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Fable 5 Is Back. Use It To Print With These $10K Websites

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Fable 5 Is Back. Use It To Print With These $10K Websites

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351 segments

0:00

So given that we all have an additional

0:01

5 days of Claude Fable 5, I wanted to

0:03

show you a simple and easy way that you

0:05

could take Fable 5 and use it to

0:07

essentially spin up an infinite number

0:09

of progressively improving websites. I

0:11

ran a pretty interesting experiment

0:12

which was to let Fable design the

0:15

highest quality websites that it thought

0:17

that it could using whatever means

0:19

necessary including a bunch of photo and

0:21

video libraries. And the end result is

0:24

quite honestly incredible. The cool

0:26

thing here is I didn't actually ask

0:28

Fable to do it in a particular way. I

0:31

didn't give it a particular structure.

0:32

It did all of this motion design, video

0:35

design, image design and everything

0:37

completely on its own. So there's

0:39

actually nothing here that I had to

0:41

prompt. And I'm making this video for

0:43

two reasons. The first is I just want to

0:45

give you guys all these websites so that

0:46

you guys can use them to design whatever

0:48

the heck you want. I also want to give

0:49

you guys the prompts that I used to make

0:51

the websites which you can just find at

0:52

{slash} guide here. You can copy and

0:54

paste this into any Dumber model one

0:56

that's not Fable and then arbitrage the

0:57

pricing here that I have spent in order

0:59

to build all of them.

1:00

But two, I wanted to show you guys that

1:02

in order to get really high quality

1:03

sites, you don't actually need like a

1:05

four or five step framework. You don't

1:06

need to be like, you know, I got to

1:07

define this and then do this and then do

1:09

this like most creators in YouTube are

1:10

probably telling you.

1:12

All you need is you need to figure out a

1:13

way to get out of Fable's way. You need

1:15

to figure out a way to like stop

1:17

interfering with the model intelligence

1:19

and then make really cool things happen.

1:21

Um I plan on running this for like a

1:23

week and then just designing 10,000 of

1:25

these and then just offering them all to

1:26

you for free. I plan on doing all that

1:29

but before I do that I want to show you

1:30

guys how you can replicate something

1:31

like this at home. Um which is why I

1:33

figured I'd record this video. The key

1:34

is not to design a site, it is to design

1:36

the prompt that designs all of the

1:38

sites. So here is the actual prompt.

1:39

This is exactly what I fed it in

1:41

verbatim. I want to build 25 websites

1:43

with Fable as a way to demonstrate its

1:45

extreme capabilities in web design,

1:46

taste and artistic flavor. Then I want

1:48

to record a video on it to show to over

1:50

500,000 people my audience. I want each

1:52

website to be fundamentally different

1:54

and involve a mixture of advanced visual

1:55

techniques some of which would include

1:57

high-quality 3D tactics, otherworldly

1:59

beautiful animations, exceptional color

2:01

palettes, novel interesting font styles,

2:03

and whatever you deem fit as a way to

2:05

showcase your skills. You can accomplish

2:06

this in many ways using many workflows.

2:08

For instance, you could download images

2:10

on Pinterest and I give it my email,

2:12

generate similar but different images

2:13

with EBT image 2, which you have keys

2:15

for, animate them with Higgsfield, which

2:17

you have an MCP for and that includes

2:19

dozens of animation models like Kling,

2:21

and use those as key assets. Now, you

2:22

can also borrow from advanced motion

2:24

dissolve websites websites, and you have

2:26

total creative freedom to design in a

2:27

way that you believe best illustrates

2:29

your capabilities. Probably one of the

2:30

most important parts.

2:32

Once you have all 25 websites up, I'd

2:33

like you to put them on Netlify. That's

2:35

the service I used to host, and then

2:37

serve me the link. I'd also like you to

2:38

add a brief description of how you would

2:40

do so on a {slash} guide route so others

2:42

can do the same. Before you okay each

2:44

site, make sure you do at least three

2:46

iteration passes. An iteration pass is

2:48

where after completing the site, you go

2:49

through with a fine-tooth comb looking

2:51

for design problems, opportunities to

2:53

improve and complexify the design, and

2:54

more. This is going to be seen by many

2:56

many people and I will credit you fully,

2:57

so go nuts and show the world what

2:59

you're capable of. 25 websites hosted on

3:01

Netlify with guide routes and three

3:03

iteration passes is your {slash} goal.

3:05

Work completely autonomously and do not

3:07

ask me for anything until you are all

3:09

done. They will proceed as a work for

3:10

something like 20 to 25 minutes. It

3:12

spawned a bunch of distinct sub-agents

3:14

to parallelize the work and make sure

3:15

that we got all of that done at the same

3:17

time, and then voila, that's it. If you

3:19

actually figure out the amount of time

3:21

per website with this parallelization

3:23

approach at 25 websites, it took like a

3:25

minute each. It just blows my mind

3:27

because like again, back in the day this

3:28

used to take way longer and be way

3:30

harder. So, like I've said before, the

3:32

key is to get out of the model's way.

3:33

The model is smart enough in order to do

3:35

more or less whatever the heck you want

3:37

it to now. You just need to be okay at

3:39

articulating the desire that you have,

3:41

and then giving it some way to verify

3:42

its own work. And as long as you have

3:44

that, and you just give it access to a

3:45

bunch of tools, the quality of the

3:47

outputs will surprise you. I mean, I had

3:49

no idea that you could even do this.

3:51

This came up with a freaking 3D particle

3:53

swarm. It then mapped a pre-created

3:56

high-quality like artifacts that have

3:58

been found by people, and then it turned

4:00

that into like a slowly rotating

4:02

universe essentially. I mean, this one

4:04

generated this entire sprite. It didn't

4:06

just do that. It also made a freaking

4:08

video game. So, now I literally have

4:10

like a little mini game on the site. I

4:12

mean, you know, I had nothing to do with

4:14

any of this. This whole design style

4:17

involved creating a bunch of pins and

4:19

putting them down in the ground, and

4:20

then iterating them through these

4:21

letters. Obviously, we could make this

4:22

as many letters as we want. This one

4:24

here involves a variable font weights

4:26

and slowly changing their sizes. If you

4:28

go up to the title, I mean, have you

4:30

ever seen anything like this before?

4:32

It's extremely impressive. This is

4:34

running real shaders directly in my

4:36

computer. I mean, is this going to be

4:37

the most performant of websites?

4:38

Probably not, but obviously, this is

4:41

where things are going. They're moving

4:42

from static scroll websites to like

4:45

experiences, because we now have the

4:47

ability to have AI literally design

4:49

these like cool, you know, universes and

4:52

so on and so forth. I mean, it's it's

4:53

actually insane to me that we can do

4:55

this, and you guys can literally just

4:56

copy and paste everything that I've

4:58

provided here just by going to /guide

4:59

and feeding it in. Once you've done

5:00

that, really all you do is just let it

5:02

do its own work, and then and most of

5:05

the time it'll know how to do this on

5:06

its own, but then just test the outputs.

5:08

Now, in my case, I'm I'm doing this in

5:09

Ghost TTY, which is just like a terminal

5:11

view. And essentially, because of that,

5:13

I don't have the built-in way to like

5:15

visualize it like most people would do

5:16

in the Cloud Desktop app. So, what I did

5:18

and what you can do if you're doing

5:20

something similar, is you can just give

5:21

it access to something like Chrome

5:24

DevTools MCP, which is just a tool that

5:26

allows it to open up webpages and then

5:28

do stuff on that webpage. But you don't

5:29

have to. If you're using like the Cloud

5:31

Desktop app, which you can find just by

5:33

going to Cloud Desktop app on Google and

5:35

then downloading, like everything is is

5:36

that straightforward now. Um, you know,

5:38

it'll go through that, and then it'll

5:40

like actually spin up a a demo directly

5:43

live right next to you and do all that

5:44

verification automatically.

5:46

Um, so as long as you have some form of

5:49

verification built in, let the model go

5:51

nuts, and then you're good. Then what

5:53

you should do is you just give it some

5:54

tools. And so, in my case, I mean, I

5:56

basically said, "Hey, man, you have

5:57

Pinterest, you know, so go on Pinterest

5:59

if you want." Now, the reason I gave it

6:00

access to Pinterest is there's just cool

6:02

images on here, man. There's like

6:03

Sopranos type stuff. There's Spider-Man.

6:05

There's like really cool aesthetics and

6:07

whatnot. And the idea is, if it needs

6:09

inspiration for whatever reason, it can

6:11

have it. Um, after Pinterest, which was

6:13

my main source, uh, I then gave it

6:15

access to Higgsfield MCP. For those of

6:17

you guys that don't know Higgsfield MCP,

6:19

uh, basically just allows the model to

6:20

access like a tremendous number of

6:23

high-quality, very stylized, uh, image

6:25

and then video pipelines. Why did I do

6:27

that? So that it could generate cool

6:29

videos like this. And then it could

6:31

automatically insert that in there. Or

6:32

so that it could generate its own

6:34

freaking font, and then use its own

6:36

freaking font in order to like take a

6:38

screenshot of it, and then turn that

6:40

into some sort of particle swarm. Or so

6:42

that it could generate assets for a

6:44

video game like this. The point that I'm

6:46

making though is like, the taste of

6:48

these things is better than my taste. So

6:50

why the hell would I try and institute

6:51

my own top-down like belief on what the

6:53

freaking thing should look like? And

6:55

then I gave it a goal, but a goal is

6:56

nothing special. A goal is just like a

6:58

way to encourage it to continue working

7:00

autonomously. And I just did that

7:01

because, quite frankly, I was lazy. I

7:04

went to the other room and I watched an

7:05

episode of Dark with my girlfriend on

7:07

Netflix. And when I came back, all these

7:09

freaking websites were done. Uh, I'm

7:10

just going to run through a couple of

7:11

these cool ones for you. Uh, and then,

7:13

you know, you guys could use stuff like

7:15

this, as mentioned, just by going to

7:17

{slash} guide on my site, um, or going

7:20

down below to the description where I

7:21

have links to all of these plus way more

7:23

resources. So, I mean, yeah, I mean, I

7:25

could literally just copy this and then

7:26

paste this into whatever, and it would

7:28

just redesign me the whole thing. Single

7:30

HTML file, 3.js r160, you know, Francis

7:34

Italics, Space Grotesque, all of the

7:36

flows, the floats, the I mean, you know,

7:38

this is like a professional designer

7:40

giving something to a slightly less

7:41

professional designer, so, um, you know,

7:43

if you did want to just like spin this

7:45

sort of idea with dumber models, you

7:46

absolutely could. I really like this

7:48

website. I mean, I think this is really

7:49

cool. This is basically like a history

7:51

website about all the different periods,

7:53

the Cenozoic, the Mesozoic, the

7:55

Paleozoic. I don't know how to say that,

7:56

but I mean like, you know, obviously

7:58

it's pretty clean, right? This website

8:00

here is called Murmur, and the whole

8:01

idea is you move closer in order to

8:03

read. And, you know, when I say move

8:04

closer, I mean there's this sort of

8:06

effect that's happening in the

8:07

background where everything's kind of

8:09

blurry and you can't really tell, but

8:10

then it consolidates into view and sort

8:12

of stabilizes form. But, you know,

8:14

there's like a little app called Static

8:16

On and in the background it just plays a

8:18

bunch of static and it sounds like an

8:20

ocean. And so, you're sort of like it's

8:21

like a lighthouse sort of idea, as well

8:23

as some poetry here, right? I keep the

8:25

sound you were a tape worn thin as

8:28

breath rewound past meaning. They have a

8:30

bunch of motion and interactive sites

8:31

over here. My favorites are the ones

8:33

that I've shown you guys so far, but

8:34

there's also like an audio reactive one

8:36

where it's gone through and I'm pretty

8:38

sure it synthesized a bunch of websites

8:40

using a simple system here. 5 minutes 42

8:43

seconds, 6 minutes and 11 seconds. If

8:45

you play one of these, it'll actually

8:47

change the the audio viz preview.

8:56

>> [music]

8:57

>> I could for sure see people using that

8:58

for a variety of purposes. This one here

9:00

is where you like fly through a

9:02

procedurally 3D generated like city

9:05

scape, which is kind of cool. I really

9:06

like this website here. This is sort of

9:08

like an album cover site. It's very

9:10

nostalgic and so on. Sorry, that's just

9:12

my Chrome DevTools MCP making that pop

9:14

up. You know, we can like we can go

9:16

through basically an infinite number of

9:18

these and I'm just going to continue

9:19

adding stuff to this library.

9:21

What I like about this is it just like

9:22

makes use of very simple motion

9:24

animations in order to make cool things

9:26

happen. Like this is the Millennium 2000

9:28

website, you know, very Y2K-y I would

9:31

say. I mean, think about how easy it

9:32

would be to make, you know, a 3D sort of

9:35

product website nowadays that

9:36

automatically orbits around some

9:37

product. This product was AI generated.

9:40

I mean, that's what the textures are

9:41

for. This used an AI text to like 3D

9:45

model in order to generate this chair.

9:47

This could be a freaking novel chair for

9:48

all that I know, one that's never been

9:50

designed before. What if you spun up a

9:52

a Shopify website with 10,000 of these

9:54

slowly rotating? A person chooses what

9:57

they want, and then you just send this

9:58

spec, cleaned up obviously, to a

10:00

manufacturer. I mean, like the options

10:02

are obviously insane and quite

10:03

limitless. So, yeah, I mean, that that

10:05

that's about it. I didn't really have a

10:07

plan or a project in mind when making

10:08

this site. I just thought people should

10:09

see how simple and easy it is to do.

10:12

Um if you guys want all of these assets,

10:13

just check down below again. I have a

10:15

free community where I'm just storing

10:16

all my resources now, including these

10:17

prompts,

10:18

um all of these websites, and so on and

10:20

so forth. I'm just going to create way

10:21

more and just continue giving them out

10:23

to you guys because at this point I'm

10:24

just arbitraging a little bit of my own

10:26

token spend, $5, something like that, in

10:28

order for you guys to have infinite

10:30

templates. It's not a big deal. Okay,

10:31

have a lovely rest of the day.

10:32

Hopefully, you guys appreciated that,

10:33

and I'll catch all y'all in the next

10:35

video.

Interactive Summary

The video demonstrates how to use Claude 3.5 Sonnet to autonomously generate high-quality, complex websites. The creator shows that instead of using rigid, multi-step frameworks, the key to success is providing the model with a clear goal, access to external tools like Pinterest and Higgsfield for assets, and a self-verification process, which allows it to work independently to design and iterate on numerous unique web experiences.

Suggested questions

3 ready-made prompts