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Wretch 32: How To Build Unstoppable Self-Belief | E132

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Wretch 32: How To Build Unstoppable Self-Belief | E132

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2529 segments

0:00

could you do me a quick favor if you're

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listening to this please hit the follow

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or subscribe button it helps more than

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you know and we invite subscribers in

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every month to watch the show in person

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music is game of thrones bro when you

0:09

see game of thrones they kill the main

0:11

character do you what i'm saying they

0:12

don't mind doing that wembley makes the

0:14

noise for reds feature together

0:17

i think the best turning point for me

0:21

was when i was 16 and my mom threw me

0:22

out she feels like it was a harsh thing

0:25

to do but i'm like at the end of the day

0:26

if you don't do that for me at 16 i

0:28

don't become rich

0:31

we signed for a single which was tractor

0:34

that was my ringtone twin said to me he

0:36

was like this song was going to change

0:37

your life and then yeah bam it goes in

0:39

the charts and everything changed after

0:41

that

0:42

the obsession

0:43

made me better made me more hungry when

0:45

you find your passion here you find your

0:47

calling bro you're not fair to no one

0:49

everyone comes second bro my daughter

0:51

she has no recognition of living with me

0:54

i just became a monster man i just you

0:56

can't skip what's important man how many

0:58

we get 80 years maybe now your legacy

1:00

can can triple that broke have the right

1:02

one what if it just hadn't worked out

1:04

it had to

1:06

so without further ado i'm stephen

1:08

bartlett and this is the diary of a ceo

1:11

i hope nobody's listening but if you are

1:13

then please keep this to yourself

1:16

[Music]

1:23

rich

1:25

take me back to tottenham when you're

1:26

growing up um i'm a big believer and to

1:29

be honest i always start these podcasts

1:30

in the same way because i came to learn

1:31

when i was younger the importance of

1:33

those early years on shaping who we

1:35

become as adults and someone said this

1:37

wonderful quote to me that we're

1:38

actually just children living out the

1:39

stories we told ourselves about

1:40

ourselves long ago

1:42

so take me back to tottenham where you

1:44

grew up in the context in which made you

1:45

the man you are today grew up in seven

1:47

sisters in a state called tibetan

1:50

tottenham was just notorious in it for a

1:52

lot of madness a lot of crime a lot of

1:53

this a lot of that

1:55

and i think

1:58

for me just growing up and learning how

2:00

to navigate through that how to

2:02

understand who you are what you're here

2:04

for

2:05

and also my parents and grandparents and

2:08

all that they were proper embedded

2:10

in you know fighting against police

2:12

brutality so i always had

2:14

a lot of understanding about certain

2:16

things that were probably above my age i

2:18

feel like i was always someone that

2:20

could get along with everyone like

2:22

whether our cool kid uncle kid whatever

2:24

i like i could always

2:26

have something to speak about with

2:28

anyone and i think throughout life

2:30

that's always helped me and it's always

2:31

been beneficial but i definitely started

2:33

when i was young

2:34

um

2:35

in their state just like the regular the

2:38

regular stuff man that was happening you

2:40

know i'm saying like a lot of

2:41

badness um

2:43

stabbings a lot of this a lot of that

2:45

but we just when we were very young we

2:47

just wanted to play football you know i

2:48

mean when it's a play out play football

2:50

play games but as you get older you

2:53

you know you start seeing other things

2:54

hearing other things and

2:56

sometimes even

2:58

not even i wouldn't say not unwillingly

3:00

sometimes you're just you become a part

3:02

of things because you're there on the

3:04

day or you're there at that time

3:07

and i think a lot of

3:09

them early scenarios kind of shaped

3:12

who i thought i was going to become at

3:14

that time

3:15

the best turning point

3:18

for me

3:20

was when i was 16 and my mum threw me

3:22

out

3:24

because

3:28

i now had to be the adult that i thought

3:30

i was

3:32

so before that i was you know walking

3:34

around the house had a bravado had

3:35

attitude for i was a big man for i was a

3:37

bad boy for i was whatever

3:39

and you know all the time my mom's kind

3:40

of like single mom you know there's um

3:43

at that time there's a three two older

3:45

sisters and two younger sisters and

3:47

myself

3:48

in the house and just like

3:49

at that time just feeling like i'm

3:51

feeling myself a bit too much and my mom

3:53

was always like look i know you feel

3:55

you're beyond your years but you're not

3:57

you're actually 15 or you actually fall

3:58

in and if you continue moving like this

4:01

you're going to be forced to be 21 at

4:04

16.

4:05

obviously as a you you're not really

4:07

taking that in taking it serious one day

4:10

i come home and my bags are on the door

4:12

so i'm kind of like all right cool and

4:14

i'm like

4:15

mad prideful as well so

4:18

at the time my sisters were like look

4:19

just have a conversation with her

4:21

she's gonna throw it out just calm down

4:23

a bit whatever whatever but i'm just

4:25

feeling myself still too much so i'm

4:27

kind of just like whatever i took my

4:28

bags went to my cousin's house for a

4:30

little while

4:32

then i just felt like i was just in

4:35

other people's space obviously their

4:36

family but i just felt like i'm in the

4:37

way i don't like feeling like that went

4:39

to my sisters

4:41

still did feel like i was in the way

4:43

even though to her she'll say i wasn't

4:44

but

4:45

like i just don't want to be a burden to

4:47

anyone so then yeah just went to the

4:49

housing and yeah 16 years old i was in

4:52

my place and i learned so much man and i

4:54

think that's the best the best thing

4:57

anyone's ever done for me in my life why

4:58

did she throw you out

5:01

i was too

5:03

too vibing man i just thought i was too

5:06

i thought i was it

5:08

do you get what i'm saying and i think

5:10

as well it's like

5:12

when you think you're it and you're

5:14

making a little money on the roads and

5:15

whatever and you're giving someone money

5:17

here and there

5:19

you're thinking you're doing your part

5:20

so maybe i'll give you 200 this month

5:23

maybe next month i don't give you

5:24

anything maybe the next month i'll give

5:26

you a grand maybe the next two months i

5:28

don't give you anything but

5:29

i'm always reverting back to the fact

5:31

that yeah but i gave you yeah but i gave

5:33

you oh yeah but i've done this so yeah

5:34

but i've done that but what you don't

5:35

realize until your adult is every month

5:38

the bills are coming

5:40

they don't come staggered like you're

5:41

giving the money so it's not like

5:43

she can't just pay 600 pound rent in

5:46

january and nothing in february do you

5:48

know what i'm saying so it's like

5:50

but you don't have that understanding as

5:52

a child you need to be an adult to have

5:54

that understanding like these bills are

5:55

coming regardless

5:57

and i think

5:59

even though she was saying it to me i

6:01

was still you know like you're still

6:03

calculating what you're giving like no

6:05

but i gave oh but i've done this so i've

6:06

done that

6:08

it's not enough the bills don't work

6:09

like that being 16 and learning them

6:12

harsh lessons this is harsh reality and

6:14

i was just like right i actually thought

6:16

i was a big man and it's like

6:19

like years i i was angry with my mum for

6:21

a bit at the time as you would be not

6:23

speaking to her kind of like kind of

6:26

trying to be like that but you know like

6:27

letters are still going there so he's

6:28

still getting there i'll get asked my

6:30

sister give me the letter bring out the

6:32

letters don't really want to go in

6:33

whatever still you know being attached

6:35

to pride and being attached to too much

6:37

attitude and i just had to like humble

6:39

myself one day and i'd just be like you

6:41

know what mom that was the best thing

6:42

anyone's ever done for me and she was

6:44

like to this day like when she hears me

6:46

say it she still it still upsets her

6:47

because she feels like it was you know

6:49

very a harsh thing to do but i'm like at

6:51

the end of the day if you don't do that

6:52

for me at 16 i don't become rich at

6:55

20 odd because he's too comfortable

6:57

rich comes out of being uncomfortable

7:00

being backed in the corner being forced

7:02

to be

7:04

you know to be a provider being forced

7:05

to be the man of his house rather than

7:08

thinking he's the man of his mom's house

7:11

the man of your house did you know your

7:12

father

7:13

yeah yeah did you have a relationship

7:16

yeah yeah yeah yeah yeah my dad's a very

7:18

was very very serious man very serious

7:21

very serious very strict

7:24

very well respected because of

7:26

you know in the area with all the the

7:28

police brutality and all of that all the

7:30

things that they fought for and still

7:32

fight for him my uncle and my nan but

7:34

just very very very harsh very harsh and

7:37

and the dj as well so old school you

7:39

remember they used to string up sound

7:41

systems

7:42

like my mom's house like all the

7:44

speakers throughout the passage

7:46

one of the rooms all the speakers like

7:48

all of us had to share because the

7:49

speakers had their own room you know i'm

7:51

saying i'm like mom

7:53

can't i at least sleep in the in the

7:55

speaker like i'm sharing with my sisters

7:56

i need a little space or whatever but um

7:59

yeah so yeah yeah good relationship

8:01

obviously him and my mom parted ways

8:04

and um

8:05

yeah still still kept a relationship

8:07

like i don't have that

8:09

i don't know my dad thing like i know my

8:11

dad yeah

8:12

and uh your grandmother one of the

8:14

things you said about her was that

8:16

watching her

8:18

take care of your grandfather

8:20

who had cancer

8:21

yeah um was what a really pivotal moment

8:23

watching how sort of caring she was with

8:25

him and right up until the point that he

8:27

passed away

8:28

you know like when you're young

8:30

your first experiences of death are like

8:34

so severe man like so impactful not that

8:37

not that it gets any easier but you

8:39

understand it more i think when you get

8:41

older

8:42

and i just think at the time

8:44

i don't i don't i've never

8:47

understood strength until i met

8:50

that situation with my grandma and it

8:52

was just

8:53

how she how she was you know like

8:55

caribbean so when i'd come around she's

8:56

like make sure you come back again you

8:58

know because i'm soon dead and i'm

8:59

saying you're saying to me he soon did

9:02

like he's not gonna die i don't even

9:03

understand the severity of cancer as

9:06

young as i was at that time

9:07

she's like yeah man i'm soon dead

9:08

managed that and all my friends that he

9:11

liked she's like make sure you bring

9:12

them to say goodbye and i'm like say

9:14

goodbye like what the hell this

9:16

everything's cool but it's like

9:18

she's saying it to me like that but my

9:20

mom and my dad they're not like

9:22

explaining the severity of the situation

9:24

to me they're not saying like

9:26

there's a countdown so i've got my aunt

9:29

saying like yo we're giving him organic

9:31

food we're doing this so i'm thinking yo

9:32

we're fighting it but every time i'm

9:34

going back

9:36

it's like

9:37

he's becoming like i don't know less and

9:40

less and smaller and smaller and now i

9:42

can

9:43

see it but i'm still i don't know i

9:45

guess the words naive in it that you're

9:48

very hopeful and you're naive thinking

9:49

nah nah nah it's going to be cool

9:51

because he'd been to be fair he'd been

9:53

saying he was sick for years but he was

9:56

undiagnosed he was ill but we didn't

9:57

know when he went to the doctor he died

9:59

once he got diagnosed it's a countdown

10:01

now so i don't know if mentally

10:02

something

10:03

happens there i don't know if how that

10:05

works but

10:07

just watching a

10:08

you know through when he became in was

10:10

incontinent like washing him

10:13

buffing him feeding him just being there

10:16

the whole way through i was just like

10:20

that to me is was the real definition of

10:23

a marriage that is

10:25

you know um sickness and health do you

10:27

know what i'm saying that is death do us

10:29

part that was literally till death do us

10:30

part and i'm like

10:32

i don't know if i'd ever see that level

10:35

of strength again the other thing that i

10:37

really stuck out to me about your

10:38

childhood as i was reading through your

10:40

backstory was that moment when you're

10:41

nine and a car comes up next to you yeah

10:44

tell me about that what happened uh what

10:46

did that teach you at that point like

10:48

tottenham was warring with a lot of

10:50

surrounding areas in it so

10:52

it was like food fiestas back then

10:55

tinted cars rolling through the estate

10:57

just

10:58

looking for whoever they're looking for

10:59

but i live in the middle of it and being

11:01

young but being tall

11:03

and remember back then when when when

11:06

everyone's warm with each other like now

11:08

we have the internet so everyone knows

11:09

who everyone is what everyone looks like

11:11

whatever back then nobody didn't it was

11:13

just a description like he's dark

11:14

skinned and skinny

11:16

do you get what i'm saying so they're

11:17

coming looking for a dark skin and

11:18

skinny guy but i'm nine

11:20

and i'm going shop and then i remember

11:22

the car was breezing up to me

11:26

and i'm thinking right why is it driving

11:27

like that skids

11:29

wind down the window and then i look in

11:31

the car i'm like bro

11:33

but it's like it's just like

11:36

nah nah and then drive off and i just

11:38

thought wow like what the hell like just

11:41

imagine if i ran like because you know

11:42

that for a second i was gonna run and i

11:44

was thinking right the cars because he's

11:45

driving towards me i can run that way

11:47

ain't gonna be able to spin around but i

11:48

just remember thinking like

11:50

i haven't even done anything do you know

11:51

what i'm saying first of all but then

11:52

when it stopped and they've done that i

11:54

was like

11:55

let's drive off and i think that thing

11:56

there made me feel like

12:00

it's probably better to be involved than

12:02

to not

12:03

at the time

12:05

do you get what i'm saying because at

12:06

the time i'm not involved i'm actually

12:08

just a clean-hearted good you i just

12:10

play football and computer that's it you

12:12

guys i'm saying so when that happened it

12:13

made me feel like right that could have

12:15

happened to me for no reason

12:18

like i might as well give you a reason

12:19

do you know what i'm saying someone

12:20

could have done something yeah something

12:22

something could have like i could have

12:23

been shot whatever they was gonna do and

12:25

i think that kind of put a chip on my

12:27

shoulder do you know what i mean for the

12:29

next

12:30

the next couple years which obviously is

12:31

what led to my mum feeling like now

12:33

you're feeling yourself a bit too much

12:35

go and fly the nest like if you don't

12:38

you know if you don't

12:39

if you don't push the bird out then this

12:40

it won't fly you know if you're not

12:42

throwing in the water you don't have to

12:43

swim kind of thing and a lot of men i

12:45

mean this happens

12:46

not just on the estate but men that

12:47

don't grow up in such circumstances they

12:49

start using that like bravado as a as a

12:52

form of self-defense but it ends up

12:54

um inflicting self-harm in some way i

12:56

mean that's what you tend to see with a

12:57

lot of gangs right you join for to

12:59

defend yourself or to try and fit in but

13:01

it leads you down a path of self-harm

13:03

yeah because you go from

13:06

i'm doing this to fight back yeah and

13:09

then you go from fighting back in the

13:10

form of defense to offense now because

13:13

it's gone from i'm just defending myself

13:15

to now i'm out in a club or i'm out

13:16

somewhere

13:18

and

13:19

now you're getting into situations with

13:21

people that you feel

13:23

look like

13:24

you might end up in a situation with so

13:26

now it's just happening now it's

13:27

proactive yeah i'm saying

13:29

if you both

13:31

were just defending yourselves then you

13:33

can be cool to walk past each other or

13:34

be in the same club at the same time or

13:36

whatever

13:37

i think a lot of like things being

13:39

unsaid

13:40

like when things ain't clear like you're

13:42

in just because you're in an environment

13:45

and you feel

13:47

i don't know you might not have an issue

13:49

with anyone in the environment but

13:50

because there's no clarity yeah because

13:52

they haven't said we don't have enough

13:54

of you and you haven't said we don't

13:55

have nothing with you it's just tense

13:57

yeah yeah i mean that's life right

13:58

relationships you know what i mean is

14:00

communication yeah there's just a little

14:02

tenseness and it's like why is it tense

14:04

and then

14:05

depending on how the ice breaks i'm

14:08

saying if it breaks the right way it's

14:09

cool if it breaks the wrong way

14:11

then it's just erupting into something

14:12

that didn't even exist to be fair in the

14:15

first place and at that age what did you

14:17

want to be when you grew up what was the

14:19

aspiration

14:23

probably wanted to be ian wright

14:25

realized early on that ain't gonna

14:27

happen

14:28

um i liked music

14:32

i didn't want to be a musician though

14:34

why

14:35

it didn't seem realistic

14:38

you didn't know anyone in your tribal

14:39

circle that i had gone yeah it was like

14:41

the musicians were like other people

14:43

jay-z yeah you know i'm saying tupac or

14:46

naz like that was

14:47

somewhere else so it's like yeah you can

14:49

do it for fun so we do it for fun we

14:52

write whatever i record

14:53

on tapes blah blah blah but i never

14:55

thought like

14:57

this could be a career i could make

14:58

money from this i could live in this

15:00

space

15:01

so i guess like i was into trying to

15:02

understand what else happens outside my

15:04

estate because because also what happens

15:08

you feel like

15:10

your family your friends become your

15:11

family in the estate

15:13

the sweet shop is basically a

15:15

supermarket

15:16

um

15:17

so you don't need to leave you just move

15:20

from house to house then we're all

15:21

outside we play football then it's 9 p.m

15:23

we buy ice poles then everyone goes home

15:26

we do it again tomorrow and you just end

15:27

up

15:28

in a cycle of that but then someone told

15:30

me

15:31

actually i saw one of my friends in an

15:33

advert

15:34

a guy from my estate called frank yeah

15:36

he was in a lexus advert

15:38

as a kid and i was like when he when he

15:40

come when i tell you i was like mom

15:41

that's francis he was over there i said

15:44

frank when i saw him i said frank how

15:45

did you get an advert he was like i've

15:47

got an agent how's that is it how do you

15:49

get agent

15:50

who's that there's a newspaper that

15:51

comes out every thursday called the

15:52

stage so it's like by the stage it costs

15:55

a pound but it just shows you so much

15:56

different things so i used to buy that

15:58

newspaper yeah just to see like

16:01

what else can happen like what else is

16:03

there and it should be like

16:05

auditions or whatever to be fair i never

16:08

really go to any but i think like

16:11

i was just intrigued about like what

16:13

else exists like what other people are

16:15

doing then i'd see something about the

16:16

british school i'm like i wonder what

16:18

that is like all these things that we

16:19

don't know nothing about anna shears i

16:21

used to see sylvia young

16:24

all these things in the paper but there

16:25

was always a price a cost like sign up

16:28

for this or pay for the portfolio or

16:30

whatever and obviously at like 11 12

16:33

13 years you can't you know i mean my

16:35

mom she's not gonna

16:37

there's too many of us to ask for that

16:38

we need school uniform first and

16:40

foremost everything else is secondary so

16:42

um yeah

16:44

how old are you and you decided that you

16:45

were gonna like record a mixtape

16:47

and like publish it and try and sell it

16:51

2006 when it came out yeah 2006

16:55

learn from my mixtape

16:57

came out that's my first

16:59

cd 24 songs on there

17:02

i tried getting it on spotify i couldn't

17:03

no it's not it's not i need to you know

17:05

i need to get it up one day people ask

17:07

but i think there might be one or two

17:08

american beats right so that's why we're

17:10

struggling with that but um

17:13

yeah man i think at that point i'd been

17:15

on pirate radio i've been on heat fm

17:18

and i was just like

17:20

then i became obsessed i was obsessed i

17:23

was just like i need to go studio

17:25

as much as i can everything i was doing

17:27

was to put into being able to record and

17:30

then once i had

17:31

seven or eight cds with about

17:34

nine songs on each it's like right what

17:36

about 50

17:37

60 some songs like this is mad maybe i

17:40

should just do

17:41

do a project so then i came up with the

17:43

idea learned from my mixtape because i

17:45

wanted it to be like quite educational

17:48

like not in a school way but in a

17:49

streets way like i always wanted to like

17:53

educate the youth and let them know

17:54

there was other ways of doing things

17:56

kind of thing that's always been my

17:57

thing

17:58

so yeah came up with that made that

17:59

project

18:01

the funny thing about that cd is that

18:04

you give it to the guy to press up you

18:06

pay your six or seven hundred pound and

18:08

then he

18:10

he presses it up but there back then

18:12

they were so long you're rigging him

18:14

every friday is it has it arrived no

18:16

it's not arrived yet

18:18

ringing ringing ringing ringing

18:20

so the day my son's born

18:22

i'm in the hospital i get a phone call

18:24

and it's the guy and i'm like

18:26

so the baby's born healthy everything's

18:28

cool answer the phone he's like you see

18:30

these are here

18:31

come now because he's not i don't know i

18:34

don't remember if it was a friday but he

18:36

wasn't in tomorrow he wasn't in for the

18:37

next two days

18:38

so he was like come now so obviously

18:40

i'll come off the phone

18:41

i'm in the hospital holding my son

18:44

so like his mom's looked at me and she's

18:46

like who was that i was like yeah man

18:47

the cds are here but she knows that this

18:50

is my thing so this is like

18:53

but this is the thing when you make

18:54

music you're obsessed bro

18:56

you're obsessed so i'm like looking at

18:58

my watch like

19:01

yeah i'm saying she's like

19:04

then she just looks at me and she goes

19:05

to go and get the cds man just go and

19:07

get the cds i'm like

19:09

thank you man

19:12

jumped in the car ripped the cred and

19:15

picked up a thousand cds

19:18

thousands you got them all in the car

19:19

thousand all in the car bro thousand

19:22

like seats two of us in the car seats

19:24

down

19:25

cut like a thousand it takes up bare

19:27

space as well

19:28

got them back

19:30

so then like just

19:31

put them in the hallway

19:33

when i picked them up brought her home

19:35

and she was just like you need to get

19:36

these out of this house because now

19:38

there's a buggy

19:39

there's moses basket there's all of this

19:41

stuff i'm just like i'm just feeling mad

19:43

pressure i'm just like

19:45

that was just it was just fun and

19:47

exciting man it was like it was like my

19:49

life was born

19:51

was reborn my son was born i just felt

19:53

like a new

19:54

energy i was re-energized and i just i

19:57

just wanted to go man so it was like

19:59

spent the next couple weeks doing the

20:02

salem return

20:04

so you take them to a shop if they don't

20:06

sell them they come back bro and at that

20:08

point i don't care about the money bro i

20:11

just want to be heard like i want

20:13

someone drove past me and they were

20:14

playing my cd bro you can't tell me i'm

20:17

not jay-z back then when i heard that

20:19

and i don't know the person normally you

20:21

know them i'm looking i'm like right he

20:22

doesn't even notice me he's driving past

20:24

me i'm like yeah this is like this is

20:26

happening we're growing we're growing so

20:28

yeah just re-energize man and sale in

20:30

return is long because you're no one

20:33

the the shop guy he shows up fool so

20:35

he's like yeah we'll take five

20:38

i'm like my guy i have a thousand of

20:40

these take 50 bro i won't even come back

20:42

for the money i swear to you bro like

20:44

i'm cool bro he's like nah nah give me

20:46

ten

20:47

bro you know what i'm doing just to get

20:49

rid of them i'll buy the 10 back yeah

20:52

and then he'll call me and he'll be like

20:54

yeah the 10 went fast you know that'll

20:56

make someone else do it doesn't matter

20:57

if i don't lie what do you want you want

20:59

a 50 now yeah yeah bring the 50 yeah

21:00

we've got 50 for you coming so you'd get

21:02

a friend to go in and buy this yes you

21:03

get what i'm saying so now i can go and

21:05

give him 50 that's half a box out bro

21:08

this was taking up so much space so yeah

21:10

doing that

21:12

oxford circus birmingham cried and like

21:15

all the music shops and yeah it was

21:18

different time in it when you were

21:19

running around shot on those cds what

21:21

were you doing for money because i'm

21:22

sure that wasn't that wasn't covering

21:24

the bills right

21:25

now me and my my manager he's my manager

21:28

now he was just he's always been my

21:29

virgin like my right hand we just

21:32

every every penny we made from anything

21:34

we just put it together and put it in

21:36

this and put it in this so it's like

21:40

sometimes we'd go back for the sale and

21:41

return as well so we'd get a little

21:43

drips and drabs there this and that and

21:46

just

21:47

literally just sharing money it's like

21:49

we had one bank account if i'm honest

21:50

like it was we're just sharing like

21:52

anything

21:53

what do we need then we needed to do a

21:55

video how much does a video cost 2 500.

21:58

whoa

21:59

all right cool but now

22:02

my um

22:03

at the time like my son's mum's like yo

22:05

we need

22:06

buggy let's say we need a buggy but it's

22:08

like i need to do a video it was like i

22:10

felt like i was always trying to decide

22:12

between a bug or a video yeah bro that

22:15

you feel so guilty but you but you know

22:18

it made me understand it made me

22:19

understand

22:21

like the the need and the obsession and

22:23

the love i have for this thing because

22:25

i'm actually always comparing it like it

22:27

sounds mad to hear

22:29

me say but it's just when it's your

22:31

purpose is your purpose bro every single

22:33

month we're growing we're growing we're

22:35

growing it's getting bigger and bigger

22:37

and bigger and bigger and when it gets

22:38

to that point we'll have

22:40

how many buggies do you get i'm saying

22:42

we have the best car everything it will

22:43

be able to spin what you get i'm saying

22:45

they'll put the cop will put the baby to

22:47

sleep whatever you know what i mean sma

22:48

champagne um

22:51

so yeah but that was like that was when

22:53

i was understanding that you've like

22:55

you've actually got some kind of

22:56

obsession or

22:58

some deep rooted love for this thing

23:01

that should probably not be like that

23:02

you know what i'm saying like what

23:03

you're weighing up against the other

23:05

thing it just

23:06

but it just was man how long were you in

23:08

that phase of like trying to like trying

23:10

to give people your cds and like how how

23:13

in years or months how long was that

23:14

that phase where like people weren't

23:16

because i was watching the kanye netflix

23:18

yeah documentary recently

23:20

it reminded me of that that you got that

23:21

young man who believed in himself more

23:23

than anyone else did you see that scene

23:24

where he plays like bro it

23:27

all falls down all falls down and she's

23:28

not paying attention she goes on the

23:30

phone yeah yeah she's on the phone she's

23:32

intentionally trying to tell him to piss

23:34

off ignoring

23:35

it reminds me of that like

23:37

so how long were you in that phase of

23:39

your journey just like selling them cds

23:42

i think so if this first cd came out

23:43

2006 i reckon since like 2003 i'd been

23:47

giving out music but what i was always

23:49

very clever at like i always wanted

23:52

everyone

23:54

to like my music so i had different cds

23:58

with different songs on so i'd have like

23:59

a cd with 10 gram songs

24:01

a cd with 10 love songs a cd with five

24:04

songs about trying to turn your life

24:06

around i just had different cds and what

24:08

i'd do

24:10

i'd give the cd

24:11

to each person as to what i think they

24:13

would like

24:14

so i give the man name that one but what

24:16

was happening is that i gave a man that

24:20

and then i gave his sister a different

24:21

one but his sister was like yeah but my

24:23

brother's got one that's got different

24:25

songs on but i'm not i don't think you'd

24:26

like that so it was like i was always

24:28

just i had music enough music to please

24:30

everyone but then everyone wanted the

24:33

other songs as well so that kind of made

24:34

me decide that you know what if you put

24:37

everything on 24 songs then maybe they

24:38

can all be centered to this disc and it

24:41

can start there and it worked yeah

24:44

i had a few words to say about one of my

24:45

sponsors on this podcast my girlfriend

24:47

came upstairs yesterday when i was

24:48

having a shower and she said to me that

24:50

she tried the heel protein shake which

24:51

lives on my fridge over there and she

24:53

said it's amazing low calories you get

24:55

your 20 odd grams of protein you get

24:57

your 26 vitamins and minerals and it's

24:59

nutritionally complete in the protein

25:00

space there's lots of things but it's

25:02

hard to find something that is nice

25:04

especially when consumed just with water

25:06

and that is nutritionally complete and

25:08

that has

25:09

about 100 calories in total while also

25:12

giving you 20 grams of protein

25:14

if you haven't tried the cured protein

25:17

product do give it a try the salted

25:19

caramel one if you put some ice cubes in

25:21

it and you put it in a blender and you

25:24

try it is as good as pretty much any

25:27

milkshake on the market just mixed with

25:28

water it's been a game changer for me

25:30

because i'm trying to drop my calorie

25:32

intake and i'm trying to be a little bit

25:33

more healthy with my diet so this is

25:35

where heel fits in my life thank you for

25:37

making a product that i actually like

25:39

the salted caramel is my favorite i've

25:40

got the banana one here which is the one

25:41

my girlfriend likes but for me salted

25:44

caramel is

25:45

the one

25:47

2003 2006 you were trying to move them

25:49

cds mixtape comes out 2006. yeah but

25:52

what

25:53

what were you using as metrics to figure

25:55

out if it was actually working

25:57

bro if if i heard my song on the radio

26:00

we was winning

26:01

every time i heard it i was like cool

26:03

i'm a manager

26:04

we are ying and young like i'm all

26:06

creative and this guy is ooh

26:08

genius in another way so he would be

26:10

like i'd go to his house and he'd be

26:12

like all right cool we're going to this

26:14

show in nottingham

26:16

these people are performing when you see

26:18

this guy he thinks he knows you yeah

26:20

because i've messaged him off your

26:21

account and you'd have had a

26:23

conversation so just make sure you say

26:24

hello to him

26:25

i'm just like have you even how do you

26:27

even know who's who but he'd already

26:30

engineered some idea and

26:32

so then we we we were like proper that

26:35

the first station to proper

26:37

like really show us mad love was like

26:39

one extra so it's like dj cameo

26:42

ace and veers like all these bras kwame

26:44

all these twin b like all these people

26:46

were just showing mad love like come in

26:48

man do an interview and like i like to

26:50

think i'm likable people like to

26:51

conversate so with talking and then

26:54

this guy would introduce me to a

26:55

producer then the producer would

26:57

introduce me to

26:58

a next person then we found out about

27:01

press and pr and started working with a

27:03

guy called charlie at visions and he was

27:05

like yeah you pay us 500 a month and we

27:08

can get you in magazines like right

27:09

magazines crazy like it was just like

27:11

everything was just

27:13

one person away so each person

27:15

introduced us to a different person and

27:17

that's how i'm

27:18

how i was measuring the growth so i'm

27:21

like i can come back and i'm like yo man

27:23

i just met this guy manny he shoots

27:25

videos or i met this guy he does pr i

27:27

met this guy he's a photographer like

27:30

and she's in her head she's probably

27:31

thinking oh shut up yeah like what's the

27:33

photographer gonna do but i'm like it's

27:35

another step

27:36

each step each step each step one hand

27:39

is washing the other and we will wash

27:40

the whole body i promise you know what i

27:42

mean like

27:45

in that in that phase you're starting to

27:47

get these radio plays and stuff which is

27:48

kind of like a sign for you it's that

27:49

reinforcement that things you're moving

27:51

in the right direction yeah was there

27:53

and i'm sure you get asked this a lot

27:54

but was there a moment when

27:56

even

27:56

your partner at the time said to you do

27:59

you know what

28:01

i think oh you could see it because

28:02

sometimes they don't say you can see it

28:04

in their face yeah when they hear it on

28:05

the radio they see you know yeah i

28:07

always knew that i was ticking her off

28:09

man

28:10

like in that interesting in that not in

28:12

everyone in that in that aspect because

28:14

even like at them times i used to write

28:16

at home

28:17

bro i don't know if you've lived with a

28:18

musician i've been around a musician bro

28:20

that beat is on loop for hours

28:24

you get what i'm saying and all i would

28:25

hear like when i pull it back is just

28:28

like as if you do again and i just was

28:30

like you know what i need to just start

28:32

working in the studio because this

28:35

like it's not fair like it's

28:37

when you find your passion here you find

28:38

your calling bro you're not fair to no

28:40

one you only fear to yourself you know

28:42

i'm saying you're not fair to anyone

28:44

everyone

28:45

everyone comes second bro everyone and

28:47

it's not intentional it just it just is

28:49

what it is so

28:50

me thinking that i'm spending time with

28:52

her because i'm writing in the house

28:54

even though i'm not talking to her the

28:56

song's just on loop and i'm writing i'm

28:58

thinking i'm spending time i ain't

29:00

spending time

29:01

do you i'm saying that's just being

29:02

present

29:03

so it's like

29:04

but then it's like in my head i'm

29:06

thinking yeah but if i'm in a studio for

29:07

eight hours i'm

29:09

at home yeah i'm at home but it's it's

29:12

actually all about me bro it was only

29:15

all about me my calling

29:17

and making this making this music like i

29:20

wake up every day i think music before i

29:22

go to sleep i think music i used to have

29:24

a dream that happened every time

29:27

and

29:28

in the dream i'm in a studio and i'm

29:30

writing a verse

29:31

and i'd wake up and i'm like i can never

29:34

remember the verse and i'm trying to

29:35

remember trying to remember

29:37

one day i woke up i'm like i need i had

29:39

a pen and paper by my bed i left it

29:40

there i wrote out the verse that i wrote

29:43

in my dream i was like bro this is like

29:45

to me i'm like i'm believing in this now

29:47

i'm like this is this has to be

29:50

fake or something like this has to be

29:52

engineered by someone higher than you

29:53

man like from your writing in your sleep

29:55

literally

29:56

so just

29:57

and just going and going and going

30:00

i want to get up to the point when you

30:02

release black and white in 2011. yeah

30:05

what happens between that mixtape coming

30:06

out in 2006 to 2011 is that what are the

30:09

most significant moments or pivotal

30:11

moments where things took a a turn in a

30:14

good direction okay like more

30:16

more exposure and little things

30:18

happening here and there like mtv asked

30:20

us to do

30:21

something for black history month it was

30:23

like a freestyle

30:24

that was strong because it showed

30:27

people i could write perform stick to

30:29

topic

30:30

then one extra gave us

30:32

an award for getting

30:34

i think one of our records was the most

30:36

played right so it was like that was

30:39

quite cool like most street heat that

30:41

was dj centex is that punctuation i

30:43

think it's punctuation yeah punctuation

30:46

getting a lot more bookings

30:49

and

30:51

twin b

30:52

twin b from one extra um

30:55

always having conversations with him

30:56

like he just

30:58

gave me an understanding

31:01

of the game on on the other side because

31:03

at the time he was working with at

31:05

ministry

31:06

and he just had so many gems and he made

31:08

me understand because i used to think

31:09

like why am i not signed like why was i

31:11

not signed why am i not saying i'm not

31:12

good or that's not about good or great

31:15

it's about

31:16

timing and it's about what can a label

31:19

help you do how can a label help you be

31:21

bigger what do you need to achieve

31:22

before you step into a label

31:25

so with all these conversations

31:27

you know doing loads of collaborations

31:29

as well

31:31

and then richard antoi and twin b

31:34

they form a record label called levels

31:37

and they're like we want to sign you man

31:39

and i'm like

31:41

bro okay like what happens now kind of

31:43

thing it's like now you need a lawyer

31:46

now you need you know all these other

31:47

things and it was just like

31:50

once it got to that point

31:51

i knew that i was serious because

31:53

richard anthony had worked with adele

31:55

so many different people do you i'm

31:57

saying and i knew that this guy was

31:58

serious twin music lover we'd had

32:01

endless conversations on the phone about

32:03

music

32:04

and they had their situation with

32:06

ministry of sound so they were like a

32:08

subsidiary of ministry of sounds it was

32:10

like center levels like

32:11

you know and ministry as well

32:14

and i just

32:15

i just knew that that was the right

32:16

thing to do at the time

32:18

when you get that news that yeah they

32:20

want to sign you

32:22

what's ashley saying

32:24

do you come home and you're like ah yeah

32:26

we've

32:28

um

32:29

i don't think i do you know

32:31

i think i guess by that point

32:35

just me being about me the

32:36

relationship's not where it it could

32:38

have been a way it should have been you

32:40

know i mean so i think by that time

32:41

we're already

32:42

going our separate ways yeah kind of

32:44

drifting apart

32:45

but um

32:47

yes i didn't get to

32:50

to kind of have that that thing but i

32:52

think

32:53

i think she's you know she's happy for

32:54

me always been happy for me always one

32:56

always knew that this was what i needed

32:58

to do

32:59

she knew that it was a need and not a

33:01

one

33:02

because of the things what everything i

33:04

was weighing it up against she knew that

33:05

this is a need like

33:07

this guy needs to do this like he needs

33:10

it so yeah

33:12

and then black and white and then black

33:13

and white yeah so initially we signed

33:16

for a single

33:17

which was tractor

33:19

that was my ringtone that was 2012. yeah

33:22

that was my ringtone i don't even know

33:23

what phone it was but it was my ringtone

33:24

when i first i did one day at university

33:26

before i dropped out and that was my my

33:28

ringtone from day one my guy yeah we had

33:31

that record and twin said to me

33:33

when i put the verses down

33:36

he was like this song was to change your

33:37

life really he said that yeah and i was

33:39

like i don't know how you know that but

33:41

you're my guy so i'm believing in you

33:43

and i'm like

33:45

i just didn't know

33:47

what would happen next

33:48

so i'm still going back to them times

33:50

when i'd go to the record shops yeah and

33:54

kind of

33:56

buy back the cds to give more so when

33:58

i'm out in the club if they're playing

33:59

the tune

34:00

or they're not playing the tune i'm

34:02

making sure they play the song you know

34:03

i'm saying like i'm saying yeah what

34:05

does it take what all the drinks cool a

34:06

lot of drinks play that song when the

34:08

dreams come

34:09

like i'm making sure that this song is

34:11

being heard we're trying everything

34:13

we're not trying to we're our fingers

34:14

always floor to ceiling we'd say we'd

34:16

make sure we'd covered everything floor

34:18

to ceiling and then yeah bam it goes in

34:20

the charts and

34:22

literally everything changed

34:24

everything changed after that take me

34:26

through that process so it goes in the

34:27

charts and then you start just what's it

34:29

like because i've you know never had a i

34:31

never had a hit

34:33

bro it's like

34:35

you get throughout that week

34:37

sort of say like the songs available to

34:39

buy on sunday it was back then

34:42

so monday morning

34:44

like the labels kind of knows the

34:46

numbers in it so they're kind of like

34:50

your number

34:52

eight

34:53

i'm like bro number eight they're like

34:56

yeah but we'll catch

34:57

we'll catch seven and six

34:59

maybe five

35:00

then the next day it's like yeah you're

35:02

number six i'm like what the hell like

35:04

and it's just going higher then it gets

35:05

to four i think and it goes back to five

35:08

and it's like it's five and it's like

35:10

right we've got one hold in in in the

35:12

top five

35:13

and it's just

35:15

i don't know i just think at that time

35:17

yeah you just

35:18

you almost

35:20

step into a vehicle and then it just

35:22

starts moving

35:23

and it's like you know like when you're

35:24

driving

35:26

through an area you're looking at the

35:27

window you're just seeing things and

35:28

you're just seeing people and

35:30

but you're just moving it just it was

35:33

just moving bro like it was just moving

35:35

it was moving and then

35:36

you're doing glastonbury and then you're

35:38

doing

35:39

wireless and you're doing v festival

35:41

when you're doing everything was just

35:42

moving everything was everything

35:44

happened so fast that

35:46

i don't think i don't think i even

35:48

stopped to take it in at that time

35:50

and then it and then it was

35:52

cool you done it once that was one

35:54

single now we want to do an album what's

35:56

the next single that's like now you've

35:58

got to do it again and it's like i

35:59

didn't even really know

36:02

how i'd done it in the first place if

36:03

i'm honest like you i'm saying it was a

36:04

cool song sounded good and it worked and

36:06

then it was just like okay make second

36:08

single and then made a second single

36:10

while making the album and it was just

36:12

it was just moving man everything was

36:14

just it was it was it happens you know

36:16

when they say like

36:18

you you wait your whole life or does it

36:19

happen overnight literally waited a

36:21

whole life was it happened overnight and

36:23

it and once it happened it just didn't

36:24

stop it just kept the ball kept rolling

36:27

man were you prepared for it

36:29

mentally

36:30

and i don't know socially we prepared

36:32

for that train to pick you up and and

36:34

drag you off into

36:36

your dream like that

36:39

i don't think so now but i think luckily

36:43

the only thing i wanted to do still at

36:45

that time was make music

36:47

i think if i wanted

36:49

to i can see like how like you know like

36:51

a artist has a hit

36:53

and then just all over the papers and

36:55

just getting involved in different

36:57

things i can see how that can happen

36:58

temptation right yeah because you end up

37:00

in other places

37:02

other than where you should be but for

37:04

me it was still always about the studio

37:06

like i'd go raving but

37:08

i'd go raving at one o'clock because the

37:10

engineer's tired or the producer's tired

37:11

and we finished and

37:13

i i don't have the best night's sleep i

37:15

don't sleep too well so

37:17

it's one o'clock yeah i'd go out but

37:19

then tomorrow it was studio like it was

37:20

always i was always in and locked in so

37:23

i didn't veer from that so i think

37:26

in a sense i wasn't prepared for one

37:28

side of it but for what i needed to do i

37:30

was prepared for and i was serious about

37:32

my half my half of the deal yeah

37:34

and then so that album becomes a huge

37:36

success um a real breakthrough moment

37:38

for you

37:39

um

37:40

and then obviously when the album's done

37:42

you have another pressure right which is

37:44

the expectation of that album right

37:47

bro

37:48

go again do you what i'm saying like

37:50

flip a coin

37:51

10 times

37:53

and get heads yeah all right cool now do

37:56

another 10. do you know what i'm saying

37:57

it's literally like how am i gonna

37:59

yeah get heads every time every time i'm

38:01

saying get heads go and do it well

38:02

you've done it do it go

38:04

for me like

38:06

making music is the part that i'm in

38:07

control of

38:08

i never feel pressured about that never

38:10

because i have i have what i have to say

38:13

i feel what i feel

38:15

and i'm gonna pour all of that into

38:17

music i'm going to put all of that into

38:19

that album no problem

38:21

i just think at that time what

38:24

what was getting tricky was

38:26

ministry was kind of happy

38:28

that we'd had three top five singles and

38:31

was kind of just

38:33

you know more as a business more happy

38:35

to stay in that domain like yeah let's

38:36

just turn out the hits

38:38

and i think

38:40

after

38:42

black and white and all of that and all

38:43

the things like

38:45

you know just

38:47

i think i had a lot of frustration in me

38:49

and

38:50

and and it was it was almost

38:53

it's almost the side of my life which i

38:56

i saw my uncle and my dad and all of

38:58

that talking about the police like that

39:00

side of me was coming out whereas i'd

39:02

always mention it in my music i just

39:03

felt

39:04

like i

39:05

i wanted i i had something else to say

39:08

you know i'm saying everything happened

39:09

with mark duggar and all of that and i

39:10

was like i need to speak about

39:12

what's going on and and i think

39:15

it was it was a bit of a difference of

39:17

opinion you know i'm saying ministry of

39:19

sound wanted these kind of songs ain't

39:21

hit record so it was a bit of

39:23

a bit of friction so we had to work our

39:25

way

39:26

you know around that and it was just

39:28

about

39:30

you know getting to the point where we

39:31

could release that album which was

39:32

growing over life and it was just

39:34

for me it was

39:36

it was it was important that i released

39:38

that record man

39:39

and and following black and white when

39:40

you look back on how you reacted and you

39:42

know that tension with the label and

39:44

stuff like that

39:46

in your maturity and wisdom now

39:50

is there do you wish you'd behaved

39:51

differently following the the release of

39:54

that album and its success is there

39:55

something you wish you would

39:57

you know

39:58

in with the wonder of high school yeah

40:00

yeah change nah

40:02

nah because i wasn't like

40:04

i wasn't aggressive i just like to

40:06

understand i like clarity

40:08

and i think what what can happen in an

40:10

industry is

40:13

not everybody wants to be crystal clear

40:15

whereas it's like if if you're crystal

40:17

clear with it and say you know what if

40:18

we can get another don't go

40:20

and another tractor and another blackout

40:23

then

40:24

whatever so it's like all right cool

40:25

then you understand an assignment of

40:27

what you're after but it's like if

40:29

you're not being crystal clear then it

40:30

kind of leaves you in limbo so you're

40:32

sending in songs

40:33

and it's just like

40:35

and they're not being clear about what

40:36

yes the feedback's a bit like

40:39

don't think this one's a single fact say

40:42

it was a single sister it was a song

40:43

that kind of thing you know what i mean

40:45

so it's like

40:46

yeah just trying to gain understanding i

40:48

think that was what my frustration was

40:49

was like just getting understand but

40:51

twin b obviously twin being richard and

40:52

always kept it 100 always was just like

40:54

look

40:55

if we can have if there's any moments

40:57

where we can i think they're like you

40:59

need to say what you need to say in it

41:00

you know what i'm saying and

41:02

if their other moments arise we'll find

41:04

them and you'll engineer them you're the

41:05

best at doing that you know when you're

41:07

comfortable to do it you do it i'm

41:08

saying ain't no pressure come in from

41:10

our way and i came up with six words

41:13

which was um

41:15

written within that

41:17

within that space and within that time

41:19

and i was like all right cool i've got

41:20

one the one you want

41:22

is the one you want kind of thing um

41:25

so yeah but i think with hindsight i

41:27

didn't like i didn't fly off the handle

41:28

i didn't

41:30

i didn't i didn't get angry i'm not i

41:31

didn't get aggressive it was pointless

41:34

did you stray away from your like your

41:35

principal passion of making music during

41:37

that phase did you did you find yourself

41:39

like not showing up obsessed in the

41:41

studio in the same way after that hit

41:42

because sometimes when people reach the

41:44

mountaintop they they lose a bit of

41:46

orientation and motivation sometimes and

41:48

you know there's other temptations now

41:50

you've got better money so you don't

41:51

need to be

41:52

the hunger's slightly different

41:55

no no

41:56

no love it like i think

41:58

for me

42:00

always wanting to be the best rapper

42:02

always wanting to say the sickest things

42:04

the things that people are like how did

42:05

you get to that i'm saying like

42:08

so that that never left me so like there

42:11

was always

42:12

freestyles there was always

42:15

you know always raps always versus you

42:17

know collaborations like at the time

42:19

like my manager zeon used to say to me

42:21

like he's just like bro sometimes you've

42:22

got to make something make sense like

42:24

these people are asking you for a

42:26

feature they want to pay you 20 bags of

42:27

us or 10 bucks a verse and you're saying

42:30

no

42:30

and your bridging around the corner is

42:33

rapping you're giving reverse for free

42:35

like we've got a i'm not saying don't do

42:38

the verse for free but i'm saying

42:41

i'm saying there's some over here that

42:42

make that verse make sense as well so

42:45

it's like also as well navigation and

42:47

just being like oh yeah yeah

42:49

you're right kind of thing and just some

42:51

things work well for positioning you

42:53

know i mean

42:54

as well but just always yeah just always

42:57

wanting to be the best

42:58

artist man just always wanting to have

43:00

the best album i think that's

43:02

something that's never left me and i

43:03

think if that does leave you

43:05

as an artist

43:08

that's probably when it's like you know

43:09

like when you see mike tyson in the ring

43:12

at the end

43:13

and he's fighting some guy you haven't

43:14

heard of

43:15

and he's just mashing him up and you're

43:17

just like mike man

43:18

do you i'm saying like mike five years

43:20

ago you would have finished him but he's

43:22

like

43:23

mike's not mike

43:24

do you know what i'm saying mike got

43:25

that

43:26

that same one you don't love it anymore

43:28

do you know what i'm saying the love's

43:30

gone you can see it in his eyes and i

43:31

feel like

43:33

if that happens to you as a musician

43:34

it's yeah it's not it's not good to kind

43:37

of like mess up your legacy man like one

43:39

of the things that's always made you

43:40

stand out even when i listen to your

43:41

fire in the booth and i listen to all of

43:43

them i have them on replay i actually

43:44

played one last night to my girlfriend i

43:46

was like right she's coming

43:47

i played uh the one you did with is it

43:51

yeah i played that one a lot

43:53

is the subject matter of what you write

43:54

about is isn't about

43:57

buying rolexes and fast cars

44:00

now

44:01

as a young black man myself um

44:03

i

44:04

tend to feel a sense of disappointment

44:06

when i go on instagram and i see like

44:09

the new school of like hip-hop artists

44:11

all putting their hands in and showing

44:12

their roles because for me

44:14

it's like leading

44:16

um

44:17

our people astray in the sense because i

44:20

would like them to show their investment

44:22

portfolio or their

44:24

the the equity they have in businesses

44:26

and stuff because

44:27

like

44:28

you know um what's your stance on that i

44:31

actually was gonna put some stuff on my

44:32

story the other day because i saw

44:34

i don't wanna name names because it's

44:35

not about individuals it's about a

44:37

culture um i saw some rappers that

44:40

actually follow me some big big hip-hop

44:42

uk rappers that follow me

44:44

all like showing off the material things

44:46

that really disappoints me because i

44:47

know there's thousands in this case

44:49

there's

44:50

800 000 people that follow this guy

44:53

and

44:54

they're now gonna aspire to buy gucci

44:56

before they invest their money or put it

44:58

away what's your thoughts on this i

45:00

think we've

45:02

growing up here i think like we were so

45:05

like bedazzled by

45:08

the american

45:11

rap culture

45:12

and we'd always seen them have things

45:14

have jewelry have all these things and

45:16

whatever and i think even myself at a

45:19

point

45:20

for me that was like a trophy or a

45:22

measure of success

45:24

do you know what i'm saying it's like

45:25

the rolex was a measure of success and i

45:28

and i think like like i've heard you say

45:30

yourself as well it's like once you get

45:32

it

45:34

it's like

45:35

it doesn't really make you feel

45:37

inside yeah it doesn't really give you

45:40

nothing like that and i think we haven't

45:42

had

45:43

we haven't had the luxury of

45:46

of information

45:49

and i think

45:51

information comes from people who look

45:53

like you and people who have been

45:54

through it had success and are able to

45:56

tell you so now i'm in that position i'm

45:58

able to talk to her 18 year old

46:00

and be like yeah man you can get that

46:02

but at the same time make sure you've

46:04

got that

46:04

one of the dumbest things i'd ever done

46:06

in my life i don't think i've said this

46:08

anyway is

46:09

so obviously when i

46:11

um my mom's got a council flat

46:14

bro when i signed my deal i left my

46:16

house i left the whole house and just

46:19

went left the council i left just left

46:21

it

46:22

but people at the time were saying to me

46:23

yo man

46:25

buy it like why don't you buy it and i'm

46:26

like i don't i'm not going to live here

46:28

like it was in tottenham i'm like i'm

46:30

not going to leave here i'm going to

46:31

yeah i'm saying no like no you don't

46:32

just buy it but the people that were

46:34

telling me to buy it didn't own a house

46:37

so i'm like what do you know yeah what

46:39

do you know that i live in

46:40

princess park manor do you know what i'm

46:42

saying now like this is gated community

46:44

like this is way better than this bro

46:47

that was a very stupid mistake i should

46:49

have bought that that would be my first

46:51

one on the ladder do you know what i'm

46:52

saying they give you a discount bloody

46:54

bloody blood whatever

46:55

but

46:57

even though i had the information

47:00

it wasn't coming from

47:02

a success story it wasn't coming from

47:04

someone that had done it before

47:06

do you get what i'm saying so now i'm

47:08

the first one that's like yo

47:11

where are you going to rent like

47:13

think about what you're doing because

47:14

then even myself like i wasn't even in

47:16

princess part mana forever

47:18

and even in there like i wasn't ever

47:20

like thinking about buying property

47:23

and they were like don't you want to buy

47:24

the one that you're in i was like nah

47:25

i'm not going to be here forever like in

47:27

in my eyes property was

47:30

you buy to live not buy to let and you

47:32

can't move yeah i'm saying in my head

47:34

i'm thinking no i'm going to buy where

47:36

i'm going to live but i'm like i never

47:37

really

47:38

understood that no you can buy and move

47:41

and just own it and then rent it

47:42

yourself you know what i'm saying i

47:43

didn't really understand

47:45

the principle of that

47:47

so um

47:48

i understand

47:49

i understand why it happens i understand

47:51

why

47:53

we we want all these trophies i get it

47:55

but i think it's it's about

47:57

people like myself

47:59

who can now conversate with the with the

48:00

young a lot and be like look man like i

48:03

get it it looks nice

48:04

but bro like this music is game of

48:07

thrones bro

48:09

music is game you see game of thrones

48:10

they killed the main character bro do

48:13

you want they don't mind doing that

48:14

music is game of thrones bro you're

48:17

michael jackson on monday your t.o

48:19

jackson on tuesday bro like and then you

48:21

can be michael again by sunday you get

48:23

i'm saying like the mute it's musical

48:25

chairs bro like you have to understand

48:27

we're not

48:28

always going to be number one forever so

48:31

just make sure

48:33

you're buying a foundation for your

48:35

foundation man

48:36

yeah when you had you know your first

48:38

big breakthrough moment at the time did

48:40

you

48:41

somewhere in your mind think that this

48:43

was

48:44

meant that you would be number one

48:45

forever is there a part of you that goes

48:46

oh we've done it now in terms of like

48:48

now i know the the uh the equation

48:51

yeah a bit of complacency maybe

48:53

i kind of think like the more you

48:55

understand because obviously but at that

48:57

time there's a

48:59

there's a route to get to number one and

49:02

it's like

49:03

your song's launched

49:05

by mr jam or annie mack

49:07

and then

49:08

the pre-order's out

49:10

and then you go for playlisting on radio

49:12

one one extra capital and there's like a

49:15

there's a route that puts you

49:18

on the pitch

49:19

do you get what i'm saying attention to

49:21

it yeah to get it so there's all the

49:22

steps so

49:24

but the problem is

49:27

you can't believe in the route

49:30

more than you believe in the fruit

49:34

so you can't think that

49:36

this root can work with whatever fruit

49:38

you give it do you get i'm saying you

49:40

still

49:41

still has to be an apple bro

49:43

like it still has to be fruitful it

49:46

still has to be a record a sick record

49:48

you get what i'm saying so then

49:51

you know you you like we've had some

49:52

records that i thought yeah like there's

49:54

one or two that i thought like the root

49:56

can carry it and then when the root

49:58

don't carry it you realize like that

50:00

this

50:01

is not work every time you don't once

50:02

again you don't

50:04

you don't just

50:06

you don't get 10 heads in a row bro you

50:08

get i'm saying you get toes one time and

50:09

then it's and then it's how you bounce

50:10

back from that have you had to talk to

50:12

me about bouncing back from that then

50:13

because

50:14

you know

50:15

even as a fan of yours like i'll play

50:17

i'll play records of yours when they

50:19

drop and i'll be like i'll say it say to

50:21

my boys i'm like we got this little chat

50:22

on whatsapp i'll say this one is a

50:24

[ __ ] like this was um i'm like this

50:27

one's gonna be right and then it might

50:29

not get there and another one might you

50:31

must have that all the time and how do

50:32

you manage the expectation of like

50:33

building creating a project

50:36

you believing that it's x y and z i mean

50:38

i do that with these podcasts as well

50:39

you just never know and which episode's

50:41

going to bang right

50:42

and then putting it out there

50:45

and that bit being out of your control

50:47

how does that feel like and if you had

50:49

moments like that when you've created

50:50

something and put out there you go what

50:51

you have to understand that that's the

50:53

side that we're not in control of

50:55

do you get i'm saying like

50:58

and as an artist just

51:01

make it for you

51:02

make it for you put your best foot

51:04

forward but make it for you

51:06

because

51:07

if i make a song

51:09

that i think is rubbish but i think

51:11

everyone's gonna like yeah and i put a

51:13

song out everybody likes it it goes to

51:15

number one

51:16

i now have to perform this song

51:19

this song is in my discography this is

51:21

in my catalogue like

51:23

my

51:24

great-great-great-grandkids are going to

51:26

hear this song see i'm saying and not

51:28

even i've had a conversation with me

51:30

that's going to be their representation

51:32

of their great great great great great

51:34

grandfather

51:36

be proud of your art man

51:38

do you get what i'm saying be proud of

51:39

it so for me it's like

51:41

i put my blood

51:43

sweat tears and skin in my album when it

51:46

comes out if they like it

51:49

if they don't like it

51:51

what can i i can't i can't do anything

51:53

more than i done and i and i put my best

51:55

foot forward and i think

51:57

you have to live by that man because you

51:59

either

52:00

you you either have the hit that you

52:02

don't like

52:03

or you put out the record that you don't

52:04

like and it's not a hit

52:06

so now you've got

52:08

now you're wrestling back to get back to

52:09

where you was for something you didn't

52:11

even like anyway

52:12

do you get i'm saying just put your best

52:14

foot forward man and stay true to

52:16

yourself yeah stay true to yourself man

52:17

because it's your this is your legacy

52:19

like me now

52:21

i try and look at my

52:23

like it all made sense to me when i

52:25

started

52:26

seeing my career from the end till

52:29

today

52:30

and i'm like

52:32

what what

52:33

what navigates me is will i be happy

52:36

with this at the end

52:38

so i make a song today and i'm listening

52:40

to the tune and i'm like

52:42

will i be happy with this at the end

52:45

can work for today then but if i feel

52:47

like at the end i might feel like oh

52:50

i don't think you should have put that

52:51

one out it's not worth it

52:54

it's not worth it it's not worth it bro

52:55

oh yeah what we get what we got how many

52:57

we get 80 years maybe now whatever you

52:59

like your legacy can

53:01

can triple that bro do you what i'm

53:03

saying like have the right one have the

53:05

right one you've got you're in control

53:07

of that that's what you are in control

53:09

of and you've had a taste of the like

53:12

the empty nature of like fame and like

53:15

people writing about you every single

53:16

second and people running up and falling

53:19

and all this stuff you've tasted that so

53:21

what what have you learned about

53:23

what that means being on dragons then

53:25

now i get it a little bit more so i get

53:26

people coming up to me and stuff and i'm

53:28

in the early stages of like figuring out

53:30

what it means to you know like have

53:32

daily mail reporters standing outside

53:33

the house here and taking photos of

53:34

being my girlfriend when we walk out and

53:36

i'm trying to understand what this

53:37

attention means is it something i can

53:39

use does it make me feel good what is it

53:42

it it didn't make me feel good man

53:45

i didn't that's one thing i've i've

53:47

always

53:48

wanted to be in the shadows like i've

53:50

always not wanted that part of it some

53:52

people understand how to use it though

53:55

do you get i'm saying because say for

53:56

example you're

53:57

you're designing clothing

53:59

and it's like every time they shoot you

54:00

they're putting it in a magazine i'm

54:02

saying like you're being

54:03

you're being mass exposed and your

54:05

clothing is being mass exposed but it's

54:06

like if you don't have

54:09

if you don't wish for that if you don't

54:10

desire for that

54:12

then it's like i feel like it's

54:15

it was useless for me being

54:17

in the front of certain magazines for

54:21

for nothing like nothing artistic

54:24

do you i mean i know people say like

54:27

any publicity is good publicity i'm like

54:30

sometimes you can just be

54:32

famous for nothing and no one wants to

54:34

be the guy that's like

54:36

the most famous person in the world and

54:38

no money

54:40

do you know what i mean or like not not

54:42

and i don't say money like to be rich i

54:43

just mean like

54:45

everyone knows who you are and

54:46

everywhere you're walking you're

54:47

stopping and he's having a conversation

54:48

taking a picture taking it taking it out

54:50

taking it out but like your thing's not

54:52

in order like you're not going to feel

54:53

good being that person

54:55

so like i just yeah i never i never

54:58

really liked it man i never liked it man

55:00

i was the one i was hiding from the

55:01

patch man all the time in your comment

55:03

but did you ever experience what they

55:05

call like imposter syndrome walking into

55:07

rooms and feeling like what the [ __ ] am

55:08

i doing here or

55:09

being in situations and going like i

55:12

don't know if i deserve this that voice

55:13

inside

55:14

for a shoot period of time but you know

55:16

who made me overcome that richard entomy

55:18

like he passed away but this he's such a

55:21

champion this guy

55:22

would walk he walks into any meeting

55:25

fearlessly

55:27

any like you could be sitting down with

55:28

the head of hmv or d and he's going to

55:31

tell them yeah you need to take twenty

55:32

thousand of our cds and did it and

55:35

you're just like

55:37

right like you're just

55:38

like he made me feel like

55:41

you're you bro

55:43

like you're gold you're the gold as well

55:45

you know you're gold bro like don't now

55:47

walk into that room and because you

55:48

think everything in here is is gold

55:50

becomes silver no no i'm cold as well

55:53

i'm saying and i think

55:55

being around him and then that drip down

55:57

to my manager zeon as well and he's got

55:59

that thing as well where

56:01

bro we were like we were having like i

56:03

remember i remember we were um

56:06

we done a thing with lukaszade where

56:08

they put us on like on the balls yeah on

56:10

the bottles yeah and i remember like i

56:12

was sitting down and we were like

56:13

tapping each other so like yeah what do

56:14

you want to put on the bottles like yeah

56:16

man

56:17

you want to put our estate

56:19

on but i'm thinking they're going to say

56:20

no but they're like yeah yeah that would

56:23

be sick like yeah picture of our state

56:25

yeah yeah what else

56:26

yeah man and this and that and i

56:28

realized i was like you can get

56:31

the things that you think you can't get

56:33

you can get like you are the gold as

56:35

well there's a reason why lucas aide

56:37

want to partner up with retreats you

56:39

know what i'm saying like there's a

56:40

reason

56:40

and it's like sometimes we think it's

56:42

they're so big they don't

56:44

but any it's a it's a two-way thing it's

56:47

a two-way street so i think

56:49

yeah for a short period of time i did

56:50

but then

56:52

like zeon

56:53

richard twin like they just they just

56:55

made me understand the importance of

56:57

like knowing your worth yeah knowing

56:59

your worth and just being fearless man

57:01

just walking into any room as me

57:03

like and and

57:05

like i did feel that as well at certain

57:07

times because obviously now we see the

57:08

festival lineups like wireless and all

57:10

that like you see miss banks you see

57:12

stef london you see

57:14

gets you see gigs you see you see so

57:15

many names 2011 it wasn't like that bro

57:18

you see tiny

57:20

might see chip she rich do you get i'm

57:22

saying it was like or certain festivals

57:24

i'm the only representative of this

57:26

genre

57:27

so it's like when you're stepping into

57:29

that

57:30

like then you're feeling like if i mess

57:32

up like if i even forget one line of my

57:34

lyric they ain't booking no one next

57:36

year do you get what i'm saying so it's

57:37

like then

57:39

you've got this thing where it's like

57:40

the fights on where you're fighting for

57:41

the scene you know i mean and you've got

57:43

to wear it like a badger honor i

57:44

remember like

57:45

doing glastonbury and like

57:48

the guy who

57:49

like books the tent like standing on the

57:51

side or whatever i can't remember what

57:52

facebook was but it was standing on the

57:54

side like it's asking me bare questions

57:56

like why do you have two drummers

57:59

it's just like

58:00

bro i've got electronic sounds on my

58:02

album he plays electric he plays

58:04

acoustic like so the the music's gonna

58:06

sound exactly like the record oh how

58:09

come you

58:10

set a stage up like this how come how

58:11

come like so many questions that i don't

58:13

feel like he was asking anyone else he

58:14

just wanted to check if we knew what we

58:16

was doing

58:17

and at that point to be fair not

58:19

everyone's shooting in the dark

58:21

i'm saying everyone's we're all guessing

58:23

bro at that point we're all shooting in

58:25

the dark just don't be the casualty

58:26

don't be the one that gets hit that was

58:28

that was the theory so um

58:30

[Music]

58:31

yeah we just

58:32

felt our way through but them times i

58:34

did used to feel a little thing but then

58:35

afterwards i was like nah man i'm coming

58:37

like we're coming we've got stuff to add

58:39

i've got hit records as well they want

58:41

to hear us

58:42

and then the festival lineup needs to be

58:44

more diverse like we're ten years after

58:46

that now and the festival lineup is more

58:48

diverse but i do feel like at that time

58:50

if tiny temple wasn't turning up or chip

58:53

wasn't doing what he had to do even

58:54

professor green wasn't doing what he had

58:56

to do i mean

58:57

she had to do what he had we had to get

58:59

it right and we had to or we i don't

59:01

know if we'd be here today when you come

59:03

from the estate like you do

59:05

and you end up in these like boardrooms

59:07

and these fancy meetings with these you

59:08

know

59:09

rich white men in suits

59:11

um

59:13

what i see in a lot of like young

59:15

young people from those those kind of

59:17

backgrounds is they kind of walk through

59:19

life with a bit of a

59:22

an expectation that the cards are

59:24

stacked against them yeah and i i worry

59:26

sometimes that that belief

59:29

whether it's true or false it is often

59:31

true

59:32

the belief that the cards are stacked

59:34

against you

59:36

can be

59:37

equally or more harmful than the cards

59:40

actually being stacked against you yeah

59:42

do you know what i mean yeah the belief

59:43

of the cosmetics against you can be the

59:45

deterrent of you even playing the game

59:47

exactly do you know what i'm saying i

59:48

don't even want to deal now like don't

59:49

do me anything there's no point i'm

59:51

going to lose anyway

59:52

you know what i'm saying but

59:54

i don't know what that comes from but i

59:56

was fortunate man like i can't i can't

59:58

say it enough like richard anthony

60:01

like just

60:02

just a g he was a lawyer he was a lawyer

60:05

as well a music lawyer so he

60:08

he understood that side as well so he

60:10

could he could speak whatever language

60:12

do you get what i'm saying at any table

60:15

he could like if they started talking

60:16

about split some points he can he can go

60:18

there with you do you i'm saying so when

60:20

you're

60:21

walking into a game with that bro you're

60:23

you ha you're fearless bro quick one as

60:26

you might know crafted are one of the

60:27

sponsors of this podcast and crafted are

60:29

a jewelry brand and they make really

60:32

meaningful pieces of jewellery the

60:34

really wonderful thing about crafted

60:35

jewelry is it's super affordable it

60:37

looks amazing the pieces hold tremendous

60:39

meaning and they are really well made i

60:42

think i've worn this piece for almost a

60:44

year

60:45

it hasn't broken hasn't changed colour

60:48

because it's really really good quality

60:50

and it costs roughly 50 quid people will

60:53

be surprised when they hear that they'll

60:54

probably assume that all of my jewelry

60:55

is like solid gold and cost thousands

60:57

and thousands of pounds but what's the

60:59

point when you can achieve the exact

61:00

same effect from a piece of jewelry

61:03

that's high quality and cost 50 quid

61:05

that's why i buy crafted green machine

61:08

you started this business with your um

61:10

business partner

61:11

and it's um now i believe the

61:14

the largest cbd

61:17

shop in europe by the number of shops

61:20

that you have a number of stores square

61:21

feet they say square feet tell me about

61:23

green machine

61:25

green machine um if i'm honest i'm

61:27

someone who like

61:28

don't believe in paracetamols

61:31

i don't like take stuff like that

61:34

a mate of mine was always telling me

61:36

that like he's going into this

61:39

cbd space and i'm like

61:42

what's cbd and he's like

61:44

it's basically a natural alternative

61:47

to medicine

61:48

so i'm like okay it's gonna be it's

61:50

gonna be the future that it's going to

61:51

be the future so i'm like all right cool

61:53

what does it do

61:54

he's like well people come in cancer

61:56

patients people with ms people with

61:58

fibromyalgia people with lupus people

62:00

that can't sleep people that suffer with

62:02

severe headaches

62:03

okay and what does it do for them it

62:06

wouldn't say it cures them but

62:08

it helps them manage

62:11

their illness

62:12

so i'm like all right cool

62:14

so to me this sounds like paracetamol

62:16

because i don't believe in paracetamol

62:18

it don't work on me so i haven't i don't

62:19

need to i don't take it i haven't taken

62:20

it for years so i'm right cool

62:23

so i can't link him and i get

62:26

all the products

62:27

yeah i get all the products

62:29

and i give it out to family members

62:31

someone's got fibromyalgia can you just

62:33

try and just tell me what happens like

62:35

it's absolutely nothing to do with me

62:36

just give me honest feedback

62:38

severe headaches you can't sleep anxiety

62:40

whatever giving out giving it out

62:43

everyone came back and was like

62:47

i couldn't sleep i'm now sleeping

62:49

or

62:50

the times when i was having

62:52

joint problems i'm rubbing the cream on

62:54

and

62:55

i'm okay so i'm like

62:58

all right cool i haven't told these

62:59

people this might potentially be

63:01

anything to do with me they're just

63:02

being honest so i'm like all right cool

63:04

what do i have that i can personally try

63:06

so i'm like

63:08

all right i can't sleep

63:09

so let's try some of the others try some

63:11

of the olds bro i'm sleeping i'm like

63:15

all right this is a real thing so then

63:18

like

63:19

i was like cool let me have a

63:21

conversation with

63:22

like the actual founder yeah uh a guy

63:25

called paul which is absolute

63:28

genius in this realm and i'm like what's

63:30

your story

63:31

he's like well chronic arthritis

63:34

and he literally

63:35

like has a cannabis background but he

63:38

was using cbd to help manage his pain

63:41

and he was like well why can't we

63:43

you know

63:44

open it as a business and you know start

63:46

start moving forward and helping people

63:48

you know um

63:50

so yeah and then i was just like

63:53

i haven't like put

63:55

a lot of time focus on money into a lot

63:57

of other things other than music and

63:59

i've always been waiting to find

64:00

something

64:01

but i wanted to fight like i didn't want

64:02

to go that down a clothing route like i

64:05

want

64:06

something that reflects who i am i'm an

64:08

individual who likes

64:10

to help people

64:11

do you i'm saying like

64:13

a people's person

64:15

and i honestly think like this is like

64:17

the future

64:18

of medicine man like and so hopefully

64:21

you know it will go down the route where

64:25

you'll become prescribed like if you

64:26

look at

64:28

if you and and for us it's like it's

64:29

about

64:31

growing a business

64:33

we're hoping to have like between 50 and

64:35

75 stores within the next three years

64:37

wow

64:38

um

64:39

and hopefully if it goes to the point

64:41

where

64:42

it it does turn into like a former

64:44

chemist like the fingers of the chemist

64:46

you go there and you're like i've got

64:49

a headache what can i take

64:51

they recommend you think oh i've got

64:53

itch on my back you can actually speak

64:54

to someone and they can tell you oh no

64:56

no you're better off getting that cream

64:58

that works better for you cool like we

65:00

want to be

65:01

that kind of version

65:03

for people that come in because it's

65:05

it's it's a two-way educational street

65:06

because people are coming in a lot of

65:08

people coming with ms a lot of people

65:09

coming with cancer and i'm like as much

65:11

as

65:13

everyone in the stores are equipped to

65:15

tell them there's still new things to

65:16

learn and there's like still new ideas

65:18

for different products and it's just a

65:20

new

65:20

space that you know i get to to put some

65:24

focus in and this is

65:26

is something that i think is is honestly

65:28

going to benefit people as well

65:30

and we've tried a lot of the products

65:31

they're all amazing this one actually

65:32

tastes amazing as well the grapefruit

65:34

and mint drink and we went down there

65:35

earlier we got some coffees

65:37

and some other and some of the oils and

65:38

stuff the creams that i'm going to try

65:39

as well super interesting the other

65:41

thing that you're involved in which i

65:43

think is a fairly new thing is the def

65:44

jam position so you're now the creative

65:46

director there yeah that's though

65:49

that is just mad yeah it's i'm working

65:52

with a like such a cold bunch man like

65:54

everyone everyone's extremely talented

65:56

man and

65:57

i think for me more than anything like a

66:00

sick to be on this side

66:02

because understanding it from the other

66:03

side like being the artist coming into

66:06

an office or coming into an environment

66:08

i'm gonna know

66:09

the answers to a lot of the things what

66:11

they're asking because i've been through

66:12

it as well

66:13

so um

66:14

always on my come up like i've always

66:16

worked

66:17

or had long conversations with artists

66:19

that are coming like whether it be

66:20

stormzy would be avalino it would be

66:22

young and krypton whoever whoever it may

66:25

be

66:26

and i think like there was never like a

66:28

role or a title

66:30

or nothing and it's like you're not

66:31

doing that for money or for finance like

66:33

you literally want to see the game

66:34

nourish you want to see

66:35

everyone blossom

66:37

so it's like

66:40

the games got bigger

66:41

and i think now

66:43

it's about

66:44

showing that we're able to work in the

66:48

infrastructure and add value do you know

66:50

what i'm saying like it's it's valuable

66:52

our artist being inside to be able to

66:54

speak to eyes you know i'm saying to be

66:56

able to create to be able to implement

66:58

ideas because what happens is you

67:01

like i say like you we jumped on a train

67:03

at the beginning of 2011 and it just

67:05

moved and then i i had to meet a tour

67:07

manager and i had to meet a booking

67:09

agent and all these things and it's like

67:12

i can literally talk you through

67:14

everything step by step and that's like

67:16

if we're signing artists at ground zero

67:18

sometimes there's artists that already

67:20

put a paper he's already here already

67:21

established

67:22

he signed to us um

67:25

but it's like just having artistic

67:26

conversations with artists do you know

67:28

what i mean and

67:29

i think it's beautiful man i wake up and

67:31

think ah wake up and think creative so

67:33

to be able to be in a space where i'm

67:35

able to do that with artists that i love

67:37

and respect with people that i love and

67:39

respect as well

67:40

win-win man yeah

67:43

earlier on you said till death do us

67:45

part notice you um you don't have a

67:47

wedding ring on

67:48

no no no

67:50

no what's the situation now you're in a

67:51

relationship you're dating or sir uh

67:53

yeah in a relationship not married have

67:56

you struggled with relationships or have

67:57

you have you found it being a fairly

67:59

obsessive person because throughout your

68:01

story i had i saw this word hunger over

68:03

and over again yeah other people

68:04

described you and i'm thinking back to

68:07

ashley on that kitchen table getting

68:08

annoyed at you you know yeah i think i'm

68:11

understanding balance a lot more

68:14

i think that's come with maturity

68:17

and that's come with age like balance is

68:19

important

68:20

i had no balance back then

68:22

none it was all

68:25

about making this happen and i don't

68:27

know if it's because

68:29

it happened do you know what i'm saying

68:31

maybe if it doesn't happen maybe

68:33

we don't get this version of me where

68:34

i'm more understanding that

68:36

you've got a divide time i think also

68:39

what was a big eye opener for me like

68:41

once again talking about jumping on that

68:43

train yeah um

68:46

from like

68:47

2011 to 2014 15

68:51

bro certain times my family's having

68:52

conversations yet and

68:55

i'm like when was that

68:57

i know like that was when you was

68:59

off

69:00

yeah it's like i was it's like i was

69:02

dead for four years i was just off the

69:04

grid and it's like

69:07

it's never ever sat well with me do you

69:08

know what i'm saying so now like i make

69:11

a conscious effort conscious decision to

69:14

be like as someone who is the back the

69:16

backbone and the head of the family to

69:18

be it

69:19

i'm saying because there's two

69:20

there's two types

69:22

of of you know of men that hit the

69:24

family and this and it's one that

69:27

everyone's financially okay and when if

69:29

there's any red letters

69:31

but then there's a there's the one

69:32

that's

69:33

able to do that but is also there as

69:35

well like a hour on the phone or

69:38

let's go and sit down and talk for four

69:40

hours is

69:42

as powerful as someone who can make a

69:44

bill vanished you get what i'm saying

69:46

and i think in 2011

69:49

i was more the other guy yeah i'll show

69:52

it out i get um phone this person they

69:53

can sort it out phone like someone can

69:55

sort it out

69:56

i'm shooting it out but it was like

69:59

i'm missing and it doesn't make me feel

70:01

good i miss graduations and

70:03

do you know i mean like so much things

70:05

that because you're busy they might not

70:07

invite you to now because we asked you

70:09

to come last week but you couldn't make

70:10

it like i was generally out the country

70:12

but maybe i could have made that one but

70:14

you didn't ask you know what i mean so

70:15

it's like it doesn't feel good man i

70:17

think i'm probably ready like a guy now

70:19

it's horrible yeah and not giving enough

70:21

attention to

70:22

family in that regard like how do you

70:24

how did you balance it

70:26

with my family it really really it's a

70:27

really difficult thing um they kind of

70:30

live all over the place as well so they

70:31

don't all live in one place so

70:33

really like what i do is i try and bring

70:35

everyone together for christmas and i

70:37

fund the situation at christmas um but i

70:40

know i'm not doing a good enough job and

70:41

it's something i want to work on

70:42

fortunately i met a young lady who

70:45

is very unnegotiable about balance yeah

70:48

and like i genuinely feel that if i

70:50

don't

70:52

i've got make sure my terminology is

70:53

correct here because sometimes sometimes

70:55

when people describe their relationships

70:56

especially people that are really

70:57

obsessive they start to use words like

71:00

which is which

71:01

which

71:03

make it seem like i'm doing something to

71:04

please someone

71:06

so that they don't go yeah well it's not

71:09

i want to do it

71:11

but she has given me the desire to want

71:13

to be balanced in my life

71:15

which means like

71:17

today

71:19

during the work day i went for lunch

71:21

with her then came back quickly and like

71:23

carried on with my research on you and

71:24

stuff i would never have done that

71:25

before yeah i would have just woken up

71:27

in the morning eight o'clock and i would

71:28

have worked till one a.m until i'd

71:30

fallen asleep and then i would have said

71:31

to whoever i was with

71:33

probably kind of like gaslighted them in

71:35

some way and said like ah you don't

71:37

understand yeah

71:38

no no you found the right person then

71:40

yeah because then you want to

71:43

then i want to do it

71:44

yeah then you want to do it you know

71:46

what i'm saying then you want to

71:47

it's about balance man it's about

71:50

balance and even me with the kids as

71:51

well like

71:53

my son's 15 yeah yeah my dude was 10

71:55

it's like

71:56

that balance as well like it

71:58

you know at the time when i had my dual

72:00

arm we then

72:02

you know then but we separated

72:05

and it was like it hurts me like my

72:07

daughter she has no record recognition

72:10

of living with me

72:12

do you know what i'm saying it's like

72:13

she's like yeah yeah my mom said like

72:16

like you used to live like i'm like what

72:17

do you mean yeah i used to of course i'd

72:19

used to live there you should wake up

72:20

when you come to me and i remember

72:23

then i'm like

72:24

you i need to over extend to build this

72:27

relationship because my son has that

72:29

we've had that

72:30

waking up him going to sleep waking up

72:33

seeing me do you know what i'm saying

72:34

and it's just them little things

72:37

where it's like

72:38

like the kids will come over

72:40

and

72:41

i'll be like oh we're going to do this

72:42

and my daughter might say to me i have

72:44

to ask my mom

72:45

she's like her concept of a dad was

72:47

probably more like an uncle yeah do you

72:50

know what i mean like you know like to

72:51

your uncle you say no i gotta ask my mom

72:53

but not to your dad but

72:55

it's like she had to i was like no no i

72:56

mean i'm on the same level

72:59

do you know what i'm saying but because

73:00

she's not seeing me every day

73:03

like or waking up to me or do you know

73:05

what i mean i'm not tucking her in i was

73:07

just like bro

73:08

i had to that it was so important that

73:10

we we get here we get here we get and

73:12

we're here now but it took

73:14

it takes time to rebuild man so it's

73:16

better

73:18

you build it than have to rebuild as

73:20

well

73:21

what if um you know when you were shot

73:22

on those cds and trying to get people to

73:24

buy those first thousand cities from

73:25

your mixtape line for my mixtape

73:28

what if it just hadn't worked out

73:31

has that ever crossed your mind what if

73:32

just you know

73:34

what if it didn't didn't work out

73:36

it had to

73:37

it had to like the plan b was revert

73:40

back to plan a

73:41

anytime you felt like you needed to

73:43

remotely think about doing something

73:45

else it was revert back to plan a it was

73:46

always

73:48

it was always going to happen there's a

73:50

lot of people that think that and it

73:52

just doesn't work out you know like yeah

73:54

i want you a little bit just

73:56

i think

73:57

my need was too much man my need was to

74:01

i

74:02

became too good at it like the obsession

74:06

made me better made me more hungry

74:09

i just i just became a monster man i

74:11

just

74:12

i'm like no one can rap like a rap do

74:14

you know what i'm saying but that's

74:15

because

74:16

i'm listening to everyone rapping and

74:18

i'm like all right cool how

74:20

right this is what they're doing yeah

74:21

like all right triple rhymes cool i'll

74:23

do quadruple do you get i'm saying like

74:25

i was always

74:26

trying to challenge trying to push

74:28

trying to push trying to push and like

74:30

when you've been rapping like when your

74:32

year group is like gets volcano or i

74:34

mean or giggs or whatever like that

74:36

that's like man's age group they're my

74:38

age mate so it's like when

74:40

you're listening to gets and he's doing

74:42

that you're like cool i can't even

74:45

flip a second you know i'm saying i've

74:47

got a i've got a push i've got a push

74:49

i've got a push i can't it had to happen

74:51

man

74:52

i don't see any the story wasn't ending

74:55

any other way or like the story wasn't

74:57

having any other middle and what would

74:58

you say to musicians that you know are

75:00

now coming up in this world of tick tock

75:02

and

75:02

you know what what do they what do you

75:04

think they need to to make it and to

75:06

follow in your footsteps

75:09

i mean now that you also know the

75:11

industry as well in the mechanics of

75:12

that because tick-tock is tick-tock is

75:14

powerful now man

75:16

it's the new

75:17

taste makers the new

75:20

the library yes the new discovery man

75:23

and it's like

75:25

so remember when i said that there was a

75:26

formula

75:27

and it was like if that dj plays it

75:29

first on thursday and then

75:32

tick tock is a part of that formula now

75:34

like you put a song on that sounds a

75:36

certain way it gets a certain amount of

75:38

views

75:39

and

75:41

that's an indicator to the record labels

75:43

that this song is going to be

75:45

amongst

75:46

you know on the playing field of the hit

75:47

playing field

75:49

it's it's become that

75:51

and i think you can use it to your

75:53

advantage but i guess

75:56

once again like

75:58

the part we are in control of

76:02

is the song is the quality

76:04

like

76:05

always make sure the quality is

76:07

top-notch regardless because all the

76:09

things everything else will change bro

76:11

like michael jackson put out

76:14

tapes

76:15

vinyls

76:17

now

76:18

chris brown goes

76:20

on streaming platforms do you know what

76:22

i'm saying and

76:23

i launched records on radio first now

76:26

they launched records on tick-tock foot

76:28

like the everything will change well but

76:31

the quality

76:33

will always remain

76:34

you can't skip it you can't skip leg day

76:36

man

76:38

you're at me then

76:40

we have a closing tradition on this

76:41

podcast where um the last guest writes

76:43

the question for the next guest

76:45

and they don't know who they're writing

76:46

it for they always ask but we never tell

76:47

them so they've actually written two

76:49

questions which is interesting the the

76:51

first question they wrote i'm going to

76:52

read them both at the same time is

76:54

what for you is the life well-lived and

76:56

then they wrote how do you make the most

76:59

of this moment

77:01

so what for you as a life well lived and

77:03

how do you make the most of this moment

77:06

a life well lived

77:09

is

77:11

waking up every day

77:15

and having multiple reasons to smile

77:18

and within that making multiple people

77:20

smile

77:23

um i always think like

77:26

life is a record it's not a record

77:28

put the needle on

77:30

and it comes inwards

77:33

so it's coming inwards just getting

77:34

smaller and smaller and smaller then it

77:36

gets to the end in the middle and it

77:37

stops

77:38

and my thing is like

77:42

what song are you listening to

77:45

why your

77:47

your your time span is shooting and is

77:49

it

77:50

something that's

77:51

that's that's that's full of purpose

77:53

something that's making you smile and

77:54

something that's

77:55

energizing other people

77:57

and

77:58

and and for me it's like

78:00

i want to be able to be

78:02

a positive soundtrack

78:04

for key moments in other people's lives

78:06

as well

78:07

so life well-lived is me being happy

78:09

bringing happiness

78:10

and being able to

78:12

also add

78:13

a soundtrack

78:14

to people's happiest moments

78:16

though very part sir and then the second

78:19

question was how do you make the most of

78:21

this moment how do i make the most of

78:24

this moment live in it man

78:26

live in it

78:27

and i think

78:30

appreciate it as well

78:33

i think um

78:35

i say living it because

78:38

it's it's it's easy to be on that train

78:40

i keep going back to that train it's

78:42

easy to be on that train and just to

78:43

keep going keep going keep going but

78:46

for me

78:47

we don't meet anyone for no reason

78:51

there's no meaningless conversation

78:53

you know there's always something to

78:54

take from a conversation that you

78:56

thought what the hell was that about do

78:57

you know what i'm saying

78:59

because we're all bro we're all like

79:00

we're all seeds bro we're all seeds that

79:03

grow into fruit bro we're all seed so if

79:06

you're you're having a conversation

79:08

someone's planting something that can

79:10

become fruitful later on

79:12

so

79:14

to make the best of this moment just

79:15

live in it

79:16

do you know i mean don't just be in it

79:18

live in it man be present

79:21

thank you thank you thank you it's been

79:23

such a great conversation and it's a

79:25

real privilege to me like i said i've

79:26

been a student for a long time and i'm

79:27

still a mega fan um

79:30

all right upon reflection

79:31

i think it's probably gonna be

79:34

in my little spotify rap thing as some

79:35

of the most

79:37

played song album that i think you've

79:39

released recently and uh yeah it was

79:41

that 2019 yeah it feels like it was you

79:43

know it feels like it was more recent

79:45

than that for some reason maybe that's

79:46

because i still spin it but tasmanian we

79:48

lost two years as well in it no no i

79:50

genuinely say this i have i have this

79:52

debate with my my one of my

79:54

long-standing best friends and i

79:55

genuinely think lyrically in terms of

79:57

subject matter and art i think you're

80:00

the goat in our country so thank you and

80:02

i think a lot of people share that

80:03

opinion so it's a huge honor to have you

80:04

here and then your wisdom thank you

80:06

brother love man thank you

80:10

[Music]

80:18

foreign

80:23

[Music]

Interactive Summary

In this episode of the 'Diary of a CEO,' the guest reflects on his journey from a challenging upbringing in Tottenham, where he faced early adversity and family struggles, to becoming a successful artist and entrepreneur. He emphasizes the importance of obsession, self-belief, and maintaining focus on quality and purpose, rather than just material success or fleeting trends. The conversation also highlights his commitment to personal growth, the power of mentorship, and finding balance in life while navigating his career and legacy.

Suggested questions

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