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Joe Rogan Experience #2520 - Tommy Lee

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Joe Rogan Experience #2520 - Tommy Lee

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4228 segments

0:01

Joe Rogan podcast. Check it out.

0:03

>> The Joe Rogan Experience.

0:06

>> TRAIN BY DAY. JOE ROGAN PODCAST BY

0:08

NIGHT. All day.

0:12

>> We up. We rolling. Thanks for the heads

0:14

up so I'm not tripping later going,

0:15

"Hey, dude.

0:18

>> Good to see you, man."

0:19

>> Yeah, good to see you, too.

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>> What's cracking? You got a diamond in

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your tooth? Is that what's going on?

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>> Yeah.

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>> Nice. Nice.

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>> That's fun. My friend Cam just got a

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gold tooth and I was giving him a hard

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time and then I was like, "Damn, I think

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I want one."

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>> Yeah, you got to get one, dude.

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>> I'm thinking of getting a gold tooth. I

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have a cap on one of my I had a root

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canal. I've got a cap out of one of

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them. I think I'm going to swap it out

0:38

for a gold tooth.

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>> Do it. Do it. [ __ ] yeah.

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>> I got one back here somewhere.

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>> It's just that little like I don't know

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that little pirate thing starts to

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happen.

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>> I know. It's just a little little

0:52

outcasty.

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>> Yeah. Yeah. Yeah. So, what's cracking,

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brother? How you doing?

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>> I'm I'm good, man. I'm uh I'm stoked to

1:00

be here to see you.

1:01

>> Stoked to have you here.

1:03

>> Yeah, man. I [ __ ] I wish I was staying

1:05

longer now. Um but uh we'll make the

1:08

best of

1:09

>> How long are you staying? How long are

1:10

you in town for?

1:11

>> I'm I'm leaving after

1:12

>> right after this.

1:13

>> After you. Yeah.

1:14

>> Where you headed?

1:15

>> Back home, LA. Um my son is getting

1:19

married.

1:20

>> Oh, congratulations.

1:22

>> Thanks. Thanks. which is such a trip,

1:24

dude. You know, like he's 29 and um he's

1:29

getting married and I'm just I've been

1:32

kind of tripping out on that. Like,

1:33

dude, where the [ __ ] did that time a go?

1:38

>> Right.

1:38

>> And like I'm so [ __ ] happy for him

1:43

that

1:44

he's been seeing this girl for seven

1:47

years. I'm so proud that he did exactly

1:50

the opposite of his dad.

1:52

>> You know what I mean? Like he he he

1:54

knows and they're they've been

1:57

>> basically they've been married, you

1:59

know?

2:00

>> So they're just making it official now.

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>> And I'm just so happy for him. I'm like

2:04

I'm I tell them all the time like so

2:07

happy for you, dude. like you you know

2:10

you you you use some patience and some

2:13

love and like mix it all around and put

2:15

some time in there and you know shit's

2:18

like your your survival rate is going to

2:21

be way better way better and that makes

2:24

me really happy

2:25

>> and your happiness rate I think if

2:27

you're a kid and your dad is Tommy Lee

2:29

and you you've had such a [ __ ] crazy

2:32

chaotic life he's probably like slow

2:34

down give me a [ __ ] yard and a picket

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fence and whoa

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Totally. Totally. That's why like in,

2:40

you know, in, you know, in the drift of

2:42

everything, I'm really surprised and I'm

2:44

really happy he just like

2:46

>> pumped the brakes, you know, just like

2:49

make sure that what he's doing is

2:51

>> the real [ __ ]

2:52

>> Yeah. I mean, especially in LA with a

2:55

rockstar dad, it's like there's so many

2:57

bad influences. There's so many ways you

2:59

could go where you could just ruin your

3:01

[ __ ] life. It's so easy to ruin your

3:03

life if you're in the wrong circles,

3:05

>> dude. so easy,

3:08

>> right?

3:08

>> Cuz everybody else is doing it, too.

3:10

You're like, "Hey, I guess we're doing

3:11

meth."

3:12

>> I know. [ __ ]

3:14

>> I'm [ __ ] just I I mean, I know people

3:17

that are good people that have fallen

3:19

down that rabbit hole and they're not

3:21

bad people. They're not even stupid,

3:23

man. They just made a bad decision for

3:26

whatever reason and then next thing you

3:29

know, they're all strung out. And it's

3:31

like LA is the hub of that. Yeah.

3:34

There's so much of that going on in LA.

3:36

>> Yeah. And if you are have any sort of

3:40

that sort of [ __ ] magnet attached to you

3:43

>> like you know the shady friends and the

3:46

most circles you just kind of

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>> and all of a sudden

3:50

>> you're just [ __ ]

3:54

>> I mean I don't live in the rock and roll

3:55

world but I think that's probably the

3:57

most attractive to like crazy people

4:00

like that world. That is the world where

4:02

if you're a [ __ ] cook, like you

4:04

gravitate towards that world, you know?

4:06

>> It's probably so hard to find like sane

4:10

balanced people that are

4:12

>> Yeah.

4:12

>> You know?

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>> Yeah.

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>> They have their [ __ ] together. It's like

4:15

it's almost impossible. So like you're

4:17

just comparing yourself to the other

4:19

chaotic people you're around and

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>> you're the [ __ ] drummer in MLY Crew.

4:24

I mean, how are you supposed to be

4:25

normal? What the [ __ ] are you talking

4:27

about? What kind of life is that? That's

4:29

such a bizarre life. It's the craziest

4:32

life of all time. You're [ __ ]

4:34

slamming the drums on stage in front of

4:36

literally a sea of human beings singing

4:40

along to your music. That's nobody can

4:42

understand that.

4:43

>> I know, man. Yeah, they've And yeah,

4:47

they've seen it all. They've seen it

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all. Like I put him to work out on tour,

4:50

you know, just so you know, we could

4:53

hang out and spend time. You're like,

4:56

you know, get him a a radio. All of a

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sudden, they're part, one of my sons is

5:01

part of the lighting crew helping those

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guys. My other son is like, all he's all

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he wants to know about is like, "Dad, I

5:09

want to be in charge of all the after

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show passes. I'll go out while you're

5:13

playing and I'm going to hit all the

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chicks."

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And like my son is out there just just

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stack of passes. Come on back

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afterwards. Come on back. you know, and

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then watching him like have just just

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running it, right? It's just like

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brings a tear to my eye, man.

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>> That's cool. That's very cool. When you

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look back, like how much of a dream does

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it feel? I mean, it's got to feel very

5:42

bizarre that you, you know, every young

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guy who plays music wants to be in a

5:48

gigantic band. They all want to be rock

5:50

stars. And when it actually happens for

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you and then you're looking back on it,

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like how [ __ ] surreal does it all

5:55

feel?

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>> It's Dude, I pinch myself still daily,

6:00

literally. And I'm

6:03

I'm just [ __ ] I don't know, man. I'm

6:05

just lucky to be here. I'm I'm lucky I

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get to do this. I always say to people

6:11

like there's there's a couple of things

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that are involved with that whole thing.

6:15

There's

6:17

some luck, some talent,

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some timing of things. And when those

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things kind of all line up, um, and it

6:27

happens for you, it just happens at

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[ __ ] supersonic speeds where

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>> like a lot of it's a [ __ ] blur. Like

6:35

a ton of it's a blur where you have to

6:37

have somebody else like remind you.

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You're like, "Oh [ __ ] that's right. I

6:41

totally forgot we did that." You know,

6:43

like about crazy times.

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>> Yeah.

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>> Yeah. It's a trip, dude. I I I spend a

6:48

lot of time like

6:51

hanging on,

6:53

>> right?

6:54

>> [ __ ] Here we go.

6:56

>> Did you get a chance like when you were

6:58

coming up to talk to any other rock

6:59

stars? Did anybody give you advice on

7:01

how to handle things like what it's how

7:03

weird it's going to be?

7:04

>> No. I'm trying to think of any sort of a

7:08

mentor kind of dude on like how to

7:11

survive the [ __ ]

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>> Like pull Keith Richards aside and say,

7:15

"Hey man, how about a few tips?

7:18

>> How'd you do this? He's still here,

7:20

>> bro. I saw them at Kota at the Circuit

7:22

of the Americas a couple years back."

7:24

>> They were [ __ ] incredible, man.

7:26

Incredible.

7:27

>> Insane.

7:28

>> They're like, "What is How old is Keith,

7:30

>> dude?"

7:31

>> Are they like 80? He's got to be.

7:33

>> Mick is like 80, bro. Mick is moving

7:36

around and dancing and singing.

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>> Insane.

7:39

>> Insane,

7:40

>> dude. And I'll let me tell you a fun

7:42

quick little story here. Molly Crew gets

7:47

to open up for the Rolling Stones. This

7:49

was on Halloween. I forget what [ __ ]

7:52

year. Um, we're at some stadium and I

7:54

think it was Toronto. We got to open for

7:57

them and we were so [ __ ] pumped.

7:59

We're like, "Dude, are you kidding me?

8:02

we get the [ __ ] do this. Um, anyway,

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we play we play our show back in the in

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dressing room after we're done. The

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Stones tour manager comes into the

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dressing room and goes, "Tommy."

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I was like, "Yeah." He goes, he goes,

8:20

"Mick, Bronny, Keith would like to see

8:22

you." And I was like,

8:25

Brad, I [ __ ] head over there and

8:28

dude, this is

8:32

20 minutes before they're to go on. I go

8:34

into their their world and they got they

8:37

bring a bartender around with them. So,

8:40

there's a guy set up just slinging

8:43

[ __ ] drinks. Mi uh Mick isn't

8:46

hammered, but [ __ ] Keith and Ronnie,

8:49

dude. They were [ __ ] walking on their

8:52

lips. I'm talking shitty like [ __ ]

8:57

right just falling over with their

9:00

guitars

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>> 20 minutes before they go on stage.

9:02

>> I'm like, how are these guys going to

9:05

[ __ ] There's no way they're playing.

9:07

I'm sorry. There's no way. No [ __ ]

9:10

way. And all of a sudden, we took a

9:14

couple of photos and it was like, "Let's

9:15

go to the stage." And I'm like, "Oh, I

9:17

got to see this. I'm walking with them."

9:18

Right? They get up there, [ __ ] lights

9:21

go out. Boom. They [ __ ] I think they

9:24

started with Start Me Up

9:28

and got them. And it was like a switch

9:32

flipped. All of a sudden, those guys

9:35

were [ __ ] money. Like 100% [ __ ]

9:39

rocking out. I was like, "How did they

9:42

just go? They've been doing it for so

9:44

long that they just they're masters of

9:47

the controls. They're like, "Yeah, okay,

9:49

>> I guess we can get this amount of [ __ ]

9:51

up and then we can go." Like, it's okay.

9:54

>> I think some guys just That was a crazy

9:56

level. Like,

9:57

>> I wish I saw that.

9:58

>> You could barely talk and then they went

10:00

up there and [ __ ] ripped it.

10:02

>> I wish I saw that.

10:04

>> Some guys just want to be [ __ ] up to

10:06

just feel the experience. just to just

10:08

ride it like a wild bull, you know,

10:11

>> just wherever you land.

10:13

>> That's where some guys like to do it. I

10:15

mean, and rock, I don't have to tell

10:16

you, rock and roll music is the heart of

10:19

that. That's where it really goes down

10:21

where a lot of guys like to get [ __ ]

10:22

up before they play. You know, you want

10:24

to see something [ __ ] inspirational.

10:26

I'm going to show you something crazy.

10:28

>> Always.

10:29

>> This is uh Have you seen Jamie? Have you

10:32

seen uh Rick Springfield lately? I I did

10:36

just see him and I I was like, "Whoa,

10:38

>> I'm going to send you a video and it's

10:40

going to blow you away. This is

10:41

literally bananas." This is Rick

10:44

Springfield. He's not [ __ ] like 76

10:47

years old. Okay. 76

10:49

>> 76

10:50

>> 76 and he's singing Jesse's Girl like he

10:53

just wrote it.

10:54

>> Is it this video right here?

10:55

>> And he's [ __ ]

10:56

>> Yeah. Play start for Put the headphones

10:58

on,

10:58

>> bro.

10:59

>> Put the headphones on and back this up

11:00

from the beginning.

11:04

>> Whoa. Oh, he's

11:04

>> Well, I just sent it to you on uh

11:06

Instagram.

11:06

>> He's ripped.

11:07

>> I just can't get the the

11:08

>> Click on the other link then. The one

11:10

that I send you on Instagram

11:14

>> because you can't First of all, he looks

11:16

[ __ ] incredible. Like he's working

11:18

out every day or something. I mean, I

11:19

don't even understand it. He looks like

11:20

a 30-year-old guy.

11:21

>> Yeah.

11:22

>> And he's singing this song like he just

11:24

wrote it,

11:29

>> bro. 76.

11:39

I feel so dirty when they start talking.

11:52

>> Yeah, dude.

11:53

>> That's crazy. [ __ ]

12:02

Amazing, man.

12:03

>> Amazing.

12:04

>> That That's [ __ ] inspirational. Like

12:06

>> inspirational, bro. 76 years old. And

12:08

the passion and enthusiasm is what kills

12:10

me. This is not a guy who's like just

12:12

going out there and going through the

12:14

motions. He's singing that song like he

12:16

just wrote it.

12:17

>> Yeah, totally.

12:18

>> [ __ ] yeah, Rick Springfield.

12:20

>> Yeah, good job, bro.

12:21

>> Yeah, that's amazing. I I've been

12:24

sending that to everybody. I'm like,

12:25

[ __ ] yeah.

12:26

>> That is I saw that I saw that clip and I

12:28

was like, whoa. A lot of people in their

12:30

76 are basically waiting to die.

12:32

>> This dude's on stage with no shirt on

12:35

[ __ ] crushing life,

12:36

>> dude. I love it. I love it. That's gonna

12:39

That's gonna be me still 10 years old

12:42

rocking [ __ ]

12:43

>> Well, I remember in the 80s there were

12:45

no old rock stars. Like no one was out

12:49

there touring that was an old rock star.

12:52

>> You're right. You're right.

12:53

>> And then the Stones released a new

12:55

album. I think it was like 88 or 89 and

12:58

everybody was like, "Wow, they're going

13:00

to tour again." It was almost like,

13:01

"Aren't they done with this? Like

13:03

they're older now."

13:04

>> Yeah.

13:05

>> And then it started being a thing where

13:07

a bunch of older guys would like go out

13:10

on tour that hadn't been on tour in a

13:11

while. And

13:12

>> now it's no and people are like, "Why

13:14

are we retiring? Like why why would I

13:17

stop doing the most amazing thing that a

13:19

human being ever gets to do?"

13:20

>> Yeah. That you love to do.

13:22

>> No, let me stop doing that. It was like

13:24

a thing with hip-hop, hip-hop artists,

13:27

too. They would get to an older age and

13:29

people just didn't appreciate them

13:30

anymore. It's like it was like a young

13:32

guy's game. But now a lot of those older

13:34

guys are going on tour too and people

13:36

realize like, "Oh, these guys are

13:37

[ __ ] dope." Like I saw Run DMC went

13:40

on or excuse me um uh Public Enemy went

13:43

on with uh I think it was

13:45

>> I think it was Bruce Springsteen. I

13:47

think Bruce Springsteen had them go up

13:48

in one of his concerts. I'm like, "Fuck

13:50

yeah. Look at these dudes. They're

13:51

killing it. They're still getting after

13:53

it. That's the best, man. You got to

13:56

love that. And I think that resur I

14:00

don't know if you call it a resurgence

14:02

or just that that style of like there's

14:05

certain things that were that were

14:08

really great that have, you know, stood

14:10

the test of time. And I and I really

14:13

think that

14:15

ju the way [ __ ] is now, man, there is

14:19

too [ __ ] much. Like there's too much

14:22

music. Like Spotify releases like 300

14:26

[ __ ] thousand songs a day.

14:29

>> Really?

14:30

>> Who the [ __ ] is listening to all this

14:32

music? Dude, I'm in the business. And if

14:34

I can't keep up, how can a fan of music

14:36

keep up? So, I just I think that the the

14:39

the

14:41

excess of it it's just static and it's

14:45

really blown a hole through for, you

14:49

know, uh original stuff, you know, um

14:54

really good stuff because a lot of the

14:55

stuff is all kind of sounding the same

14:57

now. And but I just I think that it's

15:01

that it's been a a a cool progression

15:05

that's that's sort of fueled that. I

15:09

don't know if I'm making sense. I'm kind

15:10

of getting

15:11

>> No, you're making sense.

15:11

>> You know what I'm trying to say? Like

15:13

there's so much static now that

15:16

>> um the the the the sort of the

15:19

>> something has to be undeniable to break

15:21

through.

15:21

>> The authentic stuff still [ __ ] holds

15:24

water big time. And you know,

15:27

>> well, there's always like one song that

15:29

all of a sudden resonates and just goes

15:31

super viral because people listen to it

15:33

and go, "Holy shit."

15:35

>> Yeah. There's always going to be

15:37

something that's exceptional. But I do

15:38

agree. It's impossible. There's a lot of

15:40

great music that I don't know anything

15:42

about and then someone turns me on to it

15:43

and I'm like, "How the [ __ ] did I not

15:45

know this guy?"

15:45

>> Yeah. Yeah. And had your friend not

15:49

turned you on to that, you would you'd

15:52

never [ __ ] know.

15:53

>> Well, there's no real radio anymore. No.

15:56

>> Right. So, how do you find out? When I

15:58

was a kid, when I was in high school,

15:59

like if a new Mly Crew song came out, it

16:02

was on the [ __ ] radio and then you

16:04

knew. All right, the new album's out.

16:06

Let's go get the new album. And that was

16:07

with every major band. It was like, then

16:10

you got MTV. MTV came along. Oh, the

16:13

music video's out. The album's out.

16:15

>> But now it's like anyone can just put

16:18

stuff up, you know, which is great.

16:21

>> Yeah. Which

16:22

>> But it's also

16:23

>> it's look, it's it's all overall

16:25

positive because you have more artists

16:27

and more people that are doing what they

16:28

want to do. More people that are making

16:30

music, which is awesome.

16:32

>> But like it's the same thing with

16:34

movies. Can I imagine you had to watch

16:35

every movie ever made? You You'd have to

16:37

be a million years old.

16:39

>> You'd never finish.

16:40

>> Exactly.

16:41

>> There's not enough hours in the day.

16:42

>> Yeah. It's the same It's the same

16:44

musically

16:46

what's happening musically that's

16:48

happening with everything entertainment,

16:51

films, te television shows. There's

16:55

>> an abundance of like it's just too much.

16:58

How do how do people I mean people got

17:01

these you know uh you know

17:05

you know TV packages where they've got

17:08

subscriptions 4,000 different places and

17:11

you still can't find anything to watch.

17:13

You're like what the what the [ __ ] is

17:15

happening here everybody? We got to like

17:18

peel it back a little bit. Make it a

17:20

little easier here.

17:21

>> Well, there's so many options.

17:22

>> It's almost like dating apps, right?

17:24

Like if someone if some chick is chewing

17:27

her food with her mouth open up being

17:28

like swipe like who's next. Yeah. Like

17:31

people get they don't get a chance to

17:32

know anybody. And I think that's also

17:34

the same thing with movies and TV shows.

17:36

Cuz if you're watching Netflix, if you

17:37

get bored for 3 seconds, you're like,

17:39

"Fuck this movie. What else is on? Bip,

17:42

you know, okay, try this one." And you

17:43

watch that for 10 minutes, not [ __ ]

17:45

this. I would like to see their numbers

17:46

of like how long people actually watch a

17:49

show or a movie on Netflix before they

17:51

shut it off. I bet it's way different

17:53

than in the past. I bet in the old days

17:55

most people watch the movie to the end.

17:58

>> Sure.

17:58

>> I bet now it's like 20%.

18:00

>> Oh, dude. If that

18:02

>> I'll bet. Yeah. Um I'm just going to say

18:04

a little bit more

18:04

>> if that. Yeah. Everybody It's short

18:06

attention span life right now. It's very

18:08

very bad for you. Yeah, sometimes you

18:11

got to just take something in

18:13

>> and and that and that affects the people

18:14

who create the stuff because you you

18:17

realize

18:19

>> I'm dealing with a bunch of [ __ ]

18:20

six-year-olds here and if if my [ __ ]

18:23

isn't banging within the first whether

18:26

it's a movie or a song or whatever it

18:28

is, whatever your

18:30

>> art is,

18:32

>> if it's not [ __ ] ripping your face

18:35

off and grabbing your attention within

18:37

three or four seconds, you're you're

18:39

Next, next.

18:41

>> Exactly.

18:41

>> Next. When that's just the world we're

18:43

in. So that then that affects people who

18:45

make the the stuff because they they

18:48

really got to put the best [ __ ] up front

18:51

quick or else you're going to lose

18:53

everybody

18:54

>> 100%.

18:54

>> And that's that sucks.

18:56

>> Yeah.

18:57

>> They don't have to give into that.

18:59

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20:14

>> Well, think about some of the songs from

20:16

the past that would never pass muster

20:18

today that are just amazing classics

20:19

like Whole Lot of Love. So, A Whole Lot

20:21

of Love. You have a minute and a half

20:23

[ __ ] sounds with symbols before it comes

20:27

back to this insane guitar solo. Yeah.

20:29

Right.

20:29

>> Yeah. You're right. like you

20:34

>> it's like the most bizarre song ever.

20:36

>> Yeah. Kind of drum soloy kind of

20:38

>> Yeah.

20:39

>> off. I And classically Freeird when

20:43

Leonard Skinnard released Freeird,

20:45

they're like, "No, no, no. This song

20:46

takes way too long to get going. It's so

20:49

long. It's like a seven minute song. You

20:51

got to This is never going to fly." I

20:53

meanwhile is one of the greatest anthems

20:55

in the history of the world and perhaps

20:57

the greatest guitar solo in the history

20:59

of the [ __ ] human race.

21:00

>> Right. Right.

21:01

>> You know, Freeird when that dude gets

21:03

going and you see it live and

21:05

everybody's

21:06

>> the whole [ __ ] place is going off.

21:09

>> One of the greatest guitar solos in the

21:11

history of the [ __ ] human race. And

21:13

their record company was like, "It's too

21:14

long."

21:15

>> Yeah.

21:15

>> People don't have any attention span for

21:16

this guys.

21:17

>> God, even back then, people were [ __ ]

21:19

hating. Well, it's always the people

21:21

that are the money people because all

21:23

they give a [ __ ] about is money and

21:25

you're in the creative side of it and

21:27

the money people are just pimping out

21:29

the creative side of it and they're just

21:31

trying to get you to suck as many dicks

21:33

as they can because they want to buy a

21:35

Rolls-Royce. So, like come on, suck that

21:37

dick. Let's go. And they don't give a

21:40

[ __ ] about you or your reputation

21:42

because then they got [ __ ] Nickelback

21:44

over here and this guy over there and

21:45

there's always a new band they can push

21:47

and pimp. Yeah.

21:48

>> And so they just want to make the

21:49

maximum amount of money possible. So

21:51

they have always have shitty advice cuz

21:53

they advice their advice is based on

21:55

making money.

21:55

>> Yeah. Yeah. And for that and for that

21:58

reason

22:00

>> um when we were on uh Electro Records

22:04

they were never allowed in the studio.

22:06

No one from the label was ever about. We

22:08

allowed them once and he came in and

22:10

started making like

22:12

>> making changes or suggesting edits and

22:15

stuff. We're like

22:16

>> out

22:18

out.

22:19

>> Yeah.

22:19

>> You'll get it when it's done here.

22:21

>> Oh god. So gross.

22:24

>> Yeah, dude.

22:25

>> And here here's some guy making those

22:27

kind of calls who has no not a musician.

22:30

Has no idea about what key the [ __ ]

22:32

song's in. All he knows is it's too

22:35

long. Yeah.

22:36

>> And we got to get to it quicker.

22:38

>> Well, it's these people that have ego

22:41

for no real reason. They're just kind of

22:44

they're just involved with other great

22:46

creative people and that's what they

22:48

sell. That's their business is to sell

22:50

stuff that's awesome. And somehow or

22:52

another they think it makes them

22:53

awesome.

22:55

>> Yeah.

22:55

>> It's very weird. Like you know Zack

22:57

Bryan, he's got a great song called uh

23:00

Dam I think it's Damn Cold Vampires or

23:02

Cold Damn Vampires. It's a great [ __ ]

23:04

song about

23:04

>> It's a [ __ ] tongue twister.

23:06

>> It's a great [ __ ] song. It's about

23:08

the music industry and it's about these

23:09

vampires that are just just sucking

23:14

blood out of these artists and was a

23:17

great song the great line of the song

23:18

trying to make make an empire of the

23:21

things that you create.

23:23

>> They're making an empire from other

23:25

people's work. That's what they're

23:27

doing. But they somehow or another think

23:29

that they're responsible and that they

23:31

have an insight and they're I'm good at

23:33

my job, Tommy Lee. And let me tell you

23:35

something, kid. I know music. And that

23:37

drum solo 14 seconds too long.

23:41

>> I'm going to tell you why. I'm going to

23:42

show you these statistics. So this is

23:43

what we've got a guy. We got the best

23:46

guy. The best statistics guy. He knows

23:48

when people are t and when they get to

23:50

this [ __ ] part of the drum solo, they

23:52

tune out. Tommy,

23:53

>> we got to stop them from tuning out.

23:55

>> Totally. because I want to get a Konis

23:57

egg. I want to get one of them [ __ ]

23:58

$2 million cars. You know, these [ __ ]

24:02

they're just they're they exist in every

24:04

every walk of life where one person is

24:07

like, you know, a creative type that's

24:09

not businessoriented. And you need a

24:11

business person. Yes.

24:12

>> So, the business people come in cuz

24:13

they're someone's got to sell it. You're

24:14

not going to [ __ ] sell it. What are

24:16

you going to do? You got to make your

24:17

own record company. You got to hire your

24:18

own executives and to do your own

24:20

promotion. Get the [ __ ] out of here. You

24:21

can't. So they come along and they get

24:24

involved and they [ __ ] it all up.

24:26

>> Yeah.

24:27

>> And how many guys have listened to them

24:28

and ruined their careers because they

24:30

listen to him?

24:31

>> Oh man.

24:32

>> Do you know the Billy Squire story?

24:36

>> So Billy remind me cuz I think I

24:38

>> Billy Squire was the [ __ ] when I was in

24:41

high school. He had that song Lonely as

24:43

the Night. Oh my god.

24:44

>> I I love Billy Squire

24:46

>> dude. The stroke. He was fantastic. And

24:49

he did one music video where it was like

24:54

very effeminite. It was like really

24:56

weird.

24:56

>> Oh, was it when it was he was in his

24:58

pajamas or something?

24:59

>> It was really weird. And everybody was

25:02

like, "Nope."

25:03

>> Yeah. What is he doing?

25:04

>> Yeah, it was really weird. And to this

25:06

day, I don't know if that was his idea

25:08

or somebody else's idea. They just took

25:10

a wild chance. I don't know. I pray to

25:14

God it was his idea because at least

25:16

like he's creative. He made a creative

25:18

decision. didn't work out, whatever.

25:20

>> Yeah, fine.

25:21

>> But if someone tanked his career because

25:24

they wanted him to act feminine in in a

25:28

song, it was like very the reaction was

25:31

crazy because this guy was like a sex

25:34

symbol. He was like, you know, shirt

25:36

down to his, you know, open up down to

25:38

his pants and [ __ ] he was a bad

25:40

[ __ ] on stage. Sing his ass off.

25:43

HE'S A STAR. One music video tanked him.

25:46

I think it was my kind of lover. I think

25:49

that was the song where

25:51

>> See if you can find what the the video

25:53

was. This is it.

25:54

>> There's a documentary someone made on uh

25:57

Facebook I found it

25:58

>> about this whole thing. Yeah.

25:59

>> So like this this is it.

26:01

>> Yeah. So it's it was very weird. Like

26:03

>> what song is it? Can you hear?

26:05

>> Uh well yeah we're going to have to cut

26:08

it up though.

26:09

>> So it was somebody else's idea. Is that

26:11

that guy with the face? That guy with

26:12

the faces looks like the guy looks like

26:15

the kind of guy that would tell you give

26:17

you [ __ ] Yeah, he's crawling around on

26:19

his knees and his hands is at his knees.

26:21

>> It was weird. It was very weird.

26:24

>> [ __ ] What song was this?

26:25

>> Like just

26:26

>> you know like if he was like look at

26:28

this. Look at him skipping around and it

26:31

was very odd. That guy that seems like

26:33

the type of guy that would give you the

26:34

bad advice.

26:35

>> Something me tonight.

26:37

>> What's the name of the song?

26:38

>> I want to

26:39

>> [ __ ]

26:40

>> I don't know. I'll look up. familiar

26:41

with that title.

26:42

>> Yeah, I don't know either.

26:43

>> But I know. Yeah, I get it. I remember

26:45

that.

26:45

>> And everybody's like, "Nope."

26:47

>> Yeah,

26:48

>> that's a rap. And that guy should have

26:50

had like [ __ ] 50 giant albums. That

26:53

guy was amazing.

26:54

>> Yeah.

26:55

>> Such a incredible singer, man.

26:57

>> So, Rock Me Tonight, 1984.

27:04

>> Have to cut that out.

27:05

>> Yeah, we'll cut that part out. But you

27:06

can see him dancing around like Look at

27:08

this. Yeah.

27:09

>> Don't do that, buddy. What is this? He's

27:12

like,

27:13

>> "Yeah, what?

27:14

>> Don't do that."

27:15

>> Yeah. We need you on the ground swarming

27:17

around. Hopefully

27:18

>> I hopefully it was his idea.

27:19

>> Yeah. And he just

27:20

>> My god, if this was somebody else's

27:21

idea, like I want you to be looser. I

27:24

want you to be looser. I want you to be

27:25

more more free.

27:27

>> I want you I want you to be like I want

27:29

to feel it. I want to feel I want to

27:32

feel your vulnerable side. I want you on

27:34

your hands and knees. I want you

27:36

crawling. This is what I want you to I

27:38

want you like this. Like you barely can

27:40

crawl. Like you're having a hard time

27:42

crawling. That's what girls like. Girls

27:44

like a guy who struggles to crawl.

27:46

>> Yes, dude.

27:49

>> Oh, what the [ __ ] did you do to him?

27:52

>> Oh my god.

27:52

>> WHAT DID YOU DO TO HIM?

27:54

>> I KNOW. I hope it was his idea. Despite

27:57

its major success, the song is sometimes

27:59

associated with the end of his career as

28:01

a singles musician due to the music

28:02

video, which is described as one of the

28:04

worst ever in a 2011 book I Want My MTV:

28:08

The Uncensored Story of the Music Video

28:10

Revolution.

28:12

>> Wow.

28:13

>> Shows Squire dancing around in a bed

28:15

with pastel colored satin sheets and

28:17

wearing a pink tank top. Squire's

28:19

concert ticket sales immediately

28:21

declined and he later fired his

28:24

managers. He has accused Ortega of

28:26

deceiving him and altering his original

28:28

concept, which Ortega denies. While

28:30

Squire remains steadfast that the video

28:32

was solely responsible for the initial

28:34

decline of his popularity, other

28:36

commentators are less certain. Well, I'm

28:38

pretty certain. I remember it. I

28:40

remember it. I remember kids in high

28:41

school going, "What the [ __ ] bro?

28:43

>> What the [ __ ] is Billy Squire doing,

28:45

bro? That shit's gay, bro."

28:47

>> Cuz Billy Squire was the man. I mean,

28:51

>> he could have been another John Melon

28:53

camp. He could have been He could have

28:54

gone on forever

28:55

>> for sure.

28:56

>> Like what the [ __ ] dude? 84 one song,

28:59

one music video.

29:02

>> Insane. That is really crazy if you

29:05

think about it.

29:06

>> Yeah.

29:07

>> It's nuts.

29:08

>> Well, that's the craziest thing about

29:10

you think about like the success of Mly

29:12

Crew and of bands like from your era.

29:14

The fact that you guys endured for so

29:17

long. Like still to this day, bro, if

29:20

I'm working out in the gym and kickstart

29:22

my heart comes on, I swear to God I get

29:24

stronger.

29:31

[ __ ] YOU. LIKE YOU GET PUMPED, MAN.

29:33

That's that be that song's a drug. Yeah,

29:35

that one, man. I can't tell you how fun

29:39

how how um rewarding that is to like sit

29:43

back and like I don't know, the Super

29:45

Bowl's on and the [ __ ] KICKOFF YOU

29:49

DUDE, WE GOT TO CUT IT OUT, but I want

29:50

to hear it. Throw Kickstart my heart on.

29:53

We'll cut it. We have to cut it out for

29:54

YouTube. Otherwise, we'll get docked

29:56

with

29:58

>> the [ __ ] money people come involved.

30:00

Meanwhile, we're just promoting music.

30:01

Godamn it. With Tommy Lee, you

30:03

[ __ ]

30:04

>> Yeah, right.

30:04

>> But this [ __ ] this [ __ ] song. Oh,

30:08

is this live? Don't give me a live one.

30:09

Give me the actual one. Bro, that was

30:11

one of the most American songs that's

30:13

ever been made. Ever. Ever.

30:16

That song is fuel. You know that that

30:19

song is [ __ ] fuel. If you were

30:21

running in a race and you're thinking

30:22

about quitting and that song comes on

30:23

your headphones, you're like, "Let's

30:24

[ __ ] go. LET'S [ __ ] GO."

30:28

>> YOU KNOW, like songs like that, they

30:30

really do give you energy. They're they

30:32

really are like a drug.

30:34

>> Yeah, they're they're definitely uh

30:36

they're injected.

30:39

>> Yeah. Like changes your state, you know?

30:41

>> I love that one. Isn't that [ __ ]

30:43

wild? the power that music has. Like the

30:46

Reich kind of song, you know,

30:48

everybody's different, but there's

30:50

nothing better than like it [ __ ] like

30:53

I get [ __ ] goosebumps, bro. If

30:56

something comes along that just and it

30:58

it gets inside you. Yeah.

31:00

>> It's [ __ ] infectious. And all of a

31:02

sudden you're like, dude, it's taking

31:03

over my whole body. I'm [ __ ] tingling

31:06

my hair standing up

31:09

>> and you're like, what is that?

31:10

>> Yeah.

31:11

>> What the [ __ ] is that? Like I I want to

31:13

[ __ ] bottle that up and try to

31:15

recreate whatever that is.

31:17

>> Yeah. It's a it's just an encapsulation

31:20

of emotion with sound frequencies that

31:23

just changes your physical state. It

31:26

does something to you that's like it's

31:27

one of the most amazing creations that

31:30

human beings

31:31

>> have have ever done. One of the one of

31:33

the most amazing accomplishments that

31:35

human beings have ever done is that just

31:36

make incredible music

31:38

>> because it's one of the things that it

31:40

affects us in a way that like like

31:42

nothing else and you can hear them over

31:44

and over and over and over again. Like a

31:46

great joke is awesome the first time,

31:49

>> but after you hear it the second time it

31:50

loses a little of its power. The third

31:52

time it gets a little boring.

31:54

>> A a great song I could listen to that I

31:57

sometimes when I'm working out I just

31:58

put something on repeat. I'm like, "Oh,

32:00

I just want to hear this song, one song

32:01

over and over and over again. Wear that

32:03

[ __ ] out, but I don't care. It's so

32:05

good. I don't give a [ __ ] I I just want

32:08

to feel let's [ __ ] go." And every

32:09

time it comes back on, [ __ ] yeah. And

32:12

we're back. You know, it's like it's it

32:15

changes the frequency of your actual

32:18

soul. Like your body gets moved by it.

32:22

You feel different.

32:23

>> You I want to ask you a question because

32:25

you're into all this [ __ ] crazy [ __ ]

32:28

Um,

32:29

I saw somewhere recently, and this just

32:32

goes along with that feeling, euphoric

32:35

feeling you get when the the right notes

32:38

or frequencies

32:40

uh hit you. Um I saw that through sound

32:45

certain frequencies like some dude in

32:47

China, some doctor in China or is it

32:51

Japan has is this close to healing

32:55

[ __ ] cancer through through sound

32:59

through frequency?

33:00

>> Really?

33:00

>> Have you No, I haven't seen that seen

33:03

any of this.

33:03

>> I haven't seen it, but I wouldn't be

33:05

surprised. I I wouldn't either because

33:08

uh you know it it just fascinates me

33:10

because there is those frequencies out

33:13

there that you know about them 432 432

33:16

hertz you heard about that stuff.

33:18

um

33:18

>> explain to people. So,

33:20

>> well, it's just um

33:23

there there's some weird uh what do you

33:26

call it? Conspiracy theories about

33:29

originally our music like Bach Beethoven

33:32

back in those days was tuned to 432

33:38

hertz

33:42

and and this is the conspiracy [ __ ]

33:45

part about it at some point and People

33:48

say Hitler changed the the the tuning,

33:52

the pitch of music and now everything

33:56

was raised to 440 instead of, you know,

34:02

uh

34:02

>> 432.

34:03

>> Instead of 432,

34:05

now it's at 440. It's it's up and it's

34:08

and the frequency is more aggressive.

34:11

And it was it said that it was done to

34:14

give the soldiers more [ __ ] you

34:17

know, angst and crank this music.

34:19

>> Well, they were also given a meth.

34:21

>> Excuse me.

34:22

>> They were also given the meth between

34:24

meth and kickstart my heart.

34:26

>> [ __ ] so.

34:27

>> If the Nazis had kickstart my heart

34:29

would have been a real problem,

34:30

>> dude. No. No.

34:31

>> Kickstart my heart in German.

34:33

>> Yeah.

34:34

>> Oh my lord.

34:34

>> Yeah, that would have been a real

34:35

problem.

34:36

>> Yeah. I just I'm just curious because I

34:37

know that you're into that kind of

34:39

stuff. um if the any sound uh therapy or

34:43

healing through through frequencies uh

34:45

if you've heard any of that stuff.

34:47

>> Well, I know people do sound baths where

34:49

you know they'll do these meditation

34:51

experiments where they lie on their back

34:52

and they have someone like that that's

34:54

making sounds and

34:56

>> there's something to it. But just think

34:58

about like what we were saying with

34:59

Kickstart My Heart like when you you

35:01

hear a great song it changes the way you

35:03

feel. It changes your feeling. It gives

35:05

you more energy. It really does. So

35:08

obviously sound has a profound effect on

35:10

the human body and it's not just like

35:13

you inter there's a lot of aspects to a

35:15

great song right it's the sound it's

35:17

also the messaging that's in the lyrics

35:18

it's like there's a lot of go there's a

35:20

lot going on the the voice of the singer

35:22

you know the the visuals of everybody

35:24

[ __ ] rocking out on stage

35:25

>> sure

35:26

>> that also contributes to it but the

35:28

actual sound itself is affecting your

35:30

body in a very profound way and I

35:32

wouldn't be surprised that there's ways

35:34

that sound could provide like

35:36

therapeutic

35:37

therapeutic uh benefits to like people

35:39

that are injured, that are healing,

35:41

sickness. I'm sure. I mean, if you were

35:43

lying in a hospital bed and you felt

35:45

like [ __ ] because you just had surgery,

35:47

but you're listening to some dope music,

35:48

wouldn't that be better than just

35:50

listening to people moan in the next

35:52

room like,

35:54

>> "Fuck, get me out of here."

35:56

>> Yeah. You're inputting something

35:58

nice.

35:59

>> Should be a part of your recovery.

36:01

>> Yeah, for sure. getting positive vibes

36:02

in, getting like things that give you

36:05

good feeling and good energy.

36:07

>> I do that all the time, man. I'll sit at

36:09

home if you know when you're in the mood

36:12

to not really listen to music, but hear

36:16

music where it's just playing in the

36:18

background. And I I'll I'll just put

36:21

there's these YouTube videos of um these

36:23

beautiful

36:25

Japanese gardens in Kyoto or whatever.

36:28

And there's like high deaf shots of

36:30

these just beautiful, you know, bonsai

36:33

trees, koi ponds, uh, big naki bonsai,

36:38

like and it's just so chill. And with

36:42

that music and I just I just put it on

36:44

and it's kind of on a lot actually. And

36:46

I find myself that's where I go to like

36:50

>> just like I don't know.

36:52

>> Yeah. It puts you in a different state.

36:53

>> Puts me in a different space, you know?

36:56

I I dig it, man. You got really into

36:58

bonsai.

36:59

>> Yeah, dude.

37:00

>> How did that start?

37:02

>> All the all the times that we've gone to

37:05

Japan, I every sing every time I went

37:08

there, I always went to the to the

37:11

Japanese gardens of the temples and I

37:13

would just I'd walk around and just be

37:14

like my jaw on the floor like I've never

37:17

seen anything this [ __ ] peaceful and

37:20

beautiful and just like I don't know.

37:24

was just came over this feeling every

37:26

time I went I came over me and I just I

37:28

started studying it. This is like eight

37:31

years ago. I was like I I I need this in

37:35

my life somehow. I don't know what this

37:36

is but let me go down you know down the

37:40

down the tube here and figure out what

37:42

that what that is and how I can get this

37:44

some of this into my life. And I found

37:46

some [ __ ] videos on doing bonsai work

37:49

on trees. And I I started and I haven't

37:52

stopped. And it's been hands down the

37:55

coolest [ __ ] thing I've ever gotten

37:58

into, man. Like I'll be out there for

38:01

hours every day. Like I'll start my day

38:04

just being with nature and being with

38:06

the trees that I'm working on. And I got

38:09

like a workshop, dude. It's like a

38:11

there's like in progress uh works on the

38:15

bench. There's other ones on bending. Uh

38:18

there's ones that um you know uh uh

38:21

treating for pests, you know. Um there's

38:24

it's a whole world and wiring

38:26

everything, training it to where you

38:28

want to go, pruning. It's just it it

38:31

lets me escape everything for a couple

38:35

of hours. I I just I just I don't know,

38:38

man. I just I check out.

38:40

>> How many years you've been doing this

38:41

now?

38:41

>> I've been probably eight years now I've

38:44

been doing it. Eight years.

38:45

>> And so is a bonsai tree a regular tree

38:50

that would grow big if you didn't [ __ ]

38:52

with it?

38:53

>> Yes. Yes.

38:54

>> Okay. And then you can get it to this

38:55

incredible beautiful artistic shape

38:58

years. Small.

39:00

>> Yes. It's you're you're basically you

39:02

keep kind of dwarfing it and the and

39:05

everybody gets this confused. Um, and

39:08

they just think uh bonsai is like that's

39:11

the the tree. Bonsai means tree and pot.

39:16

That's what that that means actually. It

39:19

doesn't mean the actual bonsai tree. It

39:21

means tree and pot. And

39:22

>> how long is the study of bonsai? How

39:24

long is the practice been around?

39:26

>> Dude, I [ __ ] I have no idea. And you and

39:30

you find that other parts of the world

39:32

now that you get into it. I mean there's

39:34

in Taiwan and China there are some

39:38

[ __ ] insane Bonsai and I think it

39:40

actually originated in China and the

39:42

Japanese took it and altered it in ways

39:46

and did it their sort of their version

39:47

but I think it originated in China if

39:50

I'm not mistaken.

39:51

>> Something like that. Yeah. Uh 6th

39:53

century China and then they brought it.

39:57

>> [ __ ] dude.

39:58

>> Wow.

39:59

>> [ __ ] Wikile over here.

40:02

So, don't you have a tree that's 300

40:04

years old?

40:05

>> Yes, I do. Over 300. I have I have I

40:08

have two of them that are over 300 years

40:10

old.

40:11

>> So, someone was working on them over 300

40:14

years ago.

40:16

>> Well,

40:17

either that or it was collected maybe a

40:20

hundred years ago and then over that

40:23

time it's just constantly been, you

40:25

know, cut back and cut back like what

40:28

you'll do.

40:28

>> But it's a part of a tree that's 300

40:30

years ago.

40:31

>> Yeah. It's It's still It's the same

40:33

tree,

40:33

>> right?

40:34

>> But it's just It's never been It's It's

40:37

always getting its roots cut.

40:38

>> Is that it? Is that your tree? The 300-y

40:40

old tree?

40:41

>> No, no, no. That's just a That's just a

40:43

a a small juniper that I have.

40:46

>> It's beautiful.

40:47

>> The 300y old one is a is a redwood.

40:51

>> It's [ __ ] trunk on it like this and

40:54

it's smashed into a pot about this big.

40:58

>> That seems rude.

40:58

>> It's about not that. for redwood. That

41:01

seems rude cuz if you go to like

41:03

Northern California and you go to the

41:05

redwood forest, they're [ __ ]

41:06

spectacular.

41:08

>> Yeah,

41:08

>> those things are wild.

41:10

>> Insane.

41:10

>> That redwood forest is so incredible.

41:12

There's the one that you drive through.

41:14

>> Yeah.

41:15

>> Yeah.

41:15

>> Yes.

41:16

>> They cut a hole in it in like the 1920s

41:18

or whatever.

41:19

>> It's really I can't believe they did

41:21

that. But the tree is still alive and

41:23

you drive through the tree. It's so

41:26

crazy.

41:26

>> That was cool, too. Yeah, that that that

41:29

one I showed um not too long ago in a

41:32

exhibition.

41:33

>> Oh, so you go to bonsai shows.

41:35

>> Yeah, I I I just started entering some

41:38

of my trees that I've been working on.

41:40

Uh I've I've done two so far. I just now

41:43

like just this year uh entered a couple

41:46

trees.

41:46

>> That's awesome.

41:47

>> The rest of the this these other seven

41:49

years or eight years of practicing is

41:51

just learning, you know?

41:53

>> What a cool hobby.

41:54

>> Yeah, it's it's [ __ ] rad, dude. It

41:56

really is. It's also like the complete

41:58

opposite of being a rock star.

42:00

>> Totally.

42:02

>> Like what a great balancing tool,

42:05

>> you know?

42:05

>> I know, man. It's It's interesting

42:07

because a lot of lot of, you know, my my

42:11

peers, musical buddies, like they're

42:13

they're all of them are super

42:15

interested. They're like, "Dude, what

42:17

what's up with the bonsai?" Like, I like

42:19

they they're curious. They want to know

42:21

>> cuz maybe they've seen

42:23

>> me, you know, maybe change a little bit

42:25

over the years or they've seen how much

42:27

joy it [ __ ] brings me and they're

42:28

like, I think I want some of that. I'm

42:31

not sure.

42:32

>> Well, there's something about like a zen

42:34

garden that you associate with like

42:35

bonsai and peacefulness and clarity.

42:38

>> Yes.

42:39

>> You know, just peace of mind.

42:41

>> Yeah.

42:42

>> Just clean mind. Like your mind is pure.

42:45

or you're like you're really in the

42:47

moment

42:48

>> rather than just being a [ __ ] mess

42:50

ordering Uber Eats.

42:52

>> You know what I mean? Yeah.

42:54

>> It's like there's something that that's

42:56

very spiritually attractive to people

42:58

about th those practices.

42:59

>> Yes. And and that and that's it too. It

43:02

it really has a lot to do with sort of

43:04

the the the

43:06

culture of all of it. Like when you

43:08

start going down that hole about design

43:10

and all that stuff, you start to you

43:13

start to realize that everything that at

43:16

least the Japanese um do is with such

43:20

[ __ ] purpose. Like you'll notice in

43:23

you know and I didn't notice this stuff

43:25

until later. I was like, "Oh, I get it

43:27

now. There's serious rules about how

43:30

they build a Zen garden. You'll never

43:33

find a straight path.

43:36

Ever. I don't care how far you look,

43:38

you'll never find a straight path going

43:40

through a a Zen garden. They

43:43

specifically and strategically

43:46

curve the path to slow you down. When

43:49

you get to when you get when soon as you

43:52

walk into a garden, the number one

43:55

>> objective is to get you to slow the [ __ ]

43:59

down. And there's no straight path. and

44:02

everything. You don't nothing becomes

44:05

revealed to you until you come around

44:07

that corner. So you're always even if

44:11

there if you're going across a a lake or

44:13

a pond, there's never a straight very

44:17

rarely a straight bridge. It's either

44:19

arked or the bridge zigzags

44:23

across.

44:25

There's never a straight line. And what

44:27

what that's how that's what that's meant

44:29

to do is get you to stop at each corner

44:33

and look out and just take take it in

44:35

and [ __ ] be present.

44:37

>> And and that's to me it's like that's

44:41

the deeper meaning of all this for me.

44:43

It it's really got me to slow the [ __ ]

44:45

down because everything is just kind of

44:49

>> right

44:50

>> all the time. So, you know, that it's

44:55

just I get I don't know how to explain

44:58

it sometime. It's hard to explain that

45:00

state, but that that's what I that's

45:03

what I get from it. And every day, it's

45:04

the best way to start start your day,

45:07

man. It can only get [ __ ] amazing

45:10

after that because you're you kind of

45:12

set yourself up for having a [ __ ]

45:15

super rad day. Like, do you know what I

45:17

mean? Like, like, I'm good. Let's go.

45:20

>> Right. Well, it makes sense. I mean,

45:22

there's something about those Zen

45:23

gardens that's so attractive to people.

45:25

Yeah.

45:26

>> It's obvious there's something going on

45:27

with that design, with that flow of

45:30

nature and the way it's artistically

45:33

pieced together. It's very exciting to

45:34

people.

45:35

>> And you see it, man. I don't know if

45:37

you've noticed, you had to notice. You

45:39

see it in a lot of the like newer

45:41

architecture. A lot of [ __ ] designs

45:44

and homes are being built with that sort

45:47

of very minimal um Japanese

45:51

flavor that is just meant to have your

45:54

home be a peaceful place and not like a

45:56

[ __ ] museum or this or that. Like

45:59

it's really

46:01

>> um Yeah.

46:02

>> Yeah. It's more It's more peaceful like

46:05

in the actual design itself

46:07

>> versus like some house with big giant

46:09

ass [ __ ] windows overlooking the big

46:11

city and [ __ ] rocks everywhere and

46:14

like slow down.

46:16

>> Yeah. Yeah. And I've had that. I've done

46:19

that before with the house on the top of

46:20

the hill with the views. And I mean, the

46:22

view is just kind of the view. It

46:24

doesn't really do anything.

46:25

>> It's very different than having, you

46:28

know, a beautiful winding

46:30

sanctuary to to to to cruise through.

46:35

You know,

46:36

>> I think nature is very therapeutic and

46:37

if you can put nature in an artistic

46:39

form like a zen garden,

46:41

>> it's very therapeutic. But that's a way

46:44

better view. The view of nature is a way

46:46

always a way. Well, look, you whenever I

46:48

go to New York City and I'm staying in a

46:50

hotel and I'm in the middle and you see

46:52

all the buildings like, "Wow, this is

46:53

crazy. You're in the center of it. This

46:54

is [ __ ] dope." But I don't want to

46:57

live there.

46:58

>> Right. Right.

46:58

>> I like to visit, but I don't think it's

47:00

good for me at least. I don't think it's

47:02

good for my head space to live there. I

47:04

like to see trees.

47:06

>> I like to see nature. I like to see

47:08

green. I like to see things that are

47:09

alive. That makes me feel better.

47:11

>> Yeah. You know, it's funny, dude. I tell

47:13

people I think I think I was a [ __ ]

47:15

tree like in a past life because I I'm

47:18

I'm I'm like maybe you were a tree too.

47:21

I'm like you like the I don't know if

47:23

you're like this gnarly about it but

47:27

every time I go into a city the first

47:29

thing I look look at is the trees. Like

47:34

whether it's a big city wherever I'll

47:36

find the tree because that's the first

47:38

thing I'm looking for.

47:39

>> I don't look at the buildings. I don't

47:42

look, you know, up and or down. I'm I'm

47:45

always like looking for the tree

47:48

>> and it's it's just it I don't know, man.

47:50

>> Well, human beings are very connected to

47:51

plants where they're very connected to

47:53

nature, period. It's one of the most

47:54

brilliant things that the designers of

47:56

New York City did is make Central Park.

47:59

>> Ah, have that giant park. It's an

48:01

enormous park in the center of the city.

48:03

I was staying at a hotel last year and

48:05

it was like on the edge of the park and

48:07

like from the window you look out you

48:08

see the whole park like straight like

48:10

this is [ __ ] incredible that they did

48:12

that cuz it's so big and it's it's just

48:16

trees. It's just trees and paths and

48:18

little lakes and everything and go

48:20

wander around like hey get the [ __ ] out

48:22

of these buildings for a while. And it's

48:23

like for a person living in New York

48:25

City having that right there in the

48:28

center is gigantic. I don't know what

48:31

percentage of people take advantage of

48:32

it, but they should all It would make

48:34

them all better. It'd all feel better.

48:36

>> It's a little center retreat, man.

48:39

>> Oh, an amazing one. It's [ __ ] huge.

48:41

Like, how many acres is Central Park?

48:44

Let's find that out. Let's guess.

48:46

>> I'm going to guess 1,000 acres.

48:51

If I had to guess, maybe 2,000 acres.

48:54

How big is it?

48:55

>> 843.

48:57

>> Yeah, 843 acres. So, it's this amazing

49:00

huge park in the center of the biggest

49:03

city in the world and you see all these

49:06

giant crazy [ __ ] buildings and then

49:08

none of them in the center. It's

49:10

beautiful.

49:11

>> [ __ ] props to that those people or

49:14

whoever that didn't sell that space.

49:16

>> How many [ __ ] vampires are trying to

49:18

take over that and put a big shitty ass

49:20

building in the middle of it? We don't

49:22

need 800 acres. 500 acres is plenty.

49:25

Plenty plenty plenty. We'll just make

49:28

those 500 acres even better and no one's

49:30

going to complain. Put on a bunch of

49:31

money [ __ ]

49:32

>> Yeah. Hats off to homeless and whatever

49:34

we're going to do.

49:35

>> Whoever like held that down for them,

49:37

man.

49:38

>> They've lost a few parks. That's one of

49:40

our shows that we do with uh Ari Shafir,

49:42

Shane Gillis, and Mark Norman is protect

49:44

our parks.

49:45

>> Oh, but we're not really protecting

49:47

parks. We're just getting drunk and

49:48

talking [ __ ] It's called Protect Our

49:50

Parks because Ari on one of the early

49:52

episodes was ranting and raving about

49:54

they're going to [ __ ] take down this

49:56

park and turn it into apartment

49:58

buildings and they wound up doing it.

49:59

They they killed the park.

50:01

>> Oh man,

50:02

>> vampires. They just want to suck out all

50:04

the trees and just make money. These

50:06

dirty [ __ ]

50:07

>> Oh man, pretty soon they going to have

50:09

no place to go, man.

50:11

>> Yeah. Well, I think Central Park is

50:13

safe. And that's the greatest park in

50:15

the world. It really is the greatest

50:16

park in any city in the world. It's so

50:18

crazy you mentioned that because on the

50:20

way here I was flicking through

50:22

Instagram and I saw

50:25

sorry that this happened. Um some dude

50:29

got killed that one of the horses took,

50:32

you know, the horse and buggy thing

50:34

>> just [ __ ] launched and you see the

50:37

dude that the horse flips the cart

50:41

>> and the dude gets flung out and then he

50:44

dies. He died on the way to the

50:46

hospital. Why did the horse freak out?

50:49

Do we know what happened? I

50:50

>> I I don't It didn't show it. It just

50:52

showed like somebody else has had

50:54

footage of it like just the horse

50:56

freaking out.

50:57

>> Oh [ __ ]

50:58

>> And then peeling out and you see the

51:00

thing flip over and you're like, "Oh

51:01

man, dude."

51:02

>> You know, I love horses and I'm not a

51:05

fan of horses walking around the city. I

51:07

think it's [ __ ]

51:08

>> I get that people think it's romantic to

51:10

ride on the back of a buggy with a

51:12

horse. Yeah. Yeah. Yeah.

51:14

>> It's not right.

51:15

>> No. A horse is supposed to be in the

51:17

[ __ ] fields and the mountains. A

51:18

horse is supposed to be running around

51:20

and eating,

51:20

>> clicking around on the asphalt. Dude,

51:23

[ __ ] all that. I don't like it. It's

51:25

just a gross touristy thing. I mean,

51:27

it's cool to see them every now and

51:29

then,

51:30

>> you know? I know cops like to use them

51:32

when they're breaking up riots and [ __ ]

51:34

which is kind of crazy. But the the

51:36

reality is a horse is not supposed to be

51:37

there. Just like a cow's not supposed to

51:39

be there. If you had cows walking down

51:40

the street, you'd be like, "Why the [ __ ]

51:42

is this cow here?" This was likely an

51:43

accident cuz the uh driver Yeah, the

51:46

driver I guess they call him wasn't

51:49

>> Oh, dude.

51:50

>> In the right spot. Like left his seat.

51:52

>> What?

51:52

>> Yeah. He left

51:53

>> never supposed to leave their seat. It

51:54

says to take maybe a photo of the

51:56

passengers in the carriage and when the

51:57

family was climbing back in horse got

51:59

spooked.

52:00

>> Oh no.

52:02

>> It happened very fast. But

52:04

>> yeah, the driver's not in it. The

52:05

driver's not in it, dude. It just peels

52:07

out.

52:08

>> Oh [ __ ] man. And you see it just go and

52:12

just made a make kind of a hard right

52:14

and the buggy just

52:16

[ __ ]

52:17

>> flips over and go.

52:18

>> I don't [ __ ] with horses, man.

52:20

>> Yeah, dude.

52:21

>> I don't ride them. I have I've ridden a

52:23

horse before. I don't like it,

52:25

>> dude. I've same here. I've done it. I

52:27

got my ass thrown off.

52:29

>> Yeah.

52:29

>> And I was like, I'm good. I'm cool.

52:32

>> It's just not good. It's just I mean

52:34

look

52:36

>> if you're a a cowboy and you're riding

52:38

horses and everything that's kind of a

52:39

different thing.

52:40

>> Sure.

52:40

>> You know if you're doing it every day

52:41

that's a different thing but for me it's

52:43

like I don't need to ride them. I get it

52:45

>> for entertainment purposes.

52:47

>> It's like I went to Thailand and we rode

52:48

elephants. We had to ride elephants and

52:50

the elephants don't mind because you

52:52

establish a relationship with them

52:54

first. You feed them sugar cane and you

52:56

know you pet them and you hang out with

52:57

them and then they decide whether or not

52:59

you're cool. And if you give them like

53:01

peaceful, gentle, friendly energy,

53:03

they're like, "Sure, come on up." And

53:04

they lift their leg up and you step on

53:05

top of them and you climb on their back

53:07

and they gently take you through the

53:09

jungle. But I'm like, "I didn't need to

53:10

do that. I could have just hung out with

53:12

them. That would have been plenty cool.

53:13

I'm happy just feeding them. I don't

53:15

need to ride them."

53:16

>> Yeah. Yeah. Yeah.

53:17

>> Like King Chimp. I'm King Chimp on the

53:20

big ass [ __ ] elephant. Look at me.

53:23

>> You know, it's very weird. Yeah. It's

53:24

weird. But,

53:26

>> you know, people like it and they're

53:28

beautiful animals.

53:29

>> Oh my god, they're beautiful.

53:31

>> I don't need to ride animals. I I get

53:33

it. People like to do it. I don't have a

53:34

problem with people doing it, but it's

53:36

not me.

53:36

>> Yeah, I'm rather Look at them.

53:38

>> I'm with you.

53:39

>> Yeah. But horses and people have like a

53:43

crazy relationship. You know, people

53:45

that have horses like they they're

53:47

bonded to that animal like no other

53:49

animal.

53:49

>> Oh, yeah. I I I know a few that are just

53:53

like horse whisperer kind of [ __ ] like

53:55

where you're like whoa this is this is

53:58

some next level love.

54:00

>> Yeah, they do a lot of there's there's a

54:02

therapy with that too. They do incline

54:04

therapy for a lot of people.

54:05

>> I did that one time at out a rehab. They

54:08

took us to have like a couple of days

54:11

with just with horses and it was cool

54:13

man. I get it.

54:14

>> Yeah,

54:15

>> I get it. Yeah.

54:15

>> Well, again it's like just like the

54:18

trees and the forest. It's like

54:19

something peaceful about horses.

54:20

>> Yeah.

54:21

>> You know, they're mostly most of the

54:23

time they're especially if they're

54:24

broken, they're pretty chill. They just

54:26

want to hang out.

54:26

>> Yeah. Yeah.

54:27

>> You come up and pet them and they like

54:29

it and it's like, wow.

54:31

>> Like, oh,

54:33

>> puts you in check.

54:34

>> Their big ass teeth freak me out when

54:36

you're feeding them. You're like, you

54:37

don't want to get your fingers in there,

54:39

dude.

54:39

>> People have been bitten by them, too.

54:40

>> Chompers.

54:41

>> If you're someone's a dick, you get a

54:43

horse annoyed and they bite you like,

54:45

bro.

54:45

>> Oh, dude.

54:46

>> Yeah. That's got to [ __ ]

54:49

>> Can you imagine all that jaw power,

54:51

>> dude? The size of her [ __ ] head.

54:54

>> Just clamping down on your hand. [ __ ]

54:57

you. I want a carrot, [ __ ]

55:00

Give me the [ __ ] carrot.

55:06

>> That's so rad. You can smoke in here.

55:07

>> Yes, I can.

55:09

>> Yeah, I smoke cigars.

55:10

>> Of course, I'll fire up with you. All

55:13

right.

55:16

How long you been smoking?

55:19

>> God,

55:21

forever.

55:21

>> You ever tried to quit?

55:23

>> I have. And I quit for a This is a few

55:27

years ago. I quit for like

55:30

[ __ ]

55:32

I almost made it a year and then I was

55:36

like, "God, I got to feel like after a

55:38

few months you're out of the woods."

55:39

>> Yeah. I It I don't know. It just didn't

55:42

It didn't last. It just didn't [ __ ]

55:44

last, man.

55:45

>> What brought you back?

55:47

>> Um,

55:50

you know what?

55:52

Probably because I was drinking at the

55:54

time. Like, they kind of go hand in

55:56

hand. If you're having a cocktail or a

55:58

beer or whatever, you're having a smoke.

56:00

Chances chances are,

56:01

>> right?

56:02

>> And I don't know, man. I was just

56:05

>> you're sitting there and you're having a

56:06

drink and you're like, where's a

56:08

cigarette? It's just I don't know. It's

56:11

like rock and roll. They just go

56:13

together for some reason. So, I failed.

56:16

>> Well, why did why did you quit

56:18

originally? What was the

56:20

>> um

56:20

>> was the thought behind it?

56:21

>> Um

56:26

I think I was just trying to quit

56:28

[ __ ] everything, you know? You just

56:30

like, that's it. [ __ ] everything. I'm

56:32

just going to take a break and [ __ ]

56:34

hit the reset button on everything. I

56:36

think I was going through that phase cuz

56:38

I hadn't never tried that.

56:41

tried everything else but nothing. Um

56:45

uh and yeah, I don't know, man.

56:49

>> It's the last vice of a lot of people in

56:51

recovery.

56:51

>> Yeah. And then you and you got and then

56:53

you know you got guys like Keith

56:55

Richards who's just ripping cigarettes

56:57

still and I'm like he's fine.

57:00

and and like I I've I've gotten I've

57:03

gotten my [ __ ] my lungs and done the

57:06

whole like pruvo like body scan to see

57:10

all your [ __ ] and they're like you're

57:14

good. I'm like

57:16

are you sure? Wait, let me see the like

57:19

you know the the the paperwork is this a

57:22

different lease or a different guy like

57:25

because that's [ __ ] impossible.

57:27

They're like, "You're good."

57:30

I was like, "All right." So that there's

57:32

really no reason to quit.

57:34

>> Well, there's a it's actually a very

57:36

small percentage of people Well, first

57:39

of all, it's a very small percentage of

57:41

people that get lung cancer, the general

57:43

population. And then when you add in

57:46

cigarette smokers, it's a small

57:48

percentage of cigarette smokers that get

57:50

lung cancer.

57:51

>> Oh.

57:52

>> But more cigarette smokers get lung

57:54

cancer than regular people. And so

57:57

that's why when you look at the

57:59

percentage of people that get lung

58:01

cancer that smoke cigarettes, that's why

58:03

it looks so high.

58:05

>> Ah,

58:05

>> so if you like let's let's find the

58:07

numbers. Put it into perplexity, please.

58:09

>> Let's uh what percentage of cigarette

58:12

smokers get lung cancer?

58:15

>> And I think it's less than 5%. I think

58:17

it's a very small number. And then you

58:20

got to think people that are smoking

58:21

cigarettes, how many of them are smoking

58:23

two, three packs a day?

58:25

>> Oh yeah, that that's crazy. I don't.

58:26

>> And how many of them are smoking just a

58:28

few cigarettes a day?

58:30

>> I bet a lot. I bet a lot of people that

58:32

are a little hesitant, they only smoke

58:34

like a half a pack

58:35

>> or a little bit less.

58:36

>> Yeah.

58:37

>> Like, so what does it say, Jamie?

58:40

>> It's still calculating.

58:42

>> No, typing it. Sorry. Oh, sorry.

58:44

>> And isn't there something about like

58:46

nicotine? Like when COVID happened, they

58:49

were like, "If you're a smoker, you're

58:50

good." And I never got [ __ ] CO.

58:52

>> Yes.

58:53

>> And I was like, "Yay, nicotine." Well,

58:55

there's something about smoking

58:56

cigarettes that's supposed to be like

58:57

really good to prevent COVID and they

59:00

it's really confusing to people.

59:01

>> So crazy.

59:02

>> Yeah. Uh 10 to 20% of people who smoke

59:04

at some point in their lives will

59:06

develop lung cancer

59:08

>> with many studies landing about 15%. I

59:10

thought it was a lot less than that.

59:12

large study estimates that 15 out of a

59:14

100 current smokers will get lung cancer

59:15

over the but that's estimated from a

59:18

study another analysis found roughly one

59:22

in seven current smokers develop lung

59:24

cancer

59:25

people who never smoke have a 1 to 2%

59:28

chance or lifetime risk of lung cancer.

59:31

>> Wow.

59:32

>> Yeah. people who never smoke. O overall

59:34

only a minority of smokers get lung

59:36

cancer, but smoking still causes about

59:39

80 to 90% of the lung cancer death. Oh,

59:42

this is something we talked about

59:43

yesterday, Jamie, that we forgot to look

59:44

up. Um, there was some sort of a study

59:47

that's connecting people that live in

59:50

Europe that have high polyphenol diets,

59:52

like so they have like they they use a

59:55

lot of olive oil.

59:56

>> Oh, yeah. And olive oil seems to

59:59

protect. And it's a very controversial

60:01

statement because people think, "Oh my

60:02

god, you're promoting cigarettes." I

60:04

don't think they're promoting

60:05

cigarettes. I just think they're just

60:06

looking at data that these people that

60:08

have high olive oil content in their

60:10

diets seem to not have any problems with

60:13

cigarettes or not have nearly as many

60:15

problems.

60:15

>> Oh wow.

60:16

>> Yeah. Which makes sense cuz olive oil is

60:18

so good for you. You got to think it's

60:20

got to balance out a lot of the free

60:22

radicals and [ __ ] that you're

60:23

getting from life.

60:24

>> Yes. It makes sense that it would apply

60:26

to smoking as well.

60:27

>> You totally Yeah, that's Yeah, I heard

60:29

that. That's

60:30

>> So, smoke them if you got them.

60:32

>> [ __ ] dude.

60:32

>> Get some extra virgin olive oil. Let's

60:34

[ __ ] go.

60:35

>> Dip them.

60:38

>> Dip them like sherm. Have you ever tried

60:40

sherm?

60:41

>> Yeah. A long time ago.

60:42

>> Did you Whoa.

60:43

>> Yeah. [ __ ] high school days, man.

60:45

Absolutely.

60:46

>> People in Europe who eat high polyphenol

60:49

diets but still uh but smoke still face

60:52

the full very high health risks of

60:54

smoking. Diet cannot cancel out

60:56

cigarette damage. It can only modestly

60:58

improve overall risk markers. But uh

61:00

there was an article that I had read

61:03

that they were connecting it. They were

61:05

talking about Europeans. Yeah, here it

61:08

is. especially meditarian rich uh plant

61:10

diets. Consume substantial polyphenols

61:12

from fruits, vegetables, and whole

61:14

grains, tea, olive oil, and wine. Holy

61:16

polyphenol intake is linked to more to

61:19

uh better cardiovascular risk profiles

61:21

and lower long-term heart disease risk

61:23

and overall overall mortality in

61:26

observational studies because that's the

61:27

other thing about cigarettes. It's not

61:30

just cancer, it's also heart disease.

61:32

And so polyphenols have antioxidants and

61:35

anti-inflammatory effects, but current

61:38

evidence does not show they can

61:40

neutralize the cardiovascular cancer or

61:42

lung damage risk from smoking. What it

61:45

means for smokers,

61:48

>> haters,

61:52

>> you have to have some vices. Most of the

61:54

people I know that in Alcoholics

61:55

Anonymous, they [ __ ] drink coffee

61:57

every day and they smoke cigarettes.

61:59

>> Yeah.

61:59

>> Big percentage of them.

62:00

>> Ripping cigarettes. Yeah,

62:02

>> cuz it gets you a little high.

62:03

>> Yeah.

62:04

>> But it's like a very manageable high.

62:06

Yeah. Like the cigarette high is like,

62:07

"Oh, I'm all right."

62:08

>> Yeah. It's just like a little

62:09

lightheaded.

62:10

>> Yeah.

62:11

>> Okay, cool.

62:11

>> But also like good for cognitive

62:14

function, you know?

62:16

>> Oh,

62:16

>> like you know Pink Floyd when they wrote

62:18

The Wall, they were high as [ __ ] on

62:20

cigarettes. Those guys smoke cigarettes

62:22

all day long.

62:22

>> What?

62:23

>> Yeah. Yeah. Those dudes smoked a ton of

62:25

cigarettes.

62:26

>> Get out of here. Is that coffee, dude?

62:28

>> Get in there, dog.

62:28

>> [ __ ] yeah. Thank you, bro.

62:30

>> My pleasure. Yeah. Yeah. Tony Hinchcliff

62:33

told me that and he's a a giant

62:35

cigarette fan.

62:37

>> Um Stephen King said that too. When he

62:39

stopped smoking cigarettes, it affected

62:42

his writing.

62:43

>> Oh, whoa.

62:44

>> Yeah. He said his kidnaps just didn't

62:45

fire as fast anymore.

62:47

>> It's like that was one of the things

62:48

that I really noticed when I quit

62:50

smoking.

62:51

>> That's wild.

62:52

>> Yeah.

62:53

>> Huh.

62:54

>> Doesn't that make sense though?

62:55

>> It it Yeah, it does. I remember um

62:58

quitting for a short time there. I I

63:01

remember everything tasting better.

63:03

>> Oh [ __ ]

63:04

>> Yeah. Like everything just ta tasted

63:06

better.

63:07

>> Yeah.

63:07

>> You know,

63:08

>> of course pounding a cigarette

63:10

immediately following every single meal

63:12

or drink.

63:13

>> It's got to numb the inside of your

63:15

mouth in some way or dull your senses.

63:17

>> Something.

63:18

>> You're caking it with smoke. Of course,

63:20

it's going to

63:21

>> clog up the old taste receptors.

63:23

>> Yeah, dude.

63:24

>> Yeah. But a lot of creative people swear

63:27

by cigarettes, man.

63:30

>> I think there's there's some benefit to

63:32

it.

63:33

>> Yeah. Hopefully.

63:35

>> No, I think there is. I think there's

63:36

some cognitive benefit. There's just way

63:38

too many like super creative people and

63:41

a lot of intelligent people, a lot of

63:43

professors use tobacco.

63:45

>> David Gilmore says he never smoked

63:47

cigarettes.

63:49

David Gilmore, but didn't Roger Waters.

63:52

>> This is this goes on to say that some of

63:53

the band did smoke cigarettes, but it's

63:55

more about their marijuana and has hashi

63:57

smoking

63:59

tobacco.

63:59

>> So Tony Henchcliffe spreading

64:01

misinformation and here I am repeating

64:03

it.

64:03

>> Uh he might have he could have been told

64:05

though.

64:06

>> Yeah, I'm sure he was told like

64:07

>> Well, Roger, we all did hang out with

64:09

Roger that one night.

64:10

>> That was pretty dope. We got to see

64:12

Roger Waters live and we he came on the

64:14

podcast. We hung out and then we went to

64:16

see his concert. It was insane. Oh, I

64:19

bet it was [ __ ] Rob.

64:20

>> He another legend was still like full

64:22

power on stage. It's incredible.

64:24

>> That's the best.

64:25

>> The show was amazing. And it's like he

64:27

has these enormous screens behind him.

64:30

So the show is like it's the music, but

64:32

it's also these incredible visuals that

64:34

you're watching while the music is

64:35

playing.

64:36

>> Yeah.

64:37

>> You know, and his is so politically

64:39

loaded. So it's, you know, you see all

64:41

this crazy [ __ ] like while he's singing

64:43

these songs like when they're playing

64:44

the wall. It's like [ __ ]

64:46

>> Yeah. I I remember seeing one of those

64:48

tours. I maybe it was I don't know where

64:50

but the wall is slowly building over the

64:52

whole set.

64:54

>> It's [ __ ] crazy.

64:55

>> And when we went to see him, Ari was

64:56

high as [ __ ] on acid and he's crying in

64:58

the middle of the show. He's crying like

64:59

a man. He's weeping.

65:02

>> It was [ __ ] phenomenal.

65:04

>> Oh my god, dude. I don't know if I could

65:07

handle that.

65:09

>> Yeah, I don't know either.

65:10

>> Jesus. Like, get the [ __ ] out of here

65:12

with the acid. We're just going to go

65:14

see the concert. I'm not doing that.

65:15

Yeah, dude. [ __ ] Around all those

65:18

people,

65:19

>> I'd probably I don't know if that'd be a

65:21

good one.

65:22

>> Probably not a good one, but Ari's a

65:23

experienced passenger.

65:26

>> You know what I mean?

65:28

>> He can ride some waves.

65:29

>> Good boy.

65:30

>> He could ride some waves without

65:32

throwing up.

65:34

>> Do you ever look back and just say,

65:36

"God, it's a a wonder I'm still alive."

65:39

>> Dude, I told you earlier, I pinch myself

65:42

on a daily basis. I really do.

65:45

that like I shouldn't technically be

65:48

here,

65:49

>> right?

65:51

>> And maybe you shouldn't. I don't know.

65:52

Who knows? We all got our our thing. But

65:56

man, I'm really lucky to be here. And I

65:59

think it's cuz I want to be here. Like

66:02

>> um you know what I mean? Like like I

66:04

want to be here. Like I want to [ __ ]

66:06

see. I'm kind of pissed because

66:09

um I feel like we're not even close to

66:12

where we should be. I mean, the year

66:15

2000, I mean, where's my [ __ ]

66:17

spaceship? You know, the little

66:20

>> right,

66:20

>> you know, like, where is that? There was

66:23

supposed to be full Jetsons, bro.

66:26

They're extremely late or it's never

66:28

going to happen.

66:30

>> I think there's a real problem with

66:31

people flying around.

66:32

>> They lied.

66:33

>> The people the problem with people

66:35

flying around is you got to catch them.

66:38

>> You know what I mean? Whereas if they're

66:40

on the street, just close off the street

66:42

and then you catch them,

66:43

>> right?

66:44

>> Yeah.

66:44

>> If people are flying around like the

66:47

bank and they

66:49

>> and they just go off like No, no, no,

66:53

no. You can't have that for everybody.

66:54

You got to have people corral in nice

66:58

like very clean lines. We can block

67:01

these lines off very obvious paths.

67:04

>> Use lights to start.

67:05

>> Fly over them in helicopters. Put a

67:07

spotlight down on them. So you follow

67:09

them around. That's what people like.

67:12

They don't like this idea of the jets

67:14

and like that's not

67:16

>> [ __ ] I want that, dude. I want my own

67:18

little

67:19

>> Well, they do have flying cars now.

67:21

>> I saw some of those. There's a couple.

67:23

There's like a one company called Jet

67:25

One.

67:26

>> It's like this little Looks like a

67:27

little It's like a oneman drone for

67:29

helicopters. I'm like

67:31

>> Me and my manager were always like,

67:32

"Should we go [ __ ] get a couple of

67:34

these?"

67:35

>> You don't want to die that way.

67:37

>> Yeah. Let those things get worked out

67:38

for a few years.

67:39

>> Yeah. It's probably It needs a little

67:40

bit more time for it to be soup. But

67:43

>> Yeah, man. Because I mean, think about

67:44

like how glitchy early cell phones were.

67:47

You know what I mean?

67:48

>> Right.

67:49

>> Let that [ __ ] get ironed out.

67:51

>> Yeah.

67:52

>> Let the eggheheads work on that for a

67:54

little bit. Polish it up nice.

67:56

>> Fix all the bugs.

67:58

>> Yeah.

67:58

>> It's like I don't know what happens when

68:00

those things crash. Like, do you get a

68:03

warning when they're about to die? Like,

68:04

do you

68:05

>> do they run out of batteries? Does it

68:06

run out of gas? Is it allowed to run out

68:08

of gas? Can you just be an [ __ ] and

68:10

just fly until you run out of gas and

68:12

and die?

68:13

>> Yeah.

68:13

>> Or solar charging.

68:15

>> I think I can make it home. Like, how

68:17

many guys have done that in their cars?

68:18

I think I can make it home.

68:21

>> When I was in high school, my friend

68:23

picked me up in his buddy's 1970 Chevel.

68:25

[ __ ] amazing. Chevel. So dope. And I

68:28

remember he ran out of gas and we

68:29

coasted perfectly right to the gas

68:32

station.

68:33

>> No way. Yeah, it was like we shut the

68:35

car and we got out like that was amazing

68:38

just cuz you know we're 16. It ran out

68:40

of gas at the pump. I was like this is

68:43

perfect.

68:43

>> No pushing, no nothing. Just

68:46

>> But if you're in one of them little

68:47

drones and that [ __ ] goes goes on E.

68:51

>> Yeah.

68:52

>> Yeah. It's [ __ ]

68:57

parts.

68:58

>> Yeah.

68:59

>> Yeah. Not good. Not good. Did you see

69:00

that uh documentary that they did about

69:02

that kid that stole a plane?

69:04

>> He stole a plane. He was like working at

69:06

an airport and he stole a plane and

69:09

hijacked it and then flew it and crashed

69:11

it and died.

69:12

>> Yes.

69:12

>> But he's like having conversations with

69:14

them.

69:14

>> Yeah. He's talking to him going like I

69:16

don't know what I'm doing, man. But you

69:18

know this one's for the I don't know.

69:20

>> He's just and they were just like I

69:23

could run it, dude. Well, they were

69:25

trying to get him to land, but they were

69:26

trying to get him to land it, but the

69:28

reality was like he's no way he was

69:29

going to figure out how to land that

69:30

thing. He's dead. He's a dead man. The

69:32

moment he got off the ground, he's a

69:33

dead man.

69:34

>> Yeah.

69:35

>> And he just stole the plane. And there's

69:37

a whole documentary about it. It's

69:39

apparently very interesting.

69:41

>> Oh, wow. I don't I have not seen the

69:43

documentary, but I've seen clips of them

69:45

trying to talk him talk him down, and he

69:48

just seemed like he wasn't that wasn't

69:50

an option. He just seemed like this.

69:53

>> He was ready to wrap it up.

69:54

>> He was taking this this was this that

69:56

that that one flight.

69:58

>> Yeah. Ready to wrap it up. Yeah.

70:00

>> Hope your insurance covers this.

70:03

>> [ __ ]

70:04

>> But yeah, I think flying cars will

70:07

probably be a thing one day. For 70

70:09

minutes, the world watched in disbelief

70:11

as a stolen Horizon airplane soared over

70:13

Puget Sound for crashing on a remote

70:15

island. Now, a new Hulu documentary

70:18

reveals the man behind the controls and

70:20

the quiet struggle that led him there.

70:22

>> Oh, I got to watch this. What's it

70:24

called? What's

70:24

>> Sky King?

70:25

>> It's what?

70:26

>> Sky King. It's called

70:27

>> Sky King.

70:28

>> Poor dude.

70:29

>> Oh, damn. Well, at least they they gave

70:32

him a rad title.

70:34

>> Yeah. Well, the unfortunate thing is

70:36

that might encourage other people to do

70:37

it as well.

70:38

>> Oh, yeah.

70:38

>> People are very stupid,

70:41

>> dude. People are stupid. I I just

70:43

released a song called Stupid World a

70:45

couple weeks ago and that's exactly what

70:49

that's about. It's literally we have

70:52

gotten to a place where everything to me

70:55

like we are at just epic stupid

70:58

proportions where you're just like not a

71:01

day goes by where I'm like that's

71:03

[ __ ] ridiculous. That's stupid.

71:05

>> Like how stu like how stupid can we get?

71:09

And anyway, I wrote this track. It's

71:11

called stupid world.

71:12

>> You live in LA, which is one of the

71:14

stupidest [ __ ] places on earth,

71:16

>> dude. I know. It's [ __ ] insane. I'm

71:19

like, and I'm doing the same thing, too.

71:21

Like, why do I live here? I mean, I love

71:24

I love it there, but in the same way,

71:26

there's always in the back of my head is

71:29

why

71:29

>> look, it's the mo one of the most

71:31

beautiful places on earth. The weather's

71:32

perfect.

71:33

>> Yes.

71:33

>> Most of the people are very friendly.

71:35

Most of the people are cool. You know,

71:37

it's like it's only a percentage of the

71:38

people that are that suck.

71:41

>> It's a large percentage, but it's only a

71:43

percentage. The most the majority of the

71:45

people are cool. The problem is it's

71:47

like slowly becoming a new Detroit.

71:50

>> It's like slowly the the film business

71:53

is like dried up.

71:55

>> Yeah.

71:55

>> Like completely dried up. Television

71:57

completely dried up. Late night TV, it's

72:00

it's dried up, man. And then that was

72:03

fueling a giant part of like what made

72:06

LA special.

72:07

>> I know.

72:08

>> And it's just dried up, man. Nobody has

72:10

to be there anymore. And they make it

72:11

intolerable. They make you seem like you

72:15

have to be there. So they just punish

72:17

you with taxes and they punish you with

72:20

regulations. They punish you with they

72:23

make it everything very difficult to

72:25

conduct business. Very difficult to be

72:27

safe. Very difficult to just feel

72:29

[ __ ] normal.

72:30

>> Yeah. And they get surprised when people

72:32

leave. Like, what do you want?

72:34

>> Yeah.

72:34

>> What do you think you're doing to that

72:35

place?

72:36

>> Like, you guys can see the statistics.

72:38

Stop [ __ ] gaslighting the world,

72:40

>> right?

72:41

>> You guys [ __ ] this place sideways. And

72:42

you want to keep doing it.

72:44

>> And the weirdest thing is, you know,

72:46

like,

72:47

>> you know, you hear and you see, oh man,

72:49

[ __ ] a bunch of people are leaving LA.

72:51

And part of me is like, [ __ ] yes, get

72:55

the [ __ ] out of here. There's too many

72:56

people here, so go. But then I realize

73:01

nothing's really changed and I don't

73:03

really notice that people have left. The

73:07

traffic's still the same. A bunch of

73:09

shit's exactly the same. And you tell me

73:12

this many people left. I don't see it.

73:14

Well,

73:14

>> and I wonder if that's not not maybe a I

73:18

don't know a hyped statistic on

73:21

>> Yeah. It's not a scientific analysis.

73:23

No, like the numbers are real. People

73:25

have left LA, but it doesn't matter. You

73:27

could lose five million people and LA is

73:29

still too big.

73:30

>> The traffic's bananas,

73:32

>> dude. It's [ __ ] It's [ __ ] It's

73:35

bananas. If you want to go to Orange

73:37

County at 4:00 or shoot yourself, like,

73:40

it's a real that's a real decision.

73:43

>> Drive to Orange County at 4:00 in the

73:44

afternoon. You're like, "What the [ __ ]

73:46

am I doing with my life? This is crazy."

73:48

>> Yeah. And don't even think about hitting

73:50

the 405.

73:52

>> No.

73:52

>> At all. Like,

73:53

>> no.

73:54

>> No. You're going to have to go some

73:55

sideways. Yeah,

73:56

>> you're going to have to go some You're

73:58

going to have to use ways.

73:59

>> Yeah.

74:00

>> And even then you're [ __ ] Even then

74:02

it's an hour and a half. If you live in

74:04

like Irvine and you commute to LA, good

74:06

God bless you,

74:07

>> dude.

74:08

>> God bless you. Yeah.

74:09

>> How do you do it?

74:10

>> I don't know.

74:11

>> People do it every day. They just want

74:13

to live in a place like Irvine. Real

74:14

safe, real nice.

74:16

>> But I got to work in LA. [ __ ] it. I'll

74:18

just drive in every day.

74:19

>> [ __ ] just all [ __ ] mad and just

74:22

>> I would get up at 5 in the morning and

74:23

just go to the gym. That's what I would

74:25

do. I get up 5 in the morning, drive to

74:27

LA. I get a membership in LA at the gym.

74:29

That way I'm driving with no traffic. At

74:31

least one way. At least getting there. I

74:33

have no traffic.

74:34

>> Yeah.

74:34

>> And then you deal with the home commute.

74:36

But doing it to both to and from

74:39

>> [ __ ] you. [ __ ] you. I'm not doing that.

74:42

>> It's too gnarly.

74:43

>> I'd rather get up at 5 in the morning. I

74:46

I I I would I can't imagine even doing

74:48

it once a day, but there's a lot of

74:50

people that do three hours a day minimum

74:52

in their car and they they really live

74:55

20 minutes away. If they didn't have

74:58

traffic, they would be there in 25

74:59

minutes. Man, that's that's pretty crazy

75:03

when you realize all we have here on

75:05

this planet is time

75:07

>> and you you realize that kind of time

75:11

you're

75:12

>> wasting

75:12

>> wasting and you're never going to get

75:14

back and you're like if I do this

75:16

consecutive consecutively every single

75:19

day I wonder what add that time up over

75:23

you know whatever

75:25

however many years and I I'll bet you

75:28

people would freak the [ __ ] Yeah. You

75:30

lost years of your life.

75:31

>> I just lost years of my life in the

75:33

[ __ ] car.

75:34

>> Yeah. But the good thing is one thing

75:37

that you can do in the car is listen to

75:39

books on tape.

75:41

>> Yeah.

75:41

>> And books on tape are amazing. And you

75:44

know podcast too for some people. Yeah.

75:46

But for me it's uh a lot of it is books

75:48

on tape cuz like you'll get lost in a

75:50

book and it doesn't even really bother

75:52

you that much. And the one of the crazy

75:55

if you have a Tesla, my Tesla does auto

75:58

driving. So if I want to, if I'm leaving

76:01

here and there's some crazy traffic for

76:03

some reason, I just go I just turn it on

76:07

and it goes.

76:08

>> I don't have to hit the blinkers. I

76:11

don't have to change lanes. I don't have

76:12

to stop at red lights. It does

76:14

everything

76:15

>> destressed.

76:16

>> And all I have to do is just keep my

76:17

fingers on the wheel

76:19

>> just like this.

76:20

>> Oh. to make it look like you're

76:21

>> chill. No, you're supposed to like stay

76:22

contact with the wheel and just keep

76:24

your eyes on the road, but you don't

76:25

have to think at all.

76:27

>> No, you can't do that. You're not

76:28

supposed to do that. It probably would

76:29

still work. I don't even know what

76:31

happens if you just go

76:32

>> I think it shuts down after a second

76:34

starts to

76:34

>> recognizes that you're doing that and

76:36

shuts down. But the reality is like that

76:39

as a stress decoupler, there's nothing

76:42

like it.

76:42

>> Oh man, the best.

76:43

>> You just put your fingers on the wheel

76:45

and just chill. And now all you're doing

76:47

is sitting for an hour and a half

76:48

instead of like constantly hitting the

76:50

brakes, constantly hitting the gas,

76:51

constantly hitting the brakes. Now

76:52

you're just chilling and you get just

76:54

like listen to your book on bonsai.

76:56

>> Yeah. No, that is that is nice, man. I

76:59

don't know about you, but like if I

77:00

start like, you know, you start reading

77:02

a book,

77:03

>> just you know your eyes focusing and

77:06

reading, you they get tired. So you get

77:10

more in listening to it an auditory

77:13

version of it rather than for me at

77:15

least sort of sort of eyes stressing on

77:19

reading and doing all that. I just I get

77:22

tired and then [ __ ] lose interest.

77:24

>> Yeah, that's that's there's definitely

77:26

something to that. Well, reading always

77:28

makes me want to go to sleep.

77:30

>> Yes.

77:30

>> One thing, especially reading at night,

77:31

it helps me fall asleep. Yeah. But

77:33

there's uh there's also something about

77:35

reading in your head because you create

77:38

the voices and you create everything

77:40

like you use your imagination when

77:42

you're just reading. That doesn't exist

77:44

with books on tape.

77:46

>> Yes.

77:46

>> But with with audiobooks I don't have

77:49

the time. So for me it's a time thing.

77:51

Like if I have a guest coming on and the

77:53

guest is like an astrophysicist that has

77:55

some very bizarre theory about something

77:57

like I need to absorb the information

77:59

and I have a limited amount of time. So

78:01

I listen to audio books in the gym. I

78:03

listen to audiobooks in the sauna and I

78:05

listen to it in the car on the way to

78:07

work. And so that all together is a

78:10

couple hours in a day.

78:12

>> So I can do that and get a lot of

78:14

information in where I wouldn't I would

78:16

I don't have the couple hours to sit

78:18

down and just read.

78:20

>> I just I don't I wish I did. I don't.

78:22

Yeah.

78:22

>> So I can still get all that data and

78:24

that information, but I have to be very

78:26

v uh diligent about actually listening.

78:29

>> Yeah. That's the thing cuz especially at

78:31

the gym,

78:32

>> you can get a little just distracted and

78:35

you're like, "What the [ __ ] did he just

78:36

say?" And you have to back it up. And

78:38

>> when that happens, I generally I just

78:40

shut it off. I'm like, "This workout's

78:41

too intense. I can't really pay

78:42

attention."

78:43

>> Yeah. You can Yeah. What do they say? Do

78:46

what you're doing when you're doing it.

78:47

>> Yeah.

78:48

>> People People think they're

78:51

multitasking, right?

78:52

>> That doesn't [ __ ] exist. You really

78:55

>> Yeah. Whatever. You're sort of

78:57

multitasking, but you're robbing from

78:59

Peter to pay Paul.

79:00

>> Thank you very much.

79:01

>> Yeah, you're taking away some of your

79:03

attention on what you're doing to pay

79:04

attention to this other thing, and it's

79:06

definitely making you less good at

79:08

either one of those things.

79:09

>> And if one of them is very simple and

79:11

it's like it doesn't matter, okay, you

79:12

could be distracted, right?

79:14

>> But if it's two important things, you're

79:16

robbing each important thing. You're

79:18

robbing attention from the these things.

79:20

>> Yeah.

79:20

>> There it is.

79:21

>> Yeah.

79:22

>> There it is. Well, I've always find that

79:23

like my best workouts are in silence.

79:26

It's like you don't it's so hard to work

79:28

out. Like you really need to only be

79:30

thinking about what you're doing.

79:31

>> And if you add in a bunch of stuff

79:33

>> except music.

79:34

>> Music is always fuel for workouts.

79:36

That's different. Books. It's like music

79:39

you can listen and then stop listening.

79:41

You could do be in the middle of the

79:42

set. It doesn't distract you with

79:44

lyrics. It just keeps just gives you

79:46

some energy in the air. Music is the

79:48

ultimate companion for working out.

79:50

>> Yeah. No doubt. No doubt.

79:52

>> So much so that David Gogggins doesn't

79:54

use it cuz he says it's cheating.

79:56

>> What? He goes, "It's cheating." You

79:58

know, cuz he's just a complete total

80:00

psycho.

80:01

>> Is that that like uh is that that like

80:04

uh

80:04

>> ultramarathon guy? Yeah.

80:06

>> Oh, okay. I thought it was the Live

80:07

Forever guy. The

80:08

>> Oh, no, no, no. That's Brian Johnson.

80:10

That's the guy who like has his son's

80:12

blood injected into him.

80:13

>> Yeah, that dude. Sorry, I'm confusing

80:15

this.

80:15

>> David Gogggins is a totally different

80:16

guy. He's the Navy Seal who uh run he I

80:20

think how many ultramarathons did he run

80:22

in a month?

80:23

>> Something insane.

80:25

>> He runs 100 mile races and he's he's

80:28

like a insane fitness freak.

80:30

>> Oh wow.

80:31

>> And when he works out he has he's these

80:33

workouts where like famously he'll take

80:34

like professional fighters and they work

80:36

out with them and they can't keep up and

80:37

they're just throwing up and they just

80:39

can't can't believe how much this guy

80:40

works. And he's doing it easy where he's

80:42

just talking to them the entire time and

80:44

they can't keep up. He finished eight

80:46

100mile marathons in eight consecutive

80:49

weekends.

80:50

>> So he ran 800 miles in eight weekends.

80:57

>> He's a nut.

80:58

>> And he does like he'll he'll be like at

81:01

home and just decide uh I'm going to do

81:03

a 60 mile ruck right now and just like

81:06

throws on a backpack, gets outside and

81:09

starts rucking. And he'll just do 60

81:11

miles. And so he'll go out there for

81:13

hours and hours just decides this is

81:15

what I'm going to do and I'll not stop

81:16

until I'm done. And he does it all the

81:17

time.

81:18

>> Whoa.

81:18

>> He's in insane shape. And he's 50.

81:21

>> Wow.

81:21

>> He's insane. He also has no knees. His

81:24

knees are completely destroyed.

81:25

>> Oh. From pounding arm.

81:27

>> They're bone on bone. He's had a ton of

81:28

operations. Doesn't care. Keeps going on

81:31

on bone on bone. Like what? It's just a

81:34

maniac.

81:35

>> He's a complete and total maniac. But he

81:37

doesn't use music because he says it's

81:38

cheating.

81:39

>> Wow.

81:41

That's amazing.

81:43

>> But that just shows you I like to cheat.

81:45

I like to use that music. I like to

81:48

cheat. I need to cheat to get that

81:49

energy extra. I mean, I can do it myself

81:52

maybe. But why would I when I go

81:57

I mean, give me that [ __ ] Give me

81:59

that [ __ ] music.

82:00

>> Yeah, man.

82:01

>> If it's cheating, I'm going to cheat at

82:02

that.

82:03

>> Yeah, that's that's that's not cheating.

82:05

>> I don't think of it as cheating.

82:06

>> That's called inspiration.

82:07

>> Yes. It's an awesome supplement. That's

82:09

what I call it. There you go.

82:10

>> But for him, it's all about mental

82:12

strength. And so he considers it

82:14

cheating to use that mental strength

82:16

like to your mental strength should be

82:18

right from your brain. He goes, "You

82:20

can't always count on that music. That

82:21

music's not always going to be there."

82:23

Like, okay.

82:24

>> Uh,

82:25

>> I guess so.

82:25

>> He kind of has a I I get it. Like do

82:28

what you're doing when

82:29

>> for what he does, he kind of has a

82:31

point.

82:32

>> Yeah, I could see that. He's He's

82:34

focusing.

82:35

>> Yeah.

82:36

>> No, no distractions.

82:37

>> Yeah. He says he's gaining knowledge. He

82:39

says, "I'm I'm gaining knowledge. I'm

82:41

acquiring knowledge."

82:43

>> I believe him. I believe him because

82:45

he's he's thinking he's going into the

82:46

dark realms of his mind, you know,

82:49

intense suffering, running 100 mile

82:51

races eight weekends in a row.

82:53

>> He's doing some serious other work while

82:56

he's running.

82:57

>> That's the real like deep introspective

83:00

work. You want to find out who you

83:01

really are? Run eight 100m races in 8

83:04

weeks.

83:05

>> Imagine those conversations you're

83:06

having with yourself. What the [ __ ] am I

83:08

doing? No, dude. You got this. You got

83:10

this. No, dude. You're an idiot.

83:13

>> No, bro. [ __ ] yes.

83:15

>> I think he probably used to have those

83:17

conversations. Now it's just Now it's

83:19

just battling demons. It's all just

83:21

demons just crushing down negative

83:23

thoughts,

83:24

>> crushing down weakness, you know?

83:27

>> I know.

83:28

>> [ __ ]

83:29

>> There's a lot of different kinds of

83:30

people in this world, Tommy.

83:31

>> Yeah, there are, dude. It's pretty crazy

83:33

out there.

83:33

>> And I bet you've met every variety of

83:35

them.

83:35

>> Just about. Oh my god,

83:39

that's funny.

83:40

I

83:42

>> Wow. I know. There's some crazy people

83:44

in this world.

83:45

>> Yeah, there is.

83:46

>> But we need all of them, you know. We

83:47

need our Tommy Lees, we need our David

83:49

Lee Ross, we need our, you know, we need

83:52

our David Gogggins. We need all those

83:53

people. That's what makes the world

83:55

beautiful is that there are so many

83:57

different people. You can meet someone

83:58

like, "Fuck, I never met a guy like

84:00

him." That's nuts.

84:01

>> Yeah, that is one. It is wonderful.

84:03

Isn't it wonderful? I mean, you must

84:05

have met every [ __ ] human being

84:06

that's ever lived practically,

84:08

>> dude. I feel like it just about.

84:14

>> I mean, been you've been famous since

84:16

what year? Like, what year did Mley Crew

84:18

really break out?

84:18

>> It's like 80.

84:20

>> 80. That's nuts.

84:22

>> Yeah.

84:23

>> Boy, the world was a different place,

84:25

>> bro.

84:28

>> The world was a different place. No

84:30

internet.

84:31

>> No. No cell phones. No. Who was

84:33

president in 1980?

84:35

>> Uh, was that even Reagan yet? Uh,

84:40

>> almost.

84:41

>> When did Reagan become president?

84:44

>> [ __ ]

84:45

Reagan was president when I was in high

84:47

school.

84:48

>> Who the [ __ ]

84:48

>> That was in the 80s.

84:51

>> What year? Jimmy

84:52

>> started in ' 81.

84:53

>> 81. So 1980 Reagan wasn't even president

84:57

yet.

84:57

>> [ __ ] Who was president? Had to be Jimmy

85:00

Carter, right? That sounds right. Wasn't

85:02

it Jimmy Carter before Reagan?

85:04

>> Yeah.

85:04

>> Yeah.

85:04

>> So, it was Jimmy Carter,

85:06

>> then Ronald Reagan.

85:08

>> Whoa, dude.

85:09

>> Wow. Ain't that nuts?

85:10

>> 1980.

85:12

>> What was that scene like, bro?

85:16

That was still to this day. Um um

85:22

Mley did uh we did this movie called The

85:26

Dirt and it's based on our autobiography

85:32

um from you know certain years from this

85:34

year to this year and it it kind of like

85:38

it shows how it [ __ ] was. And one of

85:42

one of the coolest things ever is when

85:45

uh you know I'll see you know emails

85:47

from fans or questions from fans and

85:51

they're like dude

85:53

was it and these are from like you know

85:56

18year-old kids. They're like was it

85:58

really like that when you guys were

86:01

rocking [ __ ] like that? I was like 100%.

86:04

They're like, "Fuck,

86:08

we we"

86:10

And they're bummed. They're like, "We

86:12

will never ever get to experience that.

86:16

Fuck."

86:17

It's like, it was just full on till the

86:20

wheels fall off. No,

86:23

you could get away with [ __ ] murder.

86:26

Literally, there was no phones and no.

86:29

This was at a time where

86:33

anything

86:35

anything goes

86:37

pretty much.

86:39

>> Pretty much.

86:40

>> How old were you in 1980?

86:41

>> In 1980, I was uh 18.

86:45

>> Jesus Christ.

86:47

>> Seven. 18. 17.

86:49

>> So, you're blowing up at 18 years old.

86:52

How the [ __ ] did you manage? I know,

86:55

dude.

86:56

>> Look at that picture. That's crazy.

86:59

>> That looks like a picture from like

87:01

1940,

87:02

>> right?

87:02

>> Looks like it's another world.

87:04

>> I know.

87:05

>> Even the font from Mly Crew.

87:08

>> Yeah.

87:08

>> Looks ancient.

87:09

>> Totally.

87:10

>> Wow. God, dude.

87:12

>> What is that? Is that even seem real

87:13

when you look at that picture?

87:15

>> Um,

87:17

look at our [ __ ] little cheesy cloth

87:19

backdrop.

87:20

>> That's dope.

87:20

>> See the wrinkles in the fabric? That's

87:22

the whiskey.

87:23

>> The whiskey. Too Fast for Love. [ __ ]

87:25

great song.

87:26

>> And that [ __ ] drum riser that that

87:30

right there with the lights in it and

87:32

stuff.

87:32

>> Yeah.

87:34

>> My dad [ __ ] and my dad, myself, and

87:38

my drum tech, we built that riser, dude.

87:41

>> Like it had [ __ ] switches. My dad was

87:43

a mechanic. Uh and so he my dad built

87:47

he, you know, he was like, "You need a

87:50

drum riser. All right, let's go." I

87:53

mean, dude, he would My dad would built

87:56

us pyro [ __ ] he like drilled out

88:00

these uh or cut cut these big uh uh

88:05

blocks of wood, ran electrical uh prongs

88:08

up through the wood and then you take a

88:11

little small wire and you connect the

88:13

tube, put a pipe over it, fill it with

88:16

gunpowder, and we'd be out in my

88:18

backyard, dude, and the neighbors would

88:20

be all a sudden just like fire.

88:24

There's these [ __ ] mushroom clouds in

88:27

my backyard and the neighbors are like,

88:29

"What the [ __ ] is going on?" And my dad

88:31

like he just he loved it. He's like

88:33

making bombs, lighting rigs, drum

88:36

risers. He and he would drive me he

88:38

would drive me to the gigs and uh in his

88:42

van with all my [ __ ] like I had the best

88:45

dad [ __ ] ever, by the way. That's

88:46

awesome.

88:47

>> Yeah. And here here's a mechanic. Okay,

88:49

>> look at this [ __ ] setup, bro. This is

88:51

nuts.

88:52

>> Oh, dude. Right.

88:53

>> The hamster wheel.

88:56

>> That is crazy.

88:57

>> Yeah, that's nuts,

88:58

>> bro. You were doing drums like halfway

89:00

upside down.

89:01

>> Dude, the thing is gyroscoped. It went

89:04

around, you know, right to left, uh,

89:06

back to front.

89:08

>> What is it like trying to play the drums

89:09

from that position, though? That's got

89:11

to be very weird,

89:12

>> dude. It is insane. Like, I had to like

89:15

I had to change so many dynamics. Like

89:19

think about it. Instead of gravity uh

89:23

instead of gravity pulling your hand

89:25

down. Right.

89:26

>> Right.

89:27

>> Now you've got to push.

89:29

>> Oh yeah.

89:30

>> You're upside down. So it becomes three

89:32

times harder physically. And um and also

89:36

you had to make adjustments. So um I

89:38

don't know how much you know about

89:39

drums, but on your pedals, they're foot

89:42

pedals for your bass drums, right? Well,

89:45

and those are chain driven pedal

89:47

footboards. So, when you go upside down,

89:52

they fall. So, I had to put springs I

89:55

had to put springs underneath the pedals

89:57

to keep them taut so they would stay up.

90:00

You know what I'm saying?

90:01

>> Oh, yeah.

90:02

>> So, I had And with symbols, they they

90:05

they're meant to hang a certain way.

90:07

They're not meant to hang upside down.

90:09

So, I had to make all these crazy

90:10

adjustments technically to pull it off.

90:13

But um we figured it out with the high

90:15

hat too cuz a high hat would you know

90:17

the two symbols that

90:20

>> they would just if you're upside down

90:22

they just they just go open. They open.

90:24

>> Right.

90:25

>> So I had to do another spring as well to

90:28

keep that closed so I could manually

90:30

drive it.

90:31

>> It's all this crazy [ __ ]

90:32

>> Why did you decide to do that? Like what

90:34

was it? Just something rad. You know

90:37

what? That all started. Um, and it's

90:40

kind of been my thing throughout

90:42

history. And every year I do something

90:44

[ __ ] different and crazier. Of

90:46

course, everybody's like, "What are you

90:48

going to do next year? What are you

90:48

going to do next year?" Um, that's sort

90:51

of like that's where it all started. And

90:53

and it really started when I went to go

90:56

see it was [ __ ] Pat Travers.

91:01

Um, do you remember Pat Travers band?

91:03

No. Boom. Boom. Out go the Lights.

91:05

>> Oh, yeah. Yeah. Yeah.

91:06

>> Yeah. Okay.

91:07

>> Yeah. Anyway, they were cool. And I went

91:09

to go see them and Tommy Aldrich was the

91:12

drummer. And this is before Mley. I'm

91:16

just like, "Whoa, dude. I'm like a

91:18

[ __ ] kid standing on the chair." [ __ ]

91:20

yeah. Right. And it's drum solo time.

91:24

And And he's a badass. And he's just

91:26

he's [ __ ] ripping, dude. All you see

91:29

is sticks flying and hair [ __ ] going.

91:31

He's shredding. And I'm looking around

91:34

and I and I'm watching people go get a

91:37

beer, people going to pee, going to get

91:40

a t-shirt, going out to the lobby to

91:42

[ __ ] smoke a joint. What? I don't

91:44

know. Whatever. Everybody's kind of

91:45

leaving. And I'm like, where the [ __ ] is

91:48

everybody going? That guy is murdering

91:51

the [ __ ] drums right now. And y'all

91:53

are like, he failed to capture their

91:56

attention. And from that moment on, I

91:59

went, I need to figure out a how to give

92:03

the audience a better view of what

92:06

you're actually doing there because

92:08

people can't see. It's not like a guitar

92:11

where you can you can see.

92:13

>> Oh, there's the that's the roller

92:14

coaster. That's the that that's the

92:17

that's the crucify, dude.

92:18

>> That's so dope.

92:19

>> That's the the latest one. That thing

92:21

went from the front all the way to the

92:23

back of the [ __ ] arena or stadium.

92:26

That's crazy, dude.

92:28

>> And look at And then it it starts it

92:30

starts twirling as it's going down.

92:33

>> Oh my god, you're upside down. That's so

92:35

sick.

92:35

>> Look at that, dude.

92:36

>> That is so sick.

92:39

>> The audience must goanas.

92:41

>> Yeah. At one point the roller coaster

92:43

comes down and it's literally almost

92:45

just they could almost touch you.

92:47

>> Wow.

92:47

>> Look at that [ __ ] dude. That I think

92:49

that is

92:50

>> How do you not get a crazy head rush

92:51

when you're upside down banging on the

92:53

drums,

92:54

>> dude? It is so gnarly. I'm I'm wrecked.

92:57

It's 9 minutes total.

92:58

>> Must do a lot for your core, too, right?

93:01

Hold yourself,

93:02

>> dude. I'm on the oxygen bottle. When

93:06

When I finish, I go all the way out and

93:08

then I do it all backwards.

93:10

>> Whoa.

93:10

>> And go back and do it backwards. And by

93:12

the time I get done, I'm sitting there

93:14

with the oxygen going

93:17

while Mick does a guitar solo. I just

93:20

need a couple seconds cuz I am [ __ ]

93:22

done. I can imagine, man. It's

93:24

incredible cardio. I mean, just it's

93:27

like shadow boxing for minutes at a

93:29

time. Hardcore, super fast.

93:31

>> Yeah.

93:32

>> I've always admired the physical

93:34

fitness. Yeah.

93:35

>> Just constantly. And you know what

93:37

that's like, man, after a [ __ ] minute

93:38

of that, you're like

93:40

>> I know. The physical fitness involved in

93:42

playing drums must be really crazy.

93:44

Like, if you didn't play drums for like

93:45

a few years and then picked it up again

93:47

and started again, it' probably take

93:48

forever to get that endurance back.

93:50

>> Forever, dude. Because it's so like when

93:52

you're going off, dude, you're so fast.

93:56

>> It's so fast, dude.

93:59

It's like everything's [ __ ] moving.

94:01

You're pounding your feet and everything

94:03

like [ __ ] man.

94:04

>> I know.

94:04

>> It's one of the most athletic things in

94:06

all of music.

94:07

>> It It really is, man. And And I had this

94:11

I was like, "Okay, how come I've weighed

94:15

the same weight since [ __ ] high

94:18

school till today?"

94:20

>> Right? And I'm like, that's [ __ ]

94:22

weird. And I eat kind of whatever the

94:24

[ __ ] I want to eat. Like I don't there's

94:25

no I don't like diet or or have some

94:28

strict, you know, regimented food

94:31

program. I was like, I'm going to

94:34

[ __ ] I I got to see I I got one of

94:36

those, this was years ago, was like a

94:39

pedometer you clip onto your shoe like

94:41

joggers would use it to see how there's

94:44

like the old version. You just clipped

94:46

it on your on your shoe and it told you

94:48

how many miles you did. like a little

94:51

tachometer. Not a tachometer, but

94:53

pedometer.

94:54

>> Pedometer. Yeah.

94:55

>> So, I'm like I get one, I clip it on.

94:58

I'm like, I'm wondering what how many

95:01

[ __ ] miles I'm doing after a two hour

95:04

show. I don't know. [ __ ] Who knows? I

95:07

know. I'm sweaty as [ __ ] And I'm I'm

95:10

after the show, alls I hear is ringing

95:12

in my ear and I'm [ __ ] I got I'm

95:16

wrecked.

95:16

>> I'm done. And um I [ __ ] took it off

95:20

after the show and I looked down and it

95:22

said 13.3 miles and I was like

95:27

so that's why I don't [ __ ] that's why

95:30

I'm just skinny [ __ ] and like I just I

95:33

sweat it out.

95:34

>> Travis Barker. Same deal.

95:36

>> Same deal.

95:36

>> Yeah. I mean he works out a lot as well,

95:38

but it's like same deal.

95:39

>> Yeah. Yeah.

95:40

>> It's like incredible amounts of cardio.

95:42

The amount of I wonder how many calories

95:44

you burn in a two-hour show. It's got to

95:46

be off the charts.

95:46

>> Yeah. That I haven't measured just

95:48

>> because it's not just jogging. Like it's

95:50

not like you're running 13 miles.

95:51

Obviously, you're sitting still, but the

95:53

pounding of the arms. Yes. And the

95:55

breathing, you know, you got to [ __ ]

95:58

Yeah. It's like, God.

96:00

>> Yeah. Everything's going, man. You're

96:02

firing on a whole cylinder.

96:03

>> For sure. The most athletic thing in all

96:06

of music. For sure. Nothing even close,

96:09

right?

96:09

>> Yeah. No.

96:10

>> I mean, playing guitar is you're moving

96:12

your hands and everything, but it's not

96:14

not not nearly. Drums are like a It's

96:16

more like a sport.

96:17

>> It really is.

96:18

>> It really is.

96:18

>> It really is. Like you don't see a

96:20

really out of shape drummer.

96:22

>> No.

96:23

>> You know, it's almost like you can't be

96:25

to keep up.

96:26

>> No, I know. And yet everybody's you're

96:28

kind of like

96:30

>> you're the [ __ ] heartbeat, man. You

96:32

you're you're really everybody's kind

96:34

of, you know, people say you're you're

96:37

only as good your band's only as good as

96:39

your drummer. And that's really [ __ ]

96:41

it's really true. And I'm not just

96:43

saying that cuz I'm a [ __ ] drummer,

96:44

but drummer has a lot of responsibility,

96:47

man. Everybody, all the people that you

96:50

see out there that are [ __ ] moving,

96:52

I'm I'm responsible for for a lot of

96:55

that. I'm not saying it for all of it,

96:57

but you sort of set the pace,

96:59

>> you know? Um,

97:02

>> and and you you're making people

97:05

physically move, right? Like, and that

97:08

that's that takes that takes a lot of

97:10

work, you know? the amount of energy

97:12

you're putting out, you're getting back

97:14

and you're seeing it and you're like,

97:15

"Fuck, I'm driving here."

97:17

>> Yeah.

97:17

>> And that's a that's a cool place to be,

97:19

but it is a responsibility and it is

97:22

physical and it's draining, but but it's

97:24

[ __ ] rad. I live for it, you know?

97:26

>> Did you take lessons to learn how to

97:28

drum or did you learn on your own?

97:30

>> Um, I I didn't really take lessons like

97:34

I I learned on my own until I mean like

97:38

kind of early in in high school. I

97:41

played in the marching band, but that

97:43

wasn't really like drums. That was like

97:45

more like like a drum core stuff like

97:48

rudiments and like you know drum core

97:51

[ __ ] and not really the whole kit till

97:54

later. Um, I I got the school, my high

97:57

school to let me or sorry, my grade

98:00

school to let me borrow the drum the

98:03

jazz drum set at the school and I'd

98:06

bring it home and then I started just

98:08

like listening to my favorite [ __ ] and I

98:11

would just play along and so I never

98:13

really took any physical lessons. I just

98:17

was just in me, man. I was just like I'm

98:19

really good at hearing something and

98:20

going, "Oh, okay. I got it. Okay." Did

98:23

you have to learn how to hold the

98:24

sticks? Do you hold the sticks in a

98:25

conventional way that like like you're

98:27

taught or did you just figure it out on

98:28

your own?

98:29

>> Um just I just figured it out on my own.

98:31

Just

98:33

>> probably just moved on from the the the

98:35

forks and the spoons.

98:37

>> It's interesting how many great

98:38

musicians learned on their own.

98:40

>> Yeah. Like Hrix Hris taught himself to

98:42

play guitar. That's why he played it

98:44

upside down left-handed.

98:45

>> He just made it work.

98:46

>> Yeah.

98:47

>> Yeah.

98:47

>> Just figured out how to do it on his

98:49

own. It's really interesting how like

98:52

with, you know, when you just get an

98:54

instrument and listen to other people

98:56

use it and learn how they're doing it

98:58

and just kind of [ __ ] around with it and

99:00

figure it out

99:00

>> and then doing it your own way. Yeah.

99:03

>> Of course. And then Whoa. Then you got

99:05

your own thing, which is that's

99:06

wonderful, man. Well, if you think about

99:08

early rock and roll versus the way drums

99:11

are played like like you play or like

99:13

Travis plays like some elite drummer

99:15

plays, it's like drums are so it's like

99:18

it's so much more powerful now than ever

99:20

before.

99:21

>> I know, man. God. And then that thing

99:25

happens. I don't know if you've ever

99:26

been around like a like a drum circle.

99:29

The more drummers there are, like all of

99:31

a sudden it just it becomes this this

99:34

thing. It grows into this tribal like

99:37

dude everybody's just being moved by

99:39

rhythm and [ __ ] that's so powerful. It's

99:43

like, you know, I don't know that that

99:45

kind of it's it's a more aggressive

99:47

power than the kind of power where you

99:50

can make somebody [ __ ] cry playing

99:51

the piano, playing the right chords, you

99:53

know,

99:54

>> I watch them cry,

99:56

>> right? But yeah, that's fun, man.

99:59

There's nothing better than

100:01

>> than rhythm, man. That's I live for that

100:04

[ __ ]

100:04

>> No, I can tell. I always get in trouble

100:06

all the time, man, in school cuz I'd

100:08

always be like,

100:12

always, always, "Dude, can you stop

100:14

tapping on the tables?" Yep. Sorry. We

100:17

sit back in the back of class and be

100:19

like

100:22

making like water drip noises.

100:25

Everyone's looking around for a leak.

100:28

Class clown. Well, there's something

100:29

about drums that it's like a part of

100:31

like tribal culture like from the

100:33

beginning of human time. Like people

100:35

pounding on drums.

100:38

I mean, yeah. They pounded it on ships

100:40

to keep pace with the rowing. You know,

100:43

there was a guy that was the drummer on

100:44

a ship. Yeah.

100:45

>> You know, to keep make sure everybody

100:47

keeps pace. It's kind of wild.

100:49

>> Isn't that cool?

100:49

>> You know that they they knew even back

100:52

then there's something about the sound

100:53

of drums that's important.

100:58

the the the the the

101:00

heartbeat.

101:00

>> Do you ever [ __ ] around with bongos?

101:03

>> Oh, sure. Yeah, that those a lot of hand

101:06

uh instruments, bongos, congas. Um I

101:09

just of the last couple years been

101:11

playing um uh a hand drum. People call

101:15

them a hang drum. Hand drum. You know

101:17

them? Have you seen them? They're like

101:18

they look like a [ __ ] flying saucer.

101:20

>> Oh yeah, I have.

101:22

>> And they're really melodic. really

101:24

beautiful zeny sounding uh instrument.

101:27

That's cool because it's percussive and

101:30

melodic. So, you can come up with these

101:32

really bitching depending on how the

101:34

instruments tuned and stuff. But that's

101:37

been a lot of fun. That that's cool.

101:38

Like sort of

101:41

uh a different kind of rhythm, but it's

101:44

it's a it's a soothing one. It's a total

101:47

opposite of the aggressive [ __ ] you

101:49

know.

101:49

>> Right. Right. Right. Well, I mean, it

101:52

must be fun since you've been playing

101:54

drums for so long, just experiment with

101:56

different things.

101:58

>> I love that, man. There I'm always

102:01

searching for uh a new sound, you know,

102:06

um a new percussive sound that moves you

102:09

and makes you [ __ ] I don't know, that

102:12

gets inside you, right?

102:14

>> Like

102:15

>> I'm always on the hunt, dude. I'm such a

102:17

tweaker. Like I'll find something that

102:20

sonically sounds like a drum. It could

102:22

be a drum. It's not. And I'll make it

102:25

I'll turn it into something that sounds

102:27

like a drum. And all of a sudden, you

102:29

know, that you know, I don't know,

102:31

hitting on these elorns or something

102:33

sounds like a wood block, but pitched

102:37

way way down. It sound more sounds like

102:39

a note going.

102:42

I don't know. Like I I'm just I love I

102:45

love percussion and rhythm. So, I'm

102:47

always [ __ ] around trying to find

102:49

find uh something that moves us, you

102:52

know?

102:53

>> That's my job.

102:54

>> Yeah. Cool. I'm here to move you, man.

102:59

>> It's a cool [ __ ] job.

103:01

>> Yeah. I like it, man.

103:02

>> It doesn't suck.

103:03

>> No,

103:03

>> it doesn't suck.

103:04

>> No. When when you're working on a new

103:08

song, when you're creating a new song,

103:09

what is your process? Do you do you have

103:12

a beat in your head? Do you do you sit

103:14

down and just start [ __ ] around until

103:17

something comes to you? Like how do you

103:18

do it?

103:19

>> You know what? It's always different. I

103:20

wish I could say I had like a a thing.

103:24

>> I really don't, man. Like, you know,

103:26

it'll be uh something that happened to

103:29

me or something I'm experiencing will

103:32

spark a word or a a chant all of a

103:36

sudden, you know, then that'll I'll pick

103:38

up a [ __ ] guitar and be like, "Oh,

103:40

this is killer." Or sometimes they come

103:42

with a beat. I'm like, "Oh, this is a

103:44

[ __ ] killer beat. This would be

103:46

great." And then I'll start with a beat

103:47

and then start then add guitars. It's

103:50

never really there's not really like a

103:52

format. I just kind of go with what

103:54

whatever sort of inspiring me at the

103:56

time that feel like I need to write

103:58

about. Um,

104:02

yeah, there's not really like a a way. I

104:04

know a lot of people have sort of

104:06

methodical way like, well, I start with

104:08

the lyric first. Always the lyric first.

104:10

Nothing else is important. Okay, dude.

104:14

Why don't we get Why don't we get people

104:16

to move first before you try to seduce

104:18

them with these [ __ ] crazy words?

104:21

Actually, no one's going to

104:22

>> smoking like a true drummer.

104:24

>> No one's going to even get to these

104:25

[ __ ] words if you can't get them to

104:28

stay listening,

104:29

>> right?

104:30

>> Or to move. They're like, "Oh, this is

104:31

nice."

104:32

>> Right.

104:32

>> Isn't that the like isn't that the key

104:34

moment when you're like, "Oo, this is

104:36

cool." before you've even heard of a a

104:39

lyric or a melody.

104:41

That's that's kind of my object like my

104:45

priority is like is it moving me?

104:48

>> Yeah.

104:48

>> Okay, let's go.

104:49

>> It seems like having a bunch of

104:50

different methods to get there is

104:52

probably better anyway.

104:53

>> Yes.

104:54

>> Cuz there's all sorts of different paths

104:56

to get to the prize,

104:57

>> right?

104:58

>> And having a bunch of different methods

105:00

of creativity is probably better. Frees

105:03

you up more

105:04

>> different results, right? instead of

105:05

being that, okay, well, it's going to

105:07

start to sound the same if you keep

105:09

using the same method.

105:11

>> Yeah.

105:12

>> When you write, do you write down on

105:14

paper or do you just Yeah.

105:16

>> Yeah. paper?

105:18

>> Yeah.

105:19

>> Do you ever write on computer or do you

105:21

ever like just write in your own head?

105:23

You ever just like

105:24

>> I use a computer a lot too. Um, a lot

105:26

for excuse me for demos. That's a really

105:29

quick way to, you know, where I can I

105:32

can present a song to the band where,

105:34

you know, [ __ ] I play guitar, sing,

105:37

drums, bass. So, I'll I'll bring in

105:40

demos that

105:42

>> totally created by you.

105:43

>> So, yeah, it just sounds they sound

105:44

finished, you know. It's like, okay, and

105:47

then, you know, then we'll go from

105:49

there. So yeah, I I always try to like,

105:53

you know, not not finish everything

105:56

entirely because, you know, when you're

105:58

in a band with three other guys who also

106:00

create, kind of leave it open for that.

106:02

But um but yeah, I use the computer a

106:06

lot to com sort of compose the ideas and

106:08

get them recorded,

106:11

sort of produce them. It's really

106:14

beautiful that you know, Mly Crew hit in

106:18

1980. Here we are 46 years later and you

106:23

still love it.

106:24

>> I know.

106:25

>> That's so awesome.

106:26

>> Isn't that crazy?

106:27

>> That's what everybody wants in this

106:28

life. Something that they're passionate

106:30

about that remains a passion. It stays

106:35

and if anything grows as a passion,

106:38

still exciting, still enticing, still

106:41

captivates you.

106:42

>> Yeah.

106:43

>> 1980

106:45

>> the world was a different place. I mean,

106:48

think about where we were in the

106:50

universe in 1980 and how the entire

106:53

solar system is spiraling through the

106:56

galaxy, which is spiraling through

106:58

space. Like, we've moved how many

107:01

[ __ ] million miles

107:05

>> since 1980.

107:06

>> I know that's that's hard to think

107:07

about. You know, have you ever seen what

107:09

the the you know, we we always want to

107:11

think about the sun being in the center

107:14

of our solar system and the planets

107:16

spinning around it, but have you ever

107:17

seen what the whole solar system looks

107:19

like? Like moving through space?

107:22

>> The whole thing's moving through space.

107:25

It's not stationary.

107:27

>> It's not like we're sat there and we're

107:29

just spinning around.

107:30

>> Yeah. And everybody else is just

107:32

>> [ __ ] whole thing is hurling through

107:34

space. So in 1980 we were in a totally

107:39

different spot in the universe.

107:42

>> That's crazy. That is crazy.

107:45

>> The world was different. People were

107:47

different. Information was different.

107:51

Our version of reality was different.

107:53

>> Everything

107:54

>> Everything was different. [ __ ] And you

107:58

wrote it out from answering machines to

108:01

pagers

108:03

to [ __ ] sidekicks to iPhones to the

108:07

internet to everything like

108:09

>> remember the Motorola brick phone.

108:11

>> Oh yeah.

108:12

>> Yeah, dude.

108:13

>> You were a pimp if you had one of those.

108:14

>> [ __ ] yeah.

108:17

>> Look at it. This is what it looks like.

108:18

This is See, mo most people think our

108:21

solar system looks like, but this is

108:22

what it actually is doing.

108:24

>> Oh, it's true. how our our solar system

108:26

actually moves. So, look, the sun's

108:28

hurling through space and all the

108:30

planets are spinning around it as it

108:32

hurls through space.

108:33

>> Isn't that crazy?

108:35

>> Where's Earth there?

108:36

>> Earth is the third planet from the sun.

108:38

>> Oh,

108:39

>> the blue one right there.

108:40

>> So, just think about that.

108:42

>> How many rips?

108:43

>> Yeah. How many rips have we done since

108:46

1980,

108:48

>> bro? How we're in a different place in

108:50

the [ __ ] universe

108:52

>> than we were in 1980.

108:54

>> Whoa.

108:55

>> How far? How? Let's ask this. How far

108:58

has the solar system moved through the

109:00

universe since 1980? Let's ask

109:02

perplexity that.

109:04

>> Oh my god.

109:05

>> That this is one of the best uses of AI.

109:08

Stupid information like that.

109:09

>> Yes. Yeah, it is. It is.

109:14

I'm gonna guess

109:16

100 million miles.

109:20

Just a wild guess.

109:23

I have no idea. I might be off by a 100

109:25

million.

109:29

>> It's giving me light years. Not

109:31

>> well. Let me see what it looks like.

109:33

Roughly two to three. I think a

109:35

lightyear is a trillion miles.

109:38

>> Whoa, dude.

109:39

>> Two to three light years through space.

109:41

Okay. How many miles is a lightyear? Put

109:45

that in.

109:46

>> Oh, I didn't say miles. I think I

109:47

>> Right. But how many miles is a

109:48

lightyear?

109:55

>> I think it's a trillion miles.

109:59

>> [ __ ] We're going in.

110:01

>> Oh, a lightyear is 5.88 trillion miles,

110:04

>> dude.

110:05

>> Okay, so think about that. Think about

110:08

how many trillions of miles

110:12

Earth has traveled through the universe

110:15

since Mley crew bust out onto the scene.

110:18

>> Dude,

110:18

>> think of that.

110:19

>> And a trillion is a thousand billion,

110:22

right?

110:22

>> Yes. A thousand billion. How many

110:24

thousand billion miles has the Earth

110:29

>> moved through? So it was like two to

110:31

three.

110:33

It was two to three light years.

110:35

>> Mhm.

110:35

>> Okay. And each lightyear is how many

110:38

trillion?

110:39

>> 5.88.

110:40

>> 5.88. How about that? So you're dealing

110:43

with roughly

110:45

15 plus trillion miles, dude. We're old.

110:52

>> Old as [ __ ]

110:54

>> 1980. I was in junior high school.

110:56

>> I don't know about old, but [ __ ] We've

110:57

traveled.

110:58

>> We have [ __ ] trad.

111:00

>> We have [ __ ] traveled.

111:01

>> Damn.

111:02

>> But that's that's a freaky thing to

111:04

think about. how far how and we're in a

111:07

different place in the universe.

111:09

>> Well, thank you for that bit of

111:10

information. That's nice to

111:13

to I don't know. It just think about,

111:16

>> dude, you know how many miles I [ __ ]

111:17

traveled, bro?

111:18

>> Yeah.

111:20

>> 15 plus trillion trillion

111:22

>> just since Mley crew bust out onto the

111:24

scene.

111:25

>> What was it like being that famous at

111:27

18? That had to be nuts.

111:29

>> It's [ __ ] bizarre, dude.

111:31

Like I don't I don't even know how to

111:34

explain it. Just imagine having the the

111:38

[ __ ] I don't know the keys to a

111:41

[ __ ]

111:46

pretty much anything you wanted to do.

111:48

Try.

111:49

>> What was the first crazy thing you

111:50

bought when you first started making

111:51

cheddar? F

111:52

>> first thing I bought was uh at was my a

111:56

[ __ ] dream car. It was a [ __ ] 82

111:59

Corvette

112:01

>> te-top.

112:02

>> Nice.

112:03

>> T-tops popped out.

112:05

>> What color?

112:06

>> It was a champagne colored.

112:07

>> Ooh, nice.

112:09

>> Yeah, it's kind of silvery gold kind of

112:12

a

112:13

>> [ __ ] rad, dude. Like all my I don't

112:16

know when you're a kid.

112:17

>> In 82 the Corvette was one of the only

112:19

American cars worth buying cuz in 82

112:23

they were still dope looking. Like pull

112:25

up a 1982 Corvette. Yeah, they're still

112:28

Mustangs looked like hot dog [ __ ] in 82.

112:31

They look [ __ ] terrible. They look

112:34

terrible. Camaros look like [ __ ]

112:36

Everything looked like [ __ ] They were

112:37

all like plastic garbage. That's still

112:40

dope.

112:40

>> Yeah.

112:41

>> Like that's still dope today.

112:42

>> That's the color I had, dude.

112:44

>> Look at that.

112:45

>> That's the one.

112:46

>> Look at that. Make that bigger. Look at

112:48

that.

112:48

>> That's

112:49

>> That is a [ __ ] dope car today. Yeah,

112:53

>> it's one of the only American cars from

112:55

1982 that looks dope today. Like, pull

112:58

up a 1982 Mustang.

113:02

>> 1982 Mustang is going to make you want

113:04

to vomit.

113:05

>> Oh, dude.

113:06

>> I know a lot of people that are like

113:07

fans of the Fox body.

113:10

>> LOOK AT THAT.

113:10

>> WHAT is that?

113:11

>> Looks like a [ __ ]

113:12

>> bro. That looks like a gremlin.

113:14

>> It looks like straight horseshit. That's

113:17

whatever the [ __ ] Russians did to us

113:20

to make us make cars like

113:23

or really the Nixon administration by

113:25

[ __ ] blocking drugs. Look at how ugly

113:28

that is. That is [ __ ] disgusting.

113:31

>> That is so dude.

113:33

>> Look how [ __ ] disgusting that is. Now

113:35

I want you to do this. Pull up a 1969

113:38

Boss 429 Mustang.

113:42

>> Put up the pinnacle.

113:44

The pinnacle of muscle cars. Look at

113:47

that [ __ ]

113:48

>> Yeah, right.

113:50

>> Look at that. [ __ ] hell.

113:51

>> Look at the difference between 1969

113:54

and that [ __ ] dog [ __ ] 1982

113:58

>> extended [ __ ] Look at that

114:01

thing. Godamn America.

114:04

>> That's a real car. But they they block

114:06

the drugs. They kept those car makers

114:08

from having drugs and they all make

114:10

garbage except Corvette.

114:12

>> Yeah.

114:13

>> Corvette still stuck with that style

114:16

because Corvettes were fiberglass. So

114:18

they weren't as limited in terms of like

114:20

the shapes, you know, they had those

114:22

cool swerv

114:25

they kept those

114:26

>> until, oddly enough, the '9s. They

114:29

started getting shitty in the '9s.

114:31

>> Yeah.

114:31

>> Look at you, dog.

114:32

>> Yeah. There it is, dude.

114:33

>> Look at you, dog.

114:35

>> Wow. That's crazy.

114:37

>> That's nuts, dude.

114:38

>> I wonder who's got that car.

114:39

>> I don't know.

114:40

>> Somebody has Tommy Lee's 1982 Corvette.

114:43

>> Somebody.

114:44

>> They have to.

114:45

>> You know, that thing's still running.

114:47

Yeah, probably. Hopefully.

114:49

>> Yeah.

114:49

>> Well, they a lot of those they take them

114:51

and make resto mods out of them now.

114:53

They'll put like a modern engine and

114:55

modern brakes and everything so they

114:56

handle better and modern suspension.

114:58

>> Yeah.

114:59

>> I immediately [ __ ]

115:02

me and my buddy just took that car and

115:06

[ __ ] put a [ __ ] blower and an

115:09

injection on it. It's [ __ ] insane,

115:12

dude. In the glove box. This is before

115:15

like now we have, you know, a bunch of

115:18

super rad tuned exhaust, you know, uh,

115:21

you know, straight pipe [ __ ] loud as

115:23

[ __ ] This is before that. And we we

115:26

made a couple of cutouts and in the

115:28

glove box, like if the cops were to

115:30

come, you just open the glove box and

115:32

take these two they they're like choke

115:34

levers.

115:34

>> Mhm. And you you pull them pull them out

115:38

and the flaps would disconnect them and

115:41

just go straight from the headers out

115:43

and bypass the mufflers.

115:46

>> So it just be LIKE

115:49

and if the cops are coming you just push

115:51

these two choke levers in and back to

115:54

the mufflers all quiet.

115:58

>> Yeah, they have switches for that now

115:59

with a lot of cars like custommade cars.

116:01

They have exhaust switches that do that,

116:03

but they don't do it to that extent

116:04

where it just goes straight pipes.

116:06

>> Yeah. Yeah. That must sound that must

116:09

have sounded [ __ ] amazing,

116:11

>> dude. So rad.

116:12

>> Yeah. I mean, there's nothing like rock

116:14

and roll and muscle cars. Like those are

116:16

two things that are like completely

116:17

connected forever.

116:19

>> Yeah. Another [ __ ] rad car that I I

116:21

never got, but I always wanted to was

116:24

like the [ __ ] the Shelby Cobra.

116:26

>> Oh yeah.

116:27

>> The big [ __ ] pipes blowing right just

116:29

loud as [ __ ] It's like 4 inch exhaust.

116:32

Like y dude, that shit's throaty and

116:35

just

116:35

>> tiny little car. Little fiberglass car.

116:38

[ __ ]

116:39

>> Go-kart with a 427 in it.

116:41

>> Crazy power. No weight at all. It weighs

116:44

nothing.

116:44

>> Yeah. It just does burnouts the whole

116:46

time. It's too much.

116:48

>> I have a buddy of mine who has one of

116:49

those. It's nuts. Like, but it it freaks

116:51

me out. It's like there's no protection

116:52

here. If you get in an accident like

116:54

this, there's like nothing to this car,

116:57

>> you know? You have no roof. You don't

116:58

even have a roll bar. It's like just got

117:00

this little tiny windshield and you're

117:02

you're behind the wheel of an engine.

117:04

Just a giant engine with four wheels.

117:05

>> Yeah. You're done.

117:06

>> Yeah.

117:07

>> One bad move.

117:08

>> Pretty dope.

117:09

>> Yeah. Super rad.

117:11

>> Yeah. Like one of those. Like look at

117:13

that [ __ ] thing,

117:13

>> dude. I'm sorry, but that's the [ __ ]

117:16

sick [ __ ] Radical looking.

117:18

>> And it's Oh, look at the flared wheel.

117:20

>> The thing is too, they make a lot of

117:22

recreations now. Like the old ones are

117:24

worth like millions of dollars,

117:25

>> dude. I know.

117:27

>> Yeah. But you can get a recreation and

117:29

experience the exact same thing,

117:31

>> dude. Sure.

117:32

>> There's a ton of recreations now and

117:34

they're [ __ ] great

117:35

>> and they look the same and it's like,

117:37

yeah, it's not worth as much money, but

117:38

who [ __ ] cares? Just go drive it.

117:40

It's awesome.

117:41

>> Yeah, if you just

117:42

>> Look at that thing. Jeez,

117:43

>> bro. Look, that thing carbon fiber. Oh

117:47

my goodness. Look at that [ __ ] thing.

117:48

It's all carbon fiber.

117:49

>> Oh, [ __ ] Let's

117:50

>> That must weigh 14 lbs.

117:52

>> Let's go get a couple, dude.

117:53

>> Dude, who's making that?

117:56

>> Click on that link. Who's making that

117:57

[ __ ] thing?

117:58

>> Realm.

117:59

>> Yeah, it probably is.

118:01

>> Well, I know. Uh, yeah. Classic

118:03

Recreations. That same company that does

118:04

those dope uh 67 GT500s.

118:09

>> They're making a classic recreations.

118:12

1,000 HORSEPOWER.

118:13

>> OH, DUDE.

118:14

>> DUDE, it weighs 2,300 lb. That's nuts.

118:18

>> 1,000.

118:19

But the the body, the carbon fiber body

118:22

is only 88 lb.

118:25

Unbelievable.

118:27

>> So, it's 2,000 power 2,000 lb of

118:30

suspension, frame, and wheels, and

118:33

engine, and that's it. Look at that.

118:35

That's sick. That's so sick.

118:38

>> That's just [ __ ] straight trouble

118:40

right there.

118:41

>> That's going to get you in trouble.

118:42

Yeah.

118:42

>> Or not. Or just enjoy yourself.

118:44

>> Just fun. Yeah.

118:44

>> But it's Oh, America. [ __ ] yeah.

118:48

>> [ __ ] I love those cars.

118:50

>> What else did you buy that horsepower?

118:52

>> I know. Preposterous. Yeah.

118:53

>> What else did you buy that's nuts?

118:55

>> Um, when they first came out, um, me and

119:00

my bass player bought like almost

119:02

[ __ ] at the same time, uh, the

119:04

Ferrari had come out with the

119:06

Tessterosa.

119:07

>> Oh, the Miami Vice car.

119:09

>> Totally, dude.

119:10

>> Yeah.

119:10

>> Yeah. [ __ ] I had a car broker find me

119:14

a black on black one.

119:16

>> Oh, man.

119:16

>> And just like [ __ ] Okay, this is

119:20

insane.

119:21

The listeners will probably appreciate

119:23

this. You buy a [ __ ] car for 200 at

119:26

the time $250,000 for the Tessterosa.

119:30

G get it shipped from it came in from

119:33

from Florida to LA. I'm pulling the

119:36

plastic off the seats. This is brand

119:38

[ __ ] new. Back it down the [ __ ]

119:41

carrier and I'm in. The dude's kind of

119:44

showing me, you know, what's up. And I

119:47

[ __ ] I look in the, you know, to the

119:50

right of the steering wheel, there's

119:52

like a like a looks like a cover. So I

119:55

grab it and you open it up at that where

119:58

the stereo would be. I open it up and I

120:02

go, "Where's the stereo?" The guy goes,

120:06

"Oh, Enzo

120:10

believed that the music that you should

120:12

be listening to is the sound of the

120:15

engine." And I'm like, "Well, that's

120:19

[ __ ] rad and everything, Enzo. But

120:21

but bro, I just spent a quarter of a

120:24

million dollars and I want to [ __ ]

120:26

crank [ __ ] loud as [ __ ] here and

120:29

breaking the speed limit. Like, come on.

120:32

Who does that?" And I so I had to go I

120:34

got got a stereo at the time. There was

120:37

there there was no uh subwoofers. There

120:40

was a bazooka tube was a available. You

120:42

could drop there's no room too. So you

120:45

could you could get a bazooka tube

120:46

behind the seats,

120:48

>> right?

120:48

>> And some [ __ ] you know, for a

120:50

subwoofer and some other speakers in the

120:53

doors and

120:53

>> decent door speakers. Decent. They were

120:56

only decent back then.

120:57

>> Yeah. and I had an Alpine receiver, but

121:00

and I got it to to to bump. But

121:03

>> I just found it [ __ ] just shocking

121:05

that like

121:06

>> that that much money for a car and you

121:09

still don't get a stereo.

121:11

>> It's pretty ridiculous.

121:12

>> Yeah.

121:13

>> But they did sound incredible.

121:16

>> And I totally get it. Like

121:18

>> the sound that those things make is just

121:21

like it's heavenly.

121:23

>> It's totally different than the American

121:24

sound of the muscle car sound. The

121:26

muscle car sounds my all-time favorite,

121:28

>> but there's something melodic about

121:30

those Ferrari angels.

121:35

>> There's like a sound just like it.

121:37

>> Oh, there's a sound that it has. It's

121:39

like it's it's so spectacular. It's just

121:41

engineering and it's wine and pasta and

121:44

a [ __ ] windy road and

121:46

>> totally, you know, BONJOURO.

121:53

>> [ __ ] yes.

121:53

>> [ __ ] yeah, man. H

121:55

>> those things are

121:56

>> there's something special and again it's

121:58

a what is that? It's a piece of passion.

121:59

It's artwork. It's artwork that's you

122:02

know

122:03

>> made into an engineering form.

122:05

>> Yeah. That we get to play with.

122:07

>> Yeah.

122:08

>> Basically a race car.

122:09

>> Yeah.

122:10

>> You know

122:11

>> like a friend of mine we were talking

122:12

about like Ferrari. You think Ferraris

122:13

are worth it? I go listen man. Rich

122:15

people aren't stupid.

122:16

>> They're not stupid. If Ferraris weren't

122:18

worth it they wouldn't keep buying them.

122:20

Have you ever driven one?

122:21

>> Yeah.

122:22

>> I go no. Trust me they're [ __ ] worth

122:23

it. Like, yeah, it's a ridiculous amount

122:25

of money. It's not worth it really for a

122:27

normal person, but if you have like an

122:29

insane amount of money and you could

122:31

experience that,

122:32

>> the thing Ferrari [ __ ] up on big time

122:35

is they took away the manual

122:36

transmission.

122:38

>> They [ __ ] that up.

122:39

>> Yeah,

122:39

>> they [ __ ] that up. Porsche is the only

122:41

one who kept it. They're the only ones

122:42

smart enough to realize like there's a

122:44

part of the experience

122:46

>> that you got to [ __ ]

122:50

that gated shifter where you're clacking

122:52

them in there in a Ferrari.

122:54

>> Yeah.

122:55

>> Bring it back. Cut this [ __ ]

122:57

>> Yeah,

122:57

>> guys are silly.

122:59

>> Dude, did you see the [ __ ] electric

123:01

car they just released?

123:02

>> Which one?

123:03

>> The Ferrari.

123:04

>> Oh, it's dog [ __ ]

123:05

>> dude.

123:06

>> They [ __ ] that up. Hardcore. That

123:07

looks like a joke. It looks like it

123:09

looks like something that someone made

123:12

for just to get engagement online. Like

123:14

it's fake, but it's real.

123:16

>> I know. I couldn't I was like

123:18

>> it looks as those 1982 Mustangs.

123:21

>> Yes. It looks like a

123:23

>> pull a picture of the Ferrari electric

123:25

car.

123:26

>> Oh yeah.

123:27

>> It Ferrari.

123:28

>> Look at it, dude.

123:29

>> It looks so boring.

123:31

>> What the

123:31

>> And so nothing.

123:33

>> Look at it. Even inside. Like this looks

123:35

like cheap dog [ __ ]

123:37

>> Yeah. Yeah. I don't understand it.

123:39

>> I don't get it either. I thought it was

123:41

like a joke.

123:42

>> I know.

123:43

>> You know, like you know,

123:44

>> like look at this. It's got suicide

123:45

doors, which is kind of dope.

123:47

>> That's kind of cool.

123:47

>> But you know what? It's really dope on a

123:49

65 Continental. Not on this [ __ ]

123:51

thing.

123:52

>> Look at ugly. You ugly [ __ ]

123:55

monstrosity.

123:56

>> That's funny you mentioned that car.

123:58

That's another one of my favorites.

124:00

>> Oh, 65 Continental. Oh, yeah. [ __ ]

124:03

>> I know a guy who's got one for sale

124:05

that's a resto mod and I'm [ __ ]

124:06

really thinking about it.

124:08

>> It's a 65 black convertible with the

124:11

suicide doors and it's just

124:14

>> it's mint and it's got a new engine in

124:16

it like a a modern engine and it's got

124:18

[ __ ] a perfect suspension in it. It

124:20

looks so radical.

124:22

>> There's something about that car

124:24

especially in a convertible. The 65.

124:26

>> The convertible is my that's my jam

124:28

right there.

124:29

>> Good luck parking anywhere. Yeah,

124:30

>> you might as well be parking a yacht.

124:32

It's a [ __ ] boat, dude.

124:34

>> It's so big. It's so big.

124:37

>> It's so big. But it's so sick. It's just

124:39

I can't understand how Ferrari can make.

124:41

Now, I want you to pull up a Ferrari 458

124:44

Italia.

124:46

>> So, I think the 458 is their

124:48

masterpiece. I think it's the best

124:49

looking Ferrari that they ever made.

124:51

There's a lot of them that look great.

124:53

There's a lot of them that are amazing.

124:54

But for me, there's something about when

124:56

they came up with the 458,

124:59

it just they nailed it. You look at

125:01

that. Oh my god, look at that [ __ ]

125:04

thing. That is a work of art.

125:07

>> It's so beautiful. And it it's a lot of

125:10

people think it's the greatest Ferrari

125:11

ever. When you drive, also doesn't have

125:13

a manual transmission, which sucks a fat

125:15

dick. But other than that, go back to

125:17

that last picture that you had of that

125:18

that one. Look at that one. Make that

125:20

bigger. Look at that color. Oh, it's a

125:23

shitty picture, but god, it's [ __ ]

125:25

beautiful.

125:26

>> Amazing. Beautiful.

125:27

>> Now, think of the company that made that

125:29

also made that. Go with that black one

125:31

right there where your cursor just was.

125:32

Click on that one. Oh, baby.

125:35

>> Look how sick that is.

125:37

>> Yeah.

125:37

>> And how do you go from that to that

125:39

electric piece of [ __ ] you guys just

125:41

released? [ __ ] you.

125:44

>> [ __ ] you for doing that. How dare you?

125:46

>> I I uh I bought a uh an F8 to Tributo.

125:52

Oh, those

125:53

>> which is very very similar to that. And

125:56

that [ __ ] car is badass.

125:58

>> No, they make incredible cars. They make

126:01

incredible and somehow or another less

126:03

douchy than a Lamborghini.

126:05

>> I don't know how they did it.

126:07

>> Yeah.

126:07

>> You know what I mean? It's like

126:09

something about a Ferrari that you have

126:10

one, it's sophisticated,

126:12

>> you know?

126:13

>> Yeah.

126:13

>> Whereas if you have a Lamborghini, like

126:15

look at this douchebag. This [ __ ]

126:17

mean Lamborghinis are awesome.

126:19

>> Yeah,

126:19

>> they're awesome. But why is that? Why

126:21

are they like attached to I guess

126:23

because it's kind of like I don't know

126:27

uh

126:28

I don't know maybe rappers or something

126:30

started started I don't know started

126:32

leasing them too and

126:34

>> it doesn't make any sense. It's like

126:36

there's something about them that's more

126:37

ostentatious. It's more obnoxious.

126:40

>> The doors maybe just like just too

126:43

showy.

126:44

>> I know. I have a buddy of mine who loves

126:45

Ferrari. He's a rich guy and he loves

126:46

Ferrari. I can't drive a Lamborghini.

126:48

I'm like why not? He's like, "It's just

126:50

I don't want I feel like a douchebag."

126:53

>> I'm like, "Okay,

126:55

>> I know what you're saying. There's a

126:56

there's a real thing there, but I don't

126:58

know why because Lamborghinis are

127:00

[ __ ] amazing."

127:01

>> Yeah, they [ __ ] too have an amazing

127:03

sound different from Ferrari. Little

127:05

higher, whinier,

127:07

>> but sick.

127:07

>> But they bark. I mean,

127:08

>> yeah. Like, what is the latest

127:10

Lamborghini? They have some crazy new

127:13

one that they just released last year.

127:15

That's It's insane. It's as wide as a

127:18

[ __ ] trailer. It's It's huge.

127:20

>> Um XJ

127:22

>> I don't know the name of it. I've never

127:24

had a Lamborghini.

127:26

>> Yeah, me either.

127:26

>> I drove one once once on a track. It was

127:28

a little loose.

127:30

>> Um which one's that?

127:32

>> Tamar

127:33

>> Tamareno.

127:34

Tamario.

127:37

Tamario. That looks amazing.

127:40

>> Whoa, dude.

127:41

>> Yeah,

127:42

>> that's pretty e

127:44

>> that one. There we go. Huracan. That's

127:46

another sick one.

127:47

>> Oh, the Huracan. Yeah,

127:48

>> that's a little smaller and lighter, I

127:49

think.

127:51

>> Yeah, dude.

127:53

>> It's also amazing you give an

127:54

18-year-old kid that kind of power in a

127:57

car and you're still alive.

128:01

>> I I know. I know. Oh, dude. [ __ ] Yeah,

128:07

those th those kind of cars will will

128:10

definitely check you uh keep you in

128:13

check too because it's it's not until

128:16

you know over a 100 miles an hour

128:20

getting closer to 200 miles an hour to

128:22

where you're in that car and you're like

128:25

it hits you. You go, if I make one

128:29

[ __ ] tiny little error here,

128:32

>> it's over.

128:33

>> It's over.

128:34

>> It's over. Yeah,

128:35

>> the motor's in the [ __ ] back.

128:37

>> Yeah.

128:37

>> And if this thing runs into off the road

128:41

or whatever, it's just going to

128:43

accordion

128:44

>> right into me

128:45

>> and you're you're you are done.

128:48

>> It's kind of amazing. You just buy one.

128:50

>> You know, I thought about that now. Like

128:52

they have the new Corvette ZR1. It has

128:55

a,000 horsepower from the factory. So,

128:57

you could just go into a Corvette

128:59

dealership if you got the cash, slap

129:01

down some money, and you have a 1000

129:03

horsepower car that goes 0 to 60 in 2

129:05

seconds, and you just go out there and

129:07

[ __ ] bye.

129:09

>> Good luck.

129:13

>> Be be safe.

129:14

>> Yeah. Like, what are you doing? How are

129:15

you allowed to have that? Like, that you

129:17

should have to have a pilot's license to

129:19

drive one of those things.

129:19

>> Totally. Or just, you know, racetrack

129:22

only, whatever.

129:23

>> Right. But imagine you're an 18-year-old

129:25

rockar. Here. Here you go. All of a

129:28

sudden,

129:28

>> dude, you've got one. And back then, the

129:30

Corvettes like yours, especially when

129:32

you put a blower on it, those [ __ ]

129:34

things had no traction control. They had

129:36

no anti-lock brakes. There's no nannies.

129:39

There was nothing to protect you. No,

129:41

>> it was just madness. Just pure madness.

129:45

>> Did you ever take it to a track or

129:46

anything? Uh,

129:47

>> no. Never did.

129:48

>> Have you ever driven around a track? You

129:49

ever done that?

129:50

>> Yes.

129:50

>> That's fun.

129:51

>> Yeah, that is fun.

129:52

>> Yeah,

129:53

>> that is fun. I went to I spent some time

129:55

at the Skip Barber school.

129:57

>> Oh, really?

129:58

>> Yeah. Yeah. I had to of course the Libra

130:02

in me has to [ __ ] learn about

130:04

everything apex and study like there's

130:08

there's a lot of physical and you know

130:11

technical things about driving. Oh yeah.

130:13

>> If if you don't understand about going

130:15

into a turn at [ __ ] 100 miles an

130:18

hour, you're going to [ __ ] die.

130:21

>> Mhm. you know, so I was like, "Ah,

130:23

>> you're definitely going to spin out."

130:24

Yeah. Learning learning how to do it is

130:26

was really interesting to me. It was

130:28

really interesting to realize like the

130:30

lines that you take. Like you don't just

130:32

go in the middle of the track all the

130:34

way. No, you're hugging the outside edge

130:35

then the inside edge and cutting the

130:37

lines to make a quicker time and knowing

130:40

when to break and knowing when you

130:41

accelerate and it's so interesting.

130:44

>> It's a lot, man.

130:45

>> Very technical.

130:46

>> Yeah.

130:46

>> A lot more technical than anybody would

130:48

ever think. You think you're just kind

130:49

of steering the car like No, no, no.

130:50

There's a lot of decisions to be made.

130:53

There's a lot going on, especially on a

130:55

really windy turn like this. That's what

130:57

Kota looks like. That's the track,

130:59

Circuit of the Americas. And that that

131:00

one is like there's so much turns and

131:03

there's a long straightaway you could

131:05

really [ __ ] get after it,

131:07

>> right?

131:08

>> Yeah.

131:08

>> And it's not even about the

131:09

acceleration. A lot of times it's about

131:11

the braking.

131:12

>> Yeah. I mean, [ __ ]

131:13

>> Breaking and turning, dude. But it's

131:14

like that's one of the things that I say

131:16

like is really worth it about having

131:18

money is like experiencing a great car

131:21

>> because it's like an amusement park

131:22

ride.

131:23

>> Yes.

131:24

>> Even when you're not even going fast,

131:26

just driving normal speeds around. It's

131:28

like if you're shifting your own gears

131:29

and you hear that engine, it's like

131:31

>> Yeah. It's like an amusement park ride,

131:34

>> you know? It's not it's not just you're

131:36

not just driving a car. You're you're

131:38

>> experiencing something that you know the

131:40

other people aren't. If you're driving

131:42

that stupid Ferrari piece of [ __ ]

131:44

electric car, you're not experiencing

131:45

that.

131:46

>> No,

131:46

>> you know.

131:47

>> No, no. You're just grooving on the

131:49

emblem.

131:50

>> Yeah. Yeah. They got you. That could

131:52

have been a Hyundai easily,

131:54

>> dude. I couldn't believe it. I was like,

131:56

they did not do this.

131:57

>> Well, I hope they rebound.

131:59

>> I hope they like smack somebody who made

132:02

that and go, "Hey, bro."

132:03

>> They will. I think one of the designers

132:05

was one of the guys who was involved in

132:09

designing the iPhone and it [ __ ]

132:11

looks like it.

132:11

>> No,

132:12

>> that's what's got that's why it's got

132:13

all the

132:14

>> I was

132:15

>> Yes.

132:15

>> No,

132:17

>> that and so

132:18

>> that guy's awesome. How did he do that?

132:20

>> That started to make sense. I was like,

132:21

"Okay,

132:22

>> I would ask him before I even talked to

132:24

him about him like, "What kind of cars

132:25

do you have?

132:26

>> Do you have a car? What do you drive?"

132:29

And if he's like, "I drive an Escort."

132:31

Like, [ __ ] you. Okay, get the [ __ ] out

132:33

of here. Yeah,

132:34

>> I have a Prius. Go eat [ __ ] Eat all the

132:37

[ __ ] that's ever been [ __ ] [ __ ] you.

132:40

>> Out of the design room.

132:41

>> You can't You can't design a [ __ ]

132:43

Ferrari just cuz you made an iPhone.

132:45

You're going to make it look sweet and

132:47

plain.

132:47

>> Yeah.

132:48

>> No, it's got to look like art, you

132:50

[ __ ] Someone's paying a4

132:51

million dollars for this thing. And now

132:53

a lot more.

132:55

>> I think the electric car is I want to

132:57

say three 33.

133:00

I bet they're going to sell two,

133:02

>> right?

133:03

>> Two retards. Two [ __ ] super rich

133:05

retards are going to buy that [ __ ]

133:06

thing.

133:06

>> Ain't nobody going to spend $400,000 on

133:09

this electric thing.

133:12

>> Meanwhile, the other cars they make are

133:13

[ __ ]

133:14

>> Yeah, I know. What the [ __ ] you guys

133:17

doing?

133:18

>> What is the the the latest one? What is

133:20

the the What is their their main one

133:23

now? The sleek wicked one like the

133:26

advanced version of the 458 like the one

133:29

they have now. Like what is it called?

133:30

>> Uh

133:31

>> SF [ __ ] is it called?

133:34

>> SF90.

133:34

>> SF90. Yeah, that's what it is. SF90.

133:37

That thing's insane. That's gorgeous.

133:39

>> Yeah, dude.

133:40

>> That's a gorgeous car.

133:41

>> My favorite.

133:42

>> How do they go from an SF90? They're

133:43

selling that at the same time as they're

133:45

selling the hunk of junk. SF90 is one of

133:47

the most best looking cars ever.

133:50

>> Yeah,

133:50

>> it's incredible. We'll pull up a picture

133:52

of one of those, Jamie.

133:53

>> I'm on their website.

133:55

>> And have you dude, have you seen the

133:57

body? I love the LaFerrari. The body

134:01

style and the Laafer.

134:02

>> Yeah, that's it. That's the one.

134:04

>> Oh, dude. That's got some LaFerrari in

134:06

the end.

134:07

>> Oh, so this is like all the cars they've

134:09

ever made, J.

134:09

>> I'm on their website. I'm just

134:11

>> Oh, no. Understand. This is all the cars

134:13

that they make and all the cars they

134:14

like. That's gorgeous, man. That is

134:16

gorgeous.

134:17

>> Hit the la Ferrari.

134:20

>> Yeah, dude.

134:24

>> Look at that thing. Jesus.

134:25

>> What is the F80? Click on the F80. Oh my

134:29

god. Gorgeous.

134:31

>> Gorgeous.

134:34

>> When it says all models, they don't have

134:37

the

134:39

>> What is it?

134:40

>> What I was looking for. I was trying to

134:41

find what I went to the website to find

134:43

their newest car.

134:44

>> I know, but I think like some of them I

134:46

It's not the newest car. Like it might

134:48

have been like last year a year ago.

134:51

>> Well, they would be sharing it somewhere

134:54

on here, I would imagine.

134:57

No, it's real. Jamie, just Google. Okay.

135:00

I'm just saying just Google um put pull

135:03

up an image of Ferrari 2024 Ferrari uh

135:07

SF90 and you'll see it.

135:11

>> There it is. That's it.

135:12

>> Oh, the wing.

135:14

>> Well, that's uh that's one that's like

135:16

primed for racing. But you go to images,

135:18

please.

135:19

>> There we go. That's it.

135:23

So, how does a company make that? Like

135:25

look how gorgeous that is. That's

135:27

incredible. That's so beautiful. I know.

135:29

>> How does a company make that? And then

135:31

that Johnny Ivy piece of [ __ ]

135:33

>> [ __ ] thing. There's like three three

135:35

dudes. One dude like I guess designed

135:38

the iPhone and there's a there's two

135:40

other designers involved.

135:42

>> They probably worked for Lamborghini.

135:43

They probably they're probably spies.

135:45

They probably, you know, they

135:46

infiltrated and decided to like ruin it

135:48

from the inside. Probably the same guy

135:50

that made Billy Squire's music video.

135:52

>> Dude, that guy has got to be stopped.

135:56

[ __ ] that guy.

135:57

>> He's like, "Listen to what I did for

135:58

Billy Squire. I can do this to Ferrari.

136:01

>> I can thank them."

136:02

>> I took Ferrari down.

136:04

>> Yeah. With one one whack ass [ __ ]

136:08

electric car.

136:09

>> Yes. I sold them a phone design.

136:12

>> Yeah. Just But you know, that's what

136:15

happens.

136:16

>> Yeah.

136:16

>> You let people, you know, you don't have

136:18

enough people that are smart, that are

136:21

artistic around that are going to look

136:22

at that and go, "Hey, hey, hey. No.

136:25

>> Yeah. No. Yeah. What's with all the Yes,

136:27

men. There had to be somebody that went,

136:29

"What are we doing?"

136:30

>> I don't know how the [ __ ] off ever got

136:33

green lit by someone at Ferrari. How do

136:35

you not look at all the other cars that

136:37

you've made and then look at that one

136:38

and goes

136:41

>> No. No.

136:42

>> Nobody was doing that.

136:43

>> I don't get it.

136:44

>> No.

136:45

>> But you know, companies make blunders.

136:48

>> Yeah.

136:48

>> You know, every now and then a band puts

136:50

out a shitty record.

136:51

>> You know what it happens. It happens. I

136:54

get it.

136:54

>> I mean, Ferrari's still Ferrari. They'll

136:56

bounce back, but you know, guys,

136:58

>> they can always go, "Hey, we're not in

137:00

the electric car business, okay? We

137:02

[ __ ] up."

137:02

>> Well, that's what they probably should

137:04

because most of the other car companies

137:06

that do make electric cars, people

137:07

really don't want them.

137:08

>> You know, like the Porsches, the tyans,

137:11

like those Audi's, like the Audi ones

137:13

that are just like a couple of years

137:15

old, they're you can get them for like

137:16

half price. Nobody wants them.

137:18

>> I know.

137:18

>> Nobody wants electric cars, especially

137:20

used electric cars.

137:22

>> Yeah. That's weird.

137:23

>> It is. But if you think about it, like

137:25

electronics we think of as disposable,

137:27

>> right? You think Nobody You don't want

137:29

to buy someone's phone from 10 years

137:30

ago.

137:31

>> No. No.

137:31

>> Right. So, you don't want to buy a Tesla

137:33

from 10 years ago either. No.

137:34

>> Right. Meanwhile, they're great. There's

137:36

nothing wrong with them. Get a 10-y old

137:37

Tesla. It's a [ __ ] awesome car. Yeah.

137:39

>> But you don't want it.

137:40

>> Yeah.

137:41

>> People think of electronics as something

137:42

you throw out and get new. But engines,

137:46

that's a different story.

137:47

>> Yeah.

137:47

>> You know, like a 2005 Porsche is still

137:50

very valuable. Well, people love those

137:52

things.

137:52

>> Oh, yeah. Those things have gone through

137:54

the roof

137:55

>> lately. Like with the Porsches, I just

137:58

know so many guys that are just like

138:01

buying them up, collecting them.

138:03

>> Well, I think also as things become more

138:05

electric and more numb, people like they

138:08

really love the sound of engines and the

138:11

feel that you get from those cars, the

138:13

actual experience of it.

138:15

>> Yeah.

138:15

>> You know?

138:16

>> Yeah. It's like as things get more and

138:18

more digital, I think with AI and music

138:20

and everything, people are going to want

138:22

to see live performances more, you know,

138:25

>> and no doubt. Yeah.

138:27

>> I think they they they want that

138:29

experience, the experience of like raw

138:32

live, something that makes you feel

138:34

alive, something.

138:36

>> All about the experience, man. All about

138:39

it.

138:40

>> Are you You guys are touring again.

138:42

Yeah. Coming up um mid July we're out.

138:46

>> How [ __ ] pumped are you for that?

138:47

>> Couple months. So pumped because

138:50

>> I've actually um we've been home. We

138:53

just we we did u this big uh stadium

138:57

tour with De Leopard went all around the

139:01

world. That tour was [ __ ] two and a half

139:04

years long. Wow. Like dude it was that's

139:07

insane. So, um, and I I started to

139:11

realize I'm like, "Fuck,

139:13

I can't remember the last time I've been

139:16

home like with a with a break." Like, we

139:20

intentionally were like, "Let's just

139:22

[ __ ] take a year

139:25

or more than a year off." and like and

139:29

um it wasn't until 2016 was the last

139:32

time um we had like taken a taken a

139:37

break. Um so for me um it's just been

139:42

[ __ ] wonderful. I I I actually

139:45

enjoyed the whole

139:47

last summer at home and you know going

139:51

now going into summer now we're getting

139:53

ready to go back out but just having

139:54

that time at home was really [ __ ]

139:56

cool. So, I'm super pump. The grass is

139:59

always greener, dude.

140:01

>> You know, when you're out there [ __ ]

140:02

ripping it, you're like, "This is

140:03

[ __ ] red." And then after a while,

140:05

you're like, "I'd shoot my own mom in

140:07

the back to sleep in my [ __ ] bed,

140:10

>> you know?" You know, and then then when

140:13

you're at home too long, you're like,

140:15

"Dude, I got to get out of here,

140:17

>> right?"

140:18

>> You know, I got to go [ __ ] go do the

140:20

[ __ ] Um, so it's I don't know. That's a

140:23

weird balance. you know, you're you're

140:25

you're happy until it's too much and

140:27

then, you know,

140:29

>> well, it's just achieving the balance.

140:31

But it's awesome that you still love it

140:33

so much after all all these years.

140:35

>> Oh, man.

140:36

>> It really is.

140:37

>> Dude, let me just tell there's nothing

140:39

better than imagine, right?

140:44

Let's trade places for a second. You're

140:46

back there. You're playing drums and

140:48

you've been doing this for a while.

140:51

long enough to see this is the [ __ ]

140:53

best in the world.

140:56

You see your fans all of a sudden your

140:59

fans have had children. Now their

141:01

children are on the shoulders

141:05

of their of their [ __ ] parents who

141:08

were your fans. Now they're bringing

141:10

their kids to the show and their [ __ ]

141:13

kids are on their dad's shoulder going

141:16

shout shout with the [ __ ] de devil

141:19

horns up and you're like you're sitting

141:21

there going like dude that kid

141:27

what is he [ __ ] 10 and he's just

141:30

[ __ ] you know and like

141:33

>> he's air druming.

141:34

>> Yeah. just to to see that you're you've

141:36

you've sort of you know you've I don't

141:39

know just you've done a a full circle to

141:41

where now it's a whole another

141:43

generation that's just now seeing this

141:46

for the first time and they're [ __ ]

141:49

and you and you're sitting back there

141:50

playing going like

141:52

>> that's pretty [ __ ] incredible.

141:54

>> It's pretty [ __ ] that that doesn't

141:56

get old, man. To watch that happen is

142:00

probably why the become the reason why I

142:03

love it. so much that really like puts a

142:06

[ __ ] nail in it. You know what I

142:07

mean? [ __ ] it.

142:08

>> That's that's like and that can only be

142:10

achieved through through time.

142:13

>> Yeah.

142:13

>> Right. So that's that's nothing I've

142:15

ever experienced until until recently in

142:18

the last few years. I you look out and

142:20

you see a whole bunch of kids, man, and

142:23

they're all just checking it out for the

142:25

first time, maybe.

142:26

>> Wow.

142:27

>> For sure. Some of them, right? And

142:30

you're like, dude, [ __ ] This is wild.

142:34

Wild.

142:35

>> That's awesome, man.

142:36

>> Yeah, that's beautiful,

142:36

>> brother. You've had an amazing life.

142:38

It's been an amazing ride and I'm so

142:40

happy that you're enjoying it so much.

142:42

>> Thanks, bud. Thank you, man.

142:43

>> Thank you for being here, man. It was

142:44

really cool. Really enjoyed it.

142:46

>> Thank you for having me, man. My

142:47

pleasure. My pleasure. I've been wanting

142:49

to come by and see you and come hang out

142:51

and talk [ __ ]

142:53

>> I'm glad we did it. I'm glad we did it.

142:55

All right. Thank you. Bye, everybody. I

142:57

love you, too, brother. Bye.

Interactive Summary

In this episode of the Joe Rogan Experience, Joe Rogan and legendary Mötley Crüe drummer Tommy Lee have an engaging conversation about rock and roll, longevity, the impact of music, and hobbies. They discuss Tommy's son getting married, the chaotic reality of life as a rockstar, and their mutual admiration for artists who stay active and energetic even at advanced ages, like Rick Springfield. The conversation also touches on the current state of the music industry, the challenges of finding authentic art in an era of digital excess, and the therapeutic, grounding nature of Tommy's bonsai hobby. Throughout the discussion, they emphasize the powerful, almost drug-like influence music has on human physiology and emotion, and share anecdotes about legendary rock stars like the Rolling Stones and Billy Squire.

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