Joe Rogan Experience #2438 - John Mellencamp
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>> The Joe Rogan Experience.
>> TRAIN BY DAY. JOE ROGAN PODCAST BY
NIGHT. All day.
>> Okay, cool.
>> Why? Why would I hate my tattoos?
>> Because you get older and they get all
smudgy. And
>> Mine are getting kind of smudgy.
>> Yeah, look at this one.
>> It's pretty smudgy. Pretty [ __ ]
smudgy.
I I owned a tattoo parlor in
I don't know what year it was, mid80s.
And they were illegal in Indiana, but
because it was me, they said, "Okay,
leave him alone."
>> Really?
>> Mhm.
>> I remember when they were illegal in New
York. I used to I went to Connecticut to
get my first tattoo.
>> Yeah. I uh
I didn't know it was illegal, but I met
this guy in LA and uh he worked at
Sunset, you know, where the Hyatt houses
and there was a tattoo parlor right
across the street.
Anyway, he was there and uh
so I brought him to Bloomington because
he wanted to get out of LA
and guess why? They closed me down.
>> Why?
>> [ __ ] guy was a heroin addict.
I know. And he did this tattoo one time
and I went over I just went over to the
shop. I said, "Hey, let's do this
little" and he was all [ __ ] up.
And it was just like what's wrong with
it? You know, cuz I didn't know. I don't
know anything about heroin addicts. So,
there wasn't a lot of heroin addicts
back then. That was a rare thing. Now, I
mean, think about how many people are
because of the Sackler family. Think of
how many people are hooked on opiates
today. I mean, it's got to be lots.
>> It's off the charts in comparison to
what it was like in, you know, the
1980s. There's I mean, I knew one guy
that uh had a friend who did heroin.
That's it.
>> Well, I was at a The first time I saw
somebody do heroin was uh
I was in college and there was a place
called Bull Island that tried to imitate
Woodstock.
and me and my then wife and a kid and a
little girl and uh
and my roommate who lived with us. We're
just walking down there and we see this
guy shooting up. So, we just thought,
well, we'll watch
cuz he was just sitting right there and
I mean there was like 200,000 people
there.
And he shot
and he went out.
And I looked at the guy I was with go,
we won't be doing this.
We're not going to do this.
I had a friend who was a long shoreman
and he worked with this guy that every
lunchtime he would go and score and sit
in his truck and shoot up and that's
what he did every lunch. He was a
functional heroin addict and he would
show up for work every day and he did
his job.
But uh during lunchtime, during his
hour, he would do heroin and just
[ __ ] find his happy place and then an
hour later go back to work
>> and he and the one shot would last all
day.
>> I don't know. I don't know if he did
hero I didn't ask if he did heroin after
that as well. I'm assuming he probably
did.
But he was a functional heroin addict.
Like guy kept a full job. He was in the
union
and everybody knew this guy would go on
his break, shoot up.
>> Last time I did drugs was 1973.
>> What was the reason you stopped?
>> Want to hear?
>> Yeah. Yeah.
>> Well, I used to like to
smoke.
and drink whiskey
and then I like to fight.
>> Oh, that's problem.
>> I couldn't whip anybody.
I could I could
but I loved the contact and the the the
rush of like, you know, starting the
fight. But so anyway,
I was in college and
my roommate and I went to this downtown
bar, which we'd never been to, and I sat
at the bar and I would start these
fights, you know, just a prick.
And uh
I was sitting next to this big guy and
uh
for whatever reason, I thought it was a
good idea if I spit on him. Oh,
>> one of those guys. You know, you know
those guys that get drunk?
>> Yeah.
>> Yeah. Well, that was me.
So I did and
we went out back and he left me in the
alley like a wet rag. I mean, he beat
the [ __ ] out of me. Beat the [ __ ] out of
me. And I was a hippie. I had hair down
to here.
And they, the guy, my roommate, was
driving me home in an old pinto.
And I was leaning on the door like this.
I was so [ __ ] up from getting beat up.
I mean, the ores around my face were
this big. And I was leaning on the door
and all of a sudden he went over track
and I fell out of the car. Got my hair
wrapped around the jigma flop that holds
the car. And the guy that I'm with drunk
driving,
he didn't even know I fell out of the
car. And I'm going, "Stop the car.
Stop." He went, "Oh."
And um
so I got up the next morning and I
looked at myself
and I was unrecognizable. I had road
rash on my arms. My knees were all
[ __ ] up.
my face was beat up from the and I just
said, you know, this drug and alcohol
thing is not working for you.
And so I I went and got all my hair cut
off. Not as short as yours, but not much
longer.
And uh that was it.
>> Well, you found your rock bottom.
>> Yeah, that's what they say. They say you
need to find rock bottom. I would never
imagine that you would be the type of
guy that would [ __ ] with people at a bar
and spit on somebody and start a fight.
It just you just don't seem like that at
all.
>> Well, I grew up in a small town and uh
there was not much to do in a small
town.
Uh you know, you would either uh find a
girl or or fight
just
>> I figured you for the find the girl type
guy. Well, you know, I I I was uh I did
okay with that, but it didn't always
work. So, yeah. Yeah. It was like uh
Don't forget, Joe, it was like 19676.
You weren't You weren't even born yet.
>> I was born ' 67.
>> Yeah. So, this is like 1967.
>> Wow. So, you know, so from that time on
until I turned 21. I was 21 when I quit
using drugs and quit smoking, quit
drinking.
>> Wow. Nothing since then.
>> Not a drop.
>> That's impressive.
>> Not a drop. Well, you know, I think I've
thought about and I think that I didn't
really like it that much,
>> you know, as much as I thought I did.
>> Well, you certainly didn't like the
results, right? One bad result will
>> what do you
>> set you straight.
>> Yeah. What do you Yeah.
>> You were uh a big part of my high school
experience. It it was interesting
because you uh your song sort of
introduced the idea of nostalgia to me.
>> You know,
>> I don't know what that meant. Well, the
when you were singing songs like Jack
and Diane, it's like I was kind of
realizing as I was a very young guy
listening to those great songs that
there's there's going to be a like this
is a weird time in life and there's
going to be a time where you're going to
look back on this and it's probably one
of the best times of your life, but even
though it doesn't feel like it, it felt,
you know, felt confusing and weird. And
I I remember thinking at the time like
my god like is this as good as it gets.
You know, some people look back on this
weird confusing time of adolescence as
the happiest moments of their life. I'm
like, I can't wait to get the [ __ ] out
of this time of my life. And it's like,
you know, you were singing from a
position of like an everyman
position of no, you know, you were you
were singing the star. They were great
[ __ ] songs. They had heart and there
was
it was soul to them, but it was like it
was a lot of sadness, you know, a lot
of, "Oh, yeah, life goes on long after
the thrill of living is gone." And I was
like, "Oh, Jesus Christ. Life's going to
go. This is it.
>> This is it.
>> This is it.
>> This is it." Well, I listen, I struggled
with that
probably like you did or he did. Uh,
you know, there's a point in a man's
life where he feels like there's got to
be more to life than this. I mean, I had
huge hit records and,
you know, very, very, very, very, very
lucky, very lucky.
You know, everything was, you know, was
just I was just lucky.
And I would go home and I would think,
I'm not happy. There's got to be more to
life than this. And then guess what
happened? I got a little bit older and I
found out
there's not.
And I'm good at it.
I'm good at it. So,
you know, we're only on this earth for a
few [ __ ] minutes. quit feeling sorry
for yourself and quit being confused and
accept your responsibilities and and try
to, you know, maintain some humility,
which was a million miles away from me
spitting on people,
>> right,
>> in a bar.
>> What didn't you enjoy about being this
enormous rock star in the early days of
MTV? I mean, you were a rock star when
it became a totally different thing
because it was like this visual thing
that was in everyone's household now. It
wasn't as simple as no, you were on the
Tonight Show and you would sing this
musical segment and people would have to
go see you live to go see you perform.
>> And all you got to see of guys in rock
bands were their album covers.
>> Mhm.
>> You know, you you would go to a record
store and and file through the records
and if you like the way a band looked,
you would buy the record. At least I
would.
>> I would too. Yeah.
>> And and so um
I forgot the question. Well, I was just
saying like what was it what was not
good about that? I mean, what what was
that experience like being this enormous
rockstar that left you feeling like you
wanted more, that you weren't happy? Uh,
I think that uh for me, I think I I
think it when it when that happens, it's
the age you're at, and I think it's a
chemical imbalance in our brain.
And as we grow older, it kind of finds
its way. And like I said, I just woke up
one day and just went, "Hey, this is all
there is. Accept it
and try to show some humility and and
try to be good at it." And it I never
thought about it again.
>> That's interesting. Well, you're a
you're a snap out of it type of guy,
right? You snapped out of drugs and
alcohol. You snapped out of feeling
sorry for yourself. Yeah,
>> that's a good trait to have.
>> Well, I'm very lucky that that I'm
Listen, Joe, you're looking at the
luckiest [ __ ] guy you you've ever
interviewed. I don't give a [ __ ] who
you've interviewed. I'm the luckiest guy
you know. I was born with spinoipida. Do
you know what that is?
>> I don't. That's where you have a hole in
your spine
and
the fluid and all of the your nerve
endings like on me.
>> Look at the back of my neck.
>> Oh wow.
>> You see that scar?
>> Oh, that's crazy. Yeah,
>> that scar is huge.
>> That's 1951.
In 1951, you got that operation.
>> I was born with You're born with spinal
b.
And
>> so what do they do to what what was that
operation exactly?
>> Well, they had to uh Well, here's the
story.
I was a my parents were only 20 years
older than me. So I was born
deformed
and my parents didn't know what the [ __ ]
to do. You know what are we going to do
with this kid? So they just went like
that to my grandmother. Here you take
him. And uh
so I was in the hospital and uh there
were four other kids and there was a
young doctor named Heinberger who was
just a young neurosurgeon. Don't forget
neurosurgery in 1951 was in its
so he just said well we've got to try to
do something with these kids. And uh
so he operated on all of us.
I was the only one that lived.
>> Oh boy.
>> You know the fact that
and he charged my parents a dollar
for the you because it was an
experiment. I was like a guinea pig and
these other poor kids who had the same
thing I did.
Uh they all died within,
you know, 6 months.
>> I remember seeing one girl that made it
till she was 14 and she was in a
wheelchair. I would see her basketball
games and my parents would go, "That's
the other little girl that had the same
operation you did." And then she died.
So my whole life has been full of luck.
I mean, uh, I'm not supposed to be here.
>> What did they do during the operation?
What is the procedure?
>> Well, they have to
cut your head off for starters. You
know, they they had to cut my head and
lay it open
>> to get to my spine. And then they would
push each individual
nerve ending back down into my spine.
drain the fluid off
uh sew it back up and make sure that
everything was working.
And uh they told my parents, you know,
look, uh here he is. He's probably going
to die become get encphilitis and his
head's going to fill up with water. We
we don't anticipate him living much more
than six or seven months.
And I was [ __ ] I think I was in fifth
grade. I didn't even know I'd had the
operation. And some kid in my class
said, "Hey, Mal Camp, what's that big
scar on the back of your neck?" Don't
forget. Now we're talking,
you know, 1957, 58,
60 maybe.
I didn't even know there was a scar back
there, you know. Wow. Wasn't like I was
going and my parents never told me. So I
came home and I asked my old man. I
said, "Dad, what what's with the scar in
the back of my neck?" And he goes, "Oh,
don't worry about it. You had an
operation when you were born." So I did
it. I played football. I ran track. I
fought. You know, I did everything that
every other kid did without a thought of
that. Not until I got older and I had
started having panic disorder that I
thought
I thought maybe that the panning
disorder was from uh
from that operation.
>> How old when you started having panic
disorder?
>> Uh I was just out of college. I couldn't
leave the house. I became what they call
uh what's that called? Agorophobia.
>> Yeah.
>> Yeah. So, I had agorophobia for about a
year and a half and then I got a record
deal and I had to leave the house. I
mean, I was married in high school. I
got married in high school and the girl
I was married to was 5 years older than
me, you know.
>> How old were you?
>> 18.
>> 18.
>> Yeah.
>> You had a kid, right? You had a kid real
young.
>> Yeah. She's uh 50some now.
>> Wow.
>> I I have three girls and two boys.
Weren't you a grandfather when you were
in your 30s?
>> Maybe.
>> I think you were. Right.
>> Yeah.
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>> Cuz that oldest daughter of mine got
married when she was like 19.
>> Wow.
>> Not much to do in a small town, man.
>> Yeah.
>> Not much to do.
So
that's the spobifida.
>> But it never bothered you again other
than the panic. Do were you performing
when you were having the panic stuff?
>> Oh man, I have been on stage in front of
like 20,000 people and had a panic
attack.
>> Yeah. It's like, have you ever had one?
>> No.
>> You're lucky
cuz you feel like uh I can't breathe.
>> My chest hurts.
And
>> I've seen it. I've seen people have
them. It's It's horrific. You can't do
anything for them. You're like, "Are you
okay? You think they're having a heart
attack. You think they're dying."
>> Yeah. Well, I've been on stage and I
remember having to plant my feet
>> and just power through, you know, in
front of 20,000 people and it was it was
awful.
>> Did it pass while you were on stage?
>> Uh, I don't know if it did. I just
remember it happening numerous times.
And then guess what happened? I had a
[ __ ] real heart attack on stage at
Jones Beach like 30 years later.
>> Oh Jesus.
>> I know. So,
but you know what that heart attack led
to? I was I just married Elaine
uh Irwin and we had two little boys and
I got to stay home
because I said, "Fuck it. I'm going to
die. I didn't know about heart disease.
I'm going to die. So, I want to spend
the last couple years of my life with my
boys who were little teeny guys, which I
want to tell you a story about them and
you. Uh,
and uh uh so I got to actually kind of
not be in the music business, which
pleased me.
Um,
>> how old were you when you had your heart
attack?
>> 42.
>> Oh, jeez.
And uh so I got to stay home. I stayed
home for three and a half years. Elaine
didn't model and we just
you know we had TV shows we watched
which is unheard of in my life you know
like hey it's Thursday night let's watch
let's watch this you know which is where
you come in. So the boys were little
and they loved your show.
They loved your [ __ ] show.
And I was kind of like, I don't know if
the kids should be watching this, you
know?
>> You talking about Fear Factor?
>> Yeah.
>> Yeah.
>> Yeah. I don't know if the kids should be
watch. So, I made a deal with them. All
right, you guys. You can watch this
show, but you have to watch 60 Minutes,
too.
So, if you're going to watch this, then
you got to watch 60 Minutes. And they
obliged, which surprised the hell out of
me. But it was like, "Dad, 60 minutes
on, Dad. Fear Factor's on." I know. So,
we would watch it together. I mean, how
lucky is that?
>> That Well, it sounds like it was a
blessing in disguise.
>> Yeah. Well, that's
>> Yeah. It gave you pause.
>> You know what luck is?
>> What?
>> Thinking you're lucky.
>> Thinking you're lucky.
>> Yeah.
>> What you think about yourself all comes
true. I wrote it in a song once. what
you think about yourself will come true.
>> So if you call yourself a dumbass, guess
what? You do it enough and you start
your brain starts believing it.
>> What caused your heart attack at such a
young age?
>> Me being stupid.
Uh I would go in and to get a physical
and they would go, "John, your
cholesterol is off the charts. It's at
400. And I would go, "Am I all right
now?" And they'd go, "Well, yeah, you're
all right now." Good. Cuz I didn't want
to get on medicine.
>> You know, and statin drugs had just
become
just were invented.
Uh, you know, at that time, people
started using statins and I didn't want
to take them. I didn't know what they
were,
but I know all about heart disease now.
>> Did you have plaque? Did you have
arterial plaque?
>> Yeah.
>> Yeah. Yeah. And uh it runs in my family.
I have a sister that has or she used to.
I don't think she does anymore, but her
cholesterol was a 500.
Imagine that's like
it's crazy. Cholesterol is a very
controversial subject now because people
are starting to try to sort out what is
the actual cause of heart disease. And
there's a lot of people that don't
believe it is cholesterol. They think
it's arterial plaque. And what is that
stuff called?
Nattokenis.
I I don't know how to pronounce it, but
there's a a supplement like an
over-the-counter supplement that's
supposed to be able to eliminate
arterial plaque in a very profound way
that they're just starting to realize.
>> I don't know. But
>> clogging of it. Listen, what
I was in New York once
with a girl and I went to the doctor
with her. She's an actress
and she was getting a physical and she
wanted me to go so I went with her and
uh
she went to the best doctor in New York
City and I found myself alone with that
doctor and I said so uh
the doctor in Bloomington just put me on
metformin
what's the side effects for metformin
and this guy. Joe was the guy. He went
longevity.
And he said, "If it was up to me, I'd
put the entire United States on
metformin and a statin because the
[ __ ] food we eat is terrible."
>> Yeah.
>> It's processed. It's this and that, you
know, and he just said,
>> you know, the the human body was not
meant to eat this crap.
>> That's a fact.
>> Yeah.
>> Yeah. I think the solution is probably
eating food that you're meant to eat.
But metformin is uh one of those drugs
that longevity doctors recommend. I've
never been on it, but uh I know quite a
few people that have. I I think isn't it
a diabetes drug initially?
>> Yeah. And I'm my mom died of diabetes.
So uh I was always borderline and I'm
still borderline and this was
>> she get type one or type two?
>> Well, she started out with two and then
she paid no attention to it. Wouldn't
take her medicine. We'd drive by crispy
cream and she'd go this don't tell your
dad, okay? And she'd get a half a dozen,
you know, crispy creams and eat them.
And it's just like
>> that's where it's at. It's it's the
food. It's a horrible thing that we've
done to this country. You know, there's
I mean, this is the most controversial
thing about RFK Jr., here, I guess, or
one of the most controversial things is
the elimination of all the stuff that's
already eliminated in a lot of European
countries. He's
>> I I had a friend come here from Europe
who had not ever been United States and
got sick.
>> Mhm.
>> Just from eating
>> just eating our food.
>> Yeah.
>> It's crazy. Just our bread. What is that
that supplement?
>> That's not You had it right.
>> How do I say it?
>> Think of how you were saying it.
>> Can you find out what it's supposed to
do? Like what? because there's a recent
study. There it is. Okay. So, nano Yeah,
that's it. Nanokinise supplementation
can significantly reduce the size of
existing arterial plaques and slow the
progression of ar arterioclerosis.
I never say that word. Arthther
athetherio sclerosis
a no atherosclerosis
whatever particularly at higher doses.
uh nattokenase and arterial plaque
reduction. Multiple clinical trials
provide evidence that nattokenise, an
enzyme derived from fermented Japanese
food, NATO, has a positive effect on
arterial sclerosis, hardening and
narrowing of the arteries due to plaque
buildup. Yeah. So folks, go take that
stuff. Highdose supplement shrinks
arterial plaque by 36%. Very interesting
stuff.
>> Yeah.
>> And it's a very common supplement. It's
an easy to get supplement and you know
it comes from fermented food.
>> Mhm. Well, you know, if you if you know
I've watched a lot of things about the
food that we eat
and
>> terrible,
>> terrible.
>> Well, a bunch of monsters decided to
make more money and the way they make
more money is to throw a bunch of
preservatives and [ __ ] and stuff
into food so it keeps their shelf life
as long as possible.
>> Oh, yeah. You you've heard those stories
about uh taking a a a hamburger that you
would buy at a very popular store and
just putting it in a box and leaving it
for five years and you five years later
it's
>> Oh yeah. I my some of my grandkids were
at my house in on DeFuski
and uh they had an ice cream sandwich
and they only ate half of it
and it sat there for three hours and did
not melt.
>> Yeah, I've seen those.
>> Yeah, that's not ice cream.
>> That's not ice cream.
>> I don't know what the [ __ ] in there,
but it's not regular ice cream. The
Burger King or the McDonald's hamburger
thing is nuts because what is the
longest that that guy There's one guy
that's had one on a shelf at his house
for God I want to say it's close to 20
years or something crazy like that. It's
just sitting there and you would think
that he got it 5 hours ago.
>> Yeah.
>> Yeah.
>> And we're supposed to be eating that.
>> Yeah.
>> And for a lot of people that's a big
portion of their diet is fast food which
is just crazy. You're just sucking down
all these chemicals and preservatives.
Cuz if something can not rot, can sit
there and not rot.
>> Quarter pounder that's 30 years old. It
says
>> it's a quarter pound and it's 30 years
old. Wow.
That is insane.
>> Yeah,
>> that's insane.
>> That's craziness.
>> Wow.
>> Yeah. Our our our food source and and I
don't know about RFK Jr. I, you know, I
don't follow what he says or listen. I
try not to listen to much politics.
>> Good for you.
>> You know why?
>> That's another good way to not have a
heart attack.
>> Well, you know why? Cuz it's all, you
know, I was a hippie.
>> Mhm.
>> And I grew up thinking,
you know, that anybody over 30 was the
enemy,
>> right? And you know, it's kind of like
my I remember when Kennedy was shot, I
asked my dad,
I go, "Do you I was like a kid. I go, do
you really think one guy did it?" And he
just looked at me and went, "What do you
think?" And that was the whole his whole
answer.
>> Wow. Well, he knew it back then. That's
interesting because it took a long It
took until
Dick Gregory brought the Zapruder film
on the Heraldo Rivera show which was I
think it was 12 years after Kennedy's
assassination that people realized that
he probably had gotten shot from the
front.
>> Yeah.
>> Because his head went back into the
left.
>> Yeah. and and and I've seen that and uh
I remember my dad was a young Democrat,
you know, and and uh so he he was
involved a lot with the Democratic party
back then and uh I'd ask him questions
and he never would really give me
answers.
He would just give me looks
It was kind of like and he knew the
look. It was just like,
uh,
what do you think, John?
You really think somebody did that? You,
you know, figure it out for yourself.
>> Yeah. Not much has changed.
And and that's why I don't watch
I don't you know I used to be very
politically minded and and cared about
what politicians said. I don't give a
[ __ ] what they said. I don't trust any
of them. I don't like any of them. Not
that I don't like them.
>> Right. It's just that I don't I I you
know it's just hard to believe anything
that anybody says because everybody's
spinning everything in such a way that
it's just like for their purposes,
you know. So, you know, and
unfortunately we're more aware of it now
than ever before. There's less trust in
politics now than there's ever been. And
then there's more people talking about
politics than there's ever been. There's
more polarization. I mean, I don't know
what it was like when uh you were a kid,
but when I was a kid, there there wasn't
this polarization between people that
were conservative and people that were
liberal. Like, you could hang out and
talk to each other. You didn't they
didn't hate each other. They just
thought the other person was a fool for
having a different opinion than them.
But there wasn't hate like there is
today.
>> Well,
here's the way you got to look at it.
This is that when you used to vote, you
would go inside a place and they would
shut the curtains
>> and you would vote and that was your
[ __ ] business.
>> Yep.
>> It's nobody else's business.
So, like, you know, it's like, you know,
I'm for anybody that's doing good. If
you're doing good and you're not hurting
somebody, go, man.
But I, you know, I I'm not for cheating
and,
you know, how about a little morality
and
>> Yeah.
>> integrity and what you're saying and
doing?
>> No, it would be nice. It would be nice.
>> Well, it's it's never been that way.
>> No, never.
>> It's ne it's never been that way. I
mean, in the in the 60s when I was
a hippie, uh
I mean, people think that this is like
really bad. No, it was really bad when
[ __ ] Russia had had uh missiles in
Cuba and it was really bad when kids
with long hair were getting shot at Kent
State. I mean it was really the
separation of of of adults and and and
kids, you know, there was a change that
was happening and uh of course the
change happened and all my generation
did was get to wear blue jeans to work.
That was about that's about all we
accomplished.
>> Well, the change was because it was the
first generation that realized that the
war that they were being sold was
[ __ ]
>> Yeah. you know, uh, the people that were
involved in World War I and World War
II, they thought they were stopping the
world from an evil dictator taking over
and and just ruining the world. That's
what we we're in World War II, United
States was fighting Hitler. You you
can't get a more evil
person that's leading an army that you
want to fight against than that guy,
right? So, everybody felt like that was
a just war. Came back from that war
victorious. America had national pride.
We did it. We're the good guys. But then
all a sudden we're in Vietnam. Like what
the [ __ ] are we doing in Vietnam? Didn't
make any sense.
>> Back up, Joe. What do you think the
Civil War was fought about?
>> The Civil War?
>> Yeah.
>> Well, slavery was a big one.
>> No.
>> No.
>> Ports.
>> Ports.
>> They fought It was fought over ports.
The port in Savannah, Georgia was the
biggest port in America. And the ports
in Boston, New York were struggling.
And the North said, "Hey,
why don't you guys send some of that our
way? You guys got more than you can
handle." And they said, "Fuck you. No,
no, we're we're not sending you any of
our stuff." And they just kind of went,
"Well, then [ __ ] you. We're going to
come down and take it."
But how are we going to get the American
people to get behind that?
Slaves
will say it's to free the slaves.
>> Really?
>> Yeah. I live I I have a house in the
south and and uh
that's what it was about. It was about
the ports. Slavery was just an excuse
because nobody cared about black people.
>> So,
>> north or south?
>> Wow. So you think that if they had just
spread the wealth a little bit that that
would not have happened and slavery
would have still continued? Don't you
think that I mean there was already a
distaste of slavery because it wasn't
>> it wasn't ubiquitous in the north
>> but in the south
>> but but it was
>> in the north it was
>> yeah I mean Lincoln had slaves
>> right back then but not in not in the
1860s when they were fighting the Civil
War.
He was president.
>> Really? He had slaves when he was
fighting in the war?
>> Yeah.
>> I wasn't aware of that.
>> Yeah. A lot of people in the north, you
know, they weren't at they they hadn't
spun it to be so cruel as the South was
apparently.
>> Well, there was more in the South,
right? Because of plantations and
>> Yeah.
>> So, here it is. Abraham Lincoln never
personally owned slaves. This is
according to Perplexity, which is our uh
AI sponsor, which is always very
accurate. Either before, during his
presidency, according to mainstream
historical scholarship, claims that he
had slaves through inheritance or
marriage come from fringe or highly
disputed sources and are not accepted by
most professional historians.
>> That's me.
Lincoln was born in Kentucky, raised in
Indiana and Illinois, all as a non-slave
owner, working as a laborer, a lawyer,
and a politician. He was a really good
wrestler, too. Um, being related to
slaveholders did not legally make those
enslaved people his property, and the
best documented homes Lincoln himself
maintained in Illinois and Washington
employed free servants, not slaves.
>> Okay, where the
>> I'll call him for a second. Let me stop
for a second. You can call it what you
want.
>> Mhm.
>> Free servants. Call it what you want.
>> Well, they were free and they were
getting paid is like means like you
said, you had a housekeeper.
>> It was still a minstal show no matter
how you got it.
>> Okay. Uh some modern writers and
websites argue Lincoln inherited or
ordered this is where the idea Lincoln
had slaves came from. Uh websites argued
Lincoln inherited or ordered the sale of
slaves via the Todd estate. But these
claims hinge on a small number of
contested documents and are rejected by
most specialists in Lincoln studies.
>> There you go.
>> Well, it's interesting that the
>> the fact that we're even talking about
it.
>> Mhm. Well, it's kind of crazy how recent
it was. That's what's really crazy.
>> Oh, yeah. It wasn't that long ago.
>> Two two people ago. You know, people
live to be 100.
>> Yeah.
>> 1865 is roughly two people ago.
>> Yeah.
>> That's [ __ ] crazy.
>> Well, I know. I bet you when you were in
school, you thought World War II was
ancient history.
>> Oh, yeah. Which is nuts because I I was
in high school in the 80s, right? So,
World War II ended in 45, which is nuts.
Like,
>> yeah, I thought it was ancient history.
I I remember sitting in in history class
in 8th grade going, "What do I need to
know this [ __ ] for?" You know, and I was
born in 51,
>> so it was only like three or four years
and the war had just ended to me. Nuts.
And but to me it was ancient history.
>> Isn't that crazy? Because that
essentially what we're talking about now
is like the 1980s.
>> Yeah.
>> Well, that that to us the 1980s like to
kids today that must be like, "Oh my
god, [ __ ] dinosaur days." Yeah. No
internet. [ __ ] big old tube TVs. It
was a giant box.
>> Yeah.
>> A big one was 14 in.
>> Yeah.
>> Yeah.
>> Yeah. I I uh I I remember being at home
once and I told my dad I said, "Hey,
Dad, the people down the street have got
like a changer and it's got a cord on
it." And he goes, "I got a changer, too.
Change it to channel 4." I was the
changer.
Yeah. I remember we used to have a
pliers because the thing got stripped,
so you had to change the channel with
the plier. You didn't know what channel
it was until like, oh, it's CBS. All
right, so we're on five. Go like this,
then you're on ABC. Go like that, you're
on NBC.
>> Yeah.
>> Yeah. I remember the day cable came out.
I was like, this is [ __ ] bananas.
Yes.
>> Look at all these channels.
>> Well, I I I remember seeing a home box
office time. It was like, what on earth?
I even remember what movie it was. It
was some
The Miracle Man or something. And I
thought, "What is it? This it's past
11:00 and this movie's just starting.
>> Are you kidding?"
>> Yeah.
>> Do you remember in the old days when the
TV would sign off and the American flag
would wave and it would just play music
and then it would just go
>> and then Well, the Indian would always
show up. The American Indian would
always show up and it had like this
>> Yep. And then it would go to nothing.
They would stop broadcasting at night.
>> Yeah. 11.
>> Yeah.
>> 11.
>> Those are wild times. Cable changed
everything. Home box office changed
everything because when HBO came around,
all of a sudden you got to see standup
comedy uncensored. I remember the first
time I watched Sam Kenisonson on HBO, I
was like, "This is [ __ ] crazy." Yeah.
>> Like I had never seen anything like that
before. Like wild raw comedy.
>> Sam Canson?
>> No, I never met him.
>> I did.
>> What was he like? Wild.
>> Yeah, I would imagine.
>> He was very unpredictable, very uh you
know, he was empty.
>> You know his story, how he became that
way?
>> No.
>> Got hit by a truck when he was a little
kid. He was real normal, like a normal
kid. His brother Bill wrote about it.
His brother Bill wrote a great book
called My Brother Sam. And um he said
that Sam was just a normal kid. got hit
by a truck, got really [ __ ] up, bad
brain injury, and then from then on,
wild and reckless, just like impossible
to control, just a maniac.
>> Well, you could imagine. I mean, you
know, that's
>> I don't know about you, but if you grew
up in the 80s, you know, our parents
used to just tell us, "Go outside."
>> Yeah.
>> Yep.
>> Go outside and we'll see you at dark.
>> Yep. And you know I could go I was I
don't know 10 nine riding my bike all
over Seymour.
>> Yep.
>> Which is where I grew up and just nobody
kept an eye on us. No
>> nobody you know
>> and nobody had any idea of knowing where
you are either. It was just your
responsibility to come home. There was
no way to find you.
>> It was funny. They had to remind us that
uh
remind our parents that you have kids.
There was a thing that said it's 10:00.
Do you know where your children are?
>> Yeah. Cuz a lot of people didn't.
>> Well, they didn't.
>> And people would yell. They would open
up the window and yell their kid's name.
Billy.
>> You just hear it in the neighborhood.
Someone like rolling down their window.
Rolling up their window and just
screaming out the kid's name to tell
them to come home and hoping the kid was
in earshot. I remember uh uh somebody in
my neighborhood I would hear every night
at dark Henry EARL
and I'd hear it and go I better go home.
>> It's time for Henry Earl to go home. I
better get home.
>> What was it like when MTV rolled around?
>> Uh I didn't I mean I liked it. And uh
>> how long had you been performing by
then? Oh, I was in my first band when I
was 11.
>> Wow.
>> Uh, you know, a little garage band with
a bunch of kids playing along with
records and then I was in a band called
The Crepe Soul.
I think about this, Joe. I was 14 years
old playing in bars.
>> Wow.
>> And my parents were cool with it.
Was like, where's John? He's playing
tonight. Playing what? He's He's in the
grape soul. Oh, and it was me and this
black kid named Fred Booker.
And we shared the vocals and we would
do, you know, we would do songs like uh
pull strings and I'll kiss your lips,
I'm your puppet,
I'm your puppet. And we had, you know,
neighbor jackets on. And I was cute back
then. And And so, you know, it was great
for me. I would have done it for free
because I was 14 years old making out
with 18, 19 year old girls.
>> Wow.
>> I know. It was great. Are you kidding
me? And then uh we played at every
fraternity, every sorority,
and I came home with maybe, you know,
over the weekend I might make 60 bucks.
I was the best dressed kid in school.
>> Wow.
>> That Melanchamp kid is just a dressed up
hood. That's all he is.
>> So, did you know back then that you were
going to be a professional musician or
were you doing it for fun? Did you think
it was going to be a career?
>> I thought, here's what I thought. I'm
either going to be a professional
football player, a professional boxer,
or a singer. That was my choices.
>> You boxed?
>> Yeah.
>> Yeah. I'll whip your ass right now
at 74.
>> Is that why you were getting in so many
fights?
>> Yeah, I liked it.
>> Wow.
>> I liked it. I I liked the contact.
Didn't like getting whipped every
goddamn night, but you know, it happens.
>> Did you have any any professional boxing
matches?
>> No, but my son, I'm going to brag on my
son
uh was national Golden Gloves champ
twice.
>> Wow. And uh then he played football for
Duke and uh he was you don't want to
mess with Hud.
Don't want to mess with HUD.
>> And so
>> he's 31 now.
>> When did the music thing really start
taking off for you?
Well, I went to college and I got a
degree in uh
broadcasting technology,
which at that time was pretty
and uh
I would they would have dances at
college and bands playing and I would
sit there in the audience and go, I can
do this better than that. I know I can.
And so as soon as I got out of college,
I got into a band called the Mason
Brothers,
which I have I have so many funny
stories. Like I said, I'm so lucky.
I got into a band called the Mason
Brothers, and we played every weekend.
And uh I was a barroom singer, you know.
I never wrote any songs or anything like
that. Uh you want to hear a funny story
about the Mason Brothers? How the Mason
Brothers ended?
>> Yeah.
This is good.
The guy that ran the band, I was just a
singer. And the guy that ran the band
was a guy named Dave. And Dave
talked to the Booker.
And we had a gig on a riverboat up and
down the Ohio River. And it was
fraternity show.
And we had an old Plymouth
and a U-Haul on the back.
And we get there and the guys in the
fraternity Joe are so [ __ ] mad at us.
Dave failed to realize that there was a
time change between Seymour and
Cincinnati, which is on the Ohio River.
So they could all these fraternity guys
are going, "Where the hell have you guys
been? You're an hour late."
So it really pissed me off. I go, "Dave,
godamn it. if you're going to run the
band, you got to like keep track of this
[ __ ] He said, "Oh, don't worry about
it." And as time went on and
uh
so
as and you had to do four sets back
then, you know, four 45 minute sets,
which was plenty of time for Dave to get
drunk
and he would drink and he was the bass
player.
And the fraternity guys already hated
us, you know, because we weren't really
any good anyway. So
Dave's playing and it's going along
really good and he was putting on a show
and he leaned back and man overboard.
He [ __ ] fell off the ship and they
had to stop and fish him out.
>> Oh my god.
>> So I got so [ __ ] mad at him that he
said uh I said, "Dave, I'm going to
quit. this is this is it for me. I'm I'm
done with with this crap. Uh
and then Dave said, "No, John, give us
one more chance." And then the drummer
quit cuz he went to uh he went to
medical school and then the guitar
player was still in high school.
>> Wow.
>> And he was my mom and dad's paper boy.
And uh
so uh Dave said, "John, let me put the
band back together. I'll get some new
guys.
And I'd call him up and I go, "Dave,
how's the band going?" And he'd go, "Oh,
it's going great, man. It's going really
great." I said, "Good." I said, "Who are
these new guys?" He goes, "You'll see
when you get there. Don't worry about
it. I got it covered." I said, "Oh, you
mean like you did with the time change?"
And he goes, "No, no, no. This these
guys are good." So, I show up for this
gig. I haven't even rehearsed with these
guys. not even rehearsed with them. But
it was the same [ __ ] you know, because
it we we we were just a cover band and I
was just a barroom singer. So, you know,
if you want to see taking care of
business, I'm your guy, you know, and uh
taking care of business,
you know, who can't do that. So, anyway,
I show up. Dave has recruited two
sophomores in high school
who couldn't play their instruments at
all.
The drummer was like, it's like
boom boom crack, [ __ ] Boom, boom,
crack. That's all you got to do. And he
was
the whole [ __ ] time. And and and so
the show was about half over. I just
said I looked at Dave and I go, "You're
the lead singer." And I just left.
because it was just too embarrassing.
And then uh I got uh I went I went to
New York
and uh I was afraid,
Joe. I was afraid. I mean, I'm from a
[ __ ] town of 18,000 people. And I'd
been to Chicago once, never been on an
airplane.
And so I flew to New York because I came
into some money. That's another funny
story. I came into some money and I went
there and I was afraid to come out of my
hotel room for the first two days
because New York in the early 70s
was broke and there were prostitutes and
pimps and everything everywhere, you
know, and homeless people. Which reminds
me, you guys got a lot of homeless guys
here. There's a few. It's not as bad as
LA.
>> Well, that isn't You can say that about
anything, Joe.
>> That's true. Yeah. Um, it's a lot better
than it was during the pandemic. During
the pandemic, they allowed them to do
the camping on the street thing. So,
you'd go down like Caesar Chavez and
you'd see like 15, 20 tents where people
were just hanging out and people were
trying to jog and ride their bikes past
them. It was it was pretty bad. But uh
the former former mayor uh cleaned it up
and they have pretty good programs here
to get people into housing.
>> Well, everybody here everybody here must
love uh and I'm not putting Austin down.
I'm just I have you know I was I played
here about three years ago.
Uh but everybody must love graffiti
here.
And that's the thing about graffiti. I I
don't mind if you want to
destroy somebody else's property, but at
least do something original
>> because it all looks the same.
>> You know, it's big letters and outlined
in it's done in black and outlined in
yellow and it's it's the same [ __ ]
[ __ ] you see in New York or Los Angeles.
It's the same, right?
>> If you're gonna if you're going to be a
an artist, be an artist.
>> Well, a lot of these guys are just
tagging. They're just like sister gang
affiliation or whatever it is, I guess.
>> I don't know.
>> Yeah,
>> but it wasn't that way the first time I
came to Austin.
>> No, it's Well, I think all cities have
deteriorated,
but I think Austin's deteriorated quite
a bit less. We found out recently that
Skid Row in LA is 50 blocks 50
>> right now.
>> Right now. 50 blocks.
>> Wow.
>> Of homeless people just living on the
streets.
and like almost impassable. Like if
you've ever been down Skid Row, it's
[ __ ] I went there once accidentally
and this was in the 2000s. We were
filming Fear Factor downtown in LA and I
took a wrong turn and wound up in Skid
Row and I was like I couldn't believe it
was real. Like I it was like a zombie
movie and that's I mean
so you decided on Fear Factor you go
stay in here for three days and you win.
three days and do no coke. Yeah. You
could do three days with no meth and you
win.
>> Yeah.
>> Yeah. It was uh it was sobering. And
then then we looked up the history of uh
Skid Row. And the reason why it's like
that is they would take people out of
Hollywood and Beverly Hills and homeless
people then and they would put them in
Skid Row and force them to stay there.
And they they sort of built it as a
place where they could deposit vagrants
and homeless people.
>> Well, there is a law in this country
called vagrancy.
>> Mhm. Yeah. Not very enforced.
>> Well, well, it's it's it would be Let me
tell you something. If you grew up in
Seymour, Indiana, it was enforcable,
>> right?
>> Because if you stand up town too long,
which is all kids did back then,
>> the cops come up and go, "Hey, you've
been here for three hours. if we've been
timing yet.
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>> Yeah.
>> Move on.
>> You want to keep a nice clean town,
that's how you do it.
>> Yeah.
>> But if you let it go long enough, it
will be like Skid Row. But I mean, and I
think that what we're saying like the
documentary, what was the uh hotel
again? That one
>> Hotel Cecil,
>> the Hotel Cecil, the documentary was
about the Hotel Cecil, which was a
beautiful hotel in downtown LA that's
now a [ __ ] disaster area, but it's in
that whole area. And they just they
couldn't figure out a way to deal with
the homeless problem, but they didn't
want it messing up the beauty and
glamour of Hollywood. So every time they
would find homeless people, they would
just ship them to downtown. Downtown LA
is really the only downtown of any major
city that I've ever been to where nobody
wants to go.
>> Downtown New York is [ __ ] downtown.
Like, holy [ __ ] we're downtown. Look at
all the restaurants. Look at all the
shops.
>> Yeah, but it wasn't that way in the 70s.
I mean, the first time I went there, it
was just like,
>> yeah,
>> you went to Time Square. It was
frightening.
>> The first time I went to uh New York was
to fight. I was fighting in a martial
arts tournament in 1980.
It had to be I guess it was 85 or 86 and
uh it was bad. We went through through
Time Square and I was like oh my god I
couldn't believe people lived like this.
I remember the first time driving
through it I couldn't believe how big it
was. I was like this is crazy. It was so
because Boston where I was from was you
know the big city. I thought it was
nothing compared to New York. I'm like
this is nuts. I couldn't believe how
many streets there were and how many
buildings there were and how tall they
were.
>> But the uh just the seediness of it was
so strange to me, you know, the peep
shows and all the weird people and I was
a kid back then. I was probably, you
know, 18.
>> It was very strange.
>> It was frightening.
>> Yeah. Yeah.
>> Yeah. Like like I was I don't know. I
probably got sidetracked, but the first
time I went there, I I didn't leave my
hotel room. I had a I was at a Holiday
Inn on 57th Street and I just kind of
peeked through the curtains and looked
and I can't go out there. I mean, I I
was, you know, coming off
uh agorophobia
and here I'm in New York because I have
a meeting with some record company
people and you know they like to demo
and
so let's go back to that. So, you were
um your [ __ ] up drunk friend. You quit
him. How do you get back into music
after that?
>> Oh, Dave.
>> Yeah.
>> No, I when I got my first record deal,
the first guy I called was Dave.
>> No, he was he was a great bass player.
He was a great bass player.
>> Did he get his [ __ ] together before
then?
>> No.
>> Nope. Still not?
>> No. No. I got funny stories about Dave
and Max's cast.
>> Is he still around? Yeah, he's a
professor now. He found God and all this
stuff. He's a professor at Vince
University and he teaches
>> He's a professor. Wow. What does he
teach?
>> Music.
>> Oh, wow.
>> And uh
No, he was really a handsome really good
bass player. Really, really, really,
really good. body just, you know,
you know, Dave and we were 20 years old,
22 years old, you know, the [ __ ] did we
know about anything?
>> Yeah.
>> Nothing. Nothing.
>> So, when you left Dave and you left that
band, what what happened next? What was
like the big break for you?
>> I never really had a big break.
>> Well, something must have happened.
It was a slow climb.
>> Yeah,
>> it was a very slow climb. Yeah. I uh
I got a record deal
and of course being me at that age at
22.
Uh I went out to California and I met
with a guy named Mike Maitlin who hated
my new record but said I had great
possibilities.
And I told
I just stood up and I said,
"Motherfucker, you're an old man. What
do you know about rock music?" He must
have been 40.
And of course, I got dropped
immediately. I was on MCA and I got
dropped immediately. But there were a
couple people at MCA who believed in
what I was doing and so they helped me
along. And then I got introduced to uh
Rod Stewart's manager
and I moved to England for two years,
made a record and and you know lived
with the whole band on Chelsea in
Chelsea
and uh punk was just starting and just
starting I mean you know the Clash and
the Sex Pistol I mean these they were
brand new bands.
>> Wow. And there I am with an acoustic
guitar going, I need a lover that won't
drive them like
however that song became number one in
Australia
and uh
so
Australia was ahead of us with
televising rock bands
and they had a whole bunch of rock shows
and I had the number one record album
and single in Australia
and couldn't fill up a bar in
Bloomington.
>> Wow.
>> Couldn't nobody come to see me. So
anyway, I went to Australia
and then uh a girl covered I Need a Love
and she had a big hit with it. I mean,
my mine was like went to like 30 or
something like that, but hers went to
like two of of that song. And that's how
it all started for me. That was the very
first thing.
>> Wow.
>> Was some girl covering one of my songs.
>> And you were living in England.
>> I lived in England for uh
two years
and uh
and they had the National Front there at
the time. I don't know if you know what
that is. The National Front was if
you're not English, get out of our
country.
>> Oh. And a couple my couple guys in my
band got beat up because they heard, you
know, some of the National Front guys
heard uh their accent and it wasn't
English. So it was like dangerous to
even go to the movies. Keep
>> keep your [ __ ] mouth shut your head
down.
>> What year was this around?
>> 70s.
>> 776
7.
>> Wow.
>> Yeah. Yeah. The National Front was, you
know, they were like all a bunch of skin
head guys and violent and didn't did not
want any foreigners
in their country at all. And even
Americans, you know, so yeah, you had to
keep your I you know, I learned real
quick to keep your head down, your mouth
shut.
>> Wow.
And so you got out of there because of
that?
>> No, I got out of there because I got mad
at the I know it's hard to believe that
I got mad at somebody, but uh I got mad
at the manager because I never could get
the cockseacker on the phone, you know,
and then I came back to United States
and he had a he had a record deal based
on the number one record in Australia.
And I used to go, "Well, we have a
number one record in Australia." And
they would look at me and go, "Not many
Australians in the United States, John.
So, you know, and then it just kind of
built but see what happened and I don't
mean to sound arrogant,
but I didn't give a [ __ ]
I I got to the point where I was like, I
don't give a [ __ ]
you know, do what the [ __ ] you want
because I I didn't want to be Johnny
Cougar, which is how they made me start.
Whose idea was that to turn you into
John Cougar?
>> It was Johnny to start off with.
>> Johnny Cougar. Tony DeFreeze managed me,
David Bowie,
>> Lou Reed, uh, Martha Hoople. You
remember all these bands?
>> Oh, Lou Reed for sure. Yeah.
>> Yeah. Anyway,
>> David Bowie, obviously. Rod Stewart,
obviously.
>> Yeah.
>> Same guy. Manager.
>> Now, Rod Stewart was different.
>> Different manager.
>> Different man, but he was English, too.
So, uh,
>> it's hard to argue with someone that's
got that kind of talent, right?
>> Well, it's hard to argue, uh, when
you're 22 years old with a 45 year old
man who has had success,
>> right?
>> Yeah. Like I signed away my publishing
and stuff. This is an old story,
but I mean, an old story from everybody
from the Rolling Stones to, you know,
you name it. Prince
>> if you were black, you know, it was like
here's a new car and a and a shiny ring
and some money.
>> Yeah.
>> And uh so I remember the I was in
getting ready getting ready to leave
England and I heard that
Gaff had
uh
had good news for me in America. So
that's the reason I went home. And the
good news was is that he just got a deal
for me for on Mercury Records.
And then uh so I can't I went back to
the United States and uh
we started, you know, started making
records and just kept plowing away. And
the critics hated me, you know, they
[ __ ] hated me because of Johnny
Cougar. And main man came up with that
name, Johnny Cougar. And he his excuse
was, his name was David Jones, and I
called him David Bowie. And look how
well that worked out. And that was and
I'm 22. And I'm going, "But I don't like
this name." And they go, "Well, you
don't have to you don't have to
uh participate. you can go back to
Indiana if you want. It was like, well,
[ __ ] you then. I will. And then I walked
outside and thought for a minute,
thought.
I guess I'm Johnny Cougar.
Wow.
I hated it. And and they compared me to
James Dean and Bruce and you know, so
the critics just hated that. It was
like, you know, he's so American. He's
so American. You know, yeah, I was a
[ __ ] hillbilly.
[ __ ] critics.
>> Yeah,
>> they're always going to be a problem.
>> Yeah, but you know what?
Um, I learned stuff from some of the
critics that were good.
>> Like what?
>> Well, one of my best friends was a guy
named Tim White who was the editor of
Rolling Stone and the editor of
Billboard magazine and he died a few
years ago.
And uh
you want to hear some inside baseball?
>> Sure.
>> Uh Tim and I talked every day and Tim is
as different as me as you.
Tim wore a bow tie,
white bucks,
you know, blue jeans, suit jacket every
day. And he was the editor of Rolling
Stone for a long time.
And then he became editor, Bill Board,
and he called me up and he said,
"I'm going to have to sign a deal with
Sounds Scan."
I said, "So?"
I didn't know what that was.
He goes, "John, you don't understand the
ramifications of signing a deal with
Sounds Scan." I said, "Well, what are
they?" He goes, "You'll be out of
business." I go, "Why do you say that?"
He goes,
"Because now the way the Billboard
charts work, is this getting too inside
baseball?"
>> No, not at all. No.
>> Uh, the way the the charts work is that
if you get played in Indianapolis
and you get played in New York, it
counts as one play. New York counts as
one play. Indianapolis counts as one
play. A play is a play.
When Sounds Scan came in, they changed
it so it's like the number one record of
the week.
So if you got to play in New York, that
was worth five points. If you got to
play in Indianapolis, that was worth a
half a point.
>> Oh.
>> So what does that mean? That means that
people who grew up in St. Lewis and
where rock took place.
All of a sudden, you know, where I what
got played all the time, the points
didn't amount to [ __ ]
>> But what did
urban stations?
Urban stations played what?
Rap.
So,
do you remember when all of a sudden rap
music took over?
>> Mhm.
>> It was because it wasn't because these
guys were so great. And I'm not saying
they were bad. I'm just saying that it
was because of Sounds Scan. And my
friend Tim knew this was going to happen
as soon as I signed this deal with
Sounds Scan. And there was a magazine
called Radio and Records at the time who
was rivaling uh Billboard
and uh
uh if Tim hadn't bought Soundscan,
Radio and Records would have bought them
which would have made them the premier
record company because they were the
most modern. And so Sounds Scan changed
everything. So, I'm sure that you
remember that there was a time when you
knew every song that was number one.
Then all of a sudden, you woke up one
day and you didn't know what the what
what's how does this song become number
one? But the way that it was before
Sounds Scan, each song had to work its
way up the charts.
So, if you had like, you know, let's say
20 plays, I'm just throwing out low
numbers, but if you had 20 plays,
uh, that got added to the 20 plays that
you got the next week. So, now you have
40 plays. So, you might move up from 36
to 31. But Joe Rogan in Boston was
hearing the [ __ ] songs as they move
up. Oh, I heard this new song. You
talked to your friends. and they said,
"Yeah, I heard that song." And then all
of a sudden, the song would build and
build and build and build and build and
build and Michael Jackson would be
number one or whoever.
>> And once
Sounds Scan took over, if you were in a
rock band, the record companies said,
"Well, [ __ ] this. We're not even going
to advertise in Indianapolis anymore."
Oh,
>> the biggest the biggest uh uh
uh numbers
are uh R&B stations and they're playing
rap and that's what we're we're going to
service those people cuz back then you
know there was poliola and all that
stuff going on
>> of course
>> so there was like no money coming into
Indianapolis all of a sudden where there
used to be
>> it was all going to New York, Los
Geggles, San Francisco to all these R&B
stations
and then
uh
what was that thing called when you
could like download records for nothing?
>> Napster.
>> Yeah.
>> Yeah.
>> And then that started and then that
really put us out put all rock guys in
out of business. If you check the
Billboard charts right now, I bet you
you you'd be hardressed to find two rock
bands in the top 100.
>> Rock bands right now just in general are
almost non-existent in terms of like new
bands. It's really weird. There used to
be so many rock bands and rock and roll
is still a very popular form of music
when you listen to the older stuff.
That's why that's why I've decided I
don't mean to plug myself, but I
they have been asking me because I got
tired
of going on tour and being a
cheerleader, which is what I was. Let's
do a rounding hit of Small Town. I was
born, you know, and everybody stand up
and sing and it I was playing to 20,000
people and everybody was drunk and I was
just kind of the cheerleader, you know,
the human good time.
>> Yeah. Giving them the opportunity. I
just thought, you know, I'm here to be a
musician. This is not being a musician.
This is being a [ __ ] clown.
I don't want to be a clown. So, I
started playing in theaters, which
pissed everybody off. I said, and you
know when you come to one of my shows,
and this has been for the last 20 years
I've been doing this. You come to one of
my shows in a theater, it says, "Please
recognize
>> back then." Pull that sucker up close to
your face.
>> What?
>> The microphone. Otherwise, we're barely
here. You're very soft spoken already.
>> How's that?
>> There we go. Um,
>> I am.
>> And I I am soft spoken.
>> Yeah, a little bit. Yeah.
>> You know why?
>> Why?
>> Cuz I'm deaf.
>> Are you really? Oh, from all the
singing.
>> Yeah. All the music. Oh, every rock star
is deaf. Yeah,
>> I'm deaf.
>> No one knew [ __ ] about hearing
protection back then.
>> No, I'm deaf. I can't hear.
>> All my friends in bands
>> and all my friends that are hunters.
Deaf.
>> Can't hear.
>> Yeah. Guns and loud music.
>> Yeah. Uh my kids would love it because
they could walk up and say [ __ ] behind
my back.
>> Like I heard that.
I got three girls and two boys. And what
how many kids you got?
>> Uh three. Three girls.
>> Uh girls or
at about 12 you lose them
and then about 21 they come back.
>> I haven't lost them.
>> You haven't?
>> Fortunately. No. No. I'm real close.
>> Yeah. 15 17 or 28.
>> I kind of lost mine. you know, it's like
and but now it's kind of like but I do
have a daughter that's really sick.
>> It's not falcon vine.
>> Oh, that sucks. I'm sorry to hear that.
>> She's got um
she's got cancer in the brain.
>> Oh Jesus.
>> And uh she's suffering right now.
But that kid used to call me up and I'd
go, "Teddy, you can have a thought
without asking me if it's, you know,
figure it out yourself.
You don't have to ask me everything, you
know." But I love having kids.
>> I do, too. It has made me a much nicer
person, that's for sure.
>> Yeah, me too.
>> But, uh, I've stayed close with them
even through the teenage years, luckily.
But, you know, I worked hard at it. And
>> I was on tour all the time.
>> Yeah. Well, that's one of the things
that I did when we moved to Texas, uh,
almost six years ago now, is that I, um,
decided to be home a lot more. In the
beginning when here I was still touring
a lot. Uh, I would do, you know,
weekends. I'd go do shows, but, uh, now
I hardly ever. Now, I have my own comedy
club, so I'm in town all the time.
>> What do you think of standup now?
>> I love it. It's a great time for
standup.
>> You think?
>> Yeah. Yeah.
>> I mean, you you don't have to like worry
about crossing the line or
>> Yeah, you do. Yeah. Yeah. You do. You'll
cross the line, but not for with the
people that you care about, you know.
You cross the line for people that are
looking to be offended.
>> Well, which is a lot of people.
>> Yeah. So, they're going to be mad. Let
them be mad.
>> Yeah. Well,
>> you just can't pay attention. That's the
thing. It's like I I tell all the comics
like stay out of the comments. Don't
read anything about yourself and you'll
be all right. Just the audience is what
matters. Is the audience laughing?
>> I've never googled myself.
>> Good for you.
>> In my life.
>> Good.
>> I've never Googled myself ever and
because I don't give a [ __ ]
>> Well, that's a good that's a good
practice to keep. Where where were we?
So, we were talking about how you they
stuck you with the Johnny Cougar name.
You're in New York City.
That's kind of where we left it off. I
was trying to figure out like what what
what was the MTV days like and when did
it like really start cracking? Pull that
microphone close up to you. When did it
really start cracking?
>> Well, do you know John Sykes?
>> No.
>> He was one of the guys who started MTV.
>> Okay.
>> And u
I remember calling him up and I didn't
know him. This was like 1981
82
and like I said, you know, was it was
like uh
all you really saw of guys in rock bands
were the album covers and
>> you know maybe on Midnight Special or
something like that
>> or Don Kersner's rock concert or
something like that.
>> But then with MTV going all the time and
not very many people made videos. But
see, I was making videos because I had a
hit in Australia. And like I said,
Australia was way ahead of us. So, it
was the video that I just made in a club
in London that was shown that made that
record number one.
>> Wow.
>> In Australia.
And uh
so when MTV started, there wouldn't be
that many people making videos, but I
was. So they had to make content.
>> Oh.
>> So they played me all the [ __ ] time
just because nobody else had videos yet,
>> right? People hadn't caught up yet,
>> right? And I remember sitting
with I can't remember the guy, some
English guy.
And I said, "Do you what is this MTV
thing?" He goes, "I don't know. The
record company told me I can't remember
the guy's name." He was really a good
songwriter,
but you don't hear of much anymore. Uh
anyway, I had a convers one of us knew
what was going on. And then I met John
and uh
I was I was the first and John and I got
along great. I was the first promotion
that MTV did and we gave away a pink
house.
>> Oh wow. you know, uh, and you had to
register and do all this stuff and, and
there's a funny story that goes with
that.
So Sykes and somebody else came to
Indiana to find a house in in
Bloomington that they were going to buy
and then they were going to do a show
and I did an ad where I went and you can
win a house and we're going to paint the
mother pig, you know, and that's what
they did. Except the house they bought
Joe was on a chemical dump.
Oh, no.
>> But I didn't know it and they didn't
know cuz they're from New York.
And so when I found out, I I called them
up. I said, "Guys, we can't give away
this house. It's on a [ __ ] chemical
dump because RCA
was dumping chemicals out in this field
that was right next to the house."
>> Oh jeez. that we bought, you know, and
back then in the in the early 80s, there
wasn't much legislation about where you
could dump that kind of stuff,
>> right?
>> So, they had to buy another house, which
they weren't happy about. So, they had
to buy two houses, couldn't sell the
other one, gave it away. And Sykes to
this day, I'll tease him about it, and
he'll go, "Oh, we took that off the
books years ago."
>> Jeez. But it uh it it it it went from
walking down the street
to nobody know who the [ __ ] you are to
walking down the street and everybody
knew who you were. Everybody I mean it
got the
at the height of MTV
you couldn't go I couldn't go any place.
>> Did you get the agorophobia before that?
>> Oh yeah.
>> Oh boy. So that probably just made it
way worse, right?
>> No, actually again Joe lucky. It helped
me get over it.
>> It helped me and you know like I I
believe that all growth takes place in
the chemicals inside our body. So I was
growing still because I I grew up in
public,
>> right?
>> You know, I grew I mean I literally grew
up when I got my first record deal. Joe,
I had never written a song.
>> Wow. Never written a song. They they
they asked me, "Well, play some of the
songs you've written." It's like, I
don't write no [ __ ] songs. I'm a I'm
a barroom singer. I sing other people's
songs. What do you want to What do I
write for? Dylan's writing great songs.
Shrink Street.
>> You hadn't written anything?
>> Nothing.
>> Wow. So, when did you start writing?
After you got a record deal.
>> Yeah.
>> Wow. But it turns out you're a great
writer. That's crazy.
And I have dyslexia,
which means I can't read. You should see
my songwriting books. It's they're it's
it's absolutely terrible.
It looks like,
you know, I have to have somebody now
and after I write a song, I have to give
it to somebody right away and let them
copy it and I'll read it to them so that
we can read what [ __ ] you know, what
what I wrote because songwriting is not
what people think it is. But anyway,
back to MTV. It just blew up and you
couldn't go anywhere. I couldn't I I
would walk down the street and all I did
was sign autographs and shake hands and
I didn't like it at all.
>> Well, that'd be very weird.
>> Yeah. I mean, it it it was like, you
know, you've been in rock bands since
you were 13, nobody gave a [ __ ] and
then all of a sudden
they did.
And you know it was the baby boomers
coming of age and you know I was very
fortunate but unappreciative.
>> So when you first started writing songs
what was what was your process when you
knew you had to write songs?
How did you uh
>> Well,
I figured out because don't forget the
critics hated me
>> already.
>> Yeah. Oh yeah. John, they hated Johnny
Cougar Buck and they hated him and uh I
didn't like him much either.
U because I, you know, we weren't any
good, you know, we just weren't we did
not write songs. We did not do anything.
Uh,
so I figured, how do you reach a lot of
people
by being on the radio?
So, keep it simple, stupid.
So, I would write like I had a song
called Hurt So Good. Do you remember
that song?
>> Sure.
>> Yeah. Heard So Good. I wrote that in the
shower
and I came out real quick and I wrote it
down and then I had somebody
write it down and I remembered the
melody and I sang it to a tape machine
and uh
I got so many funny stories. Uh, I was
down in Criteria, which was in Florida
in Miami,
and um,
you know, it was the early 80s and
so we had this and Criteria had five or
six studios and, you know, there were
like,
I don't know, all kind of bands. The PGs
were over here and this band was over
here and I don't know. And uh
we had we had the studio blocked out,
but we wouldn't show up.
We had other things to do.
There was place called Scaramoosh.
They had the prettiest girls you ever
saw in your life. So it was like we did
not have time to go to the studio
because we had been up till daybreak at
Scaramoosh,
you know, and uh
so I was spending a lot of [ __ ] money
by now and it was like maybe, you know,
at the time a half a million dollars and
I had three songs done.
Whoa.
That's exactly right. Whoa. And I'd had
a couple hits. I had I need a love her
uh ain't even done with the nine.
>> And uh this time I think and so those
songs were like got into the top 20.
Anyway, the record company came down and
said, "Mel, what the [ __ ] You know,
you're spending all this money and and
if you
don't get on with it, we're going to
drop you from the label." I went, "You
can't drop me from the [ __ ] label.
Are you kidding me? I'm just starting."
"Well,
we want to come down and hear what
you've done." I said, "Well, come on
down." I played him three songs, the
three I had done in six weeks.
Anyway, I played him the three songs.
They hated him.
>> Which songs were they? Jack and Diane.
>> Oh god.
>> Hurt so hurt so good.
>> Oh god.
>> And hand to hold on to.
>> Oh my god.
>> They hated those.
>> Oh, they hated them. They said,
>> "Oh wow."
>> They said, "John, this is they're too
rough. They're too raw. And what is this
sound in Jack and Diane? This
it's not even What is that sound?" Well,
the sound
was I would walk by the BG studio and
they had just invented
drum machines and the BeeGees were using
it to keep time because you know most
drummers
they speed up you know they start the
song at this tempo and all of a sudden
you they're like no by the end of the
song it's like I can't keep up with you
god damn it slow down. So, uh,
the beaches were using it to keep time
and I heard this sound and so I knew the
engineer, his name was Ali Gluten
and Al and I said, "Abby, can I borrow
that machine?" He goes, "Yeah." Because
we're not going to be in the studio for
a week. So, we were doing a song called
Jack and Diane that just was not working
out because the drummer kept speeding
up. And when you trying to keep it
simple, stupid.
Simple is hard because if you make a
little mistake,
it's a big mistake now because there's
not a bunch of [ __ ] covering up your
mistake,
>> right?
>> So,
I called up Mick Ronson.
He was the guitar player for David
Bowie. You remember Mick?
>> No, I don't.
>> Joe,
>> god damn it.
>> Sorry.
>> Uh, anyway, Mick was a great guy. And he
was he was Bow's guitar player when
Bowie was great when he had Ziggy
Stardust and all that stuff. And Ronson
was an English guy and he'd call me
Johnny all the time. And you know, and
uh
he said, "Johnny,
maybe you should put those baby rattles
on there." And I go, "What?" He goes,
"You know that drum machine thing that
makes that noise just to keep time."
And I said, "Okay, we'll try it."
So we put on this
and it was perfect timing. Perfect.
So the odd the idea was is that we'll
take that drum machine out when we get
everything. We'll take it out.
And now the drummer had to play in time
because
that machine did not budge.
That machine was perfect. And it was it
was a prototype of a drum machine.
That's how new it was. It was a
prototype.
And it was the only one. They gave him
the VGs to try it out to see how they
liked it. And uh
so we we got it all together and we took
the drum machine out. Sounded like [ __ ]
but it sounded great with the drum
machine.
So I said, "Fuck it. we'll just leave
the drum machine in.
And it worked because nobody had ever
heard that sound.
>> And the record company didn't like that.
>> Oh, they hated it. They hated They hated
that [ __ ] sound.
>> But that song was so good.
>> Well, you know, and it's surprising to
me that to this day how how many people
still love that song. It's
>> a [ __ ] great song,
>> you know. And ever
>> What year was that?
>> 1981. Wow. I was 14.
>> So, how So, how old were you in 19?
>> 14.
>> See, high school.
>> Yeah, you were there.
>> Yeah.
>> That's great. See, that's great. And I I
I love hearing,
you know, guys your age talk about it
because it's just like I didn't know
what the [ __ ] I was doing. And the fact
that that song today I had somebody tell
me one of the nicest things anybody said
to me was is that John
there was Romeo and Juliet
there was Frankie and Johnny and now
there's Jack and Diane
>> and you've joined those two kids have
joined those people of importance in
American culture.
>> Yeah. And think about it
now. Who would have [ __ ] thought that
some dumbass like me would write a
[ __ ] song as a child when I first
started writing songs and create those
two characters that made such an
impression on everybody.
>> The only other one I think about is
Brenda and Eddie from Billy Joel. Scenes
from Italian restaurant.
>> Yeah,
>> that's another one. Yeah, Jack and Diane
was [ __ ] huge when I was in high
school. I can't believe the record
company didn't like that. They didn't
they didn't like Hand to Hold on to
>> God. And they and they didn't like me.
>> God.
>> And they didn't like me.
>> Oh, how could you be more wrong than
Jack and Diane? Jack and Diane was
[ __ ] huge.
Joe, look at I don't know that much
about your career, but look at your
career and look at at what suits have
said to you and how wrong they were.
>> Well, the most successful thing that
I've ever done, nobody had any input on
at all, which is this.
>> Well, there you go. There you go.
>> Yeah. Yeah, they would have there's not
a chance in hell anybody would have
said, "Yeah, have unfiltered
conversations for 3 hours with random
people
and you know millions of people will
listen and watch." No one would have
believed it. But
>> when we did it, we didn't do it for
anybody else.
>> But you were an actor before.
>> Yeah. Well, I was a comic first and then
u because I got a development deal, they
gave me some money to be on a sitcom.
So, I did that. That sitcom got
cancelled. Then I did another sitcom
that was kind of successful called News
Radio that got cancelled and then I
wound up being on Fear Factor.
Yeah. It's just a bunch of weird
circumstances that a lot of luck. A lot
of weird stuff happened. A lot of luck.
Yeah.
>> Yeah. See, and you know what?
I I walk in my house sometimes
and I look around and think I get to
[ __ ] live here.
>> Yeah. I get to [ __ ] live here.
>> I think that all the time. Yeah,
>> I get to live here. And and how lucky I
I am to
have had that kind of success from such
an horrible beginning as Johnny Cougar
and you know to be able to you know
do I've done what I wanted to do ever
since I decided [ __ ] you guys. Yeah.
>> After after American Fool came out and
those songs became hits, nobody
has ever said [ __ ] to me about anything.
>> Well, they realized they were wrong.
>> Well, well, those guys I'm sure are out
of business and I have to kind of smile
about the rock critics because it got to
the point where
I had such
so many songs on the radio that they
couldn't ignore it anymore. Yeah,
>> you were undeniable. Yeah.
>> And that's and you know what? That's the
word I used to say.
>> That's the key to success.
>> That that's that's the word I used to
say to the guys in the band. We have to
make the song undeniable
>> because if you give them an inch,
they'll find a [ __ ] reason not to.
>> They definitely will. And there's
there's good in that, too. There's good
in those people that hate that they're
valuable. They they can fuel you to
greatness. They can fuel you to be
better. Because if you know that there's
people out there that are just going to
[ __ ] hate on you no matter what you
do and you just got to come up with
something that listen this will be
undeniable and they they'll still hate
it. Look, I was watching a [ __ ]
interview yesterday where this lady was
talking [ __ ] about the Beatles. She was
talking about how she thinks the Beatles
are terrible. And this lady was not
particularly articulate. She wasn't
interesting or compelling. She didn't
seem very intelligent, but she was
speaking with such authority about how
she thought the Beatles were terrible.
And I was like, "Well, you're [ __ ]
wrong. You're You couldn't be more
wrong. You couldn't be more wrong. They
are one of the greatest bands in the
history of the [ __ ] known world."
>> Yeah.
>> Fact. But this lady was just going,
which shows you you cannot make
everybody happy because some people
don't want to be happy. They don't want
to see good. You had four really
talented people in that band.
And it showed because some of the songs,
hear me out, some of the songs, it was
good for my generation because we went
from cartoons
to rock and roll. Mhm.
>> So in a town where I was born lived a
man who s
and here you know it was a cartoon.
>> Right. Right.
>> And the guy that produced
Martin the guy that produced the um the
Beatles
up until that point he made comedy
records.
>> Ah
>> yeah he made comedy records and
cartoons. And so that's at least that's
my understanding and uh he brought that
to them you know and and uh
you know you have four guys writing
songs
it's a lot better than John Melanchamp
writing songs tell you that
>> you know so
>> you know
>> but my point is it's like you can't make
everybody happy because everybody's not
happy
>> well
>> and they don't want to be happy.
>> I have said for years, I'm not for
anybody. I'm not for anybody anymore.
>> Right.
>> If you're coming to my show, and this is
when I started playing theaters. If
you're coming to my show to hear all
these hits, you're not going to. But
that's why I'm after 20 years, I'm going
to go back out and I'm going to play
nothing but hits for two and a half
hours. That's how many hit records I
>> That's incredible. Yeah, it's going to
it, you know, and I'm and now I'm
looking forward to it.
>> Yeah,
>> because I have not played I Need a Lover
in 25 years on stage. I've not
>> So, it's fresh.
>> Yeah. It's a brand new song. I'm going
to be playing it in a way that nobody's
ever imagined.
>> Wait till if you come
>> if you come and see me. Wait till you
hear Jack and Diane. I have jammed it up
and it's a soul song now.
>> Wow.
>> Yeah. It's I there's a term for it
smash. A smash. What do they call this?
Smash something.
Anyway, we turned it into a soul song. I
mean, what would it be like if Jack and
Diane was a soul song?
>> So, you leave the melody the same, but
you put the instruments around them
differently,
>> you know,
>> to make it interesting for you.
>> Well, and and to the audience because
when the chorus comes in, they're going
to be singing that chorus,
>> right? Cuz if I play it now,
>> he's trying to push that thing up to
your face.
>> If I play it now, you know, it's just
usually me and acoustic guitar and and
it's good because
a little diddy and I don't have to sing
anymore,
>> right?
>> They sing the whole song,
>> right?
>> And I might go, "Oh, yeah." And that's
it. And then they the audience sings it,
which is great. Which is great.
>> It's got to be really cool.
I got to come see you live. Are you in
Texas at all?
>> I don't know.
>> You don't know?
>> When When did you drop the cougar?
Because at first you were John Cougar
Melon Camp. And I remember that. I was
like, "What is going on?" Like, "Why
does he have another name?" Like, it was
confusing to me.
>> Well, I was trying to and I think I did
it successfully. It
>> was a good transition. I I I didn't, you
know, I could call up somebody and go,
"Hey, it's John Melanchamp." They
wouldn't take my call. I could call back
two seconds later and go, "John Cougar,"
and that they would take my call.
>> Yeah.
>> So, I figured it this will have to be a
slow change. Elvis Costello tried to do
the same thing and didn't work.
>> What was his real name?
>> I don't I don't remember. But that's not
his real name.
>> Ah,
>> but you know, he was tired of being
Elvis Costello and he he went back to
his real name and
people just wouldn't accept it. But with
me, it was such a slow
burn thing to get over.
So,
you know, it it again what? Lucky.
>> It was the first time that I'd
recognized that uh artists were forced
to change their name was you. I didn't
know. Really?
>> Yeah. Yeah. Yeah. I had no idea.
>> Do you know that? Do you know that every
[ __ ] movie star that we ended up
watching
>> on those black and white things, that's
not any of their real names? They're all
changed. They're all changed. Yeah.
>> You think Rock Hudson was his real name?
>> Sounds good.
>> Yeah, it sounds great.
>> Yeah. Now, yeah. Somebody decided they
wanted to come up with a catchier name,
which is interesting for a guy like
Arnold Schwarzenegger. It kept his real
name, as bizarre as it was and hard to
pronounce. Yeah. Yeah. What? And I just
saw him smashing uh
the president.
>> Yeah. He's always smashing somebody. I
think he's bored.
>> Yeah. He needs to get back and run
running.
>> He was a great governor. He really was.
He did a really good job with
California.
California is a [ __ ] mess. Now when
you um transitioned to John Cougar
Melanchamp and then event like how long
did were you John Cougar Melanchamp
before he became John Melanchamp again?
I think the last John Melon John Cougar
Melon Camp record
was
a record I was called Scarecrow and it
had Small Town on it and it
had Small Town on it. It had five hit.
Can you imagine five? It had five
[ __ ] hit records off that one album.
Pretty amazing.
>> Yeah. Lucky. And don't forget, I had
never written a [ __ ] song.
>> That's what's crazy.
>> Yeah. Never written a song. So I I grew
up in public. And if you listen to my
songs now,
so much more mature than than those
young I I I got so sick of it that I
wrote a song called Pop Singer in like
98, 91. Never wanted to be no pop
singer. Never wanted to sing no pop
song.
>> I remember that.
>> Never wanted to uh you know uh have a
manager hang out after the show. I I
just you know it was
I wanted to be a musician
and not a clown which you know
if you remember back Joe and I'm not
putting anybody down but there were a
lot of clownish guys.
>> Yeah. from MTV.
>> Sure.
>> You know that were like what?
>> Yeah.
>> You know, and a lot of sexism and stuff
from MTV and no black people for a
while. You know, they didn't play any
black people. They might play Michael
Jackson, but other than that,
>> right,
>> but they but they just didn't. And and I
remember talking to Sykes about it.
Sykes, me,
Don Henley,
and somebody else went and did they were
going to drop MTV off a whole bunch of
stations. And we got on a plane
and went there. Went to all these
different stations that were going to
drop MTV and talked to them why they
couldn't do it. And it worked.
>> Why were they dropping MTV?
Uh, too led to
I want to tell you something else, young
man. I want to tell you something else.
I showed that by accident in a video
and
MTV wasn't going to play
Wasn't going to play the the video
because
>> because you had a tattoo.
>> Yeah.
>> That's hilarious. Yeah, because I, you
know, I had a tattoo and
>> that's hilarious.
>> I know.
>> Oh my god. It's so funny when you think
about what music is like now and then
especially like in the late 80s when
hiphop really took off and then gangster
rap took off.
>> Well, and and and now you know why?
Because uh you know what we t we're
talking about about Sounds Scan and
stuff. That's how that's how all that
happened. and my deceased friend Tim
White, who I love dearly, told me it was
going to happen. So, and and I just sat
back and went, I can't I can't believe
that this is right.
>> Wow.
>> I can't believe that that can happen.
We're, you know, rock is too too
important to the culture, too important,
you know, and there's a lot better
songwriters than me. And we all got
86. I mean, like the [ __ ] Rolling
Stones just put out a new album and I
never heard it. You'd never heard it.
>> No,
I saw them live a couple of years ago
here. They played at the Circuit of the
Americas. It was [ __ ] incredible. It
was like having an out-of- body
experience. It's like I couldn't believe
they were really there.
>> Yeah.
>> I remember watching MC Jagger on stage
and my friend was talking to me and I
was watching him and he's like, "Isn't
this [ __ ] incredible?" I was like, "I
can't I can't believe it's really him."
It's like they are so iconic. And here
he is in his [ __ ] 80s just jamming.
The guy brings two trailers, two whole
trailers that are just gym equipment.
>> Yeah. Everywhere he goes. Works out
every day. Every year. We we we we
started Farm Aid in 1985.
And every year
cuz you have a at farm aid you have a uh
press conference in the beginning and
then I don't go on until like nine
o'clock. So I got all day. You know what
I do half the day. Neil, can I use your
[ __ ] gym equipment? because he's got
a a a trailer like you know you would
haul
groceries and couches and [ __ ]
>> and it's full of gym equipment.
>> Can I use your So I I use his his not
his weights so much but uh but his uh
you know his what do you call it? I call
it the lace machine where you can be
lazy.
>> Elliptical.
>> Yeah. Elliptical cross trainer.
>> Hey, listen. It's better than nothing.
>> Yeah. But I mean, watching Mick in his
80s dancing around on stage and doing a,
you know, a two-hour concert with full
energy, it's so impressive. It's so
inspirational that this guy still loves
it that much. I mean, he wasn't phoning
nothing in, you know? I mean, it was
[ __ ] him dancing and butting your
lip, baby. I mean, it was fullon. It was
like, wow. It was amazing. And and what
I find amazing, and I don't know why I
find amazing, but I find it amazing that
people
relate to music in that fashion because
I didn't know that as a kid. I just
thought, you know, I thought I'd make
two records that it' be done. That's why
I stayed in Bloomington. I had a little
bit of money. I didn't know how much
more I'd have, you know, how much longer
I was going to last. So, let's try to
like buy a little house. And
I talked to I'm good friends with Bruce.
And
him and I both kind of just look at each
other and go, "Can you [ __ ] believe
it?" Because he's from a real little
shitty town in New Jersey.
And we both just look at each other and
go, "Can you believe it? It's
unbelievable."
>> Well, gratitude is an important thing.
It's kind of co-opted today with a lot
of like this spiritual movement. You
know, people say it and it kind of
sounds hollow and fake, but real
gratitude, real thankfulness for a life
that you've been so lucky to have and
I've been so lucky to have. It's it's
it's very important. It's an amazing
thing. I mean, how could you not look
back at your life and not think, can you
[ __ ] believe it?
>> Yeah. And and you know, the thing of it
is is that I sometimes ask my audience,
I go, where are you? right now
and most of you probably say
I am at a John Melanchamp concert in
Austin, Texas.
And my answer is yes, but also where you
really are, you're on a [ __ ] rock
that's going around the [ __ ] sun that
has been here for millions of [ __ ]
years. And so we are only here for a
blink of an eye. So stop worrying about
everything so [ __ ] much. It doesn't
[ __ ] matter. Don't beep your horn
because the [ __ ] guy in front of you
didn't take off right when the light
turned red. It's not that important.
Don't take yourself so [ __ ]
seriously. And try to try to have some
humility.
You know, that's what I hate about
politics today. There's no [ __ ]
humility. How about some humility? I
don't care what party you're with. I
don't give a [ __ ]
>> But show some humility and some, you
know, respect for each other, which they
just don't,
>> right?
>> They just don't. It's terrible.
>> Yeah. There's a lot of that. If we can
get more people to recognize how brief
and fleeting this moment alive is,
it's it's
it's so well I got it tattooed right
here on my arm. And my grandmother told
me this when she she lived to be a hund
and I would go over and I'd lay in bed
with her when she was like 99, 98.
And one day she said to me, she goes,
"You know, John, if you don't stop this
cussing
and wild living, you're not going to get
into heaven."
And I went, "Ah, Grandma."
She goes, she goes, "Yes, you you know,
you you you need to change your ways a
little bit."
And I said, "Yeah, well, you'll get me
into heaven. Don't worry about it." And
she said, "No." She said, "You're going
to find out real soon."
Now listen,
life is short even in its longest days.
>> It certainly feels short when you look
back, right?
>> Oh, yeah. But just think just think
about those words
>> coming from a hundred-y old woman.
>> Yeah.
>> You know, life is short even in its
longest days. Really the opposite end of
the spectrum. Oh yeah. Life goes on.
>> Right. Right. Right. Right.
>> So I wrote a song called Life is Short
and and uh and I love playing it. I love
playing it. Uh because it it really hits
the nail on the head of of you know
getting But how old would you say you
were?
>> 58.
>> 58 years old.
>> You're still a kid.
>> You're still a kid.
>> How old are you now?
>> 74.
>> Wow. Well, you look great.
>> Thanks. Maybe we can go on a date
tomorrow.
>> Does is singing and performing is it
different now? Did do you appreciate it
more now when then when you were
younger?
>> Uh
is it a different feeling because like
you've done so much and it's
>> uh the scope of it is so big now in
retrospect.
Well, like I said, I'm really looking
forward to going out and doing a
greatest hits tour. I've never done one.
I I I can't even imagine
thinking back to when I was like 35.
That idea would be like, "Shut the [ __ ]
up. I'm not doing that."
>> Right.
>> But now at my age, it's kind of like,
and I I was I did a thing with Sean
Penn, and Sean and I were talking and he
goes, "John, just go do it." because I
was on the fence about doing it. He
goes, "What's wrong with you?" "Yes, go
do it. Don't you think that if I could
like show the best parts of my movies to
people that I would do it?" And I go, "I
don't know." He goes, "Yeah, because it
it it's it
you're you you're really sharing
something."
>> Well, it's also not a whole lot of
people have ever done it before, right?
Not a whole lot of people have ever had
the kind of hits that you've had. So the
opportunity to go out there and do two
and a half hours of [ __ ] hits
>> I know
>> is amazing.
>> And as uh I have to like I said I walk
in my house and I go I can't believe I
get to live here
>> and you know I feel good about you know
I'm the only father in the world that
does not encourage their kids to work.
It's like what do you want to go to work
for? You know, my son graduated from
Duke and it's just like, "Fuck that work
stuff. Do what you want to do. You're 31
years old. You're handsome. You're 31
years old. You could beat anybody up in
the room. You know
what? Why do you want to?" But I think
he's getting to the age where he wants
to get a job. And I don't want him to
leave because he still lives in my on my
property. And it's nice. I love having
him in there. I love having HUD live
with me. Uh he doesn't live with me. He
lives in a different house, a different
building.
And but I love having him there because
I know that I can pick up the phone and
go, "Hey, Hud." And he's there. And I'm
telling you, having kids was one of the
best things I ever did.
>> It's interesting, too, because having a
kid when you're in high school, a lot of
people think is like a death sentence
for your career, you know. Well, it was
a death sentence for my kid cuz, you
know, I was 18 years old. I was on
drugs. You know, my idea of uh raising a
kid back then when I was in college was
throwing water balloons at her. That's
all I knew. It's like this is fun, you
know. But it turned out, you know, but
uh yeah,
I I I I uh I uh really enjoy my kids.
And my dad told me that. He told me have
as many kids as you can because when you
get older, cuz see I had I don't know
about you, but I had
seven of my best friends die in 18
months.
>> Wow.
>> Yeah. because they couldn't get off the
party.
>> They just couldn't get off the party
because they were drunk all the time. I
mean, if you drank Crown Royal every
[ __ ] day.
>> Yeah.
>> It's going to [ __ ] up your liver. And
>> 100%. Yeah.
>> And that's what they did. I mean, you
know, except Tim had a heart attack. Tim
White, the the guy I was telling you
about,
he died on an elevator ride from in New
York from the ground floor to his
office. And by the time he got up there,
he was dead.
>> Wow.
>> But he would call me up every day and
go, "Man, my chest really hurts. My back
really hurts."
>> You know, and I would go, "Tim, your dad
died of at like 49 from heart disease.
Don't you think you better go to the
doctor? I don't want to go. And that
that's what that's what most guys do.
They don't want to go to the [ __ ]
doctor.
>> Yep. Yeah.
>> You know, but I do.
>> I go.
>> Does the doctor tell you to stop
smoking?
>> All the all the time. But see, here's
here's the thing about cigarettes.
Find something you love
and let it kill you.
Find something you love and let it kill
you.
>> Yeah. I don't know.
It's not killing you yet. I mean, and I
just had a uh
I just had a uh
a heart mammogram and all that stuff.
And the doctors go
because the heart is shaped like this,
you know, like that. And then what
happens is is that as you longer you
smoke, it flattens out and that way it's
full of crap.
>> Mine's still like this.
And he said last, and this is two years
ago, he said, "Well, I'd like to tell
you you need to quit smoking, but if
you've been smoking as long as I know
you have,
uh, the only thing that's really
happened is is that your heart looks
like a teenagers and your voice sounds
black." So,
do you think it's cuz you smoke American
spirits? I talked to a doctor that said
that to me. She Suzanne Humphrey, she
was like, I think that one of the things
that's killing people is cigarettes with
all the additives in it. All the the
different chemicals that they put in
>> 120 chemicals. I
>> crazy.
>> I
My girlfriend hates that I [ __ ]
smoke. Of course, she knew I was smoking
when she met me. But now that we've been
together for three years,
uh, and my wife of 20 years, Elaine,
never smoked a cigarette in her life
till she met me. And then she started
smok she on one hand just said, "Well,
[ __ ] it. If you can't beat them, join
them." So, she started smoking, but
Kristen hates cigarettes. And
I I don't know what to tell her cuz you
know that I don't do much good, but I'm
really a good smoker.
Really good at it.
>> What is it that you love about
cigarettes so much?
>> They're part of me.
I don't know how to put it. I mean, I
smoked my first cigarette at 10.
>> Wow.
>> 10.
>> 64 years of smoking.
>> Yeah.
>> That's crazy.
>> I was And you're okay.
>> I was addicted in high school.
>> Wow. Wow. I used to wake up in the
morning and my parents had a great big
house and I would go down in the
basement, go into the [ __ ] storm
cellar and smoke, not knowing that I
came out of that little area smelling
like a cigarette ashtray,
>> right?
>> And my parents, you know, was like,
"Have you been smoking downstairs?"
Yeah. But they never said anything.
>> Well, maybe it's better than having the
stress of not smoking.
One of the things about smoking, and I'm
not an advocate. I'm not telling people
they should smoke, but maybe one of the
things about it is that at least it
relaxes you. I think one of the worst
things for people is just stress. I was
talking about a friend of mine who's
going through something pretty heavy
right now. And uh he's had a couple of
heart attacks and there's nothing wrong
with him. He's had heart attacks just
from stress where his [ __ ] arteries
just lock up. his whole body is just
locked up just from anxiety and stress
and he's had heart attacks because of
that. Doesn't smoke, doesn't drink,
takes care of himself, and just the the
problems in his life are so
overwhelming. There's got to be there's
a benefit. There's got to be a benefit
to just relaxing, just enjoying
something and relaxing and not having
that overwhelming stress. It's amazing
how much cigarettes take you away from
because you got to you know nowadays if
you're a cigarette smoker you you know
I'm lucky to be here with you that I
could smoke in your area but most people
would go outside.
>> Yeah.
>> But I'll tell you a funny story about
Johnny Cash and me.
John John I John and I knew each other
and I would go down and and I would see
him in Jamaica and then he got really
sick.
But John quit smoking and John and I did
um
did something for the Rock and Roll Hall
of Fame and this another funny story.
Um,
we were standing around doing
getting ready to do soundcheck and there
was a whole bunch of people playing a
whole bunch of people. And the Eagles
were on soundchecking
and they were taking forever because Don
Henley is a perfectionist. Everything's
got to be just right.
And I was standing with John in June and
John was getting irritated because we
were like 40 minutes, you know, we'd
been standing there ready to soundcheck
for 40 minutes.
So while we're standing there, I was
smoking and John goes, "You're going to
have to quit that smoking, John. It's
gonna catch up with you someday." I
said, "Well, you [ __ ] smoke." And he
goes, "Well, I used to, but I saw this
guy from London
and he
he got me to quit smoking." I go, "Maybe
I should see that guy." He goes, "Okay,
yeah, I will. You will." Anyway, so so
anyway, we finally get on to soundcheck
and John soundchecked without me uh
because I just sang one song with him.
I and then when it came time to sound
check,
I went, you know, John, you know, cuz
like he was irritated. Yeah. I don't
know if you knew Johnny Cash or not. He
had a [ __ ] temper.
>> You know, you didn't [ __ ] with John
Cash. You just didn't.
>> Anyway, I said, you know, John, uh,
you know, I got this song. And we were
doing Ring of Fire. I said, I know that
song.
It's easy.
He said, "You sure?"
And I said, "Yeah, yeah, I got it. I got
it." He goes, "Okay, well, thanks."
Because, you know, I'm sick of [ __ ]
being here.
So, the next night we get up there and
John and he introduces me to my friend
John Melam and
he started the song.
I fell into
I didn't realize that he had changed the
[ __ ] key from him smoking to a lower
key.
So I couldn't hit the note cuz it was I
fell into to I couldn't find a [ __ ]
note because it was not the note the
song was written in. I can sing right
along with the song
>> and I look over there and there's Chuck
Barry going
and I look over there and there's
Springsteen going and all these people
on the side of the stage, right? And
they're all giving me a look like,
"You're [ __ ] up, man." It was like,
"Yeah, I know it." And so anyway,
as soon as the song was over, I ran off
stage. I was totally humiliated, right?
So, I ran off stage and got to my
trailer. I I just get back there and all
of a sudden,
knock on the door and I answer and it's
John. He said, "Can I come in?" And I
go, "I don't know why you'd want to, but
yeah, come on in." He goes,
"I told you we should have sound
jerked." Uh
anyway, so that conversation led on to I
know this guy
who will get you to quit smoking. And so
he gives me all the information
and me and two other guys fly this guy
over from London.
And um
Joe here was his
solution for not smoking. He gave me a
good talking too. That's it. That was
it. I was smoking on the way back to
Indiana.
My friend Ron White's been smoking his
whole life and he just stopped and he
went to a hypnotist. Same hypn he he
quit drinking a few years back. Went to
a hypnotist, quit drinking easy. He said
it was so easy and then uh just recently
like within last three or four weeks
quit smoking. He's almost 70.
just said the hypnotist got him and said
now he doesn't have the desire. He goes
sometimes he goes after sex, he goes
after a meal. Sometimes I have like a
for a brief second.
>> No, I don't have to worry about that.
I'm too old for sex.
I don't have to worry about that
anymore.
>> Well, I guess Ron still gets after it
because after uh he said it's just a
brief second and then it goes away.
Well, I I'll tell you. Uh
I was friends with uh the Newman family
and Paul quit smoking and died
>> right afterwards.
Was the smoking contributing to his
health problems? Yeah.
>> And it was just like he was older. It
was like, you know, I mean, he was like
80s. I don't know. Can you see how old
he was when he died?
Uh anyway, so you know,
I just kind of went
>> find what you love and let it kill you.
>> Yeah. Find what you love and let it kill
you.
>> 83.
>> Yeah.
>> I [ __ ] love that guy. Hustler. One of
my favorite movies of all time.
>> Well, I'm really good friends with
Joanne, who now is
I love Joanne. And uh once Paul died, I
became her boyfriend.
And uh she and I would talk all the time
on the phone. And whenever I was in New
York or
or the town she lives in north of New
York, I' I'd take her to plays and we'd
go to plays and we'd do uh do stuff and
I'd pinch her on the ass and she she'd
you know, she'd look at me like
But then when she started c when I would
call her and she started calling me
Paul,
>> I would have to go Joanne, it's not
Paul, I'm John. Oh,
>> and now she I still go see her all the
time. Not all the time, not as much as I
should, but she I can't remember the
name of the [ __ ] town she lives in. U
anyway, she she can't talk. She can't,
you know, she has uh what do you call
it?
>> Dementia.
>> Yeah.
>> Yeah.
>> And she can't talk. And she
>> she can, you know, I take my guitar and
I'll play and sing for her. She
God.
>> But you know, she's always happy to see
me. I think she realizes that it's me.
Uh though I love her. I mean, uh she was
just
she was just great. She was a great
woman. How I met her was at a Democratic
thing for who was the guy that ran for
president? John
>> John Kerry.
>> John Kerry. And it was at Radio City and
I have a son named Hud. And Paul Newman
starred in the movie Hud. And so Newman
walked in
to my dressing room and goes, "I'm
looking for Hud Malanchamp."
And he was with me, but he was running
around Radio City somewhere. Have you
ever been to Radio City?
>> Yes.
>> Have you been backstage?
>> There's all kind of [ __ ] going on.
>> Yeah.
>> You can go anywhere in that place.
Anyway, so Hud was running around there
and I just let him go wherever he wants.
And I'm sitting there talking to Paul
and I go, "This is pretty cool." And
then Joanne walked in and was like, "All
right, Newman. Uh, hey, uh, cuz she was
beautiful. I mean, Joe, you cannot." She
must have been in her late 50s,
something like that. She She was
gorgeous. It's like one of the prettiest
women I'd ever seen. and and uh so I
just kind of like well it's nice meeting
you Paul hey Joanne
and that's how we became friends and
even before he died her and I were
talking on the phone and yeah I I I love
Joanne I hope she lives forever but I
you know I know that people take care of
her and it's sad
>> it's just hard to see someone in a
deteriorated state like that as they get
older
>> well you know have you ever seen the
movie Uh
uh. God, I can't think. The Fugitive
Kind.
>> What is it?
>> The Fugitive Kind.
>> I don't think so.
>> Rogan, you got to watch it.
>> Yeah,
>> it's great. You love it.
>> Uh it's called The Fugitive Kind. It
stars Brando and Joanne Woodward.
And it's just such a written by
Tennessee Williams.
>> Oh,
>> it's really really good. Really good.
It's one of my favorite movies ever
made. The fugitive kind.
>> I'll check it out.
>> Yeah. Yeah. And
I I know a lot about old movies because
I don't watch new movies. If it's not in
black and white, I'm not watching.
>> Really?
>> Yeah. I don't
>> Has it always been the case or is that a
new thing?
>> No, it's always been the Really?
>> Yeah. I
my girlfriend Kristen will talk to me,
you know that actor, and I'll go, "No,
I don't I don't know anybody in the in
the entertainment business anymore
except guys my age, you know."
>> That's probably a good thing.
>> But I don't know any of them, you know.
I know Shawn, you know, but I I've known
Sean since he was a kid before Ridgemont
High.
>> Oh, wow.
>> That's how long I've known that guy.
Wow, that was a [ __ ] great movie.
>> Yeah, it was.
>> They can't make a comedy like that
anymore.
>> Oh, no. They couldn't even get it. They
wouldn't make it again.
>> Not a chance. Not a chance at all.
That's the thing with political
correctness and then the woke movement.
That's the thing that really died was
the great comedy movies, the
inappropriate.
>> Well, you answer me this question.
>> Yeah.
>> Why did anybody give a [ __ ] anyway? I
mean, you know, 86 and what was the
senator? Uh the guy the comedian that
wrote for Saturday Night Live who was
the same
>> Franken.
>> Yeah.
>> Yeah.
>> I had said [ __ ] you guys.
>> Yeah. Should have. Yeah.
>> Yeah. I mean why why did he let some
>> I don't know. The climate got crazy.
People lost their [ __ ] minds and I
think it's kind of turned around and
people are kind of recognizing that it
was a massive overcorrection.
>> It was. But uh the problem is the comedy
films like if you go back and watch you
know like Tropical Thunder or any of
those kind of crazy movies that were
like really outrageous and funny like
you know you can't make them today.
Nobody wants to fund them and finance
them. Nobody wants the heat. Nobody
wants to deal with the criticism. They
they've essentially killed comedy m
movies.
>> Well and that's what I was asking you.
How is how's doing standup?
>> You can't kill standup. The problem is
standup is like people will come to see
you and that's all that matters. People
come to see you and they laugh. That's
all that matters. Like the critics don't
matter.
>> Well, who who who's your favorite
stand-up comedian now
>> alive? There's so many good ones right
now. I mean, Chappelle's probably the
greatest if one of the greatest of all
time and we're lucky we have him alive
now. But, uh, you know, Bill Burr is
great. Shane Gillis, there's it's an
amazing time for standup. David Tell is
probably like the most unheralded great
comic that's alive today. There's so
many great comedy, so many great
comedians now because
>> what about Jim Jeff?
>> Jim Jeff is funny.
>> There's I mean new Australian guy.
There's um you know more comics now that
are huge than I think have ever been
alive in the history of comedy because
of YouTube and in Instagram and
definitely Netflix because there's just
more comedy to see. There's more comedy
to to go watch. There's more comics
right now are selling out arenas than
ever in the history of standup comedy.
>> Yeah, I've I've seen it on television.
You just can't worry about what the
haters think. You can't worry about
that. You just got to just do what you
think is funny and what you think the
audience is going to think is funny and
work real hard at it. That's all you
have to do. And just don't pay attention
to the criticism. If you do, it'll kill
you.
>> The best standup
comedian movie I ever saw was the first
Richard Prior.
>> Oh, Live on the Sunset Strip changed my
life.
>> Well, that
>> changed my life.
>> That was the third one. was it?
>> Yeah.
>> So, Wanted was before that, right?
>> Yeah. And that took place in New
Orleans.
>> Okay. There was one he filmed in Long
Beach.
>> That is the one I'm talking about.
>> Phenomenal. Phenomenal.
>> Unbelievable.
>> Phenomenal. Unbelievable.
>> And while he's getting on stage, people
are still coming in and sitting down.
>> I know.
>> He's [ __ ] with people as they're
coming in, sitting down. I don't think
he had an opening act. I think he just
came.
>> No, he did. He had Yeah, he had uh what
what's the woman's name? The singer. Uh,
>> oh, he had a musical opening act.
>> Yeah.
>> Interesting.
>> Um,
I can't remember who it was, but he
thanked him. He thanked her.
>> Oh, okay.
>> But I saw that in like 19 whatever year
it was, 79 when it came out. And I was
in Florida
and I had to go into
the black part of Miami to see it. And I
took a couple guys in my band with me.
And this one guy named Ferd in my band
was just an idiot.
We walk in there and there's nothing but
black people.
So I'm okay. Except Ferd walks in like
this.
And I go, "What the [ __ ] are you doing?
What the fuck?"
>> He walked in grabbing his dick.
>> Yeah.
cuz he wanted to show them that he was
uh
>> Patty Lel. Yeah, that's who opened up.
>> There it is.
>> Nice.
>> Yeah. So, anyway, he's grabbing his
dick, walking in, and I'm looking. I'm
going,
>> are you out of your [ __ ] mind? Stop.
Stop doing that.
>> My parents took me to see Live in the
Sunset Strip when I was a kid. I was in
high school and I guess I was like 15 at
the time, something like that. And uh I
remember looking around at all the
people laughing and I couldn't believe
how funny it was. I couldn't believe how
funny it was. I couldn't believe that
this guy could just be on stage talking
and it would be that funny. But I had
seen all these comedy movies that were
really funny, but nothing never made me
laugh as hard as this one man on stage
talking. I'll never forget it. I was
little. I was like looking around the
crowd and people were just falling out
of their seats, laughing, slapping each
other. Couldn't couldn't believe how
funny it was.
>> Well, you know the backstory on that on
that.
>> What's the backstory?
>> The backstory was that was take two.
>> Oh, yeah. He bombed the first one. Yeah.
>> Well, he for whatever reason.
>> Yeah, I did hear that.
>> He decided to do the show backwards.
>> Oh, wow. So he started with, you know,
how he ended and was going to work his
way forward. And I don't know why he did
that, but apparently people that that
knew him told me that he would always do
[ __ ] like that.
>> Well, he was creative. I had heard that
he was working it out at the comedy
store and then he would come in on a
Monday night and it was bombing and then
by Friday night he was destroying with
the same material. He just figured out a
way to tweak it, you know. That was back
when he was working with Paul Mooney.
Paul Mooney was one of his writers who
was a guy that I knew really well. I
worked with him at the comedy store and
so Mooney and him would just figure out
what the beats were. And
>> so did you play the comedy store a lot?
>> Yeah. Yeah. Yeah. That was my home club
in LA.
>> And how did you go down?
>> I got in I I auditioned in 1994, you
know. I came from LA I came from New
York rather to LA uh to do a sitcom and
I didn't really give a [ __ ] about the
sitcom. That wasn't really that
important to me. I I was only doing it
for money, but while I was there, I was
like, "God, I got to go to the comedy
store." Because that when I lived in uh
Boston, when I first started standup in
' 88, they would talk about the comedy
store like it was a religious
experience. It was like Mecca because
this was after Sam Kenisonson had made
it. Of course, Richard Prior had come
from there, Bill Hicks had come from
there, David Letterman, so many people
had come from there, Robin Williams. And
so they just talked about it with like
hush tones like, "Man, you got to get to
the comedy store." It was like a
pilgrimage, like you had to get there.
And I got there in '94 and never left,
you know, until the pandemic.
>> Yeah. I was friends with Letterman
because he's from Indianapolis
>> and uh his mom used to come down to my
house in Bloomington and we'd have his
mom and his stepdad would come down and
have dinner with me at my house. And so
Letterman, I I I did a couple things on
Letterman where I cooked a cake with his
mom in Indianapolis and brought the cake
to David for his birthday. And I I I
like I like Letterman. He was He's
always been nice to me. And his mom told
me a story. I don't know if it's true or
not, but I had just released my first
album and David was still doing
the weather
locally in in Indianapolis.
>> Oh wow.
>> And he said to his mom, "If that kid can
go out and do it, I can too."
>> Oh wow.
>> That's what his mom said. So I don't
know if that's true or not. His mom told
me that. I never asked Dave about it.
>> You shouldn't even ask. Let it live in
legend.
>> Yeah, I I like the story.
>> John, thank you so much, man. This was a
lot of fun. It was a real pleasure
meeting you. I really enjoyed it, man.
And I've been a big fan of yours for
years, so this was a it was a real treat
for me.
>> Great. I'm glad I'm glad to be here. And
I hope you come and see me play.
>> I would love to. I definitely will.
>> Yeah.
>> Is your tours on your website? Is it
>> I
>> Johnmelancamp.com or something like
that?
>> I don't know.
>> We'll find it. We'll find it.
>> Yeah. I don't I don't know.
>> We'll find it. Thank you. Thank you very
much. It was really fun. Thank you. All
right.
>> And you're going to hate those [ __ ]
tattoos.
>> Nope. I don't think so. I like them.
>> Yeah. I thought I like mine, too.
>> I thought I like mine, too.
>> Bye, everybody.
Ask follow-up questions or revisit key timestamps.
The conversation features John Mellencamp and Joe Rogan discussing a wide range of topics, including tattoos, the illegalities of tattoo parlors in the past, the opioid crisis, personal experiences with drug addiction and recovery, the evolution of music and media like MTV, John Mellencamp's career trajectory, his childhood, his experiences with performing and songwriting, his views on current societal issues like political polarization and the food industry, and his family life. A significant portion of the discussion revolves around Mellencamp's career, his early struggles, his breakthrough with hits like "Jack and Diane," and his transition through different stages of his musical identity. The conversation also touches upon health, aging, and the importance of gratitude and humility. They also delve into the history of music industry practices, the decline of rock music's dominance, and the changing landscape of comedy and entertainment.
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