Alec Baldwin Talks 30 Rock, Fatherhood, Trial
2323 segments
Well, I mean, I know people I won't name
who took the money they made, and it
might not have been hundreds of millions
of dollars in fees like Leo or or or you
know, whatever. Dick Capri, but then
there's people I know who made less
money in fees, but they invested that
money, acting fees, your fee, your
performance. Oh, like Yeah. Oh, fees
like your on a movie.
>> You make a movie and you get paid. You
know, you do Tom Cruz, you get $50
million.
>> You just say the words, right? And you
get $50 million.
>> No, no, no. He does a lot more than that
for 50 million.
>> Do you have Tom Cruz?
>> Do I have Tom's number? Yeah.
>> I have a sister's number.
>> You have a sister.
>> But if I call her,
>> who's she?
>> Who's she?
>> Yeah.
>> She's Tom's sister.
>> Wow.
Heat. Heat.
Hello and welcome back to the Adam
Freedelland show. I'm Adam Freedelland,
guys. Big episode today. But before we
start, I'm going back on the road.
Emerald City Comedy Club. Seattle,
Washington, January 23rd. Oh, [ __ ] I
did the dates wrong. Seattle,
Washington, January 22nd, 23rd, 24th.
I'm with Caleb Pittz, the man that is
He's sick today.
>> Yeah,
>> I'm doing five shows. Get tickets at
emeraldcitycomdy.com.
There's also a link in the description
of this video. I'd like to thank first
off, as always, our members for
supporting us here on youtube.com.
You make the show possible. Members get
access to all of our episodes early, and
if you join at the second or third
tiers, you get your name in the credits
of this fine program. If you'd like to
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you can do so by clicking the join
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the link in the description below. And
you can also support us on Patreon if
you'd prefer. The link for that is also
in the description. And by Freedelland
Family Foundation, I don't mean anyone
from my family.
You know who you are.
Guys, merch is also available. The Adam
Freedelland.show. Check it out. We have
new shirt that said, "Keep calm. Listen
to the Adam Freedelland show." It's
going to be it's Do we That's funny that
Caleb put it in there. I'm doing another
one of those Caleb writes it and I react
uh for the first time. It's a fun game
that the people love. My guest this week
is the legendary American actor Alec
Baldwin. Mr. Baldwin is known for many
roles over the years, but perhaps his
most iconic is his turn as Blake, the
chastising associate sent to motivate
the poor salesman of Oh, was that his
name? Blake.
said to motivate them the salesman of
Glenn Gary Glenn Ross. His name was
Blake. Did you know that? He didn't seem
like a Blake.
>> He was a madeup character. They just
gave him the last name, but I don't
think anyone called.
>> They didn't put it in the play.
>> It's there's no like dialogue. It's just
like a block of text and then he leaves
the
>> his name. He's known for his character.
Put that coffee down. The chastising
associate motivated
whatever. It really is a career-defining
performance. One of the film's greatest
monologues, the spark of drama that sets
everything into motion. But there's too
much cussing.
So, here's what I would have said if I
was him. This is good, Caleb. I hope
you're feeling better, my friend. Hey,
you piece of crap. Put down your coffee
and let's get to work. Enough lolly
gaggacking around here. We really need
to work and we need to make some sales.
So, let's get this thing started and
let's have a great week at work. Thanks
every
Thanks everyone for your time and if you
need anything I'm always available. I
really appreciate everyone's time and I
really I can really see you. You guys
are trying your hardest. Okay. So let's
go do this guys. Please en
please enjoy my interview with Alec
Baldwin. Guys, this is a great one. I'm
very proud of it.
Ladies and gentlemen, American
Institution Alec Baldwin. I can't
believe it, folks. I can't believe it,
FOLKS.
I feel
I feel uh I feel truly I'm We had a
pre-in yesterday. I'm This is where it
all ends. My hot streak. I'm outclassed
and outgunned right now. You You get
within 5 seconds. I'm like, it's really
him.
>> That's so bizarre. You know, when you
walk around
and you're just kind of allergic to
that, you know what I mean? Like so
people will see you on the street and
say things to you.
>> Oh, you knew. You say, "Calm down." You
know what I mean? Like,
>> no. But you got on the phone, you're
like, "Freedland." You're like, "Yeah,
Freedelland." Uh, tell me something. Are
you as dry in real life as you are on
the television screen? I'm like, it's
him. I feel like Liz Lemon right now.
What an honor. It's charming. I Thank
you so much. I'm a massive fan. I think
I've researched too much. I mean, you
missed the tinfoil hat like pins on a on
a corkboard section, but we were we were
going quite deep and it goes and the
corruption goes all the way to the top,
mind you. I mean, this this this whole
thing stinks. Obama, the Illuminati,
that pyramid with the eyeball. You
you're I mean, look carefully at the
top.
>> You're a useful useful pacy, I would
say. No. Um, no, but it has been fun
kind of to just revisit your work and
just uh remind myself like uh kind of
anecdotally the moments in my life that
I interacted with it and you know and
just kind of the
>> How old are you if I may ask?
>> I'm uh I'm 38 years old.
>> No. Okay.
>> Yeah. Yeah.
>> You look younger.
>> How familiar are you with this this show
right now?
>> I watch your show cuz the people from my
heart said it's always that thing where
they're like, "Well, your podcast would
do better if you did other podcasts."
This is a talk show. Yeah,
>> a talk show. I'm sorry.
>> Yeah, it's a talk show. Real talk.
>> Your podcast would do better if you did
more talk shows.
>> Thank you.
>> So, I um uh they said to me that you
were hot and your show was hot.
>> Thanks.
>> And uh your middle name is hot.
>> One of the hottest guys said that to me.
And then um so they said to me, "Come
on." And normally um I don't do a lot of
that because of my I have kids now. I
have a lot of kids. So I'm I'm kind of
busy with other things, right? Yeah.
When I leave here, I got to go pick up
my kids from school. Where? Oh, you have
like seven of them.
>> I have eight children. My oldest is
Well, my oldest. Yeah.
>> Eight now. Well, you live lift up a sofa
cushion. There's always a baby under
there every on my house.
>> Where do you get the energy? I
>> I I don't actually cuz I'm half dead
from exhaustion. I have my older
daughter, Ireland. She's married kind of
and has a baby and then and I have a
baby and a grandchild that are the same
age.
>> Really?
>> Yeah.
>> That's some freaky [ __ ] right there.
>> It's a little
weed.
>> Yeah. Something. Are you a weed weed
guy?
>> No. No. But I've taken some gummies for
my I have bad horrible insomnia. Do you
sleep well? You
>> I I took a half of a of five milligram
and watched Fantastic Mr. Fox with my
girlfriend and I kept saying this is so
well done.
>> My god, this documentary is amazing.
>> I've really enjoyed learning about your
life. When you speak about film and uh
the theatrical arts, it's you kind of
seem like you're in love
>> parts of it. Yeah. From what I
understand, like from a very young age.
You grew up in Long Island, right? Irish
Catholic family.
>> Yes.
>> Your dad let you stay up late and watch
movies.
>> Well, he would um he'd fall asleep. He
would come home. He always had some
other he was a school teacher. He always
had some evening functions he did and
jobs he did to uh supplement his income.
And then he'd come home and my mother
was like out of it. So I'd say, "Well,
who's going to let dad in?" Like he
didn't have a key to his own house, you
know what I mean? So I would wait for
him to come and he can go in the kitchen
and make a sandwich and come in and have
a something to drink and he'd watch and
he'd look at the New York Times used to
have those really pathy little reviews
of movies. So would say, you know, Ball
of Fire, you know, Barbara Stanick tells
Gary Cooper where he can go and my
father would go, "Wow, Ball of Fire,
that's a great movie." I said, "Let's
watch it." He said, "No, no, you got to
go to bed." I go, "Let's watch 10
minutes."
>> This was my my my game. And within 10
minutes, he was asleep. And I would
watch the whole movie till 1:00 in the
morning. Man.
>> And what were those movies that you were
like? What like what is
>> Are you a big movie freak?
>> Yeah.
>> Five graves to Cairo with Francho Tone.
>> Okay. Yeah.
>> Uh uh um. Uh uh. Hakim was my Valley.
>> The best.
>> Uh uh. Ball of Fire. Um Sorry.
>> Ball of Fire is a comedy with Barbara
Stamick who I love. My The first movie I
ever watched on TV all the way through
till 1 in the morning was um Sorry Wrong
number with Barbara Stemach and Bert
Lancaster. Great thriller. one of the
great thrillers of all time.
>> Yeah.
>> But uh um yeah,
>> when I've like watched interviews with
you, you're you're like an incredible
mimic and something I've like connected
in my mind was like I imagine like a kid
watching TV.
>> Yes.
>> And then you kind of doing the voices.
Did you feel like you were transcending
Long Island there?
>> Well, I would be there watching a movie
and someone would come on. I remember uh
watching movies for those of you here
who are a little older. Um, when you
watch movies back then, I mean, you had
like an Ayurvedic sense of focus,
>> you know, you
>> they were live, right?
>> Well, you Yeah. Well, you'd watch the
movie and there was no button to press.
There was no VHS, no VCR, no rewind. You
watch and you got locked in. You like
watched and and heard everything.
>> So, when James Kagny, you would talk
about impersonating people. He would say
lines.
>> You'd walk away an hour later be the
guy's in the trunk. The guy says, you
know, open up, open up. I can't breathe.
I need some air. And Kagny's like, "Eh,
you want air? I'll give you air." Boom.
Boom. Boom. And he shoots the trunk of
the car. Now I'd walk around. I was like
10 years old. I'd walk around the whole
day going, "Eh, you want air? I'll give
you air." And you just these lived in
your mind all the time. You b
>> I was Austin Powers kid.
>> You were. Yeah, it was pretty cool.
Everyone at school thought it was cool.
Yeah.
>> You like Mike Myers? Have you followed
his whole career?
>> Yeah. I mean, that's kind of my age.
>> Well, beyond Austin Powers. Yeah. The
Love Guru. Yeah,
>> Shrek remakes and Shrek sequels. More
Shrek.
>> Oh, really? I thought that was the real
Shrek.
>> Those Mike Myers.
>> Mike Myers does. Yeah, but but those
Austin Powers movies. What was the
Scottish guy's name? The Scottish
>> The Fat Bastard. Thank you. Yeah,
>> he did all that. Yeah, Fat Bastard.
>> We This is our age demo. It was It was
pretty cool.
>> Do you remember how funny that was for
us
>> when he had to pee for a long time after
he got unfrozen?
>> That was a real moment. I remember
taking my parents to that and my mom was
like what? Like I don't want to go see
the second one. Like I was like she was
like it's really a disgusting.
>> My kids love that. They love Zoolander.
>> Yeah. Yeah.
>> They love anything that's nasty.
>> Stealer is really funny. I mean I liked
growing up our our generation's Borat. I
feel like
>> you do. My kids love Borat.
>> Yeah. Yeah.
>> They do. They're like they want to see
Borat. They want to see, you know, they
want to see the guy's ass
>> on his face. The guy naked.
>> Oh, the fat guy. Yeah. Yeah.
>> The fat guy puts his ass on his face.
I'm sorry. I apologize to you. I love I
love You know what I love? I love uh
>> uh uh Sasha Baron Cohen and Sweeney Todd
when they do the duel, the the shaving
duel where they both shave the guy.
>> I haven't seen it, but I saw him go he
did uh in Lay Miz.
>> Sasha Baron Cone does Lay Miz.
>> He does a Master of the House, doesn't
he?
>> He does. Yeah. Yeah.
>> No, I've never seen that.
>> You've never seen Lay Miz?
>> Is it in some anniversary issue of the
show?
>> I think it was a movie with a Yeah.
Annne Hathaway. She's She plays a some
like a prostitute. They cut her. does
master of the house in the lame. I
didn't know that.
>> Is it [ __ ] if it's no talking? If
it's only songs. That's what me and my
girlfriend had an argument about. I was
like, keep watching. She's like, there's
not they're not doing sentences. It's
just songs.
>> Well, you got to think about like people
who wrote opera, how they tried to keep
it interesting. You know, you're not
going to sit there and go, I am hungry.
I want to call the food store to deliver
my food. Like everything Well,
everything that's kind of quotidian
does that, right? It's like and then I
went to the It's kind of [ __ ] It
doesn't have to be a song.
>> He does it slightly better than that.
>> Just [ __ ] say it, dude.
>> But I'm saying the idea of an opera,
which I attend the opera now and then
and everything is sung and I I I left to
read the screen because I don't speak
German or whatever. And you wonder how
they have
>> a lot of good good thoughts.
>> Got some good lines.
>> He has some great
>> killer lines. Great.
>> Honestly, if I was a German non-Jew
person and they were playing that, it's
very emotional. You could sell a fascism
with that music.
>> I do get a little nervous when I put on
Vagner. I must
>> No, it's fine. You can listen to I have
permission.
>> Yeah, I'll give you the P. It's so
beautiful. Tanhauser.
>> Yeah,
>> you're a big classical is my favorite.
>> You're you're that's your thing?
Classical.
>> I uh Yeah, I'm a big nut. I I was in LA
and I was driving around. I was, you
know, living out there for a while going
back and forth for 30 years. I had a
home in both places. And I'm in the car
and I put on the local classical station
and I just I I never turn back. All I
listen to now is pretty much classical.
>> Do you remember what was playing?
>> Uh yes.
>> Vogner.
>> Uh no.
>> Richard Wagner.
>> Richard
on the show recently. I was like
>> no.
>> I said yeah. I'm afraid to release it. I
don't think I've ever met a racist.
>> I think that was the first racist I've
met.
>> She was she racist on your show?
>> Oh my god. But I didn't know how to
interact with it cuz it was kind of a
woman was yelling at me and I really
hate when that happens.
>> She was yelling at you.
>> So I was trying to Yeah. Yeah. I was
trying to just def I was trying to I
think I said to her, "I'm nice. Stop
yelling at me."
>> Whenever women yell, just say the same
thing, which is my line always, which is
>> they're so bad.
>> Well, a friend of mine taught me this,
which was women yell at you. No offense,
but when women yell at you, just say the
line, "I don't understand."
>> Really?
>> And they just keep saying it and then
they leave. They'll say something to you
and you go, "I don't understand." They
don't like it when you ask questions
about what they mean. They really don't
like that either.
>> See, I don't understand. He'll be gone
in five minutes.
>> They don't like it when
I bet you like um Zoron's girl is
probably mad at him for working too long
for cuz he was uh cuz he was campaigning
too much.
>> Yes.
>> You know, I think it's
>> You excited about that? Are you excited
about where the city's headed? The
direction we're headed in.
>> Uh I think he's a pretty smart guy.
>> Yeah. I met him. I met him. I think
>> he been on the show.
>> He's trying No, not yet. But he it was
really you know in '92 like um my
parents were really excited about
Clinton right and they had like don't
stop think about tomorrow the Fleetwood
Mac and then it kind of dawned on me
that that was the first boomer right
that was like in national politics and
when I met him he we just both like
soccer and hiphop and we're just the
lamest guys
me and Zodon yeah we were just talking
>> where'd you meet him
>> I met him in Queens I
>> You mean Mandani And it's kind of
representation. It was kind of Wakanda
for me. It's like we're both like, you
know what I mean? Like he's a
millennial. He's like a He was uniquely
normal.
>> Well, the strangest introduction I ever
had was I was at
>> the Kennedy Center Honors years ago. I
used to go pretty frequently and did a
couple shows for Vagner getting the
award. Yeah. Vagner's Vagner's daughter
got the award.
>> Oh, yeah.
>> She accepted. Um the uh um the thing was
that we were there and uh uh my friend
who passed away, she was a big lobbyist
in Washington, Liz Robbins,
>> and we're going through the the lunchon.
There's like four different events that
you can go to if you're there for the
weekend.
>> So I go down there for the whole weekend
that I'm there at this event and you're
saying hi to Richard Gard and you're
saying hi to this person and you're
saying hi to this congressman or
whatever and this uh uh woman, senator,
whatever. And as I I don't see over here
and Liz goes and you know Secretary
Kissinger and I went,
>> "Oh, wow." and and Henry Kissinger just
in front of me.
>> Hands up.
>> And right prior to that, like within a
day or two, his mother had died.
>> Oh no.
>> His mother lived up in Harlem in like a
little Jewish section of Uptown. And she
was a big community activist. She was
very very well loved there.
>> And I turned to him and I'm going,
"Here's this guy who was essentially,
>> you know, a war criminal."
>> Yeah. He he caught a lot of
>> in front of me and he's in front of me
and I go,
>> "I'm sorry about your mother."
>> And he leans in and hugs me. He goes,
"That's really nice of you." And he was
so lit. He was like a ball.
>> So, thank you so much for seeing this. I
thought to myself, I'm comforting Henry
Kissinger.
>> Was he like 52 but like rotunded?
>> He was a little bit of a fire.
>> A ton of [ __ ] You know that
>> he got more ass. But like
>> what was that?
>> That's like a Nixon with a
>> the tapes. Do you like the Nixon tapes?
>> Do I like the Nixon tapes?
>> I love I mean
>> fellas Nick. I think the writing I think
okay from a dramatic arts perspective I
think this the writing on Nixon was the
best writing in terms of like this guy's
just a [ __ ]
>> Oliver Stones movie. No, I'm just saying
no. The guy Richard Nixon like the best
president is Lincoln, right? He's like
the best. He was He did a good job,
right? He saved the union, brother. Come
on. Stop. But anyway, Nixon was just
this loser. And every time he showed up
anywhere, they'd be like, "Oh, it's
Richard Nixon." You know the thing about
Pat, right?
>> What about her?
>> When he was trying to like smell
>> date her,
>> she was like, "No, you're [ __ ]
Richard Nixon. I'm not going to date
you."
>> Yes. and he drove them on the D
>> and then he would chaperone her for like
18 months with
>> but you see Oliver's movie about Nixon
right the other guy was you see Oliver's
movie about Nixon and uh the what's it
ma says that to Kissinger
>> he the interpreter says the chairman
wants to know how a fat man like you can
have so many girlfriends
>> well he's paying for it probably though
>> no
>> how many how many how many girls you got
in your lifetime probably over a
thousand
>> how many women know that's very you're a
movie Sorry.
>> No,
>> I was busy man.
>> You're a busy man.
>> I look at the woman. I got 20 minutes.
>> No, you don't have 20 minutes. No, no,
no,
>> no. The I say it to the woman.
>> Oh, the woman. You got more time, right?
Your kid can walk home. In your memoir,
you talk about um when you're a young
actor living in New York City, you talk
about that you were into prank calls,
you and your roommate. Yes.
>> Right.
>> My roommate. Well, I used to do this
with my ex-girlfriend.
>> Did you?
>> Driving in from Long Island on Sunday
nights. We'd be driving on the LIIE late
at night and we would leave messages
>> on like corporate voicemails. So you'd
call up and it would say uh to reach
human resources press 26
>> and then you'd press 26 and the voice
would come on and go, "Hi, it's Steve
Regan." And uh even me up the tone and I
get on and go, "Oh my god, Steve, last
night was so magical. You were you left
your watch on the night table."
>> So whatever the gag was.
>> Yeah.
>> Could you prank call my father?
I here's my pitch. You prank call him as
Donald Trump and you say your son is in
big trouble with the administration.
>> I should be somebody who Well, you don't
want I can't do these voices when you
say you're Trump. But no, but you say
you're Trump and then right away your
father will know what stupid.
>> My dad won't know. He's going to think
that I'm going to GMO and it's going to
be so funny.
>> But I think I should say that like
somebody should say uh not you of
course. Somebody should say I hold the
line for uh director Patel.
>> Oh yeah. I come on character. They
wouldn't really know who that was.
>> My dad would have some words for Trump.
I think it's going to be funny.
>> But let's finish the interview first.
You want to do it now?
>> Yeah. It'd be hilarious. This is going
to be a moment of like talking more than
I thought.
>> I don't have a phone on me. I mean,
well, yeah. Say this is Donald Trump. I
have your son.
>> No, I'm not going to say I'm Donald
Trump.
>> No, just say it's it's going to be
because my dad
>> say I'm the president.
>> Yeah.
>> He hates Trump. But if I say I'm Trump,
that's going to give it away that it's
[ __ ] What's his name?
>> Max.
>> Max. Yeah, Max Freeland. He's a He's a
great guy.
>> Max Vagner is your fellow.
>> No, he's not. Come on, dude. We're on
the other side. We're in the hiding
side. Okay.
>> Hold the line for the President of the
United States, please.
>> One moment, Dad. I think it's for you.
>> Hello.
>> Hold the line for the President of the
United States, please.
>> Hold the line for the president of the
United States.
Is this Max? Max, are you there? Max, I
got a file in front of me that says
you're in Vegas. Is that where you are,
Max? Vegas?
>> Who am I talking to?
>> You're talking to the president of the
United States, Donald J. Trump. And I
want you to know your son,
>> I know who you are.
>> Your son is a mess. Okay, we got to get
him out of the country. We're sending
him down to Uruguay. Uruguay. We're
going to teach communications at the
Uruguayan University of Communications.
Okay, but want you to talk to really
quickly. He's He's only going to be in
the country for another 3 or 4 hours.
Here he is, Max. Thank you. Hold on. Say
hello to your father, Max.
>> I'm in big trouble with the
administration.
>> I know.
>> He's a Brit. He's a Brit.
>> He's South African.
>> Yeah, we're Cape Tonia Jews. Dad, I'll
talk to you later. You've been pranked.
>> South African. They got it right the
first time. Okay. They knew what they
were doing.
>> idiot. You've been pranked.
>> I knew it was by the best who is still
the best. Uh, Donald Trump.
>> Oh, you hear that? Are you You're coming
for that James
>> Kick victory.
>> Yo, okay. I love you, Dad.
>> I love you, Jad.
>> Dad, you say I love you back. Why did
you say I love you back?
>> I I said I love you back.
>> Oh, okay. Thanks a lot. Why you
really turned so nice recently?
>> Yes.
>> I can't handle it.
>> Was he not like that when you were
young?
>> No. Well, it's not.
>> Are you bitter and cynical because of
the way he treated you?
>> No, no, no. He's he's my best friend. He
made me tough cuz we'd sit there arguing
but uh it would always be like a
compliment but it would be a criticism.
The other day he's like just be
yourself. I'm like what the [ __ ] are you
talking about?
>> Who's that?
>> Myself.
>> Who's How many kids in your family?
>> Two. I'm the older one.
>> And who's the other one?
>> Zoe. We have the same person.
>> That's the one that answered the phone.
>> Yeah. Yeah. She was in on it. She was in
on it. Can I ask you if I could take
your phone and could I do a prank call
>> on Robert Dairo perhaps?
Hillary Clinton.
>> Can we get Hillary Clinton?
>> I don't I don't have anybody here.
>> What about President Clinton? He's a
real magic guy.
>> Hillary Clinton. I mean, uh Chelsea
Clinton.
>> No. No. Yeah.
>> Chel.
>> If I If I gave your number and you prank
called Chelsea Clinton, I would be out
of this country in about an hour.
>> I'm telling you, I'm not going to mess
anything up for you. Robert Dairo is
going to think this is really funny.
Dairo is a very nononsense guy. He's
very busy during the day.
>> Is he? He's like that in real life.
>> He's opening restaurants and hotels
around the world and he's a very
successful businessman.
>> No boo.
>> Is that annoying?
>> No.
>> No, you guys like dress up in costumes
and pretend to be other people and then
he's like a serious businessman.
>> He's loaded with money. Yeah, he's load.
>> Yeah, but it's like you don't have to.
You're [ __ ] Robert. while you but
while you make I mean I know people will
name
>> who are like maybe you've heard of them
>> Obama
>> Vagner Vagner
>> who haven't uh uh who took the money
they made
>> and it might not have been hundreds of
millions of dollars in fees like Leo or
or or you know whatever
>> Leo who decap um the uh No, but these
guys make a lot of money in fees
>> but then there's people I know who made
less money in fees but they invested
that money.
>> What do you mean fees? Like
>> acting fees your fee to perform.
>> Oh like SAG. Yeah.
>> Yeah. Well, yeah.
>> Oh, fees like you're you get on a movie.
>> Yeah. Yeah.
>> You make a movie and you get paid. You
know, you do Tom Cruz, you get $50
million to do.
>> It's the coolest job,
>> right? Well, but what I'm saying is that
the
>> you just say the words, right? And you
get $50 million.
>> No, no, no. He does a lot more than that
for $50 million.
>> Do you have Do you have Tom Cruz? I'm
just a huge fan.
>> Do you have Tom's number?
>> I have a sister's number.
>> You have a sister?
>> But if I call her,
>> who's she?
>> Who's she? Yeah.
>> She's Tom's sister.
>> Wow.
>> She runs a lot of his business.
>> He's one of my He's one of my favorites.
The thing is that those people I know
people who've taken less money, they
haven't made as much money, but they
invested it so wisely. They're rich
beyond belief. You would
>> if I told you some of them, you'd die.
And Dairo is the same way. He invests in
businesses. And
>> who has the most money out of
>> Was the most money of anybody I've ever
met in in my life.
>> I'd have to say one of the Beatles would
probably be the most wealthy people.
>> Maka. Can we call Ma?
>> Oh, no.
>> No. Why? You had a falling out with MKA.
>> No, no, no. I just I mean for me I kind
of went underground for a while when I
had my issue in New Mexico that I had to
deal with.
>> I mean MKA he's he he wrote best well
we're friends. I mean we have a lot of
music guys here.
>> This guy over here uh Jake is really
close.
>> You play you play Are you?
>> Yeah.
>> He jams.
>> Where is he?
>> Me and Ma.
>> Yeah. Yeah.
>> You're buddies with him
>> big time.
>> Oh. Are you being serious?
>> I mean he is he's a he's the best. He's
like my favorite. Him and Bob Dylan. You
you missed all that because you were
listening to like violins and stuff.
>> I was listening to Yeah. to Strauss.
>> You're listen.
>> Now, do you know do you like uh Bob
Dylan?
>> Oh, yeah. He's the best.
>> What do you love about Bob Dylan?
>> Uh he's
>> I go in and out on Bob Dylan.
>> Uh oh. I mean, it's every era for
different periods of your life. I went
heavy Christian uh after a terrible
breakup
>> and I was like I did the then I realized
that Yeah. Yeah. I was like it's so
nice.
>> What brand of Christianity?
>> The Bob Dylan Christian. Yeah. Yeah.
Yeah. There's like a
>> you were a Bob Dylan Christian.
>> Well, he had three Christian albums. And
then I was like, what? Maybe God loves
you, right? And I was like, we didn't
have that for Jews. Our God is like
Trump. He's like, if you don't respect
me, I'm going to smite you. If you make
a golden calf, like I'm going to kill
all of you. He's like very insecure.
He's like a [ __ ] But like, uh, it's
not real. None of this is real. But like
I'm like, "Oh, it's so nice that uh the
Jesus thing that God loves you so much
to let your son die, but then I snapped
out of it." How would you define
Judaism? What's your def definition?
What makes you Jewish? What's the
definition? I have a friend of mine that
gave me a great definition.
>> You do the thing. You say you do the
thing and it's boring, but like your
grandpa was bored, too. So, but you feel
like you're not going to
>> It's your turn to be bored.
>> Yeah. It's kind of nice. It's gibberish.
It's like spells. I don't know. But it's
like you don't want to be the one that
drops the ball.
>> But you raise very observant.
>> I mean, if I do it, I I I know all the
like all the words. You know the words.
I did. Yeah. I did full para ha Torah
and I I led uh uh
>> you went to you went to uh Hebrew
school.
>> We I I didn't I went to I was bar misfit
orthodox because it was free. That's why
the Yeah. My Yeah. Yeah. It was free to
go there. But um I don't know. I think
it's kind of uh it's just like that's
kind of nice. The boredom is kind of it
doesn't make sense. You don't know what
they're saying. But uh your grandpa
didn't make sense to him and that's kind
of why you know what I mean.
>> Well know I grew up Catholic so I which
is
>> well we're cousins and
>> they spoke Latin back then so it was
also gibberish but to me
>> yeah we both like like hate ourselves
and we both think that life is just
agony. We're cousins. I mean all of my
friends are either Catholic or Jewish or
black
>> Catholicism to me is about redemption.
>> Yeah. Yeah. Yeah. You're like you like
no matter how bad you are, you have to
see that there's a chance they'll be
redeemed for what they did.
>> Oh yeah. I stopped the Christian thing
when I realized that hell is the meanest
thing ever. Can you imagine? Forever.
Why is it And if you're a baby and you
haven't been baptized,
>> what about hell was something that was
just your hell? Like a thing you hate
like like your own personal hell.
>> But you know what I mean? I get
>> I mean it's sad. Yeah. I think that it's
just sad that people die. Wow. This is
getting pretty. It's just sad that you
have, you know, you're alive and then
it's
>> Are you afraid to die?
>> Oh, it's the scariest thing ever. Is it
really?
>> I don't understand. People are like,
"Public speaking is my biggest fear." I
was like, "What about [ __ ] dying?"
>> Exactly.
>> Forever.
>> What about things being thrown out of a
plane?
>> What about [ __ ]
>> by a narcotics?
>> Yeah. Yeah.
>> You ever see those movies when they do
that?
>> What?
>> When they take the enemy and they bind
him up and then they throw him out of
the plane.
>> No.
>> You ever see that? Like in a drug movie?
>> Oh, like a like a
>> Well, they take a guy that just don't
like Pedro and they throw him out of the
plane.
>> Oh, yeah. Yeah. Like if they're
criminals like
>> or just the enemy.
>> Yeah. Yeah. But those guys are ready to
die, you know? They're like, you know,
they're like East might die, you know,
like it was that good acting.
>> Okay. Can we talk
>> realize, Petro, you might be killed.
>> Can we talk a little bit about your I've
been going back through your filmography
and your performances and it's just like
when you appear on a screen, it's like,
oh, it's it's my pal. It's like my old
pal and this is going to be great. I
mean, you could make a real turd
watchable. Pearl Harbor, you're like,
you make the your parts watchable. And
that's one of the shittiest movies of
all time. I mean, I'm serious. Yeah. And
it's just like I I um I watched Hun for
Red October with my dad. This is like a
a hunky leading man. And then
>> back then, yeah.
>> From from like learning uh about what
transpired afterwards, it wasn't the
perception I had of you. I I feel like
the industry has been like a
frustration,
you know, like especially when it came
to like reprising your role as Jack
Ryan.
>> Well, they wanted me to sign up with a
like a blank contract when we start when
we finish like you like you only do this
>> and you never do anything else and I had
an opportunity as I wrote in my memoir
to do the street car on Broadway which
was a very
>> that was like the opportunity for an
actor. That was it. I would never have
that opportunity again ever. My
perception was that that they they kind
of like promised you and
>> they threw me out of the plane.
>> Yeah. Yeah.
>> I mean, it's not bad to get replaced by
the coolest guy of all time, right?
>> Imagine if it was Ryan Denah playing
Jack Jack Ryan.
>> It's it's Han Solo. I mean, when I read
about that, I was like, it's just so
cynical. Like, it's a you're like an
artist, right? And when you talk about
performing and acting, you get so
passionate about it. I want to talk
about
>> well you realized back then what I
learned what was 89 90 the movie came
out in 90 and then in the ensuing couple
years the early 90s I learned that you
just really can't rely on anybody what
they say there so I just whenever they'd
say blah blah to them go oh that's great
I'm never counting on any of it
happening you know it's it's very tough
>> you just have to have monsters that do
it for you I have a whole team of ghouls
>> what was the genesis of this meeting
were you like Rupert Pupkin in the
basement and your mother's yelling down
the stairs
>> it is a joke it's a joke that became a
real thing yeah
>> so was a joke and your mom goes,
"Please, you're so annoying.
>> This No made fun of." No. No. Yeah. I
was the I was on a podcast uh that was
for like like I mean what guys. I mean
just idiots. I He didn't smile. And now
I've Okay. I was on a podcast for like
ugly men, right?
>> Oh, for ugly men. Yeah. Not mentally.
>> Just like the worst,
>> you know, and it was like a cult status.
It became very successful. And then one
of us,
>> what was it called?
>> It was called Come Town. We tried they
yeah anyway it's it got it got
successful. It's very I don't know I was
just there pretty much but the you know
the the one of the guys left and then uh
the other guy's idea was to make like by
far the least popular nebishy kind of
like the glasses you know allergies you
I was we all played a role
>> on the show on on
>> what's it called? Come town.
>> Yeah. So then
>> on that show, were you like a leading
man compared to them? Were they all?
>> No. No. Absolutely.
>> Moto. So sometimes I wasn't even I was
barely even there. But but uh yeah. Uh I
think we went a little bit manic and uh
publicly proclaimed we were going to
make a television show. We didn't know
what c cameras or anything. And then we
recreated the Dick Cavit shows.
>> I have an image of you in a set like
this in your basement and your mother
whatever. And you're sitting there and
there's a line you say and that line
you're like sitting there and you go
>> I'll show them.
>> Well, no. I mean, I'm not like a scary
I'm not a scary guy like that. No,
>> no, but it doesn't scare. I think it was
just like then the real guests were
coming and then I decided for the first
time to in my life at 35 to try and then
I' I've I've kind of seen myself
progress and it's uh given me a sense of
selfworth and it feels like I it feels
like I'm not like fast forwarding to
being dead and it's just I want to work.
>> Why you look are you going to punch me?
>> No.
>> I'm going to [ __ ]
>> I'm [ __ ] you up.
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>> I've been like I watched the the
monologue from Glenn Gary, Glenn Ross. I
have like so many friends that went to
the revival that were like that was
[ __ ] [ __ ] They didn't have put
that coffee down.
>> Nope.
>> It was like uh cuz that was only for the
film. Did Mamemoth write that for you?
>> Yes. Not for me. He wrote it for the
film.
>> And And so like do you conceive of that
as like a a moment for you? I really
don't care in terms of like I never
really watch my own stuff and value it
in any way.
>> It's the best acting ever. I mean,
>> well, no, no, but I'm saying that I
called Matt, but I go, "You won the
Puliter Prize." Yeah.
>> For the play, why did you to feel it
necessary to add something to it? You
won the Pulitzer. He said, "I never
believed these guys were criminals. I
never believed they could commit a
crime. They didn't have a criminal
nature. So, I needed another ratchet. I
needed another turn of the screw to make
them commit a crime." And you're going
to come in, you're going to tell them,
"If you don't get this done tonight,
it's over." Yeah.
>> So he brought me in to do that and it
was really tough because I admired all
them and I had to piss in their face all
day for three days.
>> Did they Did it feel real? Like cuz
>> I thought Ed Harris was going to punch
me in the face.
>> Really? Because that's what I imagine in
that room. You're with the murderers
row, right?
>> Do do you like is there a competitive
aspect of it? Is it like you don't want
to get acted off the screen? Like did
did you bring it really because like
[ __ ] Pacino was and Jack Lemon were
like there.
>> The Jack I admire. Yeah. Well, you just
really you I mean everything you do,
you've got to have some motivation. So,
it's like I'm there with Foley. I've
said this a million times. I'm there
with Foley, who's the director, and I
said, "Oh, this is tough, man. I mean,
I'm just so mean to them." And and Foley
said to me, who just died recently, he
said, "Uh, it's like that scene in
Patton where he slaps the soldier in the
tent."
>> You call yourself a soldier. Shell
shark. And he goes, "This scene is you
call yourself a salesman." He said,
"These guys, you're doing it for their
own good. You're doing it to help them.
You're helping them." I remember sitting
there. I was like Popey after he ate the
spinach, you know what I mean? I
remember sitting there going, "All
right, let's [ __ ] go." And I'm like,
you know, I got out of the chair and I
>> Yeah.
>> was ready to kill.
>> Did they show Did they give you your
flowers? Was Pacino likewah. You were
great. You were great.
>> No, he wasn't in the scene. Yeah.
>> No, no, he wasn't in the scene. That's
right. Jack Lemon say like you
>> No, Jack Lemon didn't say a word to me.
They all did.
>> His pants probably. I would.
>> No, no, they just they just stayed in
the zone, you know? I mean, they were
all in that zone all day long. Three
days. It in my mind is a moment in like
it's feels like some of the best acting
I've ever seen in a film and you're only
you were probably on set for what two
days?
>> Yeah. Two and a half days. Yeah.
>> And you kind of like steal you steal
>> the most exciting thing and that movie
was a good example was you know the it's
the people you work with. Obviously the
actors are a big part of it but also the
crew like I've always worked with. I've
been very blessed to work with some of
the greatest cinematographers in history
and Juan Rubies and Chia who was the DP
on that film. He was like, you know,
beno's guy and he was I love him.
Anyway, Juan Ruiz Ani, he was young. I
worked with Don Mallalpine. I worked
with Tol John Tol. I worked with uh you
know um I'm forgetting now, but Bob
Richardson, the legendary Bob
Richardson. Um the one I did uh
>> is there ever a time where they're like
they don't speak English, right?
>> Yeah, you know the story.
>> What's the story?
>> Carlo De Palma.
>> Oh, of course. That's a that's kind of
>> He didn't speak English very well. We
did Woody Allen's movie. Uh,
>> how does Woody communicate with the
monster?
>> He doesn't talk to you.
>> He's like, just tell
>> they go off and mumble.
>> Just go over the Yeah.
>> You put the camera near her, closer to
her.
>> And
>> you did three Woodies.
>> I did three Woodies. Yeah.
>> Yeah. Yeah. In transitioning to like uh
being a comedic actor, which like you
have a classical training, right? you
studied at NYU and like uh
>> Strawburg,
>> but it kind of in some ways the way I
see it is like you at the TV that was
the beginning of your education.
>> That's where you learn,
>> right?
>> Watching other people
>> and it's kind of like you were picking
that was like the beginning of theater
school for you, right? And like are you
the best actor you've ever been right
now? Like is it something that evolves
over time or
>> Well, I think it's hard to you I'd
rather give a I'd rather have a smaller
role in a great film.
>> Yeah. than have a big role in a mediocre
film.
>> Yeah.
>> You know, the the key is are you making
a film with people who I said this I
said this quote
>> in a documentary I did. I said avoiding
any kind of relationship or any kind of
communication with the director and not
availing yourself of the director's
skills. I said it's like trying to avoid
the birth canal when you're being born.
>> You know, it all goes through the
director. They're making the film. So,
if you make a film with a good director,
you have an increased chance. I've made
films where we knew that if everybody
did their job perfectly every day, the
most we could hope for was mediocrity.
You know, I mean, it was that wasn't on
the page. I wanted to go to work,
>> but when I work with Marty or somebody
like that and I'm like, you know, [ __ ]
>> Uhhuh.
>> That's exciting.
>> I mean, you you were in two. You kind of
sold Departed, too.
>> You like No, you you seen sto I love
doing the Aviator because I love that
period. I love Leo in that role.
>> Oh, yeah. as one.
>> I was exactly and my and his daughter is
my neighbor on Long Island. She was
Betsy Dvki.
>> I sat with her. You Betsy Devki said to
me, "I'll never forget."
>> She got fat stacks. No. Or she's No,
she's probably big house. No.
>> Yeah. Yeah.
>> She's passed away, but Oh, I'm sorry.
>> She had a nice house. Sorry. May her
memory be a blessing. It
>> was some historic home. But anyway, so
trip I'm there with her and she goes,
"Do you think that uh Mr. Scorsesei
would like to have my dad's luggage in
the film?" And I go,
I don't know. I can call him and ask
him. And she he had Hallebertton
luggage, that stainless steel luggage,
beautiful luggage, all stamped with the
logo of Panama on there. And I remember
the thinking, my god, it's like,
>> sell me this [ __ ] luggage right now.
>> For a million dollars, I'll give you a
million.
>> Did you tell Marty?
>> I know. I told Marty money was like, no.
>> That sucks cuz you were trying to
impress him. You were like, Marty, I
found the real luggage of the guy.
>> You realize your research isn't to
change the script. I've had that happen.
>> That's not changing the script. You're
like going above and beyond. You're
being a good student. You're like a
>> You're trying to bring what you can.
You're trying to bring It's Martin
Square. Are there directors that you've
wanted to [ __ ] just pummel? Like
there have to some of them have to be
like manipulative [ __ ] sociopathic.
>> I've been in situations where early on I
don't even think they roll the camera.
Like you're in meetings before and the
guy's obviously not doesn't have
anything to say.
>> Like you just think differently. I'm not
I don't want to judge people and say
mean things about them, but there's like
one or two cases where I sat there and I
said to the producers, we get alone in a
room and I go, "Get somebody else."
>> I don't want to do that. I want to go
home.
>> Yeah. Because you're naturally
manipulating someone into giving a
performance, right? So, there is some
sort of
>> You got to have a good director. You got
to have a decent director. I did this
movie, The Cooler,
>> and uh Yeah. And and Wayne Kramer was
the writer director and it was like and
and uh and I just loved him. He was
really really he was into listening to
what you had to say but in the end you
defer to the fact like if you read a
script and you agree to do the film you
agree to do that script
>> you can't come in later which many
actors do and try to change things after
the fact you come in and then you say to
them let's do some alternatives we'll do
it as written
>> then let's do some improvisations but
always do it as written that you're
obligated to do
>> we just had Bill Macy who's also in that
movie and I say Bill because it's like
I'm also f he said I call him Bill it's
kind of sick
>> I made three movies with Jill H. Macy.
>> You did. Yeah. But he was the you were
nominated for the cooler.
>> I did the cooler with him. Ghost of
Mississippi and then I did a state in
Maine with with Mammoth.
>> So he to Mammoth was like his like kind
of mentor. Yes.
>> Yeah. And um the way he described his uh
process was like the least like
dickheaded way that acting has ever been
described to me, which is that there's
no character. There's just an objective.
Like it's it's you do your [ __ ] job,
right? And if you do it well,
>> that's the mammoth school. Mame wrote a
book. Yeah.
>> Like um did that rub off on you in
working with him? No. No.
>> You don't buy it. You don't buy it.
>> I work with directors, not many, but a
couple where they say to me, "Could you
do this
>> and and do this?" And I and I didn't
quite understand, but I'd always go
because of time.
>> You're part of a collaboration where
time is urgent. So I'd say to the guy,
"Sure." I go, "I'll do that right now.
Let's do another one. I'll do that." And
I go right back and do exactly what I
did before.
>> Right? I go, "How was that?"
>> So, what's your process?
>> Well, if the director is somebody who
is, this is the torture of not torture,
but the torment of how we work now is
that if there's people who are great
directors or you think they're on to
something, like Wayne, when I worked
with him, he wasn't famous.
>> But when they're on to something, you
you do what they want to do. Let them
lead you. But then with other people,
you have to be self-directing, which is
tough.
>> You have to decide, well, I think this
is what I should do. And guys will walk
up to you and go,
>> "Oh, don't do that or don't do that."
See, one thing you always do, I know
this is we're digressing, but one thing
you always try to do is how much of a
performer is the character.
>> So, in Glen Garry, that guy was a
performer. He'd gone around the New York
real estate world and beyond in the
office. Well, straighten him out. Yeah.
Motivating them. Yeah. The motivator is
their word.
>> And so, whenever you do films and things
like that, you have to wonder, is the
guy like I I always say the same tired
line, which is that Robert Duval plays
Boo Bradley and Toa Mockingbird. He
doesn't have one line. Mhm.
>> It's one of the most shattering
performances you've ever seen in your
lifetime.
>> So, all acting is physical, acting is
emotional, acting is interiority, all
these different things.
>> And you uh when you're doing something
with a director
>> and they don't get what you're doing,
it's uh it's tough.
>> You and me and especially in in Glen
Gary, Glenn Ross, it's so testosterone
driven, right? And they're so masculine
those scripts and that like tough.
>> Yeah. you're in a in a world where you
put on costumes and you pretend to be
other people, but you you're the
theatrical arts are not like there
there's a sensitivity about them, but
like
>> well, you can walk in you can walk onto
the set with uh Mammoth and and you say
to yourself, the films he's directed
that he's written have been less
successful than the scripts he wrote
that other people directed.
>> Yeah.
>> But that can't influence what you do.
You have to go in with people and always
say and think the best. I'm not just
saying this to be warm, you know? I
mean, you you go in there, you don't
want to predict failure. I've made
movies where the other actor or actress
was someone who I I didn't quite
understand what they were doing. Sucks.
And I didn't quite understand why the
director wasn't on them.
>> Who is it?
>> Uh
uh and uh the
>> Liz Lemon,
>> right? We were all
>> She's the opposite. She's the opposite.
>> She's the funniest person on earth.
>> Well, she's such a unique person, you
know, cuz she's so funny in that way. I
mean, you realize that when I worked
with them, I wasn't funny when I worked
with them.
>> Shut the [ __ ] up.
>> Well, no, no, but I'm being I mean, I've
done some SNL, but but the point is
this. I But I really mean this.
>> I learned not to be funny, but I learned
what was funny. A lot of things you see
now on TV. I mean, a ton of it is more
cute than funny. And and and Tina was
funny. I mean, they'd hand me scripts.
We do a Wednesday read through and
they'd hand us the script on a Wednesday
morning and I read it in the makeup
chair. And then we'd go up to a lunch
conference room which had uh cameras to
beam us to Burbank for the executives in
California to watch the read through at
12:00 noon.
>> And we'd be and they'd hand me the
script. I read I go see uh Robert
Carlock for the lunch read through. And
I look I go, "Are you [ __ ] kidding
me?
>> You want me to do you out of your mind?
You want me to do this?" Which was I was
like a gay Mexican soap opera star
>> playing against myself doing the Patty
Duke thing.
>> And he's like and Carllock always said
the same thing. He said, "It's a big
swing. It's a big swing.
>> Yeah.
>> But we know you could. We have faith in
you. We think
>> it's fun too, right?
>> It was there was I never had more fun in
my life.
>> The scene that there's a particular
scene which I think your performance is
a master class in like comedic acting,
but it's the scene where you take Tracy
to to meet the NBC therapist and you
play you play like 12 different
characters.
>> I bust up a shipper rope.
>> Yeah.
>> And he starts engaging with a line.
>> It's it's just it is like a perfect
scene. I I actually just this morning
remembered another scene of yours which
I literally made me pee my pants when I
was a kid. We're like younger, but in a
long came Paulie when you're pissing
next to Ben Stiller and then you like
you tenderly like squeeze his earlo
>> and then you start massaging his like
after you've been pissing
>> and you're his boss of course. It's it's
just um
>> I knew she was a dime store who the
moment I laid eyes on. Dude, I Who had
the vision that like who knew you were
funny? Because you're going to do this
like I I'm not funny at all. I'm just an
actor. But like was it Lord? Like did
>> I did SNL the first time and what I
learned was unless you're Stallone or
Schwarzenegger where they're going to
make up fun of your persona,
>> they're not going to do that. You got to
become one of the company and just pull
your pants down and make an ass of
yourself.
>> Is it more fun?
>> Oh, yeah. Yeah. No, I loved SNL because
you would never
>> There's things you do that not all of
it, but there were things you would do
that you would never do anywhere else.
Yeah.
>> To have that experience, you had to do
that show.
>> Like little C canteen boy.
>> That's
>> I don't think it was Little Canteen Boy.
>> What is it?
>> I think it was strapping Canteen.
>> Oh, that was what it was.
>> Oh, no. No. I was No, I was the scout
master. He was You're right. Uh,
>> you know, we used to live in a [ __ ]
Sandler.
>> Better. Yeah. Yeah.
>> Yeah. Yeah. Sandler.
>> They got more complaints about that
sketch than any sketch.
>> It was pretty funny. Honestly, do do you
ever fear that like your perception as a
celebrity might overshadow like the very
reason why you're a celebrity? Well,
yeah. You have to be very careful. I
tell people all the time who are young,
I'm like, don't
>> see the people who are the biggest
stars, you know, the least about them.
>> Yeah.
>> And they control that.
>> I would be a ghost.
>> Yeah. Because if you go out, if you if
if they see you doing things in public
and it's not appealing or attractive,
it's not it's not going to help you.
Like I I mean, I felt like if guys were
>> 75 ft away with a long lens and they
took a picture, I never cared. It was
when they got up close and almost hit my
wife in the teeth with the lens of their
camera. I mean, I would get
>> That's when I got Yeah, I did get I
mean, I took the bait more than once,
>> but it's not the bait. They're [ __ ]
hitting your wife in the face with a
camera.
>> Almost.
>> Was the first time you got paparazzi
like kind of cool? Were you like, "Dude,
I must be sexy."
>> I hated them from day one.
>> You hated them day one.
>> Then there was an Italian guy following
you around. He's like Bella Bella. You
know, I don't know what they're like.
I've never gotten one.
>> Well, here it's Well, here it's gone
from like a You see, you're too young to
remember. Like here it's gone from like
a very very obscure corner of
>> the entertainment space as a room. They
were off in a little corner and all this
kind of salacious gossipy stuff was very
very very like third or fourth tier
know about people's lives
>> and now it's it's it's an industry and
now they're going to going on and making
a fool of famous wealthy sports figures,
music figures, entertainers or whatever,
actors, businessmen, musk, whoever,
politicians to humiliate them and
embarrass them publicly. That's a huge
industry now. A very big industry. So
they're out there with nets
>> trying to catch something.
>> I I feel like um I'm lucky that I'm not
a punching guy. I'm more of a like I'll
psychologically just play the long game.
>> Yeah. You stare at them.
>> Do you think that you were characterized
as a as like a like a bully,
>> a tabloid fixture,
>> but as a bully? I bullied these
photographers. I went up to one
>> guys try to take a picture of your
newborn child.
>> Well, one guy walks up. He we're coming
out of our building and we're walking
down the block and he's walking
backwards and he's really big. He's like
6'4. He's tall. He's a big guy, you
know. I mean, and he doesn't pay
attention. He trips and falls and sits
on a baby in a stroller. What's behind
him?
>> Your baby?
>> No. No. Somebody else. A woman's coming
this way. And he's going backwards and
he falls onto the and sits on the baby
in the stroller.
>> And I thought to myself,
>> well, I won't say what I thought.
>> You're like, it's my fault.
>> You're like, I'm a I'm a really
>> We should just chop him up now. right
here.
>> I wanted to mention something to you
that I I've felt and I've been it's kind
of like been dawned on me since I was
like doing the research uh for you and
it it's going back to what I said is
like that your celebrity sometimes uh
can has overshadowed kind of
>> by reputation is what you mean. You use
the word celebrity
>> or it's public life, right? Um something
I've picked up on is like I I watched
your reality show, right? And um
>> why?
>> Because like um I was being thorough,
but like it really dawn it. The first
thought I had was like, is this what you
have to do these days? Like in in a
moment of extreme like uh personal
crisis like
>> I'm I'm weeping in a in a conference
room with some publicists and I go,
"What can I do to clean up this mess?"
And they go, "You got to have seven
kids."
>> Is it? But but like what I'm saying is
is like for me personally um I've I've
like I'm not into like celebrity gossip
but when I heard about what happened
right it didn't sound real to me where
right in New Mexico it didn't sound like
a real thing that happened in the real
world. I think we probably made jokes uh
about it like it didn't dawn on me uh
until I was doing research for the show
and I I really felt like um it would be
something that you would carry for the
rest of your life and uh it just uh it
kind of dawned on me that like people
don't perceive uh public figures as real
human beings perhaps. I think that in
that case among among countless things I
could say was the idea that uh when my
case imploded and was over and it was
over not because of a statement of a
jury or the cleverness of my lawyers the
judge ended the trial thrown out
>> the judge terminated the trial. She
thought this is enough of this is just
insane. And when that happened,
a friend of mine, a woman who's an
attorney, very famous attorney, she said
to me, uh, that what bothered her was,
um, she said, "Once they couldn't get
you, it was over."
>> The case didn't continue. They're not
out there looking for the guy that
brought the bullets onto this. They're
not doing that once they attempted to to
frame you and they couldn't do it, it
ended. Which that should be of grave
concern to everybody that lives in that
community that it just imploded because
they didn't succeed at their other
>> certainly. But beyond that, like um I
I've I looked at like the way that it's
discussed in popular discourse and on
the internet. Like I looked at Reddit
and
>> Well, Reddit's bad.
>> It's bad, but it's it seems like
>> it's ugly.
>> People don't process it in a way that um
this is clearly something that is not
someone someone's fault. Instead, they
kind of in a very unfair way blame to
you. No, it's not funny. Funny is like
at least like
>> Well, a lot of it they try. They think
it's funny.
funny is at least like ironic. I think
people that genuinely assign blame for
something that's like literally, you
know, that you'll carry for the rest of
your life. And it it really upset me,
especially because I've been like
revisiting all your work that like this
that this thing could overshadow like
what is so beloved about you.
>> Well, I mean, on one hand, you say to
yourself uh you say carry for the rest
of your life. I don't really carry
anything for the rest of my life.
Meaning, do I feel overwhelmed and and
and pained by the suffering and the the
tragedy of what happened? Yes. But do I
feel responsible? No. No.
>> Because what happened was we remember
>> they decided to leaprog over or pull
vault over the whole idea that in the
previous several days we were doing the
film. We did a protocol that we did the
same thing and nobody came up to me
>> in my shooting the film. But I just want
to say because you did bring it up. One,
two, three, four, five days. No one came
up to me and said, "Hey, let's do it
this way." It was only after the fact
that they said, "Oh, we're supposed to
have do it this way." But let me just
close.
>> I don't want to,
>> but I want to end on a positive note.
But let me just say this, which is that
having my kids
>> and having all these children, I'm 67
years old. I got a three-year-old baby.
>> So, I got a lot of kids at home, little
kids, and they saved my life. And I'm
sure the same is true with you, which is
that you get to the point where I mean
I'm older now, but when you get to the
point where you think less about where
you get love than where you give love.
One of the more frustrating and even
painful things in life is you have
nobody to give your love to. You might
have a lot of love to give in your heart
to people. Your parents are gone, what
have you.
>> And with my kids, it's like I have a lot
of love to give and I have all these
kids around me all day long and I'm not
really do I wasn't doing very much for
the last three and a half years. I was
home all the time and they saved me.
They saved my life to have that exchange
of like love energy with these children
who are all, you know, and they all make
fun of me. Like I show them pictures of
me from old movies and like here I am
with Michael.
>> Piece of ass though.
>> Well, no, no, but here I am with Michael
Keaton.
>> I had a good month. I had a strong month
back there in the 80s.
>> Shut the [ __ ] up.
>> But I had a picture of me with Michael
Keaton and and Gina and me and
Beetlejuice and I go, "That's me. That's
me there with the, you know, dark hair
and I'm thin. like lumberjack.
>> Lumberj and they and they and they and
they my kids look at they're like no no
no that's they put Michael Keaton
they're like that's you that's you no
>> Beetlejuice that's a cool guy
>> he's a cool
>> what I'm saying is this is like um
you're an artist right and uh you're
motivated in your craft you still have
artistic ambitions right like
>> a couple
>> what what what would you define
>> I want to do a play I'm working on a
play I don't want to get into too much
detail but I'm working on a play right
now with a writer who I admire this
incredible writer who I've been friends
with for years who's my admiration for
him is boundless and he um is going to
write a oneman show for me. They'll be
ancillary characters maybe. Yeah.
>> But I'm going to play the lead role in
this oneman show which is a real
historical survey
>> of the United States postcold war and uh
it's one figure that we funnel the whole
thing through and he's the prism of the
whole thing.
>> Who is it?
>> And I don't want to say
>> Hoover
>> Hoover, right? No Hoover. I don't want
to play Hoover.
>> They made Hoover. Nixon. Uh, no. No. But
anyway, not somebody. Not somebody you'd
be off the top of your head. You
wouldn't
>> get
>> the Jew was a natural spy. I could say
that.
>> Times are run by these Jews.
>> Yeah. Yeah. He really he really itic
maniac. Yeah.
>> Well, it wasn't anti-Semit. I mean, this
guy was just his entire life he wouldn't
take no for an answer and he just kept
running for crap. I mean, you know, uh
the the pretty boy like stole the
election from him, you know,
>> may have. They may have.
>> Yeah. When you have a win,
>> but he still made it to the top. And
then he was still kind of alone, you
know? That's the thing about him. And uh
and then they kicked him. They kicked
him out for what? Spying on the other
I'm not a Republican, but like spying on
the other guys. They have to all be
doing that.
>> McGovern needed to be spied on.
>> Yeah, he lost by a zillion. Let's get
back to the exchange of the love energy,
shall we? When you're in bed with your
girlfriend.
>> Yeah.
>> And try to try. Her name is Pat
>> Nixon. Yeah. Yeah.
>> I was going to say, "Can I escort you on
dates?" Yeah. I just watch slammed.
Yeah. Okay.
>> So, so but the thing is is that so
you're there in the house and maybe the
time as they say in those like those uh
Austanti commercials or whatever like
you know the time is right.
>> When do you know the time is right? When
do you know she you and she are going to
well sex or love or whatever.
>> When she lets me
>> she say she signals.
>> Yeah. She's the girl. That's the rules,
right? They
>> Is that what it is? You don't
>> I can't What? What?
>> You don't pin her on. I'm not going to
go there. I I'm a gross guy. I I want to
have you follow. She leaves. I'm still
Yeah. Of course. She turns. She's like,
"Let's go."
>> I mean, that's the rule. I mean, that's
the system.
>> Is that what you do?
>> I don't want to, you know, because when
you do it and she's like, "Gh, I have I
feel disgusted."
>> You don't walk in, you have a drink, and
then you look at go get your clothes.
>> You know what the worst thing in the
world is? is when they're on their
period, their boobs are a little bit
bigger and we forget every month. So,
we're like this and then you get slapped
into I'm disgusting and it's like [ __ ]
the period thing again. I fell for her
head. God is laughing up there.
>> You She wants you to take control. Touch
take my hand.
>> No, she's No,
>> you're going to reach for her in any any
curve you want to squeeze. Don't take no
for that.
>> She just
>> shove her on the bed. Just shove her on
the bed. I I don't I Do you think a w Do
you think a woman
Do you think like um if I learned how to
kill uh someone with my bare hands, do
you think I'd get more respect from my
girlfriend?
>> What is this, a Hitchcock movie? What
the [ __ ] are you talking about?
>> I feel like if uh as a as a man,
>> I want you to take
If you don't know what I mean by this
and you're hopeless, just take charge.
>> Which
>> women want you women want you to decide
where you're going to go to dinner.
>> Can we go? going to go to blah blah
blah.
>> Can we prank her right now?
>> Yeah. She doesn't want to be on the
show. She doesn't even know. She She
doesn't even know that I'm
>> She doesn't need my help. You do.
>> What? I'm not What am I What am I going
to force my What? I'm going to put her
in a ball gown and then do a do a do a
waltz. And
>> you're going to walk up to her blouse.
You're going to rip it open.
>> Really? I I think she'd yell at me for
her for her shirt.
>> Get a box of shirts. Do it every night.
>> She stops me from getting hit by a car
like at least once every two weeks. It's
a good system. We have
>> take charge.
>> I don't
>> the reservation. You come home, you have
sex before and after.
>> Reservation. What the hell do I know
from restaurants? Wait, can I can I go
back in
>> to the love thing you were saying?
>> Yeah.
>> Um, you you you've lost your parents?
>> Yeah, my parents have died.
>> So, yeah, I lost a pair like five years
ago. And uh
>> who was it?
>> My mother. The It's the best the twin.
The best one. But that's kind of what
what my major takeaway was. And you
know, it's really cordy, guys. Don't
just It's so embarrassing what I'm
saying. It's my boy, dude. But uh it's
like why all the all songs are about it
and like poetry and like most movies are
about love. And I think it's like the
first time I ever saw like a point to
anything was uh that our family was all
together and uh it kind of Yeah. It it
gave me a new appreciation. I think a
fun experiment for you or anybody,
especially because you're so young. I
mean, I'm older now
>> and my uh my my uh uh garden is planted
here, so to speak. But for you, it's
like remember always at least entertain
the idea that your private life is
exactly different from completely
different from your
>> professional life. What do you mean?
>> You're a certain way here and when you
go home, you mix a drink, you rip the
shirt off, you throw her on the bed, you
do whatever you want.
>> People on the show that I do that you
should be who you are that's gotten you
here.
>> Yeah. And she's like, "I have cramps and
stuff and then I've already torn all the
clothes that I'm damn right. I'm hard
and stuff. I'm like, then I have to go
to the bathroom and jerk off."
>> You could have left that You could have
left all that out. Let's cut that.
>> Wait, you don't curse. You're not a
You're not a You don't
>> Well, I can curse, but I'm just trying.
I don't know. I don't know.
>> I'm just saying that if she has cramps
or a headache and then I've done all
that, then I'm like, "What the hell?"
>> At least you tried.
>> Well, yeah, but then there's a torn
clothes and then I'm like I'm
>> not caring about this. I'm
>> And then I have a boner and then I have
to go to the bathroom and jerk off like
a loser.
Wait, can you just
>> Good night everybody.
>> I want to I want to just
>> I got time for one more. Ask me an
important question.
>> Okay.
>> It doesn't involve your boner or
>> what the hell? What you What I'm sorry,
dude. I wasn't the hottest guy in the
world and I didn't have sex with a
thousand women.
>> You will be. Go ahead.
>> Why do you have a good personality? Why
do you have a personality at all
>> as opposed to
>> as like a hot guy with like a that you
know like why I had to develop a
personality because I thought that I
would never find a wife. You
>> take their mind off the fact that you
>> I think that you you probably like uh
you've probably always been great with
the ladies and you developed you it
makes me angry.
>> Why is a guy that looks good also funny?
It's kind of our thing.
>> I'm not that funny. Yeah.
>> No, you're funny, bro. Um, I
>> You told me to do that whole thing to my
girlfriend. That was hilarious.
>> I think you should just
>> take charge. I said just take charge.
Um, all right. So, but the last thing
I'll say is this, and that is that uh
the more and more you work in this
business and the more and more you care
less about the outside, so to speak.
Like when I was younger, dye my hair,
style my hair, the clothes, the this
that. And then eventually I got seven
kids and I thought, I don't have the
time for this. I I
>> You also had the chess music, too. That
is what happened. Yeah, that was when
chess music was big. When he was a hunk,
he had like
>> I had surgery. I had my skin cancer
taken.
>> Really? I'm sorry about that. Yeah. I
can't grow chest hair.
>> You don't have any hair?
>> No. Low low testosterone probably. Or I
don't
>> You have any hair? You have any pubic
hair?
>> Oh, my balls. Yeah. Yeah. Yeah.
>> So, when you have a boner when she want
to have sex with you have a boner, it's
a hairy boner or it's a hairless boner.
>> Well, you got to trim around.
>> It's a dolphin or it's
>> Get an extra inch probably.
>> It's some shrubbery. What?
>> Yeah. Yeah.
>> That's what um Okay, what last one? I
just one last one.
>> Yes.
>> Okay. I I have to ask you this and
>> what do you make of the allegations that
still follow you to this day concerning
the boss babies's treatment of uh
employees and the toxic work uh
environment?
>> And I can't comment.
>> My followup question is can a voice
actor be held responsible for a cartoon?
>> I'm really famous. They just
>> I will honestly say that I tell people
they go, "What's your favorite movie?
What do you think is the best movie you
ever did?" And the answer was Boss Baby.
I Boss Baby is the perfect movie. I love
Boss Baby. It's great. I think it's
great.
>> Really?
>> I think I I said it's amazing. Better
than
>> What was the What was the company of the
Boss Baby?
>> Uh Tom McGrath was the uh uh director. I
love Tom.
>> What were they doing though at the
company where he was the boss?
>> Oh, uh Baby Corp.
>> Baby
wanting people to have babies.
>> Sounds sinister. Why don't you have baby
have babies, not pets?
>> They were making people have sex with
each other.
>> Well, that just came with the
>> That's what The Boss Baby is about. I
got to watch that movie.
>> Yeah.
>> I think I missed it. What? Didn't the
Boss Baby have a button under his desk
that would lock the door?
>> That's not
>> Okay.
All right.
Heat.
Heat.
Heat. Heat.
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This episode features a conversation with Alec Baldwin, covering a wide range of topics from his acting career and iconic roles, to his personal life, family, and even his views on classical music and Judaism. They discuss his early life, his passion for movies, and how he developed his acting skills. The conversation touches on his famous role in "Glengarry Glen Ross," his experiences with directors like Martin Scorsese, and his thoughts on the acting process. Baldwin also shares anecdotes about his large family, his struggles with insomnia, and his admiration for certain artists. The interview delves into his past experiences with SNL, prank calls, and the pressures of celebrity. Towards the end, they discuss his artistic ambitions, including a one-man show he is working on, and his reflections on love, life, and mortality. The episode concludes with a humorous discussion about his role in "The Boss Baby."
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