“Human TERMINATOR!” - Harvard Neuroscientist on Psychopaths, Love, Telepathy & The Halo Effect | 400
4738 segments
And there were so many things you were
talking about in the last episode where
I'm like I could ask him like 40 things
there. All right, we just got to pick
one and roll with it. So, there's some
stuff I want to dig into deeper that we
just kind of touched the surface of and
then other things I want to get to
entirely
>> new topics. But yeah, I I also know like
you know Jordan Peterson, you've been on
his show before, have a little bit of a
relationship with him. He obviously is
like they publicly announced he's he's
not doing too well right now. Have you
heard any
>> any updates on that on his health?
>> I haven't. So what I know is from what's
known publicly about his health,
unfortunately. You know, he he went
through some some health battles as as
is known. Um, but yeah, I I uh send him
my greetings. Um, you know, well wishes
through his wife Tammy and and uh but
yeah, I'm not sure exactly what's what's
happening there, you know. Hope
>> Yeah. Never like to see that. I hope
>> Yeah. Hope he recovers soon. Yeah,
definitely. For sure.
>> So, this course you did on love. Yeah,
>> we talked about it at the very end last
time for the last 13 14 minutes of that
podcast, which I'm not sure when this
one's coming out yet.
>> We'll figure that out. But,
>> you know, we got into some of the
>> pop culture with, you know, breaking
down the Titanic and Jack played by Leo
and how he kind of like courted Rose.
So, there some of that I think we could
probably rehash just cuz a lot of people
>> want to know
>> didn't hear the last episode and that
was also at the very end. So, they may
not have gotten there. But you mentioned
the different things you were teaching
across the lectures for love and you
mentioned like sexual energy,
transcendent love, parents love. So
maybe we could just go one by one here
>> and break down how Bangal put together
each idea to explain it scientifically
how love works. Well, it's uh I have to
go back and retrieve some of those files
because it's been it's been a week, you
know, and and I've done so much in that
week after in terms of of of just
lecturing and and talking about
different things. So, but I so I
definitely have to think. So, what did I
talk about? So, romantic love, there are
different stages of romantic love.
There's obviously what's called
infatuation
>> and and and
you might call the initial. So when you
see a woman for the first time you see a
woman she walks by you she's very
attractive she comes towards you and you
just find her attractive right that's
testosterone driven it's it's very much
in dopamine vententral stray of the
brain the vententral straight is this
portion of the brain important for
dopamine creating dopamine as we know
dopamine is this reward chemical in the
brain makes you agitated makes you sort
of your heart is beating boom boom boom
all that so that's initial state okay
very testosterone and dopamine driven
second what might happen then is
romantic love kicks in. You might, you
know, you build a relationship with that
girl. There's something going on that's
a little bit deeper. Now you you start
to get to know her and all that. And
that is a different different circuits
in the brain. Now you're dealing with
circuits like if it kind of expands a
little bit and get and it gets a bit
deeper, you have things like serotonin
dropping in the brain. This is this is
actually counterintuitive because
serotonin is this feel-good hormone. Now
when you have serotonin in the in the
system, you kind of feel relaxed. You
feel kind of, you know, calm. You feel
good. You're very sort of inner driven.
So you you feel inner driven. You kind
of you kind of have calmness in you. Now
when it goes down, you become more
obsessive. In fact, in fact, in monkeys,
if you if you if you that circuit in the
brain going from the medial prefrontal
cortex, the mid prefrontal cortex to the
basil ganglia and other regions of the
brain involved in sort of obsessive
thinking. If you if you if you cut
serotonin in that circuit, you become
highly obsessive.
>> So serotonin is is very very important
for reducing obsessions. But obviously
when you fall in love, you have a lot of
obsessions. So serotonin goes out the
window. In fact, the prefrontal cortex,
the very front of your brain, the
logical reasoning,
you know, um, planning part of the brain
shuts down.
>> So, you have that.
>> Second. Second, you have a part of the
brain called the TPJ, the temporal
parietal junction. We talked about that
last time. That is a region up here in
this part of the brain. It's involved,
it's involved in creating a sense of a
body image. So, me baland, I feel like I
occupy this body. I don't feel like I
occupy, you know, Julian's body or Brad
Pitt's body, unfortunately. Okay. I
occupy occupied this body, right? Glad
you like my jokes. I these jokes
sometimes a misfire during lectures.
>> No, you're good. You're good. You got a
bad audience if they're misfiring. Brad
Pit was looking good in F1. I got to say
that [ __ ] is like 65 or
something. He was He was doing all
right. He's pretty cool. He's pretty
cool.
>> Hey guys, three quick things. Number
one, if you haven't subscribed, please
subscribe. It's a huge huge help. Number
two, if you'd like to join my Patreon
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link in my description below. So, the
TPJ creates a sense of a body image,
it's up here. And it works by pulling
sensory information from various senses,
seeing, touch, taste, tactile sensations
and then draws that information and
builds a sense of a self.
>> So this is very a very key structure to
know. It's important in just creating
you by pulling information from the
world. So you have the TPJ. Now the TPJ
when you are in a romantic situation, it
actually shuts down.
>> Yeah.
>> And so there's a sense of unison with
the lover. you feel like you're becoming
one with her. You know, it's very
important. It's actually very critical
and and and key piece of it.
>> And that doesn't happen at all during
the infatuation phase. That's when it
gets to the romantic phase.
>> This isn't the romantic phase. In the
initial in the initial stages in in the
pure obs in the pure passionate
infatuation stage, it's much more it's
much more it's much more passionate
driven. It's much more sexual. You know
what I mean? It doesn't have that
>> the these neural circuits are not active
in the same manner as we see now. It's
clearly different when you actually have
that romantic stage.
>> Is there something specific like a line
in the sand if you will that happens or
that needs to happen to cross officially
from the infatuation stage to the
romantic stage?
>> It's a good question.
I think what it is is reciprocity. So
once you get okay so you see the girl
she's she's she's good-looking she's
pretty and you have the initial drive
okay then there's some reciprocity maybe
you get to know her a little bit there's
some continuity in time so you get to
see her a few times that can
lead to the more sort of romantic stage
now the preffrontal kicks in now the
prefrontal is is important because the
preffrontal I said it shuts down but
there's also a
prefrontal element in romantic love. Let
me explain. So when you first see the
girl in the infatuation stage, there's
also another structure called the
insula. It's up uh it's in behind the
ears. It's very important actually. This
is the
region of the brain that maps all your
sensory states. So so your your
breathing, your heart rate, your all
that is is mapped onto the insula. Okay?
So it maps all that. And so any given
moment I'm sort of looking at Joey. I'm
I'm looking around in the studio. My
insula is kind of mapping all that and
saying how is my stomach right now?
How's my heart? How does how does the
external world map onto my internal
world? That's the insula doing that. And
then based on that, it sends signals
back to my prefrontal conceptual part of
the brain. And then it helps me build a
narrative around the world if that makes
sense. Now when I see a girl for the
first time, obviously there's a lot of
insula going on. My heart is beating.
Boom boom boom. My my I'm sweating a
little bit. I could measure that if I
wanted to using sort of galvanic skin
response, skin conductance.
>> Galbanic.
>> Yeah, it's called galvanic skin
response. So you can measure sweating on
on the on the on the body when you're
it's it's a micro sweating, you know,
you can't really So you have that. So
there's a clearly a physiological
reaction. So you have the insula, very
active. You have a part of the brain I
didn't mention before. It's called the
hypothalamus.
>> Hypothalamus. Did I talk did we talk
about the hypothalamus?
>> I think we touched it, but it was in
another context.
>> It's another context. It's a one of the
most fascinating part of the brains in
the brain. It it's fascinating because
the hypothalamus is this this marble-l
like structure and it's kind of deeper
in the brain but what it does is it has
tons of functions and it is very small
but it had tons of functions. For
example, for example, when I
have when I feel aggressive, okay, when
I have aggression in me, okay, and I
feel aggressive, guess what happens? the
hypothalamus is all active and it sends
commands to something called the
pituitary and it and it then releases
hormones. So cortisol, adrenaline is
then released eventually from the
adrenal glands behind you here, your
behind your kidneys, above your kidneys.
That's the hypothalamus. But it's also
involved in sex drive. Curiously, the
same part of the brain is involved in
sexual motivation and aggression.
Which begs the question like why are
some men motivated sexually by
aggressive scenarios? Like why do you
have male dominance in prison, you know,
in prison scenarios and and and males
wanting to dominate others and the
sexual component of that or even rape
scenarios or men just being turned on by
highly violent scenarios. Well, it turns
out the same part of the brain that
mediates that processes aggression and
processes sexuality is the same. It's
the same literally the same structure.
>> That makes a lot of sense. And it, like
you said, it can that can be very dark
if you do the wrong way.
>> It can be very Yeah, absolutely.
>> In other ways though, creates odd social
situations. That's why it's just as tail
as old as time. Like whenever there's a
woman involved, [ __ ] gets weird right in
the middle. And I I kind of liken it
sometimes to
>> like when you see dogs with a with with
a with a fire hydrant. Yep.
>> You know what I mean? Yeah. Like when
two tough looking dogs could be walking
up towards the hydrant and one of them
pisses on at first and the other like
can never come back to that hydrant. You
know what I mean? It's a very strange
thing like this competitive thing that
happens like ah you lose out once you
get your balls cut off in a way is the
other dog got it right.
>> Sorry to talk about it this way but this
is how it is. And then doesn't matter
like you go away you come back you
strike doesn't matter. you're kind of
like, ah,
>> can't ever go on that street again. You
know, it's a strange strange thing. I
think it kind of comes from that same
>> same thing. Yeah.
>> Yeah.
>> It's it's interesting with the with the
insula and how it works and how
aggression and sexuality, but but it
definitely can explain a lot of things.
In fact, the insula is also the disgust
part of the brain. So, when I feel
disgusted,
you know, let's say you're touching some
vomit over there and I watch you, I feel
disgusted, for example. So, there's a
disgust component and that's the insula.
It lights up like Time Square when
whenever I'm disgusted. But it turns out
it turns out that the insula is also
activated when I experience social
disgust. So for example, if you tell me
that these people over there are
barbarians, these people are evil, they
want to occupy our land, they are just
bad, the insula part of the brain also
lights up.
>> So it turns out the same part of the
brain lights up when I'm socially
disgusted and when I'm actually
disgusted. And that brings us to a key
point of sort of how we dehumanize other
people and how
>> yes
>> wars are generated in the world. Well,
it turns out if the same part of the
brain turns up, you know, is activated
with social like with actual disgust and
social disgust, you can see how you
become disgusted, literally disgusted by
by another group of people, by somebody
you think is is evil and and and has bad
intentions. So the brain is kind of
sloppy in in ways. It kind of reuses
circuits all the time and and the more
brain brain part like regions in the
brain the more prox closer the proximity
the more the cross activation and sort
of and and misfiring so to speak. So
basic that is a principle in the brain
that's a principle so the there's often
the sloppy wiring and yeah as I said the
closer the the better and and or sorry
the more c potential for cross
activation. One of the most famous
mushrooms in history isn't psychedelic,
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It's not a traditional psychedelic.
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below. Are there ways to,
I don't know,
control these types of things and try to
stop them from happening? Like if you if
I know, for example, I'm going to [ __ ]
up some of the names of the different
regions of the brain. you just gave like
10 of them. But if I know that one
reason region of the brain is is
literally evolutionary wired to make me
do X and I know that ahead of time, is
there a way for me to like I don't know
like try to like program my brain to
avoid that and actually be able to avoid
the release of the hormones associated
with whatever X feeling is.
It's hard. But but I think the knowledge
of the fact that your brain repurposes
itself all the time can be helpful.
>> So just knowing that for example you you
have a wife and then you call her by
your ex by the ex-wife's name.
>> Oh that's a no no.
>> That is that is a no no right. But that
is an example of how the brain sort of
can reuse the same circuitry. Literally
the the circuitry that I have for my
mother as a child and we could go into
that is the same circuitry I will use
for romantic partner 20 years later.
Sigman Freudian stuff going on.
>> No, no, this is attachment theory. It's
pretty well known. So this is a this is
a very robust finding. So we know that
our attachments with our mothers and
with our with our you know our our
caregivers that will translate into how
we bond with with with future romantic
partners. So this is well known.
But on the repurposing and and the cross
activation part, there's another really
curious observation. So on the in the
brain, right? So in the by the way if
I'm going too heavy with the technical
terms
>> great bro relax relax you're good keep
going good so here there's a strip
called the sensory map this is a post
central gyus for the nerds out there
post central gyus it's a sensory map of
the entire body
>> so just like we have a map for our
neurological sense of being anchored in
this body we also have an actual sensory
map for our body so if I was to hit my
leg like this and slap it. Literally,
there's a leg portion and there's a
thigh portion in my brain on my map
here, there's like actually a there's a
drawing almost or literally there is a
drawing of an actual human body on my
sensory map.
>> So if I on the on vice versa, if I go up
here and I stimulate that part of the
brain, I would literally feel sensations
in my leg. So I can go that way too.
>> So I touch it, it lights up, I stimulate
it, I feel it in the leg. Okay. Now, so
it's kind of drawn like a human being,
but it's kind of disproportional to the
actual human size. In other words,
you'll find a big tongue and the tongue
is huge, humongous,
gigantic. You'll find lips are huge.
Okay? Feet are huge.
>> Hands, especially the fingers are huge.
Then Julian might ask, how come? Why do
you have certain parts of the sensory
map being larger than others? What do
you think? Take a guess.
>> My only guess is that it's tied to like
the things
>> you look for in evolution. And here's
what I mean by that.
>> Yeah.
>> Like if you look at monkeys when they
have to attack.
>> Yeah.
>> They go for the face and the hands. So
the hands can't fight back and the face,
you know, gets blinded and whatever. And
it's because like that's at the
>> top of their thought process of what can
disable the enemy. Yes. And so I think
my guess very uneducated but my guess
would be that it has something to do
with there are things that we
subconsciously pay attention to more on
people than other things and we make
that maybe larger than life.
>> Yeah. Yeah. Well, it's very close. These
are the parts that are more sensory
rich.
>> That doesn't sound like I was that
close.
>> No, no. You're saying these these parts
are most important. That's what you're
saying, right? We use them. They're most
important because they're rich in
sensory receptors. Think about it. Your
lips, right? extremely sensitive your
tongue, you know, if you if I take a
needle and prick Julian's tongue, lots
of pain, right? Very sensitive. Versus,
you know, if I if I if I prick your
stomach, not very sensitive. So, because
there's so many so many neurons devoted
for your tongue, that part of the of the
brain is is the map is just the tongue
is just huge.
>> In fact, even your genital genitalia is
huge up there.
>> It's very sensory.
>> It's huge in all of our minds. Now, now
here's the punch line of all all this.
Okay, the punch line is the following.
You will find in that map, even though
it's kind of drawn as a human being, the
feet are extremely close to the
genitalia in that map. And then you
might ask, why this? Why this
disfigurement? What's going on here? Why
would you have the feet being close to
the genitalia? Right? big foot, big you
know
and the answer seems to be
that
have you ever somebody ever told you
like my one of my Ramachandran we talked
about Ramachandra last time he told me
yes my mentor who he told me
>> you never want to have
>> another man give your wife a foot
massage
>> specifically a foot massage is is is is
really bad now I obviously wouldn't I
wouldn't go for any massage okay But but
I'm saying you you foot massage you
would definitely not go for.
>> It seems like because of the potential
cross activation between feet and
genitalia because they are so linked in
the brain in that map that explains why
you can actually elicit sensual and
erotic emotions by massaging the feet if
that makes sense.
>> Is that why like people are so into
that? That's like one of the biggest
online.
>> I think so. I think so. I said
definitely cross activation is in the
brain is is a major principle and these
these two regions of the brain aren't
just neighbors they are literally like
next door to each other and so you would
expect some cross activation when you
touch the other you might feel it in the
other part
>> you're talk you're talking
when you say we're looking at the most
sensory areas in my head I'm getting a
little biased towards like touch and
feel
>> yes
>> but obviously the senses are far beyond
that And
>> the most important sense maybe that we
have, I don't know if that's correct,
but
>> is vision and seeing other people
because
>> my head immediately goes to the first
thing I notice and someone is the thing
I'm most drawn to is their eyes.
Particularly with women, if I don't like
you be the hottest girl of all time. If
if if I don't have that connection with
your eyes, it's never going to happen.
>> There's something with the eyes.
Absolutely. Yeah, definitely. The v
vision is is important and it is the
most important sensory u you know organ
that we have this you know sensory
region I mean there's 30 regions in the
brain for vision alone I think in the
cortex you have about
>> so the brain is 100 billion neurons and
30 bill 30 billion in is in the cortex
>> that's the outer layer had six part as
we talked about last last time and in
that sensory region I think about
onethird of that whole region is devoted
to vision alone it's the it's the sense
most important for for survival. So yes,
absolutely it is definitely crucial.
But yeah, man, like so as you were
talking about, you have the
hypothalamus, the aggression and the sex
part of the brain activate when you have
that initial um view of that woman.
There is the insula is active. So you
have that whole body thing. Testosterone
is active. Then you ask me the the key
question, how does it flip over? And I
think as I said, it's reciprocity. is is
some kind of some kind of
I won't say bonding because that's
actually the next step. So if you have
step step one is romantic is is
infatuation then you have the romance
and then you have as the third the the
bonding attachment so that comes later.
So once
>> that comes later
>> that comes later. So the initial stages
is kind of it's very dopamine driven as
well. So there's a lot of dopamine there
too. In other words,
it's excitement. It's intoxicating.
You see her, then she goes away. It's
this dance between knowing and
unknowing. It's very tentalizing, very
titillating all the time. But then you
hit the attachment stage and that's when
you have something. You have oxytocin
and vasopressin. These bonding hormones
kick in and then they create safety
around that person. You feel you feel
safe around them. You kind of feel like
they will stay. They will not leave you.
There's security. As we talked about
last time, cortisol also goes through
the roof during the that romantic
infatuation stage. That's why you cannot
say
>> infatuation in particularly, right?
>> Infatuation and the romance stage. In
fact, that that six to eight weeks for
some it's more maybe three months.
>> So you Oh, so you time you put a timer
on it too.
>> Yeah. Like you can't go forever. So I
might say eight weeks that part of So
it's interesting that that infatuation
stage. No, sorry. that romantic stage,
right? Um, so let's call the first one
attraction,
>> attraction stage, attraction versus
romantic obsession versus bonding. These
are the three stages. Okay. Now, in the
romance, the heightened romance state
that is about 8 weeks, maybe max 6
months, you would run out. your brain.
Literally, if I was to scan Julian in
this in this romantic state and look at
your brain, your dopamineergic neurons
would look like somebody on crack
cocaine.
>> Literally, you would you would have a
>> sense of
you would have a you know, your brain
would be hyper sensitized to to dopamine
and you would and that also causes
what's called globalization. So you go
about in in life and you and you see a
dog and you find oh it's so cute and you
look at a flower and it's wow it's so
beautiful and the sunset and everything
the whole world is is in fact beautiful
and and that's because when we fall in
love we don't only fall in love
with that person we fall in love with
the world in fact and and the whole and
the whole world becomes poetic
>> when we do fall in love
>> and
it's that is what it is and And
>> I the timeline is what's interesting to
me.
>> Well, let me let me start with this
question. How would you
how would you define love if you had to
define it and you can take as much time
as you want to think about that.
>> So I would define love as it would
depend on the kind of attachment there
is right. So or the kind of experience
you have. So the the the love between my
mother and father, the love that I have
for them, the maternal and paternal love
is different.
>> Interestingly, you have many of the same
structures being activated. So you do
have when I for example have bonding
with my mother, you do have some of the
same regions like the prefrontal might
short shut down a little bit. It's more
kind of in the
oxytocin bonding. So oxytocin gives you
bonding and feeling of of good if that
makes sense.
>> But the key difference between romantic
love and between love of a mother and
paternal love, maternal love is that is
that hypothalamus region of the brain,
that sexuality part that turns on. It
dials up when it's when you have you
have romance. But you do, to go into
this for a second,
you do form patterns in how you were
nurtured with your mom and what you look
for in a woman in many cases.
>> 100%. Yeah. So this goes back to what's
called attachment theory. And this is
the idea that
>> this goes back to some experiments that
were done a very long time ago. And what
they showed were so you had like a kid
you put a kid in a in a room in a
laboratory and the kid is there with the
mom. There's a stranger in the
laboratory too. Then you observe how
that kid
first interacts with the stranger when
the mom is there. That's the first step.
Will the will the kid feel be clingy to
the mom and just hold on to mom mom you
know or would it literally go over to
the to the stranger and play around?
there's some toys in that room as well.
That's the first observation. Next, the
the mom will leave. So mom leaves as the
next step. And then you observe the kid.
Does it cry? Does it feel So let's say
in in in in some cases it may feel safe.
It may just maybe maybe be a little bit
sad, but then after a few minutes it
kind of feels okay. It goes and plays
with the stranger. It might it explores
a territory even though it's kind of
feels a little bit abandoned, but it's
it's okay. It feels okay overall.
Then what happens is the mom comes back.
How does the child react? Does it hug
mom? Does it reject mom?
What's the reaction? Now depending on
your re on the child's reaction in all
of these scenarios that will show what
kind of attachment you have and what
kind of attachment you will have later
on in life. So a securely attached
person when mom leaves first of all
they're not very clingy with mom when
mom is there and then when mom leaves
they will play around have fun with the
stranger a little bit you know be very
broadly explo explore the space then
when mom comes back they may feel a
little bit sad but then they feel okay
and forgives her and and continues and
move on.
>> This is the securely attached
but then you have people that are
insecurely attached for example. So when
mom first of all when mom is there
they're very clingy they cling to mom
all the time they want to hold her and
no no no one want to go to that stranger
and then when mom leaves they cry they
ignore the stranger they just stay in
their place
and then when mom comes back they feel
resentment towards mom they don't want
to forgive mom and they just feel like
you know mom abandoned them
>> how did both of those people translate
later into romance romantic how they
form their romantic relationships.
>> I'll get there. There's a third one is
which which really interesting. This is
this okay this is the distant this is
the kind of the ambiguously attack like
this is this is not ambiguous. This is
the one you'd call um so the these are
the avoidant people. These are the
avoidant. Look these these are very
interesting. When mom is there kind of
cold detached from mom they're not
really hugging mom much. When she
leaves, they're kind of they don't show
any reaction. They don't show any kind
of, you know, sadness about her leaving.
When she comes back, they're kind of uh
duh. By the way, they don't play with
the stranger when mom is away. They kind
of
>> just just sit there. This is very
interesting type, avoidant.
Now, now to your question, how does it
translate into actual relationships
later on?
Literally that pattern will play out in
how you bond with others. So if I have a
romantic partner and I'm this securely
attached,
I will feel okay with her once in a
while leaving, right? I don't need to
like when she go on vacation, I don't
panic. I don't become like my heart
won't like, you know, become all
agitated. My physiology won't just go
all over the, you know, place. I can
feel calm. I can soo my nervous system.
In fact, these experiments have been
shown even with physiological measures.
So you measure the bar bo the the body
the heart rate sweating and and you
literally see how the brain activates
physiologically and for the insecure pe
insecure children you have all these
these physiological reactions heartbeat
no adrenaline adrenaline it's it's just
all over the roof everything goes
through the roof. Now in romantic
scenarios, a securely attached people
will be fine with with the lover going
on vacation. They can soo themsel, tell
themsel, "Oh, it's okay. She's merely
just left for a little, you know, um
vacation. They can soo themselves when
she comes back." They may feel a little
bit annoyed if they if she didn't tell,
you know, warned them or something that
she was leaving, but they could they can
forgive easily,
>> right? And then you can see the insecure
how that how that kid would react. that
kid would be when when you know very
very clingy and then when she leaves
they they become all agitated and just
all all sort of they can't control
themselves and and then when she comes
back they feel angry at the lover. Does
the pattern clear? I hope I'm not.
>> It does. No, it's perfectly clear. I'm
I'm curious cuz those are polar
opposites, right?
>> Polar opposite.
>> So on the first one who's not clingy
>> and is secure. Yeah. There was a loving
I I'm trying to figure out where the
mom's responsibility of just how they
handle love comes in here. Like there
was a loving relationship with the mom,
but there was an ability for
>> in the environment early on from being
an infant on the mom was able to set
some boundaries with like
>> how much they were completely attached
at the hip, if you will.
>> Yes. In scenario two, the mom
maybe was literally attached at the hip
to the kid to the point that the kid
developed in a way that when that's not
the case, they don't even know what to
do with themselves.
>> It's true. And and I and I have a family
member. I don't want to mention them
because, you know, in the case it's it's
for example, right? So, but I do know
somebody from my family, you know, the
way she interacts with her kids, she's
making them clingy, you know, she's just
giving them so much love, but it doesn't
allow them to sort of explore the world.
It's the love is just too much. It's too
much. It's like, you know, you have to
be with me all the time. I have to take
care of you. And it's it comes from a
good place, right? It's love. But I feel
like those those kids whenever they got
go out to the world, they just can't be
without mom. You you have to let
children go.
>> Can't helicopter.
>> Yeah. You have to let children go out
and and and explore the world and and be
independent. You can't give them too
much love. Even though you love them,
right? You you do want to
>> put brakes on that a little bit. So So
your your children become independent.
>> Absolutely. It's just interesting how
the nurturing aspect is how you later
form the romantic aspect, but with the
romantic aspect, you're adding the next
layer of the hypothalamus gets involved.
Yes. And there's a sexual element to it,
obviously, which is perfectly how it's
supposed to be. It's just evolution
right there.
>> But it's it's
>> the part that keeps sticking out to me
is the way that you put
>> a timelength on on where you go from
phase to phase. And I don't know, it's
>> it's definitely more anecdotal how I'm
thinking about it, cuz I'm thinking
about like the three times in my life
that I've been in love and they didn't
follow a time phase at all. One time was
like, you know, a 3-w week kind of
shotgun somewhere else in the world.
Total headover heels kind of thing. That
probably happened in like 3 days.
>> Yes.
>> Falling in love. Another one took
probably about 3 weeks or so
>> to get there. Another one took more like
months,
>> you know. So, they they followed
different patterns. But I I'd love to
get your thoughts on this. When it comes
to romantic love, I've always had two
definitions.
>> Yes. for how love works. And there's
actually a different form on the way
that I phrase each one.
>> Yeah.
>> One is strictly the word love.
>> Yeah.
>> And love is like a feeling that kind of
gets under your skin and gets into your
nervous system. You cannot explain it,
but it's when you see in in my case
seeing a woman where out of nowhere
there's that little thing where time
stops. You connect with her in a way
that you cannot possibly explain. And
you don't really know this person well.
Maybe you've talked to them a few times,
but you don't know them that well. But
you have this moment in this context, in
this place, in this time, wherever it
may be, where when you are looking at
them, you're seeing a piece of your soul
in them, and you realize that you would
get in front of a train and lay down
your your life for this woman, no
questions asked, but you cannot explain
why.
>> Yes. The second layer that happens is
being in love.
>> Yes.
>> And there you have to, in my opinion,
there's really two things that have to
happen. The first one definitely has to
happen. The second thing usually has to
happen. The first one is you have to
have gotten to know that person. Now,
this could happen over a day or two
where you're just sitting there talking
like there's no clock on the wall and
understanding every single person's
about the every single thing about this
person's life and them understanding
every part about your life and just that
magnetic chemistry is there. I've been
there. That's that's a great feeling.
>> Yeah.
>> It could also take weeks and you know
going on multiple dates or seeing seeing
them in different contexts and you know
slowly having building yourself to these
conversations.
>> Yeah. The second part is there usually
has to be something physical
>> of course
>> exchanged in in a way I don't mean to
say exchanged like a trade but you know
what I mean like there's a sexual
element to it like once you cross that
Rubicon and like
>> you have sex with a woman there there's
a connection there and there is a
>> at least from what I've seen there's
usually a stronger connection from the
woman to the male at the get-go but
there is definitely still a connection
in most cases unless you're like having
late [ __ ] drunk sex or something from
the male to the female as well. If it's
someone that you do care about and you
have that infatuation stage,
>> do you think that there's anything
scientific to back up my anecdotal
experience there and how I define those
two words, two phrases? Words. One of
them is a word, the other one's a
phrase.
>> Julian is it's it's a beautiful
definition and I think
I like your definition. And what I think
is that as scientists we often we often
try to
pinpoint various brain regions. We say
this part of the brain lights up this
shuts down this becomes titillated this
becomes tantalized. You know truth is
as Richard Fineman said the physicist it
doesn't hurt the mystery to know a
little about it.
So knowing about love and knowing about
the brain parts that light up and shut
down and all that is is great and the
chemistry of the hormones and and all
that. But you mentioned something that
really struck me
in in in meet Joe Black
when have you seen that coffee shop
scene is a very famous scene when he
says you know u lightning might strike
you know he's talking about meeting
meeting the one and then he says Brad
Pitt's character the he says lightning
might might strike and I think we can
spend centuries decades
exploring the neuroscience of love but
when Shakespeare said, "Shall I compare
thee to a summer's day? Thou art more
lovely and more temperate, rough winds
to shake the darling butts of May, and
some as le has all too short a date.
Sometimes too hot the eye of heaven
shines,
and often is his gold complexion
dimmed."
I think that captures much more than we
can capture in brain scans. What
Shakespeare is saying here, he's saying
in short,
your love is much more beautiful than a
summer's day. It's much more temperate.
A summer's day has a short lease.
Its complexion might be too the sun
might be too shiny.
Okay?
And and he's using all these vivid
metaphors to capture what love is all
about.
that I think we could never
capture using neuroscience and brain. So
I think
>> Billy Shakes was the truth.
>> He was the truth. And I think there's
something there. I think there's
something there about about about love
about when lightning strikes that we
cannot capture in words.
>> There's a line that always stuck with
me. It was a Sicilian saying that they
put in the Godfather when Michael sees
Appalonia for the first time.
>> Yes. and
one of his guards says to him,
>> "He's been struck by the thunderbolt."
>> Yeah.
>> And you see, I mean, it's perfectly
shown on screen, just like the two
staring at each other, and she's not
really sure what to think yet, but you
know what he's thinking. And I I you
know, the irony is obviously there's no
such thing as a thunderbolt, but it's
like this unexplained phenomenon where
you hear it and you know what it means
even if it doesn't exist and it's just a
thing. And I've definitely experienced
that before where where you are in a
situation where you don't
>> That's the thing. I' I've experienced
that
at least four times before.
>> And you never expect it to happen.
That's the magic of it. You're never
like, "Oh, this is this is how it's
going to go or like this is going to
unfold right now." You're like, "What?"
And
>> yeah,
>> what the [ __ ] just happened to me?
>> Absolutely. It it is like lightning
striking you and and and
as a poetic person myself, somebody who
loves poetry, you know, and and and
having a poetic view and and a spiritual
view of the world, I I literally cannot
say other than it seems like a divinely
>> divine thing when you you do meet
somebody and and there's that connection
and then when you get to know them and
it kind of just there's a harmony there
and there's a sense of like, you know,
souls connecting that definitely that's
that's something something special that
that that science
can cannot capture. But I but I do think
poetry can sometimes tap into and and
give you
>> give you a feel for what what it feels
like that experiential that personal
sense of of of of having that
connection.
>> Oh, I agree completely.
>> Yeah.
>> Is there science to back the idea that
some such thing as a soulmate exists?
like people actually do have some I
always like the the wedding crashers
definition of this a counterpoint of
their soul and another person that
exists on the planet.
>> Yeah, it's a good question. I do I I
kind of believe in in in that there are
people out there that are divinely
ordained to be ours and that just
>> you know their souls is sort of souls
connecting but obviously that's outside
parameters of science. From a scientific
perspective, we had what's we have what
is called a positive delusion. So when
you do fall in love, you have to you you
will need to be you need to have that
feeling that she's the only one in the
whole world that can
>> Yeah.
>> that can she's the only one in other
words like that. Appalonia and and and
like Michael Corleion, right, in
Sicilia,
>> that feeling must be there of of that
she's the only one. And that is the
prefrontal shutting down and the TPJ
shutting down. And so you kind of feel
one with her and and and and the
dopamine centers are because they're so
hyperactive,
they can create delusions.
>> We know that when serotonin goes down,
when this chemical of of calmness and
all that goes down and and eventually
the and dopamine goes up, especially
with dopamine going up to the prefrontal
cortex, that's when delusions can occur.
Like in OCD, for example, you have the
exact same pattern. OCD kind of looks
like romantic love, like that
obsessional component, right? Obsess
obsession about the girl, you know, has
she texted me? You go check the
messages. Has she texted and you keep
checking and you know, so that's that's
that's kind of like the OCD scenario.
And OCD, you have tons of delusions,
too.
>> The whole world is contaminated.
Everything is is is is dangerous. You
know,
>> it's fascinating. That's on like the
same wavelength.
>> Same wavelength, right? So, but
definitely dopamine and and delusions
are is are a key component of that
positive delusion of of of that she's
the only one. But it has to be there.
You have to have that positive delusion.
That's important. You need it for for
romantic for romantic bonding, you know,
and for for romantic love.
>> All right, real fast. I just got to use
the bathroom, but I want to stay on
this. This is really good. We'll be
right back.
>> All right.
All right. We're back. So, how do you
attraction's obviously a key part of
forming love or getting to that point
and whatever, but you also see
>> the fact that male and female brains
>> work entirely differently. They they
have different phases as well. And so
attraction isn't like just this vacuum
all the time where you have it and then
it's just there and that's what it is.
You can go through hot and cold periods
where it's like you like someone and
then out of nowhere you can't explain
why, but you hate them and then
eventually you like them again. Then
maybe you love them, but then you really
hate them. I'm not even talking about
like when you're in a relationship, just
in general with friendships as well that
could later become something like that.
How do we scientifically maybe start
with females? How does
>> how does it happen to where females can
go so hot and cold on liking you one
minute and not being about you the next
minute? Hot and cold is interesting. Did
we talk about emotional contrast last
time?
>> No.
>> Emotional contrast is a is an
interesting one. So I I wasn't aware of
this
>> previously, but I kind of became I had
to study this and and and learn about
this. It's fascinating. So we as men are
taught that we have to be kind of cool
and laidback and and not really give
ourselves to a woman, not show our
emotions perhaps and and just kind of be
laidback and all that. And it turns out
there's a powerful concept with
emotional contrast where if you can be
extremely hot, like very hot by hot, I
mean extremely warm at one person at one
point in time. So, you kind of reveal
your emotions
and you kind of let the person know that
you're really into her, but then you
call the next
>> Yeah. push
>> push pull
>> that titillates the dopamineergic
centers like you know drives them crazy.
Obviously, you don't want to do this.
You don't want to do this in a where you
play games. But it teaches us that
if you
are vulnerable and let somebody know how
you feel and they don't
reciprocate that by going away, that can
be one of the most attractive things
ever to drive attraction because
>> attraction grows in space.
>> It grows in space, but it grows
specifically when the dopamineergic
neurons have something to anchor onto,
to tether onto. So if you give them
literally some you know some warmth some
some some some kind of clear signals of
interest and then go away and allow for
the space that's when I when really
something happens versus like being
playing it cool all the time.
>> So I think that is an interesting
you know part of how dopamine works.
I think that how does attraction work? I
think attraction works on a lot of
things. There's a lot of there's a lot
of when it comes to attraction there are
various components. There's the innate
attraction females for example have for
males and how males look. This is
something innate they can't help. So
broad shoulders, you know, big bre, you
know, breast for some extent, you know,
extended muscle musculature, upper
breast, you know, and upper chest I
should say and
little bit of of of of um masculine
traits could help.
So they have we have women have this
they have this this innate inclination
toward masculine traits, traits that
signal testosterone, right?
>> Yeah, we have it too in the other
direction.
>> We have it in the other direction.
>> Hourglass, you know,
>> estrogen. Yeah. our glass. We have a
specific interest in a figure that's
called zero um 0.70. That's the playboy
figure. That's males will consistently
rate that figure as most attractive. In
fact, they will rate that 0.70. Female
figure as you know women who have this
figure as more intelligent, as more
healthy, as more as better, more moral
in every category is just better.
>> So, we'll put that up on the screen so
people can see. It turns out good and
beauty is mediated in the same part of
the brain called the orbital frontal
cortex.
So that's why you see a Disney character
like Belle,
>> she's beautiful and she's good,
>> right?
>> There's tons of these example. Jasmine
is beautiful and good
>> and and and you know Scar in Lion King,
he's he's evil and and he has a big scar
and he's got kind of skinny compared to
to um
>> to uh Mufasa and and Simba and all
those. So there's that component and
they they and and and good cartoonists
will you know exploit that.
>> Absolutely.
>> But yeah that's the orbital frontal
cortex and
so for female for males obviously big
breast clear skin
>> clear skin is a signal of good good
health for females. So if a female has
clear skin that is a indicator of good
health parasite infection is probably
less in such women. Think about old in
savannah days right? So if she has clear
skins, she was probably not infected by
parasites in when in in the womb. She
had a better better immune system
probably,
>> right? So these are all indicators of
health and fertility.
>> In fact, my my mentor Ramachand has a
paper is called why gentlemen prefer
blondes. Okay? Now this now this paper
he he meant it as a satire, but he said
to me and he said that publicly that
there's about 10% chance of it being
true. But the argument is that male will
prefer females that have very fair skin
and and are blondes because
you can detect parasites and health
easily on a skin that's fair like a more
fair skin, a more white skin and also
things signs of blushing. For example,
if she was to be if she was to engage in
infertil, you know, in cheat on you, you
would know easily. She would blush and
it would be more visible on the skin.
>> Now, since Rama has has Ramachandran has
said since that it's probably not all
true, but there could be some truth to
that. I mean, I don't personally know if
it's always true. In my case, I actually
have probably more attracted to more
brown skin. That's kind of um how I um
but
>> yeah, I'm thinking of bias in my head
right now. They
>> I like Mediterranean women.
>> Yeah. Italian
>> out there. But like
>> Yeah.
>> Their skin is very often like incredible
and you can tell it's incredible. Like
maybe I'm biased, but they have like the
best skin in the world.
>> Yes. But what Ramachandran's talking
about is that
you can tell I think what basically what
he's saying is in that theory you can
see contrast more.
>> You can see contrast more absolutely
>> to be able to identify a weakness but
also I don't know maybe I'm like trying
to picture that in my head right now.
It's hard for me to
>> Yeah.
>> I I guess it would depend on the tint or
something but like
>> I agree. I think I think basically what
I agree with in that theory is that men
prefer clear skin. clear skin that's
what we prefer and that's a sign you
know an indicator of health and
fertility and so I think
>> that is I think that is correct and and
yeah man I think overall why do you so
you might ask how how come how come
Julian how come Julian then prefers a
woman with Mediterranean how come I
prefer a brown
>> I don't know I never
that's like the last six seven years I I
didn't used to like have a type Yeah,
>> I can tell you I damn well didn't have a
type in college where you could get it.
But like, you know what I mean?
>> Yeah. Yeah, I know. Something happened
there.
>> Something happened there. So, there's a
theory to explain all this. So, there's
one theory where
>> So, me personally, Baland, when I grew
up in Copenhagen and in the ghetto in
Copenhagen, you know, exposed to a lot
of white women.
>> He was a gangster, by the way. People
didn't hear the last episode. Balain was
Balain was wielding that knife around.
>> He kept that thing on him.
>> Definitely. You know, I so what what I
was what I was what I was exposed to
were was was white women
>> and I think I had a little bit of that
remnants of of of of liking more and
this is talking about like a
seven-year-old kid, right? But finding
girls with more brown hair attractive,
but but obviously more of a Danish
European, right? The blondes didn't turn
me on in that way. Blue eyes is just
probably genetically was a little bit
too far from my for my um for my taste.
But then I find over the years it kind
of shifted more towards from Danish to
more brown to more and then brown more
brown with each gradient like with each
with time and we can talk about how that
occurs in the brain. What's going on?
>> Let's do that.
>> Let's do that. So first of all,
did we talk about the triangle and the
square last time? No. This is So I
sometimes mix these things up, Julian. I
don't know where I talk about what. I
don't want to repeat myself obviously,
but so
>> you haven't we really haven't done
anything in this episode that we talked
about last time. You're doing great. So,
keep going.
>> I appreciate it, brother. So, you show a
rat a triangle. Okay.
Uh, actually, you show a rat a
rectangular rectangular figure versus a
square. This is the rat, okay?
Rectangular square. Okay? And each time
you show the rat the rectangular square,
you give it a cheese, piece of cheese.
Now, guess what happens when you just
show the rectangular versus the square?
Which will it prefer? The rectangular or
the square?
>> The one that you get the cheese on.
>> Rectangular. Now, here's the kicker.
>> Now, you show a more rectangular shape
than the original rectangular
shape that that the rat was exposed to.
So you have the original rectangular
shape that the rat saw that was paired
with the cheese
>> and then a different even more
rectangular
>> longer one
>> a elongated one.
>> Which one will the
>> rat prefer?
>> Elongated one.
>> Correct. The question is why that make
it makes no comment. It doesn't make
sense. Why would it prefer a longer one?
Why would it go for a mutated version?
>> Because it's a bigger and better version
of the thing that was already given
them.
>> Absolutely. It's it's it has learned a
rule rectangularity because the square
and the rectangular what differentiated
between the two was the more
rectangularity the better. So it it has
learned a rule that is the essence of
the difference between rectangular and
square. It has learned a rule.
>> Now that gets to things like why
caricature are so caricatures are so
damn you know we like them so much.
Okay,
you look at a picture of Nixon
or let's say let's say Donald Trump.
He's still president, right? I should be
careful. Let's say let's say let's say
you you show them a picture of Baland,
>> but you take the eyebrows and you
amplify them. You take the nose even
more pointy. Okay, the face even more
like you create something that's even
more bal than Baland himself. This is
what a character character is about.
Just like that rectangular shape, right?
when the guys draw the cartoons. Yeah.
Yeah.
>> This is called a supernormal stimulus.
It's more the essence of me than
actually me. And the brains become
titillated by this.
>> Okay. Now, let's take this to
attraction. When we initially find
somebody attractive, there's a learning
going on. So, I see that girl, she's
very pretty. You know, I'm seven, eighty
old bland. I see that girl. Well, I go
my my god, my heart is pumping. No
adrenaline in the system. Testosterone
maybe a little bit even though I'm a
kid. But I have dopamine. I have all
those things.
Now, now when I see her, my brain
creates a template for her. I go, "My
god, she is beautiful. She's gorgeous.
She is just the perfect, you know, girl
I want to play with in the in the in the
in in school, right? I want to play with
her in school. It's it's wonderful."
Now, my brain creates a circuitry around
that girl. All the features, the hair
color, the skin, all gets burned into
the circuitry.
Then then I play with her for maybe a
year. Time goes by. I see another girl.
Now I'm 13, 14. And lo and behold, I'm
attracted to her even more than the one
four or five years ago.
>> And now you're 13, 14. So Lil Balon's
attracted to her, too.
>> As you're saying, there's a sexual
component. Obviously, definitely this
testosterone goes through the roof at
this point. But but my pointed point is
in this next why do you become attracted
to the next girl? And here the point is
that your brain says or or one theory
suggests that we take the initial
features of that girl. Let's say she had
a certain shape of a nose, certain lips
and they tend to be amplified in the
next person.
>> She have she she is even more that girl
than the girl itself. She has those
amplified features and you go for that.
So there's a development of the
attraction. It takes a development where
you take those features and they're
amplified in the next person becoming a
supernormal stimulus just like that
rectangular shape. It's just more it's
more rectangular than the original one.
Does it make sense?
>> Yeah. So like when Kanye married Bianca,
she had a bigger rack than Kim K, but
she looked just like Kim K.
>> There you go. Yeah.
>> Yeah. So you have you have the original
features, but they're amplified. So this
is one idea for why how attraction then
evolves and definitely there is strong
learning and plasticity component. So
when you fall in love there's two
neurotransmitters that are crucial for
plasticity. By plasticity I mean the
brain's ability to change its shape.
>> So your brain h is made up of different
modules and structures and these
structures can change their shape. So
they can reorganize and the way they do
that is by having two neurochemicals.
One is dopamine, sense of reward. So I
see that girl, I find her attractive, I
find her interesting. You have tons of
dopamine. That's the first principle for
plasticity. And then I have
acetylcholine, which is my attention
system. This is based on a structure
called the nucleus basalis in the
midbrain of 20,000 cells. They release,
they have neurons that release this
attention chemical. So I pay attention
to her as well. So I have dopamine. I
have attention and I have the attention
as well. Attentive focus on that woman.
When I have this, I have tons of
plasticity. By the way, when we are
kids, we we find ourselves in something
called the critical period.
>> The critical period is
>> the fact that the brain is hyper plastic
until like age 12 or 13. That's why when
you learn a new language after 13, like
me, Baland learning English, it'll be
kind of like English English. But Joe,
you can tell it's not really like
there's something off with his English,
right? It's not completely full.
>> There's nothing off with your English,
>> but it's not totally like you could hear
it, right? Especially when like
>> I mean, you have a small accent about
it,
>> right? But for example,
I don't know what the [ __ ] you just
said.
>> Okay. When I speak Danish, it's
completely I don't have any issues. Even
if I'm sleepd deprived, tired, I speak
it like with no issues. But English, I
have to put a bit of an extra effort
because it's not my first language. It's
not my mother tongue. In fact, did you
know that it's
that first mother tongue is is
structured and processed in a different
part of the brain versus languages we
learn after 13. And
>> that doesn't surprise me at all.
>> But that makes sense, right? That this
is harder like when you are sleepd
deprived, you are tired and and so
forth. You literally, you know, have a
harder time with with in my case
English. It just becomes a little bit
more clumsy. It just becomes a little
bit more.
>> Do you dream in English? Now,
>> that's an interesting question.
I've thought about this. I I don't pay
attention to it. That's why I can't, you
know, because because
>> you got to get some subtitles on your
dreams. Yeah. See what's happening.
>> You know what's going on, Julian? I
think is that because because dreams are
all about the right hemisphere and and
the right hemisphere is mute. So, the so
the right hemisphere has no processing,
has no idea of language. the left
hemisphere you have a structure called
the vernicus that's involved in
understanding language and brokus area
involved in produ production of language
and this this is there's a there's a
there's a fiber called acuid faciciculus
for for the nerds out there that want to
know that combi that binds combines the
two
>> now these are in the left hemisphere and
the left hemisphere has all the language
potential all the language abilities
right is mute let me give you an example
so if I was to communicate solely with
your right hemisphere and show the right
hemisphere the word run.
Right? I'll show you run.
>> Mhm.
>> You know what it will do? It would
literally start running. Okay. You'll
start running when you see that word.
>> And imagine now this is a split brain
patient. So they can the left and the
right brain are completely separated.
They cannot they the left and the brain
cannot communicate. So there's that
caveat. So you can actually sever the
the bridge between the two hemispheres
the two sides of the brain. So the left
and the right operate separately. Now
just want to add that caveat. So you
have that and then you flash the word
run to the left to the to the right
hemisphere over here. The person start
running then you stop them and say
Julian why are you running and they will
say oh doctor I felt like I'm I'm I'm
too out of shape. I need to get in
shape. I need to build some muscle. I
need to you know do some more exercise
and work out.
They will not say that they saw the word
run in the screen because they don't
have access to language. They have no
ideas about the left hemisphere when it
speaks it's just it's just completely
has no access to to to that. Does it
make sense?
>> Yes.
>> Yes. So, so that's an example of that.
Is this also where maybe I'm relating a
wrong idea here, but you in our last
conversation you had been saying we
can't totally understand the
relationship between time and space in
the brain because things aren't
>> like you can't say that every synapse
is measured by a certain amount of time.
Some you can, some you can't. So when
you're trying to relate the left and
right brain as well and what one
distinguishes and then the action
another one then takes is it the kind of
situation where it's different
braintorain but the patterns are
similar. So time and space is a little
weird but we understand like the
direction it goes
>> if that makes sense.
>> It makes sense. So so definitely the
right and left hemisphere are process
the world differently. You decode social
expressions faces for example. I'm I'm
decoding what is Julian thinking right
now. How is his how is his facial
features? By the way, there's a
structure in the
decoding facial features is much faster
than visual recognition. Meaning there's
a part of the brain involved in visual
recognition. Face processing. We talked
about that last time. It's called the
fusifiform face area. Literally
understanding faces and and processing
them and knowing this is Julian. This is
Joey. Okay. This is Melissa. Melissa for
example.
>> Now
there's a separate pathway going from
the visual cortex. So when I see
Julian's face, it goes from the optic
nerve and then it jumps over the face
recognition area to the emotional part
initially. So in a split second, I know
Julian is angry right now. Julian is
happy right now. Julian is is a threat
right now. He might kill me. He's That's
right.
>> Right. He has, you know what I mean?
>> Yeah.
>> My point is,
>> you better watch your step.
>> My point is even before visually
recognizing somebody, you will know
their you will know their emotional
expression.
>> And women are particularly good at this.
I can tell you. So, you know, they're
very good at this.
>> Yeah, they got us sized up on that.
>> So, so, so this is very interesting that
you have the separate pathway and it's
just it just shows us that we are wired
for survival and and knowing whether
this person over here on the savannah is
a friend or a foe is much more important
than knowing who it is. In fact,
>> going back to your original question,
what was your original question? I think
we kind of went on a off a tangent here.
>> Which one?
>> I think we were on attraction. You're
talking about attraction, right?
>> Right. So, I was talking about Oh, so
you're going way back.
>> I was What I had asked you was, "Why
does attraction get hot and cold? Why
does it flip between like being so into
someone and then being completely
disgusted by that person?" It works in
in directions of both genders. I started
by asking you about why females may be
like that, but us males are like that,
too. It just might be a different
>> and then we pivoted to language and then
we pivoted to plasticity and then all
that. Yeah. I think to going back to the
original attraction question and the rat
and and yes, this is how attraction work
in the brain. I think there's that that
component to it of of definitely there's
a huge prefrontal component to
attraction as well.
>> Just like pull the chair in a little
bit. I want you comfortable. Just like
pull the chair in and sit like that.
That's cool. Sorry, I'm just lining you
up on your mark here. There we go.
>> Is that good?
>> I cut you off, but we got to get the we
got to get the mics.
>> Gotcha. Gotcha. That's good.
>> There's a huge prefrontal component to
it. Have you seen Coming to America?
>> Of course. Eddie Murphy.
>> Yes.
>> Okay.
>> It's here in New Jersey, wasn't it? It
was like there's a new
>> They filmed it in New York and then they
had a Wasn't
>> Queens. I think it's like Queens. That's
where
>> a little bit that might have gone over
Jersey.
>> There's something going on there.
>> Yeah.
>> Now, there's a scene in that movie where
the prince
the prince's um servant Semi Okay. when
they arrived in that and they work in
that Mcdow, that fake McDonald
restaurant, and they're obviously into
the girls that work there, the two boys,
the Eddie Murphy's character, the
prince, and his servant Semi.
>> Now, Semi is interested in Lisa's
sister, Patricia.
>> Yeah,
>> he's he wants her. He He wants to pursue
her, but but she is not into him at all.
At all. Okay. She's not attracted to him
whatsoever.
But eventually as things progress, Semi
tells, you know, Patricia that that he's
actually a prince. He's lying. He's the
prince servant, but he tells her that
he's the prince. And there's a complete
shift in her in her attraction to him.
She's suddenly find him attract
attractive. He's, you know, now he's
he's the man and all that. And and my
point is in attraction even though you
have the initial
you know parameters of attraction you
find you have it has the right features
he looks good he looks like the boy on
the playground when you you know you're
a kid and all that but then there's a
cognitive social hierarchy component oh
this is a prince oh this is a you know
you know multi-billionaire oh this is a
this is a that and so there is that
>> there is that cognitive component in in
in prefrontal
>> processing in the prefrontal cortex
saying, "Oh my god, this is an
attractive person."
>> I think what you're also getting at with
a bigger pattern is when people fall in
love with the idea of somebody. Yes.
>> And this is something both genders fall
into the trap of this. It's like,
>> you know,
a guy may may tell himself he's in love
with a girl because she's good-look,
she's from a good family,
>> nice enough, you know, offers to help
out when you take her to other places,
which makes you look great,
>> has a great smile, you know, has a
pretty good job,
>> smart,
>> and you're kind of like going down the
checklist like, "Oh, this is all
awesome." And you tell yourself, you
know, sex might be great, but you tell
yourself, oh, I I love this girl.
>> Yes.
>> Because you're also thinking about,
>> well, what is my family going to think
of them? What are my friends going to
think of them? Or is this the kind of
person that like they're going to brag
to their friends and family about?
>> And then you get to a point where you
can't explain it, but you realize, wow,
why do I not feel like that spark? And
it's because you've been checking these
boxes. And like again, you also see the
same thing happen with women towards
men. They're like, "Oh, he's goodlook.
He has a good job. He's funny.
>> My dad likes him." Whatever. And then,
>> you know, they wonder why it's not
there. So
>> the hierarchy thing is more I guess the
question I'm looking for here is when
you're looking at like hierarchies or
checking a box with people is that more
of like
>> a trap in the brain to where you you
believe that the different functions of
the brain that require love are firing
only to later learn that they never were
at all? or do you actually get your
brain to fire in those ways to later
then kind of come back to earth and be
like, "Wait a minute, I never really
felt that way."
>> It's it's an interesting question. So,
there's something what you're talking
about is known as the halo effect. Exact
thing that you find like whatever you
see as as as
beautiful. You give them positive
traits. Oh, she's dependable. Oh, she's
nurturing. Oh, she's a potential good
wife potential. Oh, she's a good mother
as well potentially. So, you have all
this trick trickles down. Now the
question is then
how does it work? I think there's a
gender there's a gender spec specificity
to it. So it's gender specific and it's
also person specific. So let's start
with gender specificity first.
Females are more context dependent in
their in their love and attraction. So
men it's more much more visual. Oh, she
fits the category of she's beautiful,
she is attractive, she she has all these
features. She's probably nurturing and
she may show signs of also being
nurturing and and being highly um you
know she's be the short thing is we are
very visually driven much more than than
the conceptual parts of her being
nurturing and a good mother although we
take that into account as well. Okay.
>> Now on that note female on the other on
the other hand are are much more driven
by context. So there's the initial
attraction, but then the context comes
in. Is this guy good potential?
Can he make money? Is he does he have is
he driven? Is he ambitious? Does he have
social status? How does he fit in the
social hierarchy and attention
structure? So females have something
called the attention structure. So you,
for example, would be high in the
attention structure with all your, you
know, videos and all that people pay
attention to. But it it's actually one
of the things that females find very
attractive is because in nature we only
pay attention to important stuff. So
being high in the attention structure is
attractive. Does that make sense?
>> It makes total sense. And it's also
funny that like
I'm way more attracted to the women that
don't give a [ __ ] about any of that.
>> You are. But for for them it's different
though. Yes. For them it's different.
And the point here is that female have
these wired in because for them
childbearing nine months and then having
to raise this child is a very heavy
process and it's a very it's a very
heavy duty.
>> It is a very cost
>> Oh the Sorry, you said raise a child.
>> Yeah, raise a child.
>> I thought you said erase a child. I was
like wait a minute.
>> No, no, raise No, no.
>> Okay.
>> Raising a child and and and and and all
that is a very costly process. Is a very
costly thing. And so you need a male a
man that can provide and take care and
be strong as well. Male males, females
like uh strong men. We talked about the
bodyguard effect last time. They like
men who can calm, composed, strong, can
protect her. All these will help her
with her with her pregnancy and then
help raise the child in in secure
environment. So there is that difference
between males and females.
And then there's the the p personal
aspect. So I for example have heard many
have told me like mentors Ramachandran
for example he would often say oh this
girl over here she's perfect for you
Jalal. She he used to call me Jalal. For
some reason he just kind of
>> last name
>> he grabbed onto that. In his culture you
always call people by their last name.
His name is not even Ramachandran is
Villanur but he call it Ramachandran. So
they use the last last name.
>> Now
>> Jalal is a fun fun name to say. Balan's
fun too, but like Jalal is like it's got
a little ring to it.
>> It got a little ring to it.
>> Little music in the
>> little bit musical. Yep.
>> So
my point was he would find some lady in
his lab in his laboratory that was maybe
she fit the boxes of somebody a
scientist kind of same area, you know,
very driven and motivated and and then
attractive at the same time. And he'
say, "Jalal, this is for you. Let's
let's do something here. That's and I
was like, "No, even though if she even
if she was pretty and she was just me
personally, I I may find an I may go to
some country. I may go to Turkey. I may
go to I may go to Iraq, my home country,
the Kurdish region of Iraq, and I may
see a girl just walking about like
Appalonia. And I would rather have her
much more
>> like the girl that you see in lightning
strikes versus the the one who fits all
the boxes. I don't I don't give any I
don't give a damn about educ how
educated she is, how much money she has,
her heritage. In fact, I don't even In
fact, I don't even like women who use
their body too much to display their
beauty. This is something I do not like.
>> I agree.
>> There is a study research shows clearly
that there's two kind of mating strategy
strategies for men. So, and for females
too, by the way, it goes vice versa. If
we look at faces initially when we see
somebody and we kind of zoom in on that
that's a sign of a long-term mate that
we're interesting in long-term mating.
If we look at the body
>> Yeah.
>> that's a sign of lust and short-term
mating. And so for the women out there
and the women that I find that in in
later years I find that especially as as
you know you become as you do more and
you do lectures and you go around
females sometimes will come at you. This
is, you know, this is something that
happens to to men and and they throw at
themselves at you with their bodies.
>> Yeah.
>> Thinking that they can use their bodies,
use their, you know, showing their
breasts, showing their bodies, and that
will make you like them. If I'm just I'm
saying if you're a female and you do
that, you are titillating these
short-term mating circuits in the brain
of a male,
you know, it's not the right thing to
do. It's not the right thing if you want
a man to fall in love with you and
really be into you the person.
Personally, I like women with some like
some sense of graceful
modesty, a sense of like
>> elegance,
>> elegance, carrying her self with
self-dignity,
not taking her body is is is sacred like
a it's you know what I mean? Like it's
not something that should just be thrown
at men left and right. But I see that in
fact, I don't know if it's just me, but
when I was younger and like in high
school and things like that, women were
different. Maybe it's the times, they
were more elegant. They were more sort
of you fell in love with their, you
know, you would potentially fall in love
with their personality, their beauty.
Palonia, you see her face, and you can
make sense of her body. Like, it's not
like her body is invisible, but it's
just not like all over. I just don't
feel that.
>> I think it's what social media has done
to people. And and I I've seen it happen
in both directions, too. like I don't
think
>> in any way men are innocent
either. It's just
>> it's a competitive nature. It's getting
on trends and you know, oh,
>> she's dressing like that. Okay, I'll
dress something like that, too. Even if
you don't realize you're doing it,
>> right?
>> It certainly happens. It does, you know.
So, I see what you're saying and I also
completely agree. I never whenever I'm
thinking of like a girl I'm attracted
to, the first thing I'm thinking about
is her face. It's the first thing that
pops in. I don't I don't go like oh
what's the size of her ass?
>> You know that may come second but you
know it's like you are thinking about
the most important part which is how I
connect with with you on a personal
level. the soul, right? The eyes as as
the poets and and the mystics with the
windows to the soul, right? It's it's
where it all happens. And so that is my
and I think women just get it wrong just
like we men get it wrong and think we
have to be bad boys. We have to be
macho. We have to ma women like males
that are hard and strong and and and and
cold and
>> but they can smell when you're not in
your own skin trying to do that.
>> They can smell that and it's simply not
true. They do not like this. In fact,
studies show that females and males for
long-term mating prefer men that are
kind and vice versa. This is for both
genders. Kindness,
sincerity, generosity,
>> charitable.
>> So, a couple things there though.
>> Yeah.
>> First of all, you just said for long
term
>> for longterm meeting. Yeah.
>> And secondly, when you say they're
preferring, is this based on what
they're being pulled at? Like when you
ask them what they
>> survey? Yeah. What they prefer in male?
What kind of traits? And this is
>> so All right. I'm going to push back on
this a little bit. I think that there's
first of all, I think there's a balance
in in two worlds. You have on one end of
the spectrum all of the characteristics
that you just name. On the other end of
the spectrum, you would have like what
Andrew Tate says like you got to [ __ ]
everything, [ __ ] them, you know, which
is just like I I think that's crazy,
too.
>> But there's a balance here that I think
women want even if they don't say it. If
if you are absolutely all those things
at all time, caring, nurturing,
whatever, you can eventually kind of
become
>> safe
>> Yeah. but in the wrong ways. I think I
think part of being safe is also being
something that
>> in some small ways they always have to
chase with you a little bit. What that
doesn't mean is that you should try to
set up systems or become something
different to try to match that box of
what that is. I think you have to
absolutely be yourself. And if there are
some weaknesses in attraction that
exists with you being yourself, you have
to live with that and make up for that
in other ways.
>> But when you're saying like women want
all those things in a long-term partner,
yes, they want aspects of that. But if
you were all those kind of like almost
more caring female characteristics 100%
of the time, it'll get old for them. It
for most women it does.
>> 100% agree. So, when I say they prefer
generosity and kindness and all that as
as long-term traits,
that doesn't mean that you buy her like
cars and roses and you're kind of
totally into her in the in the in that
sense. It means that you have those
traits overall in you that you have
kindness, you have empathy, you have
these that you have these traits. A an a
great example would be in two
characters. In fact, have you seen
Beauty and the Beast?
>> Of course,
>> you have Gaston on the one hand. Okay.
big neck, very masculine muscles. He he
eats a dozen eggs a day. You've seen
that. It's a very it's a
>> and he's just uh
complete narcissist. So he's he's he has
the dark tribe traits that you some
people in social media might have. So
he's marvelian, psychopathic, and and
narcissistic. So he has
>> that's what Naen was talking about when
she was here. So we we can go into those
traits, but these are traits that women
find attractive when they are teenagers
and one and and more for short-term
mating. These are the Gastong. These are
the ultramasculine red pill psychos.
Okay. Now the beast,
what is the beast all about? When Belle
goes to the castle and meets the beast,
initially the beast is
is a beast. He's he's terrifies her.
He's scary. She doesn't like her. But
over time, Belle likes learns to like
him. He's kind of clumsy like the way he
eats. And you know, when they get to
know each other, he's kind of messy. But
he's he's human. You know, there's
something there's something there that
female like about clumsy men, too. In
the coffee she coffee scene, meet Joe
Black. Joe Black is also kind of clumsy.
Kind of the coffee kind of spills over a
little bit and he's kind of a little
bit, you know, there's there's something
endearing about that too, by the way.
Now, so he has that,
but the beast has capacity even though
he likes Belle. First of all, he's not
completely clingy. He lets her go. In
fact, he says, "Go to your dad." The dad
is being harassed by Gastlong and his
men. So, he says, "Go, go to her. Go to
your dad. You are no longer a prisoner."
She was held as a prisoner, by the way,
Belle, in in the castle of of of the
beast. He says, "Go to your dad. You are
no longer my prisoner. You're free.
What trait does he signify there? What
you know that's an example of not being
clingy.
>> Learning that love is sacrifice. That
love is all about loving somebody but
understanding that you love them for
you love them for who they are, but you
want them to be happy. That's what love
is all about. Not you being possessive.
It's not a possessive narcissistic love.
For Gaston, it's all about a trophy.
Bell is the trophy. I have another
trophy on the wall. Well, I have all my
pictures of Gastong, but then I have
Belle, the most beautiful girl in the
village, as the next trophy. The beast,
on the other hand, is is it's all about
I love her and I want her to be happy.
Let her go. That's the first trait.
Second, the now she Belle goes out in
the forest and the wolves attack. The
wolves attack Belle. There's that that
attack of wolves and the beast can now
he has this magic mirror so he can see
what she's doing. and he sees that she's
being attacked by this by these wolves
and he comes and protect her and and
sacrifices himself. In fact, he's almost
dead. He's he's being eaten by these
wolves, but he's protects her and saves
her. That's the bodyguard effect,
strength, masculinity.
All right? Then they go back to the
castle and Belle is able to take care of
him. That's a another feature of
romantic love. When the women take cares
of a man and and and he's sick, he's a
bit that's the mother, the maternal
instinct. You see, attachment comes in
now. It's that's not a very that's not a
sexual thing. That's more attachment
that is oxytocin, these bonding hormones
that we have the mother with her child
has, for example, that kicks in now and
she starts bonding with the beast.
So there's all these features of the
beast having strength, sacrificing love,
and then at the very end, Belle learns
to love this beast that was so rude and
held her as a prisoner.
>> And why did she do that?
>> She does that because he gradually
reveals his character. He's a character
that is strong, but he let he lets her
go. He lets her go because he knows that
that is the right things right thing for
the happiness. Love is all about
sacrifice. Have you seen that scene in
Titanic where Jack says to Rose,
"There's only these there's only so many
boats. Only so many boats on the
Titanic." And then he says to Rose,
"Rose, you go. I I will take another
boat." Even though he knows there is no
other boat. You take this boat. You go.
And she kind of goes on that boat. And
the Bose boat goes down and and and and
Jack is kind of looking at her and she
looks at Jack and the boat goes down.
And Jack knows for for that that moment
he knows he will never see Rose again.
And this kind there's a sadness in his
eyes. He's trying to hold back his
tears, but there's a sadness in his
eyes. And then Rose looks at him and
looks at him and looks at him,
>> jumps back on
>> jumps back on the on the bloody ship.
That's what love is all about. That
moment
>> there was until that cold-hearted [ __ ]
wouldn't let him on the [ __ ] plank.
There was a lot of room on that thing.
There was a lot of room on that boat.
>> There was enough room.
>> There was enough room for two people
there. She let him die.
>> 100%. No, I can uh
>> I'll never get over that. I
>> I'll take that. I'll take that.
>> But you see how you see what I mean,
right? You see that that in that that
insanity of that action of that woman is
what love is. It's insanity in that
moment that she's ready to die with the
man that she just had that that poetic
encounter with. How do you explain that
scientifically? You tell me, Julian,
because I have no idea. The fact is
>> you're looking at me.
>> It's crazy.
>> From New Jersey,
>> right?
>> It's like, right. explain it
scientifically. Yeah, I there there's a
lot going on there. I the beauty and the
beast example is an amazing example
though it
>> because
>> you talk about love is sacrifice 100%.
>> And then and this is this is where I
love when philosophy and science kind of
get like a little intertwined and you
can't tell which is which at some point.
But like love is sacrifice. Great, 100%.
Then Belle gets into danger.
>> Yes. and a biologically, you know, in
this case, superior male is able to
physically come in and protect and save
her. Key word being
>> save there because I think people
misinterpret this a lot. They do
>> with the
>> with the with the gender dynamics. It is
a common trap for a man to think a woman
wants to be saved. And they don't just
mean physically like go protect her if
like she got in trouble or something
like that, but they think like you gotta
pull her in and, you know, kind of show
her the way and save her in this world.
It's so scary. The reality is that's
actually usually the opposite of what
they want. What they want is physical
protection. And to know that's there,
that's evolutionary. But in many ways,
women like to see men as some sort of
like, you know, from a mental
perspective, some sort of like problem
that they can help fix a little bit.
like they actually want to come in and
save you. So, it's like you exchange the
physical saving protection for the
mental and like kind of spiritual saving
and protection that they want. But men
will often think that they need to do
both. for women and one is something
that repels them completely because it's
like they're they're very often not in
every case this is across the the masses
and percentages here very often they're
more like no I can take care of my own
mind like I'm I'm good you don't need to
come in and tell me how to think or or
that everything's going to be okay all
the time you know what I mean
>> yeah I do I definitely know what you
mean and and there is that that
component to it I think um that's very
true can we say we get a little break
>> on the side middle of the conversation I
feel my bladder is just expanding.
>> It's perfect. We'll be right back.
>> Great.
>> All right, we're back. We had we had
started this whole loop talking about
the phases of love. So, infatuation,
romantic, and then bonding. Is that the
third one?
>> Yeah. Yeah. And by the Exactly. And by
the way, don't they don't have to come
in in right that order. So, you can
have, you know,
>> Oh,
>> you can have bonding first, romantic,
and then and then the, you know,
infatuation. So, it doesn't have to be
it depends. It's very, it can be
cultural, culturally dependent, but it
often is that like literally it often is
you first seeing her and then having
that romantic infatuation and then
having the bonding, but it doesn't have
to be that way.
>> All right. So, maybe a good way to go
through this example would be one we
started to talk about last time you and
I were talking, which is the Titanic.
>> Yes.
>> Example with Jack and Rose, which you
were just mentioning a few minutes ago.
But like can you walk me through
how like in the movie how each phase
worked and like when it crossed from one
to the other? That might be helpful for
people to be able to understand.
>> 100%. So I haven't watched a movie in a
long time, but I've watched a lot of
clips for my for my course. Right. So
Jack is is on the a ship and he sees
Rose. The first time he sees her, she's
up there and he and he's and she's on
the other deck on the top deck and he's
down there and he she he sees her and
she and he's struck by lightning. That's
the lightning striking.
>> Yeah.
>> So, that's the first aspect. Then
>> that's infatuation.
>> That's infatuation. That's the That's
the infatuation state. That That's
attraction.
>> Then you have
afterwards
she's trying to kill herself in fact. So
she's fed up with all the highass stuff,
you know, the the her her rich husband,
you know, and and and that life, that
high class life. She feels it's it's
it's constraining her, making her feel,
you know, she doesn't feel good about
that.
>> And so she wants to now kill herself.
Goes out on the on the ship on the on
the edge of the ship and wants to jump
down out. Jack comes out and says, you
know, you you can't jump and you know,
the water's too cold. It's going to kill
you. It's like freezing. And he's able
to what he does actually is an
interesting trick Julian. What he does
is
she is all she's all limbic driven. So
the emotional core of the brain the fear
part of the brain the amygdala is
hyperactive in her wanting to jump out
of the ship and kill herself.
>> What he does is actually a very clever
trick. So the I think I'm not sure if
the James Cameron thought of this but
what he does but what Jack does says he
starts saying well do you know I'm from
like I'm from Milwaukee or something you
know this and that and he starts talking
about like cognitive stuff.
>> Yes.
>> Activating her prefrontal cortex. So now
her prefrontal cortex comes online and
then he goes oh by the way the water
water is freezing cold as well. And
starts to talk about like prefrontal
stuff. And we know that when the
prefrontal cortex is highly active, it
will often dampen the activity of the
amydala and the fear centers. These two
centers tone tend to not be active at
the same time. They act they're very
antagonistic. That's why in depression,
for example, you see people with
depression, you will have a literal
activation of the emotional core of the
brain, the amygdala, the ACC and fear
departments being activated in a
temporal way that it precedes the
prefrontal. Mhm.
>> So there is that and he and and Jack
really very clever he taps into that and
he's able to get her off uh put it in a
prefrontal state of of of being
>> emotional override of the logical
>> of the logical part of the brain. So we
have that and then that is a source for
bonding. He becomes the beast that saves
Belle out of the from the wolves. This
is literally the same scenario just her
jumping down. He he's much more of a
verbal guy. He's not the muscle guy,
Elonardo DiCaprio in in that movie. And
so this is his his way of saving her.
Next, what he does, he takes
this lady and takes her on a journey,
Rose basically. And what he what way
does he do that? He basically the way he
does that is by saying, "Look, this is
your life. Your life is trapped. You
feel you are trapped. You're been being
told 24 hours what to do. You have to
eat this food. You have to dress this
way. you have to obey this man. You
know, this is your life. And she's she's
feels feels imprisoned. And so what Jack
does is that he provides an alternative
reality for her that's intoxicating.
It's an escape from her world. It's very
dopamineergic driven and we know love
obviously you have a lot of dopamine and
so he's able to give her that. And women
actually I feel like I don't even feel
that but but there's women do like that
when men can tell take a woman and take
her on a ride in life. It's like you
when you take when a when a father takes
her child when I when I take my child
and I play play with my child lift my
child and throw her around and lift her
and put her here and you know and and
you know do all these crazy games with
her that are kind of a little bit
aggressive but she but the child loves
it. The little girl loves it. I think
women unconsciously want that from a man
as well. A man that can take her for a
ride on a magic carpet just like Aladdin
and Jasmine. Take her out of the palace.
Take her out of the her world and show
her a whole new world.
>> Adventure.
>> Adventure. And I think
>> so women love that. And that's what Jack
is doing. That's what Aladdin is doing
with Jasmine as well.
And so he does that and she falls in
love with that that she goes back to
being a teenager again to to having that
that ride and then they bond obviously
and there's some bonding going on and
attachment as well although it's over a
course of a few days but there's some
bonding going on
and then eventually
now at some point in the in the movie
not going to going into too many details
roes leaves him she says no I cannot go
into your Well, I cannot continue to be
with you. And he goes out on the deck
that we talked about that last time. And
then she later regrets.
>> But he also, and you laid this out last
time, he
>> felt the emotion. He sat in it, but he
was able to detach and not let it own
him.
>> Again, he was the beast, like the beast
scenario. He let her go knowing that I
want what is best for her.
>> Yes.
>> And when she leaves, I will stay in a
masculine calm composure. I will not let
the emotional part of the brain
overwhelm my prefrontal cortex. So I
become destabilized.
>> Yeah.
>> And I think that's key for for for what
a woman wanted in a man. The emotion ha
the emotions have to be there like he
looks devastated on that out on the
front deck and all that. He he looks
devastated. You can see he's kind of
looking out with his eyes squirted and
he looks out and he's not happy. You can
tell he's his heart is broken. But then
when Rose comes out and says, "I've
changed. I've changed my mind. And then
he says, "Shh." And then they do that
that that that classical scene when when
you know they look out and I'm a king of
the world and all that, you know, that
kind of I'm flying Jack and all that.
>> Point is that that's that's part of it.
eventually then then then obviously sink
you know the the the ship sinks and and
all that happens and and um oh there's
another scene I have to say in that
movie before we conclude this movie on
that on that little thing on the what do
you call that the when they're drowning
at the very end
>> oh on the board
>> on the board there you know did do you
notice at some like he's down there he's
dying right he's he's actually dead at
this point he has given He has told well
actually before he dies he says to Rose
he says to Rose promise me that you will
go on that you will live and you will
have children and be happy and all that
right he says
>> I will go on
>> all that stuff right
>> when when then the when the ship
when the boats come back
for her
>> Jack there's a boat
>> exactly
>> but you notice that she he's he she's
ready to to give up but the only thing
keeping her from giving up is the
fraction That's the promise she gave
>> to Jack. And she then continues. It's a
it's a intense love story, but I think
>> it captures what
>> what love is all about. What's happening
in the brain, the positive delusion,
>> positive delusion.
>> Yeah. This is the only person in the
world that can can be the one. And this
is really the the these regions of the
brain turning on and off in this um this
pattern.
>> Yeah, it is kind of a perfect story the
way they did that and craft that. That's
why it's
>> beautifully cinematically as well on the
ship and everything. Yeah.
>> Now, what about the attraction though
physically that happens with sex? The
reason I asked this is cuz obviously
>> when you have sex, well, at least from
the male perspective, this isn't always
the case for females. It's harder for
them with with full orgasm and
everything. But with men, like sex is
great.
>> That said, even with us, like it can
eventually get stale. And then that is
tied sometimes scientifically to us
losing attraction for a woman. Like,
okay, this is kind of the same thing
over and over again where we allow it to
then override all the other things that
might be great in the attraction that's
happening with the woman outside of the
bedroom, but what is it in the brain
that can kind of cause that to wear away
to where maybe it just gets stale and
then you're unwilling to think that that
will change at some point? Do you mean
the habituation where you become like if
it's repetitive? Is that what you're
saying?
>> Yeah.
>> So the dopamineergic system
and this is known as the coolage effect.
If you have like you have you have a
hamster or a rat or something. You know
it will engage in sexual intercourse
with other hamsters until a certain
point but then at some point it will
just stop.
>> It will become desensitized. the
dopamineergic neurons will stop firing
and this is you you have you're did you
know that dopamine in the brain is a set
we have a set amount at any given time
so I can only be happy at so much happy
in a given week and then eventually I
have to go down to baseline and beneath
baseline in order to have dopamine
recharge so I can't be
>> be having intercourse 24 hours I mean
the hamster would would not be able to
but but then if you introduce a new
hamster into that
cage, it will start
doing this the sexual act again. This is
the coolage effect. Eventually the the
the same dopamineergic stimulus or
stimuli if there are multiple hamsters
will will desensitize the dopamineergic
system and if you provide a novelty then
you will have potential attraction
again. But let me tell you here there's
actually in that in that hamster or in a
rat right when it's engaging in these
acts there's a circuit going from the in
the amygdala right that core fierce end
of the brain
>> it actually has many subcomponents. So
if you go into the nitty-gritty of
neuroscience and really look at it,
there's subcomponents and there's a
there's a part of it called the bed
nucleus of the strriat terminalis
>> nucleus of the strriataterminalis.
>> Bet nucleus of the strat terminalis
nucleus.
>> Yeah. That part of the brain there's a
circuit. There's a circuitry going to
the hypothalamus. And you know the
hypothalamus too well now, right?
>> That circuit if you sever it in these
rats, get guess what happens?
It will it will stop mating altogether.
Regardless
like you provided tons of new hamsters,
it will just stop mating. It
>> takes away the impulse for
>> it takes away the you have severed you
have cut the sexual sexual circuit in
the brain. have removed sexuality by
>> by by by by severing the the the bet um
the circuit in the amygdala to the
hypothalamus the bet nucleus of
strataminal analysis to the nucle to the
hypothalamus that is a sex circuit and
if you stimulate that part of the brain
while it's even though the dopamineergic
system is dying off it will keep
engaging in the in the act so literally
we have a sex circuit in rat that could
perhaps also exist in humans it's very
interesting it's very interesting we
have this
>> absolutely
>> but the coolage effects really is is
what explains it that if if males have
have you know are sexually engaged with
a woman um they will eventually
desensitized um
>> that's why you also got to mix it up too
you know like it it if you start to make
you know the way that you physically
show love to be just kind of like a
routine
>> yes
>> or
sure I don't know how it will get to
that point but it does for people Yes.
>> Then you it's like a cascading effect to
the rest of the attraction. It just
kills it.
>> Uh 100%. So yeah, that when I when I'm
saying that when I'm saying a
dopamineergic neurons will die off by
that I mean not that you know that you
will start being not being attracted to
your wife. It just means novelty. It
means that you have to detach some you
know sometimes and and and so forth. uh
meaning you don't you know have some
abstinence might help for for certain
amounts of time could could recharge the
doeric circuits but yeah I think novelty
is really is is the key for for that um
>> but yeah man that the the whole
attraction love
>> stuff is interesting I also covered
transcendent love I'm not sure if you're
interested in that
>> transcendent love
>> yeah love of God and spirituality
>> I think that was that was a key key part
of of it and so of what I was talking
about and So
it's a completely different type of
love. Now it it's interesting with the
romantic love though there's also a they
there's also a
transcendent quality to it almost. It's
has a spiritual soul component.
>> But then when you're dealing with love
of God and love of of of spirituality
that's completely different realm. And
so so yeah that's very interesting.
>> Yeah. And what what makes it I mean it's
obvious that it's it's a different
thing, but
>> I guess like scientifically what's so
different about the way we express that
love spiritually?
>> Spiritual love.
>> Going to put up my jacket. I kind of
feel a little bit chilly now.
>> Yeah, we keep it we keep it icy in here.
>> Keep it.
>> Yeah, it's a little bit cold.
>> It's a little trick of the trade. You
don't want people hot in the chair cuz
they get sleepy and they're not as good.
So, I like it cold rather than hot. Got
a high air conditioning bill around
here.
>> You're doing hot cold on me, huh?
Emotional contrast.
>> That's right. That's actually You're on
to me.
>> All right.
>> It's it it was it was actually in
inspired by some people smarter than me
who understand the way the human brain
works when they're talking.
>> Awesome. So, no, I think transcendent
love is is interesting. It taps into
consciousness and what consciousness is
all about and where it all comes about.
If you look at the brain, there's a part
we talked about before called the limbic
structure of the brain. Now in the
limbic in the limbic brain, if you use a
helmet called the god helmet and you
stimulate that helmet, you literally
feel divine beings. You will have
angels. You will see angels. You will
feel there's you know have all kinds of
spiritual experiences. This is Michael
Persingers's helmet 1990s. Very
interesting work.
>> H see angels.
>> People see report seeing angels.
>> What about like demons?
>> They might as well. So it depends on
your state and and how you feel.
If you have
in the temporal loes if you have
epileptic seizures, meaning the neurons
in the
limbic structure go ballistic, they fire
in a high rate and you have a seizure in
that part of the brain. You can develop
what's called temporal lobe ep epilepsy
or temporal lobe personality. This is
interesting. So imagine this just a part
of the brain. This is a regular part of
meat tissue in the brain. It becomes
hyperactivated and suddenly what happens
is that
you will
become a spiritual person. You will see
I am in you will say I'm in
communication with God. You become
spiritual. You will start writing
poetry. you focus on solely on religious
stuff
and you have all these spiritual
qualities emerging from you mainly
merely from from from these these brain
circuits going arai so I think that's
fascinating that that can happen and it
shows us where
spiritual tendencies might arise in the
brain it seems to be in that limbic
circuit in that limbic structure
>> is there something I don't want to get
like way too meta here But when it comes
to like the spiritual realm
>> Yeah.
>> with things and how we may experience
love or
seeing things like you just described
whether it be angels or demons. I had
started to talk with you last time about
this, but we we kind of got off it. Like
is there something connected to
>> our our consciousness with that? Meaning
>> we are filling in the gaps of why we are
even who we are by trying to create
something larger than life or outside
the known realm to explain it.
>> Yeah. Yeah.
So in terms of having something outside
our our our skulls, this is really
difficult to answer. Is this true? Is
there something outside our skulls? Is
there
spiritual connection? You know,
something out there, you know, communi
communicating with us. I think that is
true as a spiritual religious person.
Yes, I do think it's true. And it could
very well be the true truth. We talked
about the radio analogy last time. If
you have a radio, you you know, you play
with it and the voice, you know, goes
away. But really you don't know that
there's radio waves coming right similar
to consciousness. So I think that is all
true.
But I think really in terms of
consciousness about and and self
self can get let's talk about self a
little bit and what self is because then
we can get to deeper into consciousness
and spirituality but but let's start
there because what is self and how can
self get deranged now in the SPL region
of the brain up here if I have a stroke
to that part of the brain SPL I might
say that my left hand that is now
paralyzed
belongs to you.
>> So I lose ownership of that hand. That's
very common. So mind you this per this
person is perfectly lucid eloquent. You
sit down with him, play chess with him.
Everything is normal. But you tell him
who is this who does this hand belong to
and he'll say it belongs to you.
>> So he develops this delusion. or or in
some cases the doctor might say
lift your hand raise it and they will
try to raise it you know they can't
obviously but then
they will say
oh doctor it is an inch from your nose
doctor so they will lie they will
confabulate
>> are you waving it yes doctor it's waving
right now it's waving at you it's fine
it's not paralyzed
>> okay so they have these bizarre
delusions of selfhood. There's a case of
Oliver Saxs, one of the we we looked up
Oliver Sachs last time. He has a great
case study of him. He's at a hospital
and he's and there's a patient of his
and the patient is lying in bed and he
keeps throwing down this this this his
own leg. He keeps throwing it down and
he keeps pushing it and said and calls
the nurse and says this there's this
hairy thing, you know, to the nurse,
this is this this hairy thing on my my
my my body. It won't it it just it's
it's attached to me. It won't go away.
What's happening? You know, and and the
nurse is saying, "What are you talking
about? It's your leg." And he's
completely adamant that there's
something attached to him that is not
his. And this is this always happens on
the left side of the body. So, it's the
left leg or left arm. Why? because we
build a sense of a body image in the
these right parietal structures up here.
That's where we build a sense of a self.
So you see that this can lead to these
strange delusions of self. Let me give
you yet another example that's even more
bizarre.
There are people out there that have
healthy limbs. They have healthy limbs.
Nothing is wrong with them, but for some
reason they want to amputate their
healthy limb. Mind you, it's perfectly
healthy in all respects. There's nothing
wrong with the limp. They scan it. But
the person says, "Keep saying, "This arm
doesn't belongs to me. It's not my arm."
>> And this could be any person. It could
be the the director of your bank. It
could be your school principal. It could
be your father. It could be Uncle Joe,
cashier, anybody. But they have this
strange delusion that their arm does not
belong to them. Then you might say,
Julian might say, "What's going on in
the brain? What's happening?" When you
look at the brain and you want to you
scan their brains and this has been
done. You look at the smatro sensory
region first of all to see if the
sensory information is coming to the
arm. We talked about the sensory map.
When you touch it, that part of the
brain should light up. And lo and
behold, it does. You touch it, it it
dances with activity. Fine.
>> Next, you go back in the brain to the
SPL regions where you construct a sense
of a body image, but in a more abstract
sense of a self.
When you look there, the the arm is
missing. There's a lack of
representation of that arm in your body
image. So that explains why they want to
cut it off. Each of us, you, me, Joey,
all of us have a body image, a
neurologically scaffolded body image, a
sense of a self with certain boundaries
drawn into our brains, burned into the
circuitry, and that will dictate what
you feel like is your body. And if an
arm is missing in that template, you
would literally go and say, "Oh, my arm
does not belong to me. It belongs to
somebody else." Or in this case, they
will say, "I want to amputate that arm.
It's not a part of me." Does this make
sense, by the way?
>> Yeah, it does. I'm kind of want I'm
thinking of like extreme examples in my
head, but like
I don't know if this is like a similar
idea, but remember that lady Rachel
Doazol?
>> No. She was like 100% white, but then
she started dressing like she was black
and convinced herself that she was black
and then told everyone she was black and
then was in charge of like an NAACP
chapter and then it all came out. Is
that cuz like in her head she was like,
"No, I am black."
>> There's something similar going on with
that. But in this case, it's it's
definitely definitely body image
specific. It's it's specific to the
sense of body image. And what's really
interesting then many of these folks go
out and have the arm amputated. What do
you think happened? Do they feel happy
after the amputation or they they do
they regret?
>> Not happy. I'm going to guess
>> they actually feel thrilled.
>> They do.
>> They do. It's totally
>> even afterward like they don't like come
too like oh [ __ ] that was
>> that would be that would be the normal
reaction right and that's what you see
in many cases like of similar situations
but in this case absolutely thrilled
they are excited. They're happy. The arm
is no longer a part of me. I feel good.
Now, there's an even more bizarre twist
to this whole whole saga here. These
guys,
coming back to our initial discussion
about attraction, they tend to be
attracted to people who have who are
missing that limp that they want to have
amputated. Okay? So, imagine Baland over
here sitting here. He wants to amputate
his life left arm. You with me?
>> I'm I'm with you.
>> Okay. I want to amputate my left arm and
that is because the left arm is missing
in the SPL in that body image. Now, if
you have a girl over there and her left
arm is actually amputated corresponding
to the arm that you want to amputate,
you will find her extremely attractive.
In fact, if you have her duplicate a
copy of her with the full body, you'll
say, "Nah, I'll go for the one with the
amputation."
>> It's like you complete me by missing
some parts.
>> Exactly. And the question is why? What's
going on? We think and this is a a
theory that is proposed that the SPL the
body image part of the brain is hooked
up to the visual part of the brain and
the emotional core and the dopabineric
centers
explaining and dictating the human
attraction
to the human form. Why does Baland find
the human form attractive overall?
Why do I why am I not attractive to like
attracted Why are humans not generally
attracted to a chair, a table?
>> I can find you a few, but yeah,
>> there are some weirdos out there, but
you get what I'm what I'm saying.
>> 100%.
>> On the savannah, the human brain doesn't
want to have any ambiguity. It want to
be fast at
zooming in on that potential mate, that
human shape unambiguously behind a tree
behind the bushes. And so it wants a
shortcut, a circuit for saying, "Oh,
this is a human body. Find it
attractive."
>> Right?
>> Now, let's get weird.
>> Yeah. But does it make sense?
>> It makes sense. Let's get weird.
>> Go ahead.
>> What about when we're living in a world
where the physical form looks human, but
you know it's AI,
>> you know, it's a robot. But I think
that's exactly why that's exactly why
robots are potent very very
tricky. That's why they can trick us
because they look like us. They speak
like us. They have potential emotions or
not emotions but they can mimic emotions
extremely wide like in a very subtle
way. That's that's hard for us to
discern and like know that this is a
human versus a robot. I always use the
Terminator as an example. You know that
look at the Terminator. I mean at the
very end
when have you seen we did we talk about
the last scene in the before? I didn't
I'm not sure we did.
>> No we didn't.
>> But in the last scene have you seen him
when he's kind of like he's blown to
pieces. This is the very very end. He's
about to raise himself down the steel
down into the the lava thing, right?
>> He first of all he's he Arnold has a
sense of humor. So he says like with one
eye that's red and like his half his
face is blown off and arm is missing. He
says, "I need a vacation." This is the
first thing he says. This is
interesting. And then he then he goes
over to the edge, a very edge with Sarah
Connor and and and John John Connor and
he says, "John, I need to go away. I
need to go because there's an extra chip
up here that needs to go into the to the
that needs to be destroyed so that
humanity or cannot create AI and the sky
and skyet and all that."
And Matt, of course, John Connor says,
"I order you not to go. I order you not
to go. Stay." Right? I order you not to
go.
But then he says,
then the Terminator says, he says, as as
John is hugging him and saying goodbye,
he says, and and and John is is crying.
And the Terminator says looks at looks
at looks at him and says, "Now I know
why you cry. It is something I can never
do."
>> Okay.
He's having a very clear understanding
what human emotion is all about.
>> Human emotion is something that we feel
although he will never be able to feel
it because he doesn't have an emot
emotional brain. He doesn't have a
limbic structure. So he cannot he can
never feel emotion but he can understand
it and it could be feel very real.
Right? And then eventually of course he
kills himself. He goes down into the
steel there and into the lava.
>> Spoiler alert.
>> Spoiler alert, right? For those who
didn't see it,
point of point of all this is that
AI machines, robots will use what's
called the DLPFC out here, the outer
layers of the brain. They will use that
for computation
of of of and trying to understand human
emotions as well as possible. Mhm.
>> In other words, they will gauge what is
human emotion all about. This is human
emotions. This is how humans humans
react in these scenarios. ABC da da da.
But there's no actual feeling because to
have a feeling you have a you have to
have a medial prefrontal cortex, the
middle of the prefrontal and it's and
it's communication to the amygdala and
the emotional core. There's a there's a
wire that goes to the emotional core.
John Connor has that. That's why he
cries and feels emotions.
The terminator, the AI, robots do not
have that. In fact, psychopaths, the
medial prefrontal cortex completely shut
off. There's no activity there. That's
why they have no emotions. The Olympic
amydala completely shut off. Completely
like the terminator. Psychopaths are
human terminators in that regard. They
are AIS, robots. They calculated. They
use their utilitarian DLPFC out here.
This this part of the brain. And so
that's that's really the the the
key. That's the difference between AI
psychopaths and then human the rest of
us.
>> Are psychopaths born, molded or both?
>> Interesting question.
So
there are you have psychopaths on one
hand which are people that
have no emotion completely flat
emotionally. These are the guys that
can sit at a church baptizing their
niece or nephew while they are carrying
out multiple murders.
>> Michael Corleó.
>> Or or they can have spaghetti with their
mother while a dead man is or near dead
man is in the trunk trying to get out of
the trunk.
>> Good fellas.
>> This is the psychopath. No emotion.
They're being chased by the police.
Their heart rate doesn't go up. There's
no there's no the heartbeat is just
completely flat.
>> You measure the sweating, nothing.
Completely flat. There's no emotion.
This is a psychopath. Born this way.
>> Born that way.
>> Born this way. You look at genes for
serotonin abnormalities. All kinds of
abnormalities. These are This is a
psychopath. Tons of psychopaths, by the
way, in politics and and business.
>> You don't say.
>> Yeah. It's a very adaptive trait in some
in certain in certain um professions.
>> An adaptive trait.
>> Yes. If you can be a calculated
completely rigid athlete who does all
your does everything that has to happen
on time you don't have emotion to
interfere your mother's illness your
wife's
agony
won't interfere with how you perform and
you can be a top athlete
>> though I think the true athletes the
true athletes out there the great ones
have heart the messes of the world the
the the Maradonas of the world, the
Pelle, they have heart, the greatness.
You can you can be you can be the
perfect, you know, athlete otherwise,
but the true greats, they do have heart.
They're blessed with something that is
that can't be captured and and and and
they they don't they don't have this
psychopathy like tendencies.
But this is what a psychopath is all
about. Psychop psychopath is completely
utilitarian, calculated. Let me give you
an example.
Something called the trolley problem.
You know it. Should I mention it? Is it?
>> Please mention it. Yes.
>> Okay. All right. So, there's there's a
two tracks. On one track, there's one
person. On another track, there's five
persons, right? A a train is going
fast towards the five people about to
kill them. You're on the you're on a on
a bridge. You can see all that. You can
flip a switch and the the train will
then go to and and and change its
direction and go to the track and kill
one person instead of the five people.
You ask most people this question, they
will say unambiguously, they will just
do it. I'll switch the the flip and I'll
save that one person. Okay? Everybody
says, "I'll do that." Right? Then
there's a version of this where there's
on the bridge there's a heavy guy, a
chubby guy. He's in front of you and as
a train is coming beneath the bridge, if
you and and it's about to kill five
people now. So it's not going towards
one, it's going towards the five people
if you're with me. If he pushes this guy
over, he will fall down on the tracks
and he will say he will die but he will
save the five people from dying. Now if
you ask people, if you have ask Joey,
you have ask any person out there that's
that's fairly normal. They will say no,
I will not do it.
>> Although the scenario is the same,
right? You're killing one person and
saving the five.
>> But in this case, people won't do it.
And and then you might ask, why is that
the case? And before I say answer this
question, a psychopath by the way would
have no issues pushing that guy over. He
will say, "I will push him over." And
the reason is the following. In a normal
healthy person like you and I, we
consult our emotions.
We consult the amydala. We consult we
consult the insula. I talked about
before our bodily states. We consult all
these brain regions, emotional core. And
then the medial prefrontal cortex says,
"I just can't push this guy over. I
cannot physically be like push him over
and kill him. It's it's just too much.
Psychopath doesn't have these parts of
the brain. He uses the the utilitarian
DLPFC again up here. And so for him,
it's very easy just to throw him over
and push him over. It's kind, you know,
it reminds me of that scene in the Dark
Knight where the Joker sends the two
boats off the off Gotham City Island and
one boat is filled with pretty much all
the criminals and the other boat is
filled with all the citizens
>> and they each hold a trigger to blow up
each other's boats. And he's expecting
that he says you got 15 minutes and or
you or you all die. And he's expecting
people in the trolley problem of life,
regardless of whether it's the criminals
or the so-called normal people,
noncriminals of society, he's expecting
them
>> to push the fat man over. The criminals
viewing the fat man as anyone else who's
not them. The noncriminals viewing it
as, oh, they're the criminals. They
already made their choice. But neither
boat does it because they're unwilling
to break a moral boundary to save
themselves.
>> 100%. So th this is a feature of the
human brain when we make decision-
making. Are we making decisions using
the DLPFC or are we you know the outer
the the the psychopath part of the brain
or I say the logical part of the brain
or are we using the medial prefrontal
which is a bridge between emotion and
higher cognitive thinking and this can
be shown in other scenarios too. For
example, if I was to say, "Julian, do
you want $100 now or $110 a week from
now?"
Most people would say to this, they will
say, "I want $100 now."
>> Mhm.
>> You know, there's something special
about the here and now, right?
Something. If I ask the same question,
but I say, "Would you want $100 52 weeks
from now or $110 53 weeks from now?"
then it changes. They say give me theund
10 15 3 weeks from now. Okay. The point
is
>> goalpost
>> in the latter scenar when when when the
when when it's not about here and now
you use the DLPFC utilitarian but when
you when it's here and now and something
you can have a reward now you use the
medial prefrontal cortex. So I think
basically understanding this basic
difference between the medial prefrontal
cortex what it does how it's important
for decision-m can enrich our lives. We
should make more decisions use using the
DL the medial prefrontal cortex. We
should consult our emotions for the
right decisions. We shouldn't run to
chat GBT and ask how do I deal with this
problem? How do I deal with this social
conflict? because it is the psychopath
that is you are dealing with a
psychopath when you're dealing with with
chat GBT and and and these kind of
>> and you're saying genetically a lot of a
lot of them are pre-wired for that but
do you also think that
someone can be genetically not pre-wired
for it and then they're you know you
don't choose where you're born they're
born into an environment that just
completely molds them that way
>> yeah come over it
>> this is what yes this is True. This can
happen. This is known as a sociopath. So
that's the difference between a
sociopath and a psychopath. But a
sociopath, by the way, is somebody who
does have some emotion. But through
exposure, being in a tough neighborhood,
just having maybe being beaten as a
child, having a lot of this these
bonding hormones kicked out of you
almost. So you've learned that the world
is dangerous, that you have to be
callous. and and literally it has
epigenetic markers. All the traumatic
stuff that you witnessed as a child, you
know, alcoholic parents perhaps. And
that can also shape you into a
sociopath. But a sociopath would always
have a little bit of emotion, a little
bit of of regret, little bit of of
guilt. There's something there that's
not completely absent. The psychopath is
just no regret.
>> Yeah.
>> Okay. A psychopath, a psychopath will do
the following. If you break up with a
psychopath like a stung type scenario,
okay, who's somebody who sees a woman as
a trophy, if you break up with with that
guy, you know what he'll do? He might
plan to get back to you by being
romantic. So, he'd be very romantic, get
back to you, and then he wait a year,
make sure that she falls completely in
love with him, and then just break up
with him just to say, "Oh, this was all
a ploy. I did this just to get back to
you for for for for insulting me and
breaking up with me. This is a
psychopath. Calculated. No empathy
whatsoever. Zero empathy. Yeah.
>> Yeah. That was something I like I
remember when I was younger, there was
someone who I actually really like a lot
who was giving me like some theories on
on how to like go get your goals and
stuff. And like we had the definition of
a psychopath so wrong cuz we're like,
"Oh, you could use it in a positive way
because you're just so driven to do what
you want to do." In reality, like it's
actually in many cases even worse, like
you're pointing out than a sociopath
because a sociopath can actually have
the environment
>> mold them into being that. Not to excuse
being a sociopath, but you know what I
mean? Like like
>> it's wild how much
>> someone could just be born with that
kind of tendency. And you know, we use
I'm guilty of it. We use it in parland.
It's like I'm a psychopath to go get my
goals and whatever. But in reality, like
the the root of the word itself and what
it really is supposed to mean is
entirely different and not a good way.
>> Yeah. A real a real winner is somebody
who
>> I'm trying to get you. By the way,
Bologan, I'm trying to get you over here
just cuz like you're fading into Maximus
behind you. So come this way a little
bit and come into the table. Yeah.
>> I'm just looking at your mark and your
hat's like blending in with the
>> background. That's better. That's
better.
>> Grab a little bit of more water.
>> Yeah, absolutely. Yeah. Yeah. We'll grab
that. Keep going, though.
>> A real winner in life, I think, is
somebody who who can have the
discipline,
keep going, things get tough.
They may have a
death in the family or they may
experience hardship. They lose sleep
over it, but they keep going.
>> Yes. that fight between the emotional
brain and the prefrontal cortex is
definitely there and they are
they're suffering because of that seeing
their ill father or something but they
keep going they keep going for it and
don't give up and they have that
discipline regardless of how how many
tears and how many
>> things that they have to hold back in
order to complete the work in front of
them. That for me is a real winner. Not
somebody who's completely cold and h and
has no emotions whatsoever.
>> Yeah.
>> Yeah.
>> Yeah. I think that would be an awful way
to go through life too where you don't
>> you don't feel anything. You don't get
the chance to
>> you also don't get the chance to
empathize with how other people are
feeling in a good or bad direction to
learn from that regardless of what
direction it's in. You know what I mean?
Like there's something about you never
like to see someone around you sad or
really down or something like that. It's
it's not a good feeling to see that at
all. But there's something that can be
learned from that. afterwards that also
then magnifies the beauty of life,
right? And magnifies the good things.
>> Yeah. Yeah. Empathy is an interesting
one. So empathy
is crucial. There's two types of
empathy, by the way. There's cognitive
and affective empathy.
>> Cognitive empathy. Psychopaths have tons
of it. You use the outer layer of the
brain as you mentioned. And and you and
you know what somebody else is thinking.
You know what their mind is up to. you
can you have access to their minds
almost like you know okay this person is
thinking this and that and I and you
have access to that that's the cognitive
empathy then there's affective empathy
that's the type of empathy where you
feel
you feel what they're feeling you have
emotional connectedness with them did we
talk about this last time I can't
remember a little bit
>> a little bit it's coming okay good so I
just want to make sure we got that okay
good so go back and listen to that but
my point is we have these two subsystems
of empathy.
But empathy is crucial and empathy can
sometimes override even cognitive
barriers.
>> So we did some experiments back in the
day.
>> I don't think we talked about this last
time I should tell you. So we have
somebody over there. He's standing over
there.
He touchs a cont. He touches a
contaminant. Let's say fake vomit. This
is what and I doing. We doing
>> Oh, is this the OCD experiment?
>> Did we talk about this? Yeah, we did
talk. Okay. So then go back and listen
to it. My point is that empathy is is a
crucial part of of of our well-being.
And now I'm completely off rail of
whatever I want to talk about because I
was planning to go down the OCD stuff.
>> No, it's all good. I got I got plenty of
other ideas to go with
>> I think. Okay. So if you want to take a
big view big view of the brain and how
self comes about because we started with
the self and I wanted to touch upon the
self. Self is the following. To me self
is this. self is the prefrontal loes. We
engage in mental time travel, a sense of
balan, sense of Julian through time. I
was a child. I grew up in in this ghetto
Copenhagen, refugee child. Came to
Denmark, came to the states and so
forth. Prefrontal cortex, building a
sense of self. Then we talked about the
insula and and mapping your bodily
states. That's also part of the sense
sense of self. Then you have the
hippocampus, the memory part of the
brain. All your memories part of the
self as well.
Then you have the superior parietal
labial those regions involved in a sense
of
a sense of body image and my my body
belongs to me that also helps you create
your sense of self the TPJ sensory
information and integrating all that and
I think conjoinly these circuits in the
brain creates what's called the self and
from the self then comes consciousness.
You cannot talk about consciousness a
sense of a conscious being without a
self. What would be you can't have free
floating consciousness. You have to have
a self that's mapped onto that
consciousness and linked to that
consciousness. That's right.
>> So I think you have to have a self. You
have to have these structures in the
brain that conjoinly create a self and
then you have consciousness. And then
did we talk about qualia last time?
>> Qualia.
>> Qualia.
>> That does sound familiar.
>> Sound familiar?
>> There were so many things.
>> We talked about so many things, man. But
qualia is an interesting one.
Okay. We didn't talk about this. This is
you need you need the following for for
a sense of for a sense of consciousness.
This is interesting. Okay. Now if I
if I am a let's say I am a there's a
super scientist here from the future.
He's he's here. He's he's mapping my
brain. He's looking at my brain and he
says,"I
can see all the cascades of chemicals
and all this neural firings in your
brain as you're about to choose between
two football players and choose which
you like the best, Messi or Cristiano."
>> Okay, does that make sense?
>> Now, he can look at my brain and by
looking at my brain, he will know even
before I make the decision, he will know
that I'll choose Messi,
>> right?
>> Okay. He'll know that and then then I
might be mischievous and say look look
scientist before
I choose Messio Cristiano
show it to me on a piece of paper
and the scientist will do that. He will
show it to you and at that at this point
you choose to choose the other one.
Does that make sense? And when you do
that you defy him.
>> Yes.
>> Does make sense?
My point of my point of this thought
experiments is is is free will and
consciousness and free will. Do we have
free will or do we not have free will?
>> And there's a lot of debate about free
will.
>> Yeah.
>> And whether we have free will, I don't
think we talk about this.
>> We we got this is actually some I'm glad
you're bringing it up. I wanted to talk
about this more but we couldn't dig into
it. We didn't have enough time. what you
were saying is that
>> you were defining the three different
ways that we can try to basically like
measure for free will or something like
that. And then also
>> what you were saying is that
>> this is where I brought it up earlier
where the idea came from where you were
talking about we can't totally measure
time and space with consciousness in the
brain such that it's hard to say whether
it goes one way or another with free
will. Did I say that
>> we talked about? Yeah. So free will is
an interesting part. So see this is when
this is when sleep deprivation then
starts to mess me up. I I get I get
consciousness and free will wrong.
>> But no, do we have free will as human?
This is the question, right? Do we have
free will?
>> And
in order to have consciousness, you need
to have a free will. Arguably
um arguably although many scientists do
you know many scientists don't believe
in free will? Did you know this?
>> I've heard some scientists say it's not
real. I didn't know I don't know if I
would use the word many but I'd trust
you to use the word a lot more than me.
You're in the space.
>> In the space most scientists would
actually say most neuroscientists would
say we have no free will.
>> They would on what basis they would
literally say they would point to things
like the experiment I talked about last
time where where if you can actually
know you can look at your brain and
measure the brain and even before a
person consciously chooses to move his
hand the brain will pick that up. They
will use that perhaps and then they will
look at all kinds of genetics,
epigenetics, environment and say look
every decision you made before you went
into that bank and you shot that person
was all driven by your neurochemistry
how much sleep you had last night and
then
>> the person just was in the you know he
was there but then all that chemistry,
genetics, epigenetics, environment,
brain circuitry inheritance from the
from the parents and all that just led
up to that moment and pop you killed
him. So you have no free will. So that's
one view.
>> What I was trying to illustrate with
this thought experiment is that
even if you have access to the brain
circuitry and activation before he makes
a conscious choice, it seems like you
can always defy that at the very end.
And that was my point. So if you do have
a choice between A and B at the very
end,
if somebody shows you the answer for
example, you can choose to go the other
way or you can choose not to go the
other way and it becomes the infinite
loop. Do we have a sense of conscious
awareness, free will and can we choose
our you know own path and I do think we
do have veto power to ultimately uh make
our own decision.
>> I do too. I don't think we're just some
some controlled robot ant in an
experiment from an overlord to actually
do the things that we commanded to do.
Like it's a [ __ ] Sims game.
>> I think so.
>> And part of that might be my bias to
>> not wanting life to be meaningless cuz
it would feel pretty meaningless if if
we knew otherwise. But I do think some
things could be like pre-programmed to
not necessarily happen but
>> to create a cause and effect. Like if
certain people are born as a psychopath,
they they are
>> pre-programmed to create some sort of
chaos in society that will then have a
butterfly effect on many other people.
Now, what that butterfly effect causes,
if the wave moves this way or that way
and causes this thing or that thing, I
think that's where free will
>> comes into it. And I think that
>> if we didn't have free will, we wouldn't
have such an understanding of the good
and the bad on so many things. Obviously
there is gray area with stuff and
>> you know you can have the conversation
about what is all good or what is all
bad and we have many times in different
contexts on this podcast but
>> you know
there there is the light and the
darkness that exists overall where
people can see like ah or
>> you know and if that makes sense and so
I I do think free will
>> plays a role in that and and I also
think you know you are the the dreams
expert We haven't talked a ton about
dreams today, but you know, we we did
get into dreams a lot last time, and
there's much more to go to. You spent so
much of your life on it. But I think
that that
the ways the way our consciousness can
behave like in a format like that where
we fall asleep and then this
uncontrollable thing happens where we
start to inject what's real, what's
fake, and create these stories in our
mind that's almost like attached to a
separate universe. while while our body
is resting and physically rebuilding
itself. I think that things like that
actually prove free will. I don't think
that that's like, you know, some
uploaded software
>> that's injected into you. It's far too
creative. It's far too complex.
>> You know, I guess the counterargument
could be, well, what is creative or
complex to an entity that's all knowing
that's way above you doing it to you? I
guess that's possible. But there's such
there's such clear beauty and chaos in
the world that it just wouldn't make
sense to me as a human here on earth
that
free will would not be a thing 100%. I
think consciousness
for consciousness you have to have some
kind of free will and you have to have
some kind of at least flexible output.
So what do I mean? You look at a bee for
example and it's in its dancing. It does
its wiggle dance when it's um signaling
to the other bees where the hive is and
all that. It's it looks very complicated
and complex. But would most people say a
bee is is conscious? No. Why wouldn't
they say a bee is conscious? They would
say a bee has no flexible output. It has
one singular algorithm and it will only
do this all the time.
>> So it's not conscious in fact.
But a human being on the other hand it
has a choice. It can make that cola
versus Pepsi or Messi versus Ronaldo
question and choose one. So we have
flexible output. That's what makes us
conscious.
Another example would be
let's take the dream world as you were
talking about. You want to talk about
sleep world. Let's talk about that as an
example. During sleep paralysis are you
conscious versus are you conscious
during sleepwalking. So some people
during deep sleep can wake up jolled
awake. In fact they jolled awake but
only so much so that they can start
walking around their house. They go
around they start maybe their car and
start driving. This is well known on the
freeway they go eyes are wide open but
they're deeply asleep. This is called
sleepwalking.
>> Mhm. Now if you stop that sleepwalker
and say look Joe Cristiano or Messi,
Pepsi or Cola, Paris or London, they
will not be able to choose.
>> Why? The prefrontal is shut down. So
they have no sense of agency and they
have no sense of flexible output.
That person is not conscious. We can be
clear on on that definition. It's it's
it's like a bee or like an
>> any kind of like primitive animal with
no consciousness. So that we can be
clear on the definition here. This is
not a conscious agent. But during sleep
paralysis,
in fact, the person is conscious because
if I was to communicate with this person
that's paralyzed and can and can and is
aware of his surroundings and if I could
communicate with him and in fact I can
using his eyes because the eyes can
move. I could actually ask him who do
you prefer Pelle or Maradona? And he
could move his eyes two to the left that
would mean Pelle. or one to the right
could be Maradona.
So that would be an example of
consciousness. So definitions are
important and I think having flexible
output being able to choose between A
and B and C of course this would be an
example of of of why consciousness and
what consciousness is and what is
consciousness and what is not conscious.
So I think I think that is important. I
think it's going to get really weird
though
>> for
humanity in general when we actually can
read each other's minds
>> and stuff like that. I think that that
could totally change the way people
respond to even experiments like this
because you are conscious of the fact
that other people are in your head all
the time. I mean, I I don't I'm not
trying to get too dystopian, but as a
neuroscientist who's looking at all the
trends and, you know, science behind the
brave new world we're entering, how
close are we to
>> whether it be Neuralink or whoever is
going to do it,
>> setting up a world where we are
literally all in each other's heads all
the time?
>> Reading mind is is difficult difficult.
But I would say
what Neurolink are doing with moving
like moving a screen with the brain and
things like that that's actually not too
difficult because you have planning and
motor regions of the brain and so you
could easily hook that up with an
algorithm to move a cursor on a screen
screen and things like that. You know to
gauge what somebody else is thinking is
completely different business. I think
that one tantalizing finding is in the
dream world. So you can you actually
have studies
creating movies of people's dreams.
>> Creating movies of people's dreams.
>> Images creating like images of what
people is dreaming. So this is one way
to have access to somebody else's brain.
Now it's very premature. It's very early
days.
>> Wait. Oh wait. It's something you like
plug into them that creates the imagery.
>> Let me tell you. So what they do? So
what they'll do is that they will have
people
lying in a scanner and show them images
of a car, of a house, of a chair and so
forth. So they have those images and
they keep them. Then they show them the
same items as they are awake, card,
chair, so forth. So they have and they
scan their brain. They have those
images. Then they dream
and then when they dream about and they
ask them to report and then they scan
their brain as they're dreaming and they
report down oh in this in this
dream I saw a car I saw a house I saw d
and they write that down and they have
the images as well then they put all
that into the AI machine learning create
an algorithm and then when they're
dreaming
and the brain is scanning their brain on
they once they hit and they dream on
that house they were talking out
based on the images they saw they can
then feed the computer and they will see
they will start seeing a house of maybe
a person walking maybe a and so forth so
this is new stuff very few subjects I
think it's from Japan but it shows that
you can it's getting to the early days
of being able to spit out somebody's
dream and put it on putting it on a
screen
>> so we're going beyond just mind
readading of base to ba of of basic
conscious communication we're going to
mind readading [ __ ] dreams
>> yes It started with just being able to
say what a person is dreaming about. So
they were able to say, "Okay, this
person is dreaming about a car. He's
dreaming about based on these photos,
they can take their photos when they're
looking at photos and scanning their
brains and so forth." They were able to
say, "A person is dreaming about a car,
a house, and so and like a like a chair
and so on." They didn't have the
specificity of saying, "Oh, this is a
Ferrari versus a Honda." They didn't
know that, but they just knew it was a
car. But now it's gone too far as far as
like they can put it on a screen and
have have some of those images pop up.
But of course, it's not what the person
is actually dreaming about the original
one, but it's a pro like a it's a proxy
of that. Who knows what happens in 50
years, 100 years. It probably may have
very vivid, lifelike
images of your dreams on a screen.
>> Oh my god, it's getting crazy out here.
>> It is. It is.
>> One of the things I really enjoyed about
our conversation last time is how much
you're also like a student of
>> history. Yeah.
>> With things. And I didn't really get to
ask you like
>> the history of of dreams and how that's
how that's been reflected into our
reality. And to put that in English,
like
>> there's so many ancient texts and
stories that are told. Some are clearly
more philosophical rather than literal.
Others seem like they could be literal.
But
>> you know,
>> is it possible that things like
>> Here's a good example. But is it
possible that something like Moses with
the burning bush could just be the
reflection of not even Moses's dream,
but someone else's dream that that was
just
so
warped with reality in a way that they
actually thought it was real?
Could that be the case?
It's hard to say, right? The burning
bush and all that. What happens um what
happened and was it somebody else's
dream? What happened? You know, it's
hard to say. I can't answer that but I
don't know but um
looking at the history of dreams there
definitely an interesting there's an
interesting unfolding of patterns and so
initially people would look at symbols
and symbolize dreams and see them as
messages from the god we talked about
Joseph and Joseph's dream from the bible
he's you know in the Quran and what they
saw what he saw
then
later comes came along sigman freud and
said no oh in fact dreams are the
unconscious mind. You have something
called the latent and the manifest
content. The latent contents is is is
all the symbols you're seeing jumping
around in your brain. So you're seeing
yourself on the moon having tea with the
queen. Everything is spacey. Time pieces
place places people everything is
warped.
>> Your brain cannot tackle these
anxietyinducing objects headon. So it
creates a symbol. And if you were to see
them as a manifest content as they
actually were, you would be jolted
awake. So your brain uses these symbols.
This is Freud's idea. And then you would
have the person when he's awake analyzes
dreams, decode them, and then by then
removes remove the neurosis, the
anxiety, and then in that way will heal
him. In many ways, Freud, I'm not a
Freudian. In fact, in fact, I don't like
Freud very much, but he was ahead of his
time when it comes to dreams, like
knowing it's the unconscious and and
there's something going on beyond just
simp divine messages.
>> The brain is definitely involved as we
talked about at length last time.
After that came along
other scientists and then looking at the
brain and knowing that the brain is
involved and various parts of the brain
turn on and off when we are dreaming.
And so that's kind of roughly the the
the history of of of dreams if that
makes sense.
>> When did we like what's the earliest
where where
humankind people wrote down or you know
left some history of dreams where they
clearly defined it as the fact that it
was a dream and that you know it was
just when you were asleep this is what
they they thought of.
>> Interesting. So it wasn't like divine
messages and all that right. It's I
don't know. I don't know exactly when
the first time might have been.
I'm inclined towards
Freud in the sense of like
in a major way that that that shifted
societ in a major societal way where he
actually
>> made a like had a treaties and had like
an actual
>> you know argument. But there may have
been other people before him that have
might have you know mentioned that but
they might have been burned at the stake
or something for for not following the
the the the paradigm of the time and the
you know the thought of the time. So
>> well I mean I think one of the many
things Freud talks about was was the
dreams of the unconscious mind also
reflect like our attractions and stuff
like that as well right? So what we
dream
>> is that
do we dream about people we're attracted
to that we may not even know we're
attracted to or that
might feel attracted to us and we didn't
know it.
>> It's a tricky thing here because yes he
did say it's the royal road to the
unconscious that unconscious
mind is really bubbling away inside the
dream and that is what we are seeing
that it's our things that are beneath
the surface. Right? He did say that.
Mhm.
>> But does that but does is that the is
that the whole story? So when I see
myself attracted to that girl at work,
does it mean that I'm actually attracted
to her and I'm trying to inhibit that? I
don't think that's true necessarily.
They because dreams don't follow in a
completely logical pattern. There may be
some aspects of her you are attracted
to, but people will actually have see
themselves being sexually engaged with
family members, incest scenarios and or
pedophilia or samesex. There's all kinds
of bizarre things in dreams people will
talk about
>> that aren't reflective of how they feel.
>> No. No. What? Not whatsoever.
>> So, you can think of the instinctual
brain being amydala and the emotional
part of the brain being 30% more active
and the prefrontal cortex shutting down.
And then you just have this messiness of
concepts created in your mind where you
cannot make sense of who is person A,
why am I attracted, is this somebody
else I'm attracted to, is this is maybe
this is the per maybe this is a a a
beautiful woman's body but the head of
somebody else and things you can you
cannot like going into the real realm of
dreams is going down the rabbit hole. So
trying to analyze that and say look no
I'm attracted to a person this person
over here and that's why I'm dreaming
about them is I think it can be
dangerous. It can be very dangerous.
>> What's the difference between a dream a
dream
>> and an illusion?
>> Illusion.
Okay. In dreams
there are several several components to
dreams. In dreams you are delusional.
You have false beliefs. You think that
you may be a superman and that you are
living in a palace. So this is called a
delusion. So you have delusions when
you're dreaming.
You have amnesia. So you forget your
dream is amnesia.
>> You have hallucinations
as well. Meaning you have
you have perceptual view. You have
perceptual
percepts that are not true. These are
hallucinations. These are not happening
in real life. You're not actually
jumping up jump and you're not flying in
real life. You have hallucinations
and then you have you're temporarily
psychotic as well. You have strange and
bizarre scenarios unfolding.
An illusion on the other hand is a
something I see in real life that is not
actually the case. So that's an
illusion.
>> I have an illusion of something. I have
an illusion. I have it's a false belief
but it's not a delusion but it's it's
it's a belief I have of of of something
that is that is turns out not to be the
case maybe we can look it up the the
actual definition but and delusion is
obviously pathological
>> definition of illusion or delusion
>> yeah an illusion could be an a visual
illusion something that is
>> the definition of illusion is a thing
that is or is likely to be wrongly
perceived or interp interpreted by the
senses.
>> Correct. So this would be an illusion.
>> Yeah.
>> Okay.
>> And where whereas a delusion would be a
false belief.
>> The reason I'm asking cuz like in some
ways it seems like an obvious answer to
me. One is like when you're asleep. The
other one is just when you see something
wrong. But like
>> I'm wonder the reason I asked the
question like what's the difference
between a dream a dream and an illusion
is because we almost have like the
safety net in my mind of just accepting
the fact that well a dream is really
happening.
>> Yes. when you're asleep, meaning in a
different state. But is it act like when
we see an illusion, are we having the
same,
this is not the term for it, but like
psychedelic aspects of the brain
>> being activated that happen in a dream,
but because we're awake, we just
differentiate it when we really
shouldn't at all. Because when we're
asleep, we're still the same person with
the same brain. See what I'm saying?
>> No. Say that again. So I
>> Yeah, that got a little that got a
little convoluted at the end. When we're
asleep, it's almost like we are viewing
oursel as like different. We're we're
not the same person because we're not
here. We're not conscious at the moment.
Whereas, when we're awake,
>> I'm Julian. I'm looking at this camera
right now. I'm trying to figure out
whatever I'm trying to figure out. I'm
I'm here in the moment. I'm present.
>> So, with an illusion, we may look at it
and we know like right now we're present
and we're actually looking at this
illusion. Whereas with a dream, you
know, we're asleep and we forget where
we are. But in reality, the aspects of
the brain that tie into both, meaning
like that make us notice that this is
this is an illusion or make us notice
that this is a dream.
>> Yes.
>> Are still being activated regardless of
what state we're in, sleep or awake.
>> Well, it's actually shuts down when
we're asleep. It's so the the the part
of the brain that can differentiate
between real and false shuts down. And
that's why you everything in the dream
feels so real. That's why when you see
that monster or you see that girl or you
have that conversation, it feels very
real. Sense of self- agency shuts down.
And in fact, that's very adaptive.
That's very adaptive. Why?
>> Having a dream where you are
running from an alligator, jumping over
that stone, jumping into that river,
removing that tree. What you what are
you what you're doing right there? You
are crystallizing circuits in the brain
that that can help you survive better
>> to help you survive much better. And you
are training dress rehearsing for real
life inside the dream if that makes
sense. You make a dress rehearsal for
real life in that dream. It's like
virtual reality
>> crystallizing the circuit making you
more
>> inept and and and
more being able to more powerfully deal
with that in real life by having the
circuitry laid down in the brain. So
this is really what the what the dream
is all about. And then having that extra
layer in the brain when sense of self-
agency goes away that's really powerful
because it makes it much more immersive.
It feels much more real.
>> So that is what a dream is all about.
It's it's it's being in this scientific
testing lab with no fatal consequences
>> and you do not know it's a testing lab.
So it feels much more immersive and real
if that makes sense.
>> Right. And so that's what what a dream
is all about.
>> Yeah. I was struggling to It's a very
difficult question for me to ask. It's
one of those where like I know in my
head what I'm trying to say, but getting
into words, people are probably like,
"What the [ __ ] did he just ask right
there?" Yeah.
>> But the reason I was like trying to get
it the illusion part is is is because
like if I look at an image where they
you'll see these on social media where
they say, "Look at this in the middle
for 10 seconds and it's going to move."
>> Yeah.
you suddenly see it moving.
>> Yes,
>> you know it's not moving, but you're
suspended in belief in that moment that
you're like, "Holy [ __ ] it's moving."
And you kind of can't tell the
difference between the two. So to me,
when you talk about dreams like being a
suspension from reality, I think there's
it,
>> you know, my non-academic opinion, I
think there's a similar thing that's
happening. Yeah. when you are caught in
the moment of being faced with this
thing that is being told to you that
it's an illusion, but you actually then
believe like, "Oh [ __ ] it it really is
moving." You know what I mean?
>> Oh, yeah. No, look, the brain obviously
what it does is it does have it fills in
the blanks all the time and creates, you
know, it has it fills in perceptual
holes all the time.
An example would be an example would be
for example let's say
I talked about last time how you have
conceptual parts of the brain how when
you look at an image you can look at it
from a conceptual point of view
initially or you can look at it from an
actual sensory point of view
>> so and these two blend and then your
brain makes up a decision based on both
conceptual hippocampus vernicus area
these meaning parts of the brain and the
actual sensory raw data and then makes
up. Oh, this is a table. This is this.
This is that. And then if you have
damage, let's say to the eye to the eye,
it will fill in the blanks and it will
give you all kinds of inputs and say the
world looks like this, it looks like
that. And the reason it does this, you
have the syndrome and that is because
viewing the world is a controlled
hallucination. The world is not actually
the world I'm seeing out there is not
the actual world. It is a constructed
world. It's a controlled hallucination.
Is my
conceptual brain, my memory centers
chitchatting with my actually sensory
centers and saying, "Oh, this is
probably the world out there." It's
making a prediction about the world. So,
in other words,
at any given moment, you can see the
world in various ways. Let me give you
an example. You know, the the the the
Dalian dog, it kind of has splotches.
Initially, you won't know it's a
Dalmatian dog. Maybe you can look it up
here, but it's like a it's it's like
splashes. Maybe not, but but it has like
splashes and then you see it and it
becomes a dog all of a sudden. Have you
seen that?
>> I don't think I'm familiar with this.
>> So, what is this?
>> Dalmatian dog splashes.
>> Oh, okay.
>> Illusion.
>> Dalmatian dog splashes. Illusion. Yeah.
>> Oh, yes. Okay. So, you're talking about
where it's like there's other illusions
like this where it's like, do you see a
shape? Oh, now you see a dog. And
there's a perceptual click.
>> Yes.
>> Yeah. This would be an example. There's
other what's called bstable illusion. So
you look at a woman's face. At one point
it looks like an old lady or it looks
like a beautiful young
>> Yeah. Yeah.
>> chick. So it kind of flips. And that's
again your brain can conceptually drive
this and then once you can you can't see
both either you see one or the other.
Showing you how how seeing is very
conceptually driven. It's driven by our
conceptual views of the world.
>> May I'm getting way outside my bounds
right here, but I'm just I'm I'm trying
to tie some of this together to like
time and space and how it's odd.
>> If you look at the movie Interstellar,
>> yes,
>> which Kip Thorne advised on and it got a
lot of things according to many
scientists like conceptually solid. I
think there's some scientists are like,
well, this couldn't happen or that
couldn't happen. But there were a lot of
concepts that that they seem to do a
great job with. Yeah,
>> the idea that they enter this Matthew
McConna and the team enter this black
hole and then on the other side of the
black hole go to these planets such that
when they
>> physically go onto the planets time is
changed to 20 years per
>> every hour or whatever it was something
like that back home
>> right
>> meaning that when they're done this
mission where they didn't age very much
they go home and earth has aged a
hundred years
>> or something like that
>> is There a concept in them entering that
black hole and then coming out on the
other side onto the planets to where
how do I want to this is so hard to ask
to where their consciousness
has been suspended such that it seems
that time has not passed but time really
did pass to them but on earth no
consciousness was suspended so time
passed and the aging process took place
in a way that it doesn't take place for
MCA and his team on the other side of
the black hole.
>> It's a great question. Um, thank God
it's hard to say exactly from the that
the perspective of that movie. It's very
hard to say whether how that would map
but
consciousness time can stand still in
your brain. This is an actually
clear-cut example of this. This is a man
called HM and his hippocampus region. He
had his hippocampi, the two memories
uh structures in the brain, jelly roll
structures behind the ear. You have two
of them on each side. And they help you
take short-term memory and store it in a
long-term vault in the cortex, the outer
layer of the brain. Now, this poor chap
back in the day, he had both his
hippocampi removed.
>> So, he had no he has no hippocamp
hippocampus. So he's basically staying
in the realm of like one or two minutes
all the time and then he forgets
everything else. So every time his wife
appears it's like seeing her for the
first time in 30 years. She has they
have a conversation and he has forgotten
everything. 30 minute 2 minutes has
gone. She comes back and he's she's he's
happy again for seeing her. And so you
could sit there and you could tell him
the same joke over and over and he will
just laugh find it funny. You know you
can he will find his wife attractive
each time as if the first time he saw
her and you know and and you can
introduce yourself to him the whole and
whole evening and he will forget you
after 2 minutes and you have to
reintroduce yourself. So this is an
example of being stuck in time uh hm
>> and his brain was like extremely
wellstudied. This would be an example of
how consciousness can break down, how
cell like how time can can can
you know unravel for for some people.
>> Yeah, that's from a short circuit
perspective though internally having to
do with the brain organ itself.
>> Do you mean time perception itself it it
can expand? We talked about how time can
expand in dreams for example become feel
stretched out because neurons are firing
more slowly in REM in in rats and that
could mean that the brain time feels
stretched out in dreams. I think there
are some examples for like when you look
at an awking
thing like you look at a mountain that's
just beautiful like I was recently in
California and I saw this mountain and
we have nothing like this in in
Copenhagen for example and this
beautiful mountain is stunning. Okay, I
looked at that and it's shown that
people when they look at awe striking
things like a mountain, a beautiful
tree, time expands. It feels longer.
Cortisol goes down by the way as well
and they become more charitable. So if
you are sitting underneath a beautiful
all striking tree, you become more
charitable. You become more, you know,
helpful. You become more kinder as a as
a as a person as well. And overall time
will just feel like it's stretching out.
The vi the converse scenario is when you
are stressed
>> and the amydala is hyperactive and
cortisol is through the roof and
noradrenaline is through the roof. Time
feels compressed. You feel like time is
running out all the time. So that would
be the counter example.
>> What you're talking about is perception
of time.
>> Perception of time. Yeah.
>> Is there a way that perception meets
physical reality scientifically? because
that's what Interstellar was trying to
say. Not I mean they were talking about
time dilation more than anything but
what I'm wondering is that if
>> the if there's if there's a way to
determine that time dilation
in what we're explaining scientifically
is actually like a perception an
illusion itself such that it feels like
and then physically manifests in a way
such that they don't age.
>> Yeah. it and and they feel like they
only spent a year up there or something,
but they actually did spend 80 and
there's something where the
consciousness was suspended.
>> Yeah.
>> That like allowed them to not have that
manifest physically, emotionally, or
mentally.
>> Yeah.
>> It's I mean, it's a it's way beyond my
pay grade, but I'm curious about it.
>> I understand. It's it's a deep question,
but I think
>> in Interstellar, for example, they end
up on that bizarre planet with the ice
and all that. You've seen that? And and
I think a few minutes there corresponds
to
like seven, eight years.
>> I think it was every 20 minutes is like
seven years or something like that.
>> And then the poor chap is on the
spaceship and he's been waiting waiting
30 years. You've seen that?
>> 20. Yeah. 23. Yeah.
>> Yeah.
>> So the question would be then
could you do something similar for
consciousness? I don't think so. Because
what is happening this is actually this
is actually time shrinking in a like you
like or expanding or whatever it might
be depending on this is physics right
time space and if you are in a certain
atmosphere and how you know how things
rotate rotation of the planets and all
that and then time will feel different
but you will physically age too you will
like the brain will age the body will
age and could something similar happen
on earth I mean you would need you would
need to really be something that is more
physics than neuroscience here because
that would require actual aging and and
and so forth of of the body and the
brain.
>> That's what I was thinking about a lot
after our last conversation. How much
your world goes right up onto the edge
such that it literally goes over the
cliff into physics.
>> Yeah. you know, even if it's not
intended to be that way, like you're a
neuroscientist, you're studying an
organ, the brain, and the effects it
has, but then the things that you find
and uncover in your various studies get
right into like our physical reality.
>> It does. It does. I I think you're
right. And I think as we're moving more
into the future and we build machine and
we have machine brain interface and and
you build like you have TMS machines
that can scan your brain and you have
ultrasound that can go deep in the brain
and activate neurons deep in the brain
and
um you revive that neurons and things
like that. It will be an interaction
between physics and and engineering and
and in one hand and then brain science
on the other. So I think as we move
along these specialized field we need to
fields we need to cooperate a lot um in
order to to get to you know to make
advances if that makes sense.
>> Hell yeah. I got a million other things
I want to talk with you about but we're
coming up close to three hours so I
think we should cut it there. We'll have
to do this again. Of course, I already
knew that before you came in, but
there's just like
>> God, I could talk with guys like you all
day because it just gets so fascinating.
I appreciate you having patience with
some of my questions, too, because it's
very hard
>> to take some of these concepts as
especially as a non-scientist or
something and, you know,
>> express it into words and you're very
patient with that.
>> Well, I love it, man. Thank you for
having me and and and uh if I was
rambling a bit today, forgive me. you
know, sleep deprivation and all that can
hit you after time zones and travels and
all that. This is the tail end of my
travel. So, I was in California coming
here, California, coming back here and
then going to Copenhagen in a few hours.
My bags are
>> Oh, you're flying to Copenhagen from
here. Nice.
>> Yeah. So,
>> all right.
>> Well, I appreciate you fitting it in and
you weren't rambling at all. Your
explanations are great. There was there
was some we had a wide range today. But
then a lot of the stuff on Love and
Attraction
I mean Balon's work on that is some of
the greatest since Finers.
>> Oh yeah.
>> You know you ever read finer before?
>> No I haven't.
>> Oh the 1530 method.
>> Is is that
>> you're a Harvard neuroscientist? You
never read this?
>> No. It's
>> incredible stuff. I'll send you
afterwards. His work in in the field of
love science is
>> unprecedented. Steu Finer. But anyway,
>> thank you so much for being here, Balon.
We'll do it again, my friend.
>> Sounds great, brother.
>> All right, everyone else, you know what
it is. Give it a thought. Get back to
me. Peace. What's up, guys? Thanks so
much for watching the video. If you have
not subscribed, please hit that
subscribe button before you leave, as
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It's a huge, huge help. You can join my
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Eight.
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