Loving America Honestly | The Ezra Klein Show
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So, it's the 250th birthday of America
and Donald Trump is president. And I
think the celebration you're going to
get from the Trump administration is
going to be of a very specific kind.
>> Get ready, America, because we're
putting our love of country on full
display.
>> A celebration of American glory,
American greatness.
>> Welcome to UFC Freedom 250. That's a
huge right hand is covering up big
>> uncritical I think will be underelling
it.
There has been I think a a a split a
severing of two visions of American
history.
There's a vision that can only see glory
and a vision that I think can only see
suffering and sin.
One of my beliefs about politics is that
until we can reintegrate
a story, until we have leaders again
able to tell a more holistic story of
the country, it's able to hold its
triumphs and its tragedies together,
it's going to be very, very hard to move
forward.
I'm in Montgomery, Alabama. I think of
Montgomery in some ways as the
birthplace of American democracy. Not
where it was conceived, right? That's
the founding. But where the actual thing
promised at [music] the founding began
to really be born.
>> THE PEOPLE OF MONTGOMERY WALKED to
maintain their human dignity and their
rights.
>> This is where the Montgomery bus boycott
began.
>> LET US ALL WALK TOGETHER FOR FREEDOM,
FOR LIBERTY, AND EQUALITY.
>> Which led to the civil rights movement.
I have a dream that one day
>> this nation will rise up and live out
the true meaning of its creed.
>> Which led to the triumphs and the laws
that for the first time made America
some version of the democracy [music]
and the country that it initially
promised to be.
>> We hold these truths to be self-evident
that all men [singing] are created
[music] equal.
There's a series of really remarkable
museums and sites here, the Legacy
Museum, the Freedom Monument Sculpture
Park that have been created by the Equal
Justice Initiative as ways of of
apprehending that history, [music]
holding
horror and beauty, tragedy and triumph,
inhumity and humanity [music] together.
I think sometimes of wisdom as the
ability to hold the totality of life.
The wiser you are, the more of life you
can hold. And I think this holds quite a
bit in it. Brian Stevenson is the
founder of the Equal Justice Initiative.
He has done amazing work over the years,
continues to do amazing work defending
people on death row. He is the author of
the book Just Mercy, which was turned
into a movie where he was played by
Michael B. Jordan. How many of us can
say that?
>> That's not justice. That's not right.
But over time, you began to expand that
work into questions of remembrance,
questions of our history and how we
think about it and and whose humanity we
are able to see inside of it. Talking to
Stevenson, I was interested in how do
you create a history of this country
that loves it in its totality? How do
you work with America's past and its
present in a way that doesn't [music]
trap you in pain, but doesn't force you
to inhabit only an imagined glory? How
do you have a story that pushes a
country forward that enhances rather
than reduces the bonds of brotherhood
and solidarity between the people within
it? As always, my email escline shown
times.com.
[music]
>> [music]
>> Ryan Stevenson, welcome to the show.
>> Thank you. So, we're speaking here not
long before the 250th anniversary of
America.
What's your relationship to that day?
>> You know, I think anniversaries are
always a time for reflection, uh, to
think about who we are, where we've
been, but for me, more importantly,
where are we going? You know, I I think
about this moment in terms of what will
be people be talking about on our 300th
anniversary,
>> the cage match. [laughter]
>> I hope that we will be past spectacle
violence as a way to commemorate our
nation. I don't think that violence,
which is a part of every nation's
history, but it's not the best part.
It's not the glorious part. It's not the
battles won. It's the ideas that
motivated people to stand up for things
that they believe in that I think are
most important. So I see this as a
moment for reflection to acknowledge
things that are extraordinary and
wonderful, but to also acknowledge
things that are difficult and painful
that continue to harm and haunt us.
We're sitting here in a museum. We are
are sitting in a place built to
commemorate,
to take seriously, to stare
unflinchingly at
some of the most brutal,
violent, horrible moments in American
history. And not just the moments, but
the people that this violence was
inflicted upon.
>> And we're going to talk about different
pieces of the museum that moved me and
and what they mean. But one question I
have is is for you spending so much time
in those eras, thinking so much about
how to represent them, thinking so much
about how to make people feel something
they may not want to feel.
>> What that has done to your relationship
with maybe America itself or the idea of
America, the story of America. I moved
to Montgomery in the 1980s. We had 59
markers and monuments to the
Confederacy.
Uh the three largest high schools here
were Robert E. Lehi, Jefferson Davis
High, Sydney Laneir High, where the
population had to walk around in a space
that shouted the history of the
Confederacy and would not even whisper
the history of slavery. You could not
find the word slave, slavery, or
enslavement anywhere in the city
landscape. And I think that does
something unhealthy for everybody. And
so I I just saw it as a way of creating
a space for us to understand our history
more honestly, more completely. I think
it is a narrative journey
that you have to undertake and there
will be pain along the way but it's a
very familiar way of helping the world
reckon with uh human rights violations.
I mean we have nearly 200 Holocaust
museums across the world. We have over
40 in the United States. I think we need
all of them. When you go to the
Holocaust Museum, at least when I do, I
get to the end of it and I am motivated
to say never again. Not Jewish, not
connected to that history, but I am
motivated by the suffering and the
brutality that I have learned about to
say never again.
And for me, this country has never
created a relationship to our history of
racial violence, of enslavement, of uh
lynching, of abuse of other people who
are disfavored. We've never created a
relationship to that history that has
motivated us to say never again. And
because we've never made that commitment
of never again, we keep
being romanced by new manifestations
that pull us into the very patterns and
behaviors that allow that kind of
violence to be replicated. There's also
conflict in bringing up this history.
Donald Trump is president and there has
been an ongoing
fury from him, from his White House and
people around him going back to his
first term about around their sense that
the people like you trying to create a
relationship to our racial history,
trying to create a reckoning with it are
trying to take the story of America and
poison it
>> by viewing every issue through the lens
of race. They want to impose a new
segregation
and we must not allow that to happen.
critical race theory,
the 1619 project, and the crusade
against American history is toxic
propaganda,
ideological poison that if not removed
will dissolve the civic bonds that tie
us together,
will destroy our country.
>> In answer to the New York Times 1619
project, they create the 1776 project.
One of both the sources of their
political strength and the the engines
of their political argument is that
there is an organized faction trying to
corrupt the story of America, trying to
force us into a space of endless
repentance
and acidify the bonds of solidarity
between us and that we are a nation.
Nations need stories everybody believes
in and that one thing that they are
offering the country is an ability to be
proud of America.
>> Yeah. again. What do you think of that?
>> I I think there's so many areas of our
lives, particularly in this country,
that are inspiring and energizing and
create joy and create meaning and
purpose. There are lots of opportunities
to feel proud and excited about what we
have done. I mean, we cheer for our
Olympic teams. We cheer for achievement.
We cheer for success. the technology
that has changed the world is something
that we all embrace and celebrate. Uh
communication,
but that doesn't mean that's the only
thing you should think about. It's the
only thing you should talk about. And I
just think public health, human health
is a really great way to think about
this. It's like saying we don't want
physicians to tell people that they have
high blood pressure or diabetes because
that's depressing. That's demoralizing.
that's going to make people feel bad
when they walk out. And we could ban
physicians from ever giving that
diagnosis. But the people who have high
blood pressure, the people who have
diabetes are going to get sick. They're
not going to be healthy and eventually
it will kill them in ways that they
don't have to die. You know, our
military leaders, if you talk to
military leaders in military colleges,
all of thesemies,
what they study are the mistakes we have
made during our past. It's the
misjudgments during war. It's the
miscalculations that created outcomes
that we didn't want. That's what you
study so that you don't replicate those
mistakes in the future. You do the same
thing in science. You do the same thing
in business. That's how we have
succeeded. That's how we have achieved
in this country. I don't share the view
that we are doomed. I don't share the
view that we are corrupted uh without
any opportunity for repair. I genuinely
believe that there is something that
feels more like freedom, more like
equality, more like liberty and more
like justice waiting for us in the
United States. I think it's just
waiting. But we will not get there if we
don't find the courage to unbburden
ourselves from the parts of our history
that hold us back. And I genuinely
believe that. And I I see lots of
examples of it all the time. You know,
we're here in Alabama. In Alabama,
college football is like religion. It
really is. If you moved here, people
would start asking you almost
immediately, Auburn or Alabama? There
was this intensity around college
football that I didn't quite understand.
And I first well I thought oh they don't
have a professional sports team that's
what it is. No it's more than that.
There's an identity that has evolved in
this state that is connected to the
success of these athletic programs. And
the question becomes why? And when you
think about it here in Alabama it's one
of the things that we can be
legitimately proud of that we have won
national championships against
everybody. The Californians, the New
Yorkers, the Midwest. We beat them on
these playing fields and it generates
pride. [sighs and gasps]
And I just want to step back a few
decades and remind people that George
Wallace stood in front of the University
of Alabama schoolhouse door and said,
"Segregation forever. Black people will
never walk through these gates." And
most of the people in the state
supported him. But then courageous black
athletes and courageous white parents
sent their kids to that school as
integration took place. And then we got
excited about the possibility of
winning. And our desire to win overcame
our desire to be segregated and we
started winning. And now you see this
pride, you see this joy, you see this
triumph for this state. And on those
game days, black people, white people,
poor people, rich people are all glued
to the TV. They're all at the stadium.
They're all celebrating. It's like
what's happening with the Knicks in New
York City right now. That triumph is a
state triumph. It's an everybody
triumph. [sighs and gasps]
And the only thing I want to acknowledge
is that you owe that to the civil rights
movement. You owe that to the courageous
people who said, "No, we reject
segregation forever." And if we
understand that, then we begin to
imagine, well, what where else might we
have achievement and progress and win
things if we got past that bigotry, if
we got past that fear? I always feel
that you could make a real argument that
Montgomery is a birthplace of American
democracy, not where it was conceived,
right? There's a conception of American
democracy that happens in arguably 1776,
you know, or maybe before that,
depending on how you want to think about
it. But America is not a democracy
>> until at least after the Civil Rights
and the Voting Rights Acts on on any
real measure.
>> Yeah.
>> Um that we would recognize today.
>> Yeah.
>> And what turns that begins here with the
bus boycott.
>> And this place is not just a monument to
segregation or Jim Crow. The civil
rights movement I I really do think to
be the most
beautiful moment and movement
>> in American history. of course braided
in with some of the absolute
ugliest and most horrifying moments in
American history, but somehow taking
that in its totality, not choosing one
or the other, not seeing so much of the
ugliness
>> that the heroism disappears that you
cease to see that as America too or vice
versa. That feels like a mature
relationship
to our history. like wisdom is holding
both things as part of the American
synthesis.
>> I even think it it it actually starts
earlier than that. When when I um think
about the legacy of slavery, one of the
things that I've just been focused on a
lot since we started working on our
sites is how extraordinary it was that
when those 4 million
black people were emancipated after the
Civil War,
they decided not to seek revenge and
retribution against the people who
enslaved them. They knew who sold their
children. They knew who abused them.
They knew who raped them. They knew who
did all of these horrific things. And
they could have given into the emotion,
the desire to seek retribution and
revenge against the enslavers, the
people who did these torturous things.
But instead, when you look at what
happens after the Civil War, you see
this community of people choose America.
They say, "You know what? We're going to
build schools. We're going to build
churches. We're going to build families.
We're going to commit to this country
like nobody's ever committed before.
Black men registered to vote. They ran
for office. They tried to create harmony
and peace with those who had enslaved
and tortured them. It was a remarkable
commitment to a healthier, better
future. It collapsed quickly and that's
what gives rise to a century of
segregation and Jim Crow laws. Black
people were killed by the police on
buses. It wasn't just one day. It was a
whole history of abuse. you know, black
people had to get on the front of the
bus, pay their fair, get off the bus, go
to the back door, and sometimes the bus
would just drive away before a black
person could get on the bus. So many
black riders in Montgomery would be left
humiliated on the street, and that was
the reality. But to understand what
happens in 1955, I think we need to have
some appreciation for what happened in
1865. Because when they made that first
commitment to build America and were
brutally and violently rejected, you
could also understand why people might
say, "We're never going to do that
again." But that's exactly what happens
in 1955
when people finally said, "We're going
to challenge this."
They were believing in an America that
would respect them, that would respond
to their challenge, to stay off the
buses. Every black person in this
community, 50,000 people, it's
remarkable. And they succeed. And that
success then gives birth to the civil
rights movement and inspired people,
black and white, to commit to swims
where they might be poisoned or
threatened with acid. to commit to
readins where they might get beaten and
pulled out of libraries, to commit to
freedom rides where writers were bloody
brutalized, and to commit to all of that
activism and struggle that then yielded
this incredible moment in 1965 where
democracy in this country took shape in
a way that had never existed before. And
I think you're right, that decade,
that's that's why we have it at our
Montgomery Square, this language, the
decade that changed the world. One thing
that the museums and the sculpture sites
and the monuments here that that you
have
put together, one thing they do really
beautifully is what you did there, which
is show this is an integrated history.
There's no one moment. There's no
eras disconnected from each other. And
so it begins even before slavery in this
country begins at the beginning of a
slave trade. When you walk in the
museum,
>> you're greeted with waves.
>> And I I spend a lot of time with data
visualizations in my day.
>> Yeah.
>> I'm not usually very moved by them.
>> Yeah.
>> But you have one that is visualizing the
flow of ships of slave ships and where
they went, right, which is not initially
primarily to America. That's right. The
slave trade was much more global than
that. But you begin to see as you take
into the 1700s, the 1800s, it
concentrate in America towards cotton,
towards the south, towards those riches.
>> And this is, I think, the first thing
that began to really settle in to my
soul from being at the museum. It made
me think about the people on the ships
in two ways. Mhm.
>> One is, and you have incredibly moving
installations around this, the people
ripped from their homes and their
families, pregnant women, children,
and 2 million die in the crossing, which
is a huge number of people.
>> So many throw themselves overboard.
It's gutting. It's like a truly gutting
>> thing to sit with. I also spent time
thinking about the enslavers. Mhm. And
one thing that was really present for me
throughout the work you all have done
here is a power of stories
and what it must have taken. What
stories it must have taken to not see
the humanity of the people before you.
Not see that when they were weeping
those tears mattered. Not see that the
families you were destroying and
dissolving loved each other and mattered
exactly as much as your own. not see
that you that they were humans and that
you had become
>> Yeah.
>> the monster,
>> right? To do all this with a Bible in
your hand.
>> Yeah.
>> I'm curious, having sat in so much of
this, how you understand what those
stories were.
>> Yeah.
>> That led people to sacrifice their
humanity and to so betray the humanity
of the people they were enslaving. I I
think that's such an important question
and the transatlantic trade in that
water in the Atlantic Ocean um just as
backdrop, you know, that exhibit really
came out of my first trip to Africa and
and I I mention this because I think
it's true for all of us. It's just we're
all learning, evolving. So, I grew up on
the ocean. The Atlantic Ocean was the
beach. It was a place to go. And then I
went to Africa for the first time.
um misconnect. I was supposed to give a
speech in Abuja in Nigeria and I got
there too late and so they sent somebody
uh to meet me at the airport in Lagos
who was supposed to take care of me and
this young lawyer met me at the airport
and he was very nice and first thing he
said was I've canceled your hotel room.
You're not going to stay in a hotel.
You're going to stay with me and my
family and my son is excited to meet you
and he's going to share. And so he was
very he was committed to giving me an
authentic experience and he said I had
to show you Legos. It was like 11:00 at
night and he took me all around the city
and we would literally go into
neighborhoods and he would start
shouting, "Hey everybody, come out and
meet this black American lawyer and
people would come out and these women
were trying to sell me shea butter and
all these products and it was rich. Uh I
was tired, but it was rich." And he took
me all around the city. I finally said,
"Man, I got to get a little rest. Can we
can we just go home and get a little I
got to get up early." He said, "Okay,
one more place." And uh he took me to
the beach. I didn't even think about the
beach in Lagos. It was not pretty. It
was dark. It was kind of concrete slabs.
There were soldiers with guns and uh
fast food play. Nothing beautiful about
it. He said, "Come on, come on." And we
climbed over the concrete slabs down to
the shore of the beach. It was dark. You
could see the moon shining across the
ocean. And this guy had been so
gregarious and so talkative, all of a
sudden got so quiet. And I was standing
there and I looked over at him and he
was crying. He had a tear running down
his face. And then he looked at me and
he said, "I brought you here because I
wanted to tell you I'm sorry. This is
where we lost you."
>> And for the first time in my life, I
realized I was standing on the other
side of this ocean that separated me
from everything that's important about
me. My identity, my culture, my history
was all taken from me by the Atlantic
Ocean. If I take a DNA test, I show up
in 24 different countries.
And it it hit me hard. First time. And
it changed my relationship to the
Atlantic Ocean. When I got back here, I
realized that that body of water needed
to be understood more honestly. We've
spent millions of dollars looking for
trinkets from the Titanic in the
Atlantic and we haven't spent hardly
anything to reckon with the two million
bodies that are buried in the bottom of
that ocean. And so a story can help us
understand things about who we are, our
relationship to the things around us
that are important. I still love the
beach. I still see it as a place of
beauty. But I also see this need to help
others understand the harm that was
caused by moving millions of people off
of their land, their place, their space,
it's really unprecedented in human
history. And so the second part of your
question gets to the how, why? And when
I look at the history of enslavement and
you try to understand how did that come
because you're right, people who
enslaved other people thought of
themselves as moral and decent and
Christian and and you have to ask, well,
how do you think of yourself as moral
and decent and Christian when you're
pulling away a screaming woman from her
children knowing that that mother will
never see those children again because
you're treating her as property? How do
you do that?
>> And you beat her for crying. beat her.
You have so many exhibits on this.
>> Absolutely. And you abuse and and I
think you have to understand that that
takes a false narrative. In order for
those people to feel moral and decent
and Christian, there had to be a false
narrative legitimating, sustaining,
animating what they were seeing. And so
we created a false narrative in this
country. It actually began when
Europeans arrived and we had to deal
with indigenous peoples, which is part
of the reason why I think we need to
talk more about that history. When we
created our constitution, when we
declared independence and advanced these
ideas of equality and freedom and
justice, we denied native people
protection. We said, "Oh, no, those
native people, they're different." And
we created this narrative of racial
difference that we used to justify
forcing people off their lands, the
famine, the war, the disease. And that
narrative of racial difference, the same
narrative is what was used to justify
246 years of slavery. And the false
narrative was that black people are not
as good as white people. That black
people are less human, less evolved,
less capable. And that's why I believe
the great evil of slavery wasn't the
bondage, the forced labor, the violence,
all of those things. I think the true
evil of American slavery was the
narrative we created to justify
enslavement.
And when I give talks, I often argue
that the North won the Civil War, but
the South won the narrative war. Those
ideas of racial difference and racial
hierarchy, they they continued. And then
important footnote on that. Even many of
the abolitionists in the north, even
many of the people who did not believe
in slavery also did not believe in
racial equality, which is why
reconstruction collapses, they retreated
from that because they were being
governed by this narrative of racial
differences. So then when southern
states start codifying racial
segregation and creating Jim Crow, it
didn't seem as strange as you as you
would imagine it should be to have laws
barring black people and white people
from sitting in the same part of a bus
or playing checkers together or living
next to one another. This absurd crazy
world where black kids couldn't play
with white kids and black people
couldn't say this to a white person.
that is all rooted in this narrative and
and we talk about mass incarceration in
the same context because I think there's
a way in which we have tolerated
throwing away hundreds of thousands of
people
because it's politically expedient. You
know the drug war in the 1970s uh you
know we had 300,000 people in our jails
and prisons until the 1970s and by the
end of the century we had over 2
million. How did that happen? Well, we
had people from both political parties
saying that people who are drug
addicted, people who are drug dependent
are criminals who should be punished for
their addiction and dependency. Even the
people when I'm representing my Clinton,
people are trying to kill the people I
represent. It's heartbreaking to me. I'm
working on a case now involving a
10-year-old child. And there are people
in this state that refuse to put this
child in the juvenile system. They're
trying to keep him in the adult system.
10-year-old boy. And because there's no
place for 10-year-old children in the
adult system, what they do with a
10-year-old boy is put him in solitary
confinement.
>> And that is such a destructive, cruel,
abusive thing to do. And if I could just
get them close enough to this child, I
don't think anybody would say that's
what we should be doing. But they won't
get close.
>> But some of them are close to this
child. There was a judge who sentenced
that child. No.
>> Well, but judges don't have to get close
to the people they sentence. I mean, I
think one of the things if I could
radically change our criminal legal
system, I would make judges go to jails
and prisons and see what's happening to
people in jails and prisons, I would
actually make them spend time in
low-income communities, the zip codes
where you have the highest rates of
arrest and pro. I would I would want
them to go and actually see the lives of
children, see what's happening to kids
who are born into violent families where
people are always shouting that are
living near gunshots all the time to see
the environments so they could have an
appreciation for who that person is. But
that's the problem now is that we have
so many people with the power police,
prosecutors, and judges who are
disconnected. And if the only thing you
see is people at their worst, then that
can mis mislead you as well, right? And
and that's what happens to a lot of law
enforcement. You only see people on
their worst day and that makes you angry
and and I get it. But if you actually
spent time with their mothers, their
siblings, the people trying to help
them. If you spent time in poor
communities and you actually saw the
struggle people are engaged in to
overcome, then I think you'd actually
have a different mindset. But no, I
think this child is a consequence of the
way in which we've divided things.
Almost all the kids under the age of 13
in this state who've been condemned in
this way are kids of color and the
judges are almost all white.
>> I I wish in the lynching room one of the
things and I found that of [snorts]
everything I sat in here to be the
hardest
>> Yeah.
>> uh space to sit in.
>> Yeah.
>> But two things really sat with me. One
was
>> cuz you you have put up all this
coverage of lynchings, right? newspapers
and announcements and invitations,
right, to to come out to see the
lynching.
>> Yeah.
>> Of kids, of 13-year-olds, of
15year-olds. There's one in which an
infant
>> That's right.
>> is lynched.
>> Yeah.
>> And that's talked about, right? Just as
a fact like come, you know, this is what
happened. This is what we did. And then
the other was this other dimension of
the news reports that you put up on it.
the thirst for
violence and and and the the like there
were multiple where they couldn't find
the person so they lynched the brother.
>> Yes.
>> Yes.
>> And that was again reported on
advertised.
>> He talked too much. Now he won't
>> talk anymore was the way another one was
described.
>> You know we were just talking about
maybe this difference between
>> being close to someone and being near
them is maybe a different way of saying
what I was saying. There was a judge at
some point near that child. there's a
prosecutor near that child in a room
with that child. And in these
communities, there is maybe not
closeness in the way you're describing
it, an intimacy, a seeing of another
person's struggle, humanity, dignity,
soul, but there's nearness. And in some
ways, the nearness, it seems that you
can feel a pulsing fear behind it,
right? particularly if there's ever uh
evidence of revolt
>> of violence of people trying to fight
back in a system that is destroying them
and then the system has to come down
with extraordinary
force on them or anybody near them
escape.
>> Yeah.
>> Right. The punishment for escape when
that would be in some ways the most
honorable and human
>> response to what is being done. the
number of people who are brutalized or
at times I think lynched but certainly
brutalized during slavery for just going
at night to try to see their wife who
has been moved.
>> Yeah.
>> Or their mother. There's something about
this nearness but not
>> Yeah.
>> closess. I I I I think that's right. I
mean, the people who were most at risk
of lynching violence in the 20th century
were black veterans after World War I
and black veterans after World War II.
Why? because they had gone to Europe and
fought. They've been given a gun. They
had done something that people applauded
them for. France celebrated them. And
now they're back in Mississippi. Now
they're back in Georgia. And for the
local power structure, that was a
threat. And so they would try to
humiliate them. Boy, take that uniform
off right now. And they would say no.
And their resistance was such a threat
to this social order, this racial order
that they would be particularly at risk
of victimization.
And so I I think you can look at that in
terms of proximity and I think that is a
very real framework.
But it's also worth kind of stepping out
from that. How did that happen? Well,
that's where I think this narrative
becomes so important. And part of what
I'm saying is yes,
uh it is not good for you to enslave
another human being. I I don't want you
to do that um because I care about you.
I think it will corrupt your heart, your
soul. It will limit your capacity to
love. It is not healthy to say to
people, you can't love that person
because of their color. It is not good
for you to take your children to a
lynching, which many families did, and
let them watch a black man being
brutalized and mutilated. It's not good
for them. You're going to create an
unhealthy relationship to life. And
that's why I do see this as an effort to
liberate everybody, to uplift everybody,
not just the people who have kind of
disproportionately borne the burden of
this bigotry, but everybody.
>> There's a picture right next to us of a
bunch of white families staring at the
feet of a lynched man and that some of
the children are in ties.
>> Yeah.
>> Right. They they dress them up for the
occasion.
>> Yeah.
>> I was thinking as you said some of that
about the word narrative. narrative
somehow seems so
thin for what it was, right? There's a
narrative in a book, there's a narrative
in a Pixar film
>> that this wasn't just a story people
were telling. It was a way that they
were and were not able
to
register plain facts of the world in
front of them. Which isn't to say it's
not a narrative or not a story, but it
it made me think about what has to
happen for a story to penetrate so
deeply that it is more powerful than
your immediate reality is to you. I
always think of Big Hart vivisecting
animals and as they scream, right? And
animals do scream if you cut them open
while they're alive,
>> saying they're not really feeling pain.
>> Those are just mechanical sounds.
>> And one of the parts of the museum that
I really spent a lot of time in were the
ads to sell slaves. And the reason I
found myself
just reading more and more and more of
them is that there are moment when you
saw something a dissonance breaking
through. Right? We talk about narrative,
but there's also the power of
self-interest
>> and of interest. And as you read these
and there's a a wall of them in the
museum, the slaves are the people are
described as able to learn anything,
completely trustworthy of a great
family, right? They they read almost
like college endorsement letters
because they're trying to get the
highest price for them. Yeah.
>> And so on the one hand there's this
narrative, this story of brutishness, of
subhumanity, of incapacity, and then
it's Peter is a master brick layer and
and you see something happening that
what is known but can't be admitted.
>> Yeah. Well, I I I think you're
absolutely right that the reality of
being with another human being, seeing
another person's humanity is always
going to emerge in ways that are
powerful. You know, I grew up in
segregation. There were no but for Brown
versus Board of Education. I would have
had a life where there was no engagement
with people who are white. But because
of that decision, lawyers came into our
community, made them open up the public
schools, and I began interacting with
white kids, and they began interacting
with me. And by the end of
[clears throat] high school, gosh, they
elected me to be the president of the
student body, which would have been
inconceivable, not because I was
particularly special, but just because
we were able to get to a place of
relationship.
And I I say that because when you think
about the harm done by segregation, we
never focus on what it did to our
understanding of who we are. I mean, I
think about the lives of most Americans
in the 20th century. There were very few
places where people had integrated,
racially integrated lives. And now
what's happened is we're seeing that
replicated again. Our public schools in
Montgomery are racially segregated. The
public schools are 76%
black. White parents didn't want their
kids going to school with black kids
after Brown. And so they left and
started creating private schools and
charter schools and and that separation
has continued. And that's the tragedy of
the narrative that keeps us apart. I I
mean when you really get to know a
person I mean again I see this in my
legal work and a lot of what I'm trying
to do in this space has been informed by
that. I've had correctional officers
come up to me with tears in their eyes
uh when one of my clients is getting
close to an execution date and say,
"Please, please save this man. He's a
good person. He doesn't deserve this."
They wouldn't be able to testify to that
in court. If I asked them for an
affidavit, they wouldn't be able to do
that because they would lose their job.
But it was a genuine understanding. This
this is a human being whose life has
meaning and purpose and value. He's not
someone who's beyond hope, beyond
redemption. And it wasn't even about
innocence or guilt. It was about what
they observed.
So I I do think that dissonance what you
see in those ads is a dissonance that
that was uh intentional
uh that was uh sustained obviously by
the economic benefit of saying something
positive about this person that you're
trying to sell. But you can see it
throughout history. This brings us in
way to the 250th to 1776.
You can see it in the founding fathers
who many of them knew and left eloquent
writings to the effect of slavery is a
moral horror.
>> Yeah.
>> That God will judge this country for.
And not only did they not abolish
slavery upon the founding of the
country, but they did not free their own
slaves. And that's where I think there's
something interesting in this question
of in some ways it almost takes us off
the hook then and now to say that the
problem was
everyone believed a story that wasn't
true because many people knew the story
wasn't true or they believed multiple
stories at one time.
But it's sometimes hard, costly to act
upon what you know is true. I mean, you
don't have to take away from the
brilliance of the founders or the
morality in other dimensions
>> or what they gifted unto the world to
say that actually it's a profound
warning to read their writings on this
>> and then recognize what they did not do.
>> Absolutely. And that's why exploring
what they did not do is as important as
exploring what they did, understanding
what they did. And to not reckon with
what they did not do, it's not just
dishonest, it's misleading. It will
allow you to believe that greatness
uh can be achieved without completeness,
without
>> something that's consistent. And I just
think again it ends up being unhealthy.
I think about people I know super
talented, incredibly talented, and I
could talk forever about how unique and
skilled and talented they are as a
musician, as an athlete, but I also know
that they are suffering, that they are
struggling, that they're dealing with
mental health challenges, emotional
challenges, depression.
And if I don't talk about that, if they
don't talk about that, their talents
will not define them, they'll be
overwhelmed by these other things. And
so that's why I feel like it's unhealthy
to not acknowledge the tensions, the
contradictions, the failures of the
founding fathers and the failures of our
largest society.
>> Let me have you expand on that because I
think that's a very profound statement
that and and I want to remember how you
said it that greatness is not possible
without completeness. Is that what you
said?
>> Yeah. I think many people have the fear
that what you will have if you confront
if you admit if you look straight at
your failings your country's failings is
not completeness so much as a kind of
overwhelm that you will be overwhelmed
by the darkness.
>> Yeah. I I
>> tell me why you don't believe that.
Well, I just I I don't I think we have
too many examples of that not happening
to fear that it that it will happen to
us. I mean, you know, a lot of what I'm
doing here came out of going to South
Africa and visiting the apartheid
museum. And to get into that museum, you
get a ticket and the ticket will
arbitrarily assign you a label that says
white or colored. and you have to go
through the door that your ticket
corresponds with. So before you even go
into that museum, you have to deal with
the discomfort of participating
with apartheid and I went with three or
four Swedish lawyers. We're all at some
human rights conference. We all bought
tickets. We all got tickets that said
white. And when they realized that and
they saw the doors, they immediately
stopped and said, "Oh no." And they went
back to the black woman working at the
counter and said, "Yeah, we don't want
the white ticket. we want the other
ticket and she wouldn't sell it to him.
But that sense of discomfort before you
even go in and when you go to the
>> What did it feel like for you?
>> Well, I walked right through the white
door. It didn't bother me. I mean, you
know, because I understood what they
were trying to do. Uh they were trying
to get you to imagine to appreciate to
to kind of engage with the arbitrariness
of that regime. But there were rooms in
that museum where there were nooes
hanging from the wall. I was like, "Oh
my god." And when I left, I thought, "We
don't have any museums like this in
America." Then I went to Berlin.
And in Berlin, I was blown away. You
can't go 200 meters in Berlin without
seeing the Staplestein and the markers
and the monuments dedicated to the
victims of the Holocaust. The Holocaust
Memorial sits in the center of Berlin.
There's like a dozen museums dealing
with the horrors of the Holocaust. Just
in Berlin, there were no Adolf Hitler
statues. There were no monuments to the
perpetrators of the Holocaust. In
Germany, you're required to understand
the Holocaust before you graduate from
high school. You can't graduate without
a detailed understanding of that
history. And they don't have people
saying, "Oh, we can't teach our kids
about the Holocaust. That might make
them feel uncomfortable or ashamed."
It's the opposite.
>> Well, now they do have some people
saying that. And I think this is
important because when we I remember our
earlier conversations and you tell me
about Berlin
>> and in the decade or so that has passed
since then, you know, maybe a bit less,
we've seen the rise of the AFD. And at
the the nuclear core of the AFD, I mean,
they have an argument about immigration
and many other things, but much of their
appeal is about restoring German pride,
allowing Germans to be proud of who they
are.
There is no vaccine against bigotry and
politics of fear and anger. Nothing will
insulate us from tensions. And you see
that in Germany, you see that in Europe.
But when you think about Germany, the
villain of the 20th century and where it
stands today in the 21st century. In
less than 80 years, that nation has
transformed itself. And it wasn't
immediate. If you talked about the
Holocaust, you'd get booed. you'd get
you'd get shouted at. But what has
happened there in the last 80 years I
think is quite remarkable and we need to
understand that before we say oh we
can't talk about that in the United
States because we'll get defined by that
we'll be overwhelmed by that. The
principal difference of course is that
in South Africa there was a change in
power. A black majority took over and
they were insisting on reckoning with
the history of of apartheid. The Nazis
lost the war. Had the Nazis won the war,
we wouldn't see the Germany that we see.
And in the United States, there hasn't
been a shift in power. The people who
benefited from enslavement didn't have
to forfeit all that they benefited from.
The people who actually fought against
the United States were quickly restored
into power and didn't have to give up
anything as a result of that. The people
who lynched others were never held
accountable. Even in the 1960s, the
moment we're in now, is a is, I think, a
consequence because we never required
accountability. We didn't even require
people who disenfranchised black people
for a century to say, "I'm sorry. I'm
wrong. We shouldn't have done that."
Most of them voted against the Voting
Rights Act in 1965. These southern
Congress members, and they just began
scheming for ways to maintain
political disenfranchisement. It's the
absence of reckoning that allows the
problems that contribute to these issues
to continue. It's interesting to me how
much the memorials in other places
informed what you have done here. And
being here, I thought a lot about
Holocaust museums,
>> concentration camps, right? That that
exists very much in my family's history.
And I had a similar feeling here that I
have there that confronting the
Holocaust,
it doesn't make me afraid of Germans.
>> It makes me afraid of human beings.
that confronting
that photo of people in their Sunday
best looking at a man hanging from a
tree doesn't make me afraid afraid of
Americans
or you know whatever county that might
have happened in the people of that
county. It makes me afraid of of human
beings
>> that what we are capable of is very easy
for us to deny.
>> Yeah. And it's also a mistake, I think,
and to to assume that it's only what
they are capable of.
>> Absolutely. Absolutely. And I'm glad to
hear you say that because that's the
goal. You know, people will say, "Well,
my people never enslaved anybody." As if
somehow that exonerates them from living
in a community where the hotels and the
uh railroads and the business and the
insurance, all of that was trafficking
in the commerce of slavery. You didn't
have to enslave someone to benefit from
slavery. And so that's not the right
framework. If you're looking for a
personal exoneration in that way, that's
not going to get us where we need to go.
We are succeeding if we can get people
to think past the particulars of the
moment, the particulars of the era,
which is what a lot of people do when
they tell you, "Don't talk about that.
That's in the past. It doesn't matter
anymore." They're trying to reduce it to
a particular phenomena. Stop. Why are
you talking about slavery? That happened
a long time ago.
I think if you truly appreciate the
harms of slavery, if you truly
appreciate the harms of lynching, if you
truly get to the horrors and the harms
of segregation,
then you'll you'll begin to never want
to tolerate abuse of power. You'll never
want to exploit people who have less uh
privilege. You'll you'll you'll begin to
talk against hatred. And I think part of
why I value making this a human story
and recognizing the humanity of every
person is because it stops mattering
where you are in the story. You just
know that that is wrong. There's not
much in the museum about the
abolitionists or about the Civil War. Uh
there's a lot about enslavement, but
Frederick Douglas is not absent, but
he's not highly present.
um say nothing of Lincoln or
sort of anything in that kind of vast
movement that ended this horror
and particularly the parts of it that
did so when it seems so remote
>> right when I read the biographies of
Douglas or others
>> and there's just such a long period I
mean now we see it on the other side of
the story
>> but when that work was so unlikely
Why?
>> Well, if you ask some most people in
this country, um, what do you know about
slavery? They'll say, well, we know
there was a civil war. Can you identify
anybody who Frederick Douglas,
>> maybe Harriet Tubman?
Um, and it doesn't help them understand
anything about slavery. To know that
someone escaped and then did these
remarkable things, that's an achievement
narrative. Um, but I think it's
misleading to reduce slavery to the
story of abolitionists
or to reduce slavery to the success of
Frederick Douglas because what that does
is actually allows you to avoid the pain
and the harm and imagine that it created
this opportunity for this great man to
emerge. What you need to know about
slavery was how cruel it was, how
horrific it was, how how painful it was,
the ways in which it distorted. I I and
and
most people haven't thought about what
it was like to be a mother, an enslaved
mother, and to give birth to a child,
maybe even as a product of rape, and
have to decide, do I love this child or
not? half the people I know are being
sold away from their children or their
children are being sold away from them.
If I love this child, my heart's going
to be broken, so maybe I shouldn't love
this child so much because it's just too
fragile. It's too uh likely that they'll
be pulled away from me. And when you
learn that most of these mothers chose
to love despite the threat that they
would be sold, despite the threat, the
fact that this was a product of sexual
violence and rape, you begin to see
something different about that enslaved
woman. You begin to understand something
different about these people. And if you
don't understand that, then you're going
to misunderstand the nature of slavery.
My great-grandfather was enslaved in
Caroline County, Virginia. And even
though he was enslaved and enslaved
people could lose their life for trying
to read or write. It was against the
law. My great-grandfather learned to
read or write as a teenager. He risked
his life to learn to read or write as a
teenager because he had a hope of
freedom. This is the 1850s. He didn't
know a civil war was coming, but he had
a hope of freedom. And he learned to
read or write. And my grandmother told
me after emancipation, something I never
talked about uh before, that my
great-grandfather would read the
newspaper to formerly enslaved people
who he would invite to their house once
a week so they would know what was going
on. He would stand on the porch and read
the newspaper from front to back and and
people who didn't know how to read or
write would hear him read. And my
grandmother said she loved the fact that
her dad knew how to read. And she said,
"When my dad started reading, I would
push my siblings aside." And she said,
"I would get near him and I would just
wrap my arms around his leg." I said,
"Mama, why'd you do that?" She said,
"Well, I would wrap my arms around his
leg because I wanted to learn to read,
too." And she said, "I thought you learn
to read by touching somebody while they
read." And he taught my grandmother to
read or write, and she would insist that
we would read. I would sometimes go to
visit her. She'd make these desserts
that smelled so good. I'd go run. She'd
say, "Come on, Brian, get this pie." and
I'd go run and she'd be in front of the
kitchen with a stack of books. She'd
make you read for the dessert. But what
I realized is that there was power in
the hopes of those who'd come before me.
I felt lifted up by generations of
people who had struggled. And that's
what we're trying to do with this
history. We want to be very direct about
the harms and the and the and the
horrors of slavery. But we also want
people to understand the resilience, the
power, the strength, the courage, the
character of people to love in the midst
of agony. It then gives you something to
celebrate in a new way. Uh when you get
to the national monument and we decided
to take the names of the four million
who were emancipated, who for the first
time in American history could have a
surname that happened in 1870. It was
the first time uh enslaved people in
this country got to have a surname. But
to now have those 122,000 names on that
monument that's 43 feet tall and 150
feet wide and to see the descendants of
enslaved people in this country finally
have a place to go where they can
connect to their enslaved ancestors
with pride for their capacity to
survive, their capacity to love, their
capacity to endure. I just think um is
really important. We're trying to help
people understand there's power in
knowing who we are and what we've done.
There's power in appreciating our
capacity to overcome not just slavery
and lynching and segregation but
anything that diminishes us that pushes
us away from these broad and beautiful
ideas.
And I really am energized by it. There's
nothing that undid me
>> across the museum the way the narratives
of people's of slaves commitments to
their families did.
>> Absolutely.
>> And over and over and over again, I
would
see the pictures.
>> Yeah.
>> Or read the stories or read their words
and think about
>> my seven-year-old.
>> Yeah. There's one in which a young kid
the father who's being taken from him
talks about him running and like trying
to hit the chains around as if to break
them.
>> Yeah.
>> You know, or the um men and women parted
from each other.
>> Yeah.
>> You know, there and people's names are
changed to go back to what you were
saying about the names. When you're when
the people you love are taken from you,
>> you will very likely never see them
again.
>> So, not do I take nothing away from that
heroism. I I actually found it to be the
most affecting. Yeah.
>> Right. The the commitment to the
fundamental [snorts] nature of being a
human being, which is loving and caring
>> for yours.
>> And there's nothing I found to be more
indicative of like
>> the way people turn themselves into
monsters in the system than that they
would do this to than that they would
>> force people to advertise themselves on
a slave block.
>> Yeah.
>> And then whip them for crying upon
separation from those they love. Right.
it it just it I I find it unimaginable.
>> So when I ask about the abolitionists, I
don't ask to reduce the story of slavery
to to a narrative about them. But the
reason I do ask about them and the
reason I want to do it from a different
angle is that you've been talking here
about
>> what it means to inhabit these moments
and ask
how could that be me?
>> Mhm.
>> Right? what it means to inhabit this
moment and ask not just how could you
identify with the man who is lynched,
but what does it mean to identify with
the people watching the man be lynched?
But there's also something if you're
thinking about how these stories lead
you towards justice.
What does it mean to commit yourself to
that when it's not easy? When it's not a
majoritarian position, when you don't
see the civil war
>> coming?
>> Yeah. And yes, like the story of
Frederick Douglas or Garrison or all
these different people, it can be
reduced down to cliche, but it's also
not just cliche. I mean, the
abolitionist movement, all these
movements, they are their own incredible
unlikely acts. So, I I understand why
you didn't focus on in the museum, but
how do you take it yourself?
>> Well, I just I I
mean, I think it is an intentional
choice. I think
I think we've tended to make the
abolitionists
the heroes of the anti-slavery movement
that they were the leaders who won the
struggle for emancipation.
And I just think that's not
complete. I even think it borders on
dishonesty.
I think the four million the 10 million
people who were enslaved over 246 years
and found a way to hold on to their
humanity and the dignity. There's
nothing more that contributes to
abolition than to stay human when you're
being treated as an enslaved person to
hold on to your dignity when you're
being denied your dignity. To hold on to
your humanity when your humanity is
being crushed.
I I think they are the heroes of that
story. They are the champions. And you
could be in Boston writing in nice and
polite things that others can read, but
that's not the hard thing about enduring
enslavement. It's not the hard thing.
It's not going to be the thing that gets
us where we're trying to go. And so I
don't have any
um problems with all of those who did
all that they did. I think we are not
acknowledging
the power, the strength, the the courage
it took to endure those husbands and
wives and children and siblings that
spent their last nickels and dimes to
find their loved ones after
emancipation. You have to understand
that heart if you really want to
understand how did slavery end. And and
similarly in the civil rights context,
you know, I I I love Dr. King. I love
Mrs. Parks. I had the privilege of
getting to know. I love the names that
are known by other people,
but it's the cooks and the maids and the
laborers who had to walk three miles
every day to get to work cuz they didn't
have a car, then walk three miles back
to get home. It's Georgia Gilmore who
was making food for other people because
she knew that some people would never
have time to eat. [snorts] It's these
ordinary people doing extraordinary
things. It's the 50,000 black people in
this city, most of whom whose names will
never be known again. Nothing but
admiration for Frederick Douglas. But we
actually use the words of William Wells
Brown at Freedom Monument Sculpture
Park, who was also like Douglas, someone
who escaped slavery. But what he writes
about is the pain of enslavement. He
wants people to understand what it was
like to hear his mother being whipped
when he had been pulled into the house
to work inside the house, but his mother
was still out in the field. He wants
people to read about his heartbreak when
he tried to escape and was caught. Those
are the stories I think that are
important to understanding this legacy.
>> His story was very very powerful to read
as it creates a sort of narrative as you
move through the park.
>> So he tells a story of escaping with his
mother
>> at one point
>> and they're traveling and and
they feel near
>> to freedom. M
>> it's a particularly difficult pillar to
read because
>> you can begin to feel
>> that they're going to be caught and they
are
>> but the part that has stuck with me is
they're caught by functionally bounty
hunters
and he's bound and they're taken and and
they're being taken back but the they
and the the hunters stop for the night
somewhere to to spend the night and the
people who hunted them, who captured
this man and his mother and are going to
bring them back to terrible punishment,
maybe death, definitely bondage,
>> take out a Bible
and read from it to everybody that
night.
>> And and he talks in that in in that
recounting of it about,
well, how is it that this person
>> Yeah.
>> imagines himself to be a Christian? And
Christianity is so present in the
museum. It is so present on all sides of
the conflict of the civil rights
movement, but also of the people
fighting the civil rights movement,
>> right? The KKK is a Christian
organization.
>> Um, it's so present in slavery.
>> Even just from the perspective of story,
how do you understand
how the same book, [laughter] the same
words
can take such different forms? Well, I
think again um
Christianity when you have a lot of
power, when you have a lot of status can
be corruptive. Uh
and the gospels speak to this. They they
they they basically say wealth and power
and privilege is something that will
make you a bad Christian. It will it
will keep you away from the kingdom of
God. And Unfortunately,
um, in a nation as wealthy and powerful
and privileged as our nation, there's
just not as much emphasis on that. I
actually think I would love I want I
want everybody to come to our spaces but
I want particularly Christians to come
and I just want them to ask themselves
were those Christians on the right side
not just of history but on the right
side of theology of Christianity of
faith who tried to justify and defend
slavery. Similarly,
when Christians were saying, "No, black
people over here, white people over
here." The the the biggest proponent of
segregation, the loudest opponent of the
Montgomery bus boycott was the pastor of
the Baptist church here in Montgomery.
Were they good Christians? Were they
good believers? Or were they misled? Did
something get between them and true
Christianity? And if you ask that
question and you have to say yes, it
just prompts then these new questions
for you, for how you function, how you
believe. If we believe we are called to
do justice and love mercy and walk
humbly, do you think those things should
be easy or do you think those things are
going to be hard? I can tell you they're
going to be hard. And so you have to
prepare yourself to do something hard.
The good news is is that we have been
empowered to do the hard thing because
of our faith. I mean, I've always
believed I had to believe things I
haven't seen. I I mean, you know, nobody
in my family had gone to college before.
I had to believe that even though I
hadn't seen it, I'd never met a lawyer.
I had to believe I could be something
I'd never seen. We came to Alabama in
1980s to represent people on death row.
Everybody says, "You can't help anybody
on death row in Alabama. You'll never
win a case." We had to believe we could
make a difference even though we hadn't
seen it. And even today, I have to
believe that there is something better
waiting for us in America. It's not that
hard to have hope. It's not that hard to
believe that. I walk these streets of
Montgomery knowing that the generation
that came before me would put on their
Sunday best. They'd go places to push
for the right to vote. They'd get
battered and bloodied and beaten while
they were praying on their knees. and
then they would go back home, wipe the
blood off, pick their Bibles back up,
and do it again. I stand on the
shoulders of people who did so much more
with so much less. And so, I just think
that's where Christianity has power.
That's where faith has power. It doesn't
just have to be Christianity. It's the
ability to believe things that we
haven't seen, to do things that haven't
been done before. It is the engine that
drives the power of faith. And that's
what Dr. King and the civil rights
community, I think, got so right. They
knew that they could empower people who
had lived lives rooted in that view to
now challenge segregation, to challenge
this racial order. This is my own view.
But one thing I often think about is
that
spirituality, great spiritual teachers,
mystics, they are unruly and they are
disruptive.
>> Mhm.
>> It's true of Jesus. Yeah.
>> True of any prophet you might want to
name.
>> That's right.
>> And religions over time, not every
single one of them, not at all times,
>> but they often come to prize order.
>> Yeah.
>> And spirituality often wants to reorder
the world. And religions often want to
maintain it order because they're built
around the world as it is. And
one of the places you saw that and you
see it so often in the history of
slavery of civil rights, but you have a
recruiting bill from I believe the
Citizens Council.
>> Mhm.
>> Which is, you know, a group in the South
>> built to fight civil rights. And it's
trying to convince other, you know,
white citizens to give their $4, give
their $6.
>> And what it promises him isn't white
supremacy. It's racial harmony.
>> Yeah.
>> It says, "We are here to maintain racial
harmony in Selma."
>> Yeah.
>> That we if you work with us, we'll get
you another decade of racial harmony
>> in Selma.
>> And the way that the status quo, the
order of oppression can look like
harmony to those. is it is not harming.
You read histories of the civil rights
act and civil rights uh activists are
always called agitators.
>> They're agitating things.
>> Yeah, that's right.
>> Yeah. No, I think you're absolutely
right. If you think religion creates
stability, if you think religion creates
calm, if you if it if you think it
creates order, then that will be your
narrative. That will be the message that
you try to give to people. And that's
exactly what happened. So, the White
Citizens Council in Montgomery was very
small until the Montgomery bus boycott
and it grew
dramatically. The mayor wasn't a member,
the police chief wasn't a member until
the Montgomery bus boycott. But every
month of that boycott, thousands and
thousands more people started joining
the White Citizens Council. All because
black people were not riding the bus.
And they saw that as destabilizing. They
saw that as and because Dr. King was
articulating these things that people
hadn't articulated before and he was
challenging them. And when you listen to
these speeches he gave, he would say at
the mass meetings that we have to help
our white brothers and sisters. He says
because segregation is evil.
>> We're living with the conditions of
slavery and then later segregation.
Many negroes lost faith in themselves.
Many came to feel that perhaps
they were less than human.
Many came to feel that they were
inferior.
This, it seems to me, is the greatest
tragedy of slavery, the greatest tragedy
of segregation. Not merely what it does
to the individual physically, but what
it does to one psychologically.
It scars the soul of the segregated as
well as the segregator.
It gives the segregator a false sense of
superiority
while leaving the segregated with a
false sense of inferiority. And this is
exactly what happened.
>> It was brilliant, but it was
particularly enraging to the White
Citizens Council because he was actually
saying, "Hey, white people, I've got
something to help you, too." And that's
what made it so
provocative because he was saying we
need a new order. We need a new future.
>> With this faith, we will be able to
transform this pending cosmic energy
into a creative storm of peace and
brotherhood. With this faith, we will be
able to speed up the day when all of
God's children, black men and white men,
Jews and Gentiles, Protestants and
Catholics, Hindus and Muslims, theists
and atheists will be able to join hands
and sing in the words of the Holy Negro
spiritual, free at last. Free at last.
Thank God Almighty, we are free at last.
And that's why both in Christianity and
in a lot of religions, there's a message
to the wealthy and the power and the
privilege is woe to you wealthy. Woe to
you privileged people. You have to think
differently than your wealth and your
privilege will push you to think. You
have to think differently than your
status will push you to think. And and
that's I I think something that some
people of faith are embracing and using
in very powerful ways. And there's
that's something that others are not.
The civil rights movement, I feel it
when I watch the videos here. Um I feel
it when I read the histories of it. It
is hard for me to believe it existed.
>> And that's true for, as you were saying
a minute ago, the names we associate
with it. The Martin Luther King Jr.'s
Rustin,
but it's even more true for the people
who showed up at marches who were never
going to be written about
>> and who did so knowing
they might take a brick to the head.
There's a I think it's a picture in the
museum and you just see a
white man swinging a baseball bat at the
back of a black woman.
>> Yes. Yeah. and people who came day after
day, you know, the people who decided to
send their children
into the teeth of Bull Connor,
>> right, who chose to do that and that was
very very controversial and the, you
know, Martin Luther King Jr. and others
were
>> heavily criticized for it.
>> It that
and to say nothing of just the the bus
boycott which went on not for a week or
a month but nearly a year.
>> Yeah. Over a year. Over a year. 382
days.
>> And it
it's almost a hard text because I think
people look at it and the restraint
and the love
it doesn't feel right. I almost think
it's easier to imagine yourself
suffering or inflicting suffering,
right? Like being a victim
>> or being a perpetrator.
>> Yeah.
>> Than to choose to absorb suffering
>> with that kind of grace and restraint.
>> Yeah. and and yeah, I wonder how you
>> Yeah, I mean, I think the brilliance of
that generation of leaders is that they
knew that they didn't have the economic
power, the military power, or the
political power to force change. So,
they had to use um the power they had.
And there was a morality in
um standing up against violence with
nonviolence.
Uh being well-dressed and disciplined in
the face of all of this brutality when
people were cussing and swearing at you.
You were smiling, sending your children
into um spaces where they would be fire
hosed or uh menaced by dogs or beaten
and brut brutalized.
It was a profound
unprecedented
use of kind of moral power of
um using uh humanity to confront the
inhumity of those who abuse. It's hard,
credibly difficult, but I think people
had an appreciation that that's what it
was going to take. When Dr. King gives
the first speech at the first mass
meeting and he's being very he's you
know he's you know ornate with his
language. He's got all of the flourishes
but he and he's being very methodical
and he's saying in what happened to Rosa
Parks but at some point after laying it
all out what he says is but we're tired
now and that's when everybody erupts. It
was the It was the exhaustion of
constantly dealing with
the status quo, the humiliation, the
degradation, the constant threats and
menacing that people said, "We want our
freedom and we want our freedom now."
And most of them were prepared to die
for their freedom.
And in a lot of ways,
I I appreciate that and I recognize
that. I do because I'm in my 60s. I've
been representing people on death row
and children in courts for 40 years.
I've been fighting
um for a more just system. I want to end
cruelty and abuse of people in prisons.
I want all of those things. I'm a
product of Brown versus Board of
Education
at a time when I don't think we could
win Brown versus Board of Education. And
I think we've retreated so much. And no
matter what I do, no matter what I say,
I will still go places in this country
where I am presumed dangerous and guilty
because of my color. I still have to
navigate presumptions of incompetence
because of my color. I still bear the
burden when I'm stopped by the police to
make sure that nothing tragic and
violent happens.
and so do my nephews and nieces and
their children. And it's continuing and
it's continuing. And when you have to
constantly navigate a presumption of
dangerousness and guilt because of your
color, when you have to constantly
confront presumptions of incompetence,
when you have to constantly bear the
burden of other people's ignorance, it's
exhausting. And when you get to a
certain point, you say, "I want freedom,
and I want freedom now." And to get to
that something better, we're going to
have to do some things differently. And
I'm saying things I just never imagined
I would say, but I'm saying them. I've
decided recently that I am prepared to
represent the 10 million black people
who were enslaved for 246 years in this
country. And when people try to deny
their suffering and try to deny their uh
humiliation and and distort their
stories and minimize their pain and
agony, I want to be their advocate. I
want to stand up for them and say, "No,
you need to understand this. You need to
hear this." I want to represent the
millions of black people who were forced
to leave the American South because of
terror violence. 6 million black people
fled the American South and they left
lands that they owned. They they gave up
opportunities to create wealth for their
children and grandchildren because of
terror violence and our country's
unwillingness to enforce the rule of
law. And I want to represent them as
they now continue to struggle with the
economic consequences of that hardship.
I want to represent the people who had
to deal with the humiliation and
degradation of Jim Crow and segregation.
Those signs that said white and colored,
they weren't directions. They were
assaults. They created real injuries.
And that's why I'm committed to creating
this era of truth and justice, truth and
repair, truth and reconciliation, truth
and restoration. And it needs to happen
now. We have to create a new era. And I
say era very intentionally. It can't be
like 5 years ago. can't be a march for a
few weeks. It's going to be it's going
to take decades. We're going to have to
build and we're going to have to imagine
things and we're going to have to be
structured and systematic and all of
those things. We need to create
something better. And that's why when I
think about the 250th, I want to think
about the 300.
>> You mentioned the difference between a
moment and an era. And a moment you sort
of described as what happened five years
ago.
So what do you take as having happened 5
years ago? I mean there was this moment.
There was marches in the streets and
Black Lives Matter and a sense that
something really different. I mean it
was very popularly called the reckoning
and
when um Biden and then Kla Harris you
know ran for re-election. We're not
going back was one of the big right. You
said we're not going back. They said,
"We're not going back." And then we a
little bit little went [laughter] back
and you know, so now Donald Trump is
president and the 250th,
>> you know, and and president in part on a
very explicit promise to represent a
very different vision of American
history. When you look back on what
happened 5 years ago,
>> what
what do you learn? What does need to be
done differently? I I I think I mean in
many ways it was too easy. It was too
popular. Everybody just got to walk
and claim something and didn't have to
give anything. Didn't have to do
anything really hard. And some people
got mad when I said it's not that hard
to to kind of march under these
conditions. The police weren't really
brutalizing you like they did on the
Edmond Pettis Bridge. And I think the
same thing was true for corporations,
you know, who started saying, "Yes,
diversity, equity, inclusion, uh, black
lives matter." They didn't say it in
2015, but they were willing to say it in
2020, 2021. And we made it too easy. And
I kept always arguing, look,
don't say we're going to commit to
diversity, equity, and inclusion without
first admitting to all of the harms that
you created when you denied promotions
to women and people of color for the
last 30 years. Do a report that
documents the discrimination and the
bigotry and the ways you held women and
people of color back in your company.
women and people of color who were more
skilled, more competent than their white
peers, but they were denied the
promotions because you didn't trust
women and people of color to be in
leadership. Admit to that, document
that. Name names and then say, "But
today, we're going to commit to a new
era where we're going to embrace
diversity. We're not going to allow
gender and race to keep the most
qualified person from playing the
leadership role. We're going to have
equity. We're going to be inclusive."
And two things would have happened. that
company would know that when somebody
says you shouldn't do DEI, they would
know how to respond to that. They would
say no, we're doing this because this is
what we used to do and we're not going
to do that anymore. That was wrong and
this is not and people who were looking
at it wouldn't see think that black
people and women are just getting
benefits that they don't deserve. But
that was hard for corporations and most
of them wouldn't do it. They didn't do
it. And so then when somebody comes
along and says, "No, we're going to wipe
that out." They say, "Okay." And so
that's what I mean by an era. We've got
to admit to the hard things. So this
legacy of slavery is something we have
to acknowledge if we're going to
actually get to something better. The
lynching violence and the terror
violence, we have to acknowledge if
we're going to create a world where mobs
don't form when our political candidate
doesn't win and they engage in violent
uh protests. For me, the lesson I joke
Fred Gray, the amazing lawyer who's
still alive, who represented Dr. King
and and was the architect of the Browder
versus Gale and and did so much in the
19. So I joke with him sometimes when we
get together. I said, "Mr. Gray, we need
to go back to 1965."
And he'll say, "What were we going to do
when we get back to 1965?" I said, "You
know, I think we misjudged
what was needed. I wish we could get
back to 1965." And what I want to say in
1965 to Alabama, Mississippi, and
Georgia, and Louisiana, it is not enough
for you to just vote against the Voting
Rights Act, for you to just exist. I
think we should have said all of you
states that disenfranchise black people
for 100 years, you are now required to
automatically register every black
person when they become 18 years of age.
It wouldn't have been radical. It would
not have been radical. It would been a
way of giving the the violators of that
right an opportunity to reckon with it
and the people who had been harmed by
that an opportunity to benefit. I don't
think it would have been wrong in 1965
to say, "You all made polling places
dangerous and treacherous for black
people for 100 years. So, it's not right
for them to have to come to the
dangerous place. You should go into the
black community and get their votes."
Well, let me ask you not just about what
what you would like to have happen, but
how the power or the narrative to make
that happen happens. There is a
tremendous amount in that sort of 5-year
period we're talking about. I just think
was right.
>> Mhm.
>> And what we saw was it was not able to
build or sustain power. In fact, it
created more backlash than was able to
create staying power in many ways. Yeah.
>> And so, you know, you talk about what
happens on the Edund Pettis Bridge and
that is people putting themselves on the
line to create images
to create power and it works to some
amount. And then at a certain point, I
mean, as and you know all this history
much better than me, there's white
backlash to that and you know, wait, we
passed these bills, how are there still
urban riots? You know, when is it going
to be enough? So when you talk about
moving to this new era and you talk
about the power of these narratives and
you you know
what what lessons are there about
building the power because the
corporations you're talking about they
don't want to go back and do a large
analysis of who they did not promote and
in what ways and open themselves to
legal risk and and all the rest of it.
People are we talked about the the
appeal of the harmony of the present.
Mhm.
>> The harmony of the present is very
seductive.
>> Right.
>> Right. But it's the same thing you were
saying about Christianity and faith
wanting stability. I I I actually think
those companies that are willing to do
that become stronger companies, become
healthier companies. Those are country
companies that are going to thrive and
create an environment for employment
that's going to be so much more
effective than those that continue to
hide and deny their harms. So I think
the problem with 5 years ago is it
wasn't rooted. We didn't require people
to know the history of police violence
against black and people. We didn't
require them to understand the nature of
this struggle over 400 years. We just
allowed people to walk with a sign and
that was it. And so I think it has to be
rooted. When I talk about an era of
truth and justice, truth and repair,
truth and reconciliation, truth and
restoration, I think those things are
sequential, I don't think you can skip
the truthtelling part and get to the
beautiful Rwords. I think we make a
mistake when we do that. And just again
coming from a faith tradition in my
church, you can't come to my church and
say, "Oh, I want salvation and
redemption and heaven and all that good
stuff, but I'm not going to admit to
anything. I'm not going to confess to
ever doing anything wrong." The clergy
in my community will say, "Oh, no. It
doesn't work like that. You have to
first confess. You have to repent, but
you shouldn't fear it. They will
lovingly tell you, "Do not fear
confession and repentance." And they'll
explain to you that confession and
repentance, acknowledgment is what opens
up your heart to grace and mercy. That's
how redemption happens. That's how
repair happens. In a love relationship,
we learn that we have to sometimes be
willing to say, "I'm sorry. You tell you
show me two people who have been in love
for 50 years, I'll show you two people
who have learned how to apologize to one
another when they offend when they make
a mistake. We understand that in our
personal lives, but I think the same is
true in our collective life, our
communal life, our national life. But
there was an effort to make people
repent. There was an effort to make
people reckon in a way that there hasn't
been certainly at other times in my
lifetime. And the the place I'm pushing
here isn't about whether or not I think
it would be good if people did so, but
what did you learn from the way the
backlash overtook the project? I mean,
again, Donald Trump is going to be
president for the 250th. And
>> I I was thinking before we sat down
today about the way he frames what it
means to believe in America versus the
way Obama framed what it means to
believe in America. and his framing of
it is very much to believe that America
is great. That the story of being a
patriot is loving your country very much
as it is.
>> Obama's story was very much that the
people who have made America great, that
people have been part of the process of
change are the true patriots.
>> It was a creed written into the founding
documents that declared the destiny of a
nation. Yes, we can.
It was whispered by slaves and
abolitionists as they blazed a trail
towards freedom through the darkest of
nights. Yes, we came.
>> It was sung by immigrants as they struck
out from distant shores and pioneers who
pushed westward against an unforgiving
wilderness. Yes, we came.
It was the call of workers who
organized, women who reached for the
ballot, a president who chose the moon
as our new frontier, and a king who took
us to the mountaintop and pointed the
way to the promised land. Yes, we can,
to justice and equality.
>> But I do think there's real ways in
which like the left lost patriotism to
the right. It felt like it was just an
endless confrontation with sins without
maybe necessarily the space for grace
that you're talking about.
>> And so to keep that from happening
again, what do you believe should be
done differently?
>> Yeah. Well, I think first of all, um,
I think we've gone through a moment
where our platforms have been dominated
by people who represent perspectives
that I don't think necessarily represent
the perspectives of the majority of the
population, but they create the debate.
They create the discussion. And I think
we're getting better at sort of
evaluating that and understanding that.
But I don't think this isn't, you know,
this is something can be shaped by, you
know, academic elites. I don't think it
should be shaped by even media elites. I
don't think it should be shaped by
people who have by one means or another
created platforms. You have to be
connected. Dr. King succeeded because he
had the respect of every black person in
this community. And if he didn't,
wouldn't have worked. They were
connected. Before we had elected black
officials, you had just people doing
extraordinary things in the community.
They became the leaders because of what
they did, not because they won an
election. Now, I'm glad we have elected
officials and you identify an amazing uh
set of them, President Obama, etc., but
it takes more than that. It takes a
connection. And so, number one, we have
to understand truly who we are in this
struggle. Secondly, I just think there
is a lot of power in appreciating
what people have already done to get us
to where we are. That is what has
already been done, the nature of that
progress, the nature of that struggle. I
mean, when people say to me, "Oh, it's
just so much harder now." I mean, the
truth is we've never been better
positioned to win a narrative war to
create an era of truth and justice.
There are more talented writers and
journalists. There's more black
journalism. All there's a diversity in
journalism that has never existed
before. There's a diversity of
platforms. We have more scholars. We
have more this. We have more everything.
We're better positioned than we've ever
been. The question is, do we have the
will? Do we have an understanding of
what we must do? And I just look at
different movements, different I mean 30
years ago, nobody would have predicted
that there'd be marriage equality. What
got us to marriage equality was a
narrative movement that caused people to
retreat from this idea that only a man
can love a woman. And we just started to
see the limitations of that. And then we
got to the point where we could see
love. It's not stable. We may see
retreat, but that's a progress. That is
real progress that has changed the lives
of real people based on that movement. I
want to read you something that Donald
Trump said when he announced the 1776
commission, his response to the Times is
1619 project. And he said, "Our mission
is to defend the legacy of America's
founding, the virtue of America's heroes
and the nobility of the American
character. We must clear away the
twisted web of lies in our schools and
classrooms and teach our children the
magnificent truth about our country. We
want our sons and our daughters to know
that they are the citizens of the most
exceptional nation in the history of the
world.
Something you just said to me a few
times is that we, and I take the wei
here to mean those who believe in a more
just and more free America, an America
that is beyond where it is today, have
never been better positioned to win what
you call the narrative war. And so
rather than have you answer that, what
I'd like to hear you describe as we come
to a close is what is that narrative?
What is the thing at the center of the
answer to that? If if if what Trump
wants to tell everybody at the
anniversary is this country has always
been great and the people who are trying
to take its greatness from you are are
the enemy.
>> Yeah.
>> What is the story that you want to see
the people seeking justice tell in
return? The story that you think can
build that power and change that
country.
>> I don't think greatness is defined by
who has the most powerful military. I
don't think greatness is defined by who
has the most money. I don't think
greatness is defined by who uh has done
the most innovation with regard to
technology. It's not defined by who gets
to the moon first or to Mars first.
Those are all notable and laudable
achievements. But when I think about
human history and when I think about the
human struggle,
I'm quite convinced
that greatness is defined by our
capacity to love one another. Our
capacity to care for people we don't
have to care for. Our capacity to show
mercy. Our capacity to help those in
need. Our capacity to get beyond
boundaries and borders that have either
artificially or naturally limited us.
Our capacity
to unlock
opportunities for those who have been
unfairly bound and and and burdened.
That's greatness. And so when I look at
our history, the things that make me
proud
are the things that people have done to
overcome. I I actually think there's an
American story that appreciates the
underdog who does the great thing that
no one thought they could do.
You know, the team that wins when nobody
expected them to win.
The person who dazzles when no one
thought they had that ability. The
person who shocks you because they have
a voice you didn't expect them to have.
The person who surprises you because
they can do things in an entertainment
or an athletic space you didn't expect
them to do. That's what creates wonder.
That's what makes you appreciate
the glory of being a human, the beauty
of being a human. And nothing I think
reflects greatness more than our desire
to see that everywhere and that
opportunity given to everyone. So I, you
know, I just think the model of
greatness that's about power and
strength and the ability to threaten and
intimidate, it's a it's a false
narrative. And the and the military
power, the nations that have been
claimed to be the greatest nations
because they had the most military power
have all fallen. It's not a stable or
sustainable space to occupy.
those who diminish and deny and
marginalize human relations, care, love,
mercy, justice, those societies fall.
And I I' I'd still like to believe that
America's best days are in front of us.
I And and when I roll my eyes when
people say make America great again,
it's not because I minimize some of the
things we've done in the past. I just
have to believe there is something
better waiting for us. And I and I
believe that. I really do. I think we
are
poised to do some things, but we're also
threatened to go back. And so, we're
going to have to win this struggle. But
yeah, I think for me greatness is
creating a world where there's more
love, where there's more hope, where
there's more mercy, where there's more
opportunity, where there's less
sickness, where there's less poverty,
where there's less despair,
where there's the kind of
um joy and beauty that I think we all
crave. And our government should
facilitate an opportunity for more of
that more of that beauty, more of that
joy, more of that love, not block people
from understanding things that get in
the way of joy and beauty and love like
bigotry and violence and hatred and
racial categorizations and hierarchy. I
I think to me that's the greatness that
I'm looking for.
>> This is something that I thought walking
through the sculptures. It had to have
been a choice to represent things that
were
that are so hard to bear, so hard to
look in the sun of their cruelty.
>> Yeah.
>> In ways that are so beautiful.
>> Yeah.
>> Not a ways that it's a very difficult
place to move through. It sits heavy at
you. And yet it is all you found.
>> Or the artists there.
>> Yeah.
>> And the space you chose and the the
garden you created. I mean, there's one
sculpture there of a child who's a slave
child who is hurt his hand picking
cotton, showing it to his mother,
>> and there's cotton, real cotton balls,
I'll never forget how beautiful
>> and sad that sculpture is.
>> But that choice to represent so much
hardship and beauty
>> struck me as very moving.
>> Yeah. Yeah. I I mean I I I guess that's
just what I've learned from my work. I
mean, I've chosen to stand next to
condemned people
um who are going to be executed. And you
can ask yourself, why would you get
close to something like that? And what
I've learned is that when you're kind of
close to the disfavored, the
marginalized, the condemned, you
sometimes have the ability to harness
the power of love and grace and create
something beautiful in the midst of
something really ugly. And those are the
things that people hold on to. What
inspires me the most
about representing the people I
represent is to see their humanity, to
see them say something, hear them say
something, or see them do something
beautiful. And and I just think if you
understand that enslaved people had the
capacity to show compassion and love to
their children, you begin to understand
slavery differently. You don't go to,
well, they benefited from slavery. They
you ended up better off than you were
because you understand that they're not
so different. And and so yes, I think
beauty is important. I mean that I as as
you know I've seen a lot of ugly a lot
of ugly and you know locking people up
in cages and seeing some of the bigotry
and the hostility that people have
sometimes shown. I've gotten death
threats involved. There's a lot of ugly,
but oh the beauty. Oh, the glory. I I
mean, um, you know, the remarkable
things that I get to see among condemned
people. People were in jails and
prisons. People, we have an anti-hunger
program now. We're going into the black
belt. Alabama has one of the highest
rates of food insecurity in the country.
And so, we go into these communities. We
support families who are food insecure.
We give them basically $415 a month for
six months. So they have some space to
do some other things. And then we have a
mobile grocery that goes into these rare
really isolated areas and sell groceries
at next to nothing. And people come out
and there is a love and an excitement
and an appreciation. Everybody on my
staff is fighting to be on the team that
goes out because it's just so
energizing. And every now and then I'll
talk to somebody and when you know an
older person pulls me aside and just
says, "Thank you for doing this." And we
allow people in the program to identify
other people who should be in the
program. So I'll say to some of the
people in the program, you pick three
people in your community who you think
needs this more than you. No relatives,
but just pick three people. And they'll
take it so seriously. And then they'll
come back and say, "Well, these are the
three people." And what this woman said
to me is, she said, "Mr. Stevenson, just
because you're poor doesn't mean that
you don't want to be generous. Just
because you're poor doesn't mean you
don't want to help other people." And
she's more grateful that we have allowed
her, in her words, to be a
philanthropist than she is for the food.
And for me, there's a beauty in that,
not just the material exchange, but in
understanding the heart of this human
being who despite poverty wants to be
generous.
And instead of just labeling and
demonizing and marginalizing the poor
when we understand there's a desire in
that community to be generous, we think
differently about what it would mean to
fight poverty. And so yes, I think that
beauty is really important. without the
beauty of overcoming segregation and Jim
Crow, the beauty of overcoming the
violence and and and menace of lynching
and not hating everybody for that. The
beauty of choosing uh America and
citizenship and not retribution and
revenge after emancipation,
it'd be hard to to believe in this
country. But when I experience that
beauty and I see that beauty [snorts]
and I know that beauty doesn't have a a
a racial uh boundary, it doesn't have an
age boundary, it doesn't have a gender
boundary, it doesn't have an identity
boundary, it is a human experience that
we can all embrace, then I'm I'm
motivated.
>> I'll end before I ask you on books.
Okay. Um something you just said, what
it means to choose this country, what it
means to believe in the country.
I know a lot of people who
have come to feel very alienated
>> from the country over the past 10 years.
>> Trump's first term and his second term
and what he represents and the way he
acts and the things he says been hard
for them to know. So many of their
countrymen chose him chose him again.
>> Yeah.
they actually have done reckoning with
parts of the country's past
>> they maybe did not know that much about
and that has been deeply overwhelming.
>> Mhm. It's a hard thing to hold
and the the mixture of the two and then
the 250th coming when it does and in the
political moment it does when I asked
him then I said do you you know do you
love the country would would you say you
believe in America sort of paused and
said well it's a it's a hard moment so
what what to does it mean to love
America to believe in it to choose it
>> I I in some ways I think it's for me at
least it's kind of the wrong question do
you love America it it feels like it's a
question created as a sort of a kind of
a litmus test. It, you know, it's like
asking, you know, which child do you
love the most? We think that's an
inappropriate
question because we have an obligation.
We have a responsibility to all of our
children. I am an American. And when I
think about my forearms as much as I
have been recently,
they have fought for me to be an
American. I I I think the emancipated
those four million black people who were
emancipated after the sword are some of
the greatest Americans I can identify
because they committed when it wasn't
rational. They contributed when it
wasn't appreciated. They persevered when
they were being threatened and menaced.
They continued to believe despite
unspeakable abuse and cruelty. I think
they're the greatest Americans. I'm not
trying to rank Americans, but if you ask
me to name some great Americans, I'm
going to name the 4 million people who
were emancipated who continued to fight,
just like I would name the people in
this community in 1955 who committed
themselves to staying off the buses.
They were great Americans.
And so I want to be a great American,
too. I want to be a great American like
my enslaved fore like my grandparents
who fled terror violence and fought for
a better way like my parents who dealt
with the humiliation and degradation of
segregation. It's not the only kind of
American but I want to be a great
American. And so, um,
my heart is in creating a world where
that becomes easier and easier for more
and more people. Because if I think
about America, if I try to reduce it to
something,
I it's it's a place for everybody who
who wants better, who who who believes
in equality, who believes in justice,
who believes in fairness, who believes
in opportunity. That's the essence of
it. And so to get there, we have to do
some work. And it's been going on for a
long time. It will go on for a lot
longer. But that's what I want. Yeah.
Yeah. I want to be a great American in
that tradition.
>> That's a beautiful recasting then. Not
what does it mean to choose America, but
what does it mean to choose to be
>> Yeah.
>> a great American?
>> Yeah. Yeah.
>> Always our final question. What are
three books you would recommend to the
audience? [clears throat]
>> I think a great book I recently reread
was Their Eyes Were Watching God by
Zoran Neil Hursten.
Uh I recently
um
uh read uh again
uh Le Miserab by Victor Hugo. Powerful.
And I guess my third book would be
in this moment
uh Phyor Dastoy uh the brothers carv
which is one of my favorite books in the
world.
>> Brian Stevenson thank you very much.
>> You're very welcome. Very welcome.
>> [music]
[music]
>> Hey.
Ask follow-up questions or revisit key timestamps.
The video features a discussion with Brian Stevenson, founder of the Equal Justice Initiative, about the history of America, the importance of reckoning with its painful past, and how to hold both triumph and tragedy together. Stevenson discusses his work in Montgomery, Alabama, the legacy of slavery and Jim Crow, and the power of narrative in shaping justice and humanity. He advocates for an honest look at history as a way to build a healthier future and create a society based on empathy and truth, rather than avoiding painful realities.
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