Joe Rogan Experience #2523 - Ali Siddiq
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>> The Joe Rogan Experience.
>> TRAIN BY DAY. JOE ROGAN PODCAST BY
NIGHT. All day.
What's happening? What's happening?
>> Good to see you. Same. We were just
talking. So I had pause Jamie before the
podcast. So you were telling me that
LeBron James is not going to go back to
the Lakers. How How old is he now? 41.
>> 41. Yeah.
>> What is like the the oldest that a elite
athlete has been?
>> Tom Brady's 44, I think, NFL QB. That'd
be pretty high up there.
>> How was K? How was was Kareem?
>> That's a good question. How old was
Kareem when he retired?
>> Bernard Hopkins, I think, would be the
next.
>> Bernard Hopkins is number one.
>> Yeah, Bernard definitely. We were
talking about how he beat Kelly Pavich
at 42,
>> but Bernard had a couple of years to to
incubate a little bit.
>> Oh, yeah. [laughter]
>> Well, you know about that. Yeah. Not
take damage and steal up the mind.
>> He uh he had the most intense
discipline. That guy never got out of
shape, which is also a giant contributor
to longevity. Never never was building
back, you know. He wasn't like a 42 year
old who was like, you know, he took six
months off. I haven't been in the gym.
No, but no, no, no. Every day it was
running, nutrition, everything was
always on point. Never varied.
>> Kareem was like 42, I think.
>> So, he might be the oldest of the past,
guys. But this was before all the
science, right?
>> Yeah. The science changes things.
>> The science. So, we were just talking
about the science. So, Jamie, what are
they allowed to take and not allowed to
take?
>> Uh, I don't know. Uh it's like the NBA
used to like I think for like weed stuff
they used to say that like uh they'd get
tested I think like October 1st which is
like right when preseason starts
>> for weed.
>> Yeah. And so like if as long as you were
clean on October 1st then you're good
cuz they wouldn't test [laughter] the
rest of the year.
>> That's ridiculous.
>> Uh but now I' like I know in the NFL if
you have a crazy game you're going to
get tested the next day. They're just
going to check you for what was going on
with you yesterday.
>> Yeah. Why would you play good?
Ridiculous. I don't think the NBA does
that specifically, but I don't know
honestly.
>> So, what are the rules in the NBA in
terms of uh marijuana now? I thought
that was part of the thing that they
negotiated in the contract to make sure
because a lot of players like to be high
when they play.
>> I think they might they might just have
just stopped testing for it as all
>> I wanted to mention names, but I'm
friends with some guys and they tell me
they can't play unless they're high.
[laughter]
They just That's the same thing with
pool players. I know a lot of pool
players. They like to get lit before
they get on the table.
>> Yeah, pool. Pool should you should be
lit playing pool.
>> Yeah, you feel things better.
>> Here we go. NBA can randomly drug test
each player up to four times during the
season and two times in the offseason
with additional tests allowed anytime
there is reasonable cause, but marijuana
is no longer part of the standard
testing panel. Yes, sir. Yeah. So, they
can smoke weed, which makes sense. Let
them It's not What are you doing? It's
not hurting anybody and they play better
with it. I think leave them alone.
That's what I think. Unless they're
doing unless they're [snorts] doing
meth. Unless they're doing you know what
I mean?
>> They also had [laughter] another big uh
betting scandal is kind of broken
recently in the last 24 hours there.
>> Oh no.
>> Where a player has been called out for
throwing at least four games.
[sighs]
>> And then where that's going to go from
here is kind of being speculated online.
>> I'll tell you where that goes. If people
find out, it goes to bullets. That's the
problem. The problem with someone
throwing a game is somebody bet on that
[ __ ] game. A lot of people bet on
that game.
>> Cases I've seen though are like the
overs. Like they had player props and
like he needed 4.5 rebounds and he has
four and he's just trying extremely
extremely extremely hard to get that
extra rebound, which is like wrong. Wait
a minute. It's not that bad.
>> That means he's playing well. And the
other one which was uh he was fixing a
spread at like in the last second like
he sprinted down the court to get an
extra basket with like 3 seconds on the
clock when they were down by 10 or seven
technically to beat the eight and a half
point spread.
>> Yeah, but so what he's just scoring you
>> how can you ever
>> it's just a it's when you watch
basketball enough you go like that
doesn't happen that often. Why would you
do that? You like look into it.
>> Yeah. Especially Yeah. You're used to
people throwing the ball and just
throwing it down there. Not you running
down.
>> I know, but if you can do it and score,
why wouldn't you do it? I don't even
understand why anybody would question
that.
>> You down by 10. It's 5 seconds to go.
The game you want that ball in the net.
[ __ ] you,
>> man.
>> No.
But why? Cuz that's not going to change.
Oh. Oh, we lost by eight. [laughter]
>> Well, it just means you're competitive
to the end. You never give up even
though you know you're losing. And no
starters on the floor at this time. You
down by 10, it's 5 seconds to go. No. No
starters on the floor.
>> Yeah, but how? But it's not like he's
missing on purpose. So, it's one thing
if the guy's like missing on purpose,
but if he's scoring on purpose, leave
him the [ __ ] alone.
>> All right. So, similar thing. World Cup
just happened like two, three nights ago
where uh they just got into the knockout
round, you know? So, the the big
tournament was every team plays three
games to figure out where you figure
where you end up to play the next part
of the tournament. 10 teams get
eliminated.
>> Uhhuh.
>> Uh third place teams for the first time
ever can make it through. And so there
was a I think it was Algeria and I
forget the other team, sorry. But if
they both tied, they both move through.
If one team wins and one team loses, one
team goes through and then the like with
four minutes to go in the game, they're
kind of just passing the ball around.
The score is tied and one team goes
ahead and scores. And it kind of starts
a fight on the field where you see the
other team yelling at the other team
like
>> [ __ ] you. Like I don't know exactly what
they're saying but like what like
>> and then with like two minutes to go the
other team sort of just stops playing
defense and kind of seems to like LET
THEM SCORE.
>> OH GOD.
>> It's like I don't Is that I don't know
if it's a big collusion or if they just
sort of like made a
>> How do they have mics on those guys?
[sighs]
>> It's such a great
>> They have to have mics on somebody. They
have strong mics now and they have
people that can lipre. They can pick up,
hey [ __ ] you're supposed
[laughter] to leave this a tie. If that
happens, like you can't play anymore,
right? Like what happens to those guys?
They have to get suspended for
>> that'd be the entire that'd be both
teams, the coaches. It'd be everybody. I
don't know.
>> I don't really know how it's going to
pan out, but it was very
>> What a conundrum.
>> Yeah.
>> How could you do that? Like I hate that.
[laughter]
This is what this is what I don't like
about sports betting. Not that because
that's about advancing, but about sports
betting is the even the consideration
that a person is playing a certain way
because they're worried about a spread
or because they've been paid off to not
score or they've been paid off to foul,
you know, like there's the problem with
these things is you could bet on
anything.
>> You can bet on anything now.
>> Anything.
Anything. So if you're crooked and what
has been like the most crooked aspect of
the [ __ ] human race over the past
like 100 years other than the legal
system, the most crooked aspect has been
sports betting. It's always crooked.
>> Sports and politics they damn near
>> they're all the same.
>> Yeah, they the same.
>> It's the same. It's money. It's anyone
anytime there's money involved and
decisions can be shifted, influence can
be used to make something happen. But it
seems like that with with most things
that people, you know, have some type
of, you know, hierarchy desire for, they
they
>> 100%
>> they going to put something in, you
know, like even with like awards and
gang, this is a who can promote the best
and who can
>> if you can take all the
>> people that vote to dinner and, you
know,
smoo them at dinner. It It's going to be
um a thing where who's going to beat you
when you got all the voters, right?
>> Or you have a situation where you have
people that work for your company that
can vote.
>> You saying who how how are you not going
to vote for the project that the company
put out,
>> right? [laughter]
>> Yeah. You know, we got 60 voters, you
know, so we at least got 60 votes.
>> I think you said it best when you said
the hierarchy. That's really what it is.
It's in anything that has any kind of a
hierarchy. Politics is the ultimate
example.
>> Politics is the ultimate ultimate
example.
>> But there's there's that hierarchy [ __ ]
in everything in the world. Everything.
It trips people up.
>> But with politics, it is a little more
detrimental than with sports. You know,
sports sports is, you know, you
gambling, people trying to win things.
But with politics, it's like
>> if you're not
somebody that's not qualified can be in
a position where, you know, they they
making decisions on on the masses of
people's lives.
>> Not just that, they can appoint judges,
>> which is
>> they can appoint crazy judges. Like
there's obviously judges like they have
disputes. Well, why do they have
disputes? because they're ideologically
captured on both sides. There's people
that are like, you know, like certain
right-wing judges, you throw some case
out there that's a right-wing case, what
abortion rights, whatever it is,
immigration, you know how they're going
to vote.
>> Yeah.
>> Same thing with leftwing people, like
hardcore left-wing people. You guarantee
trans women in sports, trans women or
women, let them play in sports. That
that was a recent Supreme Court order.
Three judges said that trans women
should be able to play in women's sport.
The rest of them said [ __ ] no. The other
six canceled it out luckily.
>> And you know those people are not taking
into account
>> the sport like it's a it's a difference.
If you uh was originally something and
now you playing in something else.
>> Your strength is different and and you
know you don't feel that until your
daughter get knocked out the ring where
she's supposed to be boxing somebody
that that's the same gender. Then now
she's her whole side of face broke from,
you know,
>> it's insane. It's insane. It's and it's
not cruel to not let that happen in
sports. That's what Title N is about in
the first place. Give women the
opportunity to play in in in an equal
time as men. That's that's a good thing.
Having men that think they're women play
with women is [ __ ] crazy.
>> Like what do we It doesn't mean you you
know you need to castles people out of
society. It doesn't mean ain't that you
live and let live. I agree. But get the
[ __ ] out of the women's room.
>> Yeah, you're not you're not
>> you have a dick.
>> If you uh
>> get the [ __ ] off the team, you're you're
running track at a literal a women's
Olympic level and you're 15. Why?
Because you have a dick. This is crazy.
You're not really a girl. This is nuts.
>> You know, that's the that's the world we
live in. And oh well, that's I'm not
even going to say that's the world we
live in. That's the world that's being
presented to us at this point. That
>> That's right.
>> You know, and it's you know, it's a lot
of things is like this, man. you. This
is why in comedy
I choose not to go the current the
current affair or the political route
>> cuz I don't have time to separate the
room. I'm too busy trying to do things
to bring the room together and that's
more of a righteous aim for me.
>> Well, you I said this before, so I'll
say it uh live publicly. what you've
done is very extraordinary because
you've made a giant following online
completely organically. It's very
inspiring because all you do is just do
your thing the best that you can and put
it out there and it just keeps growing.
It's amazing. It's very it's very cool.
It's very inspirational and uh it's you
should be proud of it because
>> what you've done, like I said, it's
totally organic. Like you don't have a
bunch of production companies pushing
you and trying to make you more popular
than you are. No, it's all just putting
it out there and getting this gigantic
following just from your work.
>> Just the work.
>> Appreciate it. And then, you know, even
with that, you still have
um some type of responsibility to not
see things the same as other people.
Like what? I just got all this flak
about
me talking about the how this business
of people inflating things has caused
depression in comics. You know that we
supposed to be a a happy craft, but now
it's this big push about if you're not
on social media, you're not on this,
you're not on that. A lot of these
comics are, you know, going through this
mental health thing where they always
sad about their numbers or, you know, or
this that [snorts] and the third. Like,
yo, man, it it is a it's a thing and
some people inflate things and everybody
wants to be on the same level. So
sometimes you you can't be or you can
but people look at it as a certain way
where when you proud of the steps that
you've taken and if I played in the
GLeague that's not the NBA.
>> So I wouldn't say that I was playing I
played in the league cuz I know what the
league means. I know you know I know
this says this the G-League but when I
present myself yo you know I play in the
league. people automatically think the
NBA, you know, it's not it's not no the
G-League is not and not knocking the
G-League, but that's not the first thing
that comes to my mind,
>> right?
>> You know, you know, it's just a
>> playing for the Washington Generals is
not the NBA.
>> Even though you played against the Globe
Trotters, they were great players,
[laughter] right?
>> But we we know how this game goes, but
people that's how people see things now.
>> Well, the numbers things is real. The
numbers thing is is a real problem with
people because it gives you like a
quantifiable measure of whether or not
you're doing well. And if you already
have anxiety, which a lot of comedians
have, you're already like socially
awkward, which a lot of comedians are,
you don't feel accepted, which how a lot
of comedians feel. And then you look at
those numbers, you're like 2400. I only
have 2400 followers. I've been doing
comedy for seven years. Why do I only
have 2400 follow? And then you go to
someone's page that you never even heard
of. They have 1.2 million. You're like,
"What the fuck?"
>> And and so this is about being grateful
in the position that you you're in. I
remember when they would people was
pushing me, oh, you need to get on the
internet. You need to be on social media
to be okay.
But I would see those people that had
all those followers. And that same year,
the year before that, I did a half hour
special with Comedy Central. Then year
um 2018 I did a full hour special with
Comedy Central. I had um 500 followers
on Instagram. [laughter]
I had 300 followers 300 subscribers on
YouTube on a page that I didn't own. I
had to fight to get this page. I had
less people on Facebook,
but I was efficient in what I was doing.
So the numbers didn't they didn't pick
me because I had these numbers. They
they picked me because I came and I did
what I did. And then they Oh, he's he's
great. So then we we started going, you
know, a route to to build it up, but we
were already getting things prior to the
numbers,
>> right? What what year is this again?
>> This is 17 and 18.
>> Okay. So the difference is that in 17
and 18 people were just starting to be
aware of the power of social media and
then they were really concentrating on
different comics that had a large social
media following. You know I think that
was like right when it first started
happening.
>> Dane Cook had blew up before that.
>> That was a Yeah, that was a MySpace
thing.
>> That was a MySpace thing. Internet
another internet thing.
>> That's true. That's true. That was
different. But the the difference is
like he had gotten so huge just from
that that he was already doing like
arenas.
>> Yeah.
>> And when they So he was already huge and
then they just went with him like but
but he was like super popular. Now it's
like super popular on social media is
one of the most important things.
>> So now now moving up to this cuz I I
have a strong ar with this. So I have um
million followers here, million
followers there, all these specials. I
still didn't get invited to the BET
Awards. I still didn't get I still don't
get invited to a bunch of things. I
still get looked over for things even
though I have numbers and success, but I
don't worry about it. I'm just in my I'm
not watching to judge myself against
what somebody else is doing. It's guys
who have less everything, but they're in
this they're in this realm where they
they had every they at everything. I I
see guys is at everything with no um
with no specials and no proven thing.
They just around and I'm like, okay. But
it's I'm not j I think the point that
I'm not judging myself up against what
somebody is doing socially,
>> but that's also easier when you're
successful and you're successful. You're
very successful. So the difference is
like when you sell out these shows and
you put out these specials, like I've
seen your specials have millions of
views. So it's like obviously you have a
following. If you didn't and you were
doing the same thing, then it would be a
problem. But then also that would it's
like comedy in a lot of ways, not
always, but in a lot of ways is a
meritocracy. If you're good, people will
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>> But I also have no desire
to inflate things and compare myself to
somebody or make myself seem like I'm
more than what it is. Like guys, hey
man, I got I'm at this room. I got 50
tickets sold. Okay. How much the room
seat? Oh, the room seat 300. Okay, cool.
You had 50 people more than you had than
if you didn't play the room. You know
what I'm saying? Because who knows you
in Utah? You're bu it's it's a it's a
building thing. Like I got all of this
all of this going on.
>> But if I go to Utah,
>> I'm in a comedy club. [laughter]
>> It doesn't matter what happened the
night before. I was just in an arena.
But in Utah, it's like it takes me back
to um on trading places. You know what
I'm saying? He said, "Hey man, this is"
He gave he gives all this elaborate what
this watch is. And that man said, "This
is what this causes St. Louis."
[laughter]
Like I don't care about you ping the
watch and saying, "So I don't have
>> that. And I'm not if I'm It's like you
you you own the club." Okay. It's guys
that can come to your club and sell your
club out. And then it's guys that come
to the club and you pay for the room.
Okay? Then there's guys like when you in
the theater, some you can scale a
theater down. Some theaters hold 4,600
people, but you can scale it down to
2,000, but then the I'm not going to say
if the room holds 4,600,
I put 2,000 tickets on sale. I didn't
sell out the the um the theater. I sold
what I put on sale. You know what I'm
saying? Because I'm not to the point
where I can get the 4600 yet. If I could
sell the room out, then I I I need to
relish the real accomplishment versus
the the lesser accomplishment
>> inflating. Yeah.
>> Yeah. And that's and because I don't
have this thing where I'm in competition
with what happened before me, you know,
so
>> with other people
>> if so I'm in San Antonio, we at um we at
the the theater
>> and cuz people can make you feel bad
about anything if you if you a person
that feels bad. just think
um Minnesota
it's it's all these people that's on the
team that that play for the Boston
Celtics that are millionaires. They
already millionaire. They play in the
league. Boston traded
seven people to Minnesota for one
person.
Kevin Garnett,
they got rid of seven human beings for
one person. [laughter]
So it's like if I was a person that felt
bad about my career, this was would make
me feel bad like they they like the
first person that they they okay I'm
going to trade this person for that
person. They're like no. Well, I'm going
to give you two more people. They're
like no. And then I'm going to give you
four more people. Okay. And and a and a
lottery pick. Okay. I I'mma feel
horrible. They traded me for seven
people. Y'all didn't even want me
[laughter]
realistically. So Boston went they got
Kevin Garnett I mean um what's it yeah
Kevin Garnett and seven other
millionaires they got all this money
that's got all this they went to
Minnesota you know what I'm saying? So
if somebody wanted to make you feel bad
about something you know they they could
if that's how you are. So I'm at I'm in
San Antonio. The line is around the
block. The place is sold out. It's the
same sellout no matter who comes as that
lady said to my face tomorrow. You
should have saw it when Matt Refe came.
[laughter]
I WAS LIKE IN MY MIND I WAS LIKE AND I
ASKED I SAID was it a different theater?
She said no same theater. So when Matt
Refe came he sold it out. I sold out two
nights I mean two days in the same night
but her thing was you should have saw
when Matt Refe came. I was like okay.
She probably wanted you to feel bad.
[laughter] I
>> like, but I'm not. Good for you.
>> Good for you. But good for you. But the
thing is, a lot of people would. That's
that's what it is. A lot of people are
in competition with other people. I
think you should be inspired by other
people.
>> You know, if you want to compete in that
way, be inspired. But the the moment you
turn it into a negative. It's like, are
you you're you're a fool. You're being a
fool.
>> Competition
is power. It's fuel. If you see someone
doing well, so you see someone set and
you like it,
>> that's fuel that makes you want to go
work, makes you want to get some [ __ ]
done. It makes you it gives you energy.
>> It may
>> or it could [ __ ] you if you're a
dummy. If you're a dummy and you get
angry and you get bitter and then you
just put all this negativity on the
person who's doing better than you,
which a lot of people do, [snorts]
>> that's that's that's a weird that's a
weird dynamics in this business when you
know that it's going to be people do no
matter what you're doing, it's going to
be somebody doing better than you. When
I was in comedy clubs,
I remember being there and they were
papering the room.
Okay, I wasn't saying I was selling out.
They was papering the room. I know out
of all the is 300 people in there. 240
of these people came because it was it
was free. They sent out their email
blast. [laughter]
But then what I looked at was they
wanted to come.
>> Yeah, they wanted to come. They're
probably comedy fans, which is why they
were on the email list in the first
place.
>> And then those people, you give them a
great show, they'll come back.
>> Then the next time I came, they didn't
pay for the room. They sold it. They
sold the tickets.
>> That's That's how it used to be, man.
That was the old days before social
media. You would build a market. So you
would just show up at Philadelphia once
a year. Show up, do your homework, like
make sure you got a tight set, you've
been practicing, you're ready to rock,
[ __ ] these people up, and then leave.
And then they're like, "Can't wait till
you guys are back again." And then next
time you come back, you you know, all
right, I I built an audience now. I got
I can't disappoint these people. I got
to get fired up. And that's what it used
to be. It used to be a totally organic
thing across the whole country.
>> Is it a Is it a thing? Is it a
difference in your opinion between me
bringing my audience
to a venue from whatever other thing
that I do versus people coming that
don't know anything about me and me
winning that person over versus the
person.
>> Yeah, it's a different thing. You know,
people are coming to see you
specifically, you've already won them
over. That's a different thing. or they
want to take a chance on you. That's a
different thing because they've heard
about you. But when you know that that's
a completely different thing cuz that's
your you have an audience now. You have
fans. When you are just performing at a
club and it's a papered room, you have
an opportunity. You have an opportunity
to turn these people into fans. You have
an opportunity to give these people a
great night and have a good time. And
also, you're doing your [ __ ] thing,
which is the most important thing of
all. Everybody is resultsoriented. I try
to be processoriented when I with with
everything I do, I'm processoriented. I
think about there's there's a goal that
you got to reach, but how do you get to
that goal? The way the way you get there
is not thinking about the goal. The way
you get there is thinking about what
you're doing. What's the process? The
process is writing bits, performing
them, tweaking them, getting them tight,
knowing, reviewing tapes, going over
your material, going over your writing,
talking with friends, and then every day
it gets a little bigger. Every day it
gets a little better. Every day that
knife gets a little sharper. That's the
process. That that's the process that
leads you to become whoever whoever you
are.
>> And then you add other little pieces in
that process. I remember I um I was
talking to Bobby Lee and me and Bobby
Lee talking. I said, "Bobby, you don't
realize where you met me at." And he's
like, "Well, is this a good this going
to be a good story or is this a bad
story?" [laughter]
>> Bob's got a lot of bad stories.
>> I said, "You you you met me at um at the
Houston Improv and they called me and
asked me did I want to host a room that
I already sell out." You know what I'm
saying? They asked me did I want to
host. I said, "Cool." So, I came and I
hosted and I was un not trying to, but I
was destroying his feature. I'm just
hosting. And
>> we should not be hosting, especially at
the Houston Improv.
>> But my thing was, this was years. This
was years ago. But I say, "Bobby, you
didn't understand when the when I was
hosting at the Houston Improv, I was
doing something that most people didn't
understand what I why I was even doing
it." Well, like why? And they would see
like why would you be hosting?
>> I said because I'm not going to be in
front of Bobby Lee's audience,
>> but it's people that live in Houston
that his audience that I have no I that
have no idea who I am.
>> I said, Bobby, but before you,
>> I say I was coming to the Houston Improv
hosting for multiple people and I was
just winning over fans that would never
had seen me if they wasn't coming to see
you. They wouldn't be coming to my show.
I said, "So before that it was you were
last, Bobby. It was you and the week
prior to that it was Monster Jabbr and
the week prior to that was um what's my
girl? Um
um Angela Johnson." Angela Johnson. And
before that it was um some random white
guy. I said, [laughter]
"I just came and I want to do I'm a
comic." So me hosting was no big deal. I
wasn't working. So I said, "Well, let me
just come host it. That's what they want
me to do." So I gained fans from four
different audiences in a month. So when
I came back, they was like, "Yo, I saw
you with Ma Jabbr." And so I came back I
came back to see you when you when you
put your show up. I'm like, "Cool." So
my process that was a part of my
process. I it didn't matter who I hosted
for. And then I was like, "Okay, cool."
you know, let let me let me go like with
when I hosted for um Bill Burr, Bill
Burr was like, "This is crazy." We had
we in Austin at the Paramount is and
like and I said I said the worst thing
about this was that at the time I was
wearing all black and I went to the show
and I when I walked on stage the first
thing I said is, "Hey, I do not work
here. [laughter]
said, "Don't like eight people asked me
where's the bathroom?" I DON'T KNOW. I
DON'T WANT BUT IT WAS LIKE I look like a
usher like [laughter]
like yo I was like yo this sucks, you
know? But but it was a cool
>> That's hilarious.
>> That's a smart approach. I mean that's a
great way to build especially if you're
already headlining.
>> Yeah. I think I think that that thing
about concentrating on the process
people should try to apply that to
everything you know. Um my friend John
Dudley who taught me uh archery, he's a
big believer in that being process
oriented like that's how you get better
at archery and he used to compete all
over the world, travel, compete in
archery tournaments. I think that's the
I think that applies to everything. I
think that applies to music. I think
that applies to everything. The mo I
think was one of the things that trips
people up about social media. A lot of
these young guys in particular, young
people in particular, is that they are
thinking about other people and they are
comparing themselves to other people and
they are looking at those numbers and
you're you're looking you're spending
all of your energy if you have an
allotted 100 units of energy in a day.
You're spending a a disproportionate
amount on things that don't empower you
and actually kind of [ __ ] your head up.
Not good for you at all. instead of
saying, "Wow, I am chasing the [ __ ]
dream, right? I am out here being a
professional comedian and I have a real
chance to develop a real following. If I
put my time in, I put my effort, I
really care, and I really work hard, I
could sell out of theater one day.
That's possible." Like, that's a goal.
It should be a goal, just like getting
your PhD in chemistry or whatever the
[ __ ] it is your goal is. But the process
is what's important. The process is like
appreciating what you're doing, why
you're doing it, and just bearing down
and doing your best. That's it. That's
it. And and other people, look at them
as inspiration. Other people that are
kicking ass, you know, don't go don't
get become a hater. That [ __ ] is so bad
for you. I know so many dudes who have
like hater tendencies and they never
excel. Never. It's the the counter
thinking of a an an excellent person is
a hater. someone who's always trying to
diminish people and downplay people and
look at someone in the least charitable
way, in the worst possible way, does
somehow or another trying to make
themselves feel better, but it doesn't
work.
>> It does the opposite of work. It robs
you. It robs you of your self-esteem. It
robs you of your self-respect. You're
spending so much time thinking about
this other dude. Like, why?
>> It's a lot of It's a lot of energy. And
my dad, this one, this is one story that
I did not put in the special that I
should have. And my dad had all these
these thoughts and he was I I literally
say he was a crazy man. But when you
think about the things that he would say
made sense my dad and why would you be
telling me this at the age that but he
just gave them I I think I was like 11
and my dad out of nowhere is you know
something
people spend the same time and money on
being fake when they can put put that
same time and money into being real.
>> Yeah. I and I'm like I didn't know I
didn't understand what that meant. But
as I got older,
if you spend any money or time faking
something,
>> you could probably spend that money and
time being real about something.
>> Yeah. You know, why go buy a fake
necklace
to pret like you rich when you can go
buy a real necklace, you know what I'm
saying? At some point, you know what I'm
saying? And you know, be actually be
rich, you know, if that's what if you
keep comparing it to necklaces. But I
just didn't understand it at the time.
But then as I got older, I understood
like why put this why put this time in
to pretending when you can put that same
energy and then become real at what you
do. It makes no sense.
>> My uncle Vinnie when I was six or seven
years old, I was staying at his at his
house with my cousins and uh we were um
we were supposed to brush our teeth and
I didn't like following rules period and
so I wouldn't brush my teeth. Instead, I
would take toothpaste and smoosh it
around on my teeth and so that when they
smell my breath, they would smell
toothpaste. And my uncle explained to
me, he goes, he goes, "Uh, I understand
why you're doing it." I go, he goes,
"But the amount of time that you're
spending pretending to brush your teeth.
You could have just brushed your teeth."
And I thought about that when I was six.
I was like, damn. I was just a little
kid. So, but I was like, ah, he's right.
>> Why am I faking brushing my [laughter]
teeth?
I feel like 6 years old. I was like, I
feel like such my uncle Vinnie was like
super patient, super calm out of all my
family members. He was the the strangest
out of all these wild crazy Italian
people. Like he was he was an artist and
he was like ve very softspoken and never
got angry about anything. He would
always speak really rationally. I was
like, God, he's so smart. He's just so
peaceful. He just but he the way he laid
it out when I he didn't say hey I know
you're not brushing your teeth you
little [ __ ] was wasn't that it was the
time you're spending pretending to brush
your teeth you could have just brushed
your teeth
>> just brush
>> but it was like sometimes adults will
say something to you like that when
you're six and it just gets in your head
you're like whoa okay that just saved me
a whole lot of time [laughter]
like I just brush them
>> just brush your [ __ ] teeth
>> stop pretending stop faking it doesn't
help anything. It's does the opposite.
>> Does the opposite. And you know, people
the truth sometimes is is hurtful to
people.
>> The truth doesn't feel good. You know,
to a lot of people, unfortunately. But,
you know, you have to look at it. You
have to have perspective.
>> But that's the ultimate hate right
there. That's the ultimate hate is for
me to give you a falsehood instead of
tell you the truth. Right.
>> That's the ultimate It's the ultimate
hate. Like
>> especially if like you're making up a
background for yourself. [snorts] You're
making up a story about your life that's
not true. You're you're pretending
you're somewhere in life that you're
not, you know?
>> Yo, man. Just do the thing. Just do the
thing.
>> Yeah. But it's hard for people. It's
hard for people. And then there's a lot
of people that think you just fake it
until you make it. And then you hear
stories of this guy. I had $500 in my
bank account and but I told them I got
this I got that loan and next thing you
know my business is making all this
money and you go wow he faked it until
he and it worked and you think it's
going to work but it doesn't work most
of the time
>> so few and far between then then they
never tell you that that guy goes to
jail later for fraud
>> yes 100% [laughter]
100%
the feds busted my house three years
later and took everything like okay
>> exactly like when they arrested Carl
Spencia recently
for like all his counts of tax fraud. I
was like, "Okay,
I don't want that to happen to him." But
there it is,
right? I mean, that's what it is.
>> I'm not laughing at Carlos. I'm just
laughing at the [laughter] fact that you
like, "Yeah." Yeah. When they busted
>> I mean, I didn't I wasn't It didn't
bring me any joy to see that. I don't
like anybody getting arrested for taxes.
I think I think taxes until they have an
accurate account of where the [ __ ]
money goes and until you completely
eliminate all fraud and waste. What the
[ __ ] are you doing locking people up for
not paying taxes? Like you guys should
get locked up for not doing a good job
with our money. So, what you think about
all the new purchases and redoing the
White House and all this with tax
dollars?
>> Did they do it with tax dollars? Like,
how much money did they spend in tax
dollars to do the ballroom?
>> What's that?
>> Let's find out.
>> What's that? Um,
>> they need a ballroom, though. That's how
that guy snuck in with a gun cuz they
tried to do that White House
correspondence dinner at a hotel. That
dude who uh got arrested a few months
back.
>> What What's this this this resolution?
the pool something full of algae right
now that we spit all
>> Yeah, I don't know about that. That's
something about making the pool look
nice. That that whatever that is
reflecting pool.
>> Yeah, the reflect.
>> Reports indicate the new White House
East Wing Ballroom is projected to cost
about 600 million with roughly half just
over 300 million coming from taxpayer
funded government accounts despite
earlier promises that it would be
taxpayer free. 300 million sounds like a
lot until you find out how much money
they spend on other things. When you
find out how just how much fraud it is
in NOS's, how much fraud is in
nonprofits, how much fraud is in insider
trading and propping up companies so
that they can get better deals. Well,
the the whole thing is fraud. The the
thing is if you spending I understand
how much money goes and other things but
you if you spending any money that that
that's my money that I don't know that
that I need it or that's not really the
aim the goal
>> you should be able to vote on it.
>> You should be able to vote on it. But
>> you should be able to vote on where all
your tax money goes.
>> How much money is how much tax money is
being spilled on getting smart people in
places? Getting smart making smart
children.
>> That's the big one. That's the That's
the thing.
>> The big one is if you look at our
country as a community, and that's what
we're supposed to be doing. We're
supposed to be the United States of
America. All that [ __ ] aside, that
was the one good thing that happened
about 9/11. When 9/11 happened, after
that, we were all united. It was crazy.
>> It was crazy. We realized like we are
actually on a team. So, if we're on a
team, why do we have these deeply
impoverished neighborhoods for decades
and decades that are riddled with crime
and drug abuse? Why you is it impossible
to fix? That's crazy. That's not true.
It's just no one's tried to fix it. No
one's done any effort to fix it. And if
you did fix it, you want to make America
great. Here's the best way. Less losers.
And how do you get less losers? More
opportunities for people. More
opportunities, more support, more
education, more everything that you need
if it was your neighborhood.
>> And if we did that, we we'd have to
switch the way our system runs. But that
could be done, man.
>> That's the thing.
>> You don't have to have losers. Not that
many losers.
>> That's the thing about make America
great, right?
>> If you trying to make anything great,
don't you need intelligent people to do
that?
>> Of course, that's the number one thing.
So when we have all these divisive
people that that's on a lower vibration,
how is that making the the the country
the country great if we're putting
people in position that don't have the
experience or the education in those in
those things and then we just saying a
bunch of divisive things, you know.
Yeah. You know, it it's it was if if I'm
watching the the extravaganza that
happened at the White House, what was
the thing? Michelle Obama is a man.
Like, how did that help? How did that
help?
>> That guy says that every time he
>> But what is the what is the the thing?
First of all, it's it's really divisive
because you know that a large portion of
the country is going to take this has
going to have a problem with this. You
know, clearly she's not a man. You know
what I'm saying? But it makes no sense
like to I've never seen this many people
say so many damaging things about a past
president. It's like he's still on the
forefront. And it's not like we have a
president that's doing the greatest job
for this this country, you know, which
is which is weird a weird thing to me.
And people going to ask is that what's
the belief? That's the that's the real
belief of people. That's the real thing.
>> Yeah. Well, listen. There's some crazy
people that believe the world is flat.
There's a lot of dumb beliefs. There's
probably people that do believe Michelle
Obama is a man. What that guy does, he's
like a pro wrestler. Like, he's got a
character called The Incredible Hulk.
It's very corny in a lot of ways.
Sometimes it's, you know, cringy. But
the point is he gets a lot of attention.
A lot of attention because of all this.
That's what he's doing. So what he's
trying to do is maximize the amount of
attention that he can get for a very
short window of career. This is not how
he really feels, how he really thinks.
When you talk to him in real life, he's
very reasonable. This is an act that he
does, like a pro wrestling act. But what
he can do is fight. He's really good.
And that's what's so confusing about it
all. So, you got this guy who's created
like this fake persona where he puts on
an American flag bandana, comes out the
Hulk Hogan music, does all his
interviews with sunglasses on, has a
bunch of crazy silly rhymes, and says
ridiculous [ __ ] just trying to get
attention. The most amount of attention.
It's It is very divisive, don't get me
wrong, but that's by design.
>> So, he's Hulk Hogan and Randy Savage in
the same in the same
>> an actual fighter and a really [ __ ]
good one, man. He just knocked out
Derrick Lewis at the White House.
Derrick Lewis has the most knockouts in
the history of the sport.
>> Don't don't don't do that. Don't do
that, Joe. Don't do what? Let's just
let's don't don't don't say that so
excited cuz Dererick Lewis go to the
same gym um Main Street Boxing Gym in
Houston. I'm very close to that.
>> Dude, I love Derrick.
>> I don't like the fact that Derrick Lewis
lost that fight.
>> I think Derek Derek [laughter]
of 10 years ago would have been a real
[ __ ] problem for that dude cuz
Dererick of 10 years ago, you couldn't
hold him down. He would just get up. He
there's a whole compilation of people
trying to hold Derrick Lewis down. He
just gets a hand on you and just whoop
you. His grip. They did that UFC grip
thing where they test the grip.
Everybody's like 140. The strong ones
are like 160 19. Derek just squeezed it
casual 218.
>> And they were like, "What the fuck?"
>> So you see how problematic this was for
me. You already beat
>> my friend. Then you turn around and say
>> he beat a 40year-old Derrick Lewis.
>> A 40-y old Der Lewis. then turn around
and say Michelle Obama's a man. I was
like, "Okay, you know something.
>> I know what you're saying.
>> I'm pissed."
>> Listen, you're [laughter] right. Listen,
you're right. But I'm telling you, if
you met that dude in real life, you
would get it. He's just a dude. He's
just a guy who is a competitive
wrestler, played in the NFL, and he's
like, I got to do something to figure
out how to get people to pay attention
to me because it can't just be fighting.
It's not enough. If you look at Conor
McGregor, you look at Sugashan Ali, you
look at these guys that have these
flamboyant personalities, these big
personalities, they get Cashes Clay is
the original example. They get an
immense amount of attention and that
translates into much more money and much
more opportunities. There's no [ __ ]
way that guy would have gotten that
fight at the White House if he couldn't
fight because the fight that he had
before that he fought Curtis Blades who
was a top 10 UFC heavyweight huge
wrestler and they went to war, dude. I
mean, he put it on him for three [ __ ]
rounds. Like Curtis just has an insane
heart and survived it. But that guy can
[ __ ] fight. But just that alone is
not enough.
>> You got to get attention. I don't agree
with it. I don't I wouldn't do it. It's
not my thing. I don't like it.
But I get it and it's smart.
>> With Muhammad Ali though,
>> he was very respectful in his in his in
his act, you know, to get attention, you
know, just like
>> No, he wasn't.
>> I mean, he wasn't with other people, but
he would show up at [ __ ] Sunny
Liston's house and scream about him on
his [ __ ] front lawn at 4 in the
morning. He did wild crazy [ __ ] He he
did he did a lot of W. He was just all
about getting your heart rate up,
getting your emotions in there. He was
so [ __ ] smart. He knew before
everybody that you could just get
somebody into a frenzy and they wouldn't
be able to sleep. Their whole life
revolved around fighting you and I can't
let this guy beat me. And the fear of
losing, it's going to keep you weak.
It's going to keep you. You're not going
to be able to eat as much food. You're
going to feel nervous.
>> But you see what happened when somebody
called him Cashes Clay.
>> Oh yeah. Oh yeah. [laughter]
>> See
>> who was that? Who what fighter was that?
He kept punishing him saying my name.
Your mama named Clay. I'm call. But that
that didn't work out for him. Well, he
beat the
>> he beat the piss out of him and he
carried him. He carried him while he was
beating his ass.
>> Dude, he was uh a special special guy.
It's, you know, I'm not comparing him in
terms of his cultural significance to
Josh Hokit because, you know, he was uh
my parents, my mother and my stepfather
were hippies. They never watched
fighting. But when he had a rematch with
Leon Spanx, that's how much of a
cultural figure he was. They wanted him
to beat Leon Sp.
>> Oh my god, he's got to win. He's got to
win. Hippies sitting in front of the
[ __ ] TV in like 1970, whatever it
was. You know how crazy it is. They have
Italian hippies. [laughter]
>> Like cuz I heard it was like my family.
He was like, I thought they was Italian.
Italian. [laughter]
Well, they were hippies, but you know,
my grandmother went to jail for running
numbers for the mob.
>> So, it's like there was a lot of uh
>> Okay.
>> There was a lot of [laughter]
>> real Italian.
Yeah. Grandma went away for a little
bit. [laughter]
>> She wouldn't rat them out, so she did
some time.
>> I was at a I was at a show one time and
I said, "Um,
where all the Africans at in in here?"
And
this Italian dude, he's from Sicily. He
raised his hand.
And I said, and the people like, "Why is
he raising him?" I'm like, "He knows."
[laughter]
Like, "He knows.
>> He knows."
>> So, he was like,
>> "Yeah, there really good reason why
Sicilians have darker hair, curly hair,
darker skin."
>> He was like, "Yeah, you know what I'm
saying?" And that's all I said was he
knows. and and and [laughter]
people who got it, they was like
>> okay like and at that point it's like
when people don't know that that you
have some sort of level of intelligence
like some information
>> they like oh okay like yeah it's a it's
a big but that's that's funny though um
Italian hippies but then my my
grandmother also
>> well you there was a lot of hippies back
then man and I think u the original idea
behind it was great and I was just
watching this thing today about the CIA
A and LSD and what they did. It was
really funny, man. It was a um
>> that video.
>> Yeah. Animal. Isn't it dope?
[clears throat] See if you can find it.
Put it up cuz it's kind of cool.
>> There's conveniently an MK Ultra hearing
going on right now in the
>> Oh,
>> how convenient.
>> Listen, bro. That they I got it right
here, Jamie. I'll send it to you. Um
they 100% are still doing that. No
ifands or buts. If you think they did
that in the 60s, and they 100% did. if
they're doing mind control experiments
on people and they're influencing
people's opinions and half of the reason
why people are at odds with each other
all day long on online is probably
government intervention at one point or
some government's intervention
>> this is
>> if not ours Russia and China and
>> this is wild that
>> the CIA created the hippie movement and
your mom's favorite band probably helped
them in the 1950s the CIA bought up the
world's supply of LSD they brought it to
the pharmaceutical company Eli Liy who
reverse engineered it, giving them an
unlimited supply and a complete [music]
monopoly. Then the testing started. One
early volunteer for these tests was Ken
Kei. Kei wrote a book inspired by this
experience which became a bestseller.
Then Kissi went on to host events which
he called acid tests. And he wasn't
charging anyone. He just wanted people
to show up and do acid. For these
events, he hired an unknown house band
called the Grateful Dead. These events
became wildly popular and with them rose
the popularity of the band. So, the
Grateful Dead begins touring, and Casey
follows them around in a bus from show
to show. And everywhere he went, he
brought a vat full of Kool-Aid laced
with LSD. This guy had a seemingly
endless supply, exporting the hippie
culture all around the US. Meanwhile,
the CIA is flooding college campuses
with LSD under the guise of research,
and the Grateful Dead was just one of
many bands in [music] this movement. At
the same time, in Laurel Canyon came a
wave of musicians with something in
common. [music] They were all children
of high-ranking military officials. the
biggest names in music. Jim Morrison of
the Doors was the son of an admiral.
Frank Zappa's father was a chemical
warfare specialist. Even Crosby, Stills,
and Nash. Yeah, all three of them. And
all of these bands as well. The theory
is the CIA orchestrated the hippie
movement to steer a very real anti-war
movement into something a little easier
to combat. Descent without Teeth. The
hippie slogan was literally
>> turn on,
tune in, and drop out. In other words,
do acid and remove yourself from
society. And a lot of them did drop out
of society to go live in communes in the
woods. This intersection between hippie
culture and the CIA could all be a great
big coincidence. Maybe military brats
naturally want to rebel. And maybe the
CIA was giving away acid because they're
chill like that. Maybe the CIA created
the hippie movement and your mom's
favorite band probably helped them.
>> Yeah.
>> Ain't that wild?
>> That's crazy.
>> That's wild. They also had a big
influence on gangster rap. Big influence
on promoting gangster rap for sure. 100%
proven.
>> 100%
>> 100%. Yeah.
>> You rather push
>> they wanted to fill prisons.
>> You want you want to push that over
anything else, you know, cuz we can look
at how rap music changed and when it
changed,
>> you know, 1992.
>> Yeah.
>> After 1992, they was like, "No more
positive rap."
>> Well, it was whenever Straight Out of
Compton came out cuz I was in Boston at
the time. I would remember to the day it
happened.
>> But Straight Out of Compton wasn't a
drug field induced. It was, if you look
at some of the song, you look at a lot
of the songs that was on that album, it
was rebellious songs against the system,
you know,
>> [ __ ] the police.
>> And then 1992, man, when they decided,
yo, we don't want no more day soul. We
don't want no more tribe conquest. We
don't want no you get them leather
medallions off your [laughter]
it's like yo we we need we need like yo
babe what like self-destruction and um
west coast west coast all star they was
like what they coming together hell no
you know we need this to be divisive we
need them to separate and that's crazy
that that the the biggest times that
that I've experienced this country being
together was the Olympics when the dream
team came, 911 and co.
That's the biggest time that we the
three biggest times I've ever even seen
us together.
>> Yeah. Because we need something. We need
something that's real and we need some
sort of an event that makes us realize
first of all the fragility of life.
That's important. And we have to realize
that we're all supposed to be a part of
a team.
>> And and and we you can't play on a team
if your teammates don't think that you
that you valuable.
>> Not only that, you can't play on a team
if your teammates are poisoning you. If
your teammates are allowing you to eat
rotten food so that you can't play and
maybe giving you inferior gear on
purpose and maybe keeping you in a place
where you can't get sleep so that you're
not going to evolve, you're not going to
like you're always going to be tired.
You're going to be fatigued. So, you're
never going to get better at whatever
the [ __ ] it is you're doing. You're
never going to advance in life. You're
going to be tired. You're going to be on
drugs. You're going to be poor. This
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This is how I see
>> that's not a good team.
>> This is how I see with parenting.
It's hard to parent if your your number
one goal is survival,
>> right?
>> You know what I'm saying? It's it's hard
to parent, right?
>> You know, you you got to parent from a
comfortable space. You can't parent from
nervous chickens really don't lay eggs.
That's true. So the thing is
you if like the way I parent now versus
how my mom my mom was strictly survival.
So my thing is survival first.
>> You know what I'm saying? Then the rest
of it, you know, I don't remember going
to um on vacation with my parents, you
know? Like vacation?
what [laughter]
your mom working two jobs and going to
school trying to better she's just
taking care of you right
>> so I'm not in the position my kids go on
vacation you know it's different you
know so I I see things from both sides
all the time because I'm and which makes
me grateful I'm grateful that I can do
the things I can do with my family you
know what I'm saying versus parenting
from a place of frustration
>> you know, but I understand
this this this
frustration thing, you know, I'm trying
to take care of you and you know, and
then sometime I look at my kids like,
you know, something, you have it really
easy because if I wouldn't have washed
them dishes, my mom would have destroyed
me
[laughter]
saying because her mindset is, "Hey, I'm
trying to take care of y'all. Y'all got
to help in this." You know, with me like
we have a housekeeper, you know what I'm
saying? [laughter]
Like the housekeeper come in four days
out the week, you know, and now I'm
like, so you just going to throw that
stuff on the floor and you making it
hard for the housekeeper? You know, the
reason why she's here four days a week
is so to make your life easier, but you
you're adding on to
>> by being lazy.
>> By being lazy like like I don't
>> there's a balancing act, right? You want
to protect your children, but you don't
want them to develop
soft. You want them to be able to take
care of their own problems, and you want
them to be able to understand the
consequences of their actions. So,
there's this like fine line of like
encouragement
and punishment and like explaining to
them how your life was different and you
have to appreciate this life. This is
very unusual. you're super fortunate.
But I think ultimately what they learn
from is how you behave. That's a giant
part of being a parent that people I
don't think are totally aware of until
you start doing it. That they understand
you. Whatever the [ __ ] you say is one
thing. That's great.
>> What you do is what they really see. If
you're a lazy [ __ ] who's always making
excuses, your kids are going to not have
respect for you. They're going to know
like real early on you're kind of full
of [ __ ]
>> This is the craziest thing though. You
know how hard it is to put somebody on
punishment and then say, "Hey
Pat, we going to Cabo." [laughter]
HE'S LIKE, "AM I ON PUNISHMENT OR WE
GOING TO CABO?"
>> GET YOUR iPad for 16 hours. [laughter]
>> Yo, when we get to Cabo, you stay in
your room and overlook the ocean.
[laughter]
>> Think and think about your consequences
as you order room service.
You know, [laughter] they're drinking
Coca-Cola, eating French fries,
>> lamb chops coming to the room. He's
like, "Yo, you on punishment, dude.
So I can't so I can't have oysters."
Like [laughter]
>> hear the birds chirping.
>> You look looking at the waves, you know,
like it's it's it's rough. And it's a
being it's a it's a certain part of
success that you almost can't
punish because it's like I'm not staying
at home [laughter] because you on
punishment. See my mom would she ah it's
just different you know
>> it's different.
>> My mom would go in her room and turn on
Knand in a dynasty and I'm in my room
with no TV cuz it was only one TV.
There's a TV in every room. You know
what I'm saying? I mean, oh, the
punishment was come in here and watch
Falcon Crest with me. [laughter]
Why? I don't want to watch no Falcon
Crest. And then you start watching
Falcon Crest and now you love it. You
like, so when when is it coming on
again? [laughter] You know,
>> you get addicted.
>> That's why I like MASH. You know what
I'm saying? I would be in I'll be in
trouble and you watching Mash and
Bonanza, then all of a sudden you love
Mash. I cried when Mash went off.
>> [laughter]
>> It's like that. Do
>> you remember the dude who dressed up
like a girl in MASH? Jamie Far.
>> Yeah.
>> He was my neighbor.
>> I was your neighbor?
>> Yeah.
>> Wow.
>> Back in California. He lived right next
door, two houses down.
>> Wow. Clinger.
>> It used to be just me and him and then
another guy built a house in between us.
>> Uh he was cool. Very friendly guy.
>> Played a played a charact played a good
character.
>> That was a good show.
>> Yeah, Mash was a very good show, you
know. And I I I said this the other day
to a friend of mine. I said like I
listen I used to ride and take my kids
to school and listen to morning shows,
you know, really Tom Joiner, you know,
um listen to Tom Joiner. And this is
something I can listen to with my kids.
Now there's there's no morning shows
that I can listen to with my children
without them putting in a different
element that I'm I don't want my kids to
be a part of. You know that's a weird
thing that they cursing on radio and
doing all this other stuff.
>> But they can't curse on radio still.
>> Oh
>> yes they can.
>> Can they? They changed it.
>> They they'll drop a b word in a minute.
>> Oh a b word.
>> Yeah.
>> But that's it. You can't you can't use
you can't say [ __ ]
>> No. But but the rest of it you know my
you know you got daughters. You in the
car.
>> Right. Right. Right. And you're hearing
some [ __ ] you don't want them to hear.
Like that's that's a weird thing. You
like so they go to school and you know
at the and they say
>> you you watching the
>> be you like damn that was the ending of
the show
>> right? [laughter]
>> So like so so now you just we riding and
listening to Ko you know what I'm saying
with no talk. Oh I I listen to NPR. I
listen to um Urban Urban Network, you
know, for them to listen. Now they got
all these political questions and and
you know when your 5-year-old like so
why aren't we voting like oh it's cuz
you've been listening to Karen Hana
saying the whole the [laughter] whole
time on the way to school or from
school. So it's um it's weird how you
what shows would you sit down and watch
with your kids now? You know, I they had
to watch the the shows that I grew up
watching. You know, you got to go back.
You got to watch Perry Mason and Family
Matters and, you know, the Cosby Show,
you know, Different World. We have to go
back and watch good times, you know. We
can't
>> watch the current things, you know. So,
you know, even with with comedy, I took
I took Hassan to a comedy show with me
to see some friends and he was 14 at the
time
and we left because it was no, it was
nothing.
the things that were being said. It it
kind of made me go back to when um Cosby
did the the story about his son going to
see Eddie Murphy and [snorts] he daddy
said these things and [laughter] said I
was sitting there like the after the
first two minutes I'm like yo we got to
get out of here.
>> How old was he at the time?
>> 14.
>> 14. That's too young.
>> And I'm like yo man. [clears throat]
>> But
>> but I mean the guy who's doing comedy is
doing comedy for adults that are
drinking in a nightclub right? No, we
was at a we was at a a event where it
was all these bodybuilders. The gym um
Next Level had did a um a show for all
the the the people that work out there
and the trainers.
>> And I'm thinking, okay, this is at a
ballroom, you know, it's probably going
to be pretty cool.
>> And I I stopped in, you know, we sat in
the back and then it went left and I was
like, "Hey, man, let's get out of here."
and he's seen me and so he's like, "Nah,
this ain't that this ain't the same."
I'm like, "Yeah, I'm not I'm not going
for a certain type of laugh. I'm not
doing shock value, you know." So, he's
watched almost all the specials, you
know, so it's not the it's not the the
same for for him, you know, and he look
he knows a lot of comics, so it's it's
not this wasn't conducive. I was like,
"Hassan, we out. [laughter]
We out of here." He's like, "But it's
sometimes you can go and you can watch
they they whole show like a Marcus D.
Wally, he can get an understanding of at
least marriage, you know, how how
marriage go to give you some some fuel.
But I think the the landscape of of
comedy is different for different
people. Not knocking the people who do
shock value or or or a lot of sexual
content. That's their that's their stick
and and they probably young and at some
point they'll grow. Hopefully they'll
grow and it'll be more things in life to
talk about. People like, "Well, how do
you have this many specials?"
Um because I have a life, you know, I
had a life before that I talked about
and then I have a life, a current life
that, you know, I'm still experiencing
things. So, I'm going to talk about
things that that's that's a little
different because I'm I'm living and I'm
not stuck in sex is not the the number
one thing. I I remember when I used when
I when I figured that I was sex wasn't
that big when I went to, you know, they
had the thing Netflix and chill
>> and I actually wanted to watch the
movie. [laughter]
>> Like, yo, get your hand off my leg. I
I'm trying to watch this movie. You know
what I'm saying? So, [laughter]
>> that's funny. So, it's a it's a thing
about the development in this game of
how you grow and what you think about.
>> Well, I think comedy is just the one of
the problems with the label is that
there's no genres. It's not like blues
comedy, rock and roll comedy, hip-hop
comedy, EDM comedy. It's just comedy.
You don't know what it is. It's just
different people's perspective on
things. And there's different kinds of
comedy that people like. You know, some
people are giant Richard Prior fans,
some people are Sam Kenisonson fans,
some people are Jerry Seinfeld fans,
>> and some people love Bonnie Rate, and
some people love, you know, whatever,
James Brown, fill in the blank. There's
a lot of different styles of music. And
there's a lot of different styles of
comedy. And all that I care is that you
enjoy what you're doing. And you're
doing it because you enjoy it. And if
you're doing that, I don't give a [ __ ]
I don't give a [ __ ] what you're doing. I
don't care if you have props. I don't
care if you write signs and hold them up
for the crowd. I don't give a [ __ ] what
you're doing. I don't care if you do
impressions. I don't give a [ __ ] what
you're doing.
>> That that was a a huge [clears throat]
So, when talk about the scope of comedy,
you know, I'm I can start with Carol
Bernette and I I watched that, but the
the guy who I watched on HBO a lot, I
knew I wasn't going to do that type of
stand up. It was that was just a whole
different thing. But Gallagher
>> was crazy to me.
>> Crazy.
>> That was the craziest. [snorts]
>> Everybody wore plastic. They have
garbage bags around their neck.
>> Front what? Six rows.
>> Yeah. Just getting splattered with
watermelons and pineapples and coconuts
and whatever the [ __ ] he was cabbage.
[laughter] Ridiculous. Ridiculous. But
he also had some good jokes. Some solid
jokes in between then. Dude did a ton of
specials.
>> Yeah. You know the craziest story, the
Gallagher story is Gallagher retired and
his brother took over. His brother was
Gallagher 2. So he had a brother that
kind of looked like Gallagher.
>> I remember that. I remember Gallagher 2.
>> And then somewhere down the line,
Gallagher decided he wants to start
doing comedy again. And he's like, "Hey,
Gallagher 2, the gig is up." [laughter]
And he's like, "No, no, no, no, no. I'm
making money. I'm Gallagher 2."
>> [laughter]
>> I think there was some sort of a legal
dispute. Find out if that's correct.
There was a legal dispute between them.
Galler's younger brother, Ron, who
shared a strong likeness to Leo, asked
him for permission to perform shows
using Gala's trademark sledgeomatic
routine. Leo granted his permission on
the contingent on the condition that Ron
and his manager clarified in promotional
materials that this was Ron Gallagher,
not Leo Gallagher, who was performing.
Ron typically performed in venues
smaller than those of which Leo
Gallagher performed. After several
years, Ron began promoting his act as
Gallagher 2 or Gallagher TO or TWWO. In
some instances, Ron's act was promoted
in a way that left unclear the fact that
he was not the original Gallagher. Leo
initially responded by requesting only
that his brother not use the
sledgeomatic routine. [laughter] You
can't use the [ __ ] You can't use the
sledgehammer. Rod nonetheless continued
to tour as Galler 2 using the routine.
In August 2000, Leo sued his brother for
a trademark violations and false
advertising. The court ultimately sided
with Leo and granted an injunction
prohibiting Ron from performing any act
that impersonated his brother in small
clubs and venues. This injunction also
prohibited Ron from intentionally
bearing likeness to Leo. What? Imagine
you can't look like your brother.
>> [laughter]
>> Cut your mustache.
>> Yeah, you got to change your mustache.
You got to get rid of the beard. That's
crazy.
>> So, did um did Gallagher continue with
his career after he kicked his brother
out? Did he come back?
>> Probably.
>> Was that part of it?
>> I think it was.
>> Yeah, I think. I don't know.
>> No, but you mean does it say it there?
>> Didn't say it here or not.
>> It doesn't say
>> not specifically in this paragraph. No.
>> Does Did when did Gallagher uh start
performing again? Put that in a search.
see what it says because I think he did
start performing again.
>> Yeah, he says it's uh he was rushed to
the hospital after performance in 2011.
>> Oh,
>> so
>> okay. And what year did he sue his
brother?
>> 2000.
>> Oh, so he did start doing comedy again.
So that's it. Yeah.
>> So he's like, "Hey, motherfucker."
>> Yeah. He had a special in 2007 and 2014.
>> Yeah. You can't be doing that with
Gallagher 2 running around siphoning off
of your crowd. [laughter] You know,
people like, "Honey, you want to spend
50 bucks and see Leo
[laughter] or do you want to spend 20
bucks? See basically the same [ __ ]
>> and see Ron
>> see [laughter] Ron smashing [ __ ]
cabbage."
>> You know, then you had u carrot top.
>> And imagine saying, "Yeah, you could
perform, but you can't use a
sledgehammer." [laughter]
>> I would use a mallet. What about a
mallet? Can I use a mallet?
>> Can I use a baseball bat?
>> Can I just have someone pitch me things?
and I smash them into the crowd.
>> Yeah,
>> you can't own that.
>> That's that's a different thing. I'm
handing out oranges and tomatoes
[snorts] in the audience.
>> Yeah. I honestly I don't give a [ __ ]
what you do as long as you like what
you're doing. It's like I love certain
kinds of music that's completely
opposite to other [ __ ] that I love. I
mean, I I like all kinds of stuff. I
don't think you should pigeon hole
yourself with with anything. But I would
not take my kids, especially when they
were really young, to see someone who's
like very sexual or really rowdy or
really runchy. Like I don't want to say,
>> you know, the the caveat to this is he
was in the green room and they were
looking right at him. Like they introd
>> Oh, so he didn't say, "Hey, bro, you got
young kids."
>> Yeah. Hey, cuz I would say, "Hey, man,
tonight you know." Yeah, it's at an
event, bro.
>> Oh, I would definitely do that if
especially if you were another comic and
you brought your kids out, bro.
>> Yeah, cuz Juan Verel used to bring on
dick sucking. We got to [laughter]
>> like, yo, yo, you got to you have to get
him out of here.
>> They don't need to know about all these
techniques.
>> Yeah. So, that that's weird, you know,
but
>> Yeah, that is weird. But, you know what
I mean? It's like time and a place like
who was he doing it for? I mean, they
probably knew what he did before they
hired him. They probably wanted that.
Someone's a fan,
>> which is fine, but just don't invite
kids.
>> And like like I said, I didn't all I did
was, "Hey, Hassan, let's go." And that's
it. I didn't Hey, y'all should have been
I'm like, "Hey, man, do what you do, but
I'm getting my kid out of here, man."
And then you get the phone call. Hey,
man. Why you leave? You don't really
want to know why [laughter]
I'm leaving cuz you are terrorizing my
child's [laughter]
saying. So, yeah. It know. But I
definitely wouldn't take my girls to to
like none. I'm like nothing.
>> They don't need to see that early.
>> Not not at all.
>> My wife got mad at me when I think my
one of my daughters was six, the other
one was eight. Uh I had him watch the
movie Alien.
>> You ever see that movie Alien? The
original movie? Yeah.
>> [ __ ] terrifying. And I was like,
"This is too young. This is too young. I
[ __ ] up."
You know, uh I think Hassan
watched Annabelle
when he was young and it was
>> Oh, Annabelle's creepy.
>> It was he was traumatized. He watched at
somebody else's house.
>> Oh.
>> And you know, with some other kids and
they and they were like I guess they
they understood. But Hassan was it was a
whole problem. Like you talking about
sleeping with all the lights on in the
house. Like I want all the lights on and
I'm sleeping in your bed. Right.
>> Do you ever go to that place in Vegas?
The It's uh Haunted M Zach Baggins
Haunted Museum. He has the Annabelle
doll there.
>> Wow.
>> Yeah. There it is.
>> Which one is the one on the right?
>> Oh, hell no.
>> That's the real one.
>> Is the one on the left the movie one?
>> Yeah.
>> Oh, really?
>> Interesting.
>> Wow. So that Annabelle is both on creepy
as hell to me. But
>> well, there's something kind of extra
creepy about the one with eyes like a
person, the left one.
>> That's insane.
>> You believe in ghosts?
>> Yes.
>> Really?
Have you had experience?
>> Um, no. Oh, no, no, no, no, no. I it I
have. Let me go back. Let me let me say
that. I do believe in ghosts. So, my old
house where my mom stays at now, it's a
girl that lives there. You know, I don't
know what happened at this house, but
it's definitely a girl that lives in his
house. But she would only come from like
the hallway bathroom to the kitchen. And
I remember during the pandmic
>> Wait a minute. You say a girl, you mean
a ghost?
>> Yeah, that's that's a girl.
>> Okay.
>> She's definitely a girl. And I remember
being during the pandemic, I was in the
den and I was working on I was working
on something and literally I just turned
and said, "So you up, huh?" And cuz I
could feel them. I was like, "Yo, cuz
and I had to go back through my family.
A lot of people in my family have
experiences with past relatives that
that passed on. My uncle said he saw his
his dad was my grandfather um in his
shoes. And my mom said she saw my
grandfather before and that lived in
that died in the house that they had in
Mississippi. But yeah, I believe in
ghosts. I believe in unsettled spirits.
[sighs]
>> Definitely had a girl that lived in that
house.
>> My grandmother, the one I was telling
you about before, she was very
interesting and she uh she really
strongly believed in ghosts. And there
was a guy that stayed with them for a
while. They had a um um like an upstairs
area that they weren't using once the
kids left. And so they rented out like
it was like an attic space that they had
converted or I forget exactly what it
was. Anyway, they rented out a room to
this guy where whatever the
circumstances were and he died and my
grandmother swore that that dude stayed
in the house.
>> Yeah. I I believe it. I think it's
possible that what if something happens
to you that if you're dying, it's a very
traumatic experience. And I have a
feeling that we don't totally understand
memory.
And we assume that memory is something
that only human beings have or that only
animals have or that only creatures
have, living creatures have. I don't
think that's real. I have a feeling
there may be a type of memory from
particularly traumatic experiences that
stays in a space.
And I think this is one of the reasons
why they have to disclose within a
certain amount of time someone's been
murdered in a house in a lot of places
before you buy it because people don't
want to live in a house that's got that
energy in it. Because I think I think
things keep energy. I think they do.
They they I think there's something more
to memory than just as simple as oh
remember when we were five. I think
there's something else there. I think I
think that's our memory. But I think
there's a type of memory in things.
That's what I think.
>> I I believe in the unseen world. So I
believe in gens, you know, I believe in
angels. You know what I'm saying? So
it's an unseen world. That's not, you
know, our thing. But it was things that
was things here before us, you know. So
>> I think there's things here with us.
>> Yeah, definitely with us.
>> People who don't think that haven't
smoked DMD, [laughter]
>> but I definitely get a hold of some DMD
and you're like, "Okay, I don't know
[ __ ] There's there's [laughter] things
around me all the time. There's things
that are influencing you all the time."
And this is like when we talk about like
good energy and bad energy. One of the
things you experience in psychedelic
states is a clear recognition of like
good things that you've done and bad
things you've done. Good. The good way
of thinking, the good way you think
about things, a positive way and bad.
Like I remember having negative thoughts
in an experience once and it was all
these like dark fractals. And then I
realized it was trying to show me that
these dark fractals, these crazy
geometric, these like scary patterns
that I was seeing was because of my own
thoughts. And then I released them and
it turned into beautiful geometric
patterns over and over and it kept
saying like look at this and look at
this and I was like oh
it's actually the way you think changes
the world around you. It has an effect.
It might not have the ultimate effect.
It might not be 100% of what happens to
you and in your life but it has a
meaningful effect. We just can't measure
it. And there's things that are out
there, whatever they are, they have some
kind of consciousness that are around us
all the time. We just don't have the
senses to take them in. Just like when
you wave your hand over an earthworm, it
has no [ __ ] idea you're doing that.
We don't have the senses to understand
that there's things around us. And
people have been writing about these
things for so long to discount them all.
They're all liars. They're all
delusional. They're all crazy. I think
that people discount on dudes of
thinking that they were on drugs.
>> Well, they probably were,
>> but it doesn't mean they're wrong. It
>> It doesn't mean It doesn't mean they're
wrong. You know, like
>> like a um a drunk a drunk really don't
tell a lot of lies.
[laughter]
>> A drunk
>> a drunk don't tell a lot of lies. It go
I can't I'm drunk. I can't remember all
that. I'm just saying what it is, right?
>> You know what I'm saying? But when you
when people like LSD, you know, you you
hallucinate, you know, or mushrooms or
these things, people like, well, you
only saw that because you was on this,
but maybe that's the portal on how you
see certain things.
>> I think there's certain things that we
block ourselves from being able to see
by our own protective instincts. We
protect our thoughts. I mean, this is
why people, I think, get paranoid when
they smoke weed. One of the things that
weed does is it dissolves all these
artificial barriers that you've put
between you and and the thoughts of real
danger. They all they're all there. You
realize your vulnerability. You realize
who you are.
>> So just think of how years ago how weed
was viewed, how marijuana was viewed. Um
it was taught that marijuana is the
gateway drug to crack. Like right
>> I didn't believe that. Like how does
that even correlate? But it's for those
who are trying to find an ultimate high.
Maybe you just smoke weed and that's all
you ever did, you know, and you wasn't
trying to find another high. I think
some people try to find another high.
Like now,
man, a lot of these young people are on
so many different things at the same
time. Like what are you searching for?
You know, they popping pills, doing
coke, drinking lean, doing everything
all at the same time. Like, what is and
drinking like what what what are you
trying to escape, but what are you
searching for? You know, and I just know
people who just smoke weed and still
smoke joints. Like, they don't smoke the
I know people who grow their own blood.
They not even trusting what's going on
now. Now, they finding fitnol and all
this marijuana, you know,
>> and pesticides. pesticides,
>> horrible pesticides. Because what people
don't know is that a giant percentage of
all the drugs or marijuana rather that
people are buying in places where it's
illegal, they're growing them in
national forests in California. And the
cartel is doing it. And the cartel uses
a bunch of pesticides and herbicides
that are illegal, like real toxic [ __ ]
And they find them doing it all the
time. They find these growops in the
forest all the time because it's a
misdemeanor. So because marijuana is
legal in the state of California,
growing it is just a misdemeanor. So you
could have a full-scale grow op, you
know, public land out in the forest and
these guys find them there all the time.
A friend of mine found one in a ranch
that he works at. He followed these PVC
pipes and he realized some guy was
diverting water into this little area
that was on Tahone Ranch, which is a big
ranch outside of Bakersfield. But um
this dude that was on my podcast before,
his name is John Norris. He wrote a book
about it. He was a game warden and he
had a it turned into a tactical unit.
They had to get like dogs like Belgian
Malmois and [ __ ] with bulletproof vests
and they're going in there having
shootouts with the cartel cuz the cartel
had set up these marijuana grow ops in
the woods and it was his job to police
that area. It's like, okay, I guess
that's what we're doing now. And then
they It's a crazy story, man.
>> Sound like moonshine. That's why you
doing moonshine. Exactly.
>> And just think Moonshine Moonshining
developed into NASCAR.
>> Exactly.
>> Exactly. They had to outrun the cops.
>> Yeah.
>> Yeah. That's what NASCAR came about
from. It's fun. It's I mean, listen,
also it's Al Capone, you know. It's uh
all the the mob. They were all running
alcohol and there's a lot of people that
were connected to them. You know, some
people believe that JFK's dad was
involved in alcohol, but that's
disputed. But the point is like a lot of
people were making money selling alcohol
and they were all criminals, all of
them. And so what are you doing? Are you
stopping people from getting marijuana?
Nope. What you're doing is you are
empowering a criminal empire and you're
giving them an an immense amount of
money and they're probably going to have
to kill a few people because people get
in the way. They're probably going to
have to rob a few people because people
are competition. There's a little bit of
a problem over here. We got another guy
growing.
>> When we live in we live in a a society
where the bad guy is definitely
romanticized,
>> right?
>> So, how do you stop people from wanting
to be the bad guy when it's so
romanticized in in everything? You know,
>> it's romanticized to the point where
John Wick is a good guy.
>> Yeah.
>> John Wick is a contract killer for the
Russian mob. He kills who knows how many
[ __ ] people and he's the good guy.
>> But but you got a problem with the
Iceman.
>> Right. Right. [laughter] Right.
>> Iceman was a terrible person, right?
>> You know,
>> he did it with poison. John Wick at
least look sexy in that suit.
>> But you cannot wait for John Wick six to
come out. Wait. [laughter]
I love those. Well, the John Wick movie
though like he had a reason. They killed
his dog and they stole his car. They
[ __ ] up. They [ __ ] up. They stole
the wrong guy's car and they killed the
wrong guy's puppy. And so you're rooting
for him. You're rooting for him to kill
all these bad Russian guys. But you
don't realize like that guy's been a
contract killer for the Russian mob for
who knows how how many dads is he
assassinated. How many [ __ ] people
that have families that will never come
home to them because of John Wick
>> and Yep. And sometimes a lot of times,
you know, people don't care. You know,
that's weird.
>> Well, we're weird. We're a weird animal.
We're a weird animal in a constant flux
of thoughts and, you know, trying to
figure out what's the right way to think
and the wrong way to think. And people
join religions for it. They'll join
cults for it. They'll join political
movements for it. They just want to find
a way to think that makes them feel
better than the way they think right
now. You know, with
with
the need to feel better outside of
yourself,
you know, or
your family,
you know, or being,
you know, great to society. I think
that's
detrimental to to to this society where
I just need I personally need to feel
better, but I don't want
the community around me to feel better.
And in my mind, if everybody around you
in the community feels better, I think
it makes for a more harmonious,
you know, environment than me just being
the only one.
>> Yeah. Because you're a wise person. The
problem is there's a lot of people that
aren't wise and there's no one wise
around them. And that's that's the real
issue is that there's a extreme lack of
like a a a good direction book of how to
lead a solid life. You're not taught at
school. In school, you're taught to sit
down and learn some [ __ ] that you don't
give a [ __ ] about learning. Memorize
this. Be do good on the test. You got to
get a job. What's a job? Well, you got
to sit there and do some [ __ ] you don't
want to do to get some money. And with
the rest of your time, you could do
whatever you want as long as you keep
showing up every morning at the same
spot. Okay. And then that sucks. And so
what do you want to do? I want to escape
this suck. So what do I need? Cold
syrup. Okay. Give me some of that. What
do I need? Weed. Give me some of that.
Add aderall. Oo. Add aderall makes me
like the job. Okay. I'll take this [ __ ]
every day. Now I don't give a [ __ ] Now
I'm trying to get ahead. Next thing you
know, I'm moving up the corporate ladder
and I'm on a [ __ ] animal, bro. Cuz
I'm on aderall. You're basically
[laughter] on meth.
You're on a welldesigned slow drip
amphetamine and you're out there [ __ ]
sleeping four hours a day getting [ __ ]
done, you know, driving a Jaguar.
[laughter]
And this is the problem with our society
is that like people don't have a real
there's a lot of people out there that
don't really have a purpose. They don't
have a real feeling of purpose in their
life. You are very fortunate because you
found a thing that you're really good at
that you love to do and you make a great
living doing it. A lot of people don't
have a thing and they don't never they
never never were taught to pursue a
thing or they never saw anybody else do
it and they realized they could do it
too and then next thing you know they're
married and they have kids and they're
in their 30s and then they're in their
40s and they feel like [ __ ]
>> I ask you a question.
You have a team, correct?
>> Team of people.
>> In terms of what?
>> Team of people that
>> Sure. Okay.
Would do you think your team is happy
doing whatever they do for the team?
>> If I didn't think that, they wouldn't be
working.
>> Okay. So, you don't want to be the only
one happy on the team.
>> That's terrible.
>> So,
>> and you don't want to also have someone
on the team that is one of those people
that just was never happy.
>> That's a problem, too.
>> Yes,
>> that's a problem, too. So
>> there's there's people out there you
can't fix.
>> So with like I I produce other people's
specials now and comics are hit me. Hey
man, I want you to distribute my
special. I want you to do this for my
special and the hardest thing cuz I'm a
small company. the the the the hardest
thing is when I have to explain to
somebody why it's a no, you know, on
this particular special. And it's not
just my no, it is for other people's no.
Because I tell people and I explain
this, if we doing a special with you,
you have to get the approval of all five
of us cuz we all five do different
things. And I want everybody who's
involved in your special to want to do
it. Not they have to do it because it's
a part of the company. No, I want them
to want to do it. And I say I'm not
putting you through a process that I'm
not putting myself through. You know
what I'm saying? And I've test and I've
tested this team with me
>> um giving them a special that I knew
that wasn't special.
And I'm the the head. I'm like, I sent
it out and they
[laughter] we brought it back to the
table and it was a lot of silence at
first. I'm like, "So, what we think?
What we thinking?" And they was like,
"I don't know." Like, I like, "This is
horrible." I'm like, "I'm just listening
to everybody's, you know, opinion on
it." And they like, "I don't understand
the direction. I don't understand where
you're going with this. I just, you
know, we gonna have to fix a lot of it."
I'm like, and I'm just sitting there
listening. And we took the vote.
And when we turned the vote in, it was
five nos. And they was like, "So did
what what was your take on?" I said, "I
knew it was a no from the beginning. I
just wanted to make sure that y'all
wasn't going to try to fluff me with the
cuz he's the head. I'm we're going to
say yes." And I'm like, "Good." So
anytime we do a project, you saying I
put it on the table just like I put
anybody else's project on the table. And
you got to get all five people. If you
want me to finance, you got to get me.
Then you got to get the marketing person
that's going to market it. Then you got
to get the director. You got to get the
um the manager. You got to get everybody
so they can feel good about pushing your
project. I don't want anybody pushing a
project that they don't like.
>> That's very smart. Yeah. So you make it
a democracy.
>> Smart.
>> So if you got all five of us, then now
we ready. You know what I'm saying? And
and now I'mma feel good about somebody
coming to me and say, "This is going to
cost this,"
>> right?
>> Because I know they're doing it out of,
"Hey man, this is what's going to cost.
We gonna figure it out. We" And I'm
like, "Cool." But when even when I do a
special, man, they it is a lot of
you don't want to talk about this part.
Like
no, like we should talk about this part.
and and it's been some decisions that
have been made that was
it was my call at the end but it was
somebody else's idea like with domino
effect it would have never been a domino
effect two three or four if I would have
stuck with the name that I started with
the name was 1983
>> so how what it was going to be 83 86
[laughter]
>> like it's like and I've rug it um which
won uh what three Rebby awards. Rugged
was was the original name was I'm not
Handy. And Eric called me was like, "No,
we're we're I I've listened to it. I
watched it so many times. I think that
we should go with this name." And he he
gave me the name and I sat on it for a
day and then I called him back. I'm
like, "Yeah, you about right. I'm
>> That's good. That means you got good
people. you. And I think that you people
should put like right now I'm on the
custom fit tour. Um well I'm I'm off
into August cuz I'm going to take six
weeks of vacation.
But custom fit
is not going to be a special. It's just
the tour that I'm doing now because the
specials that I'm writing
are different than what I I just wanted
to take this time to just do some
material. I didn't want to be working on
the special, but the theme is about
people think custom fit is about
clothes. It's not about clothes. It's
about tailor making the people around
you. You know what I'm saying? That can
you can be a benefit to and can be a
benefit to you. You know what I'm
saying? Not just having these people
around cuz you know sometime people have
a bunch of people around that secretly
despise them,
you know, and secretly despise their
success. And that's uh that's
detrimental to anything.
>> Haters. Yeah.
>> Yeah. Sometimes haters will get real
close to you, stay stay next to you.
>> It's a problem. I mean, when you're in a
position like you're in too, when you're
producing other people's specials,
you're going to get a bunch of people to
come to you that you don't want to do
their [ __ ] It's just like owning the
club. The same issue. The way I bypass
that, I put all the power into Adam.
Adam Eaggan decides who's there and
who's not there and how how the the club
gets scheduled and you know who passes
and who doesn't and he's really good at
it. You know, he's really good at it.
He's I trust him implicitly so I don't
have to think about it and I like it so
that when people say I want to work your
club, I'm like, "Well, you got to talk
to Adam." I just perform. I might be the
owner, but I just perform there. I don't
I don't think about it in terms of like
how the scheduling is. I often have to
check the website to see who's there. I
don't know who's there, you know. It's
uh it might be mine, but I got a guy who
does it and he does it really well. So,
why would I get involved in that?
>> When I
>> It's easier to not
>> When I had um when I had the club in
Houston, I couldn't be funny in the club
at all.
>> Why not?
>> Cuz I was actively working the club.
>> So, I'm on stage and I'm worried about
>> Oh, I see.
>> So many other things, right? you know,
going on like, "Yo, did you just drop a
glass on the ground?" [laughter]
>> Like, I'm I'm it it I didn't have enough
help. So,
>> you got to get the right help. I got
very fortunate in that a lot of the
people that I took to Austin, they were
from the Comedy Store and they were out
of work. So, the comedy store closed
because the [ __ ] stupid government of
LA, they wouldn't even allow them to do
outside shows. Wouldn't you couldn't do
an outside show in the parking lot of
the comedy store. They wouldn't allow
it. It's so stupid. They were closed for
like a good solid year and a half. They
couldn't support paying all these
people. So, they had to get rid of them.
And I moved here and at it's the same
time. It just by chance. It happened at
the same time. And so, they were all out
of work. And I said, "Hey, let's get the
band back together again. Let's let's do
you guys want to move to Austin?" So, I
paid for everybody to come out here and
I paid for them. I gave them a full
salary with everything for like a year
and a half or so, maybe even more, maybe
two years before anybody had to go to
work because the club wasn't open. So, I
was like, I want to give you a job like
so you could settle in, get used to
Austin. You're going to get paid like
you get paid like you're working, but
you don't have to work.
>> But I love you. I know you and you know,
come here.
>> Very admirable with with the store. I
just performed at the store um main room
for um TDE. They had a a thing before
BET Award, so I popped in. And the the
comedy store has a certain politics to
it that you know, I like the other one a
little more even though all they serve
is pop
>> improv.
>> No, the the other comedy store.
>> Oh, La Hoya.
>> Yeah. Laoya is the [ __ ]
>> which is
>> that place is the [ __ ] What a club.
They just don't have food.
>> No,
>> you pop popcorn drinks.
>> I don't believe in food in comedy clubs
either.
>> Yeah. So,
>> but it's just a different environment.
La Hoya is like very nice, beautiful
place. That club is awesome.
>> I I love performing there. And with the
store in LA, it's like you get there and
it's very it seems very, you know,
segregated.
>> This is now
>> to to me that's when I
>> How long ago was this? I just performed
um what last week, last Wednesday.
>> That's um
>> that's sad to hear because it wasn't
like that before.
>> It seemed like the main room and the the
room around the corner and the belly all
these rooms are different spaces and
that's to me and I may just it may just
be that feel because I'm not there a
lot, you know, but when I come when
before I came that time but the
management walked up was very pleasant.
>> What do you mean by different
[clears throat] spaces? But obviously
the different rooms, but I mean they
>> What do you mean?
>> It seemed like the main room is
different from the room around the
corner.
>> Well, it is different. But what do you
mean by feels different?
>> It feel It feels a little different.
>> Well, I mean just by its design, it's a
big showroom. It's It's brighter. The
ceilings are taller. And then you get
into the original room, which is just
tight and perfect.
>> The original room is like that's where
you find out what's real. You know, I've
seen a lot of people have rough sets.
They were real real confident going into
that room. That room is a truth serum.
>> I like a tight room like that.
>> Well, then then there's the belly room.
The belly room is the ultimate truth
serum. The trying out new jokes in the
belly room is the place cuz you know it
only seats 70 people.
>> You can't you can't [ __ ] those
people. They're
>> that's the that's the the creme de creme
to me is a tight small room.
>> The belly room is I came from such a
good room.
>> I came from small audiences.
>> They're the best. It's the best for
finding out if jokes are real. There's
nothing like a small crowd. Like in our
club, we have the little boy. The little
We have our our rooms are named after
the bombs they dropped on to on
Hiroshima and Nagasaki.
>> And uh Little Boy is only 110 seats.
It's a super low ceiling.
>> This is when you know it's it's those
times in in comedy when you knew that
that's what you actually love to do. And
I remember I was in San Antonio at this
this place called Santa's. Um he he
literally owned the whole strip, the
club, the washer, the corner store,
everything. The guy named Santa. I
didn't know that he owned it, but it was
like a rainstorm or something. It got
the show got rained out. And it is
literally three people in this room.
It's two ladies and it's Santa. And I
don't I don't know that this is him at
the time. And we had to go on to get
paid. The promoter was like, "I'm not
paying nobody who don't go on. We still
doing the show." I'm like, "Okay." So,
and this is a $100. He's getting paid
$100. And he was like, "Who who going
up?" I'm like, "I'm definitely going
up." And I'm going up first. Like, I
don't I don't care. I did like an hour
and 30 minutes [laughter]
for three people. And I was like because
I kept looking like anybody else going
over there. He was like no we good. I'm
like I and Santa I remember he he
finally revealed that he was the owner
of the club and he was like well let me
take you to the back. He took me to the
back and he gave me like $700. He was
saying for performing he say yeah man
you you wasn't scared and me and my
friends had a good time and it was like
three people. It was literally this dude
named Vance put the show on. It was like
three advance tell anybody the story so
he was like this is when I knew Ali was
different when he went out three people
he went first and he's like an hour and
30 and he was like and it didn't look
like he was coming down I'm like yo bro
I'm I'm I'm here this is what I do I
don't and I need that $100 so [laughter]
so that's definitely some extra
motivation
>> crazy that no one else wanted to go up
>> they was like no and another time I was
at WY um it was a WY college and Marcus
was performing and the mic went out and
it's like all these people in this in
this auditorium, the same place they
shot um Denzel shot the movie The Great
Debate. So we in we in this auditorium
and the sound goes out and they start
ribbing Marcus and I and I was in the
back. I was like what's going on? And
he's like the sound went out and I
walked out. I was like what what's
happening? And I said, "Hold on, Marcus.
Let me let me let me ask him something.
Wait a minute. I know damn well y'all
not in there trying to get somebody a
problem because y'all got us in. We
didn't bring this sound system. Got us
in fair east side high performance
broken clock and and so I said, "Listen,
Marcus sat down in the back." I said,
"Yo, this is what we going to do. I'mma
talk. Y'all going to laugh. Then I'mma
talk some more. But y'all can't be
laughing all along because we don't have
no sound. I'm not supposed to use my
real voice in this." So I'm at like 45
and then I look back at Mark. I say,
"Hey man, you want to come back up?"
Mark was like, "No." Like you you got it
[laughter]
like a like an hour and 20. He's like,
"Yo, Ali's nuts." I'm like, "No, this is
what I do and I'mma figure it out." We
did a show at the improv once in
Hollywood and um the power went out and
they were going to cancel the show and
we were sitting there talking and I said
why don't can we light the stage somehow
and they said yeah we can get a um
emergency light attached to like a
generator and we could put a you know
put the run the wires through the crowd
and put a emergency light on the stage.
I go that's that. We'll do that and then
we'll just do stand up with no mic. And
we did the whole show with no mic. It
was the opening, middle, and then me. I
did a full hour. It was amazing.
Everybody had a great [ __ ] time. It
felt special. It felt very unusual.
>> Yeah.
>> You got to see what it's like like when
you don't have a microphone and you're
you're projecting to the back of the
room. Changed my pacing on things,
>> but it was great. It was It felt cool.
It felt like you were doing something
and the audience was into it. I go,
"Look, we're going to have fun, right?
Like, [ __ ] it. Who cares? This is gonna
be this is never gonna happen again
probably ever.
>> I've never I've been doing comedy 30
something years. I've never had that
happen where I did a show with no
microphone except that one.
>> So this is the thing. These are the
experiences that
as a comic going through the trenches
that some comics never have,
>> right?
>> Because they didn't come up that way.
And you have a different set of chops
when you come up a certain type of way.
I've come up and just joking had to be
the craziest
place cuz some some nights you'll come
in there it's like nine people but these
nine people are into comedy and Alice
would be like we got to do the show like
it's not a
>> it's we we don't have a limit. We got to
do these people that's here cuz what the
thing is that whole idea that the show
must go on regardless regardless too.
Well, I learned that from Paul Mooney,
too. And one of the things that I
[laughter] I did a show at the comedy
store. It's like the first time that
Mooney ever complimented me and that I I
was always scared of him cuz like Mooney
didn't like you was terrifying because
he was a legend. He was a legend. Wrote
for Richard Prior and it was like the
way he carried himself like he didn't
like you like and I was 27, you know, I
was young and stupid and uh I I went up
because I would always go up last or
late. I had late spots and uh there was
like 15 people in the room, but I did my
act and I heard in the back of the room,
he was laughing, having fun, and then he
grabbed me afterwards. He goes, "You're
a real [ __ ] comic." He goes,
"That's what a real comic does." He
goes, "All these other [ __ ]
they went up there and they did, oh,
where you from, [ __ ] I know where I'm
from. Tell me some [ __ ] jokes. Do
your [ __ ] act. And that's what you
did." And I was like, "Wow, Paul Mooney
likes me."
Me and Paul had a different type of
relationship. [laughter]
>> Did you and Paul not get along?
>> Um, it one I have to always say I love I
love Paul until I met him. [laughter]
>> It's like Paul was on some [ __ ] when
he when I met Paul, man. I was at the
improv and I was featuring for him and
the improv had got me to feature for him
and I was like cool I'm excited I get to
meet one of my idols in this game one of
the people who changed the course of my
pacing cuz it my my lineage just sitting
down
I passed through Paul so it's when I
first started I was a crazy man I was
all over the place thought that you had
to have this all this energy and Then
this guy named Dez White walked into the
club one night. I was there and Dez
stood in the same exact place all day.
He never took the mic out the stand, put
his drink down the stool and Dez just
stood there and he was destroying this
room. Never took the mic out the stand.
And people and he always people say,
"Dez, Dez, why you don't take the mic
out the stand?" And he's like, "Because
there's a stand. [laughter]
Let it let it hold the mic." So,
>> uh, some of my favorite comics don't
take the mic out of stand. Ron White.
Yeah.
>> Ron White just stands there with a drink
on a stool, sometimes with cigar, just
killing with the microphone in the
stand.
>> Oh, man.
>> Joey Diaz.
>> Joey Diaz keeps the [ __ ] mic in the
stand and he makes me laugh harder than
any [ __ ] human being that's ever
lived.
>> That So, I'm going to go to I'm finish
Paul and I'm going to go to Ron. So what
did he do though?
>> So I'm in um the green room and at the
old Improv where they had a downstairs
you would come through the it used to be
a rainforest cafe. Yeah. So it was
spellbinding at first and then it
changed. So
>> I'm sitting in the green room and like
it's a main part then it's a smaller
part.
>> He walked into the small part and said,
"Hey,
go count the room."
And I'm like, "What?" Yeah, come count
the room.
I was like, I don't I don't work here
like that. I don't count the room. And
he was like, yeah, all right. Then he
walked out
and then he came back like maybe 25
minutes later. Yeah. Tell you and your
little white friend that it's packed out
there and I want my bonus.
What? Like what white friend? What are
you What are you talking about? Raymond
Cook is the manager of the club at the
time. He was talking about Raymond and I
was like, "Yo, Paul, I don't count the
room. I'm I'm the feature. Why would I
be counting the [ __ ] room?" Like, and
then he says something else negative to
me and I'm like, "Yo, pal,
if you say something else to me, I'mma
kick your ass, pal." [laughter]
Like, what the what is wrong with you?
So, I called DL. I'm like, "Yo, I'm
about to [ __ ] beat up Paul Mooney."
He's like, "You can't beat up Paul
Mooney. He's a legend." And I'm like,
[laughter]
even if you beat him up, you're still
not going to win. It's like it's going
to be a loss.
>> So I'm like, yo. So then another time.
Oh. And then later on that that same
weekend, he had this lady with him and
she was sitting at the top and I was
sitting up there and she got up and she
left her purse. So I didn't want to
leave and leave the lady's purse there.
So I grabbed the strap and I got the
purse like this. I came in. I'm like,
"Hey ma'am, you love your purse." And
Paul turned on like, "What are you doing
with her purse?"
I said, "She left it."
And I then only thing in my head is DL.
You cannot beat up Paul Moon. So I just
walked out. I'm like, I'mma [ __ ] Paul
up. What year was this?
>> This is like three years before he died.
And And this was the this is this is the
old improv.
>> This is what I had heard. Um, just for
clarity, he was struggling in the last
years of his life. So you probably
didn't get the best version of Paul
Mooney.
>> So then we we here in Austin, we
performing at the the um the theater
that's right next to the Paramount.
It's another theater that's connected to
the Paramount. The Black Heritage, the
Black Art something have booked both of
us not knowing that we we at odds.
>> So I'm in my green room and the lady
comes, hey um she very nice. Hey Ali,
Paul Mooney's next door. you know what
I'm saying? And you like to meet him
next. And I was like, "No, I'm cool."
And then she goes, "Paul Ali's next
door. You know, I don't know if y'all
want to meet each other." And Paul was
like, "No, I'm cool." And I went up. I'm
in my green room and the host is on
stage and Paul was getting ready to go
up and this was his apology. He walked
by the room and came back like on um
Purple Rain came back and leaned in the
room, hi Ali. And then [laughter]
I mean Paul's [ __ ] nuts, man. And
>> yeah, but he that's you gotta take that.
He you know there's certain people just
eccentric. That's Paul. I mean I
wouldn't have counted the [ __ ] room
either. I would have been like that's
not my job.
>> But Ron White, I was in Orlando.
manager Orlando called me say, "Hey,
Ali, um I know you have a I know you
have a um a feature, but um Ron White
would like to um
you know, feature for you." And I was
like, "I don't I don't know um no person
named Ron White." And she was like, "You
don't know Ron White?" I'm like, "Wait a
minute." Like Ron White, Ron White. I
thought it was like some other guy who's
using his name or something like his
name happens to be Ron White, too. like
Ron White. Ron White. He's like, "Yeah."
I said, "He want he want a feature for
who?" He said, "You." He called and
asked. I was like, "The fuck." I said,
"Hell yeah." So, I called Marcus. I'm
like, "Yo, Marcus, you going to go up
and then you going to bring up Ron
White." When was this? This was like
maybe four years ago.
>> That's crazy. And Ron shows up
in this huge tour bus. [laughter]
Like I'm I'm walking to the club and I'm
like, "Who bus is this?" Then I'm like,
"Oh [ __ ] this Ron's bus got tequila
brand on it and all that." And he's in
his bus. He's not even in the green
room. Then he then I get knock on the
door and his his his manager. He's like,
"Hey, Ron would like to know. Can he
come in the green room?"
I was like, "Ron, why? Yeah, you can
come in the crank room." So, he comes
in. He's like, "Yo, man. I just want to
I love what you do. I just want to do
some time." And Ron went up there and
was destroying this room. And I couldn't
wait to get up cuz I wanted to just talk
about [ __ ] Ron White just pizza for
me. And [laughter]
I'm I destroy this room. And Ron, he sat
out and watched. He was like, "You're
[ __ ] amazing." I'm like in my mind is
I'm still in awe that Ron White
>> wanted to [ __ ]
>> wanted to work with you.
>> Like I was like that [ __ ] was crazy to
me.
>> That's so cool. Well, he you know when
he's working on new stuff that's what he
likes to do. He likes to go around and
does a lot of sets. He's constantly
active. He's at the club tonight. We're
working tonight. He's one of the main
reasons I moved here. Ron moved here
before the pandemic. So I called him up
in like 2018. loved having him at the
store. So, he started coming to the
store around 2014ish,
something like that. And oh my god, we
had so much fun for years and years. And
he had a beautiful place up in Beverly
Hills. And then he just got sick because
he's always traveling. He just got sick
of the long flights and the traffic. And
I called him up. I go, "Why'd you move
to Texas?" He goes, "Austin's amazing.
The food's [ __ ] great. Everyone's
nice. It's in the middle of the country.
If I want to fly to Florida, it's quick.
if I want to fly to I'm like, "God damn
it. Can I live in Texas?" And then the
[ __ ] hit the fan with COVID and I was
like, "I got to get the [ __ ] out of
California. This place sucks. They're
telling me what to do. I This is not
what I signed up for. You tell me I can
work. You tell me I have to wear a mask.
[ __ ] you. I'm getting out of here." And
when I came to Austin, it was like one
of the main reasons why I was willing to
move here. I'm like, "If we never do
comedy again, at least I can hang out
with Ron."
>> That's that's amazing.
>> Yeah. And then everybody else came. And
then once I mean, so everybody says that
I got everybody to move here. Sort of. I
got a lot of people to move here, but
Ron got me to move here. That's the most
important thing. Like, Ron got me to
move here. And then I realized how nice
people are here and how disconnected
they are from show business. And I was
like, "Oh, this is so refreshing.
Everyone's just normal. My neighbors a
normal guy. Everyone's normal. They're
regular people. Just people living their
lives, having a good time, you know?
It's like,
>> and for me, you know, cuz I love
hunting. There's Everyone hunts out
here." Yeah.
>> It's it's it's like a normal pastime. I
tell people I bow hunt in California.
Like
>> Texas is Texas we have been a gym for a
long time and we just let we let other
people feel like they the upper echelon.
We like okay
>> Texas ruled forever. I mean [laughter]
you got to think Kenisonson and Hicks,
two of the greatest of all time came out
of Houston.
>> Yep.
>> And when I was coming here all the time
I knew it, right? So, one of the things
that was good about doing comedy is a
lot of people that moved during the
pandemic just wanted to get out of
California, but they had no idea what
the rest of the world was going to be
like. They had never been to Nashville.
They never never been to Austin. I had
been here a couple dozen times. I knew I
loved it.
>> So, I was like, "Look, I this will be
all right. Like, I'll be fine." Like, it
looks like I'm never doing comedy again.
I was I was like, "It looks like
comedyy's done. It looks like the
they're going to [ __ ] make us just
stay indoors, especially in like blue
cities." Like, this is crazy. You have
to have a vax card to eat at a
restaurant in New York City. I'm like,
this is [ __ ] bananas. None of this
[ __ ] makes any sense.
>> I remember
you guys came, mothership was coming,
>> then next thing I know, Creek in the
Cave was here.
>> Creek in the Cave was here first.
>> Yeah, you saying I'm saying how I heard
about it. I'm like, "Oh, they like Creek
in the Cave." I'm like, "Damn, okay,
Creek in the Cave is coming from New
York and then Mothership is here." And
then, but they had brooms, you know. The
main thing was um what was the room that
that was um so hard to get in at first?
Um it was the Austin Comedy Club. Damn,
I forget the name of it.
>> Vita room.
>> No, no, it was the actual comedy club.
>> Cap City.
>> Cap City.
>> Yes.
>> Um Cap City.
>> That place was always packed.
>> Yeah. You know,
>> I almost bought that place.
>> Yeah, I heard that.
>> Yeah. I almost bought that whole mall,
but the guy the guy who was trying to
sell it to me wanted way more than it
was worth. And then he got roped up in
some FBI investigation. I I was told
>> while it was going on that he was being
investigated and I was like, "Oh, okay."
And then he wound up getting arrested.
And but that building was for sale. The
whole thing was for sale. And I went in
there. I thought about how many shows
I'd been there, how many shows I'd seen
there, how many shows I'd performed
there over the I'm like, I could own
this place? Oh my god. Cap City was the
first place um that I did on the road
with um DL.
>> That was a great club,
>> you know.
>> [ __ ] great club. Perfect club. That
place was amazing. Such a fun place to
work.
>> I think that people don't didn't realize
how the rich history of Houston, Dallas,
Austin,
>> Laugh,
>> San Antonio.
>> LA, bro. Lavtop in Houston in River
Oaks. One of the greatest clubs of all
time. Somebody told me that that
building still exists like that. That
it's still set up like that. That
there's nothing in it. Is that true?
>> There's nothing in it, though.
>> But it's still the same room.
>> Yep.
>> Man, we might have to do a Mothership
Houston.
>> Yeah, that's uh Yeah.
>> See, if there's another city that could
support like a large group of talented
upandcomers, Houston's one of them.
>> Yeah. So, you know, we have um Secret
Group there. We have um
>> they had the other cap city that was
upstairs. Remember they opened up the
second one.
They closed that one and they opened up
another.
>> You're talking about laugh the cap city.
Cap City had another
>> Oh, no. I'm sorry. Laugh stop. Laugh.
That was the laugh spot.
>> Oh, they No, no, no. They had that
already. That already existed.
>> No, the the laugh spot had went upstairs
at on. They had moved.
>> I thought that was a the laugh stop.
Yeah.
>> I thought it was the same group that No,
it was the same group that owned the
Laugh Stop in River Oaks.
>> The Laugh Spot was another place. I knew
that because when I was working at the
Laugh Stop, Ralphie May was working at
the Laugh Spot and we we got together
and we're hanging out and eat dinner.
>> But that was that was that was the old
spot. Then there was the other laugh
stop that they put upstairs. It was a
new but it didn't last. It was only for
a couple years.
>> Yeah. I didn't go to I didn't go to
that. It was a good spot and then it
went under.
[laughter]
>> Yeah. Ari Shafir did it with a Hitler
mustache once.
>> He [clears throat] uh trimmed his
mustache to look like Adolf Hitler.
[laughter]
>> Ari is Ari is is by far the craziest
person that I know. Like I thought my
uncle M was the craziest person
[clears throat] and then I met and then
I met Ari. I'm like
>> this is the craziest person that I know.
>> Yeah. He's awesome.
>> Yeah. And and [laughter]
>> he just moved to England. I'm like,
"Brother, going to stab you." He moved
to England. They will [ __ ] stab you.
They stab people there. Don't Don't get
stabbed.
>> Ari is nuts, but he's such a cool dude.
But he's [ __ ] nuts. I I I said I went
to go see him um at the Creek in the
Cave when he um was getting ready to
film his special. And
I I like, yo, Ari is so Ari is so crazy.
If you just if people took time just
just go through the diff the many looks
of Ari Shafir on internet. The one that
killed me was the half. [laughter]
He was just bald on one side then on
other I was like yo is he doing two face
like [laughter]
>> he is insane.
>> He did two face for Batman.
>> Yeah. [snorts] He's out of his mind. But
but that's really who he is you know.
He's not trying.
>> Yeah. He's not trying. He's not trying.
>> That's what he is. He's out of his mind.
He's [ __ ] a maniac. [laughter]
Complete maniac.
>> When he tore up Bert, when I heard about
him tearing up Bert's check with like
$25,000, he's like, "Yo, I just made
$25,000." He just tore the check up like
they'll write you another one. I'm
[laughter] like, like, are you insane?
Like
like he is he's the craziest person. But
>> he's fun.
>> I've had some great conversations on the
phone with him and he's just
>> and I I was
>> very [ __ ] smart dude. I was very
honored when he called me to do the um
his last the endless
>> and know I was like
>> that's cool to say because that that's
where I that's a pivoting point a major
point in my career when I did um
>> it's not happening.
>> Yeah.
>> Yeah.
>> Yeah. That was a great show, man. It was
a great idea. I remember when he started
doing it. He started doing it at the lab
at the improv. So you remember the lab?
>> Yeah.
>> Another little room. Cool little room.
Um, they should have never got rid of
that room. They they changed that place
and they [ __ ] it up in my opinion.
That's the room the the main room's
still awesome, but the lab used to be in
the back and it was like there wasn't a
big bar there.
>> I think it's still there.
Yeah, Dion Cole when last time I was
there, Dion Cole was there,
>> but it's different. It's not It's not
the same setup. It used to be you went
through a door and it was like another
small room and in that small room it was
separated from the front door. They
moved the front door and now everybody
went in through the parking lot, right?
And so they went into the lab through
the parking lot. So the the front door
was back there that now and when you
would open it, it was all this noise
from the street and they had a curtain
to block off the noise and you'd hear
people talk. They were like right next
to your stage where they were buying
tickets. It was annoying. And then there
was the bar which was right there. It's
still a cool little small room once
everybody settles in,
>> but the original setup was way better.
And Ari started doing it there. I was
like, "What are you doing?" And he's
like, "I'm going to do a storyteller
show." I was like, "What the [ __ ] is
that?" [laughter]
That's what I thought. I was like, "Why?
Why are you doing that?" And then he
said, "Well, it really helps you without
like having to have like punchlines and
setups and have everything really tight.
You could find the beats in a story."
And I was like, "Oh, well, actually,
that's brilliant. That's pretty [ __ ]
smart. It's a a good alternative sort of
way to to develop bits. you know, you
you develop bits by working it out, but
into a more loose format of telling a
story.
>> And and I didn't even know that that's
that was the the premise behind it.
Because when I got it, um it was like
you go on and you tell a true story. And
I was like, "Okay, cool. That's my
that's my thing,
>> right?"
>> You know, and I had um just won Comedy
Central's Comic to Watch in like 2013.
So, you get a package, you get a album,
you get a half hour, and you get a
chance to go on one of the shows that's
already on um Comedy Central. So, they
was pitching me the Adam Divine show and
I was like, I don't like it. And it was
another show. I was like, no, I'm cool.
So, every show that they would say that
they wanted me to go on, I was like, no,
that really ain't my thing. So then
Chase Duso,
young comic, called me and said, "Hey,
listen. You might want to go on
this is not happening." I was like,
"What's that?" He say, "Is a show start
on the internet? You know, you I went on
I I watched both I think both seasons of
it on the internet and I was like, "Yo,
this is the this is the one." So I
called Annne Harris that that come I say
this is a show that I want to do and Ari
didn't know me. Ari is like I don't know
him but Eric Abrams is one of the
co-creators of the show. He's like I
know him so he's pretty good. You should
bring him on. And Ari was already
telling anybody he's like I didn't know
what he was gonna do but all I know it
was a true all you had to do is tell a
true story and I was like perfect. Eric
thought that I was gonna do the story
that I did on the second time that I was
on. But I and I was like when I got
there I was listening to people's
stories and I was like no I'mma do a
lighter story cuz this second story is
Mitchell. It's like when I was going to
kill this co and I was like no I should
do a lighter one. And then I did the
prison ride which is affectionately
known as Mexican Got on Boots and R is
like the best [ __ ] story I ever
heard. I'm like me telling the story
about a riot, a prison riot [laughter]
like you know and I telling what
happened and I only did like 16 minutes
of what happened. That that was a whole
that was a whole ordeal. Like it wasn't
a 16minute riot. It was like nine hours.
Like the whole thing is like nine. I
only told the beginning part of it which
was you know pretty cool.
>> You know what happened Ari lost the show
right? Yeah.
>> Yeah.
>> And so that so when the show came back,
it was with Roy Woods,
they called me to do it
and the loyal spirit in me. I called
Ari. I was like, "Hey, they want me to
do this show. I'm really not [ __ ]
with it." And he's like, "No, no, do
it." I was like, "What?" He's like, "I
heard about all the stuff." He's like,
"Man, do it. Eric Eric is still shooting
it." You know what I'm saying? So, you
should do it. He goes, "We wanted you to
be the host, but they didn't they didn't
want you to do it." You know, they got
Roy, which is cool.
>> I don't think they wanted anybody
affiliated with Ari to do it.
>> Yeah. So,
>> they were punishing Ari.
>> So, when they
>> We should tell people why. So, for
people that don't know, um they Ari got
a deal. he got an offer to do a Netflix
special and he wanted to do it and um
they wanted him to do the special on
Comedy Central and he said, "Well, I
don't have to. It's not in my contract."
They said, "Well, if you don't do it,
we're going to cancel your show." And he
was like, "Wow."
>> I can't believe you would do that.
>> And that ain't what you tell Ari.
>> Nope. No. So, we were trying to figure
it out. I offered to host it for free. I
said, "I will come in and host it." I'd
already done it. So, I'll come in. I'll
host it for no money. I go because he
wanted to make sure that everybody was
paid. He was going to take out a loan
and Ari was going to pay all the grips,
all the camera people because they, you
know, these people, they chart out their
year. They're like, "Oh, I'm doing this
is not happening for the next six weeks
and then I'm doing this for five weeks
and I'm that's their year and that's how
they budget their life." And Ari decided
that he was going to take out a loan to
pay everybody. So, and I'm like, "Wow."
I go, "Listen, man. You go tell Comedy
Central that I'll host it for free."
They weren't interested. They weren't
interested in anybody affiliated with
him. He tried to He offered up a bunch
of other comics. Yep.
>> They weren't interested.
>> So, I was in that group of the the bunch
cuz I know it was you, it was Joey, it
was me, Bert,
>> and they just got me to do it. Once Ari
told me he was cool, he's like, "Man, do
it."
>> Yeah. Ari would never try to stop
anybody from working. So what I what I
went on and and did in my protest of you
know you didn't want Ari. So what I did
was told a story about Ari. [laughter]
I just told her like okay cool like my
story is mushroom story which is an Ari.
I was like second and I thought I was yo
second season I did this show Ari gave
me uh mushrooms [laughter]
and and I went through the whole thing
of what happened when AR gave me the
mushroom. I ate the mushrooms. I didn't
know that they were mushrooms.
Mushrooms. I thought they were something
else and it was like a I ate a mushrooms
and it was a long
day. [laughter]
>> Rude thing to not tell you to not eat
all of them. And and I remember Janice
Janice was my assistant and I remember I
had to fly the next day and I'm still
I'm still gone. I'm out of my [ __ ] So I
get to the airport and I call Janice. I
said, "Janice,
people are going through this machine
and then I'm not seeing them anymore
[laughter]
and it's like he's nuts. He's going like
and Janice said they they probably going
to various places. I was like but I
don't want to go to various I want to go
to Houston. [laughter] So then when I
get up to the TSA I said hey
I'm seeing a lot of people go through
this machine and then I'm not seeing
them anymore.
Where are they going? The man said man
various places. And I got out the line.
I called Jan. I said you are right. They
are going to various [laughter]
Dan's like, he's nuts. Like he's losing
it. I'm like, yo, I was so toasted and
just getting on the plane with still
full of mushrooms. It was I just I
wanted to just close my eyes, but the
[ __ ] just wasn't working. It was like I
was out of it. I never It's mushrooms is
a crazy thing. It's a crazy thing. And
that same week, um, cuz I was there for
a couple day, Joy Diaz gave me a black
star. [laughter]
And I remember calling somebody, they
was like, "Yo, don't you eat that shit."
[laughter]
He say, "If you want to lose it, don't
you?" So, this episode of I'm on Joy
Diaz. This is back when I was smoking. I
had took a edible with the um the Flying
Jew. And me and him, [laughter]
it's like you literally see us. I was
fine at first and then you Joy is the
only person that's in this studio that's
that's still together and you just
slowly see us just melting. We both and
then I know I I was speaking very good
English at one point then I was and it
was like yeah
Joy was like no I understand [laughter]
like I don't understand
>> the church of what's happening now had
some of the greatest overdose on weed
moments ever in the history of the
internet just Lee just seeing Lee Sai
just melting he can't keep his eyes open
he's he's just melting in his chair
>> then yo it's Like at first I was like,
"Yo, he's tripping." Then all of a
sudden I'm like, "This is not happening
to me either." Like it was crazy.
>> Joey Diaz doesn't give a [ __ ]
>> And then
>> because I want to see the devil.
[laughter]
>> The other side of that story, it was
another comic with me named Billy Sur.
He had taken some edibles, but he ain't
on the show. So he's outside. And he
didn't just melt it out [laughter]
like he just sitting on the ground
outside the studio like yo those black
stars are 500 mg.
>> Yo I that was Yeah.
>> I saw Joe eat two of those once.
[laughter]
>> He just chucked down two of them. I'm
like that is so crazy. That's so much it
>> you know Jamie doesn't feel it. Edibles
don't work on him.
>> What? Jamie's got some weird [ __ ]
biological condition. [laughter]
>> Throw it at me. I'll try it.
>> Yeah,
>> I'm not afraid.
>> He doesn't doesn't give a [ __ ] He's not
scared of edibles at all.
>> I've I've done two different types of
mushrooms. I didn't know that they they
were is like the ones where I was really
on one. That's the one that R gave me.
And then there's some other ones that
made me very talkative like
>> look at me. [laughter]
>> [laughter]
>> drool on his shirt,
>> bro. He's in another dimension right
now.
[laughter] He can't keep the headphones
on. He doesn't know what to do.
[screaming]
Joey's the best. [laughter] They're
back. They're doing it again.
>> They back.
>> They're back together again. Yeah.
>> Oh, man.
>> They're doing it. Are they doing it out
of New Jersey? Is that what they're
doing?
>> It has to be.
>> Yeah. He's the best.
>> Yeah. I remember I called Moses Malone
for um Joey because he's a big Moses
Malone fan before Moses died. I called
[laughter]
like you know Moses Malone. There's no
[ __ ] way you know Moses. I'm like
yeah no [ __ ] Moses. And then Moses
was Moses was nuts too. Like Moses
Malone was a [ __ ] nut.
>> Have you heard about these new mushrooms
that make you see little tiny people?
>> Oh no. No I haven't. the talkative ones
were like I I called a lot of people on
my phone and and everybody's same report
was you know you call me like three in
the morning talking about you want to
talk to me about my life I'm like
[laughter]
>> and
>> which ones are those what what did you
take it's not psilocybin it's something
different
>> yeah it's something different it made me
very tough cuz delay I told delay about
them
>> what that would be
>> comic name delay I told him about him
because he I called him and I talked to
him for like hours just about. So then
he end up taking the same mushrooms. He
called me and I knew what it was. I was
like, "Go ahead, just talk." [laughter]
He was talking his ass off. I had put
the phone down and went to sleep. I woke
up. [laughter] He was still talking. I
was like, "Yo, this [ __ ] is crazy."
>> What is it?
>> I don't Man, I got to
>> Jamie, put that into perplexity.
>> I got to call
>> Put that into our AI sponsor and find
out what mushrooms make you talkative.
Yeah, I know who gave them to me. So, I
called her and asked, "Hey, what is them
shrooms that you gave me?" Cuz she went
and bought them and like I was a [ __ ]
talk of this mess.
>> I don't know what that is. I've never
heard of that before. Most of the time
when people take shrooms, they can't
talk. It's like,
>> "No, I was I was on one."
>> That's crazy. I wonder what that is.
>> Cuz the ones that Ari gave me,
>> it just says it's your mushrooms just in
general.
>> Huh.
>> Some people's response to it.
>> Yeah, but he he it seems that there's
different responses to different ones.
>> I know. you're saying on the screen says
what I just said.
>> Huh. I don't think there's enough
research for perplexity to have a
educated answer. [laughter]
Right. How much research are they doing
out there? [clears throat] Uh talkative
social on magic mushrooms, but there's
no specific mushroom reliably proven to
make you talkative. All right. Ask if
there's a a mushroom that makes you see
little people.
>> Yeah, that's different.
>> I know this.
>> I know, but I want to see what Plexity
has to say about it.
>> What does perplexity say? Ask it about
is there a mushroom that makes you see
little people?
Let's see if it really is up on its
psychedelic science. [laughter]
>> It's just going to repeat the articles I
just pulled.
>> I I want to see what it says though.
That's it's just a question to see how
it handles this.
Yes. A specific edible mushroom called
Lan Moa
uh aciatica
has been reported to cause very vivid
hallucinations. You say hallucinations.
Maybe they're really little people right
there of little people when it's
undercooked. A phenomena known as
lilipian hallucinations. See, but the
thing is how do you know it's a
hallucination?
Maybe you just now can see these things
that people have been writing about for
eons. How how ignorant are people and
how arrogant are we that we know
everything that's going on all around us
all the time?
>> We don't.
>> People have always thought gremlins are
real and gnomes were real
>> and fairies
>> studying that since the 60s.
>> Of course they have been. I'm studying
it right now. [laughter] Let's study
[snorts] Let's go study mushrooms,
>> man.
>> Yeah, they've been studying it. But like
the the the real problem is there's got
to be a bunch of I know for sure there's
other strains that are much more potent
because I know a guy who is a mushroom
guy. He's like deep in the world of
mushrooms. And he was explaining to me
there's one that's like 10x stronger.
And there's one there's new ones that
they found. I think they found a new
one. I want to say in China they found a
new hallucinogenic mushroom. But this
one this liapuchian one is weird cuz
it's not psilocybin.
>> This when it's cooked this has something
to do with cooking it. Yeah. Yeah. Yeah.
>> Normally you're supposed to eat them
raw.
>> No, it's um that I think this might be
the Chinese one because I I think it's a
Is it?
>> Yeah. Okay. So, this is I I I conflated
the two. So, they eat it. If you cook it
and you do a real good job cooking it,
you don't trip.
>> But apparently some people have not
cooked it and eaten it and go, "Oh, wait
a minute. What are we cooking out of
this?" when you're you might be cooking
out whatever the mushroom is giving you
to let you see the spirit world or see
the fairy world or the gnome world or
whatever it is restaurant you can get it
in restaurants
>> let's go I'd be like hey hey
>> undercook my [laughter]
>> just just put it on some salad dressing
that [ __ ] out let's go
>> I I don't have a I unfortunately I don't
have a problem with mushrooms I I think
that and I just like being
>> unfortunately what do you mean
>> cuz you know some people like you
shouldn't be on them
But I I don't have a problem with
mushrooms and especially if I'm in a in
a safe environment.
>> But being at the lows on mushrooms,
>> that's [laughter] not
>> that's not that's not the best place to
be. Like
>> also trying to fight it. If you fight
it, you're [ __ ] If you if you if you
start going and you start, no, I don't
like this. Like uhoh,
>> it's going to get dark on you.
>> It's going like I've had wrestle with
it. I've had them in chocolate, like a
little chocolate squares, and it's been
it's been a time. I I don't It's been a
time, but
>> sometimes it can get rough
>> to see little people. I definitely want
to be somewhere who I don't I just need
to be somewhere safe. Brian Simpson has
a hilarious story about he someone gave
him a mushroom chocolate bar and he put
it in his freezer and forgot forgot that
it was a mushroom bar and then just ate
the whole thing
>> and just went to Pluto. [laughter]
>> He's like Dr. Manhattan sitting on Mars
in a [ __ ] lotus position.
>> This one's kind of strange. It says,
"Doesn't matter who you are or what you
do, you're going to have the same
experience as everybody else who's done
it."
>> Okay. At that point in time, when do we
start to say maybe there's something in
this substance, this compound, this
molecule that lets you interact with
something that's real that's around you?
If it's repeatable over and over and
over again, if all these people see the
same thing over and over and over again,
and people have been writing about it
since the beginning of time, they've
been writing about elves and fairies and
gnomes and magic people in the woods.
>> What do you think they were doing? They
were probably eating these [ __ ]
mushrooms. So, this is show that I watch
that I still don't know
what this show is about, but I've
watched I'm on season number four, and I
have no idea what show is it. It's
called From.
>> Ah, I've been watching it. I love that
show. I'm in the middle of season 4
right now.
>> And so, you know, he's taking mushroom.
>> The one guy did. Yeah. Well, you spoiler
alert. No, but you know, you know
already.
>> Big spoiler. I know, but the people that
are listening don't know. Yeah. Don't.
It's still going to be fantastic.
>> Don't [ __ ] this up. It's good.
>> No, it's on MG.
>> No, they're moving on. They move it. One
of these new shows that's been talked
about is getting moved.
>> No, no, no. That's still on Paramount.
>> Yeah. [ __ ]
>> I think it's MGM. I think it's MGM.
>> Yo,
>> great [ __ ] show.
>> Yeah.
>> Very original.
>> I still people
>> drama is officially on Netflix. There it
is.
>> And I'm saying
>> Oh, wait a minute. Hold on. Maybe it's
on Netflix as well. Yeah, that's that's
[clears throat] all I was saying.
>> Oh, that's what it is.
>> It came on It debuted on Epics and then
>> But you watched all these season Good
show, but you have no idea what
>> there's no rules.
>> It's and and so I I I I called my um
director. I said, "Hey, I want to make a
show that
is about
whatever we doing." And he was like,
"Well, give me an example." I say watch
from like I've watched all I I cannot
tell you what this show is about.
[laughter] It's like like I just noticed
people for people that don't know that
want to watch it. It's the people are
trapped in this town. They all the same
circumstance. There's a down tree in the
road. They can't go further. So they
back they turn around and they find
themselves in a loop that keeps leading
them through this town over and over and
over and over again. And no one in the
town can escape. And at night time,
monsters come out and they look like
people. They look like a mailman. They
look very normal.
>> Scary ass milkman.
>> Oh, the whole [laughter] scary.
>> That milkman is insane.
>> Yeah, that that old lady the old lady
that knocks in the window.
>> Oh, man.
>> Terrifying.
>> Terrifying.
>> It's a terrifying show. It's It gives me
anxiety and I know it's all fake.
>> It's It's like It's a crazy [snorts]
show.
>> Yeah.
>> And season 4 is even more bizarre.
>> Yeah. like everything that I be thinking
I was like yo I think this is what it is
and then it don't it doesn't be that but
then it come and like see and like but
I'm like see what like what what am I
like I don't know the freak this show is
going [laughter]
>> they don't know no one knows where it's
going but it's like lost the same people
that made Lost made that show
>> word that's why it has that same sort of
feel like crazy doesn't make no you
can't predict what's going to happen
nothing makes sense
and very entertaining.
>> Lloyd tickles the [ __ ] out of me. Lloyd
is mad about every goddamn thing
[laughter]
like but it's so it's a crazy it's crazy
but it's very interesting. Like I I
don't miss it.
>> I love it. Yeah. I've been um binging
it. So I started I guess me and my wife
started about
[sighs]
>> a month ago or so and we burned through
the first three seasons and now we're
into the fourth.
>> Yeah. It's good. And I think the next
season's coming out in 2027, but I don't
really how they I think the next
season's the last season unless they
decide to keep it going.
>> Finale.
>> It's the finale.
>> They just announced that it's going to
be the last season.
>> And
>> maybe maybe when that money comes
rolling. But the thing about this kind
of show is you could do whatever you
want. Like you go back in time, you
could do wild [ __ ] Like I don't want to
give anything away, but there's no
rules.
>> There's you can make anything happen.
>> You can make anything happen. It's a
very strange show, but it's very
entertaining.
>> It's Oh, man. It's a very entertaining
show.
>> Yeah. But if you want to just sit at
home and watch [ __ ] and not do anything,
man, you never picked a better time to
be alive.
You could waste your whole life just
staring at a screen.
>> Yeah. Like when when I ask people
because I my my pallet for what I take
in is different than a lot of people.
you and I turn people on to a show like
when I turned my boy on the Pinky
Blinders. I was like, "Yo,
>> Pinky Blinders is a great show."
>> I was like, "Yo, you got to watch
Pinky." He called me and was like, "Yo,
this is a crazy show." And and I
remember my boy Delay got so invested in
um what was the first show, the
motorcycle show that I turned him on to.
Um
>> I know what you're talking about. I
never watched it. What is that show?
That motorcycle show that everybody
liked.
>> You know what I'm talking about, Jamie.
>> That's it. Sons of Anarchy. I turned him
on to Sons of Anarchy and it's a person
on there that you kind of get invested
in. And I remember he called me and said
something about him and I was like, "Yo,
who? Like who? What? What' you say?" And
I'm I'm putting on my shoes. And then I
noticed are you talking about the person
on the on Sunday? He said, "Yeah, that's
[ __ ] up what they did." [laughter]
I was like, "Yo, you you're a crazy
man." He's like, "No, I'm so invested."
And like [laughter]
I was like, "Yo, man, you a wild
person." But you know, Sons of Anarchy,
Pinky Blinders, like I was big on
Yellowstone and now the two spin-offs of
Yellowstone, Marshalls and the Dutton
Ranch. I I can't not watch it. Like [ __ ]
is it it's it's some good shows out
there. And I I just can't watch the
typical stuff. If I got to watch
something that has a little more to it
than what
normal people would watch cuz I like to
see normal people in shows like
something I can relate to that doesn't
ranch you know being Texas this I don't
how ranching is this is how I always
experienced how ranching goes with cows
and and how you keep your land and all
these different fights that people have
over land. I'm like, [ __ ] is [ __ ] is
pretty interesting.
>> It's very interesting. That Taylor
Sheridan's a friend of mine. The guy
[clears throat] made that. He was on
here the other day. Um uh talking about
it. But the other show that I love is
Land Man. Same kind of deal.
>> It's all about the oil industry. Yeah.
You just realize like, oh Jesus, is this
how all this works?
>> Yeah. It's other things happening in
life and it's way more notorious people
than a drug dealing show. This is man,
crude oil is a business.
>> So it's such a big business. Of course
you're going to get devious [ __ ] going
>> you going to get [ __ ] happening. It
>> has to.
>> Yeah.
>> The real world of oil must be nuts.
>> It must be nuts. I mean that's why we're
in war right now.
>> And you you have to be ruthless.
>> Yeah.
>> You know with oil. Like that's a big
thing. And I don't understand fake meat.
Like why would people be giving somebody
fake meat? Well, because they make money
selling fake meat as far as
>> I [clears throat] mean that's that's uh
what a lot of people were trying to push
while they're saying that cows are bad.
Cows the methane the environment man
it's [ __ ] All all they're doing is
trying to someone is pushing this idea
that we need to stop eating meat because
they're profiting off of us not not
eating meat. That's what it is. It's all
it is. It's not bad for you. It's good
for you. You need it. It's protein. It's
super healthy. One of the best foods in
the world for you. There's just a bunch
of horseshit out there saying that we
need to eat less meat for the
environment. No, we need to figure out
how to not pollute. That's for sure. But
regenerative farms aren't polluting.
You're full of [ __ ] It's not true. You
know, if you want to say we need to stop
doing factory farming, okay, maybe.
Yeah, that's [clears throat] probably a
good thing to do. But you need to figure
out how to feed all these [ __ ]
people. You've you've developed a system
that's entirely reliant on massive
amounts of animals moving through. The
amount of chickens that people eat in
America every day is crazy.
>> Yeah,
>> it's What is the amount of chickens that
get consumed in America every day? Let's
guess.
>> 20 million
>> at least. At least I'm going to say 50
million. 50 million chickens a day. How
many million chickens a day get killed?
>> Well, that's a different question. Oh,
okay. How many do we eat? How many
millions of chickens do we eat every day
in America?
>> Cuz I know I can account for three in my
house. [laughter]
>> 22 million.
>> 22 million chickens every day, son.
That's nuts. That is a crazy amount.
That's way bigger than the entire
residents of Los Angeles if every person
was a chicken.
>> Yeah.
>> Every We eat that amount in this country
every day. That's crazy. In my home
alone, if we roasting chicken, if we
going to get a roasted chicken, we gonna
get three of them cuz it's it's going to
I didn't even know that I could eat a
whole chicken by myself until I did it.
[laughter]
It's like, yo, man, this is this um
Muslim um grocery store, they sell them
in there. It's already roasted and you
get two garlic sauces with each chicken.
And once you dip a piece of that chicken
in that garlic sauce, it's not gonna
survive. Like [laughter] it's like I've
bought three of them because I know if
two are going to make it home, I have to
eat this one by myself. And they and
they put on a piece of pita bread. It's
already roasted. And it's insane that I
would eat a whole chicken by myself.
>> Estimates suggest 24 to 26 million
chickens are killed every day in the
United States for meat. census.
>> So, if you uh don't want factory
farming, you got to figure out a
solution where you can get 26 million
chickens a day or you convince people
they need to stop eating meat.
>> But if if we look at like say if I'm
looking at a show um Game of Thrones or
House of Dragons, when I would see them
sit down to eat, it was a lot of meat on
that table.
>> Yeah.
>> Very variations of meat. It's a whole
they I've never seen the king sit down.
It wasn't a whole entire pig on the
table,
>> right? [laughter]
And then if you
most people haven't bought a lamb and
you think that a lamb is enough, it
depends on what you on who's there. If
you if we if it's id and it's after the
fast and you put a lamb on a spew and
all these Muslim families come your
house that's that's not enough. You need
another lamb. You need [laughter] you
need two lambs like whole lambs. Like it
man it's meat is delicious.
>> It's great for you too. Don't let
anybody tell you any different.
>> Oh and I'm and they they can but I'm not
really listening. Like when somebody
tell when somebody tell me about a a
vegan situation, I I'll listen to you,
>> but none of it is going in. It's like,
you know, I say something comes in one
ear go out the other. It's not even
going in here. It's [laughter] like it's
like I've already made my decision like,
okay, I I feel you, but I'm not really
listening to you. I'm eating the lamb
goat. I'm eating it.
>> Life eats life. It's just the factory
farming thing is the uncomfortable part.
That's the gross part. And if you just
were on a ranch, it's natural. It's
natural.
>> You want to get overtaken,
just let the animals just do they thing.
>> Exactly.
>> And see how many see. Don't you see a I
am legend taught you that. [laughter]
It's like, yo, how many antlers ran
through a a a place? It was a stampede.
Like it's a So even like with with the
thing that happens in the ocean,
sardines, right? So the mass all these
mass sardines come one spot then the
whales come first then the sharks come
and then then we still get sardines
after all these this ecosystem is eaten
we still get sardines. It's you're not
running out of natural for if you let
everything do it do its thing. You know
do you know how many jellyfish it is?
Somebody should start eating them. You
know what I'm saying? Because that is a
crazy jellyfish can mob out [laughter]
like mob out
>> and they can kill you.
>> And they can kill you.
>> Yeah.
>> Somebody eat them. Something eats them.
>> You can eat them at Chinese restaurants.
I've had jellyfish before.
>> Was it good?
>> I don't remember it being good.
>> I don't remember where I ate it, but I
remember someone cooked a specific type
of jellyfish and I was like, "Okay." I
didn't even know you could cook that.
>> In Texas and Louis,
>> what kind of jellyfish are edible?
>> Find that out. in Texas and Louisiana.
The amount of crawfish that we eat in 2
months is literally insane.
>> Imagine if they didn't imagine how many
crawfish would be cuz
>> imagine
>> I know I can account for at least 50
pounds by myself.
[laughter] I know I
>> think how many crawfish there would be
if people weren't eating them.
>> Like when I was a kid, uh I grew up in
Florida for a while. We lived in Florida
in Gainesville and there was alligators
there, Florida. But they were protected.
>> Wow.
>> Back then the alligators were protected
>> like the Everglades.
>> Well, it wasn't the Everglades quite
here. Okay, hold on. Edible jellyfish.
Best known edible species in used in
Asian cuisine. Oh boy. Try to say that
word. Roilma
escalentum. Often referred to as the
Japanese edible jellyfish. That's a lot
easier.
>> Salted in
>> or flame jellyfish. Yeah. So, there's a
few different species of jellyfish.
Anyway, my point was uh when I was a
kid, uh alligators were protected and
they were at this lake and you could see
them and people would throw marshmallows
in the water and the alligators would
eat them. And then uh now there's
too many. Like there's so many
alligators there now. Like they they
can't get rid of them. They're they're
in every body of water. Everywhere you
go, there's alligators.
>> Yeah. I I
>> the entire Everglades is filled with
alligators. Golf courses filled with
alligators. I remember when that when
that um the kid got eaten
>> at Oh, Disney World.
>> Yeah. And I was like, "Yo, that's
insanity." Cuz I don't trust a puddle of
water in Florida.
>> No.
>> I a puddle. It could be a puddle. I'm
like, "It's alligator in there." It's
like, but now what they what they remove
400 some odd alligators from Disney
World.
>> Oh, they remove them all the time. They
have to check every day.
>> They have to go back there and make sure
that there's no alligators. It's like a
huge number that they
>> It's a huge number.
>> Like that's like maybe 24 this year, 20
40 or something this year, but it's 400
and something overall. Like that's
insane.
>> You know, Disney World has a bass
fishing lake. You can go bass fishing at
Disney World. There's like a little trip
that you take. You go there. 414
alligators removed from Disney World
since toddler's death 10 years ago.
[sighs]
That's a lot of monsters. It's a lot of
monsters, man. They're legit monsters.
>> I remember when I was in Guam. I was in
Guam doing a show and I think the
military moved there and it was a bird
that they was trying to protect and so
they killed all these snakes and this is
how when you change the ecosystem to
something something happens. So the
snakes not only were they eating that
bird but they were eating and
controlling the toad population. So when
they got rid of the snake,
we were coming back from the show and
it's like it's literally
hundreds of thousands of frogs that come
out at night. [laughter]
They everywhere. It's like you they you
just see them flat in the street where
you cuz you can't not you can't miss
them. They It was hundreds of thousands
of frogs on Guam and I was like, "Yo,
man.
>> People [ __ ] up everything. They got to
do something, man.
>> People meddle. Yeah. They got to bring
the snake back.
>> Yeah. Got to bring the snake back.
>> Stop. Stop. Stop your [ __ ]
[laughter]
People just meddle. I mean, there's so
many countries that are infested with
animals that people brought in to kill
other animals. You know, like Australia
has a giant feral cat problem. They
brought in feral cats, I think, to kill
a I forget what species. I think it was
a toad they were trying to kill off.
>> My neighborhood has a goddamn cat
problem. Like [laughter] in my
neighborhood is like one cat has some
babies
and
my family has something to do with it.
We fed we fed the cats and then of
course [ __ ] in
>> course you want to be nice. Meanwhile
they're killing billions of birds every
year in this country.
>> Cats are I love cats. I love cats too
but they kill billions. House cats kill
billions of birds and mammals in this
country every year. If you you don't
have a bug problem if you have a cat in
your house because we you know we had
these water bugs they call them
cockroaches but I've watched it before I
left the cat that just outside he was
just slapping one around. It's like five
of them dead out there. He's just
slapping one around like just toying
with him. I'm like but I don't mind cuz
then they never make it into my house.
[laughter]
>> It's like cats are
>> know about the four pest campaign that
happened in China in the '60s.
>> What they do? explains it to you in just
these little four
>> under MAU aimed at exterminating rats,
flies, mosquitoes, and sparrows as a
part of the Great Leap Forward. It was
framed as a public hygiene and
agricultural protection drive meant to
reduce disease and protect grain from
being eaten or contaminated, mass
mobilization methods included trapping
and poisoning rats, swatting flies,
mosquitoes, and organized efforts to
scare and kill sparrows. Because like
that it's before you get to the end
here, they had one little problem, so
they introduced something else to fix
that problem. That created a new
problem, so they introduced something
else to fix that problem.
>> Yeah. It ended here with tens of
millions of people dying from a famine
because they didn't have
>> the natural ecosystem to
>> This is crazy. So
>> wow.
>> Sparrows were targeted because they ate
grain seeds, but they also consumed
large numbers of crop eating insects.
Their near extinction caused an
ecological imbalance leading to insect
population booms, lower crop yields, and
contributing to Chinese famine. The
great Chinese famine, which tens of
millions died. Wow.
>> You got to give something to get
something.
>> Yeah, man. You don't think you're
smarter than nature, you dumb [ __ ]
>> You got to give something to get cuz
>> there's a balance out there and we don't
totally understand that balance.
>> What's this fish that that we have now?
Asian carp, the one that's infested all
the different lakes. And then there's
snake head. That's another one.
>> Then that the joint that torpedoes up.
>> Oh, that's the Asian carp. Yeah. They
fly through the air when you're in a
boat.
>> They just for whatever reason when
you're in a boat, they just try to throw
themselves onto the boat. [laughter]
Like, get me the [ __ ] out of this lake.
There's so many of them. And they don't
have a natural predator. And they bring
them into places sometimes to clean up
the algae. And then also you have now
now you have a carp problem. Now the
carp eat all the algae. They eat
everything where this like your whole
lake looks like a swimming pool. There's
no algae left. Look at these [ __ ]
things. That is crazy. That's the
Illinois River. I mean this is just
hundreds of fish just flying through the
air everywhere they go.
How nuts is that? You ever see people uh
they shoot them with bows and arrows? So
they wait for them to hop up in the air.
They try to catch them in the air with a
bow and arrow
>> with the string on it. Bring
>> Oh yeah. Yeah. There's a bunch of people
do that.
>> It's a very uh popular sport. [laughter]
>> Is this fish edible?
>> I don't know.
>> I've never heard of anybody eat I know
people eat regular carp. I don't know if
Asian is Asian carp edible.
>> Yep. There you go.
>> Nutritious lean.
>> It's lean and nutritious.
>> Has a clean, mild flavor.
>> So I would just have a net rolling
behind me and
>> fillet of fish. There you go. Don't you
guys need product? There you go. get
[laughter] out there with bows and
arrows and get [snorts] it done.
>> How how many crawfish does Texas and
Louisiana consume in crawfish season?
[laughter]
>> That's a good question. I guess you
would have to do it in pounds, right?
Would you do it in pounds or millions of
actual crawfish? Cuz do they they don't
measure them in individuals? They weigh
them by weight, right? Because they're
kind of they they go by weight.
>> How many pounds of crawfish do you think
Texas just say Texas and Louisiana in a
year?
>> Oh man. 50 million.
>> I have to ask again, but it did give me
uh 90% of the farm crawfish comes from
Louisiana.
>> Yeah.
>> Wow.
>> 90%.
>> How many pounds?
>> I didn't give me the answer. How many
pounds?
>> How many pounds does te I know I went
way too high. How many pounds does Texas
and Louisiana consume in a year?
>> I'm going to say two million pounds.
>> No, it's got to be more than that.
>> Really? Two million pounds is a lot.
[laughter]
>> It's [ __ ] way more than that. What is
it? What is it? 70% of the consumed
amount is eaten in Louisiana and the
total is upwards of 150 million pounds.
>> Yeah. I'm trying to tell you
>> 120 to 150 million annually.
>> Whoa.
>> Yeah.
>> Just in Louisiana.
>> 70% which is almost 100 million pounds
of that is just in Louisiana.
>> That's crazy.
>> Between crawfish boils and crawfish egg
dufet. That is [laughter] [ __ ]
delicious. Amen.
>> Delicious.
>> That is a crazy thing.
>> Texas doesn't have a number. It just
says tens of millions.
>> Well, all we needed we got the Louisiana
[laughter]
thought that would be to double what the
whole country ate. That's crazy.
>> Like Maryland actually thinks that they
are big on crab and we and we just be
shaking our head like okay.
>> [laughter]
>> Like it's No, I think we shipped crab to
them. Like we the Chesapeake Bay cannot
outdo the Gulf of Mexico.
>> No,
>> we
>> Gulf of America now, by the way.
>> It is. We We still We still G of
[laughter]
you. I don't think Mexico agreed.
It's like, no. Like
>> I don't think they did either.
>> They like, "No, you know, this is not
the the Guff of America. We still like
We not saying that."
>> That's hilarious. [laughter]
Well, hey brother, it's great to talk to
you again as always. It's always fun,
>> man.
>> Very good to do.
>> Thank you.
>> Do it more often,
>> man. I'm here.
>> Okay, let's do it. It's always fun.
>> Yeah.
>> Uh, tell everybody where they want if
they want to consume all your specials.
All of it's on YouTube. Is it
>> All of it's on YouTube, but you can go
to aliadique.com.
Um, the new special out. My father is
getting busy right now. Um, it is a it's
a great this is a great special. It
really is.
>> Where did you record this?
>> Um, that was in Detroit.
>> Beautiful. Like I said, um, I love what
you do. I love the fact that you're
you're so prolific and you know that
you've built this whole thing just just
on hard work. [music] So,
congratulations.
>> Appreciate you. Thank you very much.
Always good to see you. Bye. Bye.
>> [music]
Ask follow-up questions or revisit key timestamps.
In this episode, Joe Rogan and comedian Ali Siddiq engage in a wide-ranging conversation about the realities of a career in comedy, the negative impact of comparing oneself to others' social media metrics, and the importance of being process-oriented. They also discuss sports, betting, political polarization, and the influence of government interventions in culture, such as the CIA's historical connection to the 1960s hippie movement. Additionally, they touch upon topics like supernatural beliefs, the prevalence of alligators in Florida, and the cultural obsession with massive food consumption, specifically crawfish and chicken in the United States.
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