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Fallout Season 1 Episode 3 - The Head | Full Episode | Prime Video

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Fallout Season 1 Episode 3 - The Head | Full Episode | Prime Video

Transcript

685 segments

0:04

I know we're all hurting right now,

0:08

but our priority has to be to maintain

0:11

the security of this vault.

0:13

>> They don't want to fight that. If they

0:14

did, they wouldn't get to be in charge.

0:16

>> I'm bringing him home.

0:19

>> Hit him again.

0:24

>> Shoot it.

0:27

>> You stupid [ __ ] You know this

0:28

is all your fault.

0:30

>> They'll kill you for this.

0:32

>> Not if I bring back the target.

0:33

>> You can change the future if you can

0:37

bring me to Mulaver.

0:41

>> Just my head.

0:43

You are a vault dweller. But if you're

0:46

going to survive, you need to start

0:48

acting like a surface dweller.

0:51

The question is, will you still want the

0:53

same things

0:58

when you have become a different animal

1:01

altogether?

1:36

Please, sir.

1:38

Please, sir. Please.

1:44

There's an old Mexican eulogy.

1:47

Fo fuerte epheal

1:50

means he was ugly, strong, and had

1:53

dignity.

1:55

Well, Joey,

1:58

I'll give you two out of three on that

2:00

front.

2:16

Do I really have to kill him? Cuts.

2:22

Can

2:22

>> we get to make up?

2:23

>> Emil, can you come over here? Can I talk

2:25

to you just a second?

2:26

>> Yeah. Here you go. That was a hell of a

2:27

day. Well, hey, it was a great scene.

2:29

Listen, I I got to talk to you about

2:31

these these new pages, you know? I mean,

2:33

I'm the sheriff, right?

2:35

>> Why can't I just arrest a guy like I

2:36

normally do? That's what I do.

2:38

>> The audience, Coupe. Yeah, they already

2:40

know you're a good man. They want to see

2:42

that even a good man as yourself can be

2:44

driven.

2:45

>> I understand that, but that's not really

2:46

my thing. You know, Emil, that's not

2:48

what I do. I mean, is Bob Bob around

2:50

here anywhere?

2:50

>> Bob's been fired. Coup.

2:52

>> What?

2:53

>> Studio fired him.

2:55

>> Why?

2:57

>> See, turns out Bob's a bit of a

3:00

communist.

3:01

>> Communist. Cadillac Bob.

3:03

>> Cadillac Bob. The very one.

3:05

>> Oh, what a shame. He's such a great

3:07

writer.

3:07

>> One of the best. But he had to go. Which

3:10

is why this movie is so important. You

3:12

see, it's a it's a new kind of western.

3:14

The power of the individual when the

3:16

chips are down. A new America. That's

3:18

what I'm telling you. So that's why it

3:20

would be really great if you could just

3:23

>> shoot all in the [ __ ] head. Yeah.

3:26

>> Please. Cuz out here it's just you, your

3:29

gun, and your personal code

3:31

>> bringing order to the Wild Wild West.

3:33

>> Uh hey, let's uh let's pick this up

3:35

after lunch. All right.

3:42

You going to save any of that grape

3:43

taffy for the rest of us?

3:45

>> It's not grape.

3:47

>> It's lavender.

3:49

>> Well, if you like the taste of lavender,

3:51

why not just drink a bottle of perfume?

3:53

>> You know, a lot of people like to write

3:55

it off as some old lady flavor, but it's

3:58

subtle

4:00

flirtation.

4:02

Tastes like someone touching you for the

4:03

first time.

4:07

Oh man.

4:23

Um, that's the worst thing I've ever put

4:26

in my mouth.

4:29

That's horrible.

4:31

>> Um, we got to ask your mother.

4:34

>> Please, mommy.

4:35

>> Sure. sweetheart.

4:36

>> Oh

4:38

wow. Unbelievable. Hey,

4:42

sorry. Makeup.

4:50

>> Sorry. Lipstick.

4:52

>> I'll take it.

4:54

>> Okay, we should get going. Photographers

4:56

ready and waiting.

4:58

>> Hey, what is this?

4:59

>> A bit of a costume change for you, Mr.

5:02

Howard.

5:03

>> Ah, okay.

5:06

Oh, look at that.

5:11

>> They even made it in your color.

5:14

>> Let's see if it fits.

5:17

Okay, Janie, let's go.

5:22

Here.

5:24

Don't worry, baby.

5:29

Hey, race. Okay.

5:59

Go

6:00

go go.

6:40

Come on, let's go find the rest of them.

7:19

Maybe

7:24

you'll think of me

7:29

When you are all alone,

7:40

maybe

7:42

the one who

7:44

is waiting

7:47

for you

7:50

will prove

7:52

untrue.

7:54

Then what will you do?

8:00

Maybe

8:05

you sit and decide

8:11

>> wishy.

8:12

>> What is so special about you?

8:21

Maybe

8:26

you

8:28

>> Okay. Okay.

8:31

Your secret, sir.

8:34

>> Just in case.

8:42

>> Maybe

8:47

>> waiting for you.

8:52

will prove untrue.

8:55

Then what will I do?

9:03

under the bug

9:12

wishing that I

9:24

>> Boy, that night really was something,

9:26

huh?

9:29

>> Wonder who he was.

9:36

Maybe

9:38

I'll see maybe

9:57

Titus.

10:03

Night Titus.

10:12

>> Night Titus.

10:16

>> This is Night Titus.

10:19

>> Over.

10:20

>> This is Petty Officer Shortsight. You

10:22

missed your check-in.

10:27

We were attacked

10:29

>> by an abomination.

10:31

My squire, he fell in battle. He died

10:34

with honor

10:36

and glory.

10:39

>> Copy that. We'll get you a replacement,

10:41

squire.

10:42

>> Run away.

10:42

>> No. No.

10:44

>> I'm okay.

10:46

>> All good here.

10:46

>> It's not a problem. We got plenty of

10:48

squires.

11:02

I'll be right back.

11:36

I can fix it. Cost you five taps.

11:40

Could

11:49

you do it for four?

12:20

It's extra if you do it fast.

12:44

Yeah.

12:51

[ __ ]

12:56

Step away from the armor.

13:04

Kick this [ __ ] out.

13:34

Find users keep us

13:38

lord.

14:01

You a [ __ ] [ __ ] Trying lefty

14:04

loosey.

14:11

Yes.

14:31

[ __ ] with me now.

14:44

Oh, it's been close.

15:01

I do my best to hide this low down

15:04

feeling.

15:05

I try to make you believe there's

15:08

nothing wrong,

15:10

but they're always asking me about you,

15:13

darling.

15:14

And it hurts me so that you're gone.

15:19

>> If they ask me, I guess I'd be denied.

15:23

>> My [ __ ] arm

15:24

>> that I'm not happy.

15:33

>> [ __ ] him up. [ __ ] him up.

16:16

No, no, no, no, no.

16:20

Heat.

16:29

Heat.

16:53

Heat. Heat.

17:19

Night Titus.

17:21

I am Thaddius

17:24

and I'm honored to be in your charge.

17:28

I've got to protect and serve you.

17:30

Whoever you deem fit.

17:36

My lord, have I said something wrong?

17:44

I do not know what I've done to a fan,

17:46

but I beg for mercy.

17:49

>> Please, please,

17:51

>> please, please,

17:53

>> Titus, please. I I don't do anything.

17:59

Arise my square

18:02

>> and clean this.

18:07

>> Of course, Mag Titus.

18:13

>> I also bring new orders from the elder

18:15

cleric,

18:17

uh, which I humbly relay.

18:21

>> We're not the only ones in search of

18:23

this remnant from the old world.

18:25

The elder cleric says whoever gets the

18:28

target

18:28

>> will control the wasteland

18:31

and uh we are to kill whomever stands in

18:34

our way.

18:40

>> Understood.

19:55

You You like grass?

20:23

Yeah.

20:35

Heat.

20:40

Heat.

20:42

Heat.

21:39

Hello again.

21:45

>> Where is it? The head.

22:02

No. Okay. Okay. I I don't know where it

22:05

is. Okay. I lost it.

22:10

I lost it.

22:14

>> Huh?

22:31

GoPro got it. Huh?

22:38

We

22:40

meet again.

22:43

Don't know where.

22:46

Don't know when.

22:48

But I know we'll meet again

22:53

some sunny day.

22:56

>> You okay?

22:58

>> Yeah.

23:00

>> I'm being reassigned. The whole opening

23:02

the vault door for Lucy thing didn't sit

23:04

too well with the council. So

23:07

>> I guess I'm not gatekeeper anymore.

23:11

>> It's not a big deal.

23:16

I'm

23:16

>> just not really sure who I even am

23:18

anymore.

23:21

>> Sorry. I

23:26

>> don't know.

23:34

>> Norman, you're next.

23:48

You know why you're in here?

23:49

>> Cuz I helped my sister escape the vault.

23:50

>> Escape? You and Chad put your sister in

23:53

incredible danger by helping her out

23:54

that vault door. The rad levels up there

23:56

alone.

23:57

>> Worse, you could have gotten us all

23:59

killed. What do you think started all

24:01

this? These vaults are impenetrable.

24:04

Meaning those raiders could only have

24:05

gotten into Vault 32 because some

24:07

bonehead opened the door to the surface.

24:10

>> A single bad decision that put everyone

24:12

at risk. Not just Vault 32, but 33 and

24:17

31 as well.

24:19

I've with the overseer at Vault 31.

24:22

Thank goodness they're unscathed.

24:25

But you could have destroyed the last

24:27

vestigages of civilization.

24:29

>> It was Lucy's idea.

24:30

>> And you didn't think to at least try and

24:32

stop her?

24:33

>> No.

24:34

What are we going to do with you?

24:37

>> Punish me with a demotion. I guess

24:43

>> you've worked janitorial. You've done

24:45

kitchen duty. Are you aware that at

24:48

every job you've been assigned to, your

24:50

performance review has been lacks

24:52

enthusiasm?

24:54

>> No, but that sounds accurate.

24:57

>> You're currently working with computers

25:00

and information maintenance.

25:03

How do you like that?

25:05

>> I like enthusiasm.

25:08

>> Uh-huh.

25:10

>> It's a predicament, isn't it? How do you

25:13

demote someone who equally dislikes

25:15

every job he's ever worked?

25:18

>> I suppose it is.

25:19

>> I'm just glad to hear that we punish

25:20

people down here for breaking the rules.

25:22

Is that just for Vault Dwellers or for

25:24

people who come down here and murder

25:25

vault dwellers?

25:34

Now that I think of it,

25:37

we've got a job for you after all.

26:01

Rise and shine everyone.

26:04

>> Your catered snackables have arrived

26:10

>> and you're welcome.

26:15

>> Okay,

26:17

>> there is a utensil. I'm going

26:18

>> TO EAT YOUR [ __ ] HEART.

26:28

BREAK your [ __ ] heel.

26:41

I don't see any apples, sir.

26:43

>> You climb higher.

26:45

>> Okay. It might not be an apple tree.

26:48

Also, it's uh I think uh it's dead.

26:53

>> Keep looking.

26:55

>> All my honor, sir. I will find book.

27:05

Sorry. My apologies, sir. I know you

27:07

wanted an apple.

27:10

Uh, I can have some some rations if

27:13

you're hungry.

27:14

>> I'm not hungry anymore.

27:16

>> Okay. Yeah, whatever you want. Uh,

27:19

you're the sir.

27:23

>> I have an artifact to retrieve. Let's

27:25

go.

27:26

>> Okay.

27:28

If we find the target, we should repair

27:31

your radio so we can ask the Brotherhood

27:33

to send reinforcements.

27:36

>> I will retrieve it myself.

27:39

Understood. I never doubt the ability to

27:41

do so.

27:51

>> That guy from the Enclave, the guy

27:53

everybody's looking for. You saw him?

27:56

>> I did. He left with a girl. A woman.

28:00

>> How'd they get away?

28:01

>> I was whaid. A ghoul intervened.

28:04

>> A ghoul? Huh? Those things are scary as

28:07

[ __ ] Bet you just killed it on site. No

28:09

questions asked. Oh, you're a ghoul.

28:10

You're a dead ghoul.

28:13

>> No. If we find the ghoul, we find the

28:16

target.

28:16

>> You left the ghoul alive.

28:20

>> Great idea, sir. All wastelanders leave

28:23

radiation trails. By allowing the ghoul

28:25

to live, you've made it possible to

28:27

trace the whereabouts of the of the

28:30

target.

28:33

>> Yes, Brighton. I know that.

28:37

I got a trail. Yeah. Well done, sir.

28:42

This way. Glory awaits.

28:58

>> Think this was him?

29:01

>> Hard to tell. Show me the illustration.

29:09

Oh, yeah.

29:11

Yeah, that's that's definitely him.

29:13

Think we should uh bring the body back

29:15

with us?

29:16

>> No.

29:17

>> If they left the body, it must be

29:18

worthless.

29:20

>> His head is what's valuable. We need to

29:22

find it.

29:22

>> Oh, yeah. Smart. Who do you think did

29:24

this? The girl or the ghoul?

29:26

>> The ghoul.

29:27

>> Definitely.

29:29

>> Ghouls. One day, the Brotherhood's going

29:32

to eradicate every last one of those

29:33

freaks. stuff like this never going to

29:36

happen again.

29:39

Okay, so I think that the probably

29:43

should be I think uh well yeah

29:47

definitely this um

29:51

yeah that way definitely definitely that

29:53

way. Those tracks

30:13

Stop, please.

30:16

My dad, he he's an overseer. He He got

30:18

taken by raiders, and I need the head to

30:20

get him back. If you help me find him,

30:22

he'll do whatever you want.

30:41

Stop. Stop. Torture is wrong.

30:47

>> You know,

30:49

I used to do these things called

30:52

studies. Well, you couldn't open a

30:54

newspaper without reading about one

30:56

study or another. Anyway, this one

30:58

particular study came out and it said

31:01

that torturing a person don't do [ __ ]

31:19

Made sense. I mean, a man hurts me, I

31:23

wouldn't want to do him any favors. And

31:26

yet the practice of torture failed to

31:28

vanish from this earth. In fact,

31:32

as time marched on, I personally noticed

31:35

a a decided up chick.

31:39

>> Any amount of torture being doled out

31:41

across the board.

31:43

>> Sir, please. I need the head. It's the

31:45

only way I can get my father back.

31:47

>> My point is,

31:50

you asked me them studies. I was right.

31:54

Torturing a person don't do [ __ ]

31:56

>> Then why

31:59

why are you doing this?

32:01

>> Well, I ain't torturing you, sweetheart.

32:04

I'm using you as bait.

32:19

Heat

32:35

up

32:40

here.

32:46

Okay.

33:19

Help me up.

33:28

Heat.

33:38

HEAT.

34:10

[ __ ]

34:12

>> OH, I'm sorry. I should have just let

34:14

you use me as bait IN A POISON RIVER.

34:22

[ __ ]

34:23

>> YOU CAN'T TREAT PEOPLE LIKE THIS.

34:25

>> YEAH. Why is that?

34:28

>> Because of the golden rule.

34:31

Do unto others as you'd have done unto

34:34

you.

34:37

>> Those goers digest real slow.

34:40

You got time.

34:51

No. No. No. No. No. Stop.

34:58

>> Where are we going? What about the head?

35:00

I need the head to get my dad back.

35:02

>> Yeah. Well, the wasteland's got its own

35:03

goal in this.

35:04

>> No. What's that?

35:05

>> Thou shalt get sidetracked by [ __ ]

35:07

every goddamn time.

35:10

>> What about the dog?

35:12

>> He ain't mine.

35:28

Sorry, I haven't deriveed my duties.

35:34

>> What are you doing?

35:36

>> Just refilling your water bag so you can

35:38

stay hydrated,

35:40

>> right?

35:47

It might be faster if you sit down.

35:53

But you uh seen some things, huh? Being

35:57

a knight. I've seen some things. I grew

36:00

up uh working on a fly farm. I was a

36:02

[ __ ] so they'd feed us and then

36:04

they'd feed our [ __ ] to the flies, mulch

36:07

them up, and sell it as protein. Anyway,

36:10

that's why I'm so fat.

36:15

So, your uh former squire,

36:18

>> how did he die?

36:21

>> You knew him?

36:23

>> Yeah, I I did.

36:25

>> Say something about him.

36:27

>> Well, he uh he was a good guy.

36:32

>> There's something negative about him.

36:35

>> Well, uh he's he's dead. I don't know.

36:38

It feels weird.

36:40

>> In order, Mquire. Okay. Uh,

36:44

to be honest, me and the other guys used

36:46

to be pretty hard on him. I like

36:49

regularly beat the [ __ ] out of him.

36:52

Wasn't personal, you know? It's just,

36:57

well, you know, people at the base, they

36:59

used to beat the [ __ ] out of me all the

37:02

time.

37:04

This shimmer of new recruits came in and

37:06

uh, one of them was Maximus. So, it's a

37:09

funny idea. What if we beat the [ __ ] out

37:11

of that guy instead? And it worked.

37:15

>> Yeah, I was really popular. It's great.

37:18

I just wish we lived long enough to find

37:20

someone else to beat up, you know? Only

37:21

seems fair.

37:23

I realize that uh people die all the

37:25

time. It's the law of the wasteland, so

37:27

who cares, right?

37:30

But still,

37:32

I feel bad.

37:36

>> Don't feel bad.

37:38

It's like you said, it's the law of the

37:40

wasteland.

37:44

>> Let's go. We're losing daylight.

37:46

>> Yeah.

38:03

We can judge a person and a society by

38:06

how they treat their enemy. And here we

38:08

are with 16 highly violent individuals

38:11

incarcerated in our temporarily

38:13

repurposed reading room. It's an ethical

38:15

dilemma like nothing we've dealt with

38:17

before.

38:18

>> Personally, I'd say it's more of an

38:20

ethical opportunity to demonstrate to

38:22

the surface dwellers and to each other

38:24

what we mean when we say we're going to

38:26

build a better world.

38:28

>> Thanks, Re. That is a positive spin to

38:30

put on it.

38:31

>> It's not a positive spin for me. It's

38:33

the gosh darn truth.

38:35

>> Okay. Well, uh, the fact remains we need

38:38

to decide what to do with these

38:39

prisoners. And that is a decision that

38:41

we need to make as a collective

38:43

>> in a manner befitting our shared values.

38:51

>> I think this conversation would benefit

38:53

from some actual ideas.

38:56

Well, you know what? The young man Woody

38:59

interrogated this morning, he left an

39:02

impression on me.

39:03

>> That is the gentleman who showed me his

39:05

butthole.

39:06

>> Yes. But what I took from that is a

39:07

desire to communicate, to reach out

39:10

across the cultural divide. That's a

39:13

spark we can work with to create a great

39:15

citizen. Given our recently dwindled

39:18

numbers, the most ethical solution would

39:21

be to rehabilitate the prisoners and

39:23

then integrate them into our vault

39:25

society.

39:28

>> To be clear, this is not a process that

39:30

will happen overnight. Based on what I

39:33

saw this morning, it may take years,

39:37

>> but but there is nothing we can't do

39:41

when we set our minds to it.

39:46

I can teach the raiders Shakespeare and

39:49

when they're ready, Marlo.

39:51

>> I don't want to be insensitive, but I

39:53

think Shakespeare might be too advanced

39:54

for these people. But I would like to

39:56

start with a moral framework. Kant Mill,

39:59

and so on.

40:00

>> I'd be happy to teach them introductory

40:02

calculus.

40:04

>> Is there something you'd like to say,

40:06

Norm?

40:13

>> I don't know. No, I don't think it's our

40:14

job to help these people. They're

40:15

murderers.

40:16

>> They didn't know any better. And how

40:18

could they without a formal education,

40:21

>> Norm? Buddy, the hard truth is we can't

40:24

just let them go.

40:27

>> They have intimate knowledge of our

40:29

vault security.

40:31

>> So, what do you propose we do?

40:35

>> We can do what they would have done us.

40:37

>> Wow. Jeez, Louise, Norm is a bit harsh.

40:41

>> Young Norm was just expressing a

40:44

feeling. I know I've got anger. We all

40:47

do. But I think you would agree that

40:50

murdering these prisoners of ours is not

40:53

under serious consideration. That's

40:55

right.

40:56

>> Here, here. I'm sorry. You're right. It

41:00

was not my intention to question your

41:01

leadership, overseer.

41:03

>> Thank you.

41:05

>> All right, sir. Uh sir, uh may I may I

41:10

speak with you for a moment, please?

41:11

It's about the water chip.

41:13

>> Go ahead.

41:17

>> Uh it's it's it's the type of thing

41:19

overseer MLAN would have preferred to

41:20

discuss uh privately uh before bringing

41:22

it to the full group.

41:24

>> Well, he's not here now, is he? Let's

41:26

hear it.

41:28

>> Okay. Well, uh the water chip is

41:31

destroyed. The vault only has enough

41:33

water to keep our population alive for

41:35

two months. And that's not accounting

41:37

for the prisoners.

41:38

>> Okay, that's fine. That's enough.

41:41

>> Thanks. No.

41:42

>> Uh,

41:45

>> okay. Uh, meeting adjourned. I was also

41:48

going to say meeting a journ. So,

41:51

>> that went well.

41:56

>> Drink your own. Are

41:58

>> you kidding me?

42:00

>> They killed my husband.

42:05

You're right. You know,

42:08

>> if your father were here, he

42:12

>> he'd do the right thing.

42:39

Are you sure about this?

42:40

>> It says the ghoul's this way.

42:43

Wait a minute.

42:44

>> What?

42:46

>> It's just this um well uh

42:50

>> what?

42:52

>> It just occurred to me.

42:54

We're definitely picking up an

42:55

abomination of some kind or another.

42:57

Just not sure.

42:59

I'm not sure we're tracking the red

43:00

abomination.

43:09

>> You idiot. It

43:10

>> was my mistake. If you let me lead the

43:12

charge, I'll lead the charge.

43:18

>> I am a knight at the Brotherhood of

43:19

Steel.

43:20

>> Get back to shore.

43:21

>> But sir,

43:22

>> go.

43:24

>> Thank you, sir.

43:26

Heat.

43:46

Heat.

44:08

I've got you.

44:27

Victorious

45:00

You saved me.

45:02

>> You saved me first.

45:42

Is that

45:45

>> the head?

45:47

>> The head.

45:48

>> It's the head. Yes.

46:44

Sorry. Sir,

46:46

please.

46:48

I need water.

46:50

Please.

46:57

Please.

47:48

Water. Water everywhere and not a drop

47:51

to drink.

47:53

Ain't much stays clean up here, Vaulty.

47:57

You'll see.

47:59

>> Is that what happened to you?

48:03

Radiation,

48:05

>> something like that.

48:46

They're going to put me in the movies.

48:51

They're going to make a big star out of

48:54

me.

48:56

We'll make a film about a man that's sad

48:59

and lonely.

49:00

>> Yeah.

49:02

>> Okay. You ready to meet the suits? Uh,

49:04

>> I'll try not to embarrass you.

49:06

No promises though.

49:09

>> Hi, Mr. Howard. Hello. Hi. Great to meet

49:12

you. Hey, nice to meet you.

49:14

>> On behalf of the whole Vaulttech family,

49:16

we wanted to say how delighted we are

49:18

that Barb could use her connections to

49:20

get to you.

49:20

>> You know, I've never done an

49:21

advertisement before in my life.

49:24

>> But then again, my wife has never asked

49:26

me to. So,

49:28

yeah.

49:30

Okay. Uh over here.

49:33

Huh?

49:34

Yeah.

49:36

Um

49:38

ah

49:40

thank you thank you thank you very much

49:44

this uh thank you this suit is tight

49:47

this thing really block radiation

49:51

>> absolutely

49:52

>> if I may say I I you all are doing um

49:56

God's work here and uh on behalf of

49:59

every decent American I just want to say

50:01

thank you

50:03

>> well to you

50:05

Yeah. Well, okay. Here we go.

50:08

>> Well, I'll bet you I'm going to be a big

50:12

storm.

50:14

>> With an

50:27

>> Hey, I I I have an idea. What if uh what

50:29

if I were to do like a thumbs up?

50:31

>> Go for it, Coop.

50:33

You call them coupe

50:35

>> and I know that you will see

50:40

biggest fool that's ever hit the big

50:43

time

50:45

and all I got to do is act naturally.

50:55

We'll make the scene about a man that's

50:57

sad and lonely

51:00

and baking down upon his bended knees.

51:05

I'll play the part, but I won't need

51:08

rehearsing.

51:11

All I have to do is act naturally.

51:15

Well, I'll bet you I'm going to be a big

51:19

storm.

51:21

Might win an Oscar. You can never tell

51:26

a movie's going to make me a big star

51:31

cuz I can play the part so well.

51:36

Well, I hope you come to see me in the

51:39

movie.

51:42

But then I know that you will play to

51:44

see

51:47

the biggest fools ever hit the big time.

51:52

And all I got to do is act naturally.

Interactive Summary

The video depicts a post-apocalyptic world with vault dwellers and surface dwellers. Key events include a vault security crisis, a character named Cooper being asked to portray a good man driven to extremes in a new kind of western film, the discovery of a communist writer named Bob being fired, and a discussion about the nature of good and evil through the lens of a new film. The narrative also involves a search for a target, a character named Titus, and the consequences of opening vault doors. Later, the story shifts to the ethical dilemma of how to deal with incarcerated raiders, with differing opinions on rehabilitation versus harsher punishment. The dire state of the vault's water supply is revealed, and a character named Lucy faces repercussions for her actions. The search for a ghoul intensifies, linked to the target's whereabouts. The video concludes with characters reflecting on their pasts, the harsh realities of the wasteland, and the film industry's portrayal of human struggles.

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