Essentials: The Neuroscience of Speech, Language & Music | Dr. Erich Jarvis
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Welcome to Huberman Lab Essentials,
where we revisit past episodes for the
most potent and actionable science-based
tools for mental health, physical
health, and performance.
I'm Andrew Huberman, and I'm a professor
of neurobiology and opthalmology at
Stamford School of Medicine. And now for
my discussion with Dr. Eric Jarvis.
Eric, so great to have you here.
>> Thank you. Yeah, very interested in
learning from you about speech and
language in terms of the study of speech
and language and thinking about how the
brain organizes speech and language. Uh
what are the similarities? What are the
differences? How should we think about
speech and language?
>> There really isn't such a sharp
distinction. Now let me tell you how
some people think of it now that there's
a separate language module in the brain
that has all the algorithms and
computations that influence the speech
pathway on how to produce sound and the
auditory pathway on how to perceive and
interpret it uh for speech or for you
know sound that we call speech. I don't
think there is any good evidence for a
separate language module. Instead,
there is a speech production pathway
that's controlling our larynx,
controlling our jaw muscles that has
built within it all the complex
algorithms for spoken language. And
there's the auditory pathway that has
built within it all the complex
algorithms for understanding speech, not
separate from a language module. And
this speech production pathway is
specialized to humans and parrots and
songirds. Whereas this auditory
perception pathway is more ubiquitous
amongst the animal kingdom. And this is
why dogs can understand sit ce
boy get the ball and so forth. Dogs can
understand several hundred human speech
words. Great apes you can teach them for
several thousand but they can't say a
word. What do we understand about modes
of communication that are like language
but might not be what would classically
be called language?
>> Right? So next to the brain regions that
are controlling spoken language are the
brain regions for gesturing with the
hands. And that hand parallel pathway
has also complex algorithms that we can
utilize. And some species are more
advanced in these circuits, whether it's
sound or gesturing with hands, and some
are less advanced. Humans are the most
advanced at spoken language, but not
necessarily as big a difference at
gestural language compared to some other
species. So, as you and I are talking
here today, and people who are listening
but can't see us, we're actually
gesturing with our hands as we talk uh
without knowing it. We're doing it
unconsciously and if we were talking on
a telephone, I would have one hand here
and I would be gesturing with the other
hand without even you seeing me, right?
And so why is that? Some have argued and
I would agree with based upon what we've
seen is that there is an evolutionary
relationship between the brain pathways
that control speech production and
gesturing. Uh and and the brain regions
I mentioned are directly adjacent to
each other. And why is that? I think
that the brain pathways that control
speech evolved out of the brain pathways
that control body movement. All right?
And um that uh when you talk about
Italian, French, English, and so forth,
um each one of those languages come with
a learned set of gestures
that you can communicate with. Now, how
is that related to other animals? Well,
Koko, a gorilla who is raised with
humans for 39 years or more, uh, learned
how to do gesture communication, learned
how to sign language, so to speak,
right? But Koko couldn't produce those
sounds. Koko could understand them as
well
by s by seeing somebody sign or hearing
somebody produce speech, but Koko
couldn't produce it with her voice. And
so what's going on there is that a
number of species, not all of them, a
number of species have motor pathways in
the brain where you can do learn
gesturing, rudimentary language if you
wanted, say, with your lens, even if
it's not as advanced as humans, but they
don't have this extra brain pathway for
the sound. So they can't gesture with
their voice in the way that they gesture
with their hands. One thing that I've
wondered about for a very long time is
whether or not um primitive emotions
and primitive sounds are the early
substrate of language. When I smell
something delicious, I typically inhale
more and I might say or something like
that. Whereas if I smell something
putrid, I typically turn away. I wse and
I will exhale trying to not ingest those
molecules or inhale those molecules. I
could imagine that these are the basic
dark and light contrasts of the language
system. This kind of primitive to more
sophisticated
um pyramid of of sound to language. Is
this a crazy idea? Do we have any uh do
we have any evidence this is the way it
works?
>> No, it's not a crazy idea. And in fact,
you hit upon one of the key distinctions
in the field of research that I started
out in, which is vocal learning
research. Most vertebrate species
vocalize, but most of them are producing
innate sounds that they're born with. Uh
that is babies crying, for example, or
dogs barking. And only a few species
have learned vocal communication, the
ability to imitate sounds. And that is
what makes spoken language special. When
people think of what's special about
language, it's the learned
vocalizations. That is what's rare. So
all the things you talked about, the
breathing, the grunting and so forth, a
lot of that is handled by the brain stem
circuits, you know, right around the
level of your neck and below uh like a
reflex kind of thing. So or or even some
emotional aspects of your behavior in
the hypothalamus and so forth. But for a
learned behavior, learning how to speak,
uh, learning how to play the piano,
teaching a dog to learn how to do tricks
is using the forebrain circuits. And
what has happened is that there's a lot
of forebrain circuits that are
controlling learning how to move body
parts in these species, but not for the
vocalizations. But in humans and in
parrots and some other species somehow
we acquired circuits where the forebrain
has taken over the brain stem and now
using that brain stem not only to
produce the innate behaviors or vocal
behaviors but the learned ones as well.
>> Do we have any sense of when modern or
sophisticated language evolved
>> amongst the primates which we humans
belong to? we are the only ones that
have this advanced vocal learning
ability. Uh now when you it was assumed
that it was only homo sapiens. Uh then
you can go back in time now based upon
genomic data not only of us living
humans but of the fossils that have been
found for homo sapiens of Neanderthalss
of Dennisovven uh individuals and
discover that our ancestor our human
ancestors
supposedly hybridize with these other
homminid species.
And it was assumed that these other
homminid species don't learn how to
imitate sounds.
I don't know of any species today that's
a vocal learner that can have children
with a non-vocal learning species. I I
don't see it. It doesn't mean it didn't
exist. uh and when we look at the
genetic data from these ancestral
homminids that uh you know where we can
look at genes that are involved in learn
vocal communication they have the same
sequence as we humans do for genes that
function in speech circuits. So I think
Neanderthalss had spoken language. I'm
not going to say it's as advanced as
what it is in humans. I don't know. Um
but I think it's been there for at least
between 500,000 to a million years.
Maybe we could talk a little bit more
about the overlap between brain circuits
that control language and speech in
humans and other animals. You know, I
was weaned in the neuroscience era where
bird song and the uh the ability of
birds to learn their tutor song was and
still is a prominent field um sub field
of neuroscience. And this notion of a
critical period, a time in which
language is learned more easily than it
is later in life. And the names of the
different brain areas were quite
different. Um it one opens the textbooks
we hear vernicks and brocas for the
humans and you look at the bird stuff. I
remember you know
>> HBC a robust arch striatum area X right
that's right. Uh how similar or
different are the brains brain areas
controlling speech and language in say a
song bird and a and a young ch human
child.
>> Yeah. So going back to the 1950s or and
even a little earlier and Peter Mer and
others who got involved in
neuroethology, the study of neurobiology
of behavior in a natural way, right? Um
you know they start to find that
behaviorally there are these species of
birds like song birds and parrots and
now we also know hummingbirds just three
of them out of the 40some bird groups
out there on the planet orders that they
can imitate sounds like we do. And so
that was the similarity. In other words,
they had this kind of behavior that's
more similar to us than chimpanzees have
with us or than chickens have with them,
right? They're closer relatives. And
then they discovered even more
similarities, these critical periods
that if you remove a child and you know
this unfortunately happens where a child
is feral and is not raised with human
and goes through their puberty phase of
growth, becomes hard for them to learn a
language as an adult. So there's this
critical period where you learn best and
even later on when you're in regular
society it's hard to learn. Well the
birds undergo the same thing and then it
was discovered that if they become deaf
we humans become deaf our speech starts
to deteriorate without any kind of
therapy. Uh if a non-human primate or um
you know or let's say a chicken becomes
deaf uh their vocalizations don't
deteriorate very little at least. uh
well this happens in the vocal learning
birds. So there were all these
behavioral parallels that came along
with a package and then people looked
into the brain Fernando Nataba my former
PhD adviser and began to discover the
area X you talked about uh the robust
nucleus of the archopelium
and um and these brain pathways were not
found in the species who couldn't
imitate. So there was a parallel here
and then uh jumping many years later you
know I started to dig down into these uh
brain circuits to discover that these
brain circuits have parallel functions
with the brain circuits for humans even
though they're by a different name like
brocas and linja motor cortex. And most
recently we discovered not only the
actual circuitry and the connectivity
are similar but the underlying genes
that are expressed in these brain
regions in a specialized way different
from the rest of the brain are also
similar between humans and song birds
and parrots. So all the way down to the
genes and now we're finding the specific
mutations are also similar. Not always
identical but similar uh which indicates
remarkable convergence for a so-called
complex behavior in species separated by
300 million years from a common
ancestor. And not only that, we are
discovering that mutations in these
genes that cause speech deficits in
humans like in fox P2, uh if you put
those same mutations or similar type of
deficits in these vocal learning birds,
you get similar deficits. So convergence
of the behavior is associated with
similar genetic disorders of the
behavior.
>> Do hummingbirds sing or do they hum?
Hummingbirds hum with their wings and
sing with their searings
>> in a coordinated way.
>> In a coordinated way. There's some
species of hummingbirds um that actually
will um Doug Ashler showed this that
will flap uh their wings and create a
slapping sound with their wings that's
in unison with their song and and you
would not know it, but it sounds like a
particular syllable in their songs. uh
even though it's their wings and their
voice at the same time.
>> Hummingbirds are clapping to their song.
>> Clapping with their they're snapping
their wings together uh in unison with a
song to to make it like if I'm going da
da da da da da, you know, and I banged
on the table except they make it almost
sound like their voice with their wings.
What's amazing about hummingbirds and I
we're going to say vocal learning
species in general is that for whatever
reason they seem to evolve multiple
complex traits. You know this idea that
evolving language, spoken language in
particular comes along with a set of
specializations. When I was coming up in
neuroscience, I learned that I think it
was the work of Peter Marlor that um
young birds learn song birds learn their
tutor song and learn it quite quite
well. But that they could learn the song
of another tutor. In other words, they
could learn a different, and for the
listeners, I'm doing air quotes here, a
different language, a different bird
song, different than their own species
song, but never as well as they could
learn their own natural genetically
linked song.
>> Yes,
>> genetically linked meaning that it would
be like me being raised in a different
culture and um that I would learn that
the other language, but not as well as I
would have learned English. This this is
the idea. Is that true?
>> That is true. Yes. And that's and that's
what I learned growing up as well and
and and talked to Peter Mer himself
about before he passed. Um he had this
he used to call it the innate
predisposition to learn. All right. So
um which would be kind of the equivalent
in the linguistic community of universal
grammar. There is something genetically
influencing our vocal communication on
top of what we learn culturally. And so
there's this ba balance between the
genetic control of speech or a song in
these birds and the learned uh cultural
control. And so so yes, if you were to
take um you know um I mean in this case
we we actually tried this at
Rockerfeller later on. Take a zebra
fininch and raise it with a canary. It
would sing a song that was sort of like
a hybrid in between. We call it a
caninch, right?
uh and vice versa for the canary because
there's something different about their
vocal musculature or the gen or the
circuitry in the brain. And with a zebra
finch, even with a closely related
species, if you would take a zebra finch
uh young animal and in one cage next to
it place its own species, adult male,
right? And in the other cage place a
Bengal finch next to it, it would
preferably learn the song from its own
species neighbor. But if you remove its
neighbor, it would learn that bangal
finch very well.
>> Fantastic.
>> So there's it it has something to do
with also the social bonding with your
own species. That raises a question that
I based on something I also heard but I
don't have any uh scientific
peer-reviewed publication to point to
which is this this idea of pigeon not
the bird but this idea of when multiple
cultures and languages converge in a
given geographic area that the children
of all the different native languages
will come up with their own language. I
think this was in island culture maybe
in Hawaii called pigeon which is sort of
a hybrid of the various languages that
their parents speak at home
>> and that they themselves speak and that
somehow pigeon again not the bird but a
language called pigeon for reasons I
don't know
harbors certain basic elements of all
language
>> is that true is that not true
>> what is going on here is cultural
evolution remarkably tracks genetic
evolution. So if you bring people from
two separate populations together that
have been in their separate populations
evolutionarily at least for hundreds of
generations. So someone speaking
Chinese, someone speaking English. Uh
and that child uh then's learning from
both of them. Yes. That child's going to
be able to pick up and merge uh uh uh
phonms and words together in a way that
an adult wouldn't because why? they're
experiencing both languages at the same
time during their critical period uh
years in a way that um adults would not
be able to experience. And so you get a
hybrid and the lowest common denominator
is going to be what they share. And so
the phonms that they've retained in each
of their uh languages is what's going to
be I imagine used the most. So we've got
brain circuits in songirds and in humans
that in many ways are similar perhaps
not in their exact wiring but in their
basic contour of wiring and genes that
are expressed in both sets of neural
circuits in very distinct species that
are responsible for these phenomenon
we're calling speech and language. I
mean what are what are these genes
doing? Uh, one of the things that differ
in the speech pathways of us and these
song pathways of birds is some of the
connections are fundamentally different
than the surrounding circuits. Like a um
a direct cortical connection uh from the
areas that control vocalizations in the
cortex to the motor neurons that control
the larynx in uh humans or the serrings
in birds. And so we actually made a
prediction uh that since some of these
connections differ, we're going to find
genes that that control neuro
connectivity uh and that specialize in
that function that differ. And that's
exactly what we found. Uh um genes that
control what we call axon guidance and
form in connections. And what was
interesting, it was sort of in the
opposite direction that we expected.
That is some of these genes, actually a
number of them that control neuro
connectivity were turned off. in the
speech circuit. All right? Uh and it
didn't make sense to us at first until
we started to realize the function of
these genes are to repel connections
from forming. So repulsive molecules and
so when you turn them off, they allow
certain connections to form that
normally would have not formed. So it's
a so by turning it off, you got a gain
of function for speech, right? Um uh
other genes that surprised us were genes
involved in calcium buffering neurop
protection like a parvamine or heat
shock proteins. So when your brain gets
hot these proteins turn on and we
couldn't figure out for a long time why
is that the case and then the idea
popped to me one day and said ah when I
heard the larynx is the fastest firing
muscles in the body. All right. In order
to vibrate sound and and modulate sound
in the way we do, you have to control,
you have to move those muscles, you
know, three to four to five times faster
than just regular walking or running.
And so, um, when you stick electrodes in
in the brain areas that control learn
vocalizations in these birds and I think
in humans as well, uh, those neurons are
firing at a higher rate to control these
muscles. And so what is that going to
do? You're going to have lots of
toxicity in those neurons unless you
upregulate molecules that take out uh
the extra load that is needed to control
the larynx. And then finally a third set
of genes that are specialized in these
speed circuit are involved in
neuroplasticity.
Uh neuroplasticity meaning allowing the
brain circuits to be more flexible uh so
you can learn better. And why is that? I
think learning how to produce speech is
a more complex learning ability than say
learning how to walk or or learning how
to do tricks and jumps and so forth that
dogs do
>> in terms of plasticity of speech and the
ability to learn multiple languages but
even just one language. What's going on
in the so-called critical period? And
then the second question is if one can
already speak more than one language as
a consequence of childhood learning is
it easier to acquire new languages later
on.
>> Actually the entire brain uh is
undergoing a critical period development
not just the speech pathways and uh so
it's easier to learn how to play a
piano. It's easier to learn how to ride
a bike for the first time and so forth
as a young child than it is later in
life. The brain can only hold so much
information. And if you are undergoing
rapid learning to learn to acquire new
knowledge, you also have to put memory
or information in the trash like in a
computer. You you only have so many
gigabases of memory. Plus also for
survival, you don't want to keep
forgetting things. And so so the brain
is designed I believe to undergo this
critical period and solidify the
circuits with what you learned as a
child and you use that for the rest of
your life. And now the question you
asked about if you learn more languages
as a child, can you is it easier to
learn as an adult? And that's a common
uh finding out there in the literature.
There are some that argue against it,
but for those that support it, the idea
there is um you you are born with a set
of innate sounds you can produce of
phonms and you narrow that down because
not all languages use all of them. And
so you narrow down the ones you use to
string the phonms together in words that
you learn and you maintain those phonms
as an adult. And here comes along
another language that's using those
phonms or in in different combinations
you're not used to. uh and therefore
it's like starting from first principles
but if you already have them in multiple
languages that you're using then it
makes it easier to use them in another
third or fourth language. So it's not
like your brain has under has maintained
greater plasticity is your your brain
has maintained greater ability to
produce different sounds that then
allows you to learn another language
faster. What about modes of speech and
language that seem to have a depth of
emotionality and meaning but for which
it departs from structured language? I
think of musicians like there are some
Bob Dylan songs that to me uh I
understand the individual words. I like
to think there's an emotion associated
with it. At least I experienced some
sort of emotion and I have a guess about
what he was experiencing. But if I were
to just read it linearly without the
music and without him singing it or
somebody singing it like him, it
wouldn't hold any meaning. So in other
words, words that seem to have meaning
but not associated with language but
somehow tap into an emotionality.
>> Absolutely. So, so we call this
difference um semantic communication,
communication with meaning and effective
communication, communication that has
more of an emotional feeling content to
it. I believe you know based upon
imaging work and work we see in birds
when when birds are communicating
semantic information in their sounds
which is not too often but it happens
versus uh effective communication sing
because I'm trying to attract the mate
my courtship song or defend my territory
it's the same brain circuits it's the
same speech like or song circuits are
being used in different ways there
there's several other points here I
think it's important for for the those
listening out there to here is that when
I say also this effective and um
semantic communication um being used by
similar brain circuits it also matters
the side of the brain uh in birds and in
humans um there's there's left right
dominance uh for learn communication
learned sound communication uh so the
left in us humans is more dominant for
speech but the right has a more balance
for singing or processing musical sounds
as opposed to processing speech. Both
get used for both reasons. And so when
people say your right brain is your
artistic brain and your left brain is
your thinking brain, this is what
they're referring to. Uh and uh so
that's another distinction. The second
uh thing that's useful to know is that
all vocal learning species use their
learn sounds for this emotional
effective kind of communication, but
only a few of them like humans and some
parrots and dolphins use it for the
semantic kind of communication we
calling speech. And and that has led a
number of people to hypothesize that the
evolution of spoken language of speech
evolved first for singing uh for this
more like emotional kind of made
attraction like the Jennifer Lopez the
Ricky Martin kind of songs and so forth.
Uh and then later on it became used for
abstract communication like we're doing
now.
>> I'd love to chat a moment about facial
expression many of which are
subconscious. We are all familiar with
the fact that when what somebody says
doesn't match some specific feature of
their facial expression that it can um
call you know that mismatch can cue our
attention.
>> Yeah.
>> So how does motor circuitry that
controls facial expression map on to the
mo the brain circuits that control
language, speech and even bodily and
hand movement?
>> Yeah. You ask a great question because
we both know some colleagues like
Winrich Frywald at Rockefeller
University who study facial expression
and the neurobiology behind it.
Non-human primates have a lot of
diversity in their facial expression
like we humans do. And what we know
about the neurobiology
of brain regions controlling those
muscles of the face is that these
non-human primates and some other
species that don't learn how to imitate
vocalizations, they have
strong connections from the cortical
regions to the motor neurons that
control facial expressions. And even
though it's more diverse in these
non-human primates, there was already a
pre-existing diversity of communication,
whether it's intentional or unconscious,
through facial expression in our
ancestors. And on top of that, we humans
now add the voice uh along with those
facial expressions. So it's like an
email, too. You're you're emailing and
someone says something by email. someone
can interpret that angrily or or gently
uh and it it be becomes ambiguous. The
facial expressions get rid of that
ambiguity.
>> I'm so glad you brought that out because
my next question was and is about
written language. What is the process of
going from a thought to language to
written word and what's going on there?
What do we know about the neural
circuitry? What I think is going on is
to explain what you're asking is about
that I'm going to take it from the
perspective of reading something. You
read something on a paper. The signal
from the paper goes through your eyes.
It goes to the back of your brain to
your visual cortical regions eventually.
That visual signal then goes to your
speech pathway in the motor cortex in
front here in Brocas area. And you
silently speak what you read in your
brain without moving your muscles. And
sometimes actually if you put electrodes
EMG electrodes on your lendial muscles
even on birds you can do this you'll see
activity there while reading or or or
trying to speak silently even though no
sound's coming out. And so your speech
pathway is now speaking what you're
reading.
Now to finish it off that signal is sent
to your auditory pathway so you can hear
what you're speaking in your own head.
That's incredible.
>> And this is why it's complicated. Oh,
and then you got to write, right? Okay,
here comes the fourth one. Now, the hand
areas next to your speech pathway is got
to take that auditory signal or even the
adjacent motor signals for speaking and
translate it into a visual signal on
paper. So, so you're using at least four
brain circuits um which includes the
speech production and the speech
perception pathways to write. Stutter is
a um particularly interesting case. What
is the current neurobiological
understanding of stutter and are what's
being developed in terms of treatments
for stutter?
>> Yeah. So we actually uh accidentally
came across stuttering in songirds and
we've published several papers on this
to try to figure out the neurobiological
basis. The first study we had was a
brain area called the basil ganglia or
the what's the the strium part of the
basil ganglia involved in coordinating
movements learning how to make movements
when it was damaged in these in this in
the speech-like pathway in these birds.
What we found is that they started to
stutter as the brain region recovered
and unlike humans they actually
recovered after three or four months.
And why is that the case? Because bird
brains under goes new neurogenesis in a
way that human or mammal brains don't.
Uh and it was the new neurons that were
coming in into the circuit uh but not
quite you know with the right proper
activity uh was resulting in this
stuttering in these birds. uh and after
it was repaired not exactly the old song
came back as a after the repair but
still it recovered a lot better and it's
now known they call this neurogen
neurogenics
stuttering in humans uh with damage to
the braz ganglia or some type of
disruption to the basil ganglia at a
young age also causes stuttering in
humans and even those who are born with
stuttering uh um it it's often the basil
ganglia uh that's disrupted than some
other brain circuit and we think the
speech part of the basil ganglia.
>> Can adults who maintain a stutter from
childhood uh repair that stutter?
>> There are ways to overcome the
stuttering through um through uh you
know behavioral therapy. Uh and I think
all of the uh tools out there have
something to do with sensory motor
integration. Uh controlling what you
hear with what you output in a a
thoughtful controlled way helps reduce
the stuttering.
>> Texting is a very very interesting
evolution of language. I wonder
sometimes whether or not we are getting
less proficient at speech because we are
not required to write and think in
complete sentences.
>> Mhm.
>> What do you think is happening to
language? Are we getting better at
speaking, worse at speaking? And what do
you think the role of things like
texting and tweeting and shorthand
communication, hashtagging,
what's that doing to the way that our
brains work? Uh texting
actually has allowed for more rapid
communication amongst people. It's more
like a use it or lose it kind of a um
thing with the brain. The more you use a
particular brain region or circuit, the
more enhanced it's like a muscle. Uh the
more you exercise it, the more healthier
it is, the bigger it becomes and the
more space it takes and the more you
lose something else. So I think texting
is not decreasing the speech prowess or
the intellectual prowess of speech. It's
converting it and using it a lot in a
different way in a way that may not be
as rich in in regular writing because uh
you you can only communicate so much
nuance in short term writing. But um
whatever that whatever is being done,
you got people texting hours and hours
and hours on the phone. So whatever your
thumb circuit is going to get pretty big
actually
for those listening who are interested
in getting better at speaking and
understanding languages. Are there any
tools that you recommend? Should kids
learn how to read hard books and simple
books? Uh what do you recommend? Should
adults learn how to do that? Everyone
wants to know how to keep their brain
working better, so to speak, but also I
think people want to be able to speak
well and people want to be able to
understand well.
>> Yeah. What I've discovered personally,
right, is that so when I switched from
uh pursuing a career in science from a
career in dance, I thought one day I
would stop dancing. Um but I haven't
because it I find it fulfilling for me.
And there have been periods of time like
during the pandemic where I slowed down
on dancing and so forth. Um and and when
you do that you realize okay there there
parts of your body where your muscle
tone decreases a little bit and somewhat
and or you could start to gain weight or
I somehow don't gain weight that easily
and I think it's related to my dance if
that's that that's meaningful to your
audience. But what I found is in science
we like to think of a separation between
movement and action and cognition. And
there is a separation for you between
perception and production. Cognition
being perception, production being
movement, right? But if the speech
pathways is next to the movement
pathways, what I discover is by dancing,
it is helping me think. It is helping
keeping my brain fresh. It's not just
moving my muscles. I'm moving or using
the the circuitry in my brain to do
control a whole big body. You need a lot
of brain tissue to do that. And so I
argue if you want to stay cognitively
intact into your old age, you better be
moving and you better be doing it
consistently, whether it's dancing,
walking, running, and also practicing
speech, oratory speech and so forth, or
singing is controlling the brain
circuits that are moving your facial
musculature. And it's going to keep your
cognitive circuits also in tune. And I'm
I'm convinced of that from my own
personal experience.
>> This has been an incredible conversation
and opportunity for me to learn. I know
I speak for a tremendous number of
people. And I I just really want to say
thank you for joining us today. You are
incredibly busy. It's clear from your
description of your science and your
knowledge base that you are involved in
a huge number of things. Um very busy.
So, thank you for taking the time to
speak to all of us. Thank you for the
work that you're doing. Thank you for
inviting me here to get the word out to
the community uh of what's going on in
the science world.
>> Well, we're honored and very grateful to
you, Eric. Thank you. You're welcome.
Ask follow-up questions or revisit key timestamps.
In this insightful discussion, Dr. Andrew Huberman and Dr. Eric Jarvis explore the neurobiology of speech and language, challenging the idea of a single 'language module' in the brain. They detail how speech production and perception pathways in humans share remarkable evolutionary parallels with songbirds, particularly in their use of specialized forebrain circuits and shared gene expression. The conversation further covers the impact of critical periods on language acquisition, the connection between motor movement (including dance) and cognitive maintenance, and the fascinating way our brains translate thought into spoken or written language.
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