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Alec Baldwin Talks 30 Rock, Fatherhood, Trial

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Alec Baldwin Talks 30 Rock, Fatherhood, Trial

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2323 segments

0:01

Well, I mean, I know people I won't name

0:03

who took the money they made, and it

0:05

might not have been hundreds of millions

0:07

of dollars in fees like Leo or or or you

0:10

know, whatever. Dick Capri, but then

0:12

there's people I know who made less

0:13

money in fees, but they invested that

0:14

money, acting fees, your fee, your

0:16

performance. Oh, like Yeah. Oh, fees

0:18

like your on a movie.

0:20

>> You make a movie and you get paid. You

0:22

know, you do Tom Cruz, you get $50

0:23

million.

0:24

>> You just say the words, right? And you

0:25

get $50 million.

0:27

>> No, no, no. He does a lot more than that

0:28

for 50 million.

0:29

>> Do you have Tom Cruz?

0:30

>> Do I have Tom's number? Yeah.

0:31

>> I have a sister's number.

0:32

>> You have a sister.

0:33

>> But if I call her,

0:33

>> who's she?

0:34

>> Who's she?

0:35

>> Yeah.

0:35

>> She's Tom's sister.

0:36

>> Wow.

0:53

Heat. Heat.

1:09

Hello and welcome back to the Adam

1:10

Freedelland show. I'm Adam Freedelland,

1:12

guys. Big episode today. But before we

1:14

start, I'm going back on the road.

1:17

Emerald City Comedy Club. Seattle,

1:19

Washington, January 23rd. Oh, [ __ ] I

1:23

did the dates wrong. Seattle,

1:25

Washington, January 22nd, 23rd, 24th.

1:28

I'm with Caleb Pittz, the man that is

1:32

He's sick today.

1:34

>> Yeah,

1:34

>> I'm doing five shows. Get tickets at

1:36

emeraldcitycomdy.com.

1:38

There's also a link in the description

1:40

of this video. I'd like to thank first

1:43

off, as always, our members for

1:45

supporting us here on youtube.com.

1:47

You make the show possible. Members get

1:49

access to all of our episodes early, and

1:52

if you join at the second or third

1:54

tiers, you get your name in the credits

1:56

of this fine program. If you'd like to

1:58

join the Freedelland Family Foundation,

2:00

you can do so by clicking the join

2:01

button here on YouTube or by clicking

2:04

the link in the description below. And

2:06

you can also support us on Patreon if

2:08

you'd prefer. The link for that is also

2:10

in the description. And by Freedelland

2:11

Family Foundation, I don't mean anyone

2:13

from my family.

2:15

You know who you are.

2:18

Guys, merch is also available. The Adam

2:20

Freedelland.show. Check it out. We have

2:22

new shirt that said, "Keep calm. Listen

2:24

to the Adam Freedelland show." It's

2:26

going to be it's Do we That's funny that

2:28

Caleb put it in there. I'm doing another

2:30

one of those Caleb writes it and I react

2:33

uh for the first time. It's a fun game

2:35

that the people love. My guest this week

2:38

is the legendary American actor Alec

2:40

Baldwin. Mr. Baldwin is known for many

2:42

roles over the years, but perhaps his

2:44

most iconic is his turn as Blake, the

2:47

chastising associate sent to motivate

2:50

the poor salesman of Oh, was that his

2:52

name? Blake.

2:54

said to motivate them the salesman of

2:56

Glenn Gary Glenn Ross. His name was

2:57

Blake. Did you know that? He didn't seem

3:00

like a Blake.

3:00

>> He was a madeup character. They just

3:02

gave him the last name, but I don't

3:02

think anyone called.

3:03

>> They didn't put it in the play.

3:04

>> It's there's no like dialogue. It's just

3:06

like a block of text and then he leaves

3:07

the

3:08

>> his name. He's known for his character.

3:10

Put that coffee down. The chastising

3:12

associate motivated

3:14

whatever. It really is a career-defining

3:17

performance. One of the film's greatest

3:18

monologues, the spark of drama that sets

3:21

everything into motion. But there's too

3:24

much cussing.

3:28

So, here's what I would have said if I

3:30

was him. This is good, Caleb. I hope

3:33

you're feeling better, my friend. Hey,

3:34

you piece of crap. Put down your coffee

3:37

and let's get to work. Enough lolly

3:39

gaggacking around here. We really need

3:41

to work and we need to make some sales.

3:44

So, let's get this thing started and

3:45

let's have a great week at work. Thanks

3:48

every

3:49

Thanks everyone for your time and if you

3:51

need anything I'm always available. I

3:53

really appreciate everyone's time and I

3:56

really I can really see you. You guys

3:59

are trying your hardest. Okay. So let's

4:02

go do this guys. Please en

4:06

please enjoy my interview with Alec

4:07

Baldwin. Guys, this is a great one. I'm

4:09

very proud of it.

4:14

Ladies and gentlemen, American

4:16

Institution Alec Baldwin. I can't

4:18

believe it, folks. I can't believe it,

4:20

FOLKS.

4:24

I feel

4:28

I feel uh I feel truly I'm We had a

4:31

pre-in yesterday. I'm This is where it

4:34

all ends. My hot streak. I'm outclassed

4:37

and outgunned right now. You You get

4:39

within 5 seconds. I'm like, it's really

4:41

him.

4:42

>> That's so bizarre. You know, when you

4:44

walk around

4:46

and you're just kind of allergic to

4:47

that, you know what I mean? Like so

4:48

people will see you on the street and

4:49

say things to you.

4:50

>> Oh, you knew. You say, "Calm down." You

4:52

know what I mean? Like,

4:53

>> no. But you got on the phone, you're

4:55

like, "Freedland." You're like, "Yeah,

4:57

Freedelland." Uh, tell me something. Are

5:00

you as dry in real life as you are on

5:02

the television screen? I'm like, it's

5:04

him. I feel like Liz Lemon right now.

5:07

What an honor. It's charming. I Thank

5:09

you so much. I'm a massive fan. I think

5:11

I've researched too much. I mean, you

5:13

missed the tinfoil hat like pins on a on

5:16

a corkboard section, but we were we were

5:19

going quite deep and it goes and the

5:21

corruption goes all the way to the top,

5:22

mind you. I mean, this this this whole

5:24

thing stinks. Obama, the Illuminati,

5:27

that pyramid with the eyeball. You

5:30

you're I mean, look carefully at the

5:31

top.

5:31

>> You're a useful useful pacy, I would

5:33

say. No. Um, no, but it has been fun

5:36

kind of to just revisit your work and

5:39

just uh remind myself like uh kind of

5:42

anecdotally the moments in my life that

5:44

I interacted with it and you know and

5:46

just kind of the

5:47

>> How old are you if I may ask?

5:49

>> I'm uh I'm 38 years old.

5:51

>> No. Okay.

5:52

>> Yeah. Yeah.

5:52

>> You look younger.

5:53

>> How familiar are you with this this show

5:55

right now?

5:56

>> I watch your show cuz the people from my

5:58

heart said it's always that thing where

6:00

they're like, "Well, your podcast would

6:01

do better if you did other podcasts."

6:03

This is a talk show. Yeah,

6:04

>> a talk show. I'm sorry.

6:05

>> Yeah, it's a talk show. Real talk.

6:07

>> Your podcast would do better if you did

6:08

more talk shows.

6:10

>> Thank you.

6:10

>> So, I um uh they said to me that you

6:13

were hot and your show was hot.

6:16

>> Thanks.

6:16

>> And uh your middle name is hot.

6:18

>> One of the hottest guys said that to me.

6:20

And then um so they said to me, "Come

6:22

on." And normally um I don't do a lot of

6:25

that because of my I have kids now. I

6:26

have a lot of kids. So I'm I'm kind of

6:28

busy with other things, right? Yeah.

6:30

When I leave here, I got to go pick up

6:31

my kids from school. Where? Oh, you have

6:33

like seven of them.

6:34

>> I have eight children. My oldest is

6:35

Well, my oldest. Yeah.

6:37

>> Eight now. Well, you live lift up a sofa

6:39

cushion. There's always a baby under

6:40

there every on my house.

6:41

>> Where do you get the energy? I

6:43

>> I I don't actually cuz I'm half dead

6:45

from exhaustion. I have my older

6:47

daughter, Ireland. She's married kind of

6:49

and has a baby and then and I have a

6:52

baby and a grandchild that are the same

6:54

age.

6:54

>> Really?

6:55

>> Yeah.

6:55

>> That's some freaky [ __ ] right there.

6:57

>> It's a little

6:58

weed.

6:59

>> Yeah. Something. Are you a weed weed

7:01

guy?

7:01

>> No. No. But I've taken some gummies for

7:03

my I have bad horrible insomnia. Do you

7:05

sleep well? You

7:06

>> I I took a half of a of five milligram

7:08

and watched Fantastic Mr. Fox with my

7:11

girlfriend and I kept saying this is so

7:13

well done.

7:14

>> My god, this documentary is amazing.

7:16

>> I've really enjoyed learning about your

7:18

life. When you speak about film and uh

7:22

the theatrical arts, it's you kind of

7:24

seem like you're in love

7:26

>> parts of it. Yeah. From what I

7:27

understand, like from a very young age.

7:29

You grew up in Long Island, right? Irish

7:31

Catholic family.

7:32

>> Yes.

7:33

>> Your dad let you stay up late and watch

7:34

movies.

7:35

>> Well, he would um he'd fall asleep. He

7:38

would come home. He always had some

7:39

other he was a school teacher. He always

7:41

had some evening functions he did and

7:44

jobs he did to uh supplement his income.

7:47

And then he'd come home and my mother

7:48

was like out of it. So I'd say, "Well,

7:50

who's going to let dad in?" Like he

7:52

didn't have a key to his own house, you

7:54

know what I mean? So I would wait for

7:55

him to come and he can go in the kitchen

7:56

and make a sandwich and come in and have

7:59

a something to drink and he'd watch and

8:01

he'd look at the New York Times used to

8:02

have those really pathy little reviews

8:04

of movies. So would say, you know, Ball

8:07

of Fire, you know, Barbara Stanick tells

8:10

Gary Cooper where he can go and my

8:13

father would go, "Wow, Ball of Fire,

8:14

that's a great movie." I said, "Let's

8:15

watch it." He said, "No, no, you got to

8:17

go to bed." I go, "Let's watch 10

8:18

minutes."

8:19

>> This was my my my game. And within 10

8:21

minutes, he was asleep. And I would

8:22

watch the whole movie till 1:00 in the

8:24

morning. Man.

8:24

>> And what were those movies that you were

8:26

like? What like what is

8:27

>> Are you a big movie freak?

8:28

>> Yeah.

8:29

>> Five graves to Cairo with Francho Tone.

8:31

>> Okay. Yeah.

8:32

>> Uh uh um. Uh uh. Hakim was my Valley.

8:34

>> The best.

8:35

>> Uh uh. Ball of Fire. Um Sorry.

8:39

>> Ball of Fire is a comedy with Barbara

8:40

Stamick who I love. My The first movie I

8:43

ever watched on TV all the way through

8:44

till 1 in the morning was um Sorry Wrong

8:48

number with Barbara Stemach and Bert

8:49

Lancaster. Great thriller. one of the

8:51

great thrillers of all time.

8:52

>> Yeah.

8:52

>> But uh um yeah,

8:54

>> when I've like watched interviews with

8:55

you, you're you're like an incredible

8:57

mimic and something I've like connected

8:59

in my mind was like I imagine like a kid

9:01

watching TV.

9:02

>> Yes.

9:02

>> And then you kind of doing the voices.

9:04

Did you feel like you were transcending

9:06

Long Island there?

9:08

>> Well, I would be there watching a movie

9:10

and someone would come on. I remember uh

9:13

watching movies for those of you here

9:15

who are a little older. Um, when you

9:18

watch movies back then, I mean, you had

9:19

like an Ayurvedic sense of focus,

9:22

>> you know, you

9:23

>> they were live, right?

9:24

>> Well, you Yeah. Well, you'd watch the

9:25

movie and there was no button to press.

9:27

There was no VHS, no VCR, no rewind. You

9:30

watch and you got locked in. You like

9:32

watched and and heard everything.

9:34

>> So, when James Kagny, you would talk

9:36

about impersonating people. He would say

9:37

lines.

9:38

>> You'd walk away an hour later be the

9:40

guy's in the trunk. The guy says, you

9:42

know, open up, open up. I can't breathe.

9:44

I need some air. And Kagny's like, "Eh,

9:46

you want air? I'll give you air." Boom.

9:49

Boom. Boom. And he shoots the trunk of

9:50

the car. Now I'd walk around. I was like

9:52

10 years old. I'd walk around the whole

9:53

day going, "Eh, you want air? I'll give

9:56

you air." And you just these lived in

9:58

your mind all the time. You b

10:00

>> I was Austin Powers kid.

10:02

>> You were. Yeah, it was pretty cool.

10:04

Everyone at school thought it was cool.

10:06

Yeah.

10:06

>> You like Mike Myers? Have you followed

10:08

his whole career?

10:09

>> Yeah. I mean, that's kind of my age.

10:11

>> Well, beyond Austin Powers. Yeah. The

10:14

Love Guru. Yeah,

10:16

>> Shrek remakes and Shrek sequels. More

10:18

Shrek.

10:19

>> Oh, really? I thought that was the real

10:20

Shrek.

10:21

>> Those Mike Myers.

10:22

>> Mike Myers does. Yeah, but but those

10:24

Austin Powers movies. What was the

10:26

Scottish guy's name? The Scottish

10:28

>> The Fat Bastard. Thank you. Yeah,

10:30

>> he did all that. Yeah, Fat Bastard.

10:32

>> We This is our age demo. It was It was

10:34

pretty cool.

10:35

>> Do you remember how funny that was for

10:36

us

10:37

>> when he had to pee for a long time after

10:39

he got unfrozen?

10:41

>> That was a real moment. I remember

10:42

taking my parents to that and my mom was

10:44

like what? Like I don't want to go see

10:46

the second one. Like I was like she was

10:49

like it's really a disgusting.

10:50

>> My kids love that. They love Zoolander.

10:52

>> Yeah. Yeah.

10:53

>> They love anything that's nasty.

10:54

>> Stealer is really funny. I mean I liked

10:56

growing up our our generation's Borat. I

10:58

feel like

10:59

>> you do. My kids love Borat.

11:00

>> Yeah. Yeah.

11:01

>> They do. They're like they want to see

11:02

Borat. They want to see, you know, they

11:03

want to see the guy's ass

11:05

>> on his face. The guy naked.

11:07

>> Oh, the fat guy. Yeah. Yeah.

11:08

>> The fat guy puts his ass on his face.

11:10

I'm sorry. I apologize to you. I love I

11:12

love You know what I love? I love uh

11:14

>> uh uh Sasha Baron Cohen and Sweeney Todd

11:16

when they do the duel, the the shaving

11:19

duel where they both shave the guy.

11:20

>> I haven't seen it, but I saw him go he

11:22

did uh in Lay Miz.

11:24

>> Sasha Baron Cone does Lay Miz.

11:26

>> He does a Master of the House, doesn't

11:27

he?

11:27

>> He does. Yeah. Yeah.

11:28

>> No, I've never seen that.

11:30

>> You've never seen Lay Miz?

11:31

>> Is it in some anniversary issue of the

11:33

show?

11:33

>> I think it was a movie with a Yeah.

11:35

Annne Hathaway. She's She plays a some

11:38

like a prostitute. They cut her. does

11:39

master of the house in the lame. I

11:41

didn't know that.

11:41

>> Is it [ __ ] if it's no talking? If

11:44

it's only songs. That's what me and my

11:46

girlfriend had an argument about. I was

11:48

like, keep watching. She's like, there's

11:49

not they're not doing sentences. It's

11:51

just songs.

11:52

>> Well, you got to think about like people

11:53

who wrote opera, how they tried to keep

11:55

it interesting. You know, you're not

11:56

going to sit there and go, I am hungry.

11:59

I want to call the food store to deliver

12:02

my food. Like everything Well,

12:05

everything that's kind of quotidian

12:07

does that, right? It's like and then I

12:09

went to the It's kind of [ __ ] It

12:12

doesn't have to be a song.

12:13

>> He does it slightly better than that.

12:14

>> Just [ __ ] say it, dude.

12:15

>> But I'm saying the idea of an opera,

12:16

which I attend the opera now and then

12:18

and everything is sung and I I I left to

12:21

read the screen because I don't speak

12:22

German or whatever. And you wonder how

12:24

they have

12:25

>> a lot of good good thoughts.

12:27

>> Got some good lines.

12:27

>> He has some great

12:28

>> killer lines. Great.

12:30

>> Honestly, if I was a German non-Jew

12:32

person and they were playing that, it's

12:34

very emotional. You could sell a fascism

12:37

with that music.

12:38

>> I do get a little nervous when I put on

12:39

Vagner. I must

12:40

>> No, it's fine. You can listen to I have

12:42

permission.

12:42

>> Yeah, I'll give you the P. It's so

12:44

beautiful. Tanhauser.

12:46

>> Yeah,

12:47

>> you're a big classical is my favorite.

12:50

>> You're you're that's your thing?

12:51

Classical.

12:51

>> I uh Yeah, I'm a big nut. I I was in LA

12:54

and I was driving around. I was, you

12:55

know, living out there for a while going

12:57

back and forth for 30 years. I had a

12:59

home in both places. And I'm in the car

13:01

and I put on the local classical station

13:04

and I just I I never turn back. All I

13:07

listen to now is pretty much classical.

13:08

>> Do you remember what was playing?

13:10

>> Uh yes.

13:10

>> Vogner.

13:11

>> Uh no.

13:12

>> Richard Wagner.

13:13

>> Richard

13:15

on the show recently. I was like

13:16

>> no.

13:17

>> I said yeah. I'm afraid to release it. I

13:20

don't think I've ever met a racist.

13:22

>> I think that was the first racist I've

13:23

met.

13:23

>> She was she racist on your show?

13:25

>> Oh my god. But I didn't know how to

13:27

interact with it cuz it was kind of a

13:29

woman was yelling at me and I really

13:30

hate when that happens.

13:31

>> She was yelling at you.

13:32

>> So I was trying to Yeah. Yeah. I was

13:33

trying to just def I was trying to I

13:35

think I said to her, "I'm nice. Stop

13:37

yelling at me."

13:37

>> Whenever women yell, just say the same

13:39

thing, which is my line always, which is

13:41

>> they're so bad.

13:41

>> Well, a friend of mine taught me this,

13:42

which was women yell at you. No offense,

13:44

but when women yell at you, just say the

13:46

line, "I don't understand."

13:47

>> Really?

13:48

>> And they just keep saying it and then

13:49

they leave. They'll say something to you

13:52

and you go, "I don't understand." They

13:54

don't like it when you ask questions

13:55

about what they mean. They really don't

13:57

like that either.

13:58

>> See, I don't understand. He'll be gone

13:59

in five minutes.

14:00

>> They don't like it when

14:02

I bet you like um Zoron's girl is

14:05

probably mad at him for working too long

14:08

for cuz he was uh cuz he was campaigning

14:11

too much.

14:11

>> Yes.

14:12

>> You know, I think it's

14:13

>> You excited about that? Are you excited

14:14

about where the city's headed? The

14:15

direction we're headed in.

14:16

>> Uh I think he's a pretty smart guy.

14:18

>> Yeah. I met him. I met him. I think

14:20

>> he been on the show.

14:21

>> He's trying No, not yet. But he it was

14:24

really you know in '92 like um my

14:26

parents were really excited about

14:27

Clinton right and they had like don't

14:30

stop think about tomorrow the Fleetwood

14:32

Mac and then it kind of dawned on me

14:33

that that was the first boomer right

14:36

that was like in national politics and

14:38

when I met him he we just both like

14:40

soccer and hiphop and we're just the

14:44

lamest guys

14:46

me and Zodon yeah we were just talking

14:48

>> where'd you meet him

14:48

>> I met him in Queens I

14:51

>> You mean Mandani And it's kind of

14:53

representation. It was kind of Wakanda

14:54

for me. It's like we're both like, you

14:56

know what I mean? Like he's a

14:58

millennial. He's like a He was uniquely

15:00

normal.

15:01

>> Well, the strangest introduction I ever

15:03

had was I was at

15:04

>> the Kennedy Center Honors years ago. I

15:06

used to go pretty frequently and did a

15:08

couple shows for Vagner getting the

15:10

award. Yeah. Vagner's Vagner's daughter

15:13

got the award.

15:13

>> Oh, yeah.

15:14

>> She accepted. Um the uh um the thing was

15:17

that we were there and uh uh my friend

15:19

who passed away, she was a big lobbyist

15:21

in Washington, Liz Robbins,

15:23

>> and we're going through the the lunchon.

15:24

There's like four different events that

15:25

you can go to if you're there for the

15:27

weekend.

15:27

>> So I go down there for the whole weekend

15:29

that I'm there at this event and you're

15:31

saying hi to Richard Gard and you're

15:32

saying hi to this person and you're

15:34

saying hi to this congressman or

15:35

whatever and this uh uh woman, senator,

15:38

whatever. And as I I don't see over here

15:40

and Liz goes and you know Secretary

15:42

Kissinger and I went,

15:43

>> "Oh, wow." and and Henry Kissinger just

15:45

in front of me.

15:46

>> Hands up.

15:46

>> And right prior to that, like within a

15:48

day or two, his mother had died.

15:49

>> Oh no.

15:50

>> His mother lived up in Harlem in like a

15:52

little Jewish section of Uptown. And she

15:54

was a big community activist. She was

15:55

very very well loved there.

15:57

>> And I turned to him and I'm going,

15:59

"Here's this guy who was essentially,

16:02

>> you know, a war criminal."

16:03

>> Yeah. He he caught a lot of

16:04

>> in front of me and he's in front of me

16:06

and I go,

16:07

>> "I'm sorry about your mother."

16:09

>> And he leans in and hugs me. He goes,

16:11

"That's really nice of you." And he was

16:12

so lit. He was like a ball.

16:14

>> So, thank you so much for seeing this. I

16:15

thought to myself, I'm comforting Henry

16:17

Kissinger.

16:18

>> Was he like 52 but like rotunded?

16:21

>> He was a little bit of a fire.

16:22

>> A ton of [ __ ] You know that

16:23

>> he got more ass. But like

16:25

>> what was that?

16:26

>> That's like a Nixon with a

16:28

>> the tapes. Do you like the Nixon tapes?

16:30

>> Do I like the Nixon tapes?

16:32

>> I love I mean

16:34

>> fellas Nick. I think the writing I think

16:37

okay from a dramatic arts perspective I

16:39

think this the writing on Nixon was the

16:42

best writing in terms of like this guy's

16:44

just a [ __ ]

16:45

>> Oliver Stones movie. No, I'm just saying

16:46

no. The guy Richard Nixon like the best

16:49

president is Lincoln, right? He's like

16:51

the best. He was He did a good job,

16:54

right? He saved the union, brother. Come

16:56

on. Stop. But anyway, Nixon was just

16:58

this loser. And every time he showed up

17:00

anywhere, they'd be like, "Oh, it's

17:01

Richard Nixon." You know the thing about

17:04

Pat, right?

17:05

>> What about her?

17:06

>> When he was trying to like smell

17:07

>> date her,

17:08

>> she was like, "No, you're [ __ ]

17:10

Richard Nixon. I'm not going to date

17:11

you."

17:11

>> Yes. and he drove them on the D

17:12

>> and then he would chaperone her for like

17:14

18 months with

17:15

>> but you see Oliver's movie about Nixon

17:17

right the other guy was you see Oliver's

17:19

movie about Nixon and uh the what's it

17:22

ma says that to Kissinger

17:24

>> he the interpreter says the chairman

17:26

wants to know how a fat man like you can

17:29

have so many girlfriends

17:31

>> well he's paying for it probably though

17:33

>> no

17:33

>> how many how many how many girls you got

17:36

in your lifetime probably over a

17:37

thousand

17:38

>> how many women know that's very you're a

17:40

movie Sorry.

17:41

>> No,

17:42

>> I was busy man.

17:43

>> You're a busy man.

17:44

>> I look at the woman. I got 20 minutes.

17:46

>> No, you don't have 20 minutes. No, no,

17:48

no,

17:48

>> no. The I say it to the woman.

17:49

>> Oh, the woman. You got more time, right?

17:51

Your kid can walk home. In your memoir,

17:54

you talk about um when you're a young

17:56

actor living in New York City, you talk

17:59

about that you were into prank calls,

18:00

you and your roommate. Yes.

18:02

>> Right.

18:02

>> My roommate. Well, I used to do this

18:04

with my ex-girlfriend.

18:05

>> Did you?

18:05

>> Driving in from Long Island on Sunday

18:07

nights. We'd be driving on the LIIE late

18:09

at night and we would leave messages

18:11

>> on like corporate voicemails. So you'd

18:14

call up and it would say uh to reach

18:16

human resources press 26

18:18

>> and then you'd press 26 and the voice

18:20

would come on and go, "Hi, it's Steve

18:21

Regan." And uh even me up the tone and I

18:24

get on and go, "Oh my god, Steve, last

18:26

night was so magical. You were you left

18:30

your watch on the night table."

18:31

>> So whatever the gag was.

18:33

>> Yeah.

18:34

>> Could you prank call my father?

18:37

I here's my pitch. You prank call him as

18:39

Donald Trump and you say your son is in

18:41

big trouble with the administration.

18:44

>> I should be somebody who Well, you don't

18:46

want I can't do these voices when you

18:49

say you're Trump. But no, but you say

18:50

you're Trump and then right away your

18:51

father will know what stupid.

18:53

>> My dad won't know. He's going to think

18:54

that I'm going to GMO and it's going to

18:56

be so funny.

18:56

>> But I think I should say that like

18:58

somebody should say uh not you of

19:00

course. Somebody should say I hold the

19:02

line for uh director Patel.

19:04

>> Oh yeah. I come on character. They

19:06

wouldn't really know who that was.

19:07

>> My dad would have some words for Trump.

19:09

I think it's going to be funny.

19:10

>> But let's finish the interview first.

19:12

You want to do it now?

19:13

>> Yeah. It'd be hilarious. This is going

19:14

to be a moment of like talking more than

19:17

I thought.

19:17

>> I don't have a phone on me. I mean,

19:20

well, yeah. Say this is Donald Trump. I

19:21

have your son.

19:22

>> No, I'm not going to say I'm Donald

19:23

Trump.

19:24

>> No, just say it's it's going to be

19:26

because my dad

19:27

>> say I'm the president.

19:28

>> Yeah.

19:28

>> He hates Trump. But if I say I'm Trump,

19:30

that's going to give it away that it's

19:31

[ __ ] What's his name?

19:32

>> Max.

19:33

>> Max. Yeah, Max Freeland. He's a He's a

19:36

great guy.

19:37

>> Max Vagner is your fellow.

19:38

>> No, he's not. Come on, dude. We're on

19:40

the other side. We're in the hiding

19:41

side. Okay.

19:49

>> Hold the line for the President of the

19:50

United States, please.

19:53

>> One moment, Dad. I think it's for you.

19:56

>> Hello.

19:57

>> Hold the line for the President of the

19:59

United States, please.

20:01

>> Hold the line for the president of the

20:02

United States.

20:04

Is this Max? Max, are you there? Max, I

20:08

got a file in front of me that says

20:09

you're in Vegas. Is that where you are,

20:11

Max? Vegas?

20:13

>> Who am I talking to?

20:14

>> You're talking to the president of the

20:16

United States, Donald J. Trump. And I

20:18

want you to know your son,

20:19

>> I know who you are.

20:20

>> Your son is a mess. Okay, we got to get

20:23

him out of the country. We're sending

20:24

him down to Uruguay. Uruguay. We're

20:27

going to teach communications at the

20:29

Uruguayan University of Communications.

20:32

Okay, but want you to talk to really

20:34

quickly. He's He's only going to be in

20:35

the country for another 3 or 4 hours.

20:38

Here he is, Max. Thank you. Hold on. Say

20:39

hello to your father, Max.

20:40

>> I'm in big trouble with the

20:42

administration.

20:44

>> I know.

20:45

>> He's a Brit. He's a Brit.

20:47

>> He's South African.

20:48

>> Yeah, we're Cape Tonia Jews. Dad, I'll

20:51

talk to you later. You've been pranked.

20:52

>> South African. They got it right the

20:54

first time. Okay. They knew what they

20:55

were doing.

20:56

>> idiot. You've been pranked.

20:57

>> I knew it was by the best who is still

21:00

the best. Uh, Donald Trump.

21:03

>> Oh, you hear that? Are you You're coming

21:04

for that James

21:05

>> Kick victory.

21:06

>> Yo, okay. I love you, Dad.

21:08

>> I love you, Jad.

21:09

>> Dad, you say I love you back. Why did

21:11

you say I love you back?

21:13

>> I I said I love you back.

21:14

>> Oh, okay. Thanks a lot. Why you

21:18

really turned so nice recently?

21:19

>> Yes.

21:20

>> I can't handle it.

21:20

>> Was he not like that when you were

21:21

young?

21:22

>> No. Well, it's not.

21:22

>> Are you bitter and cynical because of

21:24

the way he treated you?

21:24

>> No, no, no. He's he's my best friend. He

21:26

made me tough cuz we'd sit there arguing

21:28

but uh it would always be like a

21:30

compliment but it would be a criticism.

21:32

The other day he's like just be

21:33

yourself. I'm like what the [ __ ] are you

21:35

talking about?

21:35

>> Who's that?

21:36

>> Myself.

21:37

>> Who's How many kids in your family?

21:38

>> Two. I'm the older one.

21:40

>> And who's the other one?

21:41

>> Zoe. We have the same person.

21:42

>> That's the one that answered the phone.

21:43

>> Yeah. Yeah. She was in on it. She was in

21:45

on it. Can I ask you if I could take

21:47

your phone and could I do a prank call

21:51

>> on Robert Dairo perhaps?

21:58

Hillary Clinton.

21:59

>> Can we get Hillary Clinton?

22:03

>> I don't I don't have anybody here.

22:05

>> What about President Clinton? He's a

22:07

real magic guy.

22:08

>> Hillary Clinton. I mean, uh Chelsea

22:10

Clinton.

22:10

>> No. No. Yeah.

22:12

>> Chel.

22:13

>> If I If I gave your number and you prank

22:16

called Chelsea Clinton, I would be out

22:17

of this country in about an hour.

22:18

>> I'm telling you, I'm not going to mess

22:20

anything up for you. Robert Dairo is

22:22

going to think this is really funny.

22:23

Dairo is a very nononsense guy. He's

22:25

very busy during the day.

22:26

>> Is he? He's like that in real life.

22:28

>> He's opening restaurants and hotels

22:30

around the world and he's a very

22:31

successful businessman.

22:33

>> No boo.

22:34

>> Is that annoying?

22:36

>> No.

22:37

>> No, you guys like dress up in costumes

22:39

and pretend to be other people and then

22:40

he's like a serious businessman.

22:43

>> He's loaded with money. Yeah, he's load.

22:44

>> Yeah, but it's like you don't have to.

22:45

You're [ __ ] Robert. while you but

22:47

while you make I mean I know people will

22:49

name

22:50

>> who are like maybe you've heard of them

22:52

>> Obama

22:53

>> Vagner Vagner

22:54

>> who haven't uh uh who took the money

22:56

they made

22:57

>> and it might not have been hundreds of

22:59

millions of dollars in fees like Leo or

23:01

or or you know whatever

23:03

>> Leo who decap um the uh No, but these

23:06

guys make a lot of money in fees

23:08

>> but then there's people I know who made

23:09

less money in fees but they invested

23:11

that money.

23:11

>> What do you mean fees? Like

23:12

>> acting fees your fee to perform.

23:14

>> Oh like SAG. Yeah.

23:15

>> Yeah. Well, yeah.

23:16

>> Oh, fees like you're you get on a movie.

23:19

>> Yeah. Yeah.

23:19

>> You make a movie and you get paid. You

23:20

know, you do Tom Cruz, you get $50

23:22

million to do.

23:23

>> It's the coolest job,

23:24

>> right? Well, but what I'm saying is that

23:25

the

23:26

>> you just say the words, right? And you

23:28

get $50 million.

23:29

>> No, no, no. He does a lot more than that

23:31

for $50 million.

23:32

>> Do you have Do you have Tom Cruz? I'm

23:34

just a huge fan.

23:34

>> Do you have Tom's number?

23:35

>> I have a sister's number.

23:36

>> You have a sister?

23:37

>> But if I call her,

23:38

>> who's she?

23:39

>> Who's she? Yeah.

23:40

>> She's Tom's sister.

23:41

>> Wow.

23:41

>> She runs a lot of his business.

23:43

>> He's one of my He's one of my favorites.

23:45

The thing is that those people I know

23:47

people who've taken less money, they

23:49

haven't made as much money, but they

23:50

invested it so wisely. They're rich

23:53

beyond belief. You would

23:54

>> if I told you some of them, you'd die.

23:56

And Dairo is the same way. He invests in

23:57

businesses. And

23:58

>> who has the most money out of

23:59

>> Was the most money of anybody I've ever

24:01

met in in my life.

24:02

>> I'd have to say one of the Beatles would

24:04

probably be the most wealthy people.

24:05

>> Maka. Can we call Ma?

24:07

>> Oh, no.

24:08

>> No. Why? You had a falling out with MKA.

24:10

>> No, no, no. I just I mean for me I kind

24:13

of went underground for a while when I

24:14

had my issue in New Mexico that I had to

24:16

deal with.

24:16

>> I mean MKA he's he he wrote best well

24:21

we're friends. I mean we have a lot of

24:22

music guys here.

24:24

>> This guy over here uh Jake is really

24:26

close.

24:26

>> You play you play Are you?

24:27

>> Yeah.

24:28

>> He jams.

24:29

>> Where is he?

24:29

>> Me and Ma.

24:30

>> Yeah. Yeah.

24:31

>> You're buddies with him

24:32

>> big time.

24:33

>> Oh. Are you being serious?

24:34

>> I mean he is he's a he's the best. He's

24:37

like my favorite. Him and Bob Dylan. You

24:41

you missed all that because you were

24:42

listening to like violins and stuff.

24:43

>> I was listening to Yeah. to Strauss.

24:45

>> You're listen.

24:47

>> Now, do you know do you like uh Bob

24:48

Dylan?

24:49

>> Oh, yeah. He's the best.

24:50

>> What do you love about Bob Dylan?

24:51

>> Uh he's

24:53

>> I go in and out on Bob Dylan.

24:54

>> Uh oh. I mean, it's every era for

24:57

different periods of your life. I went

24:58

heavy Christian uh after a terrible

25:01

breakup

25:02

>> and I was like I did the then I realized

25:04

that Yeah. Yeah. I was like it's so

25:06

nice.

25:06

>> What brand of Christianity?

25:07

>> The Bob Dylan Christian. Yeah. Yeah.

25:09

Yeah. There's like a

25:10

>> you were a Bob Dylan Christian.

25:11

>> Well, he had three Christian albums. And

25:13

then I was like, what? Maybe God loves

25:15

you, right? And I was like, we didn't

25:17

have that for Jews. Our God is like

25:19

Trump. He's like, if you don't respect

25:20

me, I'm going to smite you. If you make

25:22

a golden calf, like I'm going to kill

25:24

all of you. He's like very insecure.

25:26

He's like a [ __ ] But like, uh, it's

25:28

not real. None of this is real. But like

25:30

I'm like, "Oh, it's so nice that uh the

25:32

Jesus thing that God loves you so much

25:34

to let your son die, but then I snapped

25:36

out of it." How would you define

25:39

Judaism? What's your def definition?

25:41

What makes you Jewish? What's the

25:43

definition? I have a friend of mine that

25:44

gave me a great definition.

25:45

>> You do the thing. You say you do the

25:47

thing and it's boring, but like your

25:49

grandpa was bored, too. So, but you feel

25:51

like you're not going to

25:52

>> It's your turn to be bored.

25:53

>> Yeah. It's kind of nice. It's gibberish.

25:56

It's like spells. I don't know. But it's

25:58

like you don't want to be the one that

25:59

drops the ball.

25:59

>> But you raise very observant.

26:01

>> I mean, if I do it, I I I know all the

26:04

like all the words. You know the words.

26:05

I did. Yeah. I did full para ha Torah

26:08

and I I led uh uh

26:10

>> you went to you went to uh Hebrew

26:12

school.

26:12

>> We I I didn't I went to I was bar misfit

26:15

orthodox because it was free. That's why

26:18

the Yeah. My Yeah. Yeah. It was free to

26:21

go there. But um I don't know. I think

26:23

it's kind of uh it's just like that's

26:26

kind of nice. The boredom is kind of it

26:29

doesn't make sense. You don't know what

26:30

they're saying. But uh your grandpa

26:32

didn't make sense to him and that's kind

26:34

of why you know what I mean.

26:36

>> Well know I grew up Catholic so I which

26:38

is

26:39

>> well we're cousins and

26:40

>> they spoke Latin back then so it was

26:41

also gibberish but to me

26:43

>> yeah we both like like hate ourselves

26:45

and we both think that life is just

26:47

agony. We're cousins. I mean all of my

26:50

friends are either Catholic or Jewish or

26:53

black

26:53

>> Catholicism to me is about redemption.

26:56

>> Yeah. Yeah. Yeah. You're like you like

26:57

no matter how bad you are, you have to

26:58

see that there's a chance they'll be

27:00

redeemed for what they did.

27:01

>> Oh yeah. I stopped the Christian thing

27:02

when I realized that hell is the meanest

27:05

thing ever. Can you imagine? Forever.

27:07

Why is it And if you're a baby and you

27:09

haven't been baptized,

27:10

>> what about hell was something that was

27:11

just your hell? Like a thing you hate

27:13

like like your own personal hell.

27:15

>> But you know what I mean? I get

27:17

>> I mean it's sad. Yeah. I think that it's

27:19

just sad that people die. Wow. This is

27:21

getting pretty. It's just sad that you

27:23

have, you know, you're alive and then

27:24

it's

27:25

>> Are you afraid to die?

27:26

>> Oh, it's the scariest thing ever. Is it

27:28

really?

27:28

>> I don't understand. People are like,

27:30

"Public speaking is my biggest fear." I

27:31

was like, "What about [ __ ] dying?"

27:33

>> Exactly.

27:33

>> Forever.

27:34

>> What about things being thrown out of a

27:36

plane?

27:36

>> What about [ __ ]

27:37

>> by a narcotics?

27:38

>> Yeah. Yeah.

27:38

>> You ever see those movies when they do

27:40

that?

27:40

>> What?

27:40

>> When they take the enemy and they bind

27:42

him up and then they throw him out of

27:43

the plane.

27:44

>> No.

27:44

>> You ever see that? Like in a drug movie?

27:46

>> Oh, like a like a

27:47

>> Well, they take a guy that just don't

27:48

like Pedro and they throw him out of the

27:50

plane.

27:50

>> Oh, yeah. Yeah. Like if they're

27:51

criminals like

27:52

>> or just the enemy.

27:53

>> Yeah. Yeah. But those guys are ready to

27:55

die, you know? They're like, you know,

27:57

they're like East might die, you know,

27:58

like it was that good acting.

28:00

>> Okay. Can we talk

28:02

>> realize, Petro, you might be killed.

28:04

>> Can we talk a little bit about your I've

28:06

been going back through your filmography

28:08

and your performances and it's just like

28:10

when you appear on a screen, it's like,

28:13

oh, it's it's my pal. It's like my old

28:16

pal and this is going to be great. I

28:17

mean, you could make a real turd

28:19

watchable. Pearl Harbor, you're like,

28:21

you make the your parts watchable. And

28:24

that's one of the shittiest movies of

28:25

all time. I mean, I'm serious. Yeah. And

28:29

it's just like I I um I watched Hun for

28:32

Red October with my dad. This is like a

28:34

a hunky leading man. And then

28:37

>> back then, yeah.

28:38

>> From from like learning uh about what

28:40

transpired afterwards, it wasn't the

28:42

perception I had of you. I I feel like

28:45

the industry has been like a

28:46

frustration,

28:48

you know, like especially when it came

28:49

to like reprising your role as Jack

28:51

Ryan.

28:52

>> Well, they wanted me to sign up with a

28:54

like a blank contract when we start when

28:56

we finish like you like you only do this

28:59

>> and you never do anything else and I had

29:01

an opportunity as I wrote in my memoir

29:03

to do the street car on Broadway which

29:05

was a very

29:06

>> that was like the opportunity for an

29:07

actor. That was it. I would never have

29:09

that opportunity again ever. My

29:11

perception was that that they they kind

29:13

of like promised you and

29:15

>> they threw me out of the plane.

29:16

>> Yeah. Yeah.

29:17

>> I mean, it's not bad to get replaced by

29:18

the coolest guy of all time, right?

29:21

>> Imagine if it was Ryan Denah playing

29:23

Jack Jack Ryan.

29:25

>> It's it's Han Solo. I mean, when I read

29:28

about that, I was like, it's just so

29:29

cynical. Like, it's a you're like an

29:31

artist, right? And when you talk about

29:33

performing and acting, you get so

29:35

passionate about it. I want to talk

29:37

about

29:37

>> well you realized back then what I

29:38

learned what was 89 90 the movie came

29:40

out in 90 and then in the ensuing couple

29:42

years the early 90s I learned that you

29:43

just really can't rely on anybody what

29:45

they say there so I just whenever they'd

29:48

say blah blah to them go oh that's great

29:50

I'm never counting on any of it

29:51

happening you know it's it's very tough

29:53

>> you just have to have monsters that do

29:54

it for you I have a whole team of ghouls

29:57

>> what was the genesis of this meeting

29:59

were you like Rupert Pupkin in the

30:00

basement and your mother's yelling down

30:02

the stairs

30:02

>> it is a joke it's a joke that became a

30:04

real thing yeah

30:05

>> so was a joke and your mom goes,

30:06

"Please, you're so annoying.

30:08

>> This No made fun of." No. No. Yeah. I

30:11

was the I was on a podcast uh that was

30:14

for like like I mean what guys. I mean

30:18

just idiots. I He didn't smile. And now

30:21

I've Okay. I was on a podcast for like

30:24

ugly men, right?

30:25

>> Oh, for ugly men. Yeah. Not mentally.

30:27

>> Just like the worst,

30:29

>> you know, and it was like a cult status.

30:30

It became very successful. And then one

30:32

of us,

30:33

>> what was it called?

30:33

>> It was called Come Town. We tried they

30:38

yeah anyway it's it got it got

30:41

successful. It's very I don't know I was

30:43

just there pretty much but the you know

30:45

the the one of the guys left and then uh

30:48

the other guy's idea was to make like by

30:51

far the least popular nebishy kind of

30:54

like the glasses you know allergies you

30:59

I was we all played a role

31:01

>> on the show on on

31:03

>> what's it called? Come town.

31:04

>> Yeah. So then

31:05

>> on that show, were you like a leading

31:06

man compared to them? Were they all?

31:08

>> No. No. Absolutely.

31:09

>> Moto. So sometimes I wasn't even I was

31:11

barely even there. But but uh yeah. Uh I

31:14

think we went a little bit manic and uh

31:17

publicly proclaimed we were going to

31:18

make a television show. We didn't know

31:20

what c cameras or anything. And then we

31:22

recreated the Dick Cavit shows.

31:24

>> I have an image of you in a set like

31:26

this in your basement and your mother

31:28

whatever. And you're sitting there and

31:29

there's a line you say and that line

31:31

you're like sitting there and you go

31:32

>> I'll show them.

31:34

>> Well, no. I mean, I'm not like a scary

31:36

I'm not a scary guy like that. No,

31:38

>> no, but it doesn't scare. I think it was

31:40

just like then the real guests were

31:41

coming and then I decided for the first

31:43

time to in my life at 35 to try and then

31:46

I' I've I've kind of seen myself

31:48

progress and it's uh given me a sense of

31:50

selfworth and it feels like I it feels

31:53

like I'm not like fast forwarding to

31:56

being dead and it's just I want to work.

31:59

>> Why you look are you going to punch me?

32:01

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32:01

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32:03

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32:03

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39:23

>> I've been like I watched the the

39:24

monologue from Glenn Gary, Glenn Ross. I

39:26

have like so many friends that went to

39:28

the revival that were like that was

39:30

[ __ ] [ __ ] They didn't have put

39:32

that coffee down.

39:33

>> Nope.

39:33

>> It was like uh cuz that was only for the

39:35

film. Did Mamemoth write that for you?

39:37

>> Yes. Not for me. He wrote it for the

39:39

film.

39:40

>> And And so like do you conceive of that

39:42

as like a a moment for you? I really

39:45

don't care in terms of like I never

39:46

really watch my own stuff and value it

39:48

in any way.

39:48

>> It's the best acting ever. I mean,

39:50

>> well, no, no, but I'm saying that I

39:52

called Matt, but I go, "You won the

39:53

Puliter Prize." Yeah.

39:54

>> For the play, why did you to feel it

39:56

necessary to add something to it? You

39:58

won the Pulitzer. He said, "I never

40:00

believed these guys were criminals. I

40:01

never believed they could commit a

40:03

crime. They didn't have a criminal

40:04

nature. So, I needed another ratchet. I

40:07

needed another turn of the screw to make

40:09

them commit a crime." And you're going

40:10

to come in, you're going to tell them,

40:11

"If you don't get this done tonight,

40:13

it's over." Yeah.

40:14

>> So he brought me in to do that and it

40:16

was really tough because I admired all

40:17

them and I had to piss in their face all

40:19

day for three days.

40:20

>> Did they Did it feel real? Like cuz

40:22

>> I thought Ed Harris was going to punch

40:23

me in the face.

40:24

>> Really? Because that's what I imagine in

40:26

that room. You're with the murderers

40:28

row, right?

40:29

>> Do do you like is there a competitive

40:31

aspect of it? Is it like you don't want

40:34

to get acted off the screen? Like did

40:36

did you bring it really because like

40:38

[ __ ] Pacino was and Jack Lemon were

40:41

like there.

40:41

>> The Jack I admire. Yeah. Well, you just

40:43

really you I mean everything you do,

40:46

you've got to have some motivation. So,

40:48

it's like I'm there with Foley. I've

40:49

said this a million times. I'm there

40:50

with Foley, who's the director, and I

40:52

said, "Oh, this is tough, man. I mean,

40:53

I'm just so mean to them." And and Foley

40:56

said to me, who just died recently, he

40:57

said, "Uh, it's like that scene in

40:59

Patton where he slaps the soldier in the

41:01

tent."

41:02

>> You call yourself a soldier. Shell

41:04

shark. And he goes, "This scene is you

41:06

call yourself a salesman." He said,

41:08

"These guys, you're doing it for their

41:09

own good. You're doing it to help them.

41:11

You're helping them." I remember sitting

41:12

there. I was like Popey after he ate the

41:14

spinach, you know what I mean? I

41:15

remember sitting there going, "All

41:16

right, let's [ __ ] go." And I'm like,

41:17

you know, I got out of the chair and I

41:20

>> Yeah.

41:21

>> was ready to kill.

41:22

>> Did they show Did they give you your

41:23

flowers? Was Pacino likewah. You were

41:26

great. You were great.

41:28

>> No, he wasn't in the scene. Yeah.

41:29

>> No, no, he wasn't in the scene. That's

41:30

right. Jack Lemon say like you

41:32

>> No, Jack Lemon didn't say a word to me.

41:33

They all did.

41:34

>> His pants probably. I would.

41:35

>> No, no, they just they just stayed in

41:37

the zone, you know? I mean, they were

41:37

all in that zone all day long. Three

41:39

days. It in my mind is a moment in like

41:43

it's feels like some of the best acting

41:45

I've ever seen in a film and you're only

41:47

you were probably on set for what two

41:48

days?

41:49

>> Yeah. Two and a half days. Yeah.

41:50

>> And you kind of like steal you steal

41:52

>> the most exciting thing and that movie

41:54

was a good example was you know the it's

41:56

the people you work with. Obviously the

41:58

actors are a big part of it but also the

42:00

crew like I've always worked with. I've

42:01

been very blessed to work with some of

42:03

the greatest cinematographers in history

42:04

and Juan Rubies and Chia who was the DP

42:07

on that film. He was like, you know,

42:09

beno's guy and he was I love him.

42:11

Anyway, Juan Ruiz Ani, he was young. I

42:13

worked with Don Mallalpine. I worked

42:15

with Tol John Tol. I worked with uh you

42:18

know um I'm forgetting now, but Bob

42:21

Richardson, the legendary Bob

42:23

Richardson. Um the one I did uh

42:25

>> is there ever a time where they're like

42:27

they don't speak English, right?

42:28

>> Yeah, you know the story.

42:29

>> What's the story?

42:30

>> Carlo De Palma.

42:31

>> Oh, of course. That's a that's kind of

42:33

>> He didn't speak English very well. We

42:35

did Woody Allen's movie. Uh,

42:36

>> how does Woody communicate with the

42:38

monster?

42:38

>> He doesn't talk to you.

42:39

>> He's like, just tell

42:40

>> they go off and mumble.

42:41

>> Just go over the Yeah.

42:42

>> You put the camera near her, closer to

42:45

her.

42:45

>> And

42:46

>> you did three Woodies.

42:48

>> I did three Woodies. Yeah.

42:49

>> Yeah. Yeah. In transitioning to like uh

42:51

being a comedic actor, which like you

42:53

have a classical training, right? you

42:55

studied at NYU and like uh

42:58

>> Strawburg,

42:59

>> but it kind of in some ways the way I

43:01

see it is like you at the TV that was

43:04

the beginning of your education.

43:05

>> That's where you learn,

43:06

>> right?

43:07

>> Watching other people

43:08

>> and it's kind of like you were picking

43:09

that was like the beginning of theater

43:11

school for you, right? And like are you

43:13

the best actor you've ever been right

43:15

now? Like is it something that evolves

43:16

over time or

43:17

>> Well, I think it's hard to you I'd

43:20

rather give a I'd rather have a smaller

43:21

role in a great film.

43:22

>> Yeah. than have a big role in a mediocre

43:24

film.

43:25

>> Yeah.

43:25

>> You know, the the key is are you making

43:27

a film with people who I said this I

43:30

said this quote

43:32

>> in a documentary I did. I said avoiding

43:35

any kind of relationship or any kind of

43:38

communication with the director and not

43:40

availing yourself of the director's

43:41

skills. I said it's like trying to avoid

43:43

the birth canal when you're being born.

43:45

>> You know, it all goes through the

43:46

director. They're making the film. So,

43:48

if you make a film with a good director,

43:50

you have an increased chance. I've made

43:51

films where we knew that if everybody

43:54

did their job perfectly every day, the

43:56

most we could hope for was mediocrity.

43:59

You know, I mean, it was that wasn't on

44:00

the page. I wanted to go to work,

44:02

>> but when I work with Marty or somebody

44:04

like that and I'm like, you know, [ __ ]

44:06

>> Uhhuh.

44:06

>> That's exciting.

44:07

>> I mean, you you were in two. You kind of

44:10

sold Departed, too.

44:11

>> You like No, you you seen sto I love

44:15

doing the Aviator because I love that

44:17

period. I love Leo in that role.

44:18

>> Oh, yeah. as one.

44:20

>> I was exactly and my and his daughter is

44:22

my neighbor on Long Island. She was

44:24

Betsy Dvki.

44:25

>> I sat with her. You Betsy Devki said to

44:27

me, "I'll never forget."

44:28

>> She got fat stacks. No. Or she's No,

44:30

she's probably big house. No.

44:32

>> Yeah. Yeah.

44:33

>> She's passed away, but Oh, I'm sorry.

44:35

>> She had a nice house. Sorry. May her

44:37

memory be a blessing. It

44:39

>> was some historic home. But anyway, so

44:40

trip I'm there with her and she goes,

44:42

"Do you think that uh Mr. Scorsesei

44:44

would like to have my dad's luggage in

44:46

the film?" And I go,

44:49

I don't know. I can call him and ask

44:50

him. And she he had Hallebertton

44:53

luggage, that stainless steel luggage,

44:54

beautiful luggage, all stamped with the

44:57

logo of Panama on there. And I remember

44:59

the thinking, my god, it's like,

45:01

>> sell me this [ __ ] luggage right now.

45:04

>> For a million dollars, I'll give you a

45:05

million.

45:05

>> Did you tell Marty?

45:07

>> I know. I told Marty money was like, no.

45:10

>> That sucks cuz you were trying to

45:11

impress him. You were like, Marty, I

45:13

found the real luggage of the guy.

45:14

>> You realize your research isn't to

45:16

change the script. I've had that happen.

45:18

>> That's not changing the script. You're

45:19

like going above and beyond. You're

45:20

being a good student. You're like a

45:23

>> You're trying to bring what you can.

45:24

You're trying to bring It's Martin

45:25

Square. Are there directors that you've

45:28

wanted to [ __ ] just pummel? Like

45:30

there have to some of them have to be

45:31

like manipulative [ __ ] sociopathic.

45:34

>> I've been in situations where early on I

45:37

don't even think they roll the camera.

45:38

Like you're in meetings before and the

45:40

guy's obviously not doesn't have

45:41

anything to say.

45:42

>> Like you just think differently. I'm not

45:44

I don't want to judge people and say

45:45

mean things about them, but there's like

45:47

one or two cases where I sat there and I

45:48

said to the producers, we get alone in a

45:50

room and I go, "Get somebody else."

45:52

>> I don't want to do that. I want to go

45:54

home.

45:54

>> Yeah. Because you're naturally

45:56

manipulating someone into giving a

45:58

performance, right? So, there is some

45:59

sort of

46:00

>> You got to have a good director. You got

46:01

to have a decent director. I did this

46:02

movie, The Cooler,

46:04

>> and uh Yeah. And and Wayne Kramer was

46:06

the writer director and it was like and

46:08

and uh and I just loved him. He was

46:10

really really he was into listening to

46:12

what you had to say but in the end you

46:14

defer to the fact like if you read a

46:16

script and you agree to do the film you

46:18

agree to do that script

46:19

>> you can't come in later which many

46:21

actors do and try to change things after

46:22

the fact you come in and then you say to

46:25

them let's do some alternatives we'll do

46:26

it as written

46:27

>> then let's do some improvisations but

46:29

always do it as written that you're

46:30

obligated to do

46:31

>> we just had Bill Macy who's also in that

46:33

movie and I say Bill because it's like

46:35

I'm also f he said I call him Bill it's

46:38

kind of sick

46:38

>> I made three movies with Jill H. Macy.

46:41

>> You did. Yeah. But he was the you were

46:43

nominated for the cooler.

46:44

>> I did the cooler with him. Ghost of

46:46

Mississippi and then I did a state in

46:47

Maine with with Mammoth.

46:49

>> So he to Mammoth was like his like kind

46:51

of mentor. Yes.

46:53

>> Yeah. And um the way he described his uh

46:57

process was like the least like

47:00

dickheaded way that acting has ever been

47:02

described to me, which is that there's

47:04

no character. There's just an objective.

47:06

Like it's it's you do your [ __ ] job,

47:09

right? And if you do it well,

47:10

>> that's the mammoth school. Mame wrote a

47:11

book. Yeah.

47:12

>> Like um did that rub off on you in

47:14

working with him? No. No.

47:15

>> You don't buy it. You don't buy it.

47:17

>> I work with directors, not many, but a

47:20

couple where they say to me, "Could you

47:21

do this

47:22

>> and and do this?" And I and I didn't

47:24

quite understand, but I'd always go

47:26

because of time.

47:27

>> You're part of a collaboration where

47:28

time is urgent. So I'd say to the guy,

47:30

"Sure." I go, "I'll do that right now.

47:32

Let's do another one. I'll do that." And

47:33

I go right back and do exactly what I

47:34

did before.

47:35

>> Right? I go, "How was that?"

47:37

>> So, what's your process?

47:39

>> Well, if the director is somebody who

47:41

is, this is the torture of not torture,

47:44

but the torment of how we work now is

47:46

that if there's people who are great

47:48

directors or you think they're on to

47:49

something, like Wayne, when I worked

47:50

with him, he wasn't famous.

47:52

>> But when they're on to something, you

47:53

you do what they want to do. Let them

47:55

lead you. But then with other people,

47:57

you have to be self-directing, which is

47:58

tough.

47:59

>> You have to decide, well, I think this

48:00

is what I should do. And guys will walk

48:02

up to you and go,

48:03

>> "Oh, don't do that or don't do that."

48:04

See, one thing you always do, I know

48:06

this is we're digressing, but one thing

48:08

you always try to do is how much of a

48:09

performer is the character.

48:12

>> So, in Glen Garry, that guy was a

48:13

performer. He'd gone around the New York

48:16

real estate world and beyond in the

48:17

office. Well, straighten him out. Yeah.

48:20

Motivating them. Yeah. The motivator is

48:22

their word.

48:22

>> And so, whenever you do films and things

48:25

like that, you have to wonder, is the

48:26

guy like I I always say the same tired

48:28

line, which is that Robert Duval plays

48:31

Boo Bradley and Toa Mockingbird. He

48:32

doesn't have one line. Mhm.

48:34

>> It's one of the most shattering

48:35

performances you've ever seen in your

48:37

lifetime.

48:38

>> So, all acting is physical, acting is

48:40

emotional, acting is interiority, all

48:42

these different things.

48:43

>> And you uh when you're doing something

48:45

with a director

48:47

>> and they don't get what you're doing,

48:48

it's uh it's tough.

48:49

>> You and me and especially in in Glen

48:52

Gary, Glenn Ross, it's so testosterone

48:54

driven, right? And they're so masculine

48:56

those scripts and that like tough.

48:58

>> Yeah. you're in a in a world where you

49:01

put on costumes and you pretend to be

49:02

other people, but you you're the

49:04

theatrical arts are not like there

49:06

there's a sensitivity about them, but

49:08

like

49:09

>> well, you can walk in you can walk onto

49:11

the set with uh Mammoth and and you say

49:14

to yourself, the films he's directed

49:17

that he's written have been less

49:19

successful than the scripts he wrote

49:20

that other people directed.

49:21

>> Yeah.

49:22

>> But that can't influence what you do.

49:24

You have to go in with people and always

49:26

say and think the best. I'm not just

49:28

saying this to be warm, you know? I

49:29

mean, you you go in there, you don't

49:31

want to predict failure. I've made

49:32

movies where the other actor or actress

49:36

was someone who I I didn't quite

49:38

understand what they were doing. Sucks.

49:39

And I didn't quite understand why the

49:41

director wasn't on them.

49:42

>> Who is it?

49:42

>> Uh

49:44

uh and uh the

49:45

>> Liz Lemon,

49:46

>> right? We were all

49:47

>> She's the opposite. She's the opposite.

49:48

>> She's the funniest person on earth.

49:50

>> Well, she's such a unique person, you

49:53

know, cuz she's so funny in that way. I

49:55

mean, you realize that when I worked

49:57

with them, I wasn't funny when I worked

49:59

with them.

49:59

>> Shut the [ __ ] up.

50:00

>> Well, no, no, but I'm being I mean, I've

50:01

done some SNL, but but the point is

50:02

this. I But I really mean this.

50:04

>> I learned not to be funny, but I learned

50:07

what was funny. A lot of things you see

50:09

now on TV. I mean, a ton of it is more

50:12

cute than funny. And and and Tina was

50:14

funny. I mean, they'd hand me scripts.

50:16

We do a Wednesday read through and

50:18

they'd hand us the script on a Wednesday

50:20

morning and I read it in the makeup

50:22

chair. And then we'd go up to a lunch

50:24

conference room which had uh cameras to

50:26

beam us to Burbank for the executives in

50:28

California to watch the read through at

50:29

12:00 noon.

50:30

>> And we'd be and they'd hand me the

50:32

script. I read I go see uh Robert

50:33

Carlock for the lunch read through. And

50:36

I look I go, "Are you [ __ ] kidding

50:38

me?

50:39

>> You want me to do you out of your mind?

50:41

You want me to do this?" Which was I was

50:42

like a gay Mexican soap opera star

50:45

>> playing against myself doing the Patty

50:46

Duke thing.

50:47

>> And he's like and Carllock always said

50:49

the same thing. He said, "It's a big

50:50

swing. It's a big swing.

50:52

>> Yeah.

50:52

>> But we know you could. We have faith in

50:53

you. We think

50:54

>> it's fun too, right?

50:55

>> It was there was I never had more fun in

50:56

my life.

50:57

>> The scene that there's a particular

50:59

scene which I think your performance is

51:01

a master class in like comedic acting,

51:03

but it's the scene where you take Tracy

51:05

to to meet the NBC therapist and you

51:08

play you play like 12 different

51:10

characters.

51:11

>> I bust up a shipper rope.

51:13

>> Yeah.

51:14

>> And he starts engaging with a line.

51:16

>> It's it's just it is like a perfect

51:18

scene. I I actually just this morning

51:20

remembered another scene of yours which

51:23

I literally made me pee my pants when I

51:26

was a kid. We're like younger, but in a

51:28

long came Paulie when you're pissing

51:30

next to Ben Stiller and then you like

51:33

you tenderly like squeeze his earlo

51:35

>> and then you start massaging his like

51:37

after you've been pissing

51:39

>> and you're his boss of course. It's it's

51:41

just um

51:42

>> I knew she was a dime store who the

51:43

moment I laid eyes on. Dude, I Who had

51:46

the vision that like who knew you were

51:48

funny? Because you're going to do this

51:49

like I I'm not funny at all. I'm just an

51:51

actor. But like was it Lord? Like did

51:54

>> I did SNL the first time and what I

51:55

learned was unless you're Stallone or

51:58

Schwarzenegger where they're going to

51:59

make up fun of your persona,

52:01

>> they're not going to do that. You got to

52:02

become one of the company and just pull

52:04

your pants down and make an ass of

52:05

yourself.

52:06

>> Is it more fun?

52:07

>> Oh, yeah. Yeah. No, I loved SNL because

52:09

you would never

52:10

>> There's things you do that not all of

52:11

it, but there were things you would do

52:12

that you would never do anywhere else.

52:14

Yeah.

52:14

>> To have that experience, you had to do

52:16

that show.

52:16

>> Like little C canteen boy.

52:18

>> That's

52:19

>> I don't think it was Little Canteen Boy.

52:20

>> What is it?

52:21

>> I think it was strapping Canteen.

52:23

>> Oh, that was what it was.

52:23

>> Oh, no. No. I was No, I was the scout

52:25

master. He was You're right. Uh,

52:27

>> you know, we used to live in a [ __ ]

52:29

Sandler.

52:29

>> Better. Yeah. Yeah.

52:30

>> Yeah. Yeah. Sandler.

52:31

>> They got more complaints about that

52:32

sketch than any sketch.

52:33

>> It was pretty funny. Honestly, do do you

52:35

ever fear that like your perception as a

52:39

celebrity might overshadow like the very

52:41

reason why you're a celebrity? Well,

52:43

yeah. You have to be very careful. I

52:45

tell people all the time who are young,

52:46

I'm like, don't

52:47

>> see the people who are the biggest

52:49

stars, you know, the least about them.

52:50

>> Yeah.

52:51

>> And they control that.

52:52

>> I would be a ghost.

52:53

>> Yeah. Because if you go out, if you if

52:54

if they see you doing things in public

52:56

and it's not appealing or attractive,

52:58

it's not it's not going to help you.

53:00

Like I I mean, I felt like if guys were

53:03

>> 75 ft away with a long lens and they

53:05

took a picture, I never cared. It was

53:07

when they got up close and almost hit my

53:08

wife in the teeth with the lens of their

53:10

camera. I mean, I would get

53:11

>> That's when I got Yeah, I did get I

53:14

mean, I took the bait more than once,

53:16

>> but it's not the bait. They're [ __ ]

53:18

hitting your wife in the face with a

53:19

camera.

53:19

>> Almost.

53:20

>> Was the first time you got paparazzi

53:22

like kind of cool? Were you like, "Dude,

53:23

I must be sexy."

53:24

>> I hated them from day one.

53:25

>> You hated them day one.

53:27

>> Then there was an Italian guy following

53:28

you around. He's like Bella Bella. You

53:31

know, I don't know what they're like.

53:32

I've never gotten one.

53:33

>> Well, here it's Well, here it's gone

53:35

from like a You see, you're too young to

53:37

remember. Like here it's gone from like

53:39

a very very obscure corner of

53:42

>> the entertainment space as a room. They

53:44

were off in a little corner and all this

53:46

kind of salacious gossipy stuff was very

53:48

very very like third or fourth tier

53:51

know about people's lives

53:52

>> and now it's it's it's an industry and

53:54

now they're going to going on and making

53:56

a fool of famous wealthy sports figures,

53:59

music figures, entertainers or whatever,

54:01

actors, businessmen, musk, whoever,

54:03

politicians to humiliate them and

54:05

embarrass them publicly. That's a huge

54:07

industry now. A very big industry. So

54:09

they're out there with nets

54:11

>> trying to catch something.

54:12

>> I I feel like um I'm lucky that I'm not

54:15

a punching guy. I'm more of a like I'll

54:17

psychologically just play the long game.

54:20

>> Yeah. You stare at them.

54:21

>> Do you think that you were characterized

54:22

as a as like a like a bully,

54:24

>> a tabloid fixture,

54:26

>> but as a bully? I bullied these

54:27

photographers. I went up to one

54:29

>> guys try to take a picture of your

54:31

newborn child.

54:33

>> Well, one guy walks up. He we're coming

54:34

out of our building and we're walking

54:36

down the block and he's walking

54:37

backwards and he's really big. He's like

54:40

6'4. He's tall. He's a big guy, you

54:42

know. I mean, and he doesn't pay

54:43

attention. He trips and falls and sits

54:45

on a baby in a stroller. What's behind

54:47

him?

54:47

>> Your baby?

54:48

>> No. No. Somebody else. A woman's coming

54:50

this way. And he's going backwards and

54:52

he falls onto the and sits on the baby

54:54

in the stroller.

54:55

>> And I thought to myself,

54:57

>> well, I won't say what I thought.

54:58

>> You're like, it's my fault.

54:59

>> You're like, I'm a I'm a really

55:02

>> We should just chop him up now. right

55:03

here.

55:04

>> I wanted to mention something to you

55:05

that I I've felt and I've been it's kind

55:08

of like been dawned on me since I was

55:10

like doing the research uh for you and

55:13

it it's going back to what I said is

55:14

like that your celebrity sometimes uh

55:18

can has overshadowed kind of

55:20

>> by reputation is what you mean. You use

55:22

the word celebrity

55:23

>> or it's public life, right? Um something

55:27

I've picked up on is like I I watched

55:29

your reality show, right? And um

55:31

>> why?

55:32

>> Because like um I was being thorough,

55:35

but like it really dawn it. The first

55:38

thought I had was like, is this what you

55:40

have to do these days? Like in in a

55:42

moment of extreme like uh personal

55:44

crisis like

55:45

>> I'm I'm weeping in a in a conference

55:47

room with some publicists and I go,

55:48

"What can I do to clean up this mess?"

55:51

And they go, "You got to have seven

55:53

kids."

55:54

>> Is it? But but like what I'm saying is

55:55

is like for me personally um I've I've

55:58

like I'm not into like celebrity gossip

56:01

but when I heard about what happened

56:03

right it didn't sound real to me where

56:05

right in New Mexico it didn't sound like

56:08

a real thing that happened in the real

56:09

world. I think we probably made jokes uh

56:11

about it like it didn't dawn on me uh

56:14

until I was doing research for the show

56:17

and I I really felt like um it would be

56:20

something that you would carry for the

56:22

rest of your life and uh it just uh it

56:25

kind of dawned on me that like people

56:27

don't perceive uh public figures as real

56:30

human beings perhaps. I think that in

56:33

that case among among countless things I

56:37

could say was the idea that uh when my

56:40

case imploded and was over and it was

56:42

over not because of a statement of a

56:44

jury or the cleverness of my lawyers the

56:46

judge ended the trial thrown out

56:47

>> the judge terminated the trial. She

56:49

thought this is enough of this is just

56:51

insane. And when that happened,

56:55

a friend of mine, a woman who's an

56:56

attorney, very famous attorney, she said

56:58

to me, uh, that what bothered her was,

57:00

um, she said, "Once they couldn't get

57:02

you, it was over."

57:04

>> The case didn't continue. They're not

57:05

out there looking for the guy that

57:07

brought the bullets onto this. They're

57:08

not doing that once they attempted to to

57:11

frame you and they couldn't do it, it

57:13

ended. Which that should be of grave

57:15

concern to everybody that lives in that

57:17

community that it just imploded because

57:18

they didn't succeed at their other

57:20

>> certainly. But beyond that, like um I

57:23

I've I looked at like the way that it's

57:25

discussed in popular discourse and on

57:27

the internet. Like I looked at Reddit

57:29

and

57:29

>> Well, Reddit's bad.

57:31

>> It's bad, but it's it seems like

57:32

>> it's ugly.

57:33

>> People don't process it in a way that um

57:37

this is clearly something that is not

57:40

someone someone's fault. Instead, they

57:42

kind of in a very unfair way blame to

57:45

you. No, it's not funny. Funny is like

57:47

at least like

57:47

>> Well, a lot of it they try. They think

57:48

it's funny.

57:50

funny is at least like ironic. I think

57:52

people that genuinely assign blame for

57:56

something that's like literally, you

57:58

know, that you'll carry for the rest of

57:59

your life. And it it really upset me,

58:01

especially because I've been like

58:02

revisiting all your work that like this

58:05

that this thing could overshadow like

58:07

what is so beloved about you.

58:09

>> Well, I mean, on one hand, you say to

58:11

yourself uh you say carry for the rest

58:13

of your life. I don't really carry

58:14

anything for the rest of my life.

58:16

Meaning, do I feel overwhelmed and and

58:19

and pained by the suffering and the the

58:22

tragedy of what happened? Yes. But do I

58:23

feel responsible? No. No.

58:25

>> Because what happened was we remember

58:27

>> they decided to leaprog over or pull

58:29

vault over the whole idea that in the

58:31

previous several days we were doing the

58:33

film. We did a protocol that we did the

58:35

same thing and nobody came up to me

58:37

>> in my shooting the film. But I just want

58:40

to say because you did bring it up. One,

58:42

two, three, four, five days. No one came

58:43

up to me and said, "Hey, let's do it

58:45

this way." It was only after the fact

58:46

that they said, "Oh, we're supposed to

58:48

have do it this way." But let me just

58:50

close.

58:50

>> I don't want to,

58:51

>> but I want to end on a positive note.

58:53

But let me just say this, which is that

58:55

having my kids

58:56

>> and having all these children, I'm 67

58:58

years old. I got a three-year-old baby.

59:00

>> So, I got a lot of kids at home, little

59:02

kids, and they saved my life. And I'm

59:04

sure the same is true with you, which is

59:05

that you get to the point where I mean

59:07

I'm older now, but when you get to the

59:09

point where you think less about where

59:11

you get love than where you give love.

59:13

One of the more frustrating and even

59:14

painful things in life is you have

59:16

nobody to give your love to. You might

59:18

have a lot of love to give in your heart

59:19

to people. Your parents are gone, what

59:21

have you.

59:22

>> And with my kids, it's like I have a lot

59:25

of love to give and I have all these

59:27

kids around me all day long and I'm not

59:28

really do I wasn't doing very much for

59:29

the last three and a half years. I was

59:31

home all the time and they saved me.

59:33

They saved my life to have that exchange

59:37

of like love energy with these children

59:39

who are all, you know, and they all make

59:40

fun of me. Like I show them pictures of

59:42

me from old movies and like here I am

59:44

with Michael.

59:45

>> Piece of ass though.

59:46

>> Well, no, no, but here I am with Michael

59:47

Keaton.

59:48

>> I had a good month. I had a strong month

59:50

back there in the 80s.

59:51

>> Shut the [ __ ] up.

59:52

>> But I had a picture of me with Michael

59:53

Keaton and and Gina and me and

59:55

Beetlejuice and I go, "That's me. That's

59:56

me there with the, you know, dark hair

59:58

and I'm thin. like lumberjack.

60:01

>> Lumberj and they and they and they and

60:02

they my kids look at they're like no no

60:04

no that's they put Michael Keaton

60:06

they're like that's you that's you no

60:08

>> Beetlejuice that's a cool guy

60:10

>> he's a cool

60:11

>> what I'm saying is this is like um

60:13

you're an artist right and uh you're

60:15

motivated in your craft you still have

60:17

artistic ambitions right like

60:19

>> a couple

60:20

>> what what what would you define

60:21

>> I want to do a play I'm working on a

60:23

play I don't want to get into too much

60:24

detail but I'm working on a play right

60:25

now with a writer who I admire this

60:28

incredible writer who I've been friends

60:29

with for years who's my admiration for

60:31

him is boundless and he um is going to

60:34

write a oneman show for me. They'll be

60:35

ancillary characters maybe. Yeah.

60:36

>> But I'm going to play the lead role in

60:38

this oneman show which is a real

60:40

historical survey

60:42

>> of the United States postcold war and uh

60:45

it's one figure that we funnel the whole

60:46

thing through and he's the prism of the

60:48

whole thing.

60:49

>> Who is it?

60:49

>> And I don't want to say

60:50

>> Hoover

60:51

>> Hoover, right? No Hoover. I don't want

60:53

to play Hoover.

60:54

>> They made Hoover. Nixon. Uh, no. No. But

60:57

anyway, not somebody. Not somebody you'd

61:00

be off the top of your head. You

61:01

wouldn't

61:02

>> get

61:03

>> the Jew was a natural spy. I could say

61:06

that.

61:06

>> Times are run by these Jews.

61:08

>> Yeah. Yeah. He really he really itic

61:12

maniac. Yeah.

61:13

>> Well, it wasn't anti-Semit. I mean, this

61:14

guy was just his entire life he wouldn't

61:16

take no for an answer and he just kept

61:18

running for crap. I mean, you know, uh

61:21

the the pretty boy like stole the

61:24

election from him, you know,

61:26

>> may have. They may have.

61:27

>> Yeah. When you have a win,

61:29

>> but he still made it to the top. And

61:31

then he was still kind of alone, you

61:33

know? That's the thing about him. And uh

61:35

and then they kicked him. They kicked

61:37

him out for what? Spying on the other

61:39

I'm not a Republican, but like spying on

61:41

the other guys. They have to all be

61:43

doing that.

61:44

>> McGovern needed to be spied on.

61:46

>> Yeah, he lost by a zillion. Let's get

61:47

back to the exchange of the love energy,

61:49

shall we? When you're in bed with your

61:52

girlfriend.

61:52

>> Yeah.

61:53

>> And try to try. Her name is Pat

61:55

>> Nixon. Yeah. Yeah.

61:56

>> I was going to say, "Can I escort you on

61:59

dates?" Yeah. I just watch slammed.

62:02

Yeah. Okay.

62:02

>> So, so but the thing is is that so

62:04

you're there in the house and maybe the

62:06

time as they say in those like those uh

62:10

Austanti commercials or whatever like

62:12

you know the time is right.

62:14

>> When do you know the time is right? When

62:15

do you know she you and she are going to

62:17

well sex or love or whatever.

62:18

>> When she lets me

62:20

>> she say she signals.

62:21

>> Yeah. She's the girl. That's the rules,

62:23

right? They

62:23

>> Is that what it is? You don't

62:24

>> I can't What? What?

62:25

>> You don't pin her on. I'm not going to

62:26

go there. I I'm a gross guy. I I want to

62:29

have you follow. She leaves. I'm still

62:31

Yeah. Of course. She turns. She's like,

62:32

"Let's go."

62:33

>> I mean, that's the rule. I mean, that's

62:34

the system.

62:35

>> Is that what you do?

62:35

>> I don't want to, you know, because when

62:37

you do it and she's like, "Gh, I have I

62:39

feel disgusted."

62:40

>> You don't walk in, you have a drink, and

62:41

then you look at go get your clothes.

62:42

>> You know what the worst thing in the

62:44

world is? is when they're on their

62:45

period, their boobs are a little bit

62:47

bigger and we forget every month. So,

62:49

we're like this and then you get slapped

62:50

into I'm disgusting and it's like [ __ ]

62:53

the period thing again. I fell for her

62:56

head. God is laughing up there.

62:59

>> You She wants you to take control. Touch

63:01

take my hand.

63:01

>> No, she's No,

63:03

>> you're going to reach for her in any any

63:05

curve you want to squeeze. Don't take no

63:07

for that.

63:07

>> She just

63:08

>> shove her on the bed. Just shove her on

63:10

the bed. I I don't I Do you think a w Do

63:13

you think a woman

63:16

Do you think like um if I learned how to

63:19

kill uh someone with my bare hands, do

63:21

you think I'd get more respect from my

63:23

girlfriend?

63:24

>> What is this, a Hitchcock movie? What

63:26

the [ __ ] are you talking about?

63:26

>> I feel like if uh as a as a man,

63:28

>> I want you to take

63:30

If you don't know what I mean by this

63:32

and you're hopeless, just take charge.

63:34

>> Which

63:34

>> women want you women want you to decide

63:36

where you're going to go to dinner.

63:37

>> Can we go? going to go to blah blah

63:39

blah.

63:39

>> Can we prank her right now?

63:41

>> Yeah. She doesn't want to be on the

63:42

show. She doesn't even know. She She

63:44

doesn't even know that I'm

63:45

>> She doesn't need my help. You do.

63:46

>> What? I'm not What am I What am I going

63:49

to force my What? I'm going to put her

63:50

in a ball gown and then do a do a do a

63:53

waltz. And

63:54

>> you're going to walk up to her blouse.

63:55

You're going to rip it open.

63:56

>> Really? I I think she'd yell at me for

63:58

her for her shirt.

64:00

>> Get a box of shirts. Do it every night.

64:03

>> She stops me from getting hit by a car

64:06

like at least once every two weeks. It's

64:07

a good system. We have

64:09

>> take charge.

64:10

>> I don't

64:12

>> the reservation. You come home, you have

64:14

sex before and after.

64:15

>> Reservation. What the hell do I know

64:17

from restaurants? Wait, can I can I go

64:19

back in

64:20

>> to the love thing you were saying?

64:21

>> Yeah.

64:22

>> Um, you you you've lost your parents?

64:26

>> Yeah, my parents have died.

64:27

>> So, yeah, I lost a pair like five years

64:28

ago. And uh

64:30

>> who was it?

64:30

>> My mother. The It's the best the twin.

64:33

The best one. But that's kind of what

64:35

what my major takeaway was. And you

64:37

know, it's really cordy, guys. Don't

64:39

just It's so embarrassing what I'm

64:41

saying. It's my boy, dude. But uh it's

64:45

like why all the all songs are about it

64:47

and like poetry and like most movies are

64:50

about love. And I think it's like the

64:52

first time I ever saw like a point to

64:54

anything was uh that our family was all

64:57

together and uh it kind of Yeah. It it

65:00

gave me a new appreciation. I think a

65:02

fun experiment for you or anybody,

65:03

especially because you're so young. I

65:04

mean, I'm older now

65:06

>> and my uh my my uh uh garden is planted

65:09

here, so to speak. But for you, it's

65:11

like remember always at least entertain

65:13

the idea that your private life is

65:14

exactly different from completely

65:16

different from your

65:18

>> professional life. What do you mean?

65:19

>> You're a certain way here and when you

65:20

go home, you mix a drink, you rip the

65:22

shirt off, you throw her on the bed, you

65:24

do whatever you want.

65:25

>> People on the show that I do that you

65:27

should be who you are that's gotten you

65:29

here.

65:29

>> Yeah. And she's like, "I have cramps and

65:31

stuff and then I've already torn all the

65:32

clothes that I'm damn right. I'm hard

65:34

and stuff. I'm like, then I have to go

65:35

to the bathroom and jerk off."

65:36

>> You could have left that You could have

65:37

left all that out. Let's cut that.

65:38

>> Wait, you don't curse. You're not a

65:40

You're not a You don't

65:42

>> Well, I can curse, but I'm just trying.

65:43

I don't know. I don't know.

65:43

>> I'm just saying that if she has cramps

65:45

or a headache and then I've done all

65:47

that, then I'm like, "What the hell?"

65:48

>> At least you tried.

65:49

>> Well, yeah, but then there's a torn

65:51

clothes and then I'm like I'm

65:53

>> not caring about this. I'm

65:54

>> And then I have a boner and then I have

65:55

to go to the bathroom and jerk off like

65:57

a loser.

66:00

Wait, can you just

66:01

>> Good night everybody.

66:06

>> I want to I want to just

66:08

>> I got time for one more. Ask me an

66:09

important question.

66:10

>> Okay.

66:10

>> It doesn't involve your boner or

66:13

>> what the hell? What you What I'm sorry,

66:15

dude. I wasn't the hottest guy in the

66:17

world and I didn't have sex with a

66:18

thousand women.

66:19

>> You will be. Go ahead.

66:20

>> Why do you have a good personality? Why

66:21

do you have a personality at all

66:23

>> as opposed to

66:24

>> as like a hot guy with like a that you

66:27

know like why I had to develop a

66:29

personality because I thought that I

66:31

would never find a wife. You

66:33

>> take their mind off the fact that you

66:34

>> I think that you you probably like uh

66:36

you've probably always been great with

66:38

the ladies and you developed you it

66:40

makes me angry.

66:42

>> Why is a guy that looks good also funny?

66:44

It's kind of our thing.

66:45

>> I'm not that funny. Yeah.

66:46

>> No, you're funny, bro. Um, I

66:49

>> You told me to do that whole thing to my

66:50

girlfriend. That was hilarious.

66:52

>> I think you should just

66:54

>> take charge. I said just take charge.

66:56

Um, all right. So, but the last thing

66:57

I'll say is this, and that is that uh

66:59

the more and more you work in this

67:01

business and the more and more you care

67:03

less about the outside, so to speak.

67:05

Like when I was younger, dye my hair,

67:08

style my hair, the clothes, the this

67:09

that. And then eventually I got seven

67:11

kids and I thought, I don't have the

67:12

time for this. I I

67:13

>> You also had the chess music, too. That

67:15

is what happened. Yeah, that was when

67:16

chess music was big. When he was a hunk,

67:18

he had like

67:19

>> I had surgery. I had my skin cancer

67:21

taken.

67:21

>> Really? I'm sorry about that. Yeah. I

67:23

can't grow chest hair.

67:24

>> You don't have any hair?

67:25

>> No. Low low testosterone probably. Or I

67:27

don't

67:27

>> You have any hair? You have any pubic

67:28

hair?

67:28

>> Oh, my balls. Yeah. Yeah. Yeah.

67:30

>> So, when you have a boner when she want

67:32

to have sex with you have a boner, it's

67:33

a hairy boner or it's a hairless boner.

67:35

>> Well, you got to trim around.

67:36

>> It's a dolphin or it's

67:37

>> Get an extra inch probably.

67:38

>> It's some shrubbery. What?

67:39

>> Yeah. Yeah.

67:41

>> That's what um Okay, what last one? I

67:44

just one last one.

67:46

>> Yes.

67:46

>> Okay. I I have to ask you this and

67:50

>> what do you make of the allegations that

67:52

still follow you to this day concerning

67:54

the boss babies's treatment of uh

67:56

employees and the toxic work uh

68:00

environment?

68:01

>> And I can't comment.

68:02

>> My followup question is can a voice

68:04

actor be held responsible for a cartoon?

68:10

>> I'm really famous. They just

68:13

>> I will honestly say that I tell people

68:14

they go, "What's your favorite movie?

68:15

What do you think is the best movie you

68:16

ever did?" And the answer was Boss Baby.

68:18

I Boss Baby is the perfect movie. I love

68:20

Boss Baby. It's great. I think it's

68:22

great.

68:22

>> Really?

68:23

>> I think I I said it's amazing. Better

68:24

than

68:25

>> What was the What was the company of the

68:27

Boss Baby?

68:28

>> Uh Tom McGrath was the uh uh director. I

68:31

love Tom.

68:31

>> What were they doing though at the

68:33

company where he was the boss?

68:34

>> Oh, uh Baby Corp.

68:36

>> Baby

68:38

wanting people to have babies.

68:39

>> Sounds sinister. Why don't you have baby

68:41

have babies, not pets?

68:42

>> They were making people have sex with

68:43

each other.

68:44

>> Well, that just came with the

68:45

>> That's what The Boss Baby is about. I

68:46

got to watch that movie.

68:47

>> Yeah.

68:48

>> I think I missed it. What? Didn't the

68:50

Boss Baby have a button under his desk

68:51

that would lock the door?

68:53

>> That's not

68:54

>> Okay.

69:04

All right.

69:07

Heat.

69:25

Heat.

69:31

Heat. Heat.

Interactive Summary

This episode features a conversation with Alec Baldwin, covering a wide range of topics from his acting career and iconic roles, to his personal life, family, and even his views on classical music and Judaism. They discuss his early life, his passion for movies, and how he developed his acting skills. The conversation touches on his famous role in "Glengarry Glen Ross," his experiences with directors like Martin Scorsese, and his thoughts on the acting process. Baldwin also shares anecdotes about his large family, his struggles with insomnia, and his admiration for certain artists. The interview delves into his past experiences with SNL, prank calls, and the pressures of celebrity. Towards the end, they discuss his artistic ambitions, including a one-man show he is working on, and his reflections on love, life, and mortality. The episode concludes with a humorous discussion about his role in "The Boss Baby."

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