.
>> All right. Don't play it. I'll listen to
it after. Sorry.
>> Yeah. Well, I'll send it to you. But
it's uh it's a bananas routine. And you
know, at the end of his life, I'm a
giant Hunter S. Thompson fan as you
could tell and walking through the all
the artwork,
>> but at the end of his life like he
couldn't even talk. Like he did an
appearance once on Conan O'Brien and it
to me it was like one of the saddest
things. Like he could barely understand
what he was saying.
He's just mumbling and he when he was
young he was so [ __ ] smooth and
articulate and interesting and
fascinating and and it just drugs just
drugs and booze just cooked his brain.
I'll have to do a deep dive on him. I
I've never read any of his stuff.
>> Really?
>> No, I haven't.
>> Oh, just read just start off with Fear
and Loathing.
>> Okay.
>> Fear and Loathing in Las Vegas was a he
got a assignment to cover I think it was
a motorcycle race. That was the job.
>> So, I think it was for Sports
Illustrated or something like that. He
got a job to just cover a race and he
goes down there and just brings every
kind of [ __ ] drug known to man.
Drives through the desert in a
convertible with his friend and just
writes this insane book. It's completely
insane. Has nothing to do with this
motorcycle race. It's just all about the
chaos of being out of your [ __ ] mind
in Vegas. And it's brilliant. It's so
good.
>> Check it out. Do you like Vegas?
I mean, I'm there a lot for fights. And
when I go, we go to a restaurant. I go
play pool. I go to the fights. I don't
do anything else. So, it's like for me,
it's like, yeah, there's great
restaurants. You know, the fights are
awesome. I love doing that.
>> So, it's like, but
>> there's something about it where I ever
every time I go there, I like could I
live here? Like, I was actually talking
to my friend Tony Hliffe about it this
past weekend. We were just there for the
fights. And um I was saying like what if
a I was because you know Kill Tony is
this gigantic show now. It's huge. He
sells out arenas all over the country
with it. It's on Netflix. And I was
saying like what if a a Vegas casino
offered you a [ __ ] pile of money?
Would you do you think you could ever
live here? And we were just sitting
there. He's like I don't No. I don't
want to do it.
>> I don't think I could do it either.
>> Cuz I I think it's like sleeping next to
a vampire. Like even if you know that
the vampire's in the other room and he's
not going to bite your neck, it's like
he's right there,
>> you know? I don't think it's good for
you.
>> Vegas to me is like, you know, when you
>> you have a big night out on a certain
type of booze and you get sick and then
then anytime you drink that booze after
that, that's Vegas to me. Anytime I land
in Vegas, I'm like, I just feel gross
>> because I remember the last time I was
there or the first time.
Yeah, it's I think the people that live
outside of Vegas, like people live in
Henderson and places like that, they
love it because it's really nice out
there. Like you go out to the outskirts
of Vegas, there's beautiful
neighborhoods and nice communities and
like great stores and restaurants and
stuff. It's nice, but you're still next
to the Death Star,
>> right?
>> It's like this big neon [ __ ] vacuum
just sucking people's money out of them.
>> I've never been off of the strip. Maybe
I should try that out.
>> Yeah. Yeah. There's a there's there's
great restaurants and great
neighborhoods. Like it's it's fine
outside, but the reason why they're
there is because of the Death Star. Like
that's what brings everybody there. You
know, everybody's there to just lose all
their money.
>> Yeah. Make really bad decisions.
>> Yeah. Like I all my friends who gamble,
when I would go there with them, I go,
"Look at this place. See how big it is?
How do you think they got that money?"
Suckers like you.
This isn't This isn't like a fair
exchange. Like they're giving you goods
and you're giving them money. No, this
is like they're giving you this like
crazy proposition where you think you're
going to play blackjack and win a
billion dollars. Like it's
>> And if you win too much money, they kick
you out.
>> Did you ever gamble? Was that ever?
>> No. No.
>> No. No. No. No. No. Not really. I mean,
I've I've bet some money on fights. I've
I've played blackjack a few times, but
I've never lost any real money. But my
friend Dana White, he's a [ __ ]
degenerate. Like a crazy degenerate. I
went to visit him recently.
>> So he was at Red Rocks Casino and uh a
couple of my other buddies were there.
So we showed up and went into the
blackjack room. He was there. And when I
got there, he was down $600,000
when I got there. And it was a normal
night for him. And he wasn't even
nervous. He was like, "Hey, what's up?"
He's shake like shaking my hand, give me
a hug. All these other people are there.
And I got [ __ ] massive anxiety.
>> Yeah.
>> I was like, "This is crazy. How are
you?" And then so him and and Jamie was
there, too. And him and uh Taylor Lewan,
the football player, he he coaches
Taylor how to how to play blackjack. And
so they got together. He tells him when
to hit and when not to hit. And they did
it right next to us. Within five
minutes, Taylor was down $125,000.
>> Jesus.
>> I was like, "What are you doing?"
>> Oh, man. Yeah. That makes me nervous
just thinking about
>> he got up and then they quit. So he quit
ahead. I think he won like 100 grand and
then he quit.
>> You know they move on the back because
you can bet more per hand.
>> That that's what they're doing now.
>> Yeah, it's like up to 500k per hand or
something like that.
>> Which one's backarat?
>> How do you play that?
>> I I I've tried to watch it. I don't
really quite understand. It's apparently
not hard. You you're betting on the
dealer or the player.
>> Is that the big long table with all the
>> I don't understand it. It's not like
it's not as long as uh like roulette.
>> So Dana is on to that now or Taylor?
>> Yeah, I think that room they've switched
them all to back. I don't think it's
black.
>> So you could gamble more.
>> Yeah. Yeah. Yeah.
>> Definitely more faster.
>> He's mainlining the gamble now.
>> He told a story on um I think it was uh
was it Flagrant? It was Flagrant where
he talked about losing like $6 million
in one night.
>> Yeah. What?
>> Yeah. That's my theory about Slap Fight.
Why they're doing Slap Fight. I think
it's Dana's gambling money.
>> That's what I think. I think it's like
he needs some source of revenue outside
of the UFC so doesn't lose his UFC
money.
>> It's tough to watch, man. I
>> I don't watch it.
>> Yeah,
>> I've watched a couple of clips.
>> Sorry, Dana. I know you, but it's tough
to watch. You just people getting brain
damage over and over again.
>> Yeah, it's not my thing. I don't get it.
It's And it's all like the saddest
people getting whacked in the head.
>> It's not a good thing.
>> Not good. Yeah, they call it fights,
too. Like, okay. Okay, I know. I mean, I
guess you should come up with another
name. It's kind of insulting to an
actual fight,
>> right?
>> But that's my theory is that that's his
uh gambling money cuz that [ __ ] dude
gambles. Cuz I asked him once, I go,
"Oh, you like living here?" He goes, "I
love the action." Okay.
>> He's a good friend of mine, but he's a
different person than me.
>> That's awesome.
>> I'm not That's not me.
>> Yeah. If I lived in Vegas, I'd live way
outside of Vegas. And even then, I don't
think I could do it because we've talked
about um you know, we have a a comedy
club in town, the Comedy Mothership, and
we talked about doing another Mothership
somewhere. And the two most likely
places that we would be able to do it
are New York and Vegas. So, we talked
about doing one in Vegas, but I was
like, man, the only way it would work is
I I'd have to be there a lot. Like we'd
have to be there a lot and we'd have to,
you know, we'd have to make sure that
it's run right, that let's like run with
the same vibe that we run it here where
everybody's cool, there's no [ __ ]
everybody's real friendly and real
supportive of new comedians and then I'd
have to spend a lot of time there. I'm
like, I don't want to do that,
>> right?
>> This is
>> Wouldn't New York be like returning to
where you cut your teeth or something?
Is that where you started doing?
>> Yeah, I mean, I started in Boston, but I
I did spend a lot of time in New York.
Um, New York would be a better option
really because there's a lot more talent
there and in order to have a really good
comedy club. You you can't you can't
just start it out like you can't just go
like to Columbus, Ohio or Cincinnati or
I guess Columbus has like a little bit
of a scene, but you'd have to have a
real scene with like real headliners and
like top level talent,
>> right?
>> And the way we were able to pull it off
in Austin is everybody moved here during
the pandemic. Like me and Tony moved,
Ron White moved here first and then me
and Tony moved here and then once we
started doing shows, we were talking to
all our friends in LA and LA was shut
down during the pandemic. And so
everybody just kind of moved out here at
least temporarily cuz comedians are
junkies. Like they want to go on stage
and and it was taken away from them for
a year and a half in LA. Couldn't
perform in in LA for a year and a half.
Made no [ __ ] sense. And out here we
were just doing shows like in November
of 2020 like it was indoor shows and
super spreadder shows and so because of
that
>> super I forgot about that word.
>> Tom Sigura moved here Christina Pazitki
moved here. Tim Dylan moved here. I was
just like Shane Gillis moved here. It
was like we had so many like national
headliners we could pull off a club.
>> Yeah. But you have to have that kind of
thing where it's not just the weekends,
but you have to have like Tuesday shows,
Wednesday shows. It has to be like a lot
of people around that you could have a
show with
>> the infrastructure.
>> Yeah.
>> I randomly lived in Austin during co
>> Oh, really?
>> My wife and I, we got married in
November of 2019. She's from Brazil and
I'm from Ohio. So, we had no there was
nowhere we were going to live or it was
going to feel like home. But we, you
know, I'd lived in LA for 16 years. I
was ready to get out. We wanted to start
a family somewhere else. And uh we
didn't know where to go. So, we we came
here and December of 2019 and we had the
best two months ever and then everything
shut down and we're stuck in an
apartment, don't know anybody and you
know, it didn't really get a fair shake.
We loved it while it was going. And then
uh yeah, I I did about two months of
lockdown, couldn't do it anymore, and
then we bought an Airstream and just
started traveling around. And then I had
to be in Montana for work for
Yellowstone
>> and we parked the Airstream up there and
never left.
>> Oh wow. So we've lived
>> Montana's [ __ ] awesome. It's the
best.
>> It's so great. It's so beautiful. Last
time I was there was in the summer.
Well, actually, last time I was there, I
was hunting with Bourdain. We went
feeasant hunting there. That was pretty
cool.
>> Oh yeah.
>> Yeah. Yeah, it was one of the last times
I saw him.
>> What part?
>> Uh I forot I forget where we were. I I'm
pretty sure I flew into Boseman, but I
think we're outside of Billings.
>> Okay.
>> I forget. Um but the the summer there is
insane.
>> Yeah. Perfection.
>> It's so beautiful. Like everything's
green and you see the mountains and we
heard wolves howling one one night and
you see elk herds just chilling on the
side of a hill like god this place is
magical
>> and it doesn't get dark till like 11 at
night
>> right
>> yeah it's very confusing to know like
when to eat dinner because you're just
like it's light for so long but then in
the winter time the you know the
exchanges it gets dark at 4:30 p.m.
>> Right.
>> Um but yeah we love it man. It's the
best thing that has ever happened for
me. I'm just sort of like all the LA
stuff we were talking about.
>> It's the opposite of that.
>> The opposite. There's I have no FOMO
about anything anymore, you know? Oh,
that's great.
>> I I can just think and sleep and read
and watch films and it's the best.
>> Yeah. Well, your show made a lot of
[ __ ] people move out there, though.
>> That's true. Yeah. And they're not happy
about it. The valley that I live in, we
had some people come visit us. our
friends from California drove out and we
went on a hike and uh we were in their
car and they had you know Cali plates
and we get off the hike and someone had
written go back in the dust on their car
like people are super weird about so I
don't tell anyone like exactly where I'm
at because they would get really mad at
me.
>> Dude, that happened in 2012. I was
hunting in Montana. We went to the
Missouri Brakes and um we we were going
to this restaurant and one of the guys
in the restaurant had he had his car
parked outside and it was like a rental
car and someone had wrote go back home,
you know, like Montanas for Montans or
something like that. They rode it in the
dirt,
>> right? Which is dumb because if they
have the plates, they clearly aren't
living there, you know?
>> Right. Yeah. They're visiting.
>> They're going back.
>> Yeah. But it's just retards. You're
going to get retards in every state.
Like if you have a hundred people, one
of them's a [ __ ] idiot. Sure.
>> Right. And if you got a a town of, you
know, x amount of hundred thousand
people, you're gonna have a good amount
of [ __ ] dumb asses. For sure. Those
are the ones like, "This is our place.
We own it. This is our dirt."
>> Meanwhile, someone moved there at some
point.
>> Exactly.
>> You know, like somewhere along the line,
someone moved there and all you did was
stay.
>> Exactly.
>> You didn't do anything that cool.
>> Exactly.
>> You know what I mean?
>> Exactly. Exactly. And that one guy, I
can't go to bars there anymore cuz
whatever that one idiot is is at the bar
>> of course
>> and he can't wait to start a fight with
me. Just like can't wait to do it cuz
like it's a win-win for him, you know?
He gets to sue me or something. I don't
know, you know, but it's a lose-lose for
me. So,
>> well, it's just like his life is empty
and it's like all of a sudden there's
purpose and it's like you ruined
Montana.
>> [ __ ] off.
>> Right.
>> Yeah. Or my favorite is when they call
people colonizers. That's my favorite.
Like, bro, if you don't live in
Ethiopia, someone in your ancestor was a
colonizer.
>> Oh, 100%. Yeah. We all had to come from
somewhere. Also, isn't it like the most
American thing ever is that I can choose
where I want to live? That should be
celebrated.
>> It should be. Yeah.
>> The idea that, oh, we were here first.
Those are the same idiots that hate when
a band becomes successful cuz like, oh,
I knew them when they were underground,
now they sold out.
>> Yeah.
>> Just it's just a [ __ ] mentality. You're
always going to have that no matter
where you go. But Montanaans are like
fiercely proud of being from Montana.
>> Yeah. They'll always tell you what
generation they are, which is really
third generation Montana.
>> That's so silly.
>> Yeah. And I'm not Montan, but my son
will be, you know.
>> Yeah.
>> He can say that he is first generation,
>> right? It's like an anchor baby.
>> Yeah.
>> Yeah. He can go fly fishing and no one's
going to give him a hard time.
>> That's right.
>> I was born here. Okay.
>> Yeah, you're good.
>> You got a hall pass.
>> Yeah. But like people that live in like
that Yellowstone place, you know that um
>> Yellowstone Club.
>> Yeah, that place. Like those are like
fake Montans to Montan. I have a buddy
who lives up there. And he was saying,
"I don't know what the [ __ ] anybody
would live up there." Like cuz it's
awesome. What's wrong with you? It's
still Montana. Like let let it go.
>> Right. They just had some problem with
uh sewage being dumped into the river or
something like that.
>> The Yellowstone Club.
>> The Yellowstone Club.
>> Oh god.
>> Yeah. The the locals were very angry.
And I don't know if that's locals like
making some stuff up to sort of cause a
problem, but they were saying that they
were finding sewage from the Yellowstone
Club in the in the local river there.
>> Whoa.
>> Yeah, you have to look that up.
>> Oh, whoa. Yeah, that's not good. That's
the problem with rich people.
>> Yeah,
rich people are like, "Fuck everybody
else." I haven't been to that place, but
I heard it's awesome. And the views, I
mean, I've seen photographs of it. God,
the [ __ ] views there are insane.
Yeah,
>> I have multiple friends that live in
Montana and the the thing about it is
like everybody will tell you like when
you're surrounded by those mountains and
you look out at them every day, it like
centers you and it humbles you.
>> That's exactly right.
>> It's like the most spectacular natural
art you're ever going to see and it's
around you all the time.
>> And I drink my coffee every morning
looking out the window and it looks like
a painting and it never gets old. you
know, if if if we need to go to the
grocery store, I I'll do it because it's
so fun to drive there. You know, you get
out, you put some tunes on, it's the
best thing ever versus like living in LA
to go anywhere was the worst thing ever,
>> right?
>> Um yeah, everything's a pleasure up
there, man. It's really It's something.
But if you if you if you need any sort
of like fast pace or socialization or if
you're like trying to meet a babe or
something, it's not going to happen.
>> There's no people, dude.
>> Yeah, I get that. There's a little of
that in Austin. They're upset that the
Californians moved here.
>> Yeah,
>> they were upset. They a lot of people
blamed me and Elon. Sure.
>> They blamed us for for moving here and
ruining Austin. Like,
>> sorry we made it more awesome. [ __ ]
[ __ ] Shut your mouth. It's It's all
the same thing. It's like people that
want credit for being here first. Like,
[ __ ] off. Now you have more restaurants,
way more comedy. There's like seven
comedy clubs on my street now. on the
street where my club is. There's seven
comedy clubs now.
>> That's amazing.
>> It's like one of the the big hubs of
live comedy in the world now.
>> Did it have it at all before?
>> It had a couple places. There was a
place uh called Cap City that actually
went under before the pandemic or
actually like right at the beginning of
the pandemic. When I got here, it was
for sale and so I was looking at that
place to buy it and but it didn't work
out. And then there was another there's
another place that's been around forever
called the Velvita room. It's a real
small room. I think it seats like a
hundred or so. And then, you know, I
think there was maybe a couple other
bars that maybe had comedy and there was
like a small scene of some comedians,
but nothing like what it is now. Like,
it's not even not even comparable. I
mean, there's like 17 18 worldass comics
that live here now.
>> Wow.
>> It's crazy.
>> And talk about stage fright. I think
that is that would be the hardest art
form.
>> Getting up. You have no help. There's
nothing to hide behind, right? There's
no music,
>> right? There's like, you know, it's just
silence and you and a microphone.
>> You can't just get into your tune and
[ __ ] just play and close your eyes.
>> Yeah.
>> No, there was a there was a film
actually one time that I was attached to
to play a stand-up comedian. And I I
promised the director that if we got our
funding and got the green light to go
that I'd go do it, that I'd actually go
out and like work up 15 minutes and
just, you know, do it until I understood
what it was like. And that movie fell
through and I was very very happy about
that because I didn't want to do it.
>> It's hard.
>> I bet. Man,
>> it's it's confusing because the people
are just talking. You're like, why is
that hard to do? Everybody talks, you
know, like everybody could tell a story.
Everybody could and it seems easy to do
until you do it and then you're like,
"Oh, this is
>> But I was hooked right away cuz right I
I sucked the first night I did. I
bombed." But I was like, I got a couple
of laughs on some things and I was like,
I think I can figure this out. But I
was, like I said, I was more scared than
when I was fighting. I was more scared
before like a big fight. Like it was
weird. I was like, why am I nerv? It
didn't make any sense.
>> My friend Whitney Cummings explained it
to me. She said, "People have this fear
of public speaking because in tribal
societies
back in the day, the only time you spoke
in front of a large group of people was
when you're being judged because they
were going to kill you."
>> Oh, interesting.
>> Right.
>> Yeah.
>> Doesn't that make sense?
>> Yeah.
>> Yeah. So, like if you're front in front
of the people, they're all like, "What
did he do?" You know, so you have to
like, "Guys, I didn't steal the
tomatoes."
>> Yeah. I never thought about that.
>> Yeah. Weird.
>> That's what it is. Yeah. No place to
hide, man. I don't know that that sounds
scary. And especially if like it starts
going bad, like if you start to bomb
>> is there is there any way out of that or
is it
>> People have recovered? Yeah. People have
started off bombing and then pulled
themselves out of it. I've done it a
couple of times. Most of the time when
I'm bombing, I'm bombing forever.
>> Like but you're going down. But the
there's a good to that. All right. The
good is you have to reexamine your
material and you every time in my career
in the like the early days when I bombed
I always got way better afterwards
because I was like whatever the [ __ ]
that was I don't want to experience that
again and I really focused and really
really wrote like crazy and went over
recordings and buttoned down and trimmed
things and changed things around and
>> you need losses. Losses are very
important. They're important in
fighting. They're important in they're
important in they're important in life.
Like uh one of my kids just had a
breakup recently and I had a
conversation with her and I go, I know
this sucks,
>> but this is actually important. Like it
has to happen. And I told her like about
like first time a girl broke up with me
when I was 17. It was devastating.
>> Oh, the worst.
>> Oh, the worst feeling.
>> Couldn't believe my life was over. I'm
only 17. I can I'm never going to
recover. I'm like, it's so important
because you realize like as time passes,
you understand that this is just a
moment in time and there's other people
you're going to meet and it's just you
have to develop some resiliency, some
emotional resiliency,
>> right?
>> And so, you have to experience that. And
you also have to realize that, you know,
people, they don't know what they're
doing either. Like, boys don't know what
they're doing, girls don't know what
they're doing. They're kind of figuring
it out as they go along. The people
break up and they make up. And these are
these lessons that you have to learn in
life. And loss is important because it
makes you understand like why this
person gets sick of me? Why am I
annoying? Why, you know, what, you know,
am I selfish? Like what is it? Like what
is wrong with me? You know, why, you
know, why am I picking these people that
are going to break my heart? Why don't I
adjust? Why don't I like maybe I should
spend some time alone and figure out
what the [ __ ] is wrong with me or figure
out who I am? And those moments where
you have to kind of go through things
and figure them out, they're so
important for you in life. And for a
comic, bombing can often times be one of
the best like motivating factors to take
you to another level in your career
>> or wreck your confidence forever.
>> Right.
>> Just like fighting.
>> Yeah, I was going to say it happens to
fighters as well.
>> Oh yeah. Some fighters lose and they're
never the same again. And some fighters
lose and then a new version of him
emerges in the next fight. You're like,
"Whoa, this dude dialed in."
>> Who would be a good example of that?
>> Charles Olivera.
>> Oh yeah.
>> Yeah. He's the best example of it
because for the longest time, everybody
thought he was a quitter. Like he would
just break and now he's like one of the
scariest [ __ ] alive.
>> Yeah.
>> You know, especially this last weekend,
the fight with Max Holloway. Like good
lord.
>> Like Max Holloway was a two to one
favorite in that fight. He got shut out.
>> Yeah. Yeah.
>> Like literally every round was a
dominant performance by Olive Vera. It
was crazy.
>> It's funny people complaining about that
fight, too. It's like the
>> Cuz it was on the ground,
>> right?
>> Yeah. Yeah.
>> My daughter complained about it.
>> Did you? She like the main event was so
boring.
>> You're a casual. My kids a casual.
>> People love a slugfest, don't they?
>> Oh, yeah. They do. They do. They do love
a slugfest. Yeah. But, you know, that's
that's the sport. sport is like
sometimes it's going to be exciting and
sometimes it's just going to be a ground
battle. But for me it was exciting
because I was trying to figure out
whether Max could get up, what he could
do to prevent from getting taken down
and whether or not he could figure out a
way to reverse the position and get on
top and you know when you're watching
like a guy dominate a world champion
like that, it's just you're in Marvel.
You're like, "Wow, this is crazy. I
can't believe he's able to do this. This
is nuts.
>> I wish I would have started jiu-jitsu
when I was small cuz I tried like you
know late 30s and I was like it was kind
of like the golf thing where I was like
well first of all it's way cooler than
golf but I was like the amount of time
it's going to take me until this doesn't
feel like being smothered.
>> Yeah.
>> Is going to be a long time and I don't
know if I have I I don't know if I can
start now. You know what I mean?
>> Takes forever.
>> I'm sure.
>> Yeah. Yeah. Like if how long would it
take for like a grown person until it
until you actually know what's going on
intuitively and it doesn't feel like
chaos? Like how long?
>> Well, there's there's layers of knowing
intuitively. Like there's guys like even
as a black belt, there's guys that I
could roll with and I would just get
humiliated
>> cuz they're just so much better than I
am. Like my friend Gordon Ryan, that's
his belt up there. Abu Dhabi champion.
He's the greatest of all time. Like and
he's 30. Yeah. the the greatest grappler
that's ever lived.
>> That looks like man.
>> He's a He's a freak. He's amazing.
>> But he trains 365
days a year. He does not take breaks
off.
>> Christmas, [ __ ] you. It's your birthday,
[ __ ] you. Happy Easter, [ __ ] you. He
trains every day. And he trains like
twice a day, three times a day. It's
like that is the only way to be the
greatest. And you know, and he's
obviously a lot bigger than me, but it's
not the best example, but he does that
to heavyweight black belts. It just
humiliates them. They have no He writes
down on a piece of paper what he's going
to do to them and hands it to the judges
before the fight.
>> So he's like I'm gonna triangle this guy
like and he's doing it to world
champions.
>> Amazing.
>> Like guys who have been like multiple
time world champions.
>> Wow.
>> And he's just predicting what he's going
to do and then he passes on every
submission until he can get him in that.
Like he's having fun. He's like he's
playing with his food, you know? So
there's levels to stuff. So to be
competent in rolling, you could get
there in a couple years depending on how
often you train. Like Bourdain got
really serious at 58.
>> Wow.
>> At 58.
>> That's when he started.
>> That's when he started. Yeah.
>> Oh.
>> When I first met him, he wasn't training
at all. When I first met him, um he came
to the UFC. His wife was really into the
UFC and she was she had just started
doing jiu-jitsu and um she was getting
him into the sport and he really got
interested in it. And then she took it
him to jiu-jitsu classes and like [ __ ]
this is actually kind of fascinating.
>> Yeah.
>> And he had never done any kind of
athletic things in his whole life. And
then like when he was six, there's a
photo of him like in his 60s and he's
walking down the street with his he'd
gotten divorced and he was dating some
new girl and he's got this six-pack and
he looks shredded. And when I when I
first met him, he was like doughy and he
had a thumb ring and he was like, you
know, a chef and, you know, was into
drinking and he just became a jiu-jitsu
addict and he was training every [ __ ]
day and sometimes twice a day. He would
do a private lesson and he would take a
class every day.
>> Wow.
>> Yeah. He got a And then he he told me he
was taking his like when we were hunting
in Montana, he we were on the ground in
Montana, he wanted to like learn some
stuff. So I was explaining him certain
like I'm like when you go for a dar
there's a way to get there's a thing
called the Japanese necktie and I was
explaining to him on the dirt. I was
like
>> you guys all camoed out doing
>> jiu on the ground but he was like he was
so interested in it that he was he was
like constantly asking questions and he
had guys that were in the crew that had
also gotten interested in jiu-jitsu
because of him. So like while he was
there filming his show, he also went
down and was training. He found a local
jiu-jitsu gym and he went down there and
trained while he was there. He would
train everywhere on the road. Yeah. He
would go to like foreign countries and
train. Like he didn't even speak the
language. And you know, he's this
[ __ ] famous guy from TV and he's just
rolling in there with like normal people
and getting strangled.
>> 58. Man, that's incredible. I have no
excuse. I'm I'm gonna start.
>> Yeah. Do it.
>> I want to put it in front of my kid for
sure.
>> Oh, definitely.
>> I mean, as soon as he can do it, I want
him to try, you know, if he likes it or
not. But it's like I feel like it's one
of those things. It's so good to connect
with other people in that way from such
a young age. It gives you confidence and
then
>> if you if you love it, if if he has a
passion for it, you don't have to worry
about him becoming a drug addict or
something because you can't be both.
Like you know, there's a few things
where like you can't be both. You've got
to really give that everything.
>> Also, it becomes like a real source of
confidence for kids if they know that
they can fight like they can avoid
fights. people won't want to fight them
because they'll have a reputation. They
can It's very good to know. It's also
like you can get out of things just by
knowing how to fight because you know
like what people are doing, what they're
not doing. You don't say anything stupid
because you're trying to trick a person
into thinking that you're a tough guy.
There's a quiet confidence that comes
with these guys. And also, if something
does happen,
>> most people have zero idea of how to
fight. Zero. And they think they're just
going to swing and hit you in the face.
And you see all this [ __ ] coming way
before it happens. Like you see them
moving their right foot back like oh god
like here we go.
>> Like it's it's like they're playing a
game but they don't even know the rules.
Like they don't even know the skill.
They don't know anything but they've
seen it on TV and they think they're
going to be able to pull it off,
especially if they're drunk.
>> Oh yeah. There's a whole uh Instagram
channel that's uh dedicated to fights on
Sixth Street here. Have you seen this?
It's amazing, dude. It's incredible. You
can just watch it for hours. I've seen a
bunch. Yeah, a lot of them taking place
right in front of my club. Fights on the
street are so scary because guys fall
and they hit their head. That's it's
that's how people die. People die where
they get punched in the jaw and they go
out and they just bang their head off
the ground.
>> Or there's a lot of people out there
that'll when you're already out step on
your head or kick your head. We see that
a lot.
>> That's I don't understand anyone who has
the impulse to do that.
>> That's crazy to me. Like if you've won
the fight already, move on. You know,
that's that's scary stuff. That's evil.
>> Well, some people that get red with rage
and they lose their mind and then they
wind up in jail for the rest of their
life and they're just sitting in a cell
going, "What the fuck?" One night drunk
doing something stupid and now I'm here
forever.
>> Yeah,
>> it's crazy.
>> And there's And someone's dead.
>> And someone's dead. And someone's
parents are crying and someone's missing
their father. Like, [ __ ] man.
>> Because he looked at my girlfriend.
>> Yeah,
>> that's crazy.
>> I know. People are [ __ ] Yeah. The
best thing about fighting is it teaches
you not to fight. Very few of my friends
that know how to fight have ever been in
street fights. It's almost never
happens.
>> Just like just it's such a stupid thing
to do.
>> How many times in your life have you had
to use it like practically in a real
life?
>> Really?
>> Never. Not since I was in like high
school. I've I've never been in a fight
fight like an actual fight since high
school. I'll avoid them.
>> Yeah. I'm not like if if I know I could
[ __ ] you up and I could just get away.
I'm like I just get away. I don't need
to prove like what's the point? Also,
here's the thing. People always say,
"Oh, if I could fight, I'd [ __ ] people
up." Great. And then they're going to
come back and kill you,
>> you know, and then they're going to run
you over or shoot you or don't be
stupid. Like, it's it's pointless. It's
pointless. You know, I've had situations
where I thought I was going to have to
[ __ ] somebody up and I didn't. But you
have to have self-control. You have to,
you know, you have to be able to know.
And also like most people, like if they
want to fight you, all you have to do is
kind of like put your hands up and move
a little bit. Like they're not going to
be able to do anything. They'll be
swinging and you're just like, "Come on,
man. What What are we doing here?" Yeah.
What are we doing? And
>> it's it's The only time people get hurt
is when you engage. Like you're both
swinging at each other. If someone's
swinging at you and they don't know what
they're doing, they have almost no
chance of hurting me. Like zero. Unless
I'm asleep, unless I'm really drunk, you
have almost zero chance of hitting me,
right?
>> Unless you really know what to do. If
you really know how to fight, most of
those people really know how to fight
aren't fighting people any street
fighting.
>> Yeah. And I'm not going to provoke
anybody. I'm not going to start a fight.
>> So, it's like,
>> I mean, I know a few of my friends that
have had to [ __ ] people up. Gordon had
to beat the [ __ ] out of a homeless guy
in Austin. What?
>> Yeah.
>> No way.
>> Oh, yeah. some homeless guy. [ __ ] the
wrong dude.
>> Boy, did he. And Gordon tried to get out
of it, but the the guy wouldn't. And he
put him to sleep.
>> Wow.
>> Yeah.
>> Put him to sleep and then called the
cops and the cops came and picked the
guy up.
>> Humiliated.
>> Oh my the wrong guy. But that shows you
how [ __ ] stupid people are cuz
Gordon's a gorilla. He's this big giant
240 pound jack dude who's uh you know I
don't know how many time jiu-jitsu world
champion and some [ __ ] idiot
>> right
>> you know probably high out of his minds
are
>> picks a fight with him I think he picked
a fight with his girlfriend first I
think he [ __ ] with his girlfriend and
[ __ ] with another guy and just a problem
just some guys are just nuts man yeah
>> and you know mental health issues and
>> but fights are stupid they're they're so
pointless you know organized fights is a
different thing. I mean, that's high
level problem solving with dire physical
consequences. That's what I call it.
That's what a real fight is. Like a like
we both agree we're going to
>> make a certain weight. We're going to
meet se September 7th. Here it is.
That's a different thing.
>> It's a beautiful thing. It's like a
chess match and you can't breathe, you
know?
>> Yeah. It's crazy.
>> Yeah. It's a good way to put it. Yeah.
But in chess, the the pieces can only
move a certain way, right? In jiu-jitsu,
what's nuts is there's like so many
different variations and then you add in
striking and wrestling and like oh my
god, it's so I love it. I I'll never get
tired of watching MMA. It's the most
exciting thing ever for me. I like other
sports like I've really grown to love
football since I moved to Texas and I
can watch a good basketball game.
Baseball's hard, but to me it's all just
downtime unless fights are on,
>> right?
>> If fights are on, I'm not watching
anything else. Like I've been at
football games like at the UT games with
the UFC on my phone sitting there while
I'm watching the UFC.
>> Man, I wish I I have football envy. I my
I went to a Christian school in Ohio and
we didn't have a football team. And I
feel like if you don't like grow up
around it in high school, you just don't
understand like the nuance. I understand
the rules and I get it, but I just
>> I don't know. I don't love it like
people do and I wish I did. I wish it
the stakes just I don't understand it. I
don't understand the team sport thing as
much as I do like I love MMA. I love
watching UFC because it's like the
stakes are so high. There's something
about one-on-one. Who's the better
person today? You know, that's you know,
you can't uh
>> there's no one to blame it on, right?
>> It's just one person.
>> It's a different thing. Like I uh have
grown to love it living here. My wife is
a big football fan and so she got me
into it. And then I've gone to a bunch
of UT games and they're [ __ ] fun,
man. And it's like when someone scores a
touchdown, everybody wins. Like the
whole team cheer. Like the whole
audience, like 80,000 people.
And there's something to that,
>> right?
>> Cuz like when fighters fight and someone
gets knocked out, like people cheer and
it's exciting, but like you know, you
never know who's like if you're watching
Justin Gatey fight Max Holloway. I don't
know who's for Justin Gate, who's for
Max Holloway. You look out there like
everybody's wearing UT colors, right? or
they're wearing, you know, Oklahoma
colors. Like, it's like you've got your
colors. Everybody, you got your outfits.
Everybody's pumped. They they cheer when
this guy scores. They boo when that guy
scores. It's like more of a team.
Everybody wins together.
>> Yeah.
>> Whereas like with MMA, you know, you
there's there's it's like you're just
watching an individual. You're
appreciating an individual who's a rare
human being. Type of human being that
become a becomes a guy who could become
an MMA world champion. That is a truly
special human. Like the amount of
dedication and drive and the amount of
focus and discipline and the courage
that you have to have to get in your
[ __ ] underwear and stand there with a
cup on with little tiny pads on your
gloves in front of another savage like
another train killer who's been training
for 18 weeks for this one moment. and
they bolt the door shut to the cage and
then the referee goes, "Fighter, are you
ready? Fighter, are you ready? Let's
go." Crazy. And then the whole world is
watching. You're surrounded by 20,000
people and lights and cheering and you
you're trying to keep your [ __ ] together
and you're getting kicked. And
>> how do you sleep the night before that?
That would be my thing. I don't think I
could I wouldn't be able to sleep.
>> It's hard. I would always get sick. I
would get sick before tournaments
because I wasn't sleeping, right?
>> And I was training really hard and I I
didn't even take vitamins back then. and
I was a dumbass. But cuz I was young. I
stopped fighting when I was 22. But for
a lot of these guys, it is hard. It's
really hard to just relax. And then they
grow to learn how to relax. And then
then it's really scary. Then it's really
hard to beat them because you a lot of
guys are terrified before they even get
like Anderson Silva in his prime. He
would win fights at the weigh-ins
because they would just like look at him
and he would be standing there staring
at you and you're like, "Oh my god, I
have to fight this guy tomorrow. Oh my.
What have I done? Why am I doing this
with my life?
>> Imagine doing that stare down Mike Tyson
back in the day. That'd be the most
terrifying.
>> Oh, dude. It was It was There would be
guys that look like they were going to
faint while the referee was giving him
instructions. You know, I remember he
fought Bruce Seldon and Bruce Seldon who
was a beast, man. He's a [ __ ] tank of
a man and he looked like he was going to
faint during the staredown.
>> I can't imagine.
>> Yeah.
>> Yeah. He was the scariest of all time.
He was he was absolutely the scariest of
all time. The scariest boxer that I've
ever seen in my life. And there was a a
period of time between like 1986 and
like probably like around 1990 where he
was just [ __ ] running through
everybody. It was so you would buy the
pay-per-view knowing that the guy was
going to get knocked out and hoping that
you get your money's worth cuz you
pay-per-view is like whatever it was 50
bucks or something, you know, like if
it's like 30 seconds you're like a
[ __ ]
people would get upset that the the
pay-per-view was so quick,
but I mean that's what you were that's
what you're signing up for. And those
kind of guys, I mean when you got a guy
that's got every box checked,
discipline, focus, training, genetics,
everything all together, mindset,
>> right? He would beat guys like long
before they ever got in there because
they knew that they were they were
fighting this demon. This guy that just
was so much better than everybody else
and you there's no way you could catch
up to him.
>> No. Is it true about his Wasn't it like
his trainer died and then kind of he
lost the whole
>> Yeah. Well, his trainer was Customato
and Customato was a legendary figure in
boxing. He had trained Floyd Patterson.
um um Jose Torres. He he he trained uh
like a lot of like legit world champions
and he was also a hypnotist and uh he
adopted Yeah. He was a hypnotist. Yeah.
>> Well, he was really into the mental side
of fighting. He was more almost like as
much of a psychologist as he was a
boxing trainer. Was all about tempering
their mind and getting them ready. Like
he would tell Mike Tyson, "You don't
exist. Only the task exists.
would say crazy [ __ ] to him and he
adopted him when he was 13. So Mike was
13 and he came from Bedford sty in
Brooklyn was a horrible neighborhood. So
his whole life was like crime and
violence and no love and just terrible.
And then all a sudden this man took him
under his wing who was also a legendary
figure in boxing. legendary like he was
like he was the guru and oh you know he
he basically it was like the perfect
storm and then he was also his manager
was this guy Jim Jacobs and Jim Jacobs
was not just a manager he was an
historian of boxing and he had this
incredible library of all the great
fighters. So he would watch film, you
know, like [ __ ] those. He like have a
projection screen and he would watch
film of like Jack Johnson and Stanley
Ketchel and you know Sandy Sadler and
all these great fighters from back in
the day, Roberto Duran. He would just
sit there and absorb all these amazing
fights. And when you can wa like that's
one of the great things about today like
especially with MMA like if you look at
the fights from 1993 and the fights from
2026 the skill level is like magnitudes
greater because all these guys have
grown up watching all these fights now
because from the time that MMA existed
it was on television. You could watch it
on YouTube after that and it was like
there was always fights that you could
see so you could see what guys were
doing so you had an understanding of the
level. So kids would grow up imitating
their favorite fighters. You know they
grow up you know imitating Jon Jones and
imitating Kane Velasquez and all these
guys and you you you could absorb a lot
just by seeing the elite level of these
guys. And Mike Tyson was one of the only
guys back then that had that ability.
interesting
>> because he had this immense library of
the greatest fights of all time. And so
he would be training with one of the
greatest trainers that ever lived was
probably the greatest psychological
trainer that ever lived. Also, the guy
was hypnotizing him at 13, programming
him to be this destruction machine. And
then he was watching fights. So he was
watching all these guys, Jack Johnson
and all these like great old school
champions and Jack Dempsey and like and
he just absorbed it all. and and he
would get in that ring with [ __ ] no
socks on and no robe and just like a
throwback. He was like one of he was
like he absorbed the energy of those old
great fighters. The Sugar Ray Robinsons
and the hardcore old school guys who
would fight like once a week, once every
two weeks.
>> Dude, is that how often they were doing?
>> Oh, they fought so many times. I think
before Sugar A Robinson ever lost a
fight, he was 90 and 0. Something crazy
like that.
>> Wow.
>> Yeah.
>> 90. [ __ ] crazy. Just crazy. Yeah.
>> That's wild.
>> Those And you to be able to watch that
kind of stuff when you're young, you
absorb it, you know?
>> Sure. It's like kids that play
instruments now.
>> Sure.
>> I mean, you'll see an eight-year-old
online who's better than any drummer in
the 70s. It's crazy. just how quick they
can how quickly they can get better now.
>> Oh yeah.
>> Because they have access to everyone all
the time.
>> So cool.
>> I would imagine that's like that with
all sports now.
>> But you know, like you can like you
could go back and watch if you're a
basketball player, you could go back and
watch Jordan, you can watch Larry Bird,
you can watch, you know, LeBron, Kobe,
you could watch all these great
basketball players and see what they're
doing. Whereas if you were young, you
know, in the 60s or 70s, like you only
got to see the people you saw. Yeah. you
get you were as good as the people you
were around, which is why it was so
important to be a part of like a great
program in high school and college
because then you'd be around like and
then you go to the States and see how
these guys are doing. Oh, these guys are
better than us. Like I remember that
from wrestling. Like the only time when
I was wrestling in high school, the only
time you get to see like really good
guys, you'd go somewhere else. Like I I
was uh I went to school in Newton,
Newton South High School and we had good
wrestlers in our program and I thought
they were good until I would go to the
States and you go, "Oh my god, these
[ __ ] they're these kids are going to
camps every year. They were wrestling
365 days a year. They're like obsessed
with it." And then if you go to like
Iowa or somewhere like that, like good
lord, it's a [ __ ] religion there. I
mean, they've been doing that since they
were babies.
You know, it's like you you you absorb
what you see and you your brain rises to
the level of the competition that you
see.
>> The last time I was really into a boxer
was LMA.
>> Oh,
>> I love watching him.
>> He's got a cool story, too. Didn't his
dad make him do ballet for a while?
>> Ukrainian dance for two years. Pulled
him out of boxing for two years.
>> That guy moves like it doesn't look
real, right?
>> Like people shouldn't be able to move
like that.
>> The Matrix they call beautiful.
>> Yeah. Yeah, he would do footwork that no
one had even considered doing before.
The the movement, the slipping to the
side and the angles and the his ability
to change direction was crazy because he
would be here and then he'd be here and
then you're swinging and he's here and
he's hitting you and bang and he also
was way smaller than everybody. He was
way smaller than everybody. Like he was
supposed to be 126 pound fighter and he
went all the way up to the 140 lb
division. Are there like a lot of
younger guys doing that sort of style
now coming up or is it is that like a
one-off?
>> It's kind of a one-off. Usyk does it,
but Usyk was trained by Lomachenko's
father.
>> They were trained by the same guy. So
Usyk is essentially like a heavyweight
Lomachenko.
>> That's why he moves so much.
>> It's dangerous.
>> That guy's a freak. He's a freak. He's a
He's a pleasure to watching that guy. I
mean, he's beating guys that are so much
bigger than him. when when he beat Tyson
Fury. Tyson Fury was like 280 pounds and
he's like a cruiserweight. He was really
a 200lb guy that blew up to to compete
against heavyweights. He's much smaller
than those guys,
>> but he was so fast and so and so just
his un his pattern recognition, his
understanding of boxing is just elite,
like so many levels above everybody
else.
>> And he's 38. Like at 38, you're supposed
to be done.
>> Supposed Yeah.
>> No, 38. He's in his [ __ ] prime.
>> Amazing. but also clean life, clean
living, like serious Christian, like
very very religious, you know, doesn't
doesn't party, doesn't [ __ ] around, you
know, and just trains with like rigid
discipline. Yeah.
>> That Soviet style discipline, the
Ukrainian discipline, like those guys
like um their program over there, like
you can see it like in Dimmitri Bivval
and a lot of the other like Soviet style
boxers, they have like a very
comprehensive technical program that
they put their fighters under. There's a
style like Bivval is the the best
example of that style. It's such a
[ __ ] difficult style because it's so
movementbased and a lot of like American
fighters were kind of rigid in their
footwork and moving forward just trying
to land the big shots and like Bevall is
just moving around you all the time
popping you and like
>> yeah sort of like the Dagistani guys in
MMA same thing like you're not going to
beat those guys because it's all they do
eat and breathe it. They're in um Muay
Thai now. There's this kid that uh I I'm
obsessed with. He's 22 years old. His
name is Acadullah Im Iazalv. I don't
want to [ __ ] it up. Uh Acadullah
Imangazalivv. He's a [ __ ] freak, man.
He's 22 years old and he's destroying
world champions in Muay Thai. Just
killing them.
>> He's Dagistani.
>> Yeah.
>> Oh, wow.
>> So, the Dagistanis are taking over
striking, too.
>> Good.
>> Well, this guy's nuts, man. He's so
fluid, too. It's It's nuts to watch him,
man. He's He's like He moves like nobody
else moves. He's real tall for the
weight class, so you can't even get
close to him. He's [ __ ] you up from
the outside and just This is the guy
>> that's This guy is a [ __ ] freak, man.
He's just doing things different than
everybody else.
>> Wow.
>> And he's destroying people. Just
destroying everyone. Everyone he fights.
He's so unusual, man.
And again, he's from a hard part of the
world, man. You know, you grew up in
some [ __ ] soft neighborhood and your
dad takes you to karate classes.
>> No chance.
>> You got to fight this [ __ ] dude.
>> This guy's fighting for his dinner.
>> He's just mking people. And it's also he
comes from a culture that like reveres
combat sports, you know? They have
they're they're champions. guys like
Islam Makachev, Kabib Nuromedov, like
they're legends over there.
>> Yeah.
>> You know, and everybody grows up wanting
to be one of those guys.
>> Where was Fedor from?
>> He's from Russia,
>> is he?
>> Oh, yeah. He was the first.
>> Loved watching him growing up, man.
>> He was the first.
>> So, I used to watch him before
auditions.
>> Really?
>> Yeah. There was just something about his
like mindset where was like his he was
so even keel.
>> Yeah. Stoic.
>> Yeah. It's like his heart rate didn't
change or something. Even when he won,
he'd just be like and like sort of walk
off like that's so badass,
>> dude. Yeah. His expression never
changed. Yeah.
>> Yeah. He was one of the all-time greats,
if not the all-time great.
>> He was different than everybody else.
And he was a heavyweight that could
submit you. He could knock you out. He
was fast. He wasn't big. I mean, he was
like 5'11.
>> Very unassuming looking. You wouldn't
know he was the most dangerous guy in
the world.
>> Belly fat, little He didn't give a [ __ ]
what he looked like.
>> He was all about how he could perform,
>> right? you know, and he was a part of
like that era where MMA emerged. And in
Japan, it was so much bigger than it was
in America. During the Pride days when
Fedor was run [ __ ] there was 90,000
people in those arenas.
>> Whoa.
>> Yeah. They were doing like the Tokyo
Super Dome. and they were doing these
gigantic arenas and like everyone was a
fan in the country and then it all went
away because the the Yakuza was involved
and there was a big scandal and you know
like MMA was bigger in Japan than it was
anywhere in the world and it just kind
of like fizzled out.
>> Did you ever go to any of those in
Japan?
>> I went to a UFC once in Japan. We did
one UFC in Japan and I went there. It
was really cool. It was just I was just
really happy to be in Japan for a fight
because I you know I've been such a fan
of Japanese martial artists and [ __ ]
Japanese martial arts period and look I
have a I mean I have Miiamoto Mousashi
tattooed on my arm
>> but being in there in Japan was like it
was interesting because they were so
educated like they were really quiet
while the fights were going on but then
when something would happen even
something really technical like somebody
passing the guard they would go oh and
they would all clap like I was like
Whoa, this is interesting.
>> Yeah.
>> Like it was like you could hear each
corner yelling instructions. Like you
wouldn't you didn't hear the crowd at
all. Wow.
>> There's 16,000 people in there. That's
cool.
>> It was wild. It was a completely
different kind of audience. Like very
respectful, very appreciative, and very
knowledgeable.
>> It was It was cool.
>> Do you think if you didn't do what you
did, would you rather watch like UFC in
person or would you watch it at home?
>> Uh, in person's the best. You want to be
there. You want to feel the C. But I
would want to be there where I sit. Like
I'm super spoiled.
>> Yeah. You got the best seat ever.
>> Yeah. I'm like I could reach up and grab
the cage. It's right there. Like so
spoiled. But um you know if you're in
the bleeders, if you're in like the
nosebleleeds, you're probably better off
watching it at home honestly because
then you get the commentary, you get to
see replays, you get to see, you know,
like close up. If you got a big TV at
home, you get to see everything. I just
sat close for the first time. I went to
the Patty Gatechi fight.
>> Oh, did you?
>> It was amazing.
>> That was a good one.
>> It was amazing, dude. But yeah, it's
definitely different hearing the sound.
>> Oh, yeah.
>> It's like a whole when you hear like
bone on bone and you're like, "Whoa."
>> Well, my favorite was during the
pandemic. We had fights at the UFC Apex
with no crowd.
>> It was insane. It was so cuz we had
world championship fights with no crowd.
>> That's crazy.
>> There was maybe like 50, 100 people in
the room.
>> Wow. It was like mostly just staff of
the UFC, the trainers of the fighters
and some some of the other fighters in
the audience, some friends in the
audience, and that's it. And it's the
UFC Apex has a smaller ring, too.
Smaller cage. So, it's like I think it's
like
>> I want to say it's 40% smaller. It's a
lot smaller.
>> Really? Yeah. I didn't know that.
>> Yeah, it's smaller.
>> How How would that affect a fight?
>> A lot.
>> Practically move as much. There's not
not as much distance to get away,
>> you know? You know, so a guy who likes
to like move around a lot and get away
from people. Like I saw Francis Enano
versus Stipe Miocic when Francis won the
title in the apex with no crowd.
>> That's crazy.
>> And when Francis hits things, it's like
it's like hearing a baseball bat hitting
a pumpkin. It's just wump
>> and and you're and you're right there.
You hear them breathing. You hear the
grunts when they get hit, you know?
>> Right.
>> You hear the coaches yelling out, "Hands
up. Hands up. Move. Move. Move." you
know, hit them with the one, one, two.
They're yelling out instructions and
it's like there's no one else there.
It's silent.
>> Wow.
>> It's amazing.
>> So, that's the way.
>> Oh, that's my favorite.
>> Cool.
>> But there's something about an amazing
crowd, you know, like when you're
watching a big world title fight in a in
like in Vegas or in the Madison Square
Garden is an incredible place just
because the history of the place. You
feel it when you're in Madison Square
Garden. But my favorite is the Apex. How
you feeling about this White House cart?
That's insane.
>> Makes me a little nervous. I don't know
if it's the best idea in the middle of
war.
>> Open some some room for some
>> tom foolery.
>> It seems like it. Yeah. Um the card is
not what they wanted it to be for sure.
They wanted it to be like all world
titles, but you know, matchmakers have a
very difficult task. It's very hard to
find people that aren't injured that are
like like that are ready at this
particular time because the brutal
aspect of the sport is that guys are
always hurt. They're always training
hurt. They're always getting hurt. They
fight hurt. They're there's always no
one very rarely is anyone going into the
octagon 100%.
>> Sure.
>> There's always something going on. guys
are they they're dealing with staff
infections in camp and they're taking
antibiotics and it [ __ ] with your
endurance and maybe they've got a muscle
pull or a knee that's [ __ ] up and when
Francis Sano fought um Sirro Gan he blew
his ACL out so he had to wrap his leg up
and he had one leg and he beat him with
one leg. That's crazy.
>> Crazy. Guys have fought with broken
hands, you know. Um, Alex Pereira, he's
beaten guys with a broken foot. He
fights with a broken foot. Just stoic
standing there. Knows his foot's broken.
Doesn't give a [ __ ] He fought with a
bad knee. His knee needed surgery. Like
like there's a fight that he fought Yuri
Prohaskca where he's on top of Yuri that
they stop the fight and he does a
forward roll to get off of him after he
knocked on because he couldn't stand on
his left leg.
>> I didn't know that. Did was that like a
known thing while the fight was
happening?
>> No.
>> Oh,
>> no. He had surgery.
>> I remember that fight. That's crazy.
>> Yeah, he had surgery after the fight.
>> Is really big in our house because
Brazil, right?
>> Oh, yeah.
>> Yeah. Yeah.
>> Those Brazilians, man, they love each
other. It's crazy. My wife, she doesn't
she doesn't even care about MMA that
much. But if there's a Brazilian
fighting, she's all about it.
>> Oh, yeah. Yeah. Very, very proud people.
Yeah. And it's also like Brazil is where
it all started.
>> They were having MMA fights in Brazil in
the 1930s.
>> Really?
>> Oh, yeah. Ilio Gracie, who's really the
the founder of all this [ __ ] He he's
the father of like the Gracie clan, the
Gracie family, is like the greatest
story in the history of martial arts.
That one family has changed martial arts
forever. And it really changed it
because of Carlos Gracie and Ilio Gracie
and Carlson Gracie. This these three
Gracies who competed in these no rules
fights. They don't they didn't have time
limits back then. No gloves, no nothing.
M
>> and they were fighting in giant crowds
in Brazil in the 1930s, 1940s. And they
were figuring things out that nobody had
figured out before. They figured out,
they took techniques from judo. Like
judo was mostly about throws, but there
was some submissions. And so they
concentrated only on the submissions and
they h and they created Brazilian
jiu-jitsu. Like jiu-jitsu, which was a
Japanese martial art, right? But
Brazilian jiu-jitsu is far more
technical than Japanese jiu-jitsu. And
even Japanese guys now train Brazilian
jiu-jitsu.
>> I was going to say, is there any are
there purists that only do the Japanese
style still or not really?
>> You can't really compete. Okay.
>> I mean, you you I mean, you could
because everybody kind of knows
everything now because Brazilian
jiu-jitsu has made its way into every
other sport. Brazilian jiu-jitsu has
made its way into Russian sombo and
which is another combat sport which is
also elite. But Brazilian jiu-jitsu
changed the game and the Gracie family
changed everything forever. And you
know, and the the guy who fought in the
UFC, Hoist, he wasn't even the best guy
in the family. He he told everybody, my
brother Hixon kills me. Hixon was the
man. Like Hixon was above and beyond
everyone back then. He was he was a guy
who did yoga. He was meditating. He did
this crazy thing with his stomach where
he would do this breathing where his
stomach would suck in. He was like a
real freak. and he was undefeated. Like
nobody could touch him.
>> He would he would go and do these
seminars. So he'd teach a seminar and uh
teach it to all these black belts and
then he would roll with all of them
non-stop and just tap out everybody.
Everybody world champions. They all be
like, "Ah, this is a bunch of hype." And
they go there. They all get arm barred
and they all get leg locked. It was
crazy. He was so much better than
everybody else. And so they wanted Hoist
to win because Hixon also was like
pretty jacked and he was like really
fit. He was really into he was really
into strength and conditioning and and
and like I said yoga. He was incredibly
flexible. Like he could stand there and
do the splits and like hold his leg up
in the air on a balance bar.
>> Is he the one that wrote that book?
Yeah.
>> Yeah. I read that. It's awesome.
>> Yeah. And he had that documentary. It's
a great documentary called Choke.
>> Phenomenal documentary about his rise
through uh Japan Valley Tudo. And then
he was the guy he was the guy they based
the first pride event on.
>> Oh, okay.
>> He was the champion of the first Pride
event. He was the guy that the the whole
thing was based on cuz he was huge in
Japan. I mean, he was a superstar in
Japan, but he was the champion of the
family. And they wanted Hoist to do it
because Hoist was like smaller and he
would show that jiu-jitsu was about
technique.
>> That makes sense.
>> And they the plan was if Hoist ever got
beat,
>> throw in Hixon. Okay.
>> Then everybody's [ __ ] But Hixon like
his brother Hian started the UFC and
Hian and Hixon had friction and Hian
really couldn't control Hixon and so
they were like let's put Hoy in and if
we need to call on Hixon we'll call the
boogeyman.
>> Nice.
>> He was the boogeyman.
>> Remember the guy I think it was UFC one
who had the one glove the one boxing
glove.
>> Yeah. Artimmerson. Yeah.
>> What was that about?
>> Well I think he decided he wanted to be
able to hold on to people and he wanted
to punch them with his right hand.
weird tactic.
>> Well, no one knew what the [ __ ] they
were doing back then. Everybody Michael
Jackson, dude, you know,
>> everybody had this idea of what fighting
was and they didn't really know until
they got taken down. There's there was
his left hand.
>> So, that's interesting. So, I guess he
wanted to pop him with the jab. Was that
Hoist just [ __ ] put it to that guy.
>> Amazing.
>> But Hoist was doing something that
nobody had seen before. And that one
event when he was doing that to people,
it changed everything. It changed my
opinion of martial arts, I immediately
started taking jiu-jitsu. I was like,
"Oh my god."
>> You were taekwond do.
>> I started in taekwond do and then I did
kickboxing for a while and then when as
soon as I saw the UFC, I immediately
started taking jiu-jitsu. Yeah.
>> I was like, "Oh god, I don't." And then
when I started taking it, I was so
cocky. I was like, "I know how to
fight." And then I took classes was just
getting manhandled and mauled and tapped
left and right. I was like, "Oh my god,
I'm a beginner." Yeah.
>> This is so humiliating. And I was like,
"I got to get good at this." This is I
couldn't believe how helpless I was. I
was running around thinking thinking I
was a badass and I was just a fool.
>> Yeah, I'll humble you real quick.
>> Oh, so
>> I've gone through that. I was I I did it
for, you know, maybe a couple months and
I just I never made it past the hump. I
should probably try again. But
>> get a trainer. Get a a guy who can do
drills with you. That's really huge. If
you can get someone to do drills with
you and like just go over like uh like
on a one-on-one basis the the the the
finer aspects of it and just do drills
and drills drills over and over again
and then slowly start working your way
into group classes.
>> Yeah.
>> That's the key.
>> I think the thing is with you know if
you if you go to a boxing class, Muay
Thai class, you get to get some
frustration out
>> cuz you're hitting something and it kind
of feels good on your drive home. You
feel like I just beat the [ __ ] out of
that bag, you know?
>> Yeah. But then you do you roll with
somebody who's really good and you go
home and you're more frustrated.
>> But the first time you tap someone, it's
like it's such a revelation. You're
like, "Oh my god, I got an arm bar. Oh
my god, I got a triangle." Like the
first time you actually catch someone
something and they tap. I'll never
forget that feeling. I was like, "Wow."
And then you have to just trust the
process. Trust the process of showing up
and and realizing it is a tall mountain
to climb. It's you're not going to get
there quick. It is a it's a weird thing
to do with your body. Your body doesn't
know what to do with it. That's why
drilling is so important. When you're
drilling, you're going over the motions
without resistance. So, your body sort
of gets programmed how to sh switch
switch your hips and how to catch the
arm and how to pull your body back and
secure it with your legs and all the
different things that you have to do
where if you're doing just live sparring
all the time, you you're not going to
learn because you're all panicking and
tight. You got to be able to like train
your body to move a certain way so it
becomes automatic.
>> And is there a way to do it where you
can stay like relatively injuryfree
while you're learning
>> or is it like that's just part of the
>> It's kind of part of it.
>> Yeah. I was going to say
>> it's kind of part of it. Yeah. Everybody
just sort of assumes you're going to
eventually get hurt in one way or
another. You're going to [ __ ] your knee
up or [ __ ] your ankle up or whatever,
>> right?
>> But the best way is to find good
training partners. Don't train with any
wild people cuz some people just yank on
things and those are dangerous. The
really dangerous people are like blue
belts who are really strong who are just
like really spaz out on you. Like kind
of avoid those folks cuz they could blow
your knee out accidentally.
>> Yeah.
>> You know, I've seen that a lot. Like I
know people that are really good that
won't roll with people that are spazzes.
They're like I'm not.
>> I definitely ran into a couple of the
guys that are like they just wanted to
choke out Casey Dutton.
>> Of course.
>> Like come on man. I just started dude.
Of course, I used to get that when I was
on Fear Factor. A lot of guys want to
choke out the Fear Factor guy. Yeah.
But, you know, that's just part of the
fun. Like Bourdain, like he was
58-year-old white belt.
>> Nuts.
>> Wow.
>> If that guy did it, [ __ ] kind of
anybody can do it.
>> What belt did he get to?
>> He might have got to purple.
>> Uh, he definitely got to blue. I don't
know if he got to purple, but he won
tournaments.
>> Wow.
>> He competed in tournaments, you know.
You know, I remember when he first
started doing it, he's like, "I'd really
like to compete in some age appropriate
tournaments." I was trying to talk him
out of it. I was like, "Don't
get hurt, man. We need you out there."
>> But he was obsessed. If he could do it,
like that just goes to show you a guy
with no athletic experience, not a
worker, didn't train, didn't didn't do
any working out, wasn't a runner, didn't
lift weights, nothing. And then at 58,
he's like, "All right, I'm going to get
good at this."
>> That's amazing.
>> Yeah.
>> Good for him, man. It's awesome.
>> Well, he was uh a guy that had had
substance abuse problems in his past.
And the thing about being an addict is
if you can focus whatever that thing is
and get addicted to something really
good, you you can you can really excel.
>> Sure.
>> For whatever weird reason. Also, there's
a flip side. So, people that are
addicted to a sport or a thing and they
get really good at a thing and then they
become drug addicts, that same thing can
kind of hijack your brain and then all
you're doing is like chasing meth all
day,
>> right?
>> I've seen that happen, too.
>> For sure. Yeah.
>> Yeah.
>> Should get back into it.
>> It's a fun thing to do. It's good for
your head, too, because it's the hardest
thing you'll ever do. It's so hard
because you're essentially what you're
the game you're playing is I kill you or
you kill me, right? So when a guy gets
your back and gets your naked choke and
you tap, you're essentially saying you
just killed me.
>> I thank you for not killing me. I give
up. And then when you do it to him, he's
saying that to you. Yeah.
>> So it's so hard that the rest of your
life is easy,
>> right?
>> Everything else becomes easy. All the
stress of fame and success and Hollywood
and the [ __ ] it's nothing compared
to some dude mounting you trying to
getting you're you got you're trapped in
an arm triangle like trying to get your
hand down to protect yourself.
>> It's way harder and that that makes the
rest of your life easier if you can
choose what's hard in your life. You'll
be way better off. find a thing that's
way more difficult on your mind, way
more difficult on your body, way more
difficult on your spirit than this other
thing that you do. So, it'll like make
that other thing like easier to
tolerate.
>> Yeah. And stay humble, too.
>> Yeah. Oh, yeah. Super humble.
>> You're not going to think you're cool
for being able to say some lines.
>> Some people get Well, that's the other
thing, right? You get really intoxicated
with everybody kissing your ass.
>> Oh, yeah. Easy, easy trap.
>> We've all seen that. We've all seen
actors are just like inflated.
>> Oh, for sure.
>> Yeah.
>> Yeah. I'm a little blessed in the way
that I've never thought I was very great
at anything. Um I enjoy doing the
things, but I've ne, you know, like
never really I'm never good enough for
myself. Kind of hard on myself a little
bit, but I've seen it for sure. If if if
you're waiting for someone else to
validate you, once they do, you're
screwed,
>> right?
>> Because you're going to believe it,
right?
>> You know what I mean?
>> Yeah. So,
>> well, there's the problem of being a
star is that like all these people need
you and the world their world of the
show revolves around you. Yeah.
>> So, they're all like, you know, kind of
kissing your ass and reverent towards
you. It's like gets gets a little weird.
>> Yeah. Yeah. That and that's new for me,
too. You know, I I'd never been anything
that was like a massive hit before
Yellowstone. And now with this new show,
now it's a hit and I'm the number one on
the call sheet, which is very new. And
so I'm like a,
>> you know, I'm an asset to them in a
different way. Um, so it'll be
interesting navigating that. See,
>> they'll probably try to talk you out of
doing jiu-jitsu.
>> Yeah, I probably have to sign something
that I won't. You know, I'm not allowed
to like ski. There's a lot of things
because of the insurance.
>> Like if I get hurt and production has to
shut down.
>> It's a lot of money for them. So
>> yeah, that makes sense. Yeah.
>> I don't know if that's one of them,
though. But like, yeah, skiing.
>> Don't ask.
>> It's funny cuz horseback riding usually
is, and I have to do that for the show.
That's the most dangerous. Yeah,
>> horseback riding scares the [ __ ] out of
me.
>> Dude, I Me, too. It was not It didn't
come natural. That's not like a thing
that I'm naturally good at or had done
before Yellowstone.
>> My oldest daughter did it for a little
bit in California and she fell a couple
of times and one time she hurt her wrist
really bad and I was like, "Please stop.
Don't do this." Cuz she was doing those
things where you like jump over stuff
>> like, "Oh, that's so dangerous."
>> Cuz they stop just shy of that thing and
you go flying,
>> right? Yeah. her friend, she had a good
friend that was really into it and they
started doing it together and I was
like, "Please don't." And she fell a
couple times that she was okay, but one
time she really hurt her wrist and I was
like, "Please stop because your wrist.
They can fix your neck." You get like
Christopher Reeves, you know?
>> Oh, I think about Christopher Reeves
every time I believe it.
>> I wish I didn't.
>> That was what he did, right? He was
doing the jumping thing, right?
>> Was it?
>> I believe so.
>> Yeah.
>> Yeah.
>> I just don't I don't Yeah. I don't get
it.
>> Do you ride motorcycles?
>> No.
>> No. I don't even
>> Almost did. Almost did. Taking lessons.
Uh me and a couple of the other guys
that worked on the crew at Fear Factor.
Uh we all took motorcycle lessons
together. We were all talking about it.
And so we took motorcycle safety
courses. You know, you're basically
riding like it's kind of like a dirt
bike and they teach you how to, you
know, shift and all this stuff. And I
kind of got into it. I was like, "Oo,
this is really fun." And then three of
my friends had motorcycle accidents like
within a short time period. Um, one of
them wiped out, [ __ ] up his shoulder.
The other one got hit by a car, broke
his leg. And then the other one was
actually someone saw someone. It wasn't
an actual motorcycle accident. He was
there when some guy got rearended by a
car that wasn't paying attention, just
plowed into him and sent him flying and
[ __ ] this guy up. And I was like, "No,
no, man.
>> No, no, no, no. I'm not doing that." I
had a bike for a couple months in LA and
uh I went on a ride and you know it's
like one of those things you you have to
have the bug. You're like either have it
or you don't. I was trying to get the
bug. I because I wanted that to be a
part of my identity. You know what I
mean? I wanted to be a guy who rode
motorcycles. So, I rode up the Pacific
Coast Highway and I was kind of riding
up through like Ohigh and going around
this corner, you know, this sort of like
cliff side and it's that thing where if
you stare at something, that's where
you're going to go. And I just kind of
was like zoned out and I almost ate [ __ ]
right into the side of this cliff. And I
was alone. Like if I would have done it,
it would have been forever until anyone
figured out like what had happened to
me, you know? And I kind of it was a
really really close call. and I got off
the bike and I kind of sat there for a
minute and I was like, "Yeah, I don't
love it enough to die this way." You
know what I mean? I don't need this in
my life. And I never never did it again.
>> I have friends that have never had a
problem. I have friends that ride bikes
and have never had a problem. I think if
I lived in Montana, I might do it cuz
there's just not that much traffic.
>> No, but my 70-year-old neighbor just hit
a deer.
>> Oh.
>> 70 years old on his like you one of the
BMW like adventure bikes
>> and he was going 70 on the highway and
hit a deer.
Yeah, he's and he's fine, dude. This
guy's a tank. But
>> how old was he?
>> 70.
>> Whoa.
>> Killed the deer. He had road rash
everywhere. He was kind of like, you
know, on the couch for a few weeks.
>> He's fine,
>> dude. He is a tank. This guy, they make
him different out there, dude. He's my
next door neighbor. He's amazing. Shout
out Steve.
>> Wow.
>> He uh he's got a range in his backyard
to 500 yards.
>> Oh, wow.
>> And has every firearm imaginable and
things you didn't even know they made.
And so anytime I can just, you know,
ride over there in the side by side, we
grab a few and go down and shoot in the
back.
>> Oh, that's nice. That's cool. Yeah. You
find people like that in Montana.
>> Oh, yeah.
>> Yeah.
>> He's the real deal.
>> Wow. But 70 years old, hitting a deer is
crazy on a bike.
>> Yeah. Killed the deer and he uh about a
month later he was all right. He was
back on the bike.
>> Oh boy.
Jeez. I've seen some videos of guys
hitting deer like you see like from
their camera
and you see this thing leap in front of
the road then you see
>> Yeah, deers are they they're everywhere
out here, man. When I'm driving home, I
drive slow. There's like a certain road
near my house where they just pop out
all the suicidal deer. Yeah. Just pop
out. Especially like around the rut
>> where the the the bucks are chasing and
they're not chasing straight. They just
they're just out there like [ __ ]
>> [ __ ] hungry standing in the road
staring at you.
>> I love explaining to people how the rut
works cuz it works just like humans. I'm
like the only time they're dumb enough
that you're going to get one is when
they're horny,
>> right?
>> You know,
>> but for them it's once a year, which is
way crazier than us.
>> Can you imagine if it all came once?
>> Bro, if humans had a rut, I would go on
vacation during that time. I'm like, I'm
hiding. I'm don't want to be anywhere
near it. probably like murders, car
accident.
>> Lock me in jail for that month or
whatever.
>> Exactly. Like get a bunker. Get a bunker
and lock down with Netflix for a month.
[ __ ] that. There is no way, man. That
would be crazy. Imagine if the whole
world had to rut at the same time.
>> Oh my god.
>> It's a good movie idea.
>> It is a good movie idea, right? That's
actually a great movie idea.
>> Just call it the rut.
>> Yeah. like human beings evolve or maybe
there's like genetic engineering because
they decide that the there's
overpopulation and the solution to it is
only have people breed at a certain time
and also like keep people from being
distracted all the time cuz like how
many people are on dating apps and how
many people are like you know going to
bars and trying to find someone. It's
like it's a huge waste of your time.
>> Oh my god, my 20s and 30s were just
blown because of it. It's all I thought
about. massive, massive waste of your
time. If there was like a solution to
that, the solution would be like, well,
everyone's only going to breed
>> only during November.
>> Maybe it's the best thing ever, you
know?
>> It'd be great if there was like a switch
you could flip, you know, like a little
boy, you like flip it and then go out
and figure it out.
>> The rest of the year like you don't even
care about girls. Like
>> so productive, man.
>> Bucks just walk by a female dough in
like, you know, [ __ ] June. They don't
give a [ __ ] about them.
>> No. And they don't have their antlers,
so they look the same,
>> right? They, you know what I mean? They
lose their masculinity entirely.
>> Right. Right. Right. They gain it back
pretty quick. Those [ __ ] things grow
quick. It's like they fall off within a
month or two. They start growing nubs.
>> Isn't it the fastest growing bone
material on the on the
>> Yeah, I think elk is because that's
nuts. I mean, like you look at like a
foreign and it 400 inch elk like some of
those antlers that are out there.
Imagine that that grows in a couple of
months.
>> It's bone.
>> It's crazy. and they fight to the death
with it.
>> Crazy.
>> Like we find elk that have been killed
by other elk. Happens all the time.
>> Have you hunted in Montana?
>> Yeah. Not uh not elk. I've hunted mule
deer in Montana and pheasant the time I
went with Bourdain.
>> Um
>> never done elk until I moved up there. I
started hunting white tail when I was
like 10, like really young because we
have big white tail in Ohio. And I
thought hunting elk would be similar.
>> No.
>> And boy was I mistaken.
>> Bro, it is. When were you bow hunting or
rifle hunting?
>> I've done both, but my first was a bow
hunt and we went out there. We were
camping out there. Me and uh I I just
made friends with this the contractor
that built my house in Montana and he
took me we went public land around
Dylan, Montana. And we went for a week
and I had to tap out day four. Like I
couldn't my my legs stopped working. I
didn't I was like I didn't know I had it
was like this. So the next year I went I
was like prepared for it but I didn't
know man you really got to go for it.
>> Oh you got to get in shape.
>> Yeah. I do a lot of [ __ ] before
September. I do I I have this crazy
routine that I do on a a dime bike. I do
these Tobatas on an aerodyine bike where
you sprint for 20 seconds. You rest for
10, you sprint for 20 seconds. The
worst.
>> And all I'm doing is thinking about
getting over a hill. Getting over a hill
to get a shot. I mean, and then I do
like box stepups. I do all these
different things with weighted vests and
farmers carries with [ __ ] heavy
kettle bells. All I'm doing is just
trying to condition my legs. Yeah,
>> you have to like those mountains are
brutal.
>> There's no mountains here for me to
practice on.
>> But in California, I used to run hills
with my dog.
>> Yeah. And you're at elevation which
makes it even harder.
>> Oh yeah.
>> And a weird thing people wouldn't expect
is like just, you know, makes it even
worse. You get up in the morning, it's 0
degrees.
>> Middle of the day, it's 50 60. And
you're hiking all day. So it's like, how
do you dress for that?
>> You have to dress to be cold. Yeah.
>> Like once you start walking, you have to
be cold. Yeah,
>> like you got to get down to your base
layer and walk and then if you ever have
to stop then you put it on. And the
other key, marino wool.
>> That's the key because wool is different
than cotton. If your cotton gets wet and
then you you're sweaty and then you get
cold, you're [ __ ]
>> right?
>> But wool's not like that. Marino wool is
the best because like if you have
especially a base layer because when
you're sweating it kind of keeps you a
little cool and then um if you get cold
it doesn't it it doesn't feel cold.
>> Yeah.
>> Because it's it's not synthetic. It's
it's organic.
>> Makes sense.
>> Yeah. It's a weird fiber.
>> Yeah. We used to walk to the deer stand
kind of in half of our stuff, keep the
other half in a pack and then like once
I got in the treeand I'd put everything
else on so that you wouldn't, you know,
the sweat wouldn't freeze to you.
>> That's hard. Deer hunting in a treeand
is [ __ ] hard.
>> It's like a silent retreat and you're
freezing.
>> Yeah. At the same time,
>> you're freezing and you're sitting up
there waiting for a deer to walk by and
then you're so cold that when a deer
walks by, you go to pull your bow back,
you're like, "Oh, Jesus."
>> Yeah.
>> Like, why am I so weak?
>> Like, you could barely pull your bow
back when you're up in the tree.
>> Yeah. But nothing I mean, no challenge
whatsoever compared to Elcon. That was
like blew my mind how hard that was. And
the guy I went with, you know, he grew
up in Montana. He's like a mountain
goat.
>> I just like couldn't keep up with this
guy, man. I'm like, this is How do you
do this? just constant all day long.
>> You can't just get out of your off your
couch and go elk hunting in the
mountains. You can't do it.
>> No, you got to get in shape.
>> Yeah. Like my friend Cam Haynes, that's
why he started running. He's he became a
ultra runner.
>> Yeah. He's doing like 250 miles stuff,
right?
>> Yeah. He does like these three-day runs.
>> He tried to get you into that. Have you
done any of that?
>> No chance. I have one knee that sucks. I
have one knee that I I [ __ ] up in
martial arts. It's missing meniscus. And
I cracked it uh skiing, too. I wiped out
skiing. and got a fracture of the top of
my tibia. So, it's like it it's if I
started running, it would get beat up
real bad, right?
>> But I do there's plenty of conditioning
you could do without running, you know,
but it's the the pounding of running,
it's not good for my knee.
>> There's something so amazing though
about getting to that first thing in the
morning when sun's coming up and you're
glassing.
>> Mhm.
>> And you're just like, "This is what I
always wanted hunting to be like."
>> Yeah.
>> It's the real thing. It's like this is
what it's supposed to feel like. You're
so far out there. You know, I didn't get
to go the last couple years. My wife was
having our baby two years ago, so I
wasn't allowed to be in the woods with
no service. And then last year, I was
shooting the show. But this year, I'm
going to be able to go. I got a good
spot. And even if I'm shooting the show,
it's like it's right there.
>> Well, they have phones now that have
satellite service. Um I think you get Is
that Does T-Mobile have that now where
you can get Starlink on your on your
phone? I know they're doing that soon.
And you know, you can text message with
iPhones. You can like I've done that in
the middle of the woods. And you know
what the best thing is, man? When we
were in Utah last year, the last two
years, I've had a Starlink Mini. It is
the [ __ ] It's like the size of an iPad.
You just lay it down on the ground. You
use the app and the Starlink app will
tell you which way to point it to and
you get highspeed internet.
>> I have one for when we shoot because
we're in the middle of nowhere. So,
>> it's so awesome. It's the best.
>> It's so good. You get you can
>> Here it is.
>> T satellite. Yeah.
>> That's the [ __ ] man.
Yeah. So, you can Can you make phone
calls or is it just internet? It's phone
calls, too, right?
Texting and select satellite ready apps.
Okay. Just texting.
Uh satellite service including text to
911 may be delayed, limited, or
unavailable. So, you can just text and
some satellite ready apps right now.
So that's like everywhere.
>> That's cool.
>> Yeah. So eventually they'll have it'll
be like Starlink will be connected to
your phone and you'll be able to get
high-speed internet everywhere in the
world if we don't have World War II.
Bro, blow everybody up.
>> I do.
>> But there's the elk hunting thing that
the the thing that makes it all the more
exciting is like they're moving around.
You got to sneak up in on them. You're
playing the wind and then the sound they
make when they're SCREAMING
and you hear it. You're like, if you
never knew what that was, you would
think there's demons in the woods.
>> Yeah, demons are like T-Rex,
>> right? It's crazy.
>> The sound is so incredible. It's so
incredible and it's so hard to do. It's
like that to me is uh one of the things
that I love like every year because
everything goes away. It's so difficult.
It's so difficult to get in shape for
it. so difficult to manage your way into
the mountains and and to be in shape to
be able to do it day after day and then
to be able to pull off a shot, you know,
like you know, like you have this brief
moment, the thing's 65 yards away and
you draw back and trying to settle your
pin and
>> you could have done all of that just to
like mess it up. Yeah. One little tiny
Yeah.
>> And it happens all the time. But when
you're successful, oh my god, it's the
greatest feeling of all time. And then
when you're eating it and you're you're
you know you're at home and you're on
the barbecue grilling these elk steaks
like I can't wait to do this again.
>> Yeah.
>> It's so exciting.
>> Yeah.
>> And it's just but it's the being out
there. It's like a vitamin. It's like a
vitamin that you didn't know you needed.
It's like your whole body is like, "Oh,
this is so much better than regular
life."
>> You can't be mentally unwell.
>> No.
>> It's like impossible,
>> right?
>> Yeah. It's amazing.
>> You just feel so much better. The air is
better. You know, it's like and you're
more focused. You're not distracted and
you just you feel alive.
>> Yeah.
>> And then it's also the majesty of
nature. You're just around these trees
and the mountains and you catching all
these animals that are out there and you
know, you see eagles flying overhead.
You're like, God,
>> you're like day three, you're like, I
think I'm just going to move out here.
Just I'm just going to do this. And then
you go back to real life and you're
like, oh yeah,
>> I think that all the time. I think that
all the time that I like to live in the
mountains. My wife is not down with it,
but I'd love it.
>> Yeah,
>> I might get a place somewhere one day in
the mountains just a retreat, just to be
able to just disconnect, shut off for a
while. I think that's probably a good
idea.
>> I love it. I I wonder though, now that I
have a kid, like we're going to have to
start thinking about, you know, school
for him and stuff. And I don't there's
really not I don't know if I don't, you
know, once we get there, we'll figure
that out, but we're going to probably
have to get somewhere closer to some
people, you know.
>> Doesn't Boseman have good schools? Wait,
where are you? What are you near town
near?
>> I'm about an hour south of Missoula,
>> so I fly to Missoula to go home.
>> Missoula has good schools, right?
>> University.
>> But I'd have to move closer to Missoula.
And at that point, I'm like, why don't I
just, you know, move to a city, I guess,
you know.
>> I know.
>> I think the move might be getting
somewhere, you know, a little more
populated and then keeping like a cabin
in Montana like you were talking about,
you know, and then taking him out there
whenever we can. That' probably be the
thing. Do you have a place in your house
where you record? Do you have like a
little recording studio or anything?
>> Yeah, like a just for me to record demos
to send to people to actually record
just to be like this is something I've
been working on or you know um kind of a
setup like one of these and and a
computer. Um but yeah, I do a lot of
writing up there. It's a great place to
write songs.
>> How do you write? Do you write on paper
or do you just start strumming and
singing?
>> It's different every time. Sometimes
I'll have like a it'll it'll be a
melody. Uh it'll be a guitar riff. It
could be like a lyrical idea, some sort
of hook, you know, it comes in a lot of
different ways. And then sometimes I'll
finish something on my own or sometimes
I'll do a Nashville trip and sit with
some other writers that I like and, you
know, we'll kind of like bang it out
together. And
>> that's the coolest part of the process,
man. There's something about
>> making something out of absolutely
nothing. It's like addicting, you know?
>> It's really cool.
>> Yeah. Jokes are similar in a way, I bet.
I've never really been a songwriter, but
I'm guessing. So, it's like creating
something out of like out of your mind.
All of a sudden, it's a thing and then
you're performing it in front of people
>> and it's like I've heard you talk about
this and and any good creative person
talk about this, but like it comes to
you.
>> Yeah.
>> You can't really take credit for a good
idea. Yeah. You know,
>> exactly.
>> I'll just be driving and be like, "Whoa,
that's where'd that come from?" Like
whatever that is, give me more of it. I
love it. You know,
>> I was talking to Michael Pollen about
that yesterday. We were talking about
consciousness and we were talking about
how it just seems like you're not doing
it. It's just coming out of the ether,
you know, it's just like and you just
have to show up and receive it.
>> And if you show up enough and you, you
know, pay homage to the muse and sit
there. You ever read War of Art, Steven
Pres book? I got a box of copies. I'll
give you a copy of it out there. He
always get Well, I bought a box of
copies. I bought a bunch of them and I
used to hand them out to comedians and
artists when I was on the show. I was
like, "Just listen to me. You got to
read." It's a really small book. It's
easy, but it's one of the best books
ever about creativity. And it
essentially just he tells you if you
treat it like there is a muse, like
there is a god, a goddess that will give
you ideas as long as you pay respect to
the muse. You have to show up on time
every day. Sit there and do it. And some
days you get nothing.
>> But you just got to keep showing up.
keep showing up and trust in that
process and eventually you're like, "Oh
my god, this idea is so good. Where did
it come from?"
>> That makes sense.
>> Where did it come from?
>> Yeah. When I'm when I'm when I'm in a
really good spot sort of mentally,
emotionally, spiritually, taking care of
myself, sleeping, I get more of those.
>> Yeah.
>> And I know there's this like mysticism
around like people who like, you know,
Aness Thompson or someone like that who
just kind of spend a lot of time being
[ __ ] up and they still get it.
>> That never worked out really well for
me.
>> I've tried it. Trust me, it's not great
>> with with those guys. They're trying to
get out of their own head,
>> you know? They're just trying to get
blasted so they could just like
>> just release themselves from their life
>> and then just obliterated. Just start
writing.
>> Yeah.
>> And then the muse starts talking to
them.
>> Interesting.
>> Yeah. Hemingway or there's a lot of guys
like Oh, yeah. You know, had to be sort
of a little messed up to do the thing.
That's right.
>> Yeah. Yeah. His book on writing is
fantastic, too. It's It's called On
Writing. Stephen King. I read that one.
Yeah, it's great. Right.
>> Really good.
>> He was obliterated. Like most of his
great work, most of the great stuff out
of his [ __ ] mind on drugs and alcohol
and
>> and some of those guys like once they
stop doing it, they lose the thing. And
I I don't name names, but like
>> there's some Yeah. There's some artists
I love that they kind of got clean. Yep.
>> And you're like, where'd the thing go?
>> Which is unfortunate, you know.
>> Yeah. It happens with comics, too.
>> Does it?
>> Some of them though get better. like
David Tell got way better when he quit
drinking. Um it's interesting. It
doesn't always it doesn't have to be
that but for a lot of them like that
crutch the whatever it is that connects
them to the creativity once they
eliminate that part and try to keep try
to stay alive essentially like Stephen
King was like killing himself but his
later work is just not comparable.
>> What's your process like writing jokes
like how does that start for you? Like
how do you
>> it uh it it is a it's there's some ideas
that just come to me out of the middle
of nowhere. Like I'll be just hanging
out and and then I have an idea or I'm
driving in my car and I have an idea and
I just have to write it down and then a
lot of it is just sitting down with a
computer.
>> Just sitting down and like what am I
writing about? I'm writing about
immigration. Okay, let me [ __ ]
And it I write in essay form. So, I
don't try to write like a standup comedy
joke, which I've tried before, but
that's never works. But what does work
is if I lose myself in just ruminating
on an idea and just explore it from
every different angle and then I'll find
one parag. I might write 2,000 words and
I'll find one paragraph. I'm like,
that's it.
>> And I'll take that out and I'll put it
in there and I'll try to introduce it on
stage. And then I try to figure out how
to segue into it. And then I try to
figure out how to expand on it. And then
I'll take that one thing and then I'll
stare at that one paragraph and I'll go
what else? Like what else? What's the
other angle? Like what what if I was not
like that? What if what how do I feel
about if I was on the other side of
that? What if I'm the person that's
going through this? And what if I'm this
and that? And then I'll try to just try
that. And it's it's like I always
describe as like you're trying to you're
trying to build a mountain one layer of
paint at a time. And it's a long and
brut and then sometimes it's not. Some
jokes just come to you in full form.
>> Oh wow.
>> Like the way I wrote it is the way I say
it and it's perfect.
>> But that's you can't count on that
either.
>> And again it's not I don't think they're
mine. You know, they're just coming from
somewhere. Yeah.
>> The key is just showing up. That's the
key. The key is like sitting in front of
that [ __ ] computer. Or some guys
don't like a computer. They want a
notepad. They want pen and paper. They
like they like it better that way and I
get it. But for me, I can type like I
don't have to look at the keys. I can
touch type. So for me, I can write a
word out as fast as I'm thinking it,
which is way better for me than writing
down because I write slower than I type.
And so I want to be able to get it all
out.
>> I want to me it's like it doesn't and
then I write it on paper eventually. But
when I first write it, I want to write
it down on a computer because I can
capture it quicker.
>> Yeah.
>> And you can cut and paste and move
things to another file and start fresh
and like explore it again.
>> This last album I did, we tried it a
really different process than I'd done
before. Usually, you go into a studio,
you know, there's a lot of money behind
it. You got a big producer as, you know,
you're taking up their time. You have
everything ready to go. But um on this
new one, we did every there's only two
songs I'd had already written and eight
out of the 10 songs we wrote either the
day of or the night before in the studio
because I wanted to make something as
personal as possible because you know
the subject matter is stuff where I'm
like
if if this is gimmicky or or
overthought, it's not then I'm I'm sort
of trying to like capitalize on grief or
things I'm talking about. So,
>> I want to go in and just be as open as
possible and just get what we get and
just try to, you know, tell the truth,
which is, you know, that's the goal of
country really, or it used to be.
>> And so, yeah, we would um we would cut
and then in the night after we'd cut,
we'd sit and try to write the song for
the next day. And if we didn't get it,
we'd showed up early the next day and
try to write the song for that day. And
it was amazing process. We called it the
pressure cooker because it was just
like, you better get something cuz
you're on the clock. And
>> yeah,
>> man, it was it was um I I don't I doubt
I'll ever do that again, but what a like
cathartic amazing process. Like there
because usually you'll write a song,
you'll have a demo for it, some
something where you just sit down and
play guitar into your phone or something
so you'll remember the melody, remember
the chords, and you listen to it so much
that you get sick of it before you ever
even cut it. And with this, there was
never a demo. There was never, it was
straight from, you know, heartbrain
tape. Like it was it was pretty special.
I think there's something to be said for
pressure like that where it forces you.
It forces you to come up with something.
>> Yeah. The pressure cooker, man. We just
we had to, you know, kind it was it was
amazing.
>> Yeah. Just like forces your synapses to
fire.
>> Yeah.
>> There's something to be said for that.
Like there's that's the thing about
comedy, too. When you when you have a
new bit, like part of the thing is like
take that bit when it's not really done
yet and just throw it out there in front
of a crowd
>> and find the beats, find where it is.
And sometimes in front of a crowd as
you're saying it, you'll have a new idea
like what the [ __ ] is this? Like why are
we doing? And then that'll be the
biggest part of the joke. Like everybody
will laugh harder at that part than
anything else. And it just comes to you
>> because you're under pressure.
>> Yeah.
>> Yeah. There's something about there's
something about forcing your brain to do
things like forcing your like you just
like you like you have to do it like you
can't just dillydally no
procrastination. It's right there right
now. Let's go.
>> Yeah. I mean because you're you're
directly connected to whatever the thing
is.
>> Yeah.
>> It's a it's like a flow state.
>> And then there's stuff that just comes
to be like John Melanchamp told me he
wrote Hurt So Good in the shower.
>> Really?
>> He's just in the shower. Come on, babe.
You make it hurt so good. And he's like,
it was done. Best shower ever. Crazy.
Sometimes love don't feel like it
should. Watch his armpits.
He was cool. He was an interesting guy
to talk to, man. [ __ ] dude just chain
smokes. He's in his 70s just chain
smoking.
>> He was so happy he could smoke in here.
>> And I was like, you not going to quit
that ever? He's like, this is what he
said. He goes, "Find something you love
and let it kill you."
>> Yeah.
>> I don't know if I'll that one kill me.
That's a r That's a rough death, dude.
>> That's a rough death, man.
>> Yeah. I'm uh I've I've dealt with
smoking for some time. And I always
promised my wife that I would quit when
we had our kid. And uh we're almost
there. We're getting close.
>> You got the nicotine pouches. I got the
Do those help?
>> They do help. Yeah.
>> Yeah. It's It's a When I have a drink
though, it's
>> Oh, yeah. Yeah. It's like I can't do one
without the other. I'm to quit smoking.
I'm going to have to quit drinking.
>> Really
>> have to.
>> Wow.
>> I I just can't imagine one without the
other. It's like a package deal for me.
But I'm okay to quit drinking at some
point. You've quit, right?
>> Yeah. I quit and started again.
>> Oh, really? You're back?
>> I'm back.
>> Nice.
>> I quit for like eight months.
>> I didn't miss it. But then when I had a
couple glasses of wine with dinner, I
was like, "Oo, I like this. This is
nice."
>> Yeah.
>> I kind of missed it.
>> How was that first sort of hangover?
Have you?
>> I didn't get hung over. I haven't gotten
drunk. I haven't gotten hung over since.
>> Nice.
>> Uh, and I've only been drinking again.
And even when I do, it's rare. Like, I
don't drink every night I go on stage. I
might have like a drink before I go on
stage or I'll have a drink with dinner
or maybe a second glass of wine, but
that's it. I haven't been drunk.
>> That's perfect.
>> Yeah. The getting drunk is the problem.
Yeah. And the real problem with me was
like I was I own this comedy club and I
was with my friends and they're all
animals and they're all just like let's
do shots and we'd go downstairs to
Mitsy's bar and we'd be doing shots
together and we'd have so much [ __ ]
fun and then I'd wake up in the morning
to work out like oh [ __ ] And I was just
hurting. So I'd be guzzling water and
electrolytes and I'd get in the cold
plunge and just but it was just this
struggle to try to get back to normal.
>> Yeah.
>> And I'm like I hate that. I don't like
that.
>> Yeah.
>> But I don't feel that with a glass of
wine.
>> I have a glass of wine or two and I feel
great the next day. It does not doesn't
bother me at all. As long as I drink
enough water, take electrolytes, get a
good night's sleep, I feel totally
normal in the morning.
>> That's good.
>> Getting drunk is the problem.
>> It is fun though.
>> It's the best.
>> Getting drunk is so much fun.
>> Getting drunk with buddies.
>> Oh, the best.
>> It's the best. One of my favorite things
is like going to a bar in the middle of
the day and meeting everyone at the bar
and just drinking, you know, even if
they're strangers or at the airport bar
or whatever. And just like
>> getting to know people I would never
have talked to to begin with because why
would we talk,
>> right?
>> I love that. But again, I'm 42 now and
the hangovers are starting to to really
smart, you know? So, it's not it's not
really worth the price of admission
anymore. It's It's not worth it when you
get aware of your body, especially if
you're a person like, you know, I work
out all the time and I'm 58 now, so as
you get older, it's like most people at
58 are half dead. They're kind of
falling apart and I've managed to stay
healthy and fit and I don't want to [ __ ]
that up just for booze.
>> But, you know, like I said, it's it's
hard when you're with buddies and they
want to do shots. Like Shane Gillis is
the worst. He's the devil. that.
>> He's the devil. He's the devil. He's
like, "Come on, we're doing shots.
Fuck."
>> How can you not get drunk with that guy?
>> He seems like the most fun ever.
>> And you're having so much fun when you
when you're drinking with him. It is
just like your face is red. You can't
breathe. You Everyone's laughing. You're
[ __ ] crying. You're crying laughing.
And it's just like you call each other
the next day like, "How you feeling?"
"Oh my god, I'm dead."
Like there's a lot of times where we
went out drinking and we have a gym here
and you know we'd have these comedian
workouts the next day and he'd be like,
"Dude, I can't make it." I'm like, "Come
on, [ __ ] You made me drink last
night."
But he's just he's the life of the
[ __ ] party, man. And it's just it's
fun, but it's it just it comes at a
cost. That that cost is rough, man.
>> Especially with the kid now and him
being the age he is. It's just I Nothing
makes you feel like a bigger piece of
[ __ ] than being hung over in front of
your baby.
>> Right.
>> And you're just like, "Sorry, dude."
>> Right.
>> I'm your dad. I'm sorry.
>> Right. Your kids want to play and you're
like, "Let me just sit here."
>> Yeah. Let me just sit here.
>> It's not all right. Yeah.
>> You can mitigate a lot of that stuff,
though. Glutathione is a really good way
to mitigate a lot of it. Um glutathione
actually helps your body process alcohol
way quicker.
>> So, um there's a lot of strategies if
you're a drunk
glutathione. Yeah, liposomaal,
glutathione in high doses is really
good. Uh electrolytes are huge. Like a
little a lot of the hangover feeling.
There's two things that are going on.
One is your That's why they say like um
hair of the dog that bit you because
you're actually craving more alcohol.
That's why people like Bloody Marys the
day after they're they're hung over.
That's not
>> a great strategy, but it really does do
a little something. But, uh,
electrolytes are huge because another
part of it is you're just dehydrated.
Like your brain is dried out. It's a
dried out sponge because you're out
getting hammered the night before.
>> Yeah.
>> So, you got to drink a lot of water.
Drink a lot of A buddy of mine drank
with Jeanclaude Vanam once. And he said
it was nuts. He goes, he's so
disciplined. He said the dude had a
gallon of water with him. Like a jug of
water to the gym. Every shot he would
take, he would [ __ ] chug water. And
he just was just super concerned with
keeping his body hydrated while he was
boozing.
>> Gotta do what you got to do, man.
>> I was like, credit to him.
>> Yeah, this the way to go. He goes, I
never saw anybody do that before. I'm
like, well, look at the guy.
>> Yeah,
>> kind of makes sense.
>> Yeah.
>> You know, it's like,
>> have you interviewed him in here?
>> No.
>> Oh, no.
>> That'd be a good one.
>> That'd be fun. He's kind of crazy.
>> He uh he keeps talking about having a
fight and coming back and
>> Oh, damn.
>> Bro, you're like 70.
>> Yeah, don't do that.
>> I think he's just a little nuts.
He's also he's famously indulged in the
Colombian marching powder.
>> And I think you know sometimes guys get
ideas sure that aren't really tenable.
>> Thank god I never had the the taste for
that.
>> I never even tried it.
>> Have you never?
>> Nope.
>> Definitely done it but it's just I have
friends that they can't have a drink
without want to go get a bag and I'm
like
>> oh. And that those guys have to get
>> sober like stone cold aa sober like cuz
they'll disappear. Well, they also die
today because you can get a bad bag and
it's got fentanyl in it, you know.
>> I don't get it. I I just never It's like
five minutes of feeling good for like
three days of feeling terrible is not
doesn't pencil out for me, man. I got
lucky that when I was a kid in high
school, I had a a friend and his cousin
got addicted to Coke and I I watched
what happened to him. He was selling it,
too. And I watched him completely fall
apart. It was like it it was like he had
been haunted like something had taken
over his body like a parasite. He lost
all this weight. He got super pale. He
got real sketchy and weird and he just
hang out in his apartment and they would
just watch TV and do Coke all day. It
was nuts.
>> Oh yikes.
>> It was horrible. Dark.
>> And I I was always terrified of doing
anything that would turn me into a
loser. That was my number one fear when
I was a kid. I don't want to be a loser.
Yeah.
>> And so like I'm like, "Okay, stay away
from drugs cuz that that'll turn you
into a loser."
>> Oh yeah. Yeah. Yeah, there sort of like
there's some sort of gift in like having
some ambition,
>> you know, like wanting to be somebody.
>> Yeah.
>> You know, they can come with uh there's
pros and cons to that, but one of the
the big pros is like anytime anything
would get a little too dark and I
realized I was losing my grasp on like
what I was after, you know,
professionally or whatever, I would uh I
would course correct pretty quick.
>> Yeah. And if you don't have a thing,
then it's just about whatever is fun.
And what's fun is continuing to chase
whatever high or whatever drunk or
whatever whatever it is that your your
demons are.
>> Yeah,
>> that's rough. I've seen a lot of people
lose their life that way.
>> I mean, they lose their direction. They
lose everything, you know, just
substances can be fun, but they can take
over.
>> Yeah.
>> And they could become your whole [ __ ]
life.
>> Yeah.
>> Yeah. Not good.
>> Yeah.
>> Yeah. I'm I'm so happy I avoided coke. I
avoid but I am interested.
>> Too late, dude.
>> When I heard Hunter Thompson, not Hunter
Thompson, Hunter Biden, excuse me, talk
about smoke and crack. He did this
interview where he was talking about how
amazing smoke and crack and I was like,
"Wow,
>> maybe I could try it once."
>> I don't think I've never heard anybody
like try it once, though.
>> No, that's famous last words, man.
Right. No one's done it once.
>> I mean, everybody who tries it gets
hooked. It seems like that's a problem.
Must be pretty awesome.
>> It's got to be.
>> It's got to be the best thing ever.
>> And he said like it's way better than
cocaine. Like he said like the guy who
was interviewing him, what's the guy's
name again? And Andrew Callahan.
>> He when he was interviewing him, he's
like what is the difference? And he
explained like the delivery method like
how it affects you. It's so much
different. Like the difference between
like a Zen pouch and a cigarette.
Cigarette hits you way different than a
Zin. Cigarettes like instantly like
>> Yeah.
>> Apparently that's what Coke's like
smoking it. That was Richard Prior, too.
I mean, he was essentially smoking
crack. They didn't call it crack back
then. They called it freebasing, right?
>> It's the same thing.
>> Heroin, too, is another one. It's like
those are the two big ones they tell you
when you're like, "You do this once,
you're done. Your whole life's over."
>> Yeah. I would imagine. Yeah. I've I I've
known people that have tried heroin once
and like, "I can't do this again. It was
too awesome."
>> Yeah.
>> Yeah. I do that with like painkillers
and stuff or, you know, I've been
prescribed. I'm like, "Oh, yeah. I love
it."
>> I had an operation.
>> I have multiple knee operations, but one
the first one I had was in the '9s and
uh they gave me a morphine drip and they
give you a button and you could press
the button to get more morphine when you
needed it. Oh my god, I hammered that
button. I was lying lying in this bed
and my knee had just been cut open like
a fish and there's screws in there and
my ACL had been reconstructed and I was
on this perpetual motion machine. So the
idea is to keep your knee from going
stiff. you're on this thing that
straightens your leg out and brings it
back and straight. So, I'm lying in this
bed, my leg and I'm hammering that
button. I was so happy. I was like, I
get it now. I get it.
But that was only once, luckily. And
they didn't give me They gave me some
painkillers afterwards. Um I think they
gave me percoetses, but they were so I
took whatever the dose was and it was I
only did it once. It was so bad. I felt
so dumb and so dull and so stupid. I
like I'd rather be in pain. So I I sold
all my pills to this dude at the pool
hall. I gave him my pills and my tear.
You can buy these from me.
>> One of my buddies was telling me he's uh
in the military and they would carry
these morphine lollipops in case they
ever got shot and you just pull it out
and the moment you start sucking on it,
it's just like a morphine high. And I
was like, "Wow,
>> I kind of want to get those to fly with
cuz wouldn't that be awesome?" Like the
plane's going down, you just start
sucking on that thing. You'd be fine.
>> Yeah. Just put on the headphones.
>> Be amazing, dude. Anytime I fly over the
ocean, I'm just like I freak out. I
don't like the I don't like the
>> now a fentanel lollipop.
>> Oh.
>> So
>> maybe that's what it was.
>> Got to be stronger.
>> Either way though, wouldn't that be I
mean that's like biggest fear number one
is plane going down. Yeah,
>> cuz you have like five minutes to think
about it and you're hearing like
>> everyone's screaming.
>> Everyone knows they're going to die,
too. And you're stuck in this tube with
a bunch of strangers knowing they're
going to die for 5 minutes. I mean, that
is hell on earth to me. I can't imagine
anything worse.
>> That's a rough one. I think getting
eaten by a bear might be worse cuz
there's no one around you.
>> I wonder though if with the bear thing
if you're in so much shock like are you
feeling it?
>> You know, I wonder if think so.
>> Especially if they start legs first.
>> Yeah. Cuz the thing about bears is they
don't kill you. They just start eating
you.
>> Oh my god.
>> Like a salmon. They don't kill a salmon.
They just hold it down, pull chunks off
of it.
>> Yikes.
>> Apparently that movie Grizzly Man, the
audio was so bad that Wernner Herszog
told the lady to delete it and burn it
>> cuz uh they had a c the lady uh the
guy's uh Timothy Treadwell, his
girlfriend, his ex-girlfriend got a hold
of the the camera. So the camera
apparently the lens cover was on but the
the camera was running.
>> Oh, right. Yeah, I've seen that. He
listens to it in the documentary. Yeah.
>> He's like, "Burn this. Don't let anyone
listen."
>> Would you listen if given the chance?
>> I would do it. I've tried.
>> Everybody would listen.
>> And then I'd hate myself for having
>> There's a fake version of it online.
I've heard that.
>> Yeah. It's not real though. It's pretty
obvious that it's fake, but people
believe it's real.
>> But uh it goes on for five minutes.
Five minutes is a long time. Like, think
of a a round, an MMA round. It's five
minutes.
>> Oh my god.
>> And all that time you're just getting
chunks pulled out of your body,
>> bro. Have you ever seen a grizzly while
you're hunting?
>> Yeah. Once.
>> Really?
>> Yeah. In Alberta? Yeah. It was uh very
scary. And it wasn't a big one. It was
like a six-foot bear. But it looked at
me so different than any other animal.
Like I've seen a lot of black bear. And
black bear look at you like this. Like,
who are you? What are you doing? What
are you? They look at you sideways and
they like I want to get out of here.
Grizzly looks at you like this.
>> Oh.
>> Like locks on you.
>> Yeah.
>> Like am I going to eat you? And uh I was
with my friend Jen. She's a guide up
there. Jen and John, they run a um a
hunting outfit up in Alberta. And um
they uh as soon as like she saw it, she
screamed. She screamed, "Get the [ __ ]
out of here."
racks her shotgun, cracks a stick
against the the uh the tree to scare it
off, and then we immediately bailed.
They're like, "Let's get the [ __ ] out of
here."
>> Yeah. I've never seen one. Don't want
to.
>> They see big ones up there sometimes.
And uh John um the her husband, he
sprayed um one he was in a treeand
sprayed it with uh pepper spray and the
thing didn't even react.
He's like like, "You think you're going
to Oh, bear spray. I'm safe. And it was
like, "Fuck you."
>> Yeah.
>> It's just like this [ __ ] 9 foot bear.
This huge wild dog, you know, this this
[ __ ] immense super powerful thing
that can run 45 miles an hour.
>> Oh, man. Apex.
>> [ __ ] that, man. There's They're
terrifying. Montana's got a ton of them.
>> Yeah. That's one thing I didn't have in
Ohio is like the fear of getting eaten
by something when you're out in the
woods and it's dark and you're walking
through. The first time that that bow
hunt I was telling you about, I you
know, you bring a sidearm and you all
you have is a bow in case you do see
some mountain lion or something, grizzly
bear.
>> And my buddy was like, "What do you got
on you?" And I was like, "It's a 9mm."
He goes, "Well, if you see one, shoot
yourself."
>> Yeah, you got to bring a 45.
>> I guess there's a there's a 10
millimeter with a special round you can
take, but yeah, 9 millimeter bounce off.
>> Yeah, I mean, you're going to hurt him.
I mean, you hit him in the face, maybe
it'll do something, but you're not even
gonna get through that skull probably.
>> No, they say it won't.
>> It'll literally bounce off his skull.
>> That's crazy.
>> That's so crazy. And Cam hunts them with
a bow.
>> Hunts grizzly bears.
>> Yeah. Yeah, he's killed a few grizzlies
with a bow.
>> Yeah.
>> Does he hunt out of a tree? How do you
do that
>> on the ground?
>> No, dude. Why?
>> Spot and stalk.
>> O.
>> Yeah,
>> I'm good on that.
>> Yeah, he's out of his [ __ ] mind. And
his attitude is, well, if this is how I
go, this is how I go. I go doing what I
love.
>> Okay,
>> he's got some crazy pictures. See if you
can find some pictures of Cam with a
grizzly bear. He's got one where he
killed this massive one and he's holding
up its paw and its paw is like as big as
my torso. It's [ __ ] huge, dude. It's
[ __ ] It's [ __ ] huge. There's such
a some guy uh recently, I think he
killed the biggest bear that's ever been
killed. Um, I sent it to Cam.
>> Oh, damn, dude.
>> Yeah. Look at that paw.
>> Look at the claws.
>> Look at the claws on that thing.
>> No way.
>> Yeah. And there's a photo of him with
the bear on the ground. Click on that.
Look at the size of that [ __ ] thing,
man.
>> Do you know what state he's hunting?
>> That was in Alaska. That's the only
state you can hunt.
>> I was going to say it's probably illegal
in
>> It's illegal in the lower 48 for
whatever reason. Um, they it probably
shouldn't be in like Wyoming and
Montana. It's gotten to the place where
they really probably shouldn't.
>> Maybe there's just not enough of them
other than in Alaska, I would imagine.
>> Um
I mean, I don't think so. I think the
real problem is once they're not listed,
it's very difficult to get them on on a
list, you know, uh to get tags allocated
for them. There's a the video of him
shooting it.
Damn.
>> Look at the size of that [ __ ] thing,
man. That's
>> what I'm saying. What if it just right
there gets pissed off?
>> It can. Well, there's a guy right behind
him with a gun. There's a guy right
behind him with a rifle, which is also
weird.
>> Like anytime you're bow hunting and a
guy has to have a rifle,
>> I think you should probably just use a
rifle,
>> right? This is my perspective.
>> Just wait a few months.
>> Yeah. If I ever wanted to go grizzly
hunting, I would definitely bring a
rifle. I just don't see myself doing
that. But I know a lot of my friends
have,
>> you know, and they have you have to kill
a certain number of them just to keep
the populations of the moose and the elk
and everything else in check because
otherwise there's nothing going to stop
them. And then you have a situation like
like you have in Montana or like you
have in Wyoming where there's a lot of
interactions with people. People wind up
dying and there's no fear because in
Alaska they're a little sketched out
about people because people hunt them,
>> right?
>> And that's the better relationship,
right? the relationship where they have
zero fear of people. That's not good.
And that that is Montana and that is
Wyoming and that is uh Idaho. Look at
that guy. So this is is this the largest
one?
>> 1,600. It's the second biggest ever
taken by 100. It's 1,600 lb.
>> Look at the [ __ ] size of that thing.
>> Dude, that's terrifying.
>> Yeah. Good lord.
That is immense.
>> Makes me think. Have you seen these
reports of Bigfoot being seen in Ohio
recently?
>> Yeah, a bunch.
>> I kind of think it's someone [ __ ]
with people obviously, but maybe not. I
don't know what the What are they
seeing? What do you Are there bears?
There's bears in Ohio. I guess
>> there are. And they're black bears in
Ohio. And they do walk upright
sometimes.
>> Probably in a suit, man.
>> It's probably meth.
>> They've been I think various sizes. I've
seen up to like 11 down to 8 feet.
>> Yeah, but they're just guessing. You
don't know how big a thing is. Does you
have a [ __ ] tape measure? You Excuse
me, Mr. Bigfoot. Stand still for a
moment here.
>> Okay, stand up straight. Put this under
your heel.
>> I used to I used to wish so bad Bigfoot
was real, man.
>> Oh, I wish so bad.
>> A dude at a show last night who told me
his dad was one of the people that
filmed the famous Patterson Gimlin
footage. No way.
>> Yeah. Yeah. I said his dad was that guy.
>> I feel like we know now that it can't be
real because of how many trail cameras
there are in the world. Like we would
have seen him a few times at this. I
>> I've never met a hunter that's seen one.
No,
>> including guys that are in the Pacific
Northwest all the time. Although I did
uh I did a show back in the day with my
friend Duncan where we went um looking
for Bigfoot. We went to the places where
Bigfoot's normally
it's a person in
a person in a Sasquatch costume,
obviously.
>> I mean, no pictures, please.
>> I mean, if there's a whole bunch of
them, it's probably someone [ __ ]
around. Like, it's all
>> different sightings. March 6th, 7th, and
9th, and 10th.
>> Wow. All different people.
>> Yeah.
>> Huh. Boy, I hope it's real. It would be
awesome.
>> That's what I'd also be like. Maybe it's
just a group of friends that are high
and like, you know, we're going to do
every night for the next [ __ ] week.
We're all going to call this [ __ ]
number and see what happens.
>> Or we're going to run around the woods.
But that's a good way to get shot like
some crazy dude who's like, I'm going to
prove Bigfoot's real.
>> Oh, for sure.
>> And he just [ __ ] blasts you. Don't do
it during hunting season.
>> Yeah.
>> Big mistake.
>> I think it used to be a real thing.
>> That's what I think.
>> Bigfoot. Yeah. You thought it You think
it was actually here at some point?
>> Yeah. Yeah. Because there's too many
Native American words for it. The Native
Americans. I think we looked this up,
didn't they? They they have dozens of
names
>> that different tribes have for the same
thing. A big hairy wild man that lives
in the woods.
>> I think it was a gigantopithecus. I
think at one point in time it was a real
creature. Have they found any bones or
anything?
>> Yeah, the giganopythecus bones, but
they've only found them in Asia. They
never found them in North America. But
when the bearing land bridge was
attached, a lot of animals came across
from Asia and made their way into North
America, through Alaska and down through
the Pacific Northwest. It's And a lot of
people have seen them in Alaska. Alaska
is like a hot bed for sightings, too. I
think but I think those people are
cracked out. I think that's probably
bears.
>> But I think the Native American stories,
I think it's a thousands and thousands
of years old thing. I think way back in
the day,
>> like I was watching this um there's this
guy named Michael Button. He's been on
the podcast before and he's um um a
historian who who's a really focuses on
uh ancient civilizations. And he was
doing this whole uh video on YouTube
about how little is left over, like how
rare it is to make a fossil. I think
about how the dinosaurs were around for
literally like hundreds of millions of
years and yet we only have like
thousands of fossils and what are the
what's the possibility of a fossil
existing from a civilization like
fossilized human being from a
civilization 200,000 years ago. It's
almost none.
>> Most things never become a fossil. It
has to be like the perfect conditions to
create a fossil.
>> And so we don't really know what animals
did or didn't live here other than
fossilized ones. And that's a tiny
fraction of what you find.
>> Okay?
>> And so if there was some sort of big
hairy thing that lived here, because we
know there was humans that were living
in North America, now we know that they
they were here at least as far back as
22,000 years because of uh White Sands,
New Mexico. They found footprints and
then they do carbon testing on the seeds
and the different organic matter that's
in those footprints and they get a
carbon date of like around 22,000 years
which is pretty crazy because they used
to think it was like 13,000 years ago
and now they push that back like at
least another 9 years and they think
it's probably these weren't the first
there's probably people there even
further than that. So, if humans were
here, let's say they were here 50,000
years ago, that puts it in the timeline
where Gigantopithecus could have been
alive because I think the fossils that
they found of Gigantopycus are 100,000
years old, which is just fossils, right?
Like, you never know.
>> And that they didn't find that until the
1920s
or 30s. They found teeth in an
apothecary shop in China. And this guy
was there who was an anthropologist
like, "What? Where'd you get this?
Because they were primate teeth, but
they were [ __ ] huge.
>> And so then they took him to the place
and they found jawbones and a few other
pieces. And this thing, they've
determined because of the shape of the
jawbone that it was bipedal. So it still
stood up on two legs and it was like 8
to 10 feet tall. It was a giant giant
primate that was in the orangutang
species.
>> Wow.
>> So that could be Bigfoot. That could be
what these people saw.
>> Yeah, absolutely.
>> So it probably existed in North America
at one point in time. But around the
time of the younger dus impact theory,
which is around 11,800 years ago,
somewhere around 65% of all North
American megapa was eliminated. All the
woolly mammoths, um, giant sloths,
Africa, American lion. We had an a lion
that was bigger than the African lion
that was in North America.
>> That that younger dus thing you're
talking about, that's a comet hitting
the earth.
>> Yeah. Okay.
>> Yeah. That's what ended the ice age and
that's what created the Great Lakes and
that's what melted all the ice that was
that covered most of North America back
then during the ice age.
>> And are a lot of scientists agreeing
that that's probably what happened?
>> Well, there's definitely debate, but uh
there's a a large group of legitimate
scientists that are 100% convinced that
we were hit. It's a matter of what
impact did that have and was that
respons because there's a berserker
theory. The berserker theory is that
humans just killed off everything. We
got so good at hunting. But
>> the problem with that theory is back
then like there's not even evidence that
they had bow and arrow yet. Like they
>> they wouldn't be that good at it.
>> No.
>> No.
>> No. Especially like that the American
lion and like mammoths and the giant
sloths and there's so much [ __ ] that we
don't even know how many people were
here back then. So it's and it's this is
like ice age people like with stone
tipped spears. Is that Did they kill
these thing? All of them. They killed
all of them.
>> Right. All right. They weren't even
riding horses. They were just on foot.
Like, I don't know. It's much more
likely that they all were wiped out by
this [ __ ] comet. And if that's the
case, maybe it wiped out Bigfoot, too.
>> Oh, that's my favorite one out of all of
the like
>> Me, too.
>> Bigfoot's the best one.
>> He's awesome. Well,
>> it's just it would be a crazy thing to
see, you know? Have you ever heard the
um the recordings that these guys made
that they said were Sasquatch
recordings?
>> No. I think they call them samurai
recordings because it literally sounds
like almost like they're speaking
Japanese. It sounds so fake. It sounds
so fake. But these people are there's
groups of people out there that you'll
tell them this is fake and they want to
fight you.
>> Really?
>> Oh, they're they're all in. They're so
committed to Bigfoot. The guys that we
met when Duncan and I went uh Bigfoot
hunting, they're so possessed by it.
>> Where'd you go? Where was that?
>> Pacific Northwest. Like it was like um
right outside of Seattle up there. I met
this lady that was really convincing.
She said that she saw this thing. She's
like, "Why is there a gorilla in the
woods?" And she's like, "Oh my god, it's
Bigfoot." And like, she didn't seem
kooky at all, but I think what she saw
was a bear. And a bear standing like
black bears stand up on their two legs
and walk all the time. Especially if
they have a hurt paw, they'll they'll
walk on two legs.
>> Huh.
>> I think she probably saw it. But Pacific
Northwest is so crazy because I'm sure
you've been up there, right? Yeah.
>> The woods are so dense that it's like a
box of Q-tips. That's how I describe it.
Like you can't hardly see anything. So
if you're seeing some tall thing move
between trees just for a few steps, that
might be the only thing you see and your
head just starts spinning and you start
creating this
>> Yeah.
>> this imaginary narrative. Here's the
here's the recordings.
Right there. Right. Right.
>> Where we going for tax? For sure.
>> So, this guy's talking. Oh my god, it's
Bigfoot.
It sounds so fake.
>> I don't buy that for a second.
>> Not a second.
>> But man, people the Bigfoot dorks.
>> Like that show, Finding Bigfoot. I had
that dude. What's his name? Bobo.
Is that the dude's name? We had him on
and uh I told him I thought the
Patterson footage was [ __ ] He's
like, "No." He's like so upset.
It looks so fake. It looks like a guy in
a [ __ ] gorilla suit. And then the
dude um that they think that was wearing
the suit, what is his name again?
>> I forgot the guy's name, but the dude
who they think was wearing the suit, he
looked like Bigfoot. Like he walked like
him. There's like
>> Yeah. He walked like that footage,
right? Yeah. Yeah.
>> Like he was a big old cowboy. Big old
[ __ ] tall ass cowboy. And he he had a
walk like a [ __ ] gorilla.
>> Roger Patter.
>> Roger Patterson. Well, Roger Patterson
was the guy that filmed it, right?
>> That's right. But uh Patterson Gimlin
footage. I don't one
>> I thought one of them was the one in the
suit and the other one filmed it.
>> Maybe I'm mistaken.
>> But there's a side by side of the actual
stupid video that they're proclaiming to
be Bigfoot and then this guy walking and
I think it was a different guy.
>> Yeah, it could be.
>> I forget his name, but it looks I'm like
that's him.
>> Have you ever had a flat earther on
here?
>> No.
>> Sort of. I've had some people that like
want to dabble in it. Like shut the [ __ ]
up. That's the craziest one.
>> I don't want to have that conversation
with people and and people, yeah,
because you lose. Cuz the earth is flat.
Listen, everything else is round. Why
would this place be flat? Why would it
be lying?
>> That's crazy.
>> Why would Why would the people that get
up in the [ __ ] the space station be
lying? We know it circles. It spins
around. It's like,
>> we have pictures of it.
>> Yeah. Yeah. Yeah. We have satellites.
They think all the satellite images of
Earth are fake. They think everything is
fake. I think a lot of that's
schizophrenia.
>> Sure.
>> And then a lot of it is like somehow or
another it's biblical. It's it's people
believe that it's that we're try they're
trying to hide it from us because they
don't want us to know that God is real.
>> Oh, like the firmament and all the stuff
that the Bible says is above us.
>> Yeah. But you know what the Bible
doesn't say? Doesn't say the earth is
flat,
>> right?
>> Never.
>> Mhm.
>> Never talks about it being flat. you
like they had figured out the earth was
round thousands of years ago. Like
snipers have to calculate the curvature
of the earth, right, when they're making
shots.
>> Yeah. There's too many things against
it. Like the fact that we've seen it
>> is the biggest one. We know exactly what
it looks like.
>> I had Roger Avery on the other day, the
director. He's really interesting guy.
And he he went down a bunch of uh maybe
too many flat earth rabbit holes and he
was like, "Well, you know, pilots don't
have to adjust for the curve of the
earth." And then I talked to a friend of
mine who's a pilot. He goes, "You know
why? autopilot. He goes the it [ __ ]
it keeps you at an altitude like it's
>> that makes sense because you always you
know you're the same
>> Yeah.
>> distance from the earth so that would
make sense that you would go on the
curve. Yeah.
>> Yeah. [ __ ] dur. It's just that being
something that people would What's
really interesting is there's this one
guy who takes people up to Antarctica to
prove to them that the earth is round
and like like this idea that there's a
so he like takes and there was one guy
and he flew him out there. He's like, I
can't believe I believe this.
>> It's amazing.
>> He spends money educating.
>> How does he prove it from up there?
>> He flies them up there and shows them
you actually can fly over Antarctica.
Like there's you just don't they don't
want you flying over there because if
you crash, no one's going to come get
you,
>> right?
>> You know, you're dead,
>> right?
>> It's like But people do fly over it. The
idea that you can't is stupid.
>> There's no secret World War II base
there.
>> There's no wall there. They're probably
doing some weird experiments and [ __ ] up
there, though. I do think that's true.
Like, there's there's some people that
have some pretty convincing stories of
direct energy weapons and things that
they're developing up there. And there's
a nutrino detector that they have up
there that a lot of people think does a
lot more than that. They think it might
actually be able to cause earthquakes
and affect the weather. And it's a it's
a weird rabbit hole to go down.
>> Sure.
>> But I'm sure the government's doing some
slippery [ __ ] that we don't know about
up there.
>> Yeah, man. It's so weird. like in this
time that we have all the information or
like nobody trusts the government
anymore. Has has it always been like
that? like
>> it has been a little bit that nobody
trusts the government, but now there's
reason to not trust them because we've
seen what they've done with real events
like like the Epstein files and a lot of
other stuff where you're like JFK where
you're like why don't you just [ __ ]
tell us
>> what you know in the interest of
national security some things must be
redacted
>> right
>> like there's a reason to not trust them
>> yeah I get like growing up you see like
older guys are always they didn't trust
the government, the world's going to
[ __ ] all this stuff. And I'm like, am I
just getting old or is this happening to
everyone? Are we all doing this now?
>> I think as you get older, you also take
in enough information that you know that
they're not being straight with you
about anything,
>> right?
>> I mean, this is that was always been my
argument about the moonlanding. Like,
you think that they're going to not lie
about this one thing when they've lied
about everything else, including how we
got into Vietnam, Kennedy's
assassination, fill in the blanks.
Everything in the 1960s they lied about
because they could. There was no, you
know, they controlled all the
information.
>> Yeah. Well, that's what's interesting
about today. Like that's why there's
less trust in the government than ever
because we have more access to
information. So there's more reason to
not trust them.
>> Yeah.
>> You know, it's like it's a squirrely
time,
>> right? Yeah. That's why I like living in
Montana. When it all goes down, I'll be
way far away.
>> You ever seen anything in the sky? Do
you see like what the [ __ ] is that?
>> Um, you see anything weird?
>> Nothing crazy. No. Um, when we did
decide to move there, my wife and I had
taken a little bit of mushrooms and this
guy put on a little performance for us.
>> Oh, that's
>> that was part of the We're like, I think
we're supposed to move here.
>> Oh, really?
>> Yeah.
>> Oh, wow.
>> Yeah, it was uh, you know, it was a
little induced, but uh,
>> yeah, it was. And we both saw it and we
were with people who didn't see it that
were also on Mushroom. So,
>> interesting. So, it was a show just for
you guys.
>> That's what it felt like. Yeah. And we
both were like, "Are you We were making
sure it was the same thing." And our
friends were like, "What are you talking
about?"
>> Did they take the same dose?
>> Yeah.
>> Yeah. So, I think uh that was
>> they weren't supposed to go there.
>> That's right.
>> Maybe it's a fate thing.
>> Yeah. We We felt very spiritually
connected to it after that.
>> Well, it's a good place to be
spiritually connected to. It feels like
you're supposed to be spiritually
connected to it because it's so it's one
of the last places like Wyoming's like
that as well. It's one of the last
places where it's not tainted. Even
though there's cities there, it's
settled. It's like it's so much more
wild than it is tame that you still get
this feeling of like humble. You get you
get you get humbled by just the vast
spectacular nature of it.
>> Yeah. It's almost like we feel like
nature is the novelty these days
>> and it's like no man that that
everything that we messed up and put a
bunch of concrete on should be the
novelty. The nature is the actual thing.
That's the way we're supposed to be.
>> Yeah.
>> You know, we've all kind of like flipped
that in our head. And obviously I'm not
I have the luxury to be able to live out
in a place like that, but the more I
live there, the more I feel like this is
how I was meant to live. You know, me
personally. I can't talk for anyone
else, but I I'm just in a way better
place mentally. and and otherwise.
>> Yeah, there's this guy who lives in uh
the Arctic like uh like above the Arctic
Circle or near the Arctic Circle and uh
he they filmed him this uh Vice
documentary called Hinmo's Great
Adventure and this guy's been living
there since like the 1970s. He moved up
there and he's got a log cabin and he he
just lives up there. All he does is
hunts caribou and goes fishing and he's
a really smart guy. And there this like
nerdy reporter with glasses goes up and
hangs out with this guy for a few days.
And you know the guy was really like
really
compelling in the way he was describing
like I think this is how people are
supposed to live. Like I'm so much more
calm and at peace. It seems natural and
normal. Like this is how you're supposed
to live. and all he does is just like
hunt and fish and
>> he gets like some supplies dropped off
to him like you know canned goods and
[ __ ] baking soda or whatever.
>> But most of his life is just living off
of the land.
>> The proof's in the pudding, man. When
I'm when I'm when I'm in a city for a
long time and I'm on my phone, I'm
looking at Instagram and all that stuff.
It takes a week before I feel insane,
like completely crazy. And if I just put
that stuff away and go outside, even in
a city, like if I just put that stuff
down for a little bit and go outside and
connect with the person, I feel, you
know, infinitely better.
>> Yeah.
>> And if you just look at, you know, the
stuff on your phone and you're you're so
sucked into that, you would believe this
is this the world is a shitty place.
>> But then if you don't look at that and
you go outside and you live your real
life, it doesn't take long before
everything feels good again. Like you
have hope again. you know, you're you're
meeting your neighbors or going to the
grocery store or going to the post
office. Like, everything feels pretty
good out there. It's just your phone
telling you that this place is terrible.
>> Yeah. That's the this is the big bridge
to crazy much more than cities is these
[ __ ] things. They're the bridge to
crazy.
>> And like that's what AI is learning
from.
>> It's only learning from all this
terrible information we're putting
online. So,
>> and it's accelerating.
>> It can't learn from the real world.
can't go to the grocery store and see
that everyone's actually pretty good for
the most part,
>> right?
>> 99% of what you do out in your real life
is fine,
>> you know?
>> But it's only going to see the worst of
all of us. And then and then show us
that even more. Show that back to us cuz
that's all it knows,
>> right?
>> That's really scary to me, man.
>> It is scary. And it's never going to
really appreciate a great song. It's
never going to really appreciate art.
It's not going to appreciate love or
community or friendship or any of those
things.
>> No,
>> it's not going to appreciate the feeling
that you have. You could just call your
neighbor up and go over to his house and
shoot 500 yards and in his backyard. You
know what I mean? It's not going to get
that, right?
>> It's not going to get how cool that is
that that guy's 70 years old. He hits a
deer. He's like,
>> brushes it off. [ __ ] 70. 70 years old
hitting a deer. You're supposed to be
dead as [ __ ]
>> No, man. Not Not him. He's He looks like
John Wayne. Yeah. Guy's crazy. I and
you, we can appreciate that.
>> Yeah,
>> you that [ __ ] AI doesn't give a [ __ ]
about that. They go, "Get off the
motorcycle. You shouldn't be on the
motorcycle, Dave."
>> Yeah. And dude, dude, talking about
music, it can make good songs, though.
I've heard you play some here and I
>> My friends will just, you know, whatever
apps they have. I don't really know all
the new apps, but they'll just give it a
prompt and the song is incredible. And
it does it in 10 seconds.
>> It's spooky.
>> It's really weird, man.
>> But it's only doing it derivatively.
like it's only taking the songs that
other people have written and just
making sort of a some sort of a
conglomeration of them and spitting it
out or it's redoing like an old hip-hop
song in like a blues style or you know
something like that.
>> Unfortunately, that's 99% of what humans
do too, right? You know,
>> it is all derivative anyway.
>> I know. But at least it's a person.
>> Yeah. Yeah.
>> Like some something to me about even if
it's derivative, it's if it's good, if
it's catchy, at least I know a dude and
his friends did that.
>> Yeah.
>> You know.
>> Yeah. And you can get behind a a person
as an artist and like their stuff until
they aren't underground anymore, you
know?
>> Yeah. Yeah. That's the silliness. That
is so silly, isn't it? Like if you
really start to take off, someone's
going to eventually go, "Fuck that guy.
I knew that guy when he was just [ __ ]
just starting out. He was pretty good.
His songs were good." And then he and
then he made it.
>> This is going to be controversial, but
the first Coldplay album is still
amazing, you know, but they got so huge
that everyone hates Cold Play now. And
you're like, but they they are really
good.
>> I like Cold Play. I do too. I have a
problem with music nerds are like they
can't do Coldplay cuz they're they're
doing stadiums and and your mom likes
them now.
>> I think that was one of the things that
people didn't like about Nickelback is
that Nickelback was almost like the
first AI,
>> you know what I mean?
like that Rockstar song that was like
that was like an AI version of like a
lot of like like Cypress Hill had a
rockstar song that was like but Cypress
Hills sounds so much more gener like
genuine whereas the Nickelback one is
like almost like these guys are just too
AI it's almost like they were
>> it was it was the beginning of sort of
like autotune and all that stuff but
auto like really good autotune that you
couldn't tell not like the autotune
that's in rap where you know they're
autotuning on purpose.
>> It was like everything's so perfect.
>> Mhm.
>> And it almost doesn't sound like humans
playing music.
>> Right. And the subject matter is like
I've heard all this stuff before.
>> Yeah.
>> That's the problem.
>> Right down the middle.
>> Yep.
>> Yeah.
>> It was AI. Nickelback was the first AI
music.
>> Yeah.
>> I don't know. People are weird with
their taste and they want you to like
what they like. That's what's really
weird. Like you have to like what they
like.
>> Yeah.
>> Or they get mad at you.
>> Yeah. For sure.
>> Yeah. What are you gonna do? Well,
listen, man. I really enjoyed talking to
you. It's a lot of fun. Thanks for
having me.
>> I love your [ __ ] show. I can't wait
to watch Marshalls because I love you on
um Yellowstone. It's [ __ ] great show.
I'm really bummed out that your wife's
dead now, though.
>> That sucks.
>> Yeah, it was it was rough. I didn't I
didn't I love Kelsey and we love working
together. But, you know, ultimately, you
don't want to just sit and watch a guy
be happy.
>> That wouldn't be a very good show.
>> You know, you need you need he needed a
motor.
>> You guys had a cool relationship,
though.
>> I know. It's fun. But he he he he had
his dream life and they were happy
together. So you can't watch that for 50
hours or however long this ends up
going.
>> Well, he knows how to mix it up. I'll
tell you that. That dude knows Taylor
knows how to [ __ ] throw a monkey
wrench into things and make it crazy.
>> Absolutely.
>> Make it interesting. So, I can't wait to
watch it.
>> Thanks, brother.
>> Thank you. Thanks for being here. All
right. Bye, everybody.
Ask follow-up questions or revisit key timestamps.
This podcast episode features a conversation between Joe Rogan and an unnamed guest, likely an actor or musician given the discussion of Yellowstone and music careers. The guest expresses awe at Taylor Sheridan's prolific output, comparing him to other impressive individuals but noting Sheridan's work is on an
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