Michael Pollan: How To Change Your Mind | E158
1958 segments
Depression, anxiety, addiction, mental
disorders that involve a rigidity of
thought. What psychedelics appear to do
is break those habits of thought. What
is the cost of this though? It's a great
question.
One of the 100 most influential people
in the world.
Please welcome Michael Pollan. You've
written six New York Times bestsellers
and they're on such a diverse range of
topics. Two of the topics I've worked on
have turned into movements. I was
writing a piece on the meat industry and
how [ __ ] up it is and it led to this
movement to try to reform agriculture.
Then I got into psychedelics.
They're much better than the results for
antidepressants when they came on the
scene and we're talking about potential
cures not simply symptoms. There are
risks with this and we don't talk about
them nearly enough and people are going
to get hurt.
One of the immersive journalistic
pursuits you embarked on was this topic
of caffeine. It allows us to function
better. It allows us to work harder,
longer. You're feeling the clearing of
the mental fog.
I can tell you the cost of doing heroin
every day, but no one can seem to tell
me the cost of having three cups of
coffee a day. If you really want to
understand your relationship to this
drug, you have to
So without further ado, I'm Steven
Bartlett and this is the Diary of a CEO
USA edition. I hope nobody's listening.
But if you are,
then please keep this to yourself.
[Music]
Michael, I have to say it's a real a
huge honor to speak to you. When I
departed from my company and I started
investigating what I was interested in,
one of the things alongside DJing and
this podcast and many others was
psychedelics. I was so compelled by
um this apparent and I didn't have
confirmation this apparent increase in
mental health disorders in my country.
Mhm. In the UK, as you know, as I know
you've talked about many times, it's the
suicide is the single biggest killer of
men under the age of 45. And I thought
that the most sort of fulfilling thing I
could do with the next chapter of my
life was start a company in that space.
That's how I came to the psychedelics
industry. That's how I came to actually
work in the psychedelics industry. And
when I arrived in that industry, people
said your name over and over and over
again. And they told me and I'm not
blowing smoke up your ass, they told me
that I had to It was like I wasn't
allowed in the industry until I'd read
your book, right? Um
How to change your mind. It was that
much of a pivotal book for my colleagues
at the time.
You've written six New York Times
bestsellers.
And they're on such a diverse a range of
topics. To be so successful in such a
diverse range of topics in writing, my
first question to you that I wanted to
ask is
as you look back on your life and your
career,
why were you successful?
What was it about you that made you
successful?
I think finding the right topics. I I
had a nose for topics that most people
weren't paying attention to. I I felt
very lucky. I was writing in these
uncompetitive spaces. Nobody was writing
about psychedelics except, you know, the
small handful of people within the
psychedelic community who write these
books for one another that nobody else
reads and they and
So I had I've I I I remember thinking
the whole time I was writing that book
is like, where is everybody? Am I making
a mistake here investing so much in
this? Um no one else is writing about
it. And the same was true with food.
There was very when I started writing
about food and agriculture, very little
being written. So
a willingness to go into places that
other people, you know, weren't working
in. I don't like writing in competitive
environments. I'm not fast enough.
Um so that was one thing.
Um
I think there's something about the way
I structure stories. So I don't start on
page one with all the answers. And if
you read the first page of anything I've
written, I'm kind of an idiot on page
one. Um I've got questions. I don't have
answers.
And so my books are kind of detective
stories or, you know, I I just tell
about the process of my figuring things
out and going to this person and
learning this and having this experience
and learning that.
And I think that readers don't like to
be lectured at and um and I don't do
that. I I take them along on the
journey. When when I think about
starting a business, one of the pieces
of advice that I would and I think a lot
of entrepreneurs would give a young
aspiring entrepreneur is to not pursue
something that you're not genuinely
interested about because Oh yeah, well
without question. I mean that I write
about things that I'm passionate about.
Um curiosity is the driver and
cultivating Curiosity doesn't
necessarily come naturally to everybody.
It's a muscle you have to cultivate and
you have to see the world in terms of
questions rather than answers
cuz questions are always more
interesting than answers. Uh so I do
cultivate that. When I see something
happening, I remember when I first read
a little article in the New York Times
saying they were giving psilocybin to
cancer patients to help them deal with
their fear of death. I'm like, what's
that about? Why would you do that? Why
would you ever want to take a trip when
you got a terminal diagnosis? I don't
think I would want to do that. You know,
I just had all these questions and the
only way to answer them was to do
reporting. Was to go interview the
patients and interview the doctors
and satisfy my curiosity. So without
question, I I can't write about things
I'm not interested in. I mean, I get,
you know, and you can as you can
imagine, editors are always coming to
me, we'd like an article on this or a
book on this and I'm like,
I don't feel it. So yeah, so you do have
to you do have to care about it. I mean,
writing a book is such a long journey
with so many twists and turns and um so
if you if you don't have some
deep-seated drive
to understand something, to tell a
story,
you're going to you good chance you're
going to sink along the way. And you
really do
go all the way. That's something that
you're
Well, immersion is a big part of my work
and I think and I think that's another
that's been another key thing. I can I
you know, I've been thinking about this
a lot recently um
but I can trace the moment where I was
first exposed to the kind of journalism
that I think of myself as doing. And
that was when I was 13, my parents gave
me a a book called Paper Lion. It's a
book of sports writing. It was about
football by a writer named George
Plimpton.
He was a literary person but a sports
writer too and loved sports writing and
um
he was kind of bored with how sports
writing was done then, which is, you
know, it's that cynical cigar-chomping
guy on the sidelines with the hat who's
just been there, done that, seen it all,
has no sense of wonder or excitement
anymore.
And he thought there's a way to reinvent
this form. And he and what he did was he
persuaded uh the Detroit Lions, American
football team, to let him um train with
them over the summer, summer training
camp, and then start in a exhibition
game at the beginning of the season
as quarterback.
So this guy had never played
professional sports at all.
Um was not an athlete and there he was
um facing this line of giant guys coming
at him.
And he could write about football in a
way that no sports writer could but
neither any football player could
because they had been doing it since
they were 10 or six
and they no longer saw it freshly. It
was a job.
But he had this incredible sense of
wonder and humor cuz he's a fish out of
water and it opened up all these funny
narrative possibilities.
And I realized that book just sat with
me. I loved that book. So when I started
writing,
I forget which book it was in. Um
I real I think it was my second book. It
was a book about architecture and then I
realized I couldn't write this book
unless I built something myself.
And so finding how to put my finding the
way to put myself in the story
is uh been key for me. And with
agriculture, you know, I bought a cow
and followed him through the food
system. Wait, you you bought a cow?
I did. I I I was writing a piece uh that
became a chapter in The Omnivore's
Dilemma
on the meat industry and how [ __ ] up
it is and um
and feed lots and and the drugs they
give the animals.
And that was my assignment from the New
York Times and I found this uh and I was
going to do the piece in terms of I was
going to follow one animal through the
whole system from insemination to
slaughter.
And
um this was a piece called Power Steer
that was published in the New York Times
uh and you it's on my website if you
want to um check it out for free.
But along the way, one of the ranchers
said, "If you really want to understand
our business, you should buy one of
these animals." And I thought
immediately, this is a great idea.
Because it's going to do two things.
It's going to give me a character, even
though it's an animal,
um which, you know, having an animal
hero in a piece is always a good thing.
And it's going to give me a different
kind of access when I get to the feed
lot and the slaughterhouse cuz I own
this animal. I'm not just a journalist.
And so I I picked out this animal,
number 534.
Um and I followed him and I you know, I
I met him on the ranch where he was born
and then I had a reunion with him in the
feed lot where he ended up, you know,
several months later.
I'm super intrigued by what happened to
this cow.
Oh yeah, well.
Were you emotionally attached to it at
all when that when it got, you know,
reached its end end of its days? I was a
little. I didn't They wouldn't
Something happened. So I had to publish
the piece before he was slaughtered.
Right. He was slau uh they wanted to
publish the piece. I handed it in in
February. They wanted to publish it in
March and he wasn't going to get
slaughtered till June. I wanted to wait
because I still had very good access cuz
nobody knew I was writing an exposé on
the on the meat industry. I was just
some goofball following the life of this
cow.
And um but when the piece came out, the
slaughterhouse is like, "We're not doing
business with Pollan anymore."
And uh so I was hoping to retrieve the
steaks and eat them or or try to eat
them and see what I thought about it.
And um but they wouldn't they wouldn't
play anymore.
Um
And it's interesting when this piece
came out,
there was a whole explosion in the
American media of people who wanted to
save the cow cuz they knew he hadn't
been killed yet.
And I had people I had someone in
write me
a movie producer in Beverly Hills wrote
and say, "I want to buy your your 534."
And I said, "What are you going to do
with it?" I'm going to put it on my
front lawn.
And
I was like,
"You know,
saving one animal is not going to fix
the food system." And everybody thought
that way. There was even a telethon on a
vegan radio station in New Jersey. They
were raising money and they would pay me
anything I wanted for this animal.
And I'm like, "This is not This is
this is not how you change the meat
system by like having this poster boy
steer."
And they actually likened it to the
underground railroad, that saving one
slave was worth it. I was like, "That's
interesting." Um
And so I did not sell it.
And it went through the process and
somebody ate it. But it wasn't me.
There's something
sort of telling about that about the
human condition where we believe that
one sort of surface-level act of
apparent, probably virtue signaling, but
apparent goodness is
is enough or that we don't really care
about the systemic No. Systems are hard
to deal with, right? We're we're we
evolved to deal with individuals and
stories of individuals. And that's why
this story was powerful cuz it was about
an individual cow.
But what matters is the system. This you
know, I I I chose it because it was
representative of the system. It was a
very typical animal going through a
typical start out on grass kind of
idyllic situation in in
South Dakota, move on to this horrible
feedlot where they stand in their own
manure all day and eat corn which makes
them sick and they have to take drugs.
And then they go through this
slaughterhouse process.
Which I described even though I didn't
get to witness. But I think we have
trouble dealing with systems.
And so we we we always have the poster
child, you know? I mean, you look how
you know, look at all the nonprofits how
they advertise, right? There's one
animal or there's one child that you're
going to save with your donation. And I
just think it's a limitation of our
imaginations. That's what I was thinking
of a very recent example of that which
is the tragic death of George Floyd and
how that sparked people around the
world, specifically on Instagram posting
a black tile.
As a black male, I looked at that and
thought this is like the easy thing to
do, right? But it doesn't solve the
systemic issues of sort of race and race
relations and discrimination. But like
we can all do the like virtue signaling
socially hashtag whatever black tile.
But again, the the complexity of the
system below it that's kind of caught
might be the cause of some of these
things is just
Does anybody really care to deal with
that? You know, it's like I think it's
just overwhelming to people. And
you know, I don't I mean, it is virtue
signaling. I mean, all over Berkeley
where I live, people still have Black
Lives Matter signs in their windows, you
know, everywhere. Like when are they
going to take them down?
Are they ever going to take them down?
I understand the value of expressing
that point of view, but there's so much
more that needs to be done. What does
need to be done when we're thinking
about sort of rewiring systems?
Is it education? Is it political? Is it
I tend to think it's about law.
I think you can't legislate morality,
but you can change laws and make certain
kinds of
activity discrimination illegal. Um
You know, we're approaching it in
America at the level of everyone's soul.
We're trying to reform everyone's soul
with anti-racism campaigns and things
like that. We'll see if it works.
I tend to think it doesn't work.
And one of the things that I've been
very discouraged by is the collapse in
support for Black Lives Matter, which
had majority support after that George
Floyd summer. And now it doesn't. It's
been
politicized, right?
Yeah, and and it's been fought against
by Republicans. And
but I also think
shaming people is not the way to get
them to change.
And there was a lot of that. And and I
see a lot of this on college campuses. I
see a lot of this throughout the
culture. I understand the instinct. Um
but I think you get I think you invite a
backlash.
Um
That's not the best way to get people to
change. And I think in fact it can have
the opposite effect. I think
from what I've observed specifically
around this issue of Black Lives Matter,
that shame that I saw in the wake of
George Floyd's death only resulted in
this kind of like apparent social
compliance, not change. Like, "Okay, now
I have to pretend to be this person."
And that like compliance again is not
what we're looking for. I did a big
tweet thread about how I felt white
people were being shamed into either
speaking out, saying something profound
or or other. When really
for me it was actually
the least natural reaction to to the
scenes that I saw in that video of
George Floyd's death would be
doing a tweet or posting. I even I spent
weeks like processing it and then I was
being shamed. Steve, why aren't you
speaking up about black people? And I
just thought, you know, like
I you know, and all of that again it
made me
it made it didn't bring me closer to
waving the flags. It just made me feel
like
I don't know, kind of disillusioned by
it all.
So you're right, shamed Yeah, there was
a lot pressure to immediately express
your solidarity Yeah. with Black Lives
Matter. And and if you didn't, there was
something wrong.
Yeah. Yeah. I I definitely saw a lot of
that.
Um
I don't know. I just think we need I
think our politics has to be organized
around
more positive emotions. I mean, make
people feel really good about social
change, about um
And I think, you know, really concrete.
I think the way we hire people needs to
change. I think the way we promote
people needs to change. I think I think
that there's certain still certain kinds
of discrimination that have to be
outlawed.
Um
I mean, the biggest thing going on at
the same time of Black Lives Matter is
taking away the ability of African
Americans to vote.
You know, voter suppression. That is so
concrete and you need those votes in
order to change things. And so while
we're working on, you know, our souls,
we're losing the franchise, which
you know, the Civil Rights Movement has
fought long and hard.
Um it's we're going backwards.
So um
I think it's I think we should consider
whether this politics is working or not.
Um
I would suggest it might not be.
I would agree. Um we we started talking
about the the topic of like immersive
journalism. One of the
one of the sort of immersive
journalistic pursuits you embarked on
was this topic of caffeine. Which I
found it really really interesting
because I believe there's a cost to
everything in life just generally. And
the cost is always harder to see. And
with caffeine in the culture,
specifically in business, and even I
could see it sort of taking hold in my
own life. This topic of caffeine, I'm
like, people never talk about the cost
of it as if it's the super drug. We take
it, it just sends us up.
There's no free lunch. Exactly, right?
So I and I started thinking, with
anxiety on the rise, is there is there a
risk that this sort of tampering with
our um
our emotional state is going to ruin the
system that regulates us naturally and
make us go up, okay, fine, when we take
caffeine, but then the down, like every
other drug, like heroin and cocaine, is
going to be
equally
destructive?
Yeah, I mean,
I you know, you're talking about the law
of compensation, I think is what Ralph
Waldo Emerson called it.
And that that there is there's always
some compensating thing. There is no
free lunch. And
and that was a real issue as people were
trying to understand how caffeine worked
because it seemed to be a free lunch.
Here was something with zero calories
that gave you more energy.
Caffeine works by blocking the action of
a
neurotransmitter or neuromodulator,
technically, called adenosine. It's a
chemical that we all have in our bodies
that
over the course of the day the levels
rise. And it um
plugs into a certain receptor in the
brain. It's all over the brain. I think
it's other parts of the body, too.
And adenosine is your body's signal to
slow down, get ready for sleep. It
builds sleep pressure. Um
And what caffeine does is it fits
exactly in the same receptor and and
hijacks it. Basically blocks the
adenosine from getting to that receptor.
So the adenosine is still in your body,
but it's not acting on your brain cuz it
can't get into those receptors.
When the caffeine leaves your system,
which takes a while to do,
all that adenosine that's been building
up,
comes in. And so you're more tired than
you were before. So you have this kind
of rebound exhaustion. So you're really
borrowing that energy from the future
rather than creating new energy out of
nothing.
It's still very useful under certain
circumstances. I'm not a critic of
caffeine.
It's it might be my favorite drug.
Um
And And tried a whole bunch. Um
and it was immersive journalism in that
in this case I had to stop doing
something rather than doing something.
So in How to Change Your Mind, I tried
LSD and psilocybin and 5-MeO-DMT and all
these things that were really scary and
hard
for me, but this was harder. Giving up
caffeine for 3 months
um
really was a stretch.
And but it was a really interesting
experiment and it taught me that there's
a great value in giving things up
temporarily
just to understand your relationship to
them, understand your dependence on
them. What was hardest about it?
Well, there was the withdrawal, which
took a few days and was very unpleasant.
I felt like kind of muzzy-headed. I felt
like this veil had fallen between me and
reality.
Uh things seemed less fresh, less
immediate. Um I didn't have headache the
headaches that some people report and I
didn't have the flu-like symptoms, but I
didn't feel myself.
And uh I was sluggish. I couldn't
concentrate. I couldn't write for the
first week. Um I just I I I I said in
the book I felt like an unsharpened
pencil. I just didn't have it. You know,
it takes a certain amount of ego
strength to launch into a writing
project uh or launch into it every day.
And I just didn't have it. And uh so I
was like uh I don't know I don't know if
I can do this for 3 months.
After the first week or so, I found my
way back that I could work, but I still
didn't feel myself. And and it began to
occur to me that how curious is that
because
what does that say if if I feel more
normal on this drug than off this drug
cuz I'm I'm through the withdrawal
period.
But I came to see that my my normal
default consciousness was caffeinated
consciousness as it is for a great many
of us. I mean, 90% of people on Earth
have a daily relationship with caffeine
whether it's in um
tea, coffee, soda, chocolate. Um it's in
a lot of things. You know, you you meet
people who say I I can't talk to you
until I've had a cup of coffee. I you
know, I I'm not civil. I can only read
the paper. You know, people who just
don't enter into social relations till
they have a cup of coffee. The reason is
they're going through withdrawal and
they're cranky and they know it. The
amount of people probably in this room
now there's probably I don't know 12
people in this building and of them I
think probably 12 of them have had that
drug today. Yeah. With the society as
you've said people saying I can't
function I can't have a conversation
till I've had a cup What is the cost of
this though? Because it
I can tell you the cost of doing heroin
every day. Or pretty much Yeah, this is
subtler. Even sugar I can tell you the
cost of doing sugar having you know,
huge amounts of sugar every day. But no
one can seem to tell me the cost of
having three cups of coffee a day. Yeah.
Well,
the costs
I mean, if it it depends on how it
agrees with you. I mean, for some people
on three cups a day they get pretty
jittery. Um and
it passes over from this very positive
feeling to this nervous feeling and
that's that's a cost.
Um I think the larger cost is to our
identity as animals. We were designed I
think to have rhythms as animals do that
you know, you wake up when the sun comes
up and you start going to sleep when it
gets dark and that we were tied into
these natural cycles
dictated by the light. Um
and it broke that connection. It broke
that temporal connection. And so there
may be some cost as species and we
struggle with sleep and sleep is a huge
deal and sleep is a you know,
you need sleep to be healthy and sane.
You need it for your mental health and
coffee does damage your sleep.
Now, I put a little asterisk next to
that because if you can stop drinking it
after that morning cup, you're going to
have very little in your system when you
go to sleep. But
a cup of coffee you drink at noon,
a quarter of that caffeine will still be
circulating at midnight. So it takes a
while to get out of your system.
Most of the caffeine researchers I
interviewed do not drink
coffee or tea.
Interesting.
I mean, these are people who understand
sleep and the importance of sleep. And
one of the benefits I didn't mention one
of the benefits of being off coffee is I
slept like a teenager. It was fantastic.
I had some great sleeps. My sort of
logical mind when it when it understands
how other drugs impact us and the
withdrawals and how they impact our
rhythms our natural rhythms. Even think
like testosterone if you take too much
of it your body stops producing it. If
you do if you have too many sleeping
pills, your body struggles to sleep
without them. So I I reflect on coffee
and go
surely
I'm an idiot so don't take this as a
truth. Surely um if I have coffee every
day, I'm going to struggle to like
self-regulate
um my ups and downs and I and if my if
I'm forcing my body to go up, then my
body will come down even further than it
would ordinarily. Or you'll take
something else to make it come down. Yes
and then I'll have to take a sleeping
pill or alcohol. Yeah, yeah, yeah. Yeah.
So no, people do get into these cycles
of of coffee and alcohol uh or tea and
alcohol. Um
So yeah, there I think there's always a
cost, but I would say
historically there have been the
benefits have outweighed
the costs of I mean, compared to other
drugs
um
I think that uh we've gained a lot. And
there's the whole social aspect of
coffee. I mean, the coffeehouse scene in
London was just so vibrant and you know,
the the
um the insurance in Lloyd's of London
began in a coffeehouse and the the
London Stock Exchange began in a
coffeehouse and
um
you know, English literature was changed
by the rhythms of conversation in the
coffeehouse and it was this place where
the classes could mix in a in a way they
couldn't in the tavern or anywhere else.
And you know, you can make a case and I
try to in the book that the
Enlightenment and the Age of Reason owed
a lot to caffeine.
So I think it had really positive effect
in that it got people who were
enibriated on alcohol all the time to
think clearly.
Um and that was a big deal cuz I don't
think people realize how much alcohol
people drank um prior to 1650. It was
the safest thing you could drink because
the water was contaminated with disease
and people understood that. That's how
you got plague was you know, using the
wrong water pump and things like that.
Um alcohol the fermentation process and
the alcohol itself disinfected water to
some extent, but not as effectively as
boiling it.
And coffee and tea the first time we
boiled water to drink.
Um so the the the countries that
embraced coffee and tea suddenly their
public health was much improved. They
had much lower rates of disease. So that
was also a boon. So there are a lot of
positives. You talk about the reason why
why coffee is addictive anyway from a
pollination perspective which I found
really No one's ever said that before.
Yeah, so that was a one of the
interesting um bits of research that I
came across. Um so like a lot of drugs
that plants produce, it begins its life
as a pesticide. Um most of these
alkaloids that we think are so great
whether it's cocaine or um
uh caffeine or
um oh god, there's so many of them and
they're not occurring to me right now.
Plants evolved these as chemicals that
would um kill insects or discourage
insects from eating them.
And then we found that they had
interesting effects on our brains if you
got the dose right. And um so caffeine
was designed
it kills insects at high doses. It also
stops other plants from germinating
nearby. So it you get more habitat if
you if you if your leaves contain
caffeine and and they drop. Um
but the cleverness of plants is such
that some of them figured out that a
really low dose of caffeine in their
nectar
would attract bees.
And the uh the orange the citrus family
does this reliably. So they've
repurposed this pesticide as an
attractant cuz you don't put pesticide
in your nectar. That's where you attract
insects.
And um it turns out bees really like
caffeine
and they will go preferentially to
flowers that offer them caffeine. We
don't know if they get a buzz.
Um
but they do prefer it. And it does for
them what it does for us. It improves
their memory. They're more likely to go
back to the flower that gave them
caffeine than any other flower and
remember where it was. They will also
work harder as um so they become better
workers basically. So the plants are
manipulating the bees to do their
bidding. We knew that, but in a much
deeper way than we understood by
essentially, you know, drugging them.
And then humans came along and just got
humans yeah. Yeah. But but the curious
thing is why should a pesticide have
these mental effects for us?
And the theory I advance in the book is
that if you're a plant and you're and
you're bothered by pests,
the best strategy is not to kill the
pest. Because if you do that, if you
just put out a lethal chemical, um
you're going to kill
a bunch of the pests, but the resistant
members and there are always some
mutations that give resistance, they're
going to explode. Their population will
explode and you will and your tool will
be gone. It won't work anymore.
But if you merely discombobulate
your
predator, your pest, confuse it, which
psychedelics and other drugs do, uh make
it lose its appetite, which most drugs
do, um
you're much better off cuz it won't it
it won't have this kind of selective
pressure. Interesting. So I got this
insight from my cat Frank who
um had a real issue with catnip. I I had
a catnip plant in my garden and my
garden was fenced.
And every night when I was going to out
to the garden to pick something for
dinner, Frank would follow me
and look up at me, and he wanted to be
shown where the catnip was. And I would
show him to the catnip, and he would
roll in it and get really stoned. And um
and then forget where he had seen the
catnip. And he had to be reminded every
single day. This is an intelligent cat.
Like, where was that plant?
The plant had drugged him so that he
would lose track of where it was.
Oh, wow. So, I thought that was a pretty
clever plant. Certainly more clever than
Frank was.
Speaking of clever plants, then.
Transition, yes.
wasn't bad, was it?
Um
I on the topic of psychedelics, which is
I referenced at the start,
when I first heard about the concept of
psychedelics, I, like you cuz I've heard
you talk about your initial sort of
perception of them, was terrified by the
thought of losing my consciousness. I
also thought as you know, you talked
about cancer anxiety in your writing and
how patients with suffering with cancer,
I think the last thing I'd want to do is
trip if I had cancer. But also, another
point that you made in in a talk you you
gave was I saw myself as a very logical,
scientific, physical person, and I
thought that I couldn't be that and Mhm.
spiritual or whatever however you want
to describe it or really anything I
couldn't think or feel.
Tell me about your journey then from
going from that place
to psychedelics. I I I I know you it's
well well documented in um the journey
you've taken, but I but I really want to
understand how your perception shifted
and where it sits today as a spiritual
Yeah. individual.
So, I did see myself as a very
materialist uh in my philosophy. Um
I thought that the laws of nature we
knew explained everything and anything
else was supernatural, you know? And I'd
talk to a lot of people who'd done
psychedelics and had this big spiritual
experience. And so, I was curious about
it cuz I did I I said somewhere that I
thought I was kind of spiritually
[ __ ] I just It was a part of myself
I hadn't developed.
And I but I did have this misconception
that uh to be spiritual is to believe in
supernatural things. Yeah. Okay. And
that's kind of a scientific view. It's
an assumption, you know, scientists
assume this about spiritual people.
I had a couple big experiences on
psilocybin at the as I was uh
researching the book, more immersive
journalism. And um Nice excuse. Uh I
know I you know, I did feel
I was curious to try these things, but I
also felt compelled. I think my readers
expect me to do stuff, you know, that
I'm writing about and not just be on the
sidelines. And so, I did feel some real
pressure to do it. But I was I did these
conversations with volunteers in these
studies and individuals who had, you
know,
amazing experiences that completely
changed their attitude toward death. I
mean, people who who lost their fear of
death after one 4-hour experience on
psilocybin. I mean, how does that
happen? You I mean, you you have to be
curious about that.
Um Psilocybin being the active
ingredient in magic
In in magic mushrooms, yeah. Um but in
these trials, they get it in a pill
form. It's kind of purified, but it's
the same same drug exactly.
Um
So, I had a couple really interesting
experiences um that reset my
understanding of what spiritual meant.
Um and
my experiences had to do with powerful
connection to something bigger than me
that I felt.
Um specifically for me, it was the
plants in my garden
that I mean, I'm a gardener. I've been
writing about plants one way or another
for a long time.
And
I've always admired plants and I think,
you know, as we were talking about the
the the the citrus plants with the
caffeine, I think they're really
intelligent um in a very different way
than we are.
But it was that was kind of an
intellectual conceit. I didn't feel them
as
um
conscious beings.
And during this trip I did, I was in my
garden and all the plants were like
talking to me. I mean, not literally
talking to me, but they were returning
my gaze. They were present. They had uh
sentience. Um and it was and they were
very benign. They They liked me.
I took care of them, you know, what do
you I fertilized them.
Um
but it was a very powerful connection to
nature that I hadn't felt before. Most
of us when we walk through the natural
world, we we sort of feel we're sort of
part of nature, but we're sort of not
part of nature. We're all alienated from
nature. That's our human thing. And it's
our human arrogance, actually, but um
uh but it's also a failure of
imagination to see ourselves as animals.
And but that's what we are.
Um we're a little different. And in
their ways in which we have transcended
nature or think we have. But anyway,
I felt more one creature among many than
I had ever felt in my life. I was just
another creature in the garden. And and
it was kind of liberating. It was this
wonderful feeling. It was It was a great
moment. So, I had that experience, and
then I had another experience of
uh you know, what people call ego death
of, you know, total ego dissolution on a
high dose psilocybin, a guided
psilocybin trip. It's not something you
want to try on your own.
And um
uh I saw myself kind of explode in a
cloud of Post-it notes, blue Post-it
notes, and then they fell to the ground,
and there I was this
this um pool of paint on the ground. And
that was me, but I was observing it from
this new perspective that was completely
untroubled by what should have been a
catastrophe. And it was fine. This is
how things are. And then having no ego
anymore,
I had no walls, and I just merged into
this piece of music that the guide was
playing, this Bach unaccompanied cello
suite.
That was
undescribably beautiful. And I but there
was no subject-object relationship. I
just became the music. I just joined it.
It was the most profound experience
listening to music I'd ever had.
So, I came out of these experiences like
rethinking what is spiritual mean.
And I came to understand it. It means
having a profound connection with
something larger than you.
Um it's a kind of love.
It's um
it could, you know, some people have it
with the universe. I had it with the
plants in my garden uh and this piece of
music. Um
And that um
that sense of profound connection,
that's what I think of as spiritual now.
Um and there's nothing um
there's nothing supernatural about it.
You could say, well, your plants weren't
really conscious,
but they are sentient beings. And
we're the first culture in history
that's forgotten that. You know, our
scientific worldview has given us this
incredible blind spot about the
sentience all around us, you know, going
back to Descartes
um
who, you know, thought that we were the
only thinking creature and and no other
creature felt pain or had consciousness.
Um
And most of us still sort of believe
that, I think, even though we're
learning that sentience goes way down.
Um
and that I just read a paper saying that
insects may have consciousness.
Wrap your head around that. Um
Christ. Yeah.
Think about all the Well, there there
are a lot of ethical There are a lot of
ethical implications. Um
So, so my point is though that
the perception that you're surrounded by
sentient beings is not supernatural. We
are.
And what the um psychedelics are
removing is this is this filter that's
allowed us to see things in this very
narrow, materialist, scientific
worldview. Paper was published uh just
this week
by the group at Johns Hopkins. Roland
Griffith was the author. He's the guy I
was just telling you about who studies
both caffeine and psilocybin.
And they they did a big uh observational
study of people who've had a psychedelic
experience to see if their uh how their
beliefs changed. And they And the thing
they looked at was really interesting.
They looked at attribution of
consciousness to other beings.
Um and it went up dramatically.
Um so, people who
I think normally 13% of people think
plants have some consciousness, it went
up to like 58%. And that was the most
dramatic gain, but everything did. I
mean, people attributing consciousness
to animals, to cats and dogs, to
insects,
uh it all went up. Now, you might think,
okay, psychedelics increases your
magical thinking, but they also checked,
did you believe in the Loch Ness Monster
and a bunch of other kind of magical
nature things?
Um and they didn't. There was no change
there.
But this attribution of consciousness
went way up across the board.
And so, what does that tell us? Well,
every traditional culture has believed
that there are many species that are
conscious, that are sentient.
Um
and that um this is something we've
unlearned.
And I think you one way to interpret is
psychedelics
um
you know, unlearns the unlearning,
basically, and and allows us to see
something that all children see and most
traditional people see,
which is the fact that we're not the
only thinking
being.
Um So,
that's a that's a spiritual question,
too.
I my first real experience with a
psychedelic was San Pedro. Uh-huh. You
know the cactus? Yeah, I have. Really
interesting experience. So, I drunk this
drink um with my partner, and we
you? Peru. Okay. So, I don't think it
grows that well in England. No. No,
yeah. You can grow it out here. Yeah,
well, yeah, I yeah, I I have I've heard,
but I but it was a really interesting
experience. I first two two three hours,
the guy the shaman takes us to a to a
cave cuz it's raining, and nothing. I'm
sat there for three hours, nothing.
I leave the cave and I go back out into
the hills, the beautiful sort of grassy
hills with trees and everything. And the
minute I got outside, I think within 2
minutes, I was convinced and I've said
it to my team before, I was convinced
that me and the plants
were the same thing and really that they
were like they were like looking at me.
Mhm. I was looking at them and they were
like looking at me and it was the first
time I felt like I had, as you describe
it,
a almost human relationship, even with
the the grassy hills, but it was really
these plants in front of me. It was like
they were an audience now. Were they the
cactus? Or not? They were just they were
just these these these tall plants and
it felt like they were like looking at
me and trying to tell me something and
you're right, the experience I had was I
totally
didn't matter in the same way that I'd
mattered 3 hours ago. My all sort of
sense of self-importance had had gone
and I was just as important as this this
little plant.
Mhm. And it was and as you describe it,
it was we were the same thing and I was
in awe of that that feeling.
Obviously, you don't forget the feeling.
You don't forget the memory, but you
almost you lose the feeling a little
bit. You do. I think you do. I think you
go back to baseline to some extent, not
completely.
Um
I can
I don't know. I find that I can
return to some of those ways of
thinking. So, my involvement with
psychedelics led to a meditation
practice.
And um
I think psychedelics are very good for
starting a meditation practice.
Um
I could never do it. You know, I was I
was just a very frustrated meditator
before that when I tried and um
but I'd had certain kind of paths of
consciousness laid down during the
psychedelic experience that I could get
on again.
Not so much the peak experience, you
know, the fireworks. Um
and that's what people end up talking
about or writing about, but a lot of the
psychedelic experience is this long
tail, this long denouement.
Uh as you're coming down, you're
regaining control over what you're
thinking about, you can direct your
attention here or there, yet you're not
distractible. You are really
in a zone.
And
that state is a meditative state and
having laid down those tracks, you can
get back to them, I think. Um with work
and sometimes it's a matter of thinking
about an image I saw on a psychedelic
trip that helps me get there.
Um
So,
I think that's one way you keep it
alive.
Um because psychedelics aren't a
practice. You just you can't do it that
often. You don't want to do it that
often. It it takes a toll. It's hard
work. Um and and that's one of the
reasons that I think they're not
habit-forming and they're not is that
after a big psychedelic trip,
you're not saying when can I do it
again, you're saying do I ever have to
do it again? And um cuz it's it's hard
work and it can be overwhelming.
But
there is a residue that stays with you.
And some people I've, you know, really
have seen their lives turned around and
they have a big
uh you know, they take away a lot.
Um I I for me it's been subtler things
like that, but I I I can use meditation
to kind of
nurture that flame.
One of the as you you talked there about
people's lives turning around after a
psychedelic experience. Obviously, the
the studies that have been done on
psilocybin and many other psychedelic
compounds
um
are pretty profound when you read about
them. The the impact of one dose, one
trip in the right set and setting on
things like treatment-resistant
depression are really like almost hard
to believe. Yeah. And um
and I think we should take them with a
grain of salt. I mean, I think that one
of the things to understand, they're
very impressive results. They're much
better than the results for
antidepressants when they when they came
on the scene. They were approved with
like marginal utility. I think they they
scored like two percentage points better
than placebos.
You know, but it doesn't take a lot to
get a drug approved. Um here you're
seeing substantial sustained changes in
people, um which is great. But it's
important to understand the early
studies on any drug tend to be more
positive than they are later.
Part of the reason is that that the
researchers are optimizing everything.
They have very trained well-trained
guides. They they can exclude anyone
who's too depressed or
has some other problems. So, they're
they're you know, they're they're not
giving it to thousands of people,
they're giving it to hundreds of people.
So, I think we could expect as we get to
phase three and then introduction that
the effects won't be quite as good as
they've been. But so far, they've been
like two-thirds of people in most of
these trials, whether it's MDMA for
trauma or psilocybin for depression or
addiction,
have um you know, lost their diagnosis.
And that's pretty extraordinary. And
we're talking about potential cures, not
simply symptoms, dealing with symptoms.
Um so, it's very exciting research. I
think I'm a little concerned about the
kind of irrational exuberance that's
surrounding the space. There's all this
investment money. There's there's more
capital than there are good ideas, I I
would say. That's my reading of the
situation. Um
and people are going to get hurt, you
know. So, I I just see a bubble here
that concerns me, but there is something
real here. Um
and I just hope we can be careful about
how we, you know, that we don't uh build
up people's expectations, especially
people with mental illness that they
think they've got a cure. It doesn't
work for everybody.
And and some people have really hard
experiences on psychedelics.
That tends to be the case with that sort
of bubble that you described tends to be
the case with all new industries, the
internet, cryptocurrencies,
psychedelics. They have this euphoria
bubble and then there's a a flattening
where the the true value emerges over
time. Especially on Silicon Valley,
which is some like some
fashion-conscious money. Um And cuz I've
seen this, you know, having worked in
the food space, uh agriculture, there
was I remember this moment in 2008 or
so, uh where all the Silicon Valley
people were investing in ethanol. They
thought this was the green this green
energy. This is turning corn into fuel.
And it was clear to anybody close to the
situation that in fact it took more
energy to make ethanol than you got out
of it. It was just a way to get rid of a
surplus of corn on the part of the
farmers and the government.
But everybody jumped in. Bill Gates, um
you know, the the Sand Hill Road crowd
and um and you could watch this and then
they very quickly realized, oh, this
isn't such a good business. And and then
then they got into food and they got
into mock meats and that's where they
are now. They're in the food industry as
well as psychedelics and they're going
to be very disappointed at the returns
in the food industry, which like if
you're lucky you're two or three
percent. Um it doesn't scale like
software.
Some of the evidence in these clinical
trials does show the efficacy of the
psychedelics psychedelic compounds. And
one of the questions I had and I know
that, you know, you've done a huge
amount of research on this is if
psychedelics are effective, even in some
cases, what does that say about the
causes of these It's a great question.
Yeah.
The honest, complete answer is we don't
know, but the best theory that that I've
come across is that if you look at the
different disorders that psychedelics
appears to be effective in treating,
depression, anxiety,
uh obsessive-compulsive disorder,
addiction, all of these are mental
disorders that involve a kind of
rigidity of thought.
People stuck in loops of rumination, um
inflexible thinking. They need this drug
to get through the day. Um
they have this narrative in their head
that they're a bad person, that nothing
is working in their life or they have
anxiety and they replay loops about, you
know, what makes them anxious. Um
what psychedelics appear to do, what
psilocybin appears to do is break those
habits of thought.
It's it's kind of a solvent. Um and so
that it uh shakes things up in a way
that makes the brain more plastic, more
able
to learn new patterns. Because this is
essentially people stuck in old
patterns.
And so, I think that this is probably
its contribution. The most beautiful
metaphor of this that I I I heard from a
a neuroscientist,
he said, I I think of I think think of
your mind as a hill covered in snow
and uh it would have been a mountain
except he was from Holland and they
don't have mountains. Um and your
thoughts are um sleds going down the
hill.
After a while, your thoughts are going
to keep getting drawn at like attractors
into the same grooves and it's going to
be very hard to get down the hill
without falling into those grooves.
Think of the psychedelic experience as a
fresh snowfall filling the grooves
allowing you to take any path you want
down the hill.
Um so, I think it has to do with
habitual thinking.
Rigid brains, stuck brains, uh brains
that have too much order
and need to be disordered a bit.
Um
So, you know, this all remains to be
proven. There's actually a
a group at uh Mass General at Harvard
that is looking at the whole question of
rumination and psychedelics and seeing
if that is indeed the common
denominator. Cuz we think of all these
diagnoses as
actual real things, but they're really
conventions of the psychiatry industry.
And if you read the DSM, the
the whole encyclopedia of diagnoses,
every 5 years they throw out a bunch,
they add a bunch. They don't really know
what they're doing. So, I remember
asking a psychiatrist, I said, isn't it
a little weird that this same drug works
on these five different things, you
know, addiction and obsession? And he
said, well, how do you know they're
different things?
Maybe they're all different symptoms of
the same brain, same kind of brain.
And so, you know,
I mean, if you if you think about it,
anxiety is is worry about the future.
Depression is really a being a victim of
the past, but it's a similar mental
construct. And psychedelics appears to
weaken it. I read that that in that sort
of analogy of the hill and I and it
really stayed with me. That hill with
the snow, this idea that our trauma or
whatever it might be, our past
experiences have created these grooves
which we just you know, slide down every
single day and over and over again. And
you talked about previously how um
that's why there might be a case for
doing psychedelics later in life.
Yeah, yeah, exactly. Yeah, I I do feel I
mean, as life goes on, we become more
creatures of habit. I mean, it's just a
given.
It's about learning. We learn what
works. We learn the algorithms that get
us through the day, get us through a
fight with our spouse, get us through
negotiating with our children, whatever
it is. We have these algorithms, they're
handy, they work, they save us time. And
we are efficient creatures.
Um
But but habits blind you to reality. You
know, they they they you're one step
removed from experience. You're you're
saying, "Okay, that's the situation. I'm
going to play this tape." And you don't
you lose your sense of wonder. And
that's so important and and awe. You
know, awe is one of the most important
emotions and as we get older, you know,
kids are have this awe experience every
day, every minute, you know, it could be
a cookie, it could be walk down the
street. I mean, it's just incredible.
And the reason is that it's all new to
them and they haven't formed these
habits.
Um
And as we get older, I think that's
where the value of psychedelics is
really important because they are
reliable awe inducers
and that they
make you see things freshly. And
you know, I talk in the book about
this very common psychedelic insight
that love is the most important thing in
the world.
And we laugh and it sounds like a
Hallmark card and such a cliche, but
what is a cliche? It's just it's a truth
that's been overused and and and we
protect ourselves with the sense of
irony and banality, but love is the most
important thing in the world. So,
there's truth to that. And that the line
between banality and profundity is very
fine. And um and so you know, you're
always hearing people who have
psychedelic experiences and they come to
you with this revelation of the obvious.
Um but we need to be reminded of the
obvious.
Do you think there's another way to to
remain fresh in the mind other than
needing to do a psychedelic trip?
Because I I even relate I'm 29, but I
relate to me getting stuck in the same
patterns of thought which can diverge
into like a bitterness or like they can
So, you know, some of the some of my
patterns and habits result in happiness
and fulfillment and feelings of
contentment. And then others can result
in like bitterness and resentment and
other negative things. So, I'd love to
be able to do some a fresh fall of snow
on some of those.
Yes, I know. I know and without using
psychedelics.
I mean
learning something new, doing something
new is incredibly
revitalizing. Travel is. I mean, think
of think of like how
when you travel somewhere, you're in a
new country, you've never been there.
All your algorithms fail. Like you know
the menu is has full of unexpected
things.
Walking down the street, you don't see
the same brand names you see everywhere.
You You're So, your senses are are are
really working hard cuz you're taking in
lots of new information. That's why it's
so exhausting, but it's it's so
wonderful, too. So, I think travel is
one thing. I think learning a new skill.
You know, I think that for me, that's
really important. It's what I love about
journalism. You know, I get paid as an
adult to learn whole new fields. You
know, I'm I'm getting paid now to learn
about neuroscience and consciousness.
It's so great. Um
but you know and and some jobs don't
allow you to do that. That is in the
nature of journalism. It's in the nature
of what you do. You get to talk to
anybody you want.
say before I get I ask the question, I
was thinking I I was thinking if I was
to answer it myself, it's this. This cuz
when I walk away from these
conversations, I it's almost like
sometimes a psychedelic trip or it just
a a real shaking of what I thought to be
true.
Yeah. And it and it yeah. Oh, I get that
after I do an interview. I you know, I I
I I I came from an interview with this
neuroscientist and I was like so
exciting like to think about I hadn't
thought about things that way. And um
So, I think putting in your yourself in
situations where there's a lot of new
information and you're out of your
comfort zone. The comfort zone is the
problem, right? And um if you can put
yourself in a situation and and and also
you know, we we tend to gravitate to
what we do well. Yeah. We get reward for
that, but you know, try working on
something you don't do well. You know.
I was just thinking then about how when
people get older, they tend to go on
holidays to the same places.
Yes. When people are young, they go to
somewhere new.
They don't Yeah, they don't want to
repeat themselves. No, it's true. I
know, it's So, I found this
at this phase of life,
the psychedelic experience was really
valuable for that reason. Um that it did
cause me to rethink things, have new
perspectives.
Um and have this wonderful feeling of
awe and be reminded of these things. How
much I love plants. How much I love
love. Um relationships. I mean, the
sense of gratitude um that I I I've I
mean, this is a very common emotion for
me in after in a psychedelic trip is
gratitude for
my parents and my son and and my wife
and and um
you know, I mean, we're
we don't we don't spend nearly enough
time expressing gratitude for what we
have. We take it for granted.
And undermining the taken for granted, I
think is the most important thing that
they do.
Breath work. Something I've heard you
talk about as well.
Yeah, so breath work is a
non-pharmacological
mode of changing consciousness. It was
developed by Stan Grof, a Czech
psychiatrist who who worked in the
States for many years.
him as well? I assume for your book.
Stan's wonderful and I interviewed him
for How to Change Your Mind and Um so,
when LSD was banned in 1970,
he want he was having such good luck
with it and really believed that there
were these new you know high super
highways to the unconscious that he
wanted to figure out another way to
induce this state. And so, he studied
yogic breathing and all these
other traditional cultures that had
these trance induced trance. And it's a
pattern of breathing that you do
accompanied by usually rhythmic drumming
that for I think about 2/3 of people
will put you in a trance state that's
very much like a psychedelic state. It
was it was really eerie how it works.
Um
you basically
find yourself losing control of your
limbs. I mean, it's very physical. Yes,
you're on your back and you're dancing
and you're
and you're breathing this very unnatural
pattern of a strong exhalation,
stronger exhalation than inhalation,
very fast. I think you're
hyperventilating. I think that's what
you're doing.
Basically, yeah. And um
and I think that that probably, we don't
know this yet, but that probably is
reducing blood flow to the brain or
oxygen to the brain.
And one of the curious things about
psychedelics is not that they're
increasing brain function, but they're
decreasing it in certain important areas
including something called the default
mode network.
Uh which is the center of the brain
that's very
uh very important control center of the
brain that is involved with your sense
of self time travel into the past, into
the future,
uh the narrative self, the story you
tell yourself about your life, how you
fit everything into the story of who you
are. It's I it's if the if the ego had
an address, it would be the default mode
network.
It may be that starving that of oxygen
gets us similar effect that psychedelics
do.
Um but psychedelics
that's one of the mysteries. It's like
we think of all this extra consciousness
we get from psychedelics or expanded
consciousness, but it may be that it's
closing down certain things which allow
other things to happen. I did breath
work with um with my partner in my
girlfriend in Bali. She's training as a
breath work practitioner.
So, how did it go?
So, again, walked in super skeptical.
This guy starts telling me a bunch of
reasons why it's going to you know, the
sort of physiological reasons why it
works.
It was about 13 minute 20 minute
session.
I mean, 10 minute I didn't even notice.
I only noticed on photos after that I
was laying on my back, but my hands were
in the air. So, and I didn't even I did
not put my hands in the
Yeah, it's involuntary.
Yeah, and they were in the air for 15
minutes and it didn't hurt my muscles.
And the other thing was I
I went to the strange emotional place
where I felt huge amount of gratitude
for certain people in my life and I
actually felt the need to like apologize
for recent behavior that I'd carried
out. It just Mhm. Um It was a very
emotional experience as it is for I know
a lot of people, but it was just really
compelled me the thought that doing
something with my breathing could
have such a profound impact. And then it
got me thinking about my day-to-day
breathing which is part of the
the education about how we breathe so
shallowly.
Right.
And especially when I'm anxious, if I'm
ever anxious and I think about it, I'm
I'm I'm breathing Yeah, very shallow.
20% of what I usually breathe. So, one
of my ways now of if I do feel anxious
of counteracting that from that breath
work session
is taking 7 second inhalation, holding
it and then 7 second out. And honestly,
doing that for 20 seconds or 30 seconds
completely seems to flush out any
feelings of anxiousness.
There's a bunch of really interesting
breathing exercises. There's one that
Andrew Weil does called
4-3-7
4-3-8
and it involves
certain amount of I'm not going to
remember it right now, but certain
amount of inhalation, hold your breath,
and then exhale for longer than you
inhaled. And it's it's remarkable. I've
done it before going on stage and things
like that. It just lowers your stress
level very quickly. And I'm guessing it
lowers your blood pressure. There's a
lot we don't know about breath. I mean,
breath is amazing and
I think you can do a lot to fiddle with
your consciousness using breath. It
genuinely, of all the things that people
have prescribed or told me
the simplest thing that I've I've I've
sort of implemented in my own life when
in situations where I'm feeling stressed
before going on stage as well, before my
tour I used to do it in the the green
room, or when I'm feeling anxious or
over
diverging into sort of like overthinking
is just focusing on my breath.
My next question to you, my last
question really is is about what's next
for you. As a as a tremendously
successful author that's written about
such a diverse range of topics
I mean, I think the first question when
you walked in the door was what are you
writing about next? Yeah. It's going to
be something of deep interest. You're
going to immerse yourself. You're going
to buy a cow again, like
I don't know what I'm going to do for
this this topic. So, I'm researching
consciousness, the science and
philosophy and literature of
consciousness.
You know, one of the things that
psychedelics does is raise questions
about consciousness. You know, I talked
to you at the beginning about questions
are more interesting than answers.
It's kind of amazing that we're
conscious. I mean, you know
we could do all this stuff
automatically, but we're not. We have
this space in our heads where we see
things. We we assume other people have
consciousness too, but we can't be sure.
And
and how does 3 lb of tofu in your you
know, between your ears
produce
an experience of subjectivity, of
quality.
It's it's it's one of the greatest
mysteries left.
So, I'm going to explore all of it and
see where it takes me. You know, again,
I don't know where I'm going,
but that's the that's the exciting part
of
writing. Quick one. We bring in eight
people a month to watch these
conversations live here in the studio
when we're here in the UK and when we're
in LA.
If you want to be one of those people,
all you've got to do is hit subscribe.
You know, you said at the start that
your job is to answer questions. What is
the question that you're trying to
answer in your next project? Is it just
what consciousness is?
Yeah, what is consciousness?
There there is a couple questions under
that though. Why do we have it? Do we
What do we need it for? What does it
allow us to do?
Who
else has it? You know, if you you know,
do the insects have consciousness? Do
the plants have There are people who
believe plants are conscious. Are they?
How do you define consciousness? There's
so many subsidiary questions you have to
answer to get to the bottom of it. Um
and I think it has a lot of this
question of who else has consciousness
has a lot of political or environmental
implications.
I think that one of the reasons we got
into such trouble with the environment
is the scientific worldview for all its
power
has blinded us to the self the interests
of other creatures. And
one of the
you know, you look at Native American
culture and there's this sense that
everything is alive, everything has a
spirit to it. Um
that keeps you from doing something to
certain things to those others, right? I
mean, that that you're violating
spirits. We don't have that feeling. I
mean
our worldview allows us to see nature as
something for us to exploit
rather as our relatives as Native
Americans would describe it. So so
getting consciousness right means
getting a lot of things right. Um so,
wish me good luck.
No, I do. I'm sure you're going to do an
unbelievable job on that because you you
always have on your on your on your work
and all the books you've written take a
a different approach and I think that
yeah, you you highlighted how that comes
from a place starts with a from a place
of naivety and curiosity. I'm definitely
naive. I mean, cuz I have to learn
neuroscience for this a lot of it and
and that's a struggle for me. And some
of these theories are really
mathematical and that's really a
struggle for me.
Um but you know, that's that's the job
is finding the good explainers who can
help me to explain it and make it I get
a lot of satisfaction from taking a
subject that people think might be very
dry and difficult and and helping people
make sense of it. You know that there's
a tradition on this podcast where the
previous guest writes a question for the
next guest. They don't know who they're
writing it for. The question is
as you've juggled your life, work,
relationships, friendships, and
self-time, what things have been key to
building your resilience?
Doing new things
including taking psychedelics, which has
definitely
affected me and and
contributed to my resilience.
But I I think it's seeking out new
projects and um
doing things that break you out of
habitual ways of thinking and responding
to things.
Habit is wonderful, it's very efficient,
but it's deadening too.
So, I'm often thinking and I am a
creature of habit. I have like a whole
routine every day to get myself to the
desk to write, but
but breaking it is is I think breaking
habits I would say would be an important
one. You've spoken to that throughout
this conversation, so that's a beautiful
ending. This this idea of leaving your
comfort zones as well. Thank you. Thank
you for all the work you're doing. It's
really inspiring to me that an author
could be so powerful.
And I I hope we can have another
conversation again once your your book
about consciousness is out because I'm
sure it'll be a good conversation.
to that. It's been a great pleasure
talking to you. Thank you, Michael.
Thank you.
I had a few words to say about one of my
sponsors on this podcast. As the seasons
have begun to change, so has my diet.
And
right now, I'm just going to be
completely honest with you. I'm starting
to think a lot about slimming down a
little bit because over the last couple
of probably the last four or five
months, my diet has been pretty bad.
And it's started to show a little bit.
Really over the last two months. I go to
the gym about 80% of the time. So, I
track it with 10 of my friends in a
WhatsApp group and this tracker online
that we all use together. And so, one of
the things I'm doing now to reduce my
calorie intake and trying to get back to
being nutritionally complete in all I
eat is I'm having the Huel protein
shake. Thank you, Huel, for making a
product that I actually like. The salted
caramel is my favorite. I've got the
banana one here, which is the one my
girlfriend likes, but for me, salted
caramel is
the one.
[Music]
Ask follow-up questions or revisit key timestamps.
In this conversation, Michael Pollan, renowned author and journalist, discusses his immersive approach to writing, his exploration of psychedelics, and the role of curiosity in his career. He examines the concept of 'rigidity of thought' in mental health, the potential of psychedelics to disrupt these habits, and the importance of nature and consciousness. Pollan also touches on his investigation into caffeine as a societal drug, the physiological effects of breathwork, and his upcoming work focusing on the mystery of human consciousness.
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