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Joe Rogan Experience #2438 - John Mellencamp

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Joe Rogan Experience #2438 - John Mellencamp

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3649 segments

0:01

Joe Rogan podcast. Check it out.

0:04

>> The Joe Rogan Experience.

0:06

>> TRAIN BY DAY. JOE ROGAN PODCAST BY

0:08

NIGHT. All day.

0:12

>> Okay, cool.

0:14

>> Why? Why would I hate my tattoos?

0:16

>> Because you get older and they get all

0:18

smudgy. And

0:19

>> Mine are getting kind of smudgy.

0:21

>> Yeah, look at this one.

0:24

>> It's pretty smudgy. Pretty [ __ ]

0:26

smudgy.

0:28

I I owned a tattoo parlor in

0:32

I don't know what year it was, mid80s.

0:36

And they were illegal in Indiana, but

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because it was me, they said, "Okay,

0:40

leave him alone."

0:41

>> Really?

0:42

>> Mhm.

0:42

>> I remember when they were illegal in New

0:44

York. I used to I went to Connecticut to

0:46

get my first tattoo.

0:48

>> Yeah. I uh

0:51

I didn't know it was illegal, but I met

0:53

this guy in LA and uh he worked at

0:56

Sunset, you know, where the Hyatt houses

0:58

and there was a tattoo parlor right

1:00

across the street.

1:02

Anyway, he was there and uh

1:06

so I brought him to Bloomington because

1:08

he wanted to get out of LA

1:10

and guess why? They closed me down.

1:13

>> Why?

1:14

>> [ __ ] guy was a heroin addict.

1:18

I know. And he did this tattoo one time

1:21

and I went over I just went over to the

1:23

shop. I said, "Hey, let's do this

1:24

little" and he was all [ __ ] up.

1:28

And it was just like what's wrong with

1:30

it? You know, cuz I didn't know. I don't

1:33

know anything about heroin addicts. So,

1:35

there wasn't a lot of heroin addicts

1:37

back then. That was a rare thing. Now, I

1:41

mean, think about how many people are

1:42

because of the Sackler family. Think of

1:44

how many people are hooked on opiates

1:45

today. I mean, it's got to be lots.

1:49

>> It's off the charts in comparison to

1:51

what it was like in, you know, the

1:53

1980s. There's I mean, I knew one guy

1:56

that uh had a friend who did heroin.

2:00

That's it.

2:01

>> Well, I was at a The first time I saw

2:02

somebody do heroin was uh

2:06

I was in college and there was a place

2:10

called Bull Island that tried to imitate

2:13

Woodstock.

2:15

and me and my then wife and a kid and a

2:19

little girl and uh

2:23

and my roommate who lived with us. We're

2:27

just walking down there and we see this

2:28

guy shooting up. So, we just thought,

2:30

well, we'll watch

2:33

cuz he was just sitting right there and

2:35

I mean there was like 200,000 people

2:37

there.

2:39

And he shot

2:42

and he went out.

2:44

And I looked at the guy I was with go,

2:46

we won't be doing this.

2:49

We're not going to do this.

2:52

I had a friend who was a long shoreman

2:53

and he worked with this guy that every

2:56

lunchtime he would go and score and sit

3:00

in his truck and shoot up and that's

3:02

what he did every lunch. He was a

3:04

functional heroin addict and he would

3:07

show up for work every day and he did

3:09

his job.

3:11

But uh during lunchtime, during his

3:14

hour, he would do heroin and just

3:18

[ __ ] find his happy place and then an

3:21

hour later go back to work

3:23

>> and he and the one shot would last all

3:26

day.

3:26

>> I don't know. I don't know if he did

3:28

hero I didn't ask if he did heroin after

3:30

that as well. I'm assuming he probably

3:32

did.

3:34

But he was a functional heroin addict.

3:36

Like guy kept a full job. He was in the

3:38

union

3:40

and everybody knew this guy would go on

3:42

his break, shoot up.

3:46

>> Last time I did drugs was 1973.

3:53

>> What was the reason you stopped?

3:55

>> Want to hear?

3:56

>> Yeah. Yeah.

3:58

>> Well, I used to like to

4:01

smoke.

4:03

and drink whiskey

4:06

and then I like to fight.

4:08

>> Oh, that's problem.

4:10

>> I couldn't whip anybody.

4:13

I could I could

4:16

but I loved the contact and the the the

4:20

rush of like, you know, starting the

4:22

fight. But so anyway,

4:26

I was in college and

4:28

my roommate and I went to this downtown

4:31

bar, which we'd never been to, and I sat

4:34

at the bar and I would start these

4:36

fights, you know, just a prick.

4:41

And uh

4:44

I was sitting next to this big guy and

4:46

uh

4:48

for whatever reason, I thought it was a

4:50

good idea if I spit on him. Oh,

4:52

>> one of those guys. You know, you know

4:55

those guys that get drunk?

4:56

>> Yeah.

4:57

>> Yeah. Well, that was me.

5:00

So I did and

5:03

we went out back and he left me in the

5:07

alley like a wet rag. I mean, he beat

5:11

the [ __ ] out of me. Beat the [ __ ] out of

5:14

me. And I was a hippie. I had hair down

5:16

to here.

5:19

And they, the guy, my roommate, was

5:22

driving me home in an old pinto.

5:26

And I was leaning on the door like this.

5:28

I was so [ __ ] up from getting beat up.

5:30

I mean, the ores around my face were

5:32

this big. And I was leaning on the door

5:35

and all of a sudden he went over track

5:38

and I fell out of the car. Got my hair

5:43

wrapped around the jigma flop that holds

5:46

the car. And the guy that I'm with drunk

5:50

driving,

5:52

he didn't even know I fell out of the

5:54

car. And I'm going, "Stop the car.

5:56

Stop." He went, "Oh."

6:00

And um

6:03

so I got up the next morning and I

6:04

looked at myself

6:07

and I was unrecognizable. I had road

6:09

rash on my arms. My knees were all

6:12

[ __ ] up.

6:13

my face was beat up from the and I just

6:17

said, you know, this drug and alcohol

6:19

thing is not working for you.

6:22

And so I I went and got all my hair cut

6:24

off. Not as short as yours, but not much

6:27

longer.

6:28

And uh that was it.

6:31

>> Well, you found your rock bottom.

6:34

>> Yeah, that's what they say. They say you

6:36

need to find rock bottom. I would never

6:38

imagine that you would be the type of

6:40

guy that would [ __ ] with people at a bar

6:41

and spit on somebody and start a fight.

6:43

It just you just don't seem like that at

6:46

all.

6:47

>> Well, I grew up in a small town and uh

6:50

there was not much to do in a small

6:52

town.

6:53

Uh you know, you would either uh find a

6:57

girl or or fight

7:00

just

7:00

>> I figured you for the find the girl type

7:02

guy. Well, you know, I I I was uh I did

7:07

okay with that, but it didn't always

7:09

work. So, yeah. Yeah. It was like uh

7:14

Don't forget, Joe, it was like 19676.

7:19

You weren't You weren't even born yet.

7:21

>> I was born ' 67.

7:22

>> Yeah. So, this is like 1967.

7:24

>> Wow. So, you know, so from that time on

7:30

until I turned 21. I was 21 when I quit

7:33

using drugs and quit smoking, quit

7:36

drinking.

7:37

>> Wow. Nothing since then.

7:39

>> Not a drop.

7:40

>> That's impressive.

7:41

>> Not a drop. Well, you know, I think I've

7:44

thought about and I think that I didn't

7:46

really like it that much,

7:48

>> you know, as much as I thought I did.

7:50

>> Well, you certainly didn't like the

7:52

results, right? One bad result will

7:56

>> what do you

7:56

>> set you straight.

7:57

>> Yeah. What do you Yeah.

8:00

>> You were uh a big part of my high school

8:03

experience. It it was interesting

8:05

because you uh your song sort of

8:08

introduced the idea of nostalgia to me.

8:12

>> You know,

8:13

>> I don't know what that meant. Well, the

8:15

when you were singing songs like Jack

8:17

and Diane, it's like I was kind of

8:19

realizing as I was a very young guy

8:22

listening to those great songs that

8:25

there's there's going to be a like this

8:28

is a weird time in life and there's

8:30

going to be a time where you're going to

8:32

look back on this and it's probably one

8:35

of the best times of your life, but even

8:37

though it doesn't feel like it, it felt,

8:39

you know, felt confusing and weird. And

8:42

I I remember thinking at the time like

8:44

my god like is this as good as it gets.

8:48

You know, some people look back on this

8:50

weird confusing time of adolescence as

8:54

the happiest moments of their life. I'm

8:55

like, I can't wait to get the [ __ ] out

8:56

of this time of my life. And it's like,

9:01

you know, you were singing from a

9:03

position of like an everyman

9:06

position of no, you know, you were you

9:10

were singing the star. They were great

9:12

[ __ ] songs. They had heart and there

9:15

was

9:16

it was soul to them, but it was like it

9:20

was a lot of sadness, you know, a lot

9:22

of, "Oh, yeah, life goes on long after

9:24

the thrill of living is gone." And I was

9:27

like, "Oh, Jesus Christ. Life's going to

9:29

go. This is it.

9:31

>> This is it.

9:31

>> This is it.

9:32

>> This is it." Well, I listen, I struggled

9:35

with that

9:36

probably like you did or he did. Uh,

9:42

you know, there's a point in a man's

9:44

life where he feels like there's got to

9:47

be more to life than this. I mean, I had

9:49

huge hit records and,

9:53

you know, very, very, very, very, very

9:57

lucky, very lucky.

10:00

You know, everything was, you know, was

10:02

just I was just lucky.

10:04

And I would go home and I would think,

10:09

I'm not happy. There's got to be more to

10:12

life than this. And then guess what

10:15

happened? I got a little bit older and I

10:17

found out

10:20

there's not.

10:23

And I'm good at it.

10:25

I'm good at it. So,

10:29

you know, we're only on this earth for a

10:31

few [ __ ] minutes. quit feeling sorry

10:32

for yourself and quit being confused and

10:35

accept your responsibilities and and try

10:38

to, you know, maintain some humility,

10:41

which was a million miles away from me

10:43

spitting on people,

10:44

>> right,

10:45

>> in a bar.

10:46

>> What didn't you enjoy about being this

10:49

enormous rock star in the early days of

10:52

MTV? I mean, you were a rock star when

10:54

it became a totally different thing

10:56

because it was like this visual thing

10:58

that was in everyone's household now. It

11:01

wasn't as simple as no, you were on the

11:02

Tonight Show and you would sing this

11:04

musical segment and people would have to

11:06

go see you live to go see you perform.

11:08

>> And all you got to see of guys in rock

11:11

bands were their album covers.

11:13

>> Mhm.

11:14

>> You know, you you would go to a record

11:16

store and and file through the records

11:18

and if you like the way a band looked,

11:21

you would buy the record. At least I

11:22

would.

11:23

>> I would too. Yeah.

11:24

>> And and so um

11:28

I forgot the question. Well, I was just

11:30

saying like what was it what was not

11:33

good about that? I mean, what what was

11:36

that experience like being this enormous

11:39

rockstar that left you feeling like you

11:41

wanted more, that you weren't happy? Uh,

11:43

I think that uh for me, I think I I

11:48

think it when it when that happens, it's

11:50

the age you're at, and I think it's a

11:53

chemical imbalance in our brain.

11:57

And as we grow older, it kind of finds

12:00

its way. And like I said, I just woke up

12:03

one day and just went, "Hey, this is all

12:07

there is. Accept it

12:10

and try to show some humility and and

12:13

try to be good at it." And it I never

12:16

thought about it again.

12:17

>> That's interesting. Well, you're a

12:19

you're a snap out of it type of guy,

12:21

right? You snapped out of drugs and

12:23

alcohol. You snapped out of feeling

12:25

sorry for yourself. Yeah,

12:26

>> that's a good trait to have.

12:28

>> Well, I'm very lucky that that I'm

12:31

Listen, Joe, you're looking at the

12:32

luckiest [ __ ] guy you you've ever

12:35

interviewed. I don't give a [ __ ] who

12:37

you've interviewed. I'm the luckiest guy

12:40

you know. I was born with spinoipida. Do

12:43

you know what that is?

12:44

>> I don't. That's where you have a hole in

12:48

your spine

12:50

and

12:52

the fluid and all of the your nerve

12:55

endings like on me.

13:02

>> Look at the back of my neck.

13:04

>> Oh wow.

13:05

>> You see that scar?

13:06

>> Oh, that's crazy. Yeah,

13:09

>> that scar is huge.

13:11

>> That's 1951.

13:13

In 1951, you got that operation.

13:16

>> I was born with You're born with spinal

13:18

b.

13:19

And

13:20

>> so what do they do to what what was that

13:23

operation exactly?

13:25

>> Well, they had to uh Well, here's the

13:27

story.

13:29

I was a my parents were only 20 years

13:32

older than me. So I was born

13:36

deformed

13:39

and my parents didn't know what the [ __ ]

13:42

to do. You know what are we going to do

13:44

with this kid? So they just went like

13:45

that to my grandmother. Here you take

13:47

him. And uh

13:50

so I was in the hospital and uh there

13:54

were four other kids and there was a

13:56

young doctor named Heinberger who was

13:59

just a young neurosurgeon. Don't forget

14:02

neurosurgery in 1951 was in its

14:07

so he just said well we've got to try to

14:09

do something with these kids. And uh

14:14

so he operated on all of us.

14:19

I was the only one that lived.

14:21

>> Oh boy.

14:23

>> You know the fact that

14:26

and he charged my parents a dollar

14:29

for the you because it was an

14:30

experiment. I was like a guinea pig and

14:33

these other poor kids who had the same

14:36

thing I did.

14:38

Uh they all died within,

14:42

you know, 6 months.

14:44

>> I remember seeing one girl that made it

14:45

till she was 14 and she was in a

14:47

wheelchair. I would see her basketball

14:50

games and my parents would go, "That's

14:53

the other little girl that had the same

14:55

operation you did." And then she died.

14:59

So my whole life has been full of luck.

15:05

I mean, uh, I'm not supposed to be here.

15:09

>> What did they do during the operation?

15:11

What is the procedure?

15:13

>> Well, they have to

15:16

cut your head off for starters. You

15:18

know, they they had to cut my head and

15:21

lay it open

15:22

>> to get to my spine. And then they would

15:25

push each individual

15:28

nerve ending back down into my spine.

15:33

drain the fluid off

15:36

uh sew it back up and make sure that

15:38

everything was working.

15:41

And uh they told my parents, you know,

15:45

look, uh here he is. He's probably going

15:47

to die become get encphilitis and his

15:50

head's going to fill up with water. We

15:53

we don't anticipate him living much more

15:56

than six or seven months.

16:00

And I was [ __ ] I think I was in fifth

16:04

grade. I didn't even know I'd had the

16:06

operation. And some kid in my class

16:08

said, "Hey, Mal Camp, what's that big

16:11

scar on the back of your neck?" Don't

16:12

forget. Now we're talking,

16:15

you know, 1957, 58,

16:18

60 maybe.

16:20

I didn't even know there was a scar back

16:22

there, you know. Wow. Wasn't like I was

16:25

going and my parents never told me. So I

16:29

came home and I asked my old man. I

16:31

said, "Dad, what what's with the scar in

16:32

the back of my neck?" And he goes, "Oh,

16:34

don't worry about it. You had an

16:35

operation when you were born." So I did

16:37

it. I played football. I ran track. I

16:42

fought. You know, I did everything that

16:45

every other kid did without a thought of

16:47

that. Not until I got older and I had

16:52

started having panic disorder that I

16:55

thought

16:57

I thought maybe that the panning

16:59

disorder was from uh

17:02

from that operation.

17:04

>> How old when you started having panic

17:05

disorder?

17:07

>> Uh I was just out of college. I couldn't

17:10

leave the house. I became what they call

17:12

uh what's that called? Agorophobia.

17:14

>> Yeah.

17:15

>> Yeah. So, I had agorophobia for about a

17:18

year and a half and then I got a record

17:20

deal and I had to leave the house. I

17:23

mean, I was married in high school. I

17:26

got married in high school and the girl

17:28

I was married to was 5 years older than

17:30

me, you know.

17:31

>> How old were you?

17:33

>> 18.

17:34

>> 18.

17:35

>> Yeah.

17:35

>> You had a kid, right? You had a kid real

17:37

young.

17:38

>> Yeah. She's uh 50some now.

17:41

>> Wow.

17:42

>> I I have three girls and two boys.

17:44

Weren't you a grandfather when you were

17:46

in your 30s?

17:48

>> Maybe.

17:49

>> I think you were. Right.

17:50

>> Yeah.

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19:16

>> Cuz that oldest daughter of mine got

19:19

married when she was like 19.

19:21

>> Wow.

19:22

>> Not much to do in a small town, man.

19:24

>> Yeah.

19:25

>> Not much to do.

19:27

So

19:29

that's the spobifida.

19:31

>> But it never bothered you again other

19:33

than the panic. Do were you performing

19:37

when you were having the panic stuff?

19:38

>> Oh man, I have been on stage in front of

19:41

like 20,000 people and had a panic

19:44

attack.

19:46

>> Yeah. It's like, have you ever had one?

19:48

>> No.

19:50

>> You're lucky

19:52

cuz you feel like uh I can't breathe.

19:57

>> My chest hurts.

20:00

And

20:01

>> I've seen it. I've seen people have

20:03

them. It's It's horrific. You can't do

20:05

anything for them. You're like, "Are you

20:07

okay? You think they're having a heart

20:08

attack. You think they're dying."

20:09

>> Yeah. Well, I've been on stage and I

20:11

remember having to plant my feet

20:15

>> and just power through, you know, in

20:18

front of 20,000 people and it was it was

20:20

awful.

20:21

>> Did it pass while you were on stage?

20:23

>> Uh, I don't know if it did. I just

20:26

remember it happening numerous times.

20:28

And then guess what happened? I had a

20:31

[ __ ] real heart attack on stage at

20:32

Jones Beach like 30 years later.

20:35

>> Oh Jesus.

20:36

>> I know. So,

20:39

but you know what that heart attack led

20:40

to? I was I just married Elaine

20:45

uh Irwin and we had two little boys and

20:48

I got to stay home

20:50

because I said, "Fuck it. I'm going to

20:52

die. I didn't know about heart disease.

20:54

I'm going to die. So, I want to spend

20:56

the last couple years of my life with my

21:00

boys who were little teeny guys, which I

21:02

want to tell you a story about them and

21:04

you. Uh,

21:07

and uh uh so I got to actually kind of

21:14

not be in the music business, which

21:16

pleased me.

21:18

Um,

21:18

>> how old were you when you had your heart

21:20

attack?

21:20

>> 42.

21:21

>> Oh, jeez.

21:23

And uh so I got to stay home. I stayed

21:26

home for three and a half years. Elaine

21:28

didn't model and we just

21:32

you know we had TV shows we watched

21:34

which is unheard of in my life you know

21:36

like hey it's Thursday night let's watch

21:38

let's watch this you know which is where

21:41

you come in. So the boys were little

21:45

and they loved your show.

21:48

They loved your [ __ ] show.

21:50

And I was kind of like, I don't know if

21:53

the kids should be watching this, you

21:55

know?

21:56

>> You talking about Fear Factor?

21:57

>> Yeah.

21:57

>> Yeah.

21:58

>> Yeah. I don't know if the kids should be

21:59

watch. So, I made a deal with them. All

22:01

right, you guys. You can watch this

22:03

show, but you have to watch 60 Minutes,

22:06

too.

22:10

So, if you're going to watch this, then

22:11

you got to watch 60 Minutes. And they

22:13

obliged, which surprised the hell out of

22:16

me. But it was like, "Dad, 60 minutes

22:18

on, Dad. Fear Factor's on." I know. So,

22:23

we would watch it together. I mean, how

22:25

lucky is that?

22:26

>> That Well, it sounds like it was a

22:29

blessing in disguise.

22:30

>> Yeah. Well, that's

22:31

>> Yeah. It gave you pause.

22:33

>> You know what luck is?

22:34

>> What?

22:35

>> Thinking you're lucky.

22:38

>> Thinking you're lucky.

22:39

>> Yeah.

22:39

>> What you think about yourself all comes

22:42

true. I wrote it in a song once. what

22:44

you think about yourself will come true.

22:47

>> So if you call yourself a dumbass, guess

22:50

what? You do it enough and you start

22:53

your brain starts believing it.

22:56

>> What caused your heart attack at such a

22:58

young age?

23:01

>> Me being stupid.

23:03

Uh I would go in and to get a physical

23:07

and they would go, "John, your

23:09

cholesterol is off the charts. It's at

23:12

400. And I would go, "Am I all right

23:15

now?" And they'd go, "Well, yeah, you're

23:17

all right now." Good. Cuz I didn't want

23:19

to get on medicine.

23:21

>> You know, and statin drugs had just

23:23

become

23:25

just were invented.

23:27

Uh, you know, at that time, people

23:30

started using statins and I didn't want

23:31

to take them. I didn't know what they

23:32

were,

23:35

but I know all about heart disease now.

23:37

>> Did you have plaque? Did you have

23:39

arterial plaque?

23:40

>> Yeah.

23:40

>> Yeah. Yeah. And uh it runs in my family.

23:44

I have a sister that has or she used to.

23:47

I don't think she does anymore, but her

23:49

cholesterol was a 500.

23:52

Imagine that's like

23:55

it's crazy. Cholesterol is a very

23:57

controversial subject now because people

23:59

are starting to try to sort out what is

24:02

the actual cause of heart disease. And

24:04

there's a lot of people that don't

24:05

believe it is cholesterol. They think

24:07

it's arterial plaque. And what is that

24:10

stuff called?

24:12

Nattokenis.

24:14

I I don't know how to pronounce it, but

24:16

there's a a supplement like an

24:18

over-the-counter supplement that's

24:20

supposed to be able to eliminate

24:23

arterial plaque in a very profound way

24:26

that they're just starting to realize.

24:29

>> I don't know. But

24:31

>> clogging of it. Listen, what

24:34

I was in New York once

24:38

with a girl and I went to the doctor

24:40

with her. She's an actress

24:43

and she was getting a physical and she

24:46

wanted me to go so I went with her and

24:49

uh

24:51

she went to the best doctor in New York

24:53

City and I found myself alone with that

24:56

doctor and I said so uh

25:01

the doctor in Bloomington just put me on

25:04

metformin

25:06

what's the side effects for metformin

25:10

and this guy. Joe was the guy. He went

25:13

longevity.

25:15

And he said, "If it was up to me, I'd

25:17

put the entire United States on

25:19

metformin and a statin because the

25:22

[ __ ] food we eat is terrible."

25:25

>> Yeah.

25:25

>> It's processed. It's this and that, you

25:28

know, and he just said,

25:30

>> you know, the the human body was not

25:32

meant to eat this crap.

25:34

>> That's a fact.

25:35

>> Yeah.

25:35

>> Yeah. I think the solution is probably

25:37

eating food that you're meant to eat.

25:38

But metformin is uh one of those drugs

25:41

that longevity doctors recommend. I've

25:44

never been on it, but uh I know quite a

25:46

few people that have. I I think isn't it

25:48

a diabetes drug initially?

25:50

>> Yeah. And I'm my mom died of diabetes.

25:55

So uh I was always borderline and I'm

25:58

still borderline and this was

26:00

>> she get type one or type two?

26:02

>> Well, she started out with two and then

26:05

she paid no attention to it. Wouldn't

26:07

take her medicine. We'd drive by crispy

26:09

cream and she'd go this don't tell your

26:12

dad, okay? And she'd get a half a dozen,

26:16

you know, crispy creams and eat them.

26:17

And it's just like

26:19

>> that's where it's at. It's it's the

26:21

food. It's a horrible thing that we've

26:24

done to this country. You know, there's

26:26

I mean, this is the most controversial

26:29

thing about RFK Jr., here, I guess, or

26:31

one of the most controversial things is

26:33

the elimination of all the stuff that's

26:34

already eliminated in a lot of European

26:36

countries. He's

26:38

>> I I had a friend come here from Europe

26:40

who had not ever been United States and

26:43

got sick.

26:44

>> Mhm.

26:45

>> Just from eating

26:46

>> just eating our food.

26:47

>> Yeah.

26:47

>> It's crazy. Just our bread. What is that

26:51

that supplement?

26:52

>> That's not You had it right.

26:53

>> How do I say it?

26:54

>> Think of how you were saying it.

26:56

>> Can you find out what it's supposed to

26:57

do? Like what? because there's a recent

26:59

study. There it is. Okay. So, nano Yeah,

27:04

that's it. Nanokinise supplementation

27:06

can significantly reduce the size of

27:08

existing arterial plaques and slow the

27:11

progression of ar arterioclerosis.

27:14

I never say that word. Arthther

27:16

athetherio sclerosis

27:19

a no atherosclerosis

27:23

whatever particularly at higher doses.

27:26

uh nattokenase and arterial plaque

27:27

reduction. Multiple clinical trials

27:29

provide evidence that nattokenise, an

27:31

enzyme derived from fermented Japanese

27:33

food, NATO, has a positive effect on

27:37

arterial sclerosis, hardening and

27:39

narrowing of the arteries due to plaque

27:41

buildup. Yeah. So folks, go take that

27:44

stuff. Highdose supplement shrinks

27:46

arterial plaque by 36%. Very interesting

27:49

stuff.

27:50

>> Yeah.

27:50

>> And it's a very common supplement. It's

27:53

an easy to get supplement and you know

27:54

it comes from fermented food.

27:57

>> Mhm. Well, you know, if you if you know

28:00

I've watched a lot of things about the

28:02

food that we eat

28:05

and

28:06

>> terrible,

28:07

>> terrible.

28:08

>> Well, a bunch of monsters decided to

28:10

make more money and the way they make

28:12

more money is to throw a bunch of

28:13

preservatives and [ __ ] and stuff

28:16

into food so it keeps their shelf life

28:18

as long as possible.

28:19

>> Oh, yeah. You you've heard those stories

28:21

about uh taking a a a hamburger that you

28:25

would buy at a very popular store and

28:28

just putting it in a box and leaving it

28:30

for five years and you five years later

28:31

it's

28:33

>> Oh yeah. I my some of my grandkids were

28:36

at my house in on DeFuski

28:40

and uh they had an ice cream sandwich

28:45

and they only ate half of it

28:49

and it sat there for three hours and did

28:52

not melt.

28:52

>> Yeah, I've seen those.

28:54

>> Yeah, that's not ice cream.

28:56

>> That's not ice cream.

28:57

>> I don't know what the [ __ ] in there,

28:58

but it's not regular ice cream. The

29:00

Burger King or the McDonald's hamburger

29:03

thing is nuts because what is the

29:05

longest that that guy There's one guy

29:07

that's had one on a shelf at his house

29:10

for God I want to say it's close to 20

29:14

years or something crazy like that. It's

29:16

just sitting there and you would think

29:18

that he got it 5 hours ago.

29:20

>> Yeah.

29:21

>> Yeah.

29:21

>> And we're supposed to be eating that.

29:23

>> Yeah.

29:23

>> And for a lot of people that's a big

29:25

portion of their diet is fast food which

29:27

is just crazy. You're just sucking down

29:29

all these chemicals and preservatives.

29:31

Cuz if something can not rot, can sit

29:33

there and not rot.

29:35

>> Quarter pounder that's 30 years old. It

29:37

says

29:37

>> it's a quarter pound and it's 30 years

29:39

old. Wow.

29:43

That is insane.

29:45

>> Yeah,

29:45

>> that's insane.

29:46

>> That's craziness.

29:48

>> Wow.

29:50

>> Yeah. Our our our food source and and I

29:54

don't know about RFK Jr. I, you know, I

29:56

don't follow what he says or listen. I

29:59

try not to listen to much politics.

30:01

>> Good for you.

30:02

>> You know why?

30:03

>> That's another good way to not have a

30:04

heart attack.

30:05

>> Well, you know why? Cuz it's all, you

30:07

know, I was a hippie.

30:09

>> Mhm.

30:09

>> And I grew up thinking,

30:12

you know, that anybody over 30 was the

30:14

enemy,

30:15

>> right? And you know, it's kind of like

30:19

my I remember when Kennedy was shot, I

30:22

asked my dad,

30:25

I go, "Do you I was like a kid. I go, do

30:28

you really think one guy did it?" And he

30:31

just looked at me and went, "What do you

30:34

think?" And that was the whole his whole

30:36

answer.

30:37

>> Wow. Well, he knew it back then. That's

30:39

interesting because it took a long It

30:41

took until

30:43

Dick Gregory brought the Zapruder film

30:45

on the Heraldo Rivera show which was I

30:48

think it was 12 years after Kennedy's

30:51

assassination that people realized that

30:53

he probably had gotten shot from the

30:55

front.

30:56

>> Yeah.

30:56

>> Because his head went back into the

30:58

left.

30:59

>> Yeah. and and and I've seen that and uh

31:04

I remember my dad was a young Democrat,

31:08

you know, and and uh so he he was

31:13

involved a lot with the Democratic party

31:16

back then and uh I'd ask him questions

31:21

and he never would really give me

31:23

answers.

31:24

He would just give me looks

31:29

It was kind of like and he knew the

31:31

look. It was just like,

31:34

uh,

31:37

what do you think, John?

31:39

You really think somebody did that? You,

31:42

you know, figure it out for yourself.

31:44

>> Yeah. Not much has changed.

31:47

And and that's why I don't watch

31:50

I don't you know I used to be very

31:53

politically minded and and cared about

31:57

what politicians said. I don't give a

31:59

[ __ ] what they said. I don't trust any

32:00

of them. I don't like any of them. Not

32:04

that I don't like them.

32:05

>> Right. It's just that I don't I I you

32:09

know it's just hard to believe anything

32:11

that anybody says because everybody's

32:13

spinning everything in such a way that

32:15

it's just like for their purposes,

32:19

you know. So, you know, and

32:21

unfortunately we're more aware of it now

32:23

than ever before. There's less trust in

32:25

politics now than there's ever been. And

32:27

then there's more people talking about

32:28

politics than there's ever been. There's

32:31

more polarization. I mean, I don't know

32:33

what it was like when uh you were a kid,

32:36

but when I was a kid, there there wasn't

32:39

this polarization between people that

32:41

were conservative and people that were

32:43

liberal. Like, you could hang out and

32:45

talk to each other. You didn't they

32:47

didn't hate each other. They just

32:48

thought the other person was a fool for

32:50

having a different opinion than them.

32:51

But there wasn't hate like there is

32:53

today.

32:54

>> Well,

32:56

here's the way you got to look at it.

32:58

This is that when you used to vote, you

33:01

would go inside a place and they would

33:04

shut the curtains

33:06

>> and you would vote and that was your

33:07

[ __ ] business.

33:08

>> Yep.

33:09

>> It's nobody else's business.

33:12

So, like, you know, it's like, you know,

33:16

I'm for anybody that's doing good. If

33:19

you're doing good and you're not hurting

33:20

somebody, go, man.

33:23

But I, you know, I I'm not for cheating

33:27

and,

33:29

you know, how about a little morality

33:32

and

33:33

>> Yeah.

33:33

>> integrity and what you're saying and

33:35

doing?

33:37

>> No, it would be nice. It would be nice.

33:39

>> Well, it's it's never been that way.

33:41

>> No, never.

33:42

>> It's ne it's never been that way. I

33:44

mean, in the in the 60s when I was

33:49

a hippie, uh

33:53

I mean, people think that this is like

33:56

really bad. No, it was really bad when

33:59

[ __ ] Russia had had uh missiles in

34:03

Cuba and it was really bad when kids

34:07

with long hair were getting shot at Kent

34:09

State. I mean it was really the

34:11

separation of of of adults and and and

34:16

kids, you know, there was a change that

34:18

was happening and uh of course the

34:22

change happened and all my generation

34:26

did was get to wear blue jeans to work.

34:28

That was about that's about all we

34:30

accomplished.

34:31

>> Well, the change was because it was the

34:32

first generation that realized that the

34:34

war that they were being sold was

34:36

[ __ ]

34:37

>> Yeah. you know, uh, the people that were

34:39

involved in World War I and World War

34:41

II, they thought they were stopping the

34:44

world from an evil dictator taking over

34:47

and and just ruining the world. That's

34:49

what we we're in World War II, United

34:52

States was fighting Hitler. You you

34:54

can't get a more evil

34:57

person that's leading an army that you

35:00

want to fight against than that guy,

35:02

right? So, everybody felt like that was

35:04

a just war. Came back from that war

35:06

victorious. America had national pride.

35:08

We did it. We're the good guys. But then

35:11

all a sudden we're in Vietnam. Like what

35:12

the [ __ ] are we doing in Vietnam? Didn't

35:14

make any sense.

35:15

>> Back up, Joe. What do you think the

35:18

Civil War was fought about?

35:20

>> The Civil War?

35:21

>> Yeah.

35:22

>> Well, slavery was a big one.

35:24

>> No.

35:25

>> No.

35:26

>> Ports.

35:27

>> Ports.

35:28

>> They fought It was fought over ports.

35:30

The port in Savannah, Georgia was the

35:33

biggest port in America. And the ports

35:36

in Boston, New York were struggling.

35:40

And the North said, "Hey,

35:43

why don't you guys send some of that our

35:45

way? You guys got more than you can

35:47

handle." And they said, "Fuck you. No,

35:51

no, we're we're not sending you any of

35:53

our stuff." And they just kind of went,

35:56

"Well, then [ __ ] you. We're going to

35:57

come down and take it."

36:00

But how are we going to get the American

36:02

people to get behind that?

36:06

Slaves

36:07

will say it's to free the slaves.

36:10

>> Really?

36:11

>> Yeah. I live I I have a house in the

36:14

south and and uh

36:18

that's what it was about. It was about

36:20

the ports. Slavery was just an excuse

36:23

because nobody cared about black people.

36:26

>> So,

36:26

>> north or south?

36:27

>> Wow. So you think that if they had just

36:31

spread the wealth a little bit that that

36:32

would not have happened and slavery

36:34

would have still continued? Don't you

36:35

think that I mean there was already a

36:37

distaste of slavery because it wasn't

36:40

>> it wasn't ubiquitous in the north

36:42

>> but in the south

36:43

>> but but it was

36:44

>> in the north it was

36:45

>> yeah I mean Lincoln had slaves

36:48

>> right back then but not in not in the

36:51

1860s when they were fighting the Civil

36:53

War.

36:55

He was president.

36:58

>> Really? He had slaves when he was

37:00

fighting in the war?

37:02

>> Yeah.

37:02

>> I wasn't aware of that.

37:04

>> Yeah. A lot of people in the north, you

37:06

know, they weren't at they they hadn't

37:09

spun it to be so cruel as the South was

37:14

apparently.

37:15

>> Well, there was more in the South,

37:17

right? Because of plantations and

37:20

>> Yeah.

37:20

>> So, here it is. Abraham Lincoln never

37:22

personally owned slaves. This is

37:24

according to Perplexity, which is our uh

37:27

AI sponsor, which is always very

37:30

accurate. Either before, during his

37:32

presidency, according to mainstream

37:34

historical scholarship, claims that he

37:35

had slaves through inheritance or

37:37

marriage come from fringe or highly

37:39

disputed sources and are not accepted by

37:42

most professional historians.

37:44

>> That's me.

37:47

Lincoln was born in Kentucky, raised in

37:49

Indiana and Illinois, all as a non-slave

37:52

owner, working as a laborer, a lawyer,

37:54

and a politician. He was a really good

37:56

wrestler, too. Um, being related to

38:00

slaveholders did not legally make those

38:02

enslaved people his property, and the

38:04

best documented homes Lincoln himself

38:07

maintained in Illinois and Washington

38:09

employed free servants, not slaves.

38:13

>> Okay, where the

38:13

>> I'll call him for a second. Let me stop

38:15

for a second. You can call it what you

38:17

want.

38:18

>> Mhm.

38:18

>> Free servants. Call it what you want.

38:21

>> Well, they were free and they were

38:23

getting paid is like means like you

38:24

said, you had a housekeeper.

38:26

>> It was still a minstal show no matter

38:28

how you got it.

38:29

>> Okay. Uh some modern writers and

38:31

websites argue Lincoln inherited or

38:33

ordered this is where the idea Lincoln

38:35

had slaves came from. Uh websites argued

38:39

Lincoln inherited or ordered the sale of

38:41

slaves via the Todd estate. But these

38:44

claims hinge on a small number of

38:45

contested documents and are rejected by

38:48

most specialists in Lincoln studies.

38:51

>> There you go.

38:52

>> Well, it's interesting that the

38:55

>> the fact that we're even talking about

38:56

it.

38:57

>> Mhm. Well, it's kind of crazy how recent

38:59

it was. That's what's really crazy.

39:01

>> Oh, yeah. It wasn't that long ago.

39:02

>> Two two people ago. You know, people

39:05

live to be 100.

39:06

>> Yeah.

39:06

>> 1865 is roughly two people ago.

39:08

>> Yeah.

39:09

>> That's [ __ ] crazy.

39:10

>> Well, I know. I bet you when you were in

39:12

school, you thought World War II was

39:13

ancient history.

39:15

>> Oh, yeah. Which is nuts because I I was

39:17

in high school in the 80s, right? So,

39:19

World War II ended in 45, which is nuts.

39:22

Like,

39:22

>> yeah, I thought it was ancient history.

39:24

I I remember sitting in in history class

39:26

in 8th grade going, "What do I need to

39:29

know this [ __ ] for?" You know, and I was

39:32

born in 51,

39:34

>> so it was only like three or four years

39:36

and the war had just ended to me. Nuts.

39:40

And but to me it was ancient history.

39:42

>> Isn't that crazy? Because that

39:44

essentially what we're talking about now

39:45

is like the 1980s.

39:49

>> Yeah.

39:49

>> Well, that that to us the 1980s like to

39:52

kids today that must be like, "Oh my

39:54

god, [ __ ] dinosaur days." Yeah. No

39:56

internet. [ __ ] big old tube TVs. It

40:00

was a giant box.

40:01

>> Yeah.

40:01

>> A big one was 14 in.

40:03

>> Yeah.

40:04

>> Yeah.

40:05

>> Yeah. I I uh I I remember being at home

40:10

once and I told my dad I said, "Hey,

40:12

Dad, the people down the street have got

40:14

like a changer and it's got a cord on

40:17

it." And he goes, "I got a changer, too.

40:21

Change it to channel 4." I was the

40:24

changer.

40:26

Yeah. I remember we used to have a

40:27

pliers because the thing got stripped,

40:31

so you had to change the channel with

40:32

the plier. You didn't know what channel

40:34

it was until like, oh, it's CBS. All

40:35

right, so we're on five. Go like this,

40:38

then you're on ABC. Go like that, you're

40:40

on NBC.

40:41

>> Yeah.

40:41

>> Yeah. I remember the day cable came out.

40:44

I was like, this is [ __ ] bananas.

40:47

Yes.

40:47

>> Look at all these channels.

40:49

>> Well, I I I remember seeing a home box

40:52

office time. It was like, what on earth?

40:56

I even remember what movie it was. It

40:58

was some

41:00

The Miracle Man or something. And I

41:02

thought, "What is it? This it's past

41:04

11:00 and this movie's just starting.

41:08

>> Are you kidding?"

41:09

>> Yeah.

41:10

>> Do you remember in the old days when the

41:12

TV would sign off and the American flag

41:14

would wave and it would just play music

41:17

and then it would just go

41:19

>> and then Well, the Indian would always

41:20

show up. The American Indian would

41:22

always show up and it had like this

41:27

>> Yep. And then it would go to nothing.

41:29

They would stop broadcasting at night.

41:31

>> Yeah. 11.

41:32

>> Yeah.

41:32

>> 11.

41:33

>> Those are wild times. Cable changed

41:35

everything. Home box office changed

41:38

everything because when HBO came around,

41:40

all of a sudden you got to see standup

41:42

comedy uncensored. I remember the first

41:45

time I watched Sam Kenisonson on HBO, I

41:48

was like, "This is [ __ ] crazy." Yeah.

41:51

>> Like I had never seen anything like that

41:53

before. Like wild raw comedy.

41:57

>> Sam Canson?

41:57

>> No, I never met him.

41:59

>> I did.

41:59

>> What was he like? Wild.

42:01

>> Yeah, I would imagine.

42:03

>> He was very unpredictable, very uh you

42:07

know, he was empty.

42:10

>> You know his story, how he became that

42:11

way?

42:12

>> No.

42:12

>> Got hit by a truck when he was a little

42:14

kid. He was real normal, like a normal

42:18

kid. His brother Bill wrote about it.

42:20

His brother Bill wrote a great book

42:21

called My Brother Sam. And um he said

42:25

that Sam was just a normal kid. got hit

42:27

by a truck, got really [ __ ] up, bad

42:30

brain injury, and then from then on,

42:32

wild and reckless, just like impossible

42:35

to control, just a maniac.

42:37

>> Well, you could imagine. I mean, you

42:39

know, that's

42:40

>> I don't know about you, but if you grew

42:42

up in the 80s, you know, our parents

42:46

used to just tell us, "Go outside."

42:49

>> Yeah.

42:49

>> Yep.

42:50

>> Go outside and we'll see you at dark.

42:52

>> Yep. And you know I could go I was I

42:56

don't know 10 nine riding my bike all

43:01

over Seymour.

43:02

>> Yep.

43:02

>> Which is where I grew up and just nobody

43:06

kept an eye on us. No

43:08

>> nobody you know

43:09

>> and nobody had any idea of knowing where

43:11

you are either. It was just your

43:12

responsibility to come home. There was

43:14

no way to find you.

43:16

>> It was funny. They had to remind us that

43:19

uh

43:21

remind our parents that you have kids.

43:24

There was a thing that said it's 10:00.

43:27

Do you know where your children are?

43:28

>> Yeah. Cuz a lot of people didn't.

43:30

>> Well, they didn't.

43:31

>> And people would yell. They would open

43:32

up the window and yell their kid's name.

43:35

Billy.

43:37

>> You just hear it in the neighborhood.

43:38

Someone like rolling down their window.

43:39

Rolling up their window and just

43:41

screaming out the kid's name to tell

43:42

them to come home and hoping the kid was

43:44

in earshot. I remember uh uh somebody in

43:47

my neighborhood I would hear every night

43:49

at dark Henry EARL

43:55

and I'd hear it and go I better go home.

43:58

>> It's time for Henry Earl to go home. I

44:01

better get home.

44:02

>> What was it like when MTV rolled around?

44:06

>> Uh I didn't I mean I liked it. And uh

44:11

>> how long had you been performing by

44:12

then? Oh, I was in my first band when I

44:16

was 11.

44:17

>> Wow.

44:18

>> Uh, you know, a little garage band with

44:21

a bunch of kids playing along with

44:23

records and then I was in a band called

44:26

The Crepe Soul.

44:29

I think about this, Joe. I was 14 years

44:33

old playing in bars.

44:35

>> Wow.

44:36

>> And my parents were cool with it.

44:40

Was like, where's John? He's playing

44:42

tonight. Playing what? He's He's in the

44:46

grape soul. Oh, and it was me and this

44:50

black kid named Fred Booker.

44:53

And we shared the vocals and we would

44:56

do, you know, we would do songs like uh

45:00

pull strings and I'll kiss your lips,

45:02

I'm your puppet,

45:04

I'm your puppet. And we had, you know,

45:07

neighbor jackets on. And I was cute back

45:11

then. And And so, you know, it was great

45:14

for me. I would have done it for free

45:16

because I was 14 years old making out

45:19

with 18, 19 year old girls.

45:21

>> Wow.

45:22

>> I know. It was great. Are you kidding

45:24

me? And then uh we played at every

45:27

fraternity, every sorority,

45:31

and I came home with maybe, you know,

45:35

over the weekend I might make 60 bucks.

45:37

I was the best dressed kid in school.

45:40

>> Wow.

45:40

>> That Melanchamp kid is just a dressed up

45:42

hood. That's all he is.

45:46

>> So, did you know back then that you were

45:48

going to be a professional musician or

45:50

were you doing it for fun? Did you think

45:52

it was going to be a career?

45:54

>> I thought, here's what I thought. I'm

45:56

either going to be a professional

45:58

football player, a professional boxer,

46:01

or a singer. That was my choices.

46:03

>> You boxed?

46:04

>> Yeah.

46:05

>> Yeah. I'll whip your ass right now

46:11

at 74.

46:13

>> Is that why you were getting in so many

46:14

fights?

46:15

>> Yeah, I liked it.

46:16

>> Wow.

46:17

>> I liked it. I I liked the contact.

46:20

Didn't like getting whipped every

46:21

goddamn night, but you know, it happens.

46:24

>> Did you have any any professional boxing

46:27

matches?

46:28

>> No, but my son, I'm going to brag on my

46:30

son

46:32

uh was national Golden Gloves champ

46:34

twice.

46:34

>> Wow. And uh then he played football for

46:37

Duke and uh he was you don't want to

46:41

mess with Hud.

46:43

Don't want to mess with HUD.

46:45

>> And so

46:46

>> he's 31 now.

46:47

>> When did the music thing really start

46:49

taking off for you?

46:52

Well, I went to college and I got a

46:54

degree in uh

46:56

broadcasting technology,

46:59

which at that time was pretty

47:02

and uh

47:05

I would they would have dances at

47:08

college and bands playing and I would

47:10

sit there in the audience and go, I can

47:13

do this better than that. I know I can.

47:17

And so as soon as I got out of college,

47:20

I got into a band called the Mason

47:21

Brothers,

47:24

which I have I have so many funny

47:26

stories. Like I said, I'm so lucky.

47:30

I got into a band called the Mason

47:32

Brothers, and we played every weekend.

47:34

And uh I was a barroom singer, you know.

47:37

I never wrote any songs or anything like

47:39

that. Uh you want to hear a funny story

47:42

about the Mason Brothers? How the Mason

47:44

Brothers ended?

47:45

>> Yeah.

47:47

This is good.

47:49

The guy that ran the band, I was just a

47:51

singer. And the guy that ran the band

47:53

was a guy named Dave. And Dave

47:58

talked to the Booker.

48:00

And we had a gig on a riverboat up and

48:03

down the Ohio River. And it was

48:06

fraternity show.

48:09

And we had an old Plymouth

48:12

and a U-Haul on the back.

48:16

And we get there and the guys in the

48:19

fraternity Joe are so [ __ ] mad at us.

48:22

Dave failed to realize that there was a

48:25

time change between Seymour and

48:28

Cincinnati, which is on the Ohio River.

48:31

So they could all these fraternity guys

48:33

are going, "Where the hell have you guys

48:35

been? You're an hour late."

48:38

So it really pissed me off. I go, "Dave,

48:41

godamn it. if you're going to run the

48:42

band, you got to like keep track of this

48:44

[ __ ] He said, "Oh, don't worry about

48:46

it." And as time went on and

48:50

uh

48:53

so

48:56

as and you had to do four sets back

48:58

then, you know, four 45 minute sets,

49:03

which was plenty of time for Dave to get

49:05

drunk

49:07

and he would drink and he was the bass

49:10

player.

49:12

And the fraternity guys already hated

49:14

us, you know, because we weren't really

49:17

any good anyway. So

49:20

Dave's playing and it's going along

49:22

really good and he was putting on a show

49:25

and he leaned back and man overboard.

49:29

He [ __ ] fell off the ship and they

49:31

had to stop and fish him out.

49:33

>> Oh my god.

49:35

>> So I got so [ __ ] mad at him that he

49:38

said uh I said, "Dave, I'm going to

49:40

quit. this is this is it for me. I'm I'm

49:43

done with with this crap. Uh

49:47

and then Dave said, "No, John, give us

49:49

one more chance." And then the drummer

49:51

quit cuz he went to uh he went to

49:54

medical school and then the guitar

49:56

player was still in high school.

50:00

>> Wow.

50:00

>> And he was my mom and dad's paper boy.

50:04

And uh

50:06

so uh Dave said, "John, let me put the

50:09

band back together. I'll get some new

50:11

guys.

50:13

And I'd call him up and I go, "Dave,

50:16

how's the band going?" And he'd go, "Oh,

50:18

it's going great, man. It's going really

50:20

great." I said, "Good." I said, "Who are

50:22

these new guys?" He goes, "You'll see

50:25

when you get there. Don't worry about

50:26

it. I got it covered." I said, "Oh, you

50:28

mean like you did with the time change?"

50:31

And he goes, "No, no, no. This these

50:32

guys are good." So, I show up for this

50:35

gig. I haven't even rehearsed with these

50:39

guys. not even rehearsed with them. But

50:42

it was the same [ __ ] you know, because

50:43

it we we we were just a cover band and I

50:46

was just a barroom singer. So, you know,

50:48

if you want to see taking care of

50:50

business, I'm your guy, you know, and uh

50:53

taking care of business,

50:56

you know, who can't do that. So, anyway,

50:58

I show up. Dave has recruited two

51:02

sophomores in high school

51:05

who couldn't play their instruments at

51:08

all.

51:10

The drummer was like, it's like

51:13

boom boom crack, [ __ ] Boom, boom,

51:16

crack. That's all you got to do. And he

51:18

was

51:20

the whole [ __ ] time. And and and so

51:23

the show was about half over. I just

51:25

said I looked at Dave and I go, "You're

51:27

the lead singer." And I just left.

51:29

because it was just too embarrassing.

51:32

And then uh I got uh I went I went to

51:37

New York

51:39

and uh I was afraid,

51:43

Joe. I was afraid. I mean, I'm from a

51:44

[ __ ] town of 18,000 people. And I'd

51:47

been to Chicago once, never been on an

51:50

airplane.

51:52

And so I flew to New York because I came

51:55

into some money. That's another funny

51:58

story. I came into some money and I went

52:02

there and I was afraid to come out of my

52:04

hotel room for the first two days

52:07

because New York in the early 70s

52:11

was broke and there were prostitutes and

52:13

pimps and everything everywhere, you

52:16

know, and homeless people. Which reminds

52:20

me, you guys got a lot of homeless guys

52:23

here. There's a few. It's not as bad as

52:26

LA.

52:27

>> Well, that isn't You can say that about

52:29

anything, Joe.

52:30

>> That's true. Yeah. Um, it's a lot better

52:32

than it was during the pandemic. During

52:34

the pandemic, they allowed them to do

52:36

the camping on the street thing. So,

52:38

you'd go down like Caesar Chavez and

52:40

you'd see like 15, 20 tents where people

52:43

were just hanging out and people were

52:45

trying to jog and ride their bikes past

52:47

them. It was it was pretty bad. But uh

52:51

the former former mayor uh cleaned it up

52:55

and they have pretty good programs here

52:57

to get people into housing.

52:58

>> Well, everybody here everybody here must

53:01

love uh and I'm not putting Austin down.

53:04

I'm just I have you know I was I played

53:07

here about three years ago.

53:10

Uh but everybody must love graffiti

53:13

here.

53:15

And that's the thing about graffiti. I I

53:17

don't mind if you want to

53:20

destroy somebody else's property, but at

53:23

least do something original

53:26

>> because it all looks the same.

53:28

>> You know, it's big letters and outlined

53:30

in it's done in black and outlined in

53:33

yellow and it's it's the same [ __ ]

53:35

[ __ ] you see in New York or Los Angeles.

53:37

It's the same, right?

53:38

>> If you're gonna if you're going to be a

53:41

an artist, be an artist.

53:43

>> Well, a lot of these guys are just

53:44

tagging. They're just like sister gang

53:48

affiliation or whatever it is, I guess.

53:51

>> I don't know.

53:52

>> Yeah,

53:52

>> but it wasn't that way the first time I

53:54

came to Austin.

53:55

>> No, it's Well, I think all cities have

53:58

deteriorated,

53:59

but I think Austin's deteriorated quite

54:01

a bit less. We found out recently that

54:03

Skid Row in LA is 50 blocks 50

54:08

>> right now.

54:08

>> Right now. 50 blocks.

54:11

>> Wow.

54:11

>> Of homeless people just living on the

54:13

streets.

54:15

and like almost impassable. Like if

54:17

you've ever been down Skid Row, it's

54:19

[ __ ] I went there once accidentally

54:21

and this was in the 2000s. We were

54:24

filming Fear Factor downtown in LA and I

54:27

took a wrong turn and wound up in Skid

54:30

Row and I was like I couldn't believe it

54:32

was real. Like I it was like a zombie

54:34

movie and that's I mean

54:37

so you decided on Fear Factor you go

54:40

stay in here for three days and you win.

54:43

three days and do no coke. Yeah. You

54:46

could do three days with no meth and you

54:48

win.

54:48

>> Yeah.

54:48

>> Yeah. It was uh it was sobering. And

54:51

then then we looked up the history of uh

54:55

Skid Row. And the reason why it's like

54:57

that is they would take people out of

54:59

Hollywood and Beverly Hills and homeless

55:02

people then and they would put them in

55:04

Skid Row and force them to stay there.

55:06

And they they sort of built it as a

55:09

place where they could deposit vagrants

55:12

and homeless people.

55:13

>> Well, there is a law in this country

55:15

called vagrancy.

55:17

>> Mhm. Yeah. Not very enforced.

55:20

>> Well, well, it's it's it would be Let me

55:23

tell you something. If you grew up in

55:24

Seymour, Indiana, it was enforcable,

55:27

>> right?

55:27

>> Because if you stand up town too long,

55:29

which is all kids did back then,

55:33

>> the cops come up and go, "Hey, you've

55:35

been here for three hours. if we've been

55:36

timing yet.

55:37

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That's betterhp.com/jre.

56:52

>> Yeah.

56:53

>> Move on.

56:53

>> You want to keep a nice clean town,

56:55

that's how you do it.

56:56

>> Yeah.

56:56

>> But if you let it go long enough, it

56:58

will be like Skid Row. But I mean, and I

57:00

think that what we're saying like the

57:02

documentary, what was the uh hotel

57:04

again? That one

57:05

>> Hotel Cecil,

57:06

>> the Hotel Cecil, the documentary was

57:08

about the Hotel Cecil, which was a

57:10

beautiful hotel in downtown LA that's

57:12

now a [ __ ] disaster area, but it's in

57:14

that whole area. And they just they

57:18

couldn't figure out a way to deal with

57:20

the homeless problem, but they didn't

57:21

want it messing up the beauty and

57:24

glamour of Hollywood. So every time they

57:26

would find homeless people, they would

57:27

just ship them to downtown. Downtown LA

57:30

is really the only downtown of any major

57:33

city that I've ever been to where nobody

57:35

wants to go.

57:36

>> Downtown New York is [ __ ] downtown.

57:39

Like, holy [ __ ] we're downtown. Look at

57:40

all the restaurants. Look at all the

57:41

shops.

57:42

>> Yeah, but it wasn't that way in the 70s.

57:44

I mean, the first time I went there, it

57:45

was just like,

57:46

>> yeah,

57:47

>> you went to Time Square. It was

57:48

frightening.

57:49

>> The first time I went to uh New York was

57:52

to fight. I was fighting in a martial

57:54

arts tournament in 1980.

57:58

It had to be I guess it was 85 or 86 and

58:02

uh it was bad. We went through through

58:05

Time Square and I was like oh my god I

58:07

couldn't believe people lived like this.

58:08

I remember the first time driving

58:09

through it I couldn't believe how big it

58:11

was. I was like this is crazy. It was so

58:14

because Boston where I was from was you

58:17

know the big city. I thought it was

58:19

nothing compared to New York. I'm like

58:21

this is nuts. I couldn't believe how

58:23

many streets there were and how many

58:25

buildings there were and how tall they

58:26

were.

58:27

>> But the uh just the seediness of it was

58:30

so strange to me, you know, the peep

58:32

shows and all the weird people and I was

58:35

a kid back then. I was probably, you

58:36

know, 18.

58:38

>> It was very strange.

58:39

>> It was frightening.

58:40

>> Yeah. Yeah.

58:41

>> Yeah. Like like I was I don't know. I

58:43

probably got sidetracked, but the first

58:44

time I went there, I I didn't leave my

58:46

hotel room. I had a I was at a Holiday

58:48

Inn on 57th Street and I just kind of

58:52

peeked through the curtains and looked

58:54

and I can't go out there. I mean, I I

58:57

was, you know, coming off

59:00

uh agorophobia

59:02

and here I'm in New York because I have

59:04

a meeting with some record company

59:07

people and you know they like to demo

59:09

and

59:11

so let's go back to that. So, you were

59:13

um your [ __ ] up drunk friend. You quit

59:16

him. How do you get back into music

59:18

after that?

59:20

>> Oh, Dave.

59:20

>> Yeah.

59:21

>> No, I when I got my first record deal,

59:24

the first guy I called was Dave.

59:29

>> No, he was he was a great bass player.

59:31

He was a great bass player.

59:32

>> Did he get his [ __ ] together before

59:33

then?

59:34

>> No.

59:34

>> Nope. Still not?

59:35

>> No. No. I got funny stories about Dave

59:38

and Max's cast.

59:39

>> Is he still around? Yeah, he's a

59:41

professor now. He found God and all this

59:43

stuff. He's a professor at Vince

59:46

University and he teaches

59:47

>> He's a professor. Wow. What does he

59:49

teach?

59:50

>> Music.

59:52

>> Oh, wow.

59:53

>> And uh

59:55

No, he was really a handsome really good

59:58

bass player. Really, really, really,

59:59

really good. body just, you know,

60:05

you know, Dave and we were 20 years old,

60:08

22 years old, you know, the [ __ ] did we

60:12

know about anything?

60:14

>> Yeah.

60:14

>> Nothing. Nothing.

60:17

>> So, when you left Dave and you left that

60:18

band, what what happened next? What was

60:21

like the big break for you?

60:25

>> I never really had a big break.

60:27

>> Well, something must have happened.

60:29

It was a slow climb.

60:31

>> Yeah,

60:32

>> it was a very slow climb. Yeah. I uh

60:36

I got a record deal

60:40

and of course being me at that age at

60:44

22.

60:47

Uh I went out to California and I met

60:49

with a guy named Mike Maitlin who hated

60:52

my new record but said I had great

60:54

possibilities.

60:56

And I told

61:01

I just stood up and I said,

61:04

"Motherfucker, you're an old man. What

61:06

do you know about rock music?" He must

61:09

have been 40.

61:14

And of course, I got dropped

61:15

immediately. I was on MCA and I got

61:17

dropped immediately. But there were a

61:20

couple people at MCA who believed in

61:22

what I was doing and so they helped me

61:25

along. And then I got introduced to uh

61:30

Rod Stewart's manager

61:33

and I moved to England for two years,

61:38

made a record and and you know lived

61:42

with the whole band on Chelsea in

61:46

Chelsea

61:47

and uh punk was just starting and just

61:51

starting I mean you know the Clash and

61:54

the Sex Pistol I mean these they were

61:57

brand new bands.

61:58

>> Wow. And there I am with an acoustic

62:00

guitar going, I need a lover that won't

62:03

drive them like

62:07

however that song became number one in

62:11

Australia

62:13

and uh

62:16

so

62:18

Australia was ahead of us with

62:20

televising rock bands

62:23

and they had a whole bunch of rock shows

62:25

and I had the number one record album

62:29

and single in Australia

62:31

and couldn't fill up a bar in

62:33

Bloomington.

62:34

>> Wow.

62:35

>> Couldn't nobody come to see me. So

62:37

anyway, I went to Australia

62:40

and then uh a girl covered I Need a Love

62:43

and she had a big hit with it. I mean,

62:46

my mine was like went to like 30 or

62:49

something like that, but hers went to

62:51

like two of of that song. And that's how

62:55

it all started for me. That was the very

62:57

first thing.

62:59

>> Wow.

62:59

>> Was some girl covering one of my songs.

63:02

>> And you were living in England.

63:04

>> I lived in England for uh

63:07

two years

63:09

and uh

63:12

and they had the National Front there at

63:14

the time. I don't know if you know what

63:16

that is. The National Front was if

63:19

you're not English, get out of our

63:21

country.

63:22

>> Oh. And a couple my couple guys in my

63:25

band got beat up because they heard, you

63:28

know, some of the National Front guys

63:30

heard uh their accent and it wasn't

63:34

English. So it was like dangerous to

63:36

even go to the movies. Keep

63:39

>> keep your [ __ ] mouth shut your head

63:41

down.

63:41

>> What year was this around?

63:43

>> 70s.

63:45

>> 776

63:47

7.

63:48

>> Wow.

63:49

>> Yeah. Yeah. The National Front was, you

63:52

know, they were like all a bunch of skin

63:55

head guys and violent and didn't did not

63:59

want any foreigners

64:01

in their country at all. And even

64:05

Americans, you know, so yeah, you had to

64:08

keep your I you know, I learned real

64:10

quick to keep your head down, your mouth

64:11

shut.

64:13

>> Wow.

64:15

And so you got out of there because of

64:16

that?

64:17

>> No, I got out of there because I got mad

64:19

at the I know it's hard to believe that

64:21

I got mad at somebody, but uh I got mad

64:24

at the manager because I never could get

64:26

the cockseacker on the phone, you know,

64:29

and then I came back to United States

64:32

and he had a he had a record deal based

64:35

on the number one record in Australia.

64:38

And I used to go, "Well, we have a

64:40

number one record in Australia." And

64:42

they would look at me and go, "Not many

64:44

Australians in the United States, John.

64:50

So, you know, and then it just kind of

64:54

built but see what happened and I don't

64:57

mean to sound arrogant,

65:01

but I didn't give a [ __ ]

65:05

I I got to the point where I was like, I

65:07

don't give a [ __ ]

65:09

you know, do what the [ __ ] you want

65:11

because I I didn't want to be Johnny

65:13

Cougar, which is how they made me start.

65:16

Whose idea was that to turn you into

65:18

John Cougar?

65:19

>> It was Johnny to start off with.

65:21

>> Johnny Cougar. Tony DeFreeze managed me,

65:24

David Bowie,

65:25

>> Lou Reed, uh, Martha Hoople. You

65:29

remember all these bands?

65:30

>> Oh, Lou Reed for sure. Yeah.

65:31

>> Yeah. Anyway,

65:32

>> David Bowie, obviously. Rod Stewart,

65:34

obviously.

65:35

>> Yeah.

65:35

>> Same guy. Manager.

65:36

>> Now, Rod Stewart was different.

65:38

>> Different manager.

65:39

>> Different man, but he was English, too.

65:42

So, uh,

65:44

>> it's hard to argue with someone that's

65:45

got that kind of talent, right?

65:47

>> Well, it's hard to argue, uh, when

65:50

you're 22 years old with a 45 year old

65:52

man who has had success,

65:55

>> right?

65:56

>> Yeah. Like I signed away my publishing

65:58

and stuff. This is an old story,

66:02

but I mean, an old story from everybody

66:05

from the Rolling Stones to, you know,

66:07

you name it. Prince

66:09

>> if you were black, you know, it was like

66:12

here's a new car and a and a shiny ring

66:14

and some money.

66:16

>> Yeah.

66:17

>> And uh so I remember the I was in

66:21

getting ready getting ready to leave

66:23

England and I heard that

66:27

Gaff had

66:30

uh

66:31

had good news for me in America. So

66:35

that's the reason I went home. And the

66:36

good news was is that he just got a deal

66:39

for me for on Mercury Records.

66:45

And then uh so I can't I went back to

66:48

the United States and uh

66:52

we started, you know, started making

66:54

records and just kept plowing away. And

66:56

the critics hated me, you know, they

66:58

[ __ ] hated me because of Johnny

67:01

Cougar. And main man came up with that

67:05

name, Johnny Cougar. And he his excuse

67:08

was, his name was David Jones, and I

67:11

called him David Bowie. And look how

67:13

well that worked out. And that was and

67:16

I'm 22. And I'm going, "But I don't like

67:18

this name." And they go, "Well, you

67:20

don't have to you don't have to

67:23

uh participate. you can go back to

67:26

Indiana if you want. It was like, well,

67:29

[ __ ] you then. I will. And then I walked

67:30

outside and thought for a minute,

67:33

thought.

67:35

I guess I'm Johnny Cougar.

67:38

Wow.

67:40

I hated it. And and they compared me to

67:42

James Dean and Bruce and you know, so

67:45

the critics just hated that. It was

67:47

like, you know, he's so American. He's

67:49

so American. You know, yeah, I was a

67:52

[ __ ] hillbilly.

67:56

[ __ ] critics.

67:57

>> Yeah,

67:58

>> they're always going to be a problem.

68:00

>> Yeah, but you know what?

68:02

Um, I learned stuff from some of the

68:05

critics that were good.

68:07

>> Like what?

68:08

>> Well, one of my best friends was a guy

68:10

named Tim White who was the editor of

68:14

Rolling Stone and the editor of

68:16

Billboard magazine and he died a few

68:19

years ago.

68:21

And uh

68:24

you want to hear some inside baseball?

68:25

>> Sure.

68:27

>> Uh Tim and I talked every day and Tim is

68:32

as different as me as you.

68:36

Tim wore a bow tie,

68:39

white bucks,

68:41

you know, blue jeans, suit jacket every

68:44

day. And he was the editor of Rolling

68:47

Stone for a long time.

68:50

And then he became editor, Bill Board,

68:52

and he called me up and he said,

68:57

"I'm going to have to sign a deal with

69:00

Sounds Scan."

69:02

I said, "So?"

69:04

I didn't know what that was.

69:07

He goes, "John, you don't understand the

69:08

ramifications of signing a deal with

69:11

Sounds Scan." I said, "Well, what are

69:13

they?" He goes, "You'll be out of

69:15

business." I go, "Why do you say that?"

69:18

He goes,

69:20

"Because now the way the Billboard

69:23

charts work, is this getting too inside

69:26

baseball?"

69:27

>> No, not at all. No.

69:28

>> Uh, the way the the charts work is that

69:31

if you get played in Indianapolis

69:35

and you get played in New York, it

69:38

counts as one play. New York counts as

69:40

one play. Indianapolis counts as one

69:43

play. A play is a play.

69:45

When Sounds Scan came in, they changed

69:48

it so it's like the number one record of

69:51

the week.

69:54

So if you got to play in New York, that

69:57

was worth five points. If you got to

69:59

play in Indianapolis, that was worth a

70:01

half a point.

70:02

>> Oh.

70:04

>> So what does that mean? That means that

70:06

people who grew up in St. Lewis and

70:09

where rock took place.

70:12

All of a sudden, you know, where I what

70:14

got played all the time, the points

70:17

didn't amount to [ __ ]

70:20

>> But what did

70:22

urban stations?

70:24

Urban stations played what?

70:28

Rap.

70:30

So,

70:32

do you remember when all of a sudden rap

70:35

music took over?

70:37

>> Mhm.

70:38

>> It was because it wasn't because these

70:40

guys were so great. And I'm not saying

70:42

they were bad. I'm just saying that it

70:45

was because of Sounds Scan. And my

70:47

friend Tim knew this was going to happen

70:50

as soon as I signed this deal with

70:52

Sounds Scan. And there was a magazine

70:55

called Radio and Records at the time who

70:58

was rivaling uh Billboard

71:01

and uh

71:05

uh if Tim hadn't bought Soundscan,

71:08

Radio and Records would have bought them

71:11

which would have made them the premier

71:15

record company because they were the

71:16

most modern. And so Sounds Scan changed

71:19

everything. So, I'm sure that you

71:22

remember that there was a time when you

71:24

knew every song that was number one.

71:27

Then all of a sudden, you woke up one

71:28

day and you didn't know what the what

71:32

what's how does this song become number

71:34

one? But the way that it was before

71:37

Sounds Scan, each song had to work its

71:39

way up the charts.

71:42

So, if you had like, you know, let's say

71:45

20 plays, I'm just throwing out low

71:47

numbers, but if you had 20 plays,

71:50

uh, that got added to the 20 plays that

71:55

you got the next week. So, now you have

71:56

40 plays. So, you might move up from 36

72:00

to 31. But Joe Rogan in Boston was

72:05

hearing the [ __ ] songs as they move

72:07

up. Oh, I heard this new song. You

72:09

talked to your friends. and they said,

72:11

"Yeah, I heard that song." And then all

72:13

of a sudden, the song would build and

72:14

build and build and build and build and

72:16

build and Michael Jackson would be

72:18

number one or whoever.

72:21

>> And once

72:24

Sounds Scan took over, if you were in a

72:27

rock band, the record companies said,

72:30

"Well, [ __ ] this. We're not even going

72:32

to advertise in Indianapolis anymore."

72:35

Oh,

72:36

>> the biggest the biggest uh uh

72:41

uh numbers

72:43

are uh R&B stations and they're playing

72:48

rap and that's what we're we're going to

72:51

service those people cuz back then you

72:54

know there was poliola and all that

72:55

stuff going on

72:56

>> of course

72:57

>> so there was like no money coming into

72:59

Indianapolis all of a sudden where there

73:01

used to be

73:02

>> it was all going to New York, Los

73:04

Geggles, San Francisco to all these R&B

73:07

stations

73:09

and then

73:11

uh

73:13

what was that thing called when you

73:16

could like download records for nothing?

73:19

>> Napster.

73:20

>> Yeah.

73:20

>> Yeah.

73:21

>> And then that started and then that

73:23

really put us out put all rock guys in

73:25

out of business. If you check the

73:27

Billboard charts right now, I bet you

73:29

you you'd be hardressed to find two rock

73:32

bands in the top 100.

73:33

>> Rock bands right now just in general are

73:38

almost non-existent in terms of like new

73:40

bands. It's really weird. There used to

73:43

be so many rock bands and rock and roll

73:46

is still a very popular form of music

73:48

when you listen to the older stuff.

73:50

That's why that's why I've decided I

73:53

don't mean to plug myself, but I

73:58

they have been asking me because I got

74:01

tired

74:03

of going on tour and being a

74:05

cheerleader, which is what I was. Let's

74:09

do a rounding hit of Small Town. I was

74:12

born, you know, and everybody stand up

74:14

and sing and it I was playing to 20,000

74:16

people and everybody was drunk and I was

74:19

just kind of the cheerleader, you know,

74:21

the human good time.

74:23

>> Yeah. Giving them the opportunity. I

74:26

just thought, you know, I'm here to be a

74:28

musician. This is not being a musician.

74:30

This is being a [ __ ] clown.

74:33

I don't want to be a clown. So, I

74:35

started playing in theaters, which

74:37

pissed everybody off. I said, and you

74:41

know when you come to one of my shows,

74:43

and this has been for the last 20 years

74:45

I've been doing this. You come to one of

74:47

my shows in a theater, it says, "Please

74:50

recognize

74:51

>> back then." Pull that sucker up close to

74:52

your face.

74:53

>> What?

74:53

>> The microphone. Otherwise, we're barely

74:56

here. You're very soft spoken already.

74:57

>> How's that?

74:58

>> There we go. Um,

74:59

>> I am.

75:00

>> And I I am soft spoken.

75:03

>> Yeah, a little bit. Yeah.

75:04

>> You know why?

75:05

>> Why?

75:06

>> Cuz I'm deaf.

75:07

>> Are you really? Oh, from all the

75:08

singing.

75:09

>> Yeah. All the music. Oh, every rock star

75:11

is deaf. Yeah,

75:12

>> I'm deaf.

75:12

>> No one knew [ __ ] about hearing

75:14

protection back then.

75:15

>> No, I'm deaf. I can't hear.

75:18

>> All my friends in bands

75:19

>> and all my friends that are hunters.

75:22

Deaf.

75:23

>> Can't hear.

75:24

>> Yeah. Guns and loud music.

75:26

>> Yeah. Uh my kids would love it because

75:28

they could walk up and say [ __ ] behind

75:30

my back.

75:32

>> Like I heard that.

75:34

I got three girls and two boys. And what

75:39

how many kids you got?

75:40

>> Uh three. Three girls.

75:44

>> Uh girls or

75:47

at about 12 you lose them

75:51

and then about 21 they come back.

75:53

>> I haven't lost them.

75:55

>> You haven't?

75:55

>> Fortunately. No. No. I'm real close.

75:58

>> Yeah. 15 17 or 28.

76:01

>> I kind of lost mine. you know, it's like

76:04

and but now it's kind of like but I do

76:07

have a daughter that's really sick.

76:10

>> It's not falcon vine.

76:12

>> Oh, that sucks. I'm sorry to hear that.

76:14

>> She's got um

76:17

she's got cancer in the brain.

76:19

>> Oh Jesus.

76:20

>> And uh she's suffering right now.

76:26

But that kid used to call me up and I'd

76:28

go, "Teddy, you can have a thought

76:31

without asking me if it's, you know,

76:35

figure it out yourself.

76:38

You don't have to ask me everything, you

76:40

know." But I love having kids.

76:43

>> I do, too. It has made me a much nicer

76:45

person, that's for sure.

76:46

>> Yeah, me too.

76:47

>> But, uh, I've stayed close with them

76:49

even through the teenage years, luckily.

76:52

But, you know, I worked hard at it. And

76:54

>> I was on tour all the time.

76:56

>> Yeah. Well, that's one of the things

76:58

that I did when we moved to Texas, uh,

77:00

almost six years ago now, is that I, um,

77:04

decided to be home a lot more. In the

77:06

beginning when here I was still touring

77:08

a lot. Uh, I would do, you know,

77:10

weekends. I'd go do shows, but, uh, now

77:13

I hardly ever. Now, I have my own comedy

77:16

club, so I'm in town all the time.

77:18

>> What do you think of standup now?

77:20

>> I love it. It's a great time for

77:22

standup.

77:23

>> You think?

77:23

>> Yeah. Yeah.

77:25

>> I mean, you you don't have to like worry

77:27

about crossing the line or

77:29

>> Yeah, you do. Yeah. Yeah. You do. You'll

77:32

cross the line, but not for with the

77:34

people that you care about, you know.

77:36

You cross the line for people that are

77:38

looking to be offended.

77:39

>> Well, which is a lot of people.

77:41

>> Yeah. So, they're going to be mad. Let

77:42

them be mad.

77:43

>> Yeah. Well,

77:44

>> you just can't pay attention. That's the

77:46

thing. It's like I I tell all the comics

77:48

like stay out of the comments. Don't

77:50

read anything about yourself and you'll

77:52

be all right. Just the audience is what

77:54

matters. Is the audience laughing?

77:56

>> I've never googled myself.

77:58

>> Good for you.

78:00

>> In my life.

78:00

>> Good.

78:02

>> I've never Googled myself ever and

78:05

because I don't give a [ __ ]

78:06

>> Well, that's a good that's a good

78:08

practice to keep. Where where were we?

78:12

So, we were talking about how you they

78:15

stuck you with the Johnny Cougar name.

78:17

You're in New York City.

78:19

That's kind of where we left it off. I

78:22

was trying to figure out like what what

78:24

what was the MTV days like and when did

78:26

it like really start cracking? Pull that

78:28

microphone close up to you. When did it

78:30

really start cracking?

78:33

>> Well, do you know John Sykes?

78:34

>> No.

78:36

>> He was one of the guys who started MTV.

78:38

>> Okay.

78:40

>> And u

78:44

I remember calling him up and I didn't

78:46

know him. This was like 1981

78:49

82

78:52

and like I said, you know, was it was

78:55

like uh

78:59

all you really saw of guys in rock bands

79:01

were the album covers and

79:03

>> you know maybe on Midnight Special or

79:05

something like that

79:07

>> or Don Kersner's rock concert or

79:09

something like that.

79:11

>> But then with MTV going all the time and

79:14

not very many people made videos. But

79:16

see, I was making videos because I had a

79:18

hit in Australia. And like I said,

79:21

Australia was way ahead of us. So, it

79:23

was the video that I just made in a club

79:26

in London that was shown that made that

79:30

record number one.

79:32

>> Wow.

79:32

>> In Australia.

79:34

And uh

79:38

so when MTV started, there wouldn't be

79:42

that many people making videos, but I

79:46

was. So they had to make content.

79:50

>> Oh.

79:51

>> So they played me all the [ __ ] time

79:54

just because nobody else had videos yet,

79:57

>> right? People hadn't caught up yet,

79:58

>> right? And I remember sitting

80:03

with I can't remember the guy, some

80:04

English guy.

80:06

And I said, "Do you what is this MTV

80:10

thing?" He goes, "I don't know. The

80:12

record company told me I can't remember

80:14

the guy's name." He was really a good

80:16

songwriter,

80:18

but you don't hear of much anymore. Uh

80:21

anyway, I had a convers one of us knew

80:24

what was going on. And then I met John

80:27

and uh

80:30

I was I was the first and John and I got

80:33

along great. I was the first promotion

80:36

that MTV did and we gave away a pink

80:39

house.

80:41

>> Oh wow. you know, uh, and you had to

80:45

register and do all this stuff and, and

80:48

there's a funny story that goes with

80:50

that.

80:51

So Sykes and somebody else came to

80:54

Indiana to find a house in in

80:57

Bloomington that they were going to buy

81:01

and then they were going to do a show

81:03

and I did an ad where I went and you can

81:08

win a house and we're going to paint the

81:10

mother pig, you know, and that's what

81:12

they did. Except the house they bought

81:15

Joe was on a chemical dump.

81:19

Oh, no.

81:21

>> But I didn't know it and they didn't

81:24

know cuz they're from New York.

81:26

And so when I found out, I I called them

81:30

up. I said, "Guys, we can't give away

81:32

this house. It's on a [ __ ] chemical

81:34

dump because RCA

81:37

was dumping chemicals out in this field

81:41

that was right next to the house."

81:43

>> Oh jeez. that we bought, you know, and

81:46

back then in the in the early 80s, there

81:48

wasn't much legislation about where you

81:51

could dump that kind of stuff,

81:52

>> right?

81:54

>> So, they had to buy another house, which

81:56

they weren't happy about. So, they had

81:58

to buy two houses, couldn't sell the

82:00

other one, gave it away. And Sykes to

82:03

this day, I'll tease him about it, and

82:05

he'll go, "Oh, we took that off the

82:06

books years ago."

82:09

>> Jeez. But it uh it it it it went from

82:15

walking down the street

82:18

to nobody know who the [ __ ] you are to

82:21

walking down the street and everybody

82:25

knew who you were. Everybody I mean it

82:28

got the

82:30

at the height of MTV

82:32

you couldn't go I couldn't go any place.

82:35

>> Did you get the agorophobia before that?

82:38

>> Oh yeah.

82:38

>> Oh boy. So that probably just made it

82:41

way worse, right?

82:42

>> No, actually again Joe lucky. It helped

82:46

me get over it.

82:49

>> It helped me and you know like I I

82:52

believe that all growth takes place in

82:55

the chemicals inside our body. So I was

82:59

growing still because I I grew up in

83:01

public,

83:02

>> right?

83:03

>> You know, I grew I mean I literally grew

83:05

up when I got my first record deal. Joe,

83:08

I had never written a song.

83:10

>> Wow. Never written a song. They they

83:13

they asked me, "Well, play some of the

83:15

songs you've written." It's like, I

83:17

don't write no [ __ ] songs. I'm a I'm

83:20

a barroom singer. I sing other people's

83:22

songs. What do you want to What do I

83:25

write for? Dylan's writing great songs.

83:26

Shrink Street.

83:27

>> You hadn't written anything?

83:29

>> Nothing.

83:30

>> Wow. So, when did you start writing?

83:31

After you got a record deal.

83:33

>> Yeah.

83:34

>> Wow. But it turns out you're a great

83:36

writer. That's crazy.

83:38

And I have dyslexia,

83:41

which means I can't read. You should see

83:44

my songwriting books. It's they're it's

83:47

it's absolutely terrible.

83:50

It looks like,

83:52

you know, I have to have somebody now

83:55

and after I write a song, I have to give

83:58

it to somebody right away and let them

84:02

copy it and I'll read it to them so that

84:04

we can read what [ __ ] you know, what

84:07

what I wrote because songwriting is not

84:09

what people think it is. But anyway,

84:11

back to MTV. It just blew up and you

84:15

couldn't go anywhere. I couldn't I I

84:18

would walk down the street and all I did

84:20

was sign autographs and shake hands and

84:24

I didn't like it at all.

84:27

>> Well, that'd be very weird.

84:29

>> Yeah. I mean, it it it was like, you

84:33

know, you've been in rock bands since

84:34

you were 13, nobody gave a [ __ ] and

84:37

then all of a sudden

84:40

they did.

84:42

And you know it was the baby boomers

84:44

coming of age and you know I was very

84:47

fortunate but unappreciative.

84:51

>> So when you first started writing songs

84:54

what was what was your process when you

84:56

knew you had to write songs?

84:59

How did you uh

85:01

>> Well,

85:05

I figured out because don't forget the

85:07

critics hated me

85:09

>> already.

85:10

>> Yeah. Oh yeah. John, they hated Johnny

85:12

Cougar Buck and they hated him and uh I

85:15

didn't like him much either.

85:19

U because I, you know, we weren't any

85:21

good, you know, we just weren't we did

85:24

not write songs. We did not do anything.

85:27

Uh,

85:31

so I figured, how do you reach a lot of

85:35

people

85:37

by being on the radio?

85:42

So, keep it simple, stupid.

85:46

So, I would write like I had a song

85:48

called Hurt So Good. Do you remember

85:50

that song?

85:50

>> Sure.

85:51

>> Yeah. Heard So Good. I wrote that in the

85:53

shower

85:54

and I came out real quick and I wrote it

85:56

down and then I had somebody

86:01

write it down and I remembered the

86:03

melody and I sang it to a tape machine

86:07

and uh

86:11

I got so many funny stories. Uh, I was

86:14

down in Criteria, which was in Florida

86:17

in Miami,

86:20

and um,

86:24

you know, it was the early 80s and

86:30

so we had this and Criteria had five or

86:34

six studios and, you know, there were

86:36

like,

86:37

I don't know, all kind of bands. The PGs

86:40

were over here and this band was over

86:42

here and I don't know. And uh

86:49

we had we had the studio blocked out,

86:53

but we wouldn't show up.

86:56

We had other things to do.

86:59

There was place called Scaramoosh.

87:02

They had the prettiest girls you ever

87:04

saw in your life. So it was like we did

87:07

not have time to go to the studio

87:09

because we had been up till daybreak at

87:13

Scaramoosh,

87:15

you know, and uh

87:17

so I was spending a lot of [ __ ] money

87:20

by now and it was like maybe, you know,

87:22

at the time a half a million dollars and

87:24

I had three songs done.

87:26

Whoa.

87:28

That's exactly right. Whoa. And I'd had

87:30

a couple hits. I had I need a love her

87:33

uh ain't even done with the nine.

87:36

>> And uh this time I think and so those

87:41

songs were like got into the top 20.

87:46

Anyway, the record company came down and

87:48

said, "Mel, what the [ __ ] You know,

87:51

you're spending all this money and and

87:54

if you

87:57

don't get on with it, we're going to

87:58

drop you from the label." I went, "You

88:00

can't drop me from the [ __ ] label.

88:03

Are you kidding me? I'm just starting."

88:05

"Well,

88:07

we want to come down and hear what

88:08

you've done." I said, "Well, come on

88:10

down." I played him three songs, the

88:13

three I had done in six weeks.

88:21

Anyway, I played him the three songs.

88:24

They hated him.

88:26

>> Which songs were they? Jack and Diane.

88:29

>> Oh god.

88:30

>> Hurt so hurt so good.

88:31

>> Oh god.

88:32

>> And hand to hold on to.

88:33

>> Oh my god.

88:35

>> They hated those.

88:36

>> Oh, they hated them. They said,

88:38

>> "Oh wow."

88:39

>> They said, "John, this is they're too

88:42

rough. They're too raw. And what is this

88:45

sound in Jack and Diane? This

88:49

it's not even What is that sound?" Well,

88:52

the sound

88:54

was I would walk by the BG studio and

88:57

they had just invented

89:00

drum machines and the BeeGees were using

89:03

it to keep time because you know most

89:06

drummers

89:07

they speed up you know they start the

89:09

song at this tempo and all of a sudden

89:11

you they're like no by the end of the

89:12

song it's like I can't keep up with you

89:14

god damn it slow down. So, uh,

89:19

the beaches were using it to keep time

89:23

and I heard this sound and so I knew the

89:26

engineer, his name was Ali Gluten

89:30

and Al and I said, "Abby, can I borrow

89:32

that machine?" He goes, "Yeah." Because

89:36

we're not going to be in the studio for

89:37

a week. So, we were doing a song called

89:40

Jack and Diane that just was not working

89:42

out because the drummer kept speeding

89:46

up. And when you trying to keep it

89:48

simple, stupid.

89:50

Simple is hard because if you make a

89:54

little mistake,

89:56

it's a big mistake now because there's

89:59

not a bunch of [ __ ] covering up your

90:01

mistake,

90:01

>> right?

90:03

>> So,

90:05

I called up Mick Ronson.

90:07

He was the guitar player for David

90:09

Bowie. You remember Mick?

90:11

>> No, I don't.

90:13

>> Joe,

90:14

>> god damn it.

90:15

>> Sorry.

90:17

>> Uh, anyway, Mick was a great guy. And he

90:20

was he was Bow's guitar player when

90:22

Bowie was great when he had Ziggy

90:24

Stardust and all that stuff. And Ronson

90:26

was an English guy and he'd call me

90:28

Johnny all the time. And you know, and

90:31

uh

90:33

he said, "Johnny,

90:35

maybe you should put those baby rattles

90:37

on there." And I go, "What?" He goes,

90:40

"You know that drum machine thing that

90:43

makes that noise just to keep time."

90:47

And I said, "Okay, we'll try it."

90:50

So we put on this

90:58

and it was perfect timing. Perfect.

91:03

So the odd the idea was is that we'll

91:07

take that drum machine out when we get

91:09

everything. We'll take it out.

91:12

And now the drummer had to play in time

91:15

because

91:17

that machine did not budge.

91:20

That machine was perfect. And it was it

91:22

was a prototype of a drum machine.

91:24

That's how new it was. It was a

91:27

prototype.

91:29

And it was the only one. They gave him

91:30

the VGs to try it out to see how they

91:32

liked it. And uh

91:35

so we we got it all together and we took

91:38

the drum machine out. Sounded like [ __ ]

91:44

but it sounded great with the drum

91:46

machine.

91:47

So I said, "Fuck it. we'll just leave

91:49

the drum machine in.

91:51

And it worked because nobody had ever

91:54

heard that sound.

91:55

>> And the record company didn't like that.

91:57

>> Oh, they hated it. They hated They hated

91:59

that [ __ ] sound.

92:00

>> But that song was so good.

92:03

>> Well, you know, and it's surprising to

92:06

me that to this day how how many people

92:10

still love that song. It's

92:11

>> a [ __ ] great song,

92:13

>> you know. And ever

92:15

>> What year was that?

92:17

>> 1981. Wow. I was 14.

92:20

>> So, how So, how old were you in 19?

92:22

>> 14.

92:23

>> See, high school.

92:24

>> Yeah, you were there.

92:26

>> Yeah.

92:26

>> That's great. See, that's great. And I I

92:29

I love hearing,

92:32

you know, guys your age talk about it

92:34

because it's just like I didn't know

92:36

what the [ __ ] I was doing. And the fact

92:38

that that song today I had somebody tell

92:42

me one of the nicest things anybody said

92:44

to me was is that John

92:48

there was Romeo and Juliet

92:51

there was Frankie and Johnny and now

92:53

there's Jack and Diane

92:56

>> and you've joined those two kids have

92:59

joined those people of importance in

93:03

American culture.

93:05

>> Yeah. And think about it

93:08

now. Who would have [ __ ] thought that

93:10

some dumbass like me would write a

93:14

[ __ ] song as a child when I first

93:17

started writing songs and create those

93:20

two characters that made such an

93:23

impression on everybody.

93:24

>> The only other one I think about is

93:25

Brenda and Eddie from Billy Joel. Scenes

93:29

from Italian restaurant.

93:30

>> Yeah,

93:32

>> that's another one. Yeah, Jack and Diane

93:34

was [ __ ] huge when I was in high

93:36

school. I can't believe the record

93:39

company didn't like that. They didn't

93:41

they didn't like Hand to Hold on to

93:44

>> God. And they and they didn't like me.

93:48

>> God.

93:49

>> And they didn't like me.

93:51

>> Oh, how could you be more wrong than

93:53

Jack and Diane? Jack and Diane was

93:55

[ __ ] huge.

93:57

Joe, look at I don't know that much

94:00

about your career, but look at your

94:01

career and look at at what suits have

94:04

said to you and how wrong they were.

94:07

>> Well, the most successful thing that

94:09

I've ever done, nobody had any input on

94:11

at all, which is this.

94:14

>> Well, there you go. There you go.

94:15

>> Yeah. Yeah, they would have there's not

94:16

a chance in hell anybody would have

94:18

said, "Yeah, have unfiltered

94:20

conversations for 3 hours with random

94:22

people

94:24

and you know millions of people will

94:26

listen and watch." No one would have

94:28

believed it. But

94:30

>> when we did it, we didn't do it for

94:31

anybody else.

94:32

>> But you were an actor before.

94:34

>> Yeah. Well, I was a comic first and then

94:36

u because I got a development deal, they

94:38

gave me some money to be on a sitcom.

94:41

So, I did that. That sitcom got

94:43

cancelled. Then I did another sitcom

94:45

that was kind of successful called News

94:47

Radio that got cancelled and then I

94:49

wound up being on Fear Factor.

94:53

Yeah. It's just a bunch of weird

94:55

circumstances that a lot of luck. A lot

94:57

of weird stuff happened. A lot of luck.

95:00

Yeah.

95:01

>> Yeah. See, and you know what?

95:04

I I walk in my house sometimes

95:07

and I look around and think I get to

95:10

[ __ ] live here.

95:11

>> Yeah. I get to [ __ ] live here.

95:14

>> I think that all the time. Yeah,

95:16

>> I get to live here. And and how lucky I

95:19

I am to

95:21

have had that kind of success from such

95:25

an horrible beginning as Johnny Cougar

95:29

and you know to be able to you know

95:34

do I've done what I wanted to do ever

95:38

since I decided [ __ ] you guys. Yeah.

95:42

>> After after American Fool came out and

95:45

those songs became hits, nobody

95:49

has ever said [ __ ] to me about anything.

95:51

>> Well, they realized they were wrong.

95:54

>> Well, well, those guys I'm sure are out

95:56

of business and I have to kind of smile

96:01

about the rock critics because it got to

96:04

the point where

96:06

I had such

96:08

so many songs on the radio that they

96:10

couldn't ignore it anymore. Yeah,

96:12

>> you were undeniable. Yeah.

96:14

>> And that's and you know what? That's the

96:15

word I used to say.

96:17

>> That's the key to success.

96:18

>> That that's that's the word I used to

96:20

say to the guys in the band. We have to

96:22

make the song undeniable

96:24

>> because if you give them an inch,

96:25

they'll find a [ __ ] reason not to.

96:27

>> They definitely will. And there's

96:28

there's good in that, too. There's good

96:30

in those people that hate that they're

96:32

valuable. They they can fuel you to

96:35

greatness. They can fuel you to be

96:36

better. Because if you know that there's

96:38

people out there that are just going to

96:39

[ __ ] hate on you no matter what you

96:41

do and you just got to come up with

96:43

something that listen this will be

96:45

undeniable and they they'll still hate

96:48

it. Look, I was watching a [ __ ]

96:50

interview yesterday where this lady was

96:52

talking [ __ ] about the Beatles. She was

96:55

talking about how she thinks the Beatles

96:56

are terrible. And this lady was not

97:00

particularly articulate. She wasn't

97:02

interesting or compelling. She didn't

97:04

seem very intelligent, but she was

97:07

speaking with such authority about how

97:10

she thought the Beatles were terrible.

97:12

And I was like, "Well, you're [ __ ]

97:14

wrong. You're You couldn't be more

97:17

wrong. You couldn't be more wrong. They

97:19

are one of the greatest bands in the

97:22

history of the [ __ ] known world."

97:24

>> Yeah.

97:25

>> Fact. But this lady was just going,

97:28

which shows you you cannot make

97:30

everybody happy because some people

97:32

don't want to be happy. They don't want

97:34

to see good. You had four really

97:37

talented people in that band.

97:40

And it showed because some of the songs,

97:44

hear me out, some of the songs, it was

97:47

good for my generation because we went

97:48

from cartoons

97:50

to rock and roll. Mhm.

97:52

>> So in a town where I was born lived a

97:56

man who s

98:00

and here you know it was a cartoon.

98:02

>> Right. Right.

98:03

>> And the guy that produced

98:06

Martin the guy that produced the um the

98:09

Beatles

98:11

up until that point he made comedy

98:14

records.

98:15

>> Ah

98:16

>> yeah he made comedy records and

98:18

cartoons. And so that's at least that's

98:22

my understanding and uh he brought that

98:26

to them you know and and uh

98:31

you know you have four guys writing

98:34

songs

98:36

it's a lot better than John Melanchamp

98:38

writing songs tell you that

98:41

>> you know so

98:42

>> you know

98:43

>> but my point is it's like you can't make

98:45

everybody happy because everybody's not

98:47

happy

98:48

>> well

98:48

>> and they don't want to be happy.

98:50

>> I have said for years, I'm not for

98:53

anybody. I'm not for anybody anymore.

98:57

>> Right.

98:58

>> If you're coming to my show, and this is

99:01

when I started playing theaters. If

99:03

you're coming to my show to hear all

99:04

these hits, you're not going to. But

99:06

that's why I'm after 20 years, I'm going

99:09

to go back out and I'm going to play

99:11

nothing but hits for two and a half

99:15

hours. That's how many hit records I

99:17

>> That's incredible. Yeah, it's going to

99:19

it, you know, and I'm and now I'm

99:22

looking forward to it.

99:23

>> Yeah,

99:24

>> because I have not played I Need a Lover

99:27

in 25 years on stage. I've not

99:29

>> So, it's fresh.

99:30

>> Yeah. It's a brand new song. I'm going

99:32

to be playing it in a way that nobody's

99:35

ever imagined.

99:36

>> Wait till if you come

99:38

>> if you come and see me. Wait till you

99:40

hear Jack and Diane. I have jammed it up

99:43

and it's a soul song now.

99:45

>> Wow.

99:46

>> Yeah. It's I there's a term for it

99:49

smash. A smash. What do they call this?

99:52

Smash something.

99:54

Anyway, we turned it into a soul song. I

99:57

mean, what would it be like if Jack and

99:59

Diane was a soul song?

100:01

>> So, you leave the melody the same, but

100:03

you put the instruments around them

100:06

differently,

100:08

>> you know,

100:08

>> to make it interesting for you.

100:10

>> Well, and and to the audience because

100:12

when the chorus comes in, they're going

100:14

to be singing that chorus,

100:15

>> right? Cuz if I play it now,

100:19

>> he's trying to push that thing up to

100:20

your face.

100:21

>> If I play it now, you know, it's just

100:23

usually me and acoustic guitar and and

100:26

it's good because

100:29

a little diddy and I don't have to sing

100:31

anymore,

100:32

>> right?

100:33

>> They sing the whole song,

100:34

>> right?

100:35

>> And I might go, "Oh, yeah." And that's

100:37

it. And then they the audience sings it,

100:40

which is great. Which is great.

100:43

>> It's got to be really cool.

100:45

I got to come see you live. Are you in

100:48

Texas at all?

100:50

>> I don't know.

100:51

>> You don't know?

100:56

>> When When did you drop the cougar?

101:00

Because at first you were John Cougar

101:02

Melon Camp. And I remember that. I was

101:04

like, "What is going on?" Like, "Why

101:05

does he have another name?" Like, it was

101:08

confusing to me.

101:09

>> Well, I was trying to and I think I did

101:11

it successfully. It

101:12

>> was a good transition. I I I didn't, you

101:15

know, I could call up somebody and go,

101:18

"Hey, it's John Melanchamp." They

101:19

wouldn't take my call. I could call back

101:20

two seconds later and go, "John Cougar,"

101:22

and that they would take my call.

101:24

>> Yeah.

101:25

>> So, I figured it this will have to be a

101:27

slow change. Elvis Costello tried to do

101:30

the same thing and didn't work.

101:31

>> What was his real name?

101:32

>> I don't I don't remember. But that's not

101:35

his real name.

101:36

>> Ah,

101:37

>> but you know, he was tired of being

101:38

Elvis Costello and he he went back to

101:41

his real name and

101:43

people just wouldn't accept it. But with

101:45

me, it was such a slow

101:48

burn thing to get over.

101:51

So,

101:53

you know, it it again what? Lucky.

101:59

>> It was the first time that I'd

102:00

recognized that uh artists were forced

102:02

to change their name was you. I didn't

102:04

know. Really?

102:05

>> Yeah. Yeah. Yeah. I had no idea.

102:06

>> Do you know that? Do you know that every

102:09

[ __ ] movie star that we ended up

102:11

watching

102:12

>> on those black and white things, that's

102:15

not any of their real names? They're all

102:17

changed. They're all changed. Yeah.

102:20

>> You think Rock Hudson was his real name?

102:22

>> Sounds good.

102:23

>> Yeah, it sounds great.

102:24

>> Yeah. Now, yeah. Somebody decided they

102:28

wanted to come up with a catchier name,

102:29

which is interesting for a guy like

102:31

Arnold Schwarzenegger. It kept his real

102:33

name, as bizarre as it was and hard to

102:36

pronounce. Yeah. Yeah. What? And I just

102:40

saw him smashing uh

102:43

the president.

102:45

>> Yeah. He's always smashing somebody. I

102:47

think he's bored.

102:50

>> Yeah. He needs to get back and run

102:52

running.

102:52

>> He was a great governor. He really was.

102:54

He did a really good job with

102:56

California.

102:57

California is a [ __ ] mess. Now when

103:00

you um transitioned to John Cougar

103:03

Melanchamp and then event like how long

103:06

did were you John Cougar Melanchamp

103:08

before he became John Melanchamp again?

103:12

I think the last John Melon John Cougar

103:15

Melon Camp record

103:20

was

103:23

a record I was called Scarecrow and it

103:27

had Small Town on it and it

103:31

had Small Town on it. It had five hit.

103:34

Can you imagine five? It had five

103:36

[ __ ] hit records off that one album.

103:39

Pretty amazing.

103:41

>> Yeah. Lucky. And don't forget, I had

103:44

never written a [ __ ] song.

103:47

>> That's what's crazy.

103:48

>> Yeah. Never written a song. So I I grew

103:51

up in public. And if you listen to my

103:55

songs now,

103:58

so much more mature than than those

104:03

young I I I got so sick of it that I

104:05

wrote a song called Pop Singer in like

104:08

98, 91. Never wanted to be no pop

104:09

singer. Never wanted to sing no pop

104:11

song.

104:11

>> I remember that.

104:12

>> Never wanted to uh you know uh have a

104:16

manager hang out after the show. I I

104:20

just you know it was

104:23

I wanted to be a musician

104:28

and not a clown which you know

104:32

if you remember back Joe and I'm not

104:34

putting anybody down but there were a

104:36

lot of clownish guys.

104:37

>> Yeah. from MTV.

104:39

>> Sure.

104:40

>> You know that were like what?

104:43

>> Yeah.

104:44

>> You know, and a lot of sexism and stuff

104:48

from MTV and no black people for a

104:50

while. You know, they didn't play any

104:52

black people. They might play Michael

104:54

Jackson, but other than that,

104:56

>> right,

104:56

>> but they but they just didn't. And and I

104:59

remember talking to Sykes about it.

105:01

Sykes, me,

105:03

Don Henley,

105:05

and somebody else went and did they were

105:09

going to drop MTV off a whole bunch of

105:11

stations. And we got on a plane

105:14

and went there. Went to all these

105:15

different stations that were going to

105:17

drop MTV and talked to them why they

105:21

couldn't do it. And it worked.

105:23

>> Why were they dropping MTV?

105:26

Uh, too led to

105:30

I want to tell you something else, young

105:31

man. I want to tell you something else.

105:38

I showed that by accident in a video

105:43

and

105:44

MTV wasn't going to play

105:48

Wasn't going to play the the video

105:50

because

105:50

>> because you had a tattoo.

105:51

>> Yeah.

105:52

>> That's hilarious. Yeah, because I, you

105:55

know, I had a tattoo and

105:56

>> that's hilarious.

105:58

>> I know.

105:59

>> Oh my god. It's so funny when you think

106:02

about what music is like now and then

106:05

especially like in the late 80s when

106:09

hiphop really took off and then gangster

106:11

rap took off.

106:13

>> Well, and and and now you know why?

106:16

Because uh you know what we t we're

106:17

talking about about Sounds Scan and

106:19

stuff. That's how that's how all that

106:21

happened. and my deceased friend Tim

106:24

White, who I love dearly, told me it was

106:27

going to happen. So, and and I just sat

106:29

back and went, I can't I can't believe

106:31

that this is right.

106:33

>> Wow.

106:33

>> I can't believe that that can happen.

106:35

We're, you know, rock is too too

106:37

important to the culture, too important,

106:40

you know, and there's a lot better

106:42

songwriters than me. And we all got

106:46

86. I mean, like the [ __ ] Rolling

106:49

Stones just put out a new album and I

106:51

never heard it. You'd never heard it.

106:53

>> No,

106:54

I saw them live a couple of years ago

106:57

here. They played at the Circuit of the

106:59

Americas. It was [ __ ] incredible. It

107:01

was like having an out-of- body

107:02

experience. It's like I couldn't believe

107:04

they were really there.

107:05

>> Yeah.

107:06

>> I remember watching MC Jagger on stage

107:08

and my friend was talking to me and I

107:11

was watching him and he's like, "Isn't

107:13

this [ __ ] incredible?" I was like, "I

107:14

can't I can't believe it's really him."

107:16

It's like they are so iconic. And here

107:20

he is in his [ __ ] 80s just jamming.

107:24

The guy brings two trailers, two whole

107:28

trailers that are just gym equipment.

107:30

>> Yeah. Everywhere he goes. Works out

107:32

every day. Every year. We we we we

107:36

started Farm Aid in 1985.

107:41

And every year

107:43

cuz you have a at farm aid you have a uh

107:48

press conference in the beginning and

107:49

then I don't go on until like nine

107:52

o'clock. So I got all day. You know what

107:55

I do half the day. Neil, can I use your

107:58

[ __ ] gym equipment? because he's got

108:01

a a a trailer like you know you would

108:04

haul

108:06

groceries and couches and [ __ ]

108:09

>> and it's full of gym equipment.

108:12

>> Can I use your So I I use his his not

108:15

his weights so much but uh but his uh

108:19

you know his what do you call it? I call

108:21

it the lace machine where you can be

108:24

lazy.

108:24

>> Elliptical.

108:25

>> Yeah. Elliptical cross trainer.

108:26

>> Hey, listen. It's better than nothing.

108:28

>> Yeah. But I mean, watching Mick in his

108:31

80s dancing around on stage and doing a,

108:34

you know, a two-hour concert with full

108:37

energy, it's so impressive. It's so

108:40

inspirational that this guy still loves

108:42

it that much. I mean, he wasn't phoning

108:44

nothing in, you know? I mean, it was

108:46

[ __ ] him dancing and butting your

108:49

lip, baby. I mean, it was fullon. It was

108:53

like, wow. It was amazing. And and what

108:56

I find amazing, and I don't know why I

108:59

find amazing, but I find it amazing that

109:02

people

109:04

relate to music in that fashion because

109:08

I didn't know that as a kid. I just

109:11

thought, you know, I thought I'd make

109:13

two records that it' be done. That's why

109:16

I stayed in Bloomington. I had a little

109:17

bit of money. I didn't know how much

109:20

more I'd have, you know, how much longer

109:22

I was going to last. So, let's try to

109:25

like buy a little house. And

109:29

I talked to I'm good friends with Bruce.

109:32

And

109:33

him and I both kind of just look at each

109:36

other and go, "Can you [ __ ] believe

109:37

it?" Because he's from a real little

109:39

shitty town in New Jersey.

109:42

And we both just look at each other and

109:44

go, "Can you believe it? It's

109:48

unbelievable."

109:50

>> Well, gratitude is an important thing.

109:52

It's kind of co-opted today with a lot

109:54

of like this spiritual movement. You

109:56

know, people say it and it kind of

109:58

sounds hollow and fake, but real

110:00

gratitude, real thankfulness for a life

110:03

that you've been so lucky to have and

110:05

I've been so lucky to have. It's it's

110:07

it's very important. It's an amazing

110:09

thing. I mean, how could you not look

110:11

back at your life and not think, can you

110:12

[ __ ] believe it?

110:14

>> Yeah. And and you know, the thing of it

110:15

is is that I sometimes ask my audience,

110:19

I go, where are you? right now

110:24

and most of you probably say

110:27

I am at a John Melanchamp concert in

110:33

Austin, Texas.

110:35

And my answer is yes, but also where you

110:39

really are, you're on a [ __ ] rock

110:42

that's going around the [ __ ] sun that

110:45

has been here for millions of [ __ ]

110:47

years. And so we are only here for a

110:53

blink of an eye. So stop worrying about

110:57

everything so [ __ ] much. It doesn't

111:00

[ __ ] matter. Don't beep your horn

111:03

because the [ __ ] guy in front of you

111:05

didn't take off right when the light

111:08

turned red. It's not that important.

111:10

Don't take yourself so [ __ ]

111:12

seriously. And try to try to have some

111:15

humility.

111:17

You know, that's what I hate about

111:18

politics today. There's no [ __ ]

111:20

humility. How about some humility? I

111:23

don't care what party you're with. I

111:24

don't give a [ __ ]

111:26

>> But show some humility and some, you

111:28

know, respect for each other, which they

111:30

just don't,

111:31

>> right?

111:32

>> They just don't. It's terrible.

111:34

>> Yeah. There's a lot of that. If we can

111:37

get more people to recognize how brief

111:40

and fleeting this moment alive is,

111:44

it's it's

111:47

it's so well I got it tattooed right

111:50

here on my arm. And my grandmother told

111:52

me this when she she lived to be a hund

111:55

and I would go over and I'd lay in bed

111:57

with her when she was like 99, 98.

112:05

And one day she said to me, she goes,

112:07

"You know, John, if you don't stop this

112:10

cussing

112:11

and wild living, you're not going to get

112:13

into heaven."

112:15

And I went, "Ah, Grandma."

112:18

She goes, she goes, "Yes, you you know,

112:20

you you you need to change your ways a

112:22

little bit."

112:24

And I said, "Yeah, well, you'll get me

112:26

into heaven. Don't worry about it." And

112:28

she said, "No." She said, "You're going

112:32

to find out real soon."

112:34

Now listen,

112:36

life is short even in its longest days.

112:42

>> It certainly feels short when you look

112:44

back, right?

112:45

>> Oh, yeah. But just think just think

112:47

about those words

112:49

>> coming from a hundred-y old woman.

112:51

>> Yeah.

112:52

>> You know, life is short even in its

112:55

longest days. Really the opposite end of

112:59

the spectrum. Oh yeah. Life goes on.

113:01

>> Right. Right. Right. Right.

113:03

>> So I wrote a song called Life is Short

113:05

and and uh and I love playing it. I love

113:09

playing it. Uh because it it really hits

113:12

the nail on the head of of you know

113:15

getting But how old would you say you

113:17

were?

113:17

>> 58.

113:18

>> 58 years old.

113:20

>> You're still a kid.

113:22

>> You're still a kid.

113:24

>> How old are you now?

113:25

>> 74.

113:26

>> Wow. Well, you look great.

113:27

>> Thanks. Maybe we can go on a date

113:30

tomorrow.

113:35

>> Does is singing and performing is it

113:38

different now? Did do you appreciate it

113:39

more now when then when you were

113:41

younger?

113:43

>> Uh

113:45

is it a different feeling because like

113:47

you've done so much and it's

113:50

>> uh the scope of it is so big now in

113:52

retrospect.

113:55

Well, like I said, I'm really looking

113:56

forward to going out and doing a

113:58

greatest hits tour. I've never done one.

114:01

I I I can't even imagine

114:05

thinking back to when I was like 35.

114:08

That idea would be like, "Shut the [ __ ]

114:10

up. I'm not doing that."

114:11

>> Right.

114:12

>> But now at my age, it's kind of like,

114:15

and I I was I did a thing with Sean

114:18

Penn, and Sean and I were talking and he

114:20

goes, "John, just go do it." because I

114:23

was on the fence about doing it. He

114:25

goes, "What's wrong with you?" "Yes, go

114:28

do it. Don't you think that if I could

114:30

like show the best parts of my movies to

114:34

people that I would do it?" And I go, "I

114:35

don't know." He goes, "Yeah, because it

114:37

it it's it

114:40

you're you you're really sharing

114:42

something."

114:43

>> Well, it's also not a whole lot of

114:44

people have ever done it before, right?

114:47

Not a whole lot of people have ever had

114:48

the kind of hits that you've had. So the

114:50

opportunity to go out there and do two

114:53

and a half hours of [ __ ] hits

114:56

>> I know

114:56

>> is amazing.

114:58

>> And as uh I have to like I said I walk

115:01

in my house and I go I can't believe I

115:03

get to live here

115:05

>> and you know I feel good about you know

115:08

I'm the only father in the world that

115:10

does not encourage their kids to work.

115:14

It's like what do you want to go to work

115:16

for? You know, my son graduated from

115:19

Duke and it's just like, "Fuck that work

115:23

stuff. Do what you want to do. You're 31

115:25

years old. You're handsome. You're 31

115:27

years old. You could beat anybody up in

115:29

the room. You know

115:34

what? Why do you want to?" But I think

115:36

he's getting to the age where he wants

115:38

to get a job. And I don't want him to

115:40

leave because he still lives in my on my

115:42

property. And it's nice. I love having

115:45

him in there. I love having HUD live

115:47

with me. Uh he doesn't live with me. He

115:50

lives in a different house, a different

115:51

building.

115:53

And but I love having him there because

115:55

I know that I can pick up the phone and

115:57

go, "Hey, Hud." And he's there. And I'm

116:00

telling you, having kids was one of the

116:02

best things I ever did.

116:04

>> It's interesting, too, because having a

116:06

kid when you're in high school, a lot of

116:08

people think is like a death sentence

116:10

for your career, you know. Well, it was

116:12

a death sentence for my kid cuz, you

116:16

know, I was 18 years old. I was on

116:18

drugs. You know, my idea of uh raising a

116:21

kid back then when I was in college was

116:23

throwing water balloons at her. That's

116:26

all I knew. It's like this is fun, you

116:30

know. But it turned out, you know, but

116:33

uh yeah,

116:35

I I I I uh I uh really enjoy my kids.

116:41

And my dad told me that. He told me have

116:44

as many kids as you can because when you

116:47

get older, cuz see I had I don't know

116:50

about you, but I had

116:54

seven of my best friends die in 18

116:56

months.

116:58

>> Wow.

116:59

>> Yeah. because they couldn't get off the

117:00

party.

117:02

>> They just couldn't get off the party

117:04

because they were drunk all the time. I

117:05

mean, if you drank Crown Royal every

117:08

[ __ ] day.

117:10

>> Yeah.

117:10

>> It's going to [ __ ] up your liver. And

117:13

>> 100%. Yeah.

117:15

>> And that's what they did. I mean, you

117:16

know, except Tim had a heart attack. Tim

117:21

White, the the guy I was telling you

117:23

about,

117:25

he died on an elevator ride from in New

117:28

York from the ground floor to his

117:30

office. And by the time he got up there,

117:32

he was dead.

117:33

>> Wow.

117:35

>> But he would call me up every day and

117:36

go, "Man, my chest really hurts. My back

117:38

really hurts."

117:40

>> You know, and I would go, "Tim, your dad

117:43

died of at like 49 from heart disease.

117:48

Don't you think you better go to the

117:49

doctor? I don't want to go. And that

117:51

that's what that's what most guys do.

117:53

They don't want to go to the [ __ ]

117:54

doctor.

117:54

>> Yep. Yeah.

117:56

>> You know, but I do.

117:59

>> I go.

118:00

>> Does the doctor tell you to stop

118:01

smoking?

118:03

>> All the all the time. But see, here's

118:07

here's the thing about cigarettes.

118:11

Find something you love

118:14

and let it kill you.

118:22

Find something you love and let it kill

118:25

you.

118:26

>> Yeah. I don't know.

118:30

It's not killing you yet. I mean, and I

118:33

just had a uh

118:36

I just had a uh

118:39

a heart mammogram and all that stuff.

118:43

And the doctors go

118:46

because the heart is shaped like this,

118:49

you know, like that. And then what

118:51

happens is is that as you longer you

118:53

smoke, it flattens out and that way it's

118:57

full of crap.

119:00

>> Mine's still like this.

119:02

And he said last, and this is two years

119:04

ago, he said, "Well, I'd like to tell

119:07

you you need to quit smoking, but if

119:09

you've been smoking as long as I know

119:11

you have,

119:14

uh, the only thing that's really

119:16

happened is is that your heart looks

119:18

like a teenagers and your voice sounds

119:20

black." So,

119:23

do you think it's cuz you smoke American

119:25

spirits? I talked to a doctor that said

119:27

that to me. She Suzanne Humphrey, she

119:29

was like, I think that one of the things

119:31

that's killing people is cigarettes with

119:33

all the additives in it. All the the

119:35

different chemicals that they put in

119:37

>> 120 chemicals. I

119:39

>> crazy.

119:40

>> I

119:41

My girlfriend hates that I [ __ ]

119:44

smoke. Of course, she knew I was smoking

119:46

when she met me. But now that we've been

119:49

together for three years,

119:51

uh, and my wife of 20 years, Elaine,

119:56

never smoked a cigarette in her life

119:57

till she met me. And then she started

119:58

smok she on one hand just said, "Well,

120:02

[ __ ] it. If you can't beat them, join

120:03

them." So, she started smoking, but

120:06

Kristen hates cigarettes. And

120:12

I I don't know what to tell her cuz you

120:15

know that I don't do much good, but I'm

120:17

really a good smoker.

120:20

Really good at it.

120:21

>> What is it that you love about

120:23

cigarettes so much?

120:26

>> They're part of me.

120:29

I don't know how to put it. I mean, I

120:32

smoked my first cigarette at 10.

120:35

>> Wow.

120:36

>> 10.

120:37

>> 64 years of smoking.

120:39

>> Yeah.

120:40

>> That's crazy.

120:41

>> I was And you're okay.

120:43

>> I was addicted in high school.

120:45

>> Wow. Wow. I used to wake up in the

120:47

morning and my parents had a great big

120:49

house and I would go down in the

120:50

basement, go into the [ __ ] storm

120:53

cellar and smoke, not knowing that I

120:56

came out of that little area smelling

120:59

like a cigarette ashtray,

121:01

>> right?

121:02

>> And my parents, you know, was like,

121:03

"Have you been smoking downstairs?"

121:06

Yeah. But they never said anything.

121:09

>> Well, maybe it's better than having the

121:11

stress of not smoking.

121:14

One of the things about smoking, and I'm

121:16

not an advocate. I'm not telling people

121:18

they should smoke, but maybe one of the

121:20

things about it is that at least it

121:22

relaxes you. I think one of the worst

121:24

things for people is just stress. I was

121:27

talking about a friend of mine who's

121:28

going through something pretty heavy

121:30

right now. And uh he's had a couple of

121:32

heart attacks and there's nothing wrong

121:34

with him. He's had heart attacks just

121:36

from stress where his [ __ ] arteries

121:40

just lock up. his whole body is just

121:41

locked up just from anxiety and stress

121:44

and he's had heart attacks because of

121:45

that. Doesn't smoke, doesn't drink,

121:48

takes care of himself, and just the the

121:51

problems in his life are so

121:53

overwhelming. There's got to be there's

121:56

a benefit. There's got to be a benefit

121:57

to just relaxing, just enjoying

122:00

something and relaxing and not having

122:02

that overwhelming stress. It's amazing

122:04

how much cigarettes take you away from

122:08

because you got to you know nowadays if

122:10

you're a cigarette smoker you you know

122:12

I'm lucky to be here with you that I

122:16

could smoke in your area but most people

122:18

would go outside.

122:21

>> Yeah.

122:23

>> But I'll tell you a funny story about

122:24

Johnny Cash and me.

122:29

John John I John and I knew each other

122:32

and I would go down and and I would see

122:36

him in Jamaica and then he got really

122:38

sick.

122:40

But John quit smoking and John and I did

122:44

um

122:46

did something for the Rock and Roll Hall

122:48

of Fame and this another funny story.

122:52

Um,

122:55

we were standing around doing

122:58

getting ready to do soundcheck and there

123:00

was a whole bunch of people playing a

123:03

whole bunch of people. And the Eagles

123:05

were on soundchecking

123:08

and they were taking forever because Don

123:11

Henley is a perfectionist. Everything's

123:14

got to be just right.

123:16

And I was standing with John in June and

123:22

John was getting irritated because we

123:24

were like 40 minutes, you know, we'd

123:27

been standing there ready to soundcheck

123:29

for 40 minutes.

123:31

So while we're standing there, I was

123:34

smoking and John goes, "You're going to

123:35

have to quit that smoking, John. It's

123:37

gonna catch up with you someday." I

123:39

said, "Well, you [ __ ] smoke." And he

123:40

goes, "Well, I used to, but I saw this

123:43

guy from London

123:45

and he

123:47

he got me to quit smoking." I go, "Maybe

123:50

I should see that guy." He goes, "Okay,

123:52

yeah, I will. You will." Anyway, so so

123:56

anyway, we finally get on to soundcheck

124:00

and John soundchecked without me uh

124:03

because I just sang one song with him.

124:08

I and then when it came time to sound

124:10

check,

124:12

I went, you know, John, you know, cuz

124:15

like he was irritated. Yeah. I don't

124:17

know if you knew Johnny Cash or not. He

124:19

had a [ __ ] temper.

124:21

>> You know, you didn't [ __ ] with John

124:22

Cash. You just didn't.

124:25

>> Anyway, I said, you know, John, uh,

124:29

you know, I got this song. And we were

124:32

doing Ring of Fire. I said, I know that

124:34

song.

124:36

It's easy.

124:38

He said, "You sure?"

124:40

And I said, "Yeah, yeah, I got it. I got

124:43

it." He goes, "Okay, well, thanks."

124:45

Because, you know, I'm sick of [ __ ]

124:47

being here.

124:50

So, the next night we get up there and

124:54

John and he introduces me to my friend

124:56

John Melam and

124:59

he started the song.

125:02

I fell into

125:06

I didn't realize that he had changed the

125:09

[ __ ] key from him smoking to a lower

125:12

key.

125:14

So I couldn't hit the note cuz it was I

125:18

fell into to I couldn't find a [ __ ]

125:23

note because it was not the note the

125:25

song was written in. I can sing right

125:27

along with the song

125:29

>> and I look over there and there's Chuck

125:32

Barry going

125:36

and I look over there and there's

125:37

Springsteen going and all these people

125:40

on the side of the stage, right? And

125:42

they're all giving me a look like,

125:43

"You're [ __ ] up, man." It was like,

125:45

"Yeah, I know it." And so anyway,

125:49

as soon as the song was over, I ran off

125:51

stage. I was totally humiliated, right?

125:53

So, I ran off stage and got to my

125:55

trailer. I I just get back there and all

125:57

of a sudden,

125:59

knock on the door and I answer and it's

126:02

John. He said, "Can I come in?" And I

126:04

go, "I don't know why you'd want to, but

126:06

yeah, come on in." He goes,

126:09

"I told you we should have sound

126:11

jerked." Uh

126:16

anyway, so that conversation led on to I

126:19

know this guy

126:22

who will get you to quit smoking. And so

126:24

he gives me all the information

126:26

and me and two other guys fly this guy

126:29

over from London.

126:32

And um

126:34

Joe here was his

126:37

solution for not smoking. He gave me a

126:41

good talking too. That's it. That was

126:44

it. I was smoking on the way back to

126:46

Indiana.

126:49

My friend Ron White's been smoking his

126:51

whole life and he just stopped and he

126:53

went to a hypnotist. Same hypn he he

126:55

quit drinking a few years back. Went to

126:57

a hypnotist, quit drinking easy. He said

126:59

it was so easy and then uh just recently

127:03

like within last three or four weeks

127:06

quit smoking. He's almost 70.

127:09

just said the hypnotist got him and said

127:12

now he doesn't have the desire. He goes

127:14

sometimes he goes after sex, he goes

127:16

after a meal. Sometimes I have like a

127:17

for a brief second.

127:18

>> No, I don't have to worry about that.

127:19

I'm too old for sex.

127:22

I don't have to worry about that

127:23

anymore.

127:24

>> Well, I guess Ron still gets after it

127:26

because after uh he said it's just a

127:28

brief second and then it goes away.

127:31

Well, I I'll tell you. Uh

127:36

I was friends with uh the Newman family

127:40

and Paul quit smoking and died

127:44

>> right afterwards.

127:46

Was the smoking contributing to his

127:48

health problems? Yeah.

127:51

>> And it was just like he was older. It

127:53

was like, you know, I mean, he was like

127:55

80s. I don't know. Can you see how old

127:57

he was when he died?

127:59

Uh anyway, so you know,

128:04

I just kind of went

128:06

>> find what you love and let it kill you.

128:08

>> Yeah. Find what you love and let it kill

128:10

you.

128:11

>> 83.

128:13

>> Yeah.

128:14

>> I [ __ ] love that guy. Hustler. One of

128:16

my favorite movies of all time.

128:18

>> Well, I'm really good friends with

128:20

Joanne, who now is

128:24

I love Joanne. And uh once Paul died, I

128:28

became her boyfriend.

128:30

And uh she and I would talk all the time

128:35

on the phone. And whenever I was in New

128:37

York or

128:39

or the town she lives in north of New

128:41

York, I' I'd take her to plays and we'd

128:45

go to plays and we'd do uh do stuff and

128:49

I'd pinch her on the ass and she she'd

128:51

you know, she'd look at me like

128:55

But then when she started c when I would

128:57

call her and she started calling me

128:59

Paul,

129:01

>> I would have to go Joanne, it's not

129:03

Paul, I'm John. Oh,

129:06

>> and now she I still go see her all the

129:09

time. Not all the time, not as much as I

129:11

should, but she I can't remember the

129:13

name of the [ __ ] town she lives in. U

129:17

anyway, she she can't talk. She can't,

129:21

you know, she has uh what do you call

129:24

it?

129:24

>> Dementia.

129:25

>> Yeah.

129:26

>> Yeah.

129:26

>> And she can't talk. And she

129:29

>> she can, you know, I take my guitar and

129:31

I'll play and sing for her. She

129:36

God.

129:39

>> But you know, she's always happy to see

129:40

me. I think she realizes that it's me.

129:44

Uh though I love her. I mean, uh she was

129:48

just

129:49

she was just great. She was a great

129:52

woman. How I met her was at a Democratic

129:56

thing for who was the guy that ran for

129:58

president? John

129:59

>> John Kerry.

130:00

>> John Kerry. And it was at Radio City and

130:04

I have a son named Hud. And Paul Newman

130:08

starred in the movie Hud. And so Newman

130:10

walked in

130:13

to my dressing room and goes, "I'm

130:15

looking for Hud Malanchamp."

130:18

And he was with me, but he was running

130:20

around Radio City somewhere. Have you

130:23

ever been to Radio City?

130:24

>> Yes.

130:25

>> Have you been backstage?

130:27

>> There's all kind of [ __ ] going on.

130:29

>> Yeah.

130:30

>> You can go anywhere in that place.

130:31

Anyway, so Hud was running around there

130:34

and I just let him go wherever he wants.

130:36

And I'm sitting there talking to Paul

130:37

and I go, "This is pretty cool." And

130:39

then Joanne walked in and was like, "All

130:43

right, Newman. Uh, hey, uh, cuz she was

130:47

beautiful. I mean, Joe, you cannot." She

130:51

must have been in her late 50s,

130:53

something like that. She She was

130:55

gorgeous. It's like one of the prettiest

130:57

women I'd ever seen. and and uh so I

131:00

just kind of like well it's nice meeting

131:02

you Paul hey Joanne

131:06

and that's how we became friends and

131:07

even before he died her and I were

131:10

talking on the phone and yeah I I I love

131:14

Joanne I hope she lives forever but I

131:17

you know I know that people take care of

131:19

her and it's sad

131:21

>> it's just hard to see someone in a

131:23

deteriorated state like that as they get

131:25

older

131:26

>> well you know have you ever seen the

131:28

movie Uh

131:31

uh. God, I can't think. The Fugitive

131:32

Kind.

131:34

>> What is it?

131:34

>> The Fugitive Kind.

131:36

>> I don't think so.

131:38

>> Rogan, you got to watch it.

131:39

>> Yeah,

131:39

>> it's great. You love it.

131:42

>> Uh it's called The Fugitive Kind. It

131:45

stars Brando and Joanne Woodward.

131:49

And it's just such a written by

131:51

Tennessee Williams.

131:52

>> Oh,

131:53

>> it's really really good. Really good.

131:56

It's one of my favorite movies ever

131:57

made. The fugitive kind.

131:59

>> I'll check it out.

132:00

>> Yeah. Yeah. And

132:04

I I know a lot about old movies because

132:06

I don't watch new movies. If it's not in

132:09

black and white, I'm not watching.

132:11

>> Really?

132:12

>> Yeah. I don't

132:12

>> Has it always been the case or is that a

132:14

new thing?

132:14

>> No, it's always been the Really?

132:16

>> Yeah. I

132:19

my girlfriend Kristen will talk to me,

132:20

you know that actor, and I'll go, "No,

132:25

I don't I don't know anybody in the in

132:28

the entertainment business anymore

132:29

except guys my age, you know."

132:32

>> That's probably a good thing.

132:34

>> But I don't know any of them, you know.

132:35

I know Shawn, you know, but I I've known

132:39

Sean since he was a kid before Ridgemont

132:42

High.

132:43

>> Oh, wow.

132:44

>> That's how long I've known that guy.

132:46

Wow, that was a [ __ ] great movie.

132:48

>> Yeah, it was.

132:49

>> They can't make a comedy like that

132:50

anymore.

132:51

>> Oh, no. They couldn't even get it. They

132:53

wouldn't make it again.

132:54

>> Not a chance. Not a chance at all.

132:56

That's the thing with political

132:58

correctness and then the woke movement.

133:00

That's the thing that really died was

133:02

the great comedy movies, the

133:04

inappropriate.

133:05

>> Well, you answer me this question.

133:06

>> Yeah.

133:07

>> Why did anybody give a [ __ ] anyway? I

133:10

mean, you know, 86 and what was the

133:14

senator? Uh the guy the comedian that

133:17

wrote for Saturday Night Live who was

133:20

the same

133:20

>> Franken.

133:21

>> Yeah.

133:21

>> Yeah.

133:22

>> I had said [ __ ] you guys.

133:23

>> Yeah. Should have. Yeah.

133:25

>> Yeah. I mean why why did he let some

133:28

>> I don't know. The climate got crazy.

133:30

People lost their [ __ ] minds and I

133:31

think it's kind of turned around and

133:33

people are kind of recognizing that it

133:35

was a massive overcorrection.

133:37

>> It was. But uh the problem is the comedy

133:40

films like if you go back and watch you

133:43

know like Tropical Thunder or any of

133:45

those kind of crazy movies that were

133:48

like really outrageous and funny like

133:51

you know you can't make them today.

133:53

Nobody wants to fund them and finance

133:54

them. Nobody wants the heat. Nobody

133:56

wants to deal with the criticism. They

133:58

they've essentially killed comedy m

134:00

movies.

134:01

>> Well and that's what I was asking you.

134:02

How is how's doing standup?

134:05

>> You can't kill standup. The problem is

134:07

standup is like people will come to see

134:09

you and that's all that matters. People

134:11

come to see you and they laugh. That's

134:13

all that matters. Like the critics don't

134:15

matter.

134:15

>> Well, who who who's your favorite

134:16

stand-up comedian now

134:18

>> alive? There's so many good ones right

134:21

now. I mean, Chappelle's probably the

134:22

greatest if one of the greatest of all

134:25

time and we're lucky we have him alive

134:26

now. But, uh, you know, Bill Burr is

134:29

great. Shane Gillis, there's it's an

134:33

amazing time for standup. David Tell is

134:35

probably like the most unheralded great

134:37

comic that's alive today. There's so

134:39

many great comedy, so many great

134:41

comedians now because

134:42

>> what about Jim Jeff?

134:44

>> Jim Jeff is funny.

134:46

>> There's I mean new Australian guy.

134:48

There's um you know more comics now that

134:52

are huge than I think have ever been

134:55

alive in the history of comedy because

134:58

of YouTube and in Instagram and

135:01

definitely Netflix because there's just

135:04

more comedy to see. There's more comedy

135:07

to to go watch. There's more comics

135:09

right now are selling out arenas than

135:11

ever in the history of standup comedy.

135:14

>> Yeah, I've I've seen it on television.

135:16

You just can't worry about what the

135:18

haters think. You can't worry about

135:19

that. You just got to just do what you

135:22

think is funny and what you think the

135:24

audience is going to think is funny and

135:25

work real hard at it. That's all you

135:27

have to do. And just don't pay attention

135:28

to the criticism. If you do, it'll kill

135:31

you.

135:31

>> The best standup

135:35

comedian movie I ever saw was the first

135:39

Richard Prior.

135:40

>> Oh, Live on the Sunset Strip changed my

135:42

life.

135:42

>> Well, that

135:43

>> changed my life.

135:44

>> That was the third one. was it?

135:46

>> Yeah.

135:46

>> So, Wanted was before that, right?

135:49

>> Yeah. And that took place in New

135:50

Orleans.

135:51

>> Okay. There was one he filmed in Long

135:53

Beach.

135:54

>> That is the one I'm talking about.

135:55

>> Phenomenal. Phenomenal.

135:57

>> Unbelievable.

135:58

>> Phenomenal. Unbelievable.

136:00

>> And while he's getting on stage, people

136:02

are still coming in and sitting down.

136:03

>> I know.

136:04

>> He's [ __ ] with people as they're

136:05

coming in, sitting down. I don't think

136:06

he had an opening act. I think he just

136:08

came.

136:08

>> No, he did. He had Yeah, he had uh what

136:11

what's the woman's name? The singer. Uh,

136:14

>> oh, he had a musical opening act.

136:16

>> Yeah.

136:16

>> Interesting.

136:17

>> Um,

136:19

I can't remember who it was, but he

136:21

thanked him. He thanked her.

136:23

>> Oh, okay.

136:24

>> But I saw that in like 19 whatever year

136:29

it was, 79 when it came out. And I was

136:31

in Florida

136:33

and I had to go into

136:37

the black part of Miami to see it. And I

136:40

took a couple guys in my band with me.

136:45

And this one guy named Ferd in my band

136:48

was just an idiot.

136:50

We walk in there and there's nothing but

136:53

black people.

136:56

So I'm okay. Except Ferd walks in like

136:58

this.

137:01

And I go, "What the [ __ ] are you doing?

137:05

What the fuck?"

137:05

>> He walked in grabbing his dick.

137:07

>> Yeah.

137:10

cuz he wanted to show them that he was

137:14

uh

137:14

>> Patty Lel. Yeah, that's who opened up.

137:17

>> There it is.

137:18

>> Nice.

137:19

>> Yeah. So, anyway, he's grabbing his

137:21

dick, walking in, and I'm looking. I'm

137:23

going,

137:24

>> are you out of your [ __ ] mind? Stop.

137:26

Stop doing that.

137:27

>> My parents took me to see Live in the

137:29

Sunset Strip when I was a kid. I was in

137:31

high school and I guess I was like 15 at

137:33

the time, something like that. And uh I

137:35

remember looking around at all the

137:37

people laughing and I couldn't believe

137:39

how funny it was. I couldn't believe how

137:41

funny it was. I couldn't believe that

137:43

this guy could just be on stage talking

137:46

and it would be that funny. But I had

137:48

seen all these comedy movies that were

137:50

really funny, but nothing never made me

137:52

laugh as hard as this one man on stage

137:55

talking. I'll never forget it. I was

137:57

little. I was like looking around the

137:59

crowd and people were just falling out

138:01

of their seats, laughing, slapping each

138:04

other. Couldn't couldn't believe how

138:06

funny it was.

138:07

>> Well, you know the backstory on that on

138:09

that.

138:10

>> What's the backstory?

138:12

>> The backstory was that was take two.

138:14

>> Oh, yeah. He bombed the first one. Yeah.

138:17

>> Well, he for whatever reason.

138:19

>> Yeah, I did hear that.

138:20

>> He decided to do the show backwards.

138:24

>> Oh, wow. So he started with, you know,

138:28

how he ended and was going to work his

138:31

way forward. And I don't know why he did

138:32

that, but apparently people that that

138:35

knew him told me that he would always do

138:38

[ __ ] like that.

138:39

>> Well, he was creative. I had heard that

138:41

he was working it out at the comedy

138:42

store and then he would come in on a

138:44

Monday night and it was bombing and then

138:45

by Friday night he was destroying with

138:47

the same material. He just figured out a

138:49

way to tweak it, you know. That was back

138:51

when he was working with Paul Mooney.

138:52

Paul Mooney was one of his writers who

138:54

was a guy that I knew really well. I

138:56

worked with him at the comedy store and

138:57

so Mooney and him would just figure out

138:59

what the beats were. And

139:00

>> so did you play the comedy store a lot?

139:02

>> Yeah. Yeah. Yeah. That was my home club

139:05

in LA.

139:07

>> And how did you go down?

139:08

>> I got in I I auditioned in 1994, you

139:12

know. I came from LA I came from New

139:14

York rather to LA uh to do a sitcom and

139:18

I didn't really give a [ __ ] about the

139:19

sitcom. That wasn't really that

139:20

important to me. I I was only doing it

139:22

for money, but while I was there, I was

139:24

like, "God, I got to go to the comedy

139:25

store." Because that when I lived in uh

139:27

Boston, when I first started standup in

139:29

' 88, they would talk about the comedy

139:31

store like it was a religious

139:32

experience. It was like Mecca because

139:34

this was after Sam Kenisonson had made

139:36

it. Of course, Richard Prior had come

139:37

from there, Bill Hicks had come from

139:39

there, David Letterman, so many people

139:41

had come from there, Robin Williams. And

139:43

so they just talked about it with like

139:44

hush tones like, "Man, you got to get to

139:46

the comedy store." It was like a

139:47

pilgrimage, like you had to get there.

139:50

And I got there in '94 and never left,

139:53

you know, until the pandemic.

139:54

>> Yeah. I was friends with Letterman

139:57

because he's from Indianapolis

140:00

>> and uh his mom used to come down to my

140:03

house in Bloomington and we'd have his

140:05

mom and his stepdad would come down and

140:08

have dinner with me at my house. And so

140:12

Letterman, I I I did a couple things on

140:15

Letterman where I cooked a cake with his

140:18

mom in Indianapolis and brought the cake

140:23

to David for his birthday. And I I I

140:26

like I like Letterman. He was He's

140:29

always been nice to me. And his mom told

140:32

me a story. I don't know if it's true or

140:34

not, but I had just released my first

140:37

album and David was still doing

140:41

the weather

140:43

locally in in Indianapolis.

140:45

>> Oh wow.

140:46

>> And he said to his mom, "If that kid can

140:50

go out and do it, I can too."

140:54

>> Oh wow.

140:54

>> That's what his mom said. So I don't

140:56

know if that's true or not. His mom told

140:58

me that. I never asked Dave about it.

141:00

>> You shouldn't even ask. Let it live in

141:02

legend.

141:03

>> Yeah, I I like the story.

141:05

>> John, thank you so much, man. This was a

141:06

lot of fun. It was a real pleasure

141:08

meeting you. I really enjoyed it, man.

141:10

And I've been a big fan of yours for

141:11

years, so this was a it was a real treat

141:13

for me.

141:13

>> Great. I'm glad I'm glad to be here. And

141:16

I hope you come and see me play.

141:18

>> I would love to. I definitely will.

141:20

>> Yeah.

141:20

>> Is your tours on your website? Is it

141:23

>> I

141:24

>> Johnmelancamp.com or something like

141:25

that?

141:25

>> I don't know.

141:27

>> We'll find it. We'll find it.

141:28

>> Yeah. I don't I don't know.

141:29

>> We'll find it. Thank you. Thank you very

141:31

much. It was really fun. Thank you. All

141:33

right.

141:33

>> And you're going to hate those [ __ ]

141:34

tattoos.

141:35

>> Nope. I don't think so. I like them.

141:39

>> Yeah. I thought I like mine, too.

141:42

>> I thought I like mine, too.

141:44

>> Bye, everybody.

Interactive Summary

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The conversation features John Mellencamp and Joe Rogan discussing a wide range of topics, including tattoos, the illegalities of tattoo parlors in the past, the opioid crisis, personal experiences with drug addiction and recovery, the evolution of music and media like MTV, John Mellencamp's career trajectory, his childhood, his experiences with performing and songwriting, his views on current societal issues like political polarization and the food industry, and his family life. A significant portion of the discussion revolves around Mellencamp's career, his early struggles, his breakthrough with hits like "Jack and Diane," and his transition through different stages of his musical identity. The conversation also touches upon health, aging, and the importance of gratitude and humility. They also delve into the history of music industry practices, the decline of rock music's dominance, and the changing landscape of comedy and entertainment.

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