10,000 Ads/Month: The Tournament System Replacing Media Buyers | Cody Schneider Interview
1051 segments
Cody Schneider, co-founder and CEO of
Grafft. He is uh continually doing so
many things with AI agents,
go-to-market, etc. He is famous
>> He's cracked.
>> that distribution is even more important
than the product itself. He is cracked.
We must bring him inside of the show.
Everybody welcome the one and only Cody
Schneider of Grafft. Stand up, Cody.
Get inside this show.
>> He's got the Steve Jobs swag.
>> Let's go. How you doing?
>> Let's go. We're doing even better now
that you are here, Cody. And I have to
say you're looking very you're looking
very Jobs-esque, very Steve Jobs.
>> rock look, you know? I just only do when
I do public. It's like everybody always
in the comments just blows it up. It's
like Anyway, it [snorts] it's really
just engagement bait, but it always
works. It's hilarious.
>> You do a very very rock. That's true,
very Dwayne Johnson.
>> meme of him and it just like always
rips, which is hilarious. So, anyways.
>> Cody
>> What were you guys talking about before?
Is it people buying pallets from Walmart
and then flipping them on eBay?
>> E-commerce.
>> I have a founder friend who's doing
this. They just like raised money for
this in Seattle, but they
>> Seriously?
>> Their whole setup, it's really
interesting. They do like
they do it regionally, so they buy from
like a store and then they go I don't I
can't remember the company name right
now, otherwise I would share it, but uh
they basically like you have to drive up
and pick it up physically. And it just
turns into the like your car you you
know you drive your car in they
literally like you know whatever it is,
you know, a pressure washer they load it
in the back of the car and then you like
drive away. Absolutely crushing it. I
didn't realize like this was such a huge
problem for them like both for the
companies like just trying to offload
this inventory, but anyways, super
random, you know, tangential thing
that's related.
>> There's
>> Wow.
>> There's opportunity everywhere
>> Absolutely, man.
>> on the interwebs.
>> There's so many different ways to make
money.
>> So many different ways to make money. Uh
now, Cody, I have heard I have heard in
all of your um agent building, agent
mobilizing, man, I have heard that
there's uh something interesting on your
side going on with agents monitoring
every competitor ad library and such,
Facebook and and more. Is this Is this
the case, Cody?
>> Yeah, 100%. I mean, you're seeing this
more and more like we I mean, you guys
are in the industry, you know how this
functions, right? It's like if you look
at like Rise Superfoods as an example
right now, I think they have like 2,500
plus like ads that are live currently
across the platforms and they're just
like at scale deploying. It's in the
range, you know, 100 plus daily.
Um
>> Phew.
>> Uh this is becoming like really
important. Is So, when you think about
inventory that's available on an ad
platform, right? Like something we spend
a lot of time on of like, okay, what is
my total addressable market? I work in
the B2B space, so it's a little bit
different, right? But we're like, what
is my total addressable market? How do I
get in front of them, you know, across
all of the places that I'm trying to
market? Um and then like I need to think
about basically, how is everybody else
in the market positioning themselves?
And then where is it like red ocean? So,
like every company that's a beef tallow
company is saying these exact, you know,
three same things with their ads. Okay,
well, there's actually this these seven
other benefits that we can talk about
that nobody is talking about once we
actually pull all of the creative. So,
if we go and we just make creative for
those topics that people aren't like
competing in, what we'll see is that
ROAS will like increase, it'll become
cheaper on a CPA, etc. And it's largely
just like
mapping, right? Again, how is the market
communicating themselves? Like So, first
it just take a step back. How do you do
this? It's like, okay, what are the pain
points and the outcomes of the person
that I'm trying to sell to? Like what
are the pain points they have? What are
the outcomes that they want? And then
once I've identified that, we like how
we do this is we build a matrix, right?
Of like, here are all these emotional
triggers, here's these situations that
they could be in. So, like as an
example, like one that we did recently
was like um I took this restaurant over
from my dad and I'm afraid I'm going to
run it into the ground. That's an
emotional trigger, right?
>> Okay. [laughter]
>> Situation that they could be in is like,
oh, it's the Friday night rush. It is
the uh you know, what like it it's uh
the weekend and it's off. I know their
phone is ringing. I hear it ringing. I
don't want to answer it cuz I'm like
shutting down, you know, etc. Um and I
can make ads across all those different
variations of the matrix. So, imagine I
have like, you know, five different
emotional triggers and I have like 10
different situations. Like from that I
can create, you know, 15 different
concepts of ideas. When you map once you
created that
when you go and you pull the ad creative
that all of your competitors are
running, what you'll find is that if you
like, you know, put that to the matrix,
you'll find that certain parts of the
matrix are lit up. Like oh like only
these like, you know, only these cells
within the top left corner. Everybody's
talking about the product in the exact
same way, but there's really like, you
know, 10 different ways that I could
talk about this and then nobody is. And
so if I go make ad creative talking to
those pain points, [clears throat]
I'm actually going to be able to
outperform, you know, who I'm competing
against because I'm differentiating the
messaging to the same, you know, exact
customer, but like I you know, talking
about it in a different way. So,
anyways, I I think that that's something
that we're really excited about and
we're seeing like really great results
with. So, just like to pass that on.
Also just the scale that you have to do
this at now. I mean, we're at this like
the point where it's like every day, you
know, we are publishing for example for
one company it's like 20 or
it's five new ad sets, five new ads
within those ad sets every day. The ads
compete against each other over like a
two to three-day window. Losers
automatically turn get turned off. So,
the winners get left within that ad set
and then the winners at winning ad sets
are to a winners pool and then the
winners pool is competing against each
other for like the ad budget that's
available, right? So, it's almost a
different game than like historically
like I would like find an ad and I would
try to go and scale that. Like I would,
you know, how much like what is the the
ceiling that I'm going to? Now with
Indromena, again, I'm in the B2B space
so it's a little bit different. The game
that we're playing is like how much ad
creative can I just give the model
because it's almost like I I you know, I
had somebody else describe this where
it's like it's this one-to-one ad
algorithm, right? Where it's like it's
just going to go find this random person
that it can serve this ad to. And maybe
like, you know, that one person it's
going to cost $30 to get that lead from.
It's not going to find anybody else,
right?
>> Yeah.
>> But we can go like it's so cheap to make
that creative now that we can go and
just like feed basically Andromeda for
this. So, anyways, happy to answer any
questions about that or like how we're
actually doing that or like you know
technically, etc.
>> I I find that fascinating. I find that
fascinating. I'd love to know like how I
when you start talking spreadsheets, I
mean, Cody, my eyes just like I'm I'm my
face gets tired. When my face gets tired
>> I understand, yeah.
>> all of this is just like it's just code
under the hood, right? Like but for
example, if you're pulling your ad
libraries, like you can use Appify,
you're just like monitoring
the ad libraries of your competitors and
then have it where it's like a daily
cron job that's like Okay, go into that
you know, Facebook ads library, pulling
out the net new ad creative, it adds it
into the database of like what is the
active ads, and then from that you're
basically okay, like what are the core
concepts? Like you can have a vision
model watch the actual ad if it's a
video and be like, what is this? Like
explain [laughter] to me like what's
happening like you know, second by
second within this video. Okay, cool.
Like based off of this like now let's do
that for 10 different competitors and
then from that aggregate, okay, this is
how this is the things that these are
the larger trends that we're seeing,
right? Oh, for some reason claymation
ads are now going viral within
supplements that are for, you know,
women's health, okay. Let's let's can we
go and create make ad creative using
seed dancing that as well, right? Etc.
Um,
but yeah, and then I mean
this isn't like a person
doing this, right? [laughter]
This is just this is just software. Like
what the [ __ ] is an agent, you know, to
be
>> Yeah. I Yeah, what Yeah, what is it? I
mean, it's it's software, right?
>> software under the hood. It's a software
with a thinking loop and some type of
data like feedback, right? And like
that's all it is. It's like cool, like
it's an app when you think about a media
buyer, like what are they doing, right?
They have like an algorithm that's in
their head of like, okay, I'm publishing
new creative, I'm looking at what's
working. I'm like doubling or I'm
removing the losers and I'm doubling
down on the winners. That can be like
turned into code now. Like but what do
you need to accomplish that? You have to
have a data stream and you basically
have to have like an agent that can like
think on top of that data and then the
ability to make new ad creative. You If
you've solved all of that, you can just
have this engine that's like running
media buying now. And this is like where
this is all headed, right? And so
anyway, I I I think with all that said
though, let's take a step back. Like the
real opportunity I think is that you can
now identify like what are all the ways
that I could talk about this? What are
all the ways my competitors are talking
about this? What are the ways that they
aren't that they should that I should
be? Let me go play in that blue ocean
space and like I this is just like you
with hypothetically cloud code, you
know, figuring this out. Totally
possible. So.
>> That's juicy.
>> I think this is so important because I
think a lot of people are the smaller
players within our space not realizing
that they're going against behemoths. We
talked about IM 8, you know, raising not
raising but getting a billion dollars of
cap that they can basically deploy
against ads. And so if you're running
the same exact thesis for ads as IM 8
and you're trying to compete with them,
and you're you're like that doesn't even
work at all because
they're going to win. They're going to
win nine to 10 times out of 10. You
don't have the capital to keep up with
them. But if you zig when they zag and
you're talking about completely other
things, that's a way to compete with
them, not not capital to capital. It is
just angle to angle. I love this I love
this concept so much.
>> information is out there too. I think
this the challenge is like historically
to go and collect all this would be I
mean you'd literally pay.
Oh my god.
Yeah, it'd be insane, right? Like you
got you You both know what this actually
takes to do. In in contrast now it's
like I can just have an agent go for
like 12 hours straight just read Reddit,
aggregate all of [laughter] the
information for all the different
situations that people are in.
Um you know, both [laughter] good and
bad like right?
>> Both good and bad.
>> But then from that I can then basically
again map out this persona and like this
is how I think about Andromeda more and
more is like I am trying to map out this
emotional trigger plus a situation that
they're in and that situation is like
I'm using language that they wrote that
resonates with them, right?
And from that I can like you know,
really clearly see like there's only so
many ways that I can talk about beef
tallow, right? But like maybe you know,
people
are spending less time talking about it
as like an eczema solution or whatever,
right? Okay, cool. Then you should spend
your you should spend your time there in
contrast to like oh, here's this like
you know, it's it's replacing what
people do with like Vaseline for
slugging, right? Or whatever.
>> [laughter]
>> Yeah.
>> So anyway, yeah. But
again I the scale the volume of the the
creative that you can read This is where
this is all going is like and I mean
we're spending so much time trying to
figure this out of like how can I employ
seed dance to like at scale make
creative that feels cinematic that feels
like you know, these Pixar ads rip
across the board
by
any industry any category etc. And I I
don't think we're there yet like but
we're close and we're probably like six
weeks away to where it's like you're
just going to like plug into
this ad machine and it just starts
creating ad creative, right? And like
you know, you can have that
automatically upload to Facebook. Now
the problem becomes understanding like
if I'm publishing 10,000 ads a month,
what the [ __ ] is working? Like that's
going to be the hardest part of this,
right? So anyway.
>> Well Cody, it seems to me. I'd love your
take on this. I mean it seems to me like
Zuck wants to build this inherently
inside of Meta. It's like we can make
your ads, we can run your ads, you just
tell us a CPA and who you want and like
we'll go make it happen. I I I um
I genuinely like don't really trust them
to do that.
>> [laughter]
>> I JUST DON'T.
I JUST DON'T.
>> HIRED US, RIGHT? Cuz like how many times
have you gotten on a call with like a
Google Ads specialist and they're just
like, "You should increase budget." And
it's like, "That's not what I'm here to
do, right?"
>> [laughter]
>> Thanks for the advice. Really appreciate
the advice.
>> Totally. And like also like when you
think about like what they're probably
training off is it's to the average,
right? And like what we're advocating
for here, what we're actually talking
about is like I don't want the average.
I don't want like what all my
competitors are doing. I'm trying to
look for like what are the outliers
because that's with the better place to
allocate the limited resources I have,
time, money, mental energy, right? Um
and so I think, you know, for the app
I was talking to I was at a dinner in
San Francisco recently and this guy was
saying like, you know, when they
initially built like the self-service
like Facebook Ads platform, a lot of it
was just like we're just trying to get
to like very normie like the boost a
post, you know, that that boost a post.
The very normie SMB owner. Like there
was just so much money that they could
like basically accumulate from that. And
they have no idea what the what is the
actual outcome, what does this actually
do, but [ __ ] like 10,000 people in my
geography saw it, that's awesome.
>> Yep.
>> Um but I think that the
like for the average person, probably
solves it. You're an HVAC company, so
you're like, "I hate my agency. Like I
despise them, you know? Like all they
do, you know,
they just lie to me, full stop, right?
Like they're not actually like giving me
the real information, they're not
delivering." You're telling me that I
can just plug into Facebook and I'm
like, "Cool. Here's this form that I
want people to complete. Go find me
people that like, you know, do my get me
leads for my tree trimming business,
right?" And it like makes it a creative
that solves that. I think that that for,
you know, again, the SMB makes a lot of
sense. But now it's like you want to
compete in the top 1% or, you know, top
10%. The only way to create And this is
with all the AI like generate
AI is just a tool that is like utilized
by the person that or that, you know,
the the the strategy that's behind it,
right? Like if I say, go write me a blog
post about X, right? Like it's going to
write to the average of the bell curve,
it's going to be terrible, it's going to
be super vague. In contrast, if I'm
like, hey, here's 10 podcasts from
experts talking about this specific
topic, right? Um
for example, like hotel marketing in
2026, go write me a piece of content
based off of the source material that I
provided you, the outcome that you're
going to get from that is going to be,
you know, top 1% because I I created
this walled garden that it has to think
in, and I gave it source material for
It's the same idea here, right? Like of
like, what is a good ad for like me to
be able to like be publishing or me to
publish to it the the channel, I have to
basically like context-oriented,
like this is this is the scope. Like
this I'm pointing you in the direction
of what actually Now, I can give it
leeway within that, right? where it's
like, okay, yeah, we're going to go
generate 100 different like, you know,
static variations based off of these
different persona like maps that we're
going after and these different, you
know, these pain points, these outcomes
that they want. But it's still very
specific to like, this is what I know
Like I'm still giving it the the
direction. This is what north looks
like. You can go northwest, you can go
northeast, I don't care, but you have to
go north in some capacity. So.
>> Cody, oh, go ahead, Kyle. Go ahead.
>> I was just going to say, Cody, I would
love to shift gears into what you've
been talking about with TikTok real
farms because I am
>> [laughter]
>> so insanely fascinated by this. I and I
will say I will say selfishly, I have
tried to crack this. I was unable to
crack it for me personally. I I think
there's something there. I would love
for your take on this because I think
it's
>> Yeah, yeah, yeah. I'm happy and I'm not
an expert on this. There's way better
people than like I have friends that
this is all they do and like they're
incredible, right? But um so, what a
TikTok real farm is, it's basically like
imagine literally an Android phone that
is in a warehouse in Brooklyn that has
like an eSIM that's separated and
they're getting a local like IP address
and they like have like they're like
doom scrolling on this phone to make it
look like it's a real person, right?
So company like our partner that we use
we love them double speed AI they're
great. Um
>> You use them?
>> Yeah, we use double speed. They're
awesome. We've been super satisfied with
the results and the like what we've seen
and their team has been just great
partner. Um but the what it ends up
looking like
is in practice they basically like they
manage this like infrastructure for you.
Um I think it's like $100 per account
per month or don't quote me on that.
And we've got 10 accounts and it's I
think it's like $1,500 is what we pay
per. Basically what the math comes out
to is like if you're doing
about a thousand or 500 to a thousand
dollar or sorry 500 to a thousand views
per video across like 10 accounts that
you have over a month the CPM on that
ends up being about two to three
dollars.
>> That's nice.
>> on Tik Tok is like you know in the range
of $10 right? When you just like are
just doing like ads to the general
audience. So What what the what it ends
up looking like that's that's the whole
arbitrage here is you're basically
getting cheaper costs on impressions on
one of these platforms. You can do this
on like Instagram as well there's like
less sophisticated providers Tik Tok is
where like majority of people spend the
time. What the media so how this
actually functions like double speed has
these accounts they give you an API and
then we use the nano banana to make
slideshows where it's like literally
like
>> Slideshows baby.
>> Exactly. So it's like super cheap. We're
not doing videos for this. We tried
videos it doesn't work as effectively
just like slideshows always work.
The tricky part is finding a format that
is already working that you're then
going and replicating. And so this is
where you have to go and do this
research. You can just brain rot
yourself like go to Tik Tok and like
scroll within your category you're going
to find like what's working and then
pull out those winners and then turn
that into a repeatable format. Or you
can use a tool like one of them's
Viralo it's like v i r l o
they have an API that enables you to go
it like with Claude code and you can
basically be like hey I'm in the beauty
category show me all the like viral
posts in the last 7 days and it's going
to like bring up it it has this huge
database like a repository. Gives you
that source material.
So once you make these
slideshow images the actual like
tactical pieces is like you have some
type of hook like imagine day in the
life of a corporate girly and then it
like it's like sliding them through
them.
>> Yeah.
>> What new like their day in New York
looks like you include the product
within the slideshow. Like as a natural
like part of it and then you can also
include that you know in the for example
the the caption of of the the thing the
the the actual like account you just
like make it look like a normal person.
>> [laughter]
>> Not that it's like branded whatsoever
it's just
>> Yeah.
>> And every I mean if you I guarantee you
guys like
I would not be shocked I have all the
internet is fake right like I'm I'm in
problem with this.
>> Your dead internet theory.
>> I am I'm 100% it's already done like
it's it's game over.
>> It's over.
>> It I don't know if there's a way to just
there isn't a way to beat it
I mean at the end of the day it just
comes into like your
we're just hunting for impressions right
like I'm just like looking for like what
is the way to get in front of my target
customer as cheaply as I can to create
the outcome that I'm looking for. But
anyways yeah when you do that at scale
though like the master is crazy right so
it's like okay 10 accounts you know if I
can get whatever 300 to 500,000 views a
month from those like if I scale that up
to 100 accounts if I scale that up to
1000 what does that look like and when
you see um
like in if you see a
like a musical artist like come out of
nowhere
and why are they all over social this is
how this is happening.
>> Yeah.
>> If you see like a brand come out of
nowhere and it's like all over social
this is how it's happening.
If you see you know kind of universally
this is like the tactic that's that's
this is how discovery happens for new
products so it's a great way to do like
brands uh
like build like brand notoriety or
authority and just like also like brand
just like do they does it do they do
they have brand recognition etc. of like
you know what you're trying to build?
It's not very tactical like it's not
very bottom of funnel. Like again, I'm
B2B we don't like we don't see any crazy
results from it, but it's like we use it
as like a again, we're trying to build
brand within this category for a
specific customer that we're selling to
etc. Um there's just like another way to
show up in front of them. For e-comm you
can get this to work though where it's
like cool, here's this literally the
supplements that I take on slide three
hits next when I when I take my when I
drink my matcha I also take this, right?
And like that is like a part of like
that sales process. Um then again, the
it's just very hard to track attributed
like
this is like why it's we we don't do it
a lot of it or like why we see people
not wanting to do it. Hard to track on
an attribution side. Um you have to
think about it in the aggregate. People
are always hunting for like outliers.
Like that's not the game that you're
playing here. You're playing more of
like I'm getting you know if the average
views again can be a thousand per video
like a thousand per slide show, awesome.
Like we've we've we've accomplished
again like what that you you know
hitting the CPM number that we're trying
to to to come to from a price
standpoint. So
>> I I
you know in in D2C and e-comm like
people are spending gobs of money per
month.
>> gobs
>> gobs of money
>> gobs
>> What is what is like fifteen hundred
bucks for a two to three dollar CPM?
That's like crazy.
>> And Chris we we had Ryan Beltran CEO of
Original Grain on the show and he said
specifically yesterday he said
impressions matter. Impressions matter.
I cannot quantify it to my brand. It's
not something I can like tie back into a
conversion and blah blah blah. He's
running a a multi multi million dollar
watch brand and he is saying impressions
matter. At the end of the day
impressions matter for my brand.
>> I think it's just I mean you can see it
too, right? Like you can see it in the
branded search. That's the only like you
know trailing indicator where it's like
you can go to Google search console and
you can be like our branded search is up
month over month. Like what does this
look like? Or we had a viral video. This
happens all the time. It's like we have
a banger day, and like do we see
impressions go up? Like branded search
impressions increase, and branded clicks
increase? Absolutely. Always like you
can you can absolutely quantify it.
Tying that all together though, like
what is my ROAS? What is my number?
There's no way like you're going to
actually do that. People are trying to
solve this. I I've been in this game for
like
10 years.
>> [laughter]
>> Everybody has told me they're going to
solve this over my entire career. It's
never been solved. [laughter] It's not
going to be solved anyways.
>> For For that like banger video that
you're talking about, that quote-unquote
like viral run, is it the same form Like
are you talking about like a a slideshow
video that pops off? And then if so,
like what would you consider that to be
a Okay, we got a viral one on our hands.
Is it like a hundred? Like a hundred K
impressions?
>> It's an outlier that's like 5x or 10x
what the average is. Um
>> Got it.
>> Like So, for example, like this is a
strategy, right? It's these like TikTok
real farms. Another strategy is I put
creators on payroll. Like I use
something like a lot of people are
starting to use slideshow. I haven't
used it personally. I don't know how it
functions, but how I've ever done this
is like I go and I
scrape 20,000 creators in beauty, and I
cold email them, and I'm like, "Hey, uh
I want you to do a video per day across
Facebook or sorry, across uh Instagram
Reels, YouTube Shorts, and TikTok. Uh
we'll pay you whatever, you know, 900 a
month for that."
>> Yeah.
>> And then I go and I get 20 different
creators. They're all making a video per
day, so I have 20 videos per day going
out. And then I'm They're basically
hunting for viral formats.
As soon as I see a viral format, then I
roll that out to the whole all the
creators that are within my like cohort,
right? So, it's like I'm But that that
same idea, like this is how this can
work together is like, "Cool, I found a
viral format. I now take that and I
apply that to the TikTok real farms."
And maybe they don't perform as well as
the actual like original. Like but even
if it's only whatever, you know, if it's
10% of a hundred Say your average, you
you views per video or per slideshow is
a a thousand. And that video did a
million, and you only get, you know,
10,000 on the TikTok real farm in
comparison to the million that it did.
Um, it's still, like, that's still an
outlier. There's still a way to double
down on that. So, it can work in tandem
together, but it typically is like one
direction, like where it's like, I have
the creator identified, that human
identifies the format, and then I'm
rolling that out to like this this real
farm. Um, this is in contrast to, like,
that's creator marketing, right? This is
totally in contrast to influencer
marketing. Which is its own animal,
which is like, this person has like, you
know, incredible reach, and also like,
they have trust and notoriety that's
built into them.
>> Yeah.
>> And that's its own game, right? And a
lot of the time that's for brand, like,
you're building brands, right? Like, for
example, why did, you know, Meta Ray-Ban
like just work with Kylie Jenner, right?
It's like to elevate the brand identity.
>> Yeah. Yeah.
>> Um, and that there's that's that can,
you know, strategically fit into it, but
it just depends on like what you're
trying to do. Like, are you, is this
transactional, or is this like more
again, like, am I going for impressions?
Am I going for that brand affinity? Cuz
we know that branded search happens, we
just don't know when. Like, it's the
only, like, impressions are the way that
you influence word of mouth, right? And
and then the the example I always come
back to, like, I had a I had a boss who
said this to me, he's like, why do you
think that like accident lawyers buy
every billboard in a city, you know, a
tier two, tier three city? Like, do you
think it's not working? Like, do you
think it that they're buying billboards
cuz it's not [laughter] working? They're
always buying billboards, so like,
something is obviously happening, and
this is like why Frank Wright is like
getting all the leads [laughter] for
accident lawyers in like, you know,
whatever Tuscaloosa. So.
>> Yeah. Yeah.
>> Something's working.
>> Something's working.
>> That's why they're doing it.
>> That's so funny.
>> Cody, I you've always got so much sauce.
>> Sauce. You're dropping sauce all the
time.
>> And but here's here's the thing. Here's
the thing. Like, I I have never really
like fully got my hands around grafft.
But bro, YOU CAN DEPLOY AI AGENTS WITH
GRAFFT. LIKE, THAT IS THIS IS LIKE THE
THING. I MEAN LIKE
IS THIS am I the only one who's shocked?
I mean I've maybe I should have known
this but like you can do you can do the
stuff that you're saying with Graft.
>> I so we initially started out as like
data pipeline and warehouse tool and
then like that's what I was told it was.
Yeah. Totally and we knew agents were
coming on some horizon and like we were
going to build marketing agents and
sales agents and like fit into that
space. We only work with B2B right now
just like that's largely just
where we have expertise and like where
we're seeing the like the adoption of
this make the most sense. Long term we
totally see this working for e-com which
is again like you're trying you're uh
you know you're a brand that's trying to
compete against like Rise right? Yeah.
How are you going to compete against
them? Like okay well this is you're
going to have to have agents that are
being functioning as like media buyers
and also like production like media
production you know for ads and voice
right? But anyway yeah so what we build
is basically data pipeline data
warehouse and then also the
infrastructure to deploy the agents onto
and then also the infrastructure to
deploy artifacts too. Say you wanted to
make a reporting dashboard. So an
example of this is like so how we
function right now is we basically for
to plan engineer and we do this work for
company. They're like I just most
companies are like I just want to buy
the outcomes. I don't care how it
happens. That's where we fit into this.
Long term where this all evolves to is
basically like you're in cloud code and
you build some type of system that's
like running your Facebook ads for you
automatically and you're like damn I
wish I could deploy this into a cloud
that like has access to my live you know
Facebook ads data Google Analytics data
my like Shopify data that's all in a
single place.
That's basically the infrastructure that
we're building that enables you to just
like one stop shop you know deploy that
out. So anyway yeah that's the product
and why we're helping companies right
now. But
>> That's incredible.
>> We could talk about agents all day
though. I know we're coming up on time
but it's it's crazy man. Like if you we
had this conversation 6 months ago I'd
have been like agents are [ __ ] and
[laughter]
now I'm just full stop I don't know
where the the boundary the only boundary
we found so far like on our side is long
form video editing. Um
>> Okay.
>> Everything else like if a human can do
it on a computer,
um we can almost get, you know, we can
basically get an agent to do it at this
point. Um
>> I
>> This is an example like we have we're
probably launching launching in the
range of like 10,000 to 15,000 ads a
month across all the companies that
we're working with.
>> Wow.
>> You know, in the aggregate. Across
Facebook ads, we understand what the ad
is, how it's doing, how does it fit in
the persona, what's actually working,
and then there's like a learning loop on
top of that. Like the volume is
unfathomable, but sorry, go ahead.
>> So you would say still that your the
bottleneck here is running up against a
very, very long form video that needs to
be edited?
>> For sure.
>> Say like a a two-hour live stream show
about e-commerce and one of those.
>> [laughter]
>> Absolutely. There are solutions that are
coming, and I think they're like really
close.
>> Um yeah.
>> Next six months I think we're going to
be in a place that the challenges that
you have to have So the things that you
have to solve you is you have to do a
word-by-word transcription
of like what's being said within it, and
then you have to like the agent has to
understand like frame by frame what is
happening.
>> Yeah.
>> And it's just expensive, right? You can
do this. It's just very expensive, and
it doesn't make sense. It's cheaper to
go and, you know, hire a homie out of
the Philippines for
1,600 a month, and they're just like
heads down basically, you know.
>> Yeah.
>> Like
pumping this out with
automations within Adobe Premiere,
right? Um
>> Yeah.
>> But it'll get to that place where it's
like cool, vision's got cheap enough,
like transcription is already cheap
enough. It's largely just that vision
piece of like understanding what's
happening in the video and like like
being able to stitch that together. Um
Once that's solved, it's like this is
done. Like that's
I mean then there's all this is like
what does B-roll look like and those
pieces, but I think there's I mean we
we're working with a company right now
that is like solving a lot of this
motion graphic stuff, and I'm like,
"Dude, this is insane." Like you're just
like giving it random
I I mean honestly, for your audience
it's probably great. It's the the
company's called Styleframe AI.
>> Um
>> Styleframe
>> You give it a key frame. So for example,
it's like here's four like key frames
of the
like I want an animation to occur. So
for say for example, like I think one of
the ones they have on their home page is
like I'm trying to make like like a
watch like a motion graphic for a watch
like that's like cinematic almost feels
like an Apple like style, right? You can
do that within their platform. Like it's
it's ridiculous like what is possible
and what's like on the forefront. So
anyways, yeah, just another nugget for
you guys. Again, if you're
like trying to build that type of
creative that feels incredibly like, you
know, cinematic polish, right? This this
there's there's tooling out there now
that that is actually possible to do.
This is pretty incredible.
>> Cody Schneider, man. Wow.
>> Let's go.
>> Love you guys. Love being here.
>> Hey, hey, everybody watch how far you've
come to. I've been like just you know,
in the
>> You've been along the ride, bro.
>> Awesome, yo. It's so
>> You've been along the ride, man. I I
think everybody needs to go to graft.com
B2B go talk with Cody. Cody, I think of
you as like Mr. GPM. I mean to me you're
Mr. Go to Market.
And anybody who wants that and wants to
get forward deployed
>> [laughter]
>> in the AI age should go and do that.
Brother, we appreciate you.
>> right now that are like trying to figure
out how they do their like wholesale
motion.
And like if that's interesting to you
guys, you know, anybody that's listening
we're all trying to discover that,
right? And like
build basically the system to accomplish
that where you're like, yo, I'm trying
to get into every boutique in
for example, the south eastern part of
the United States. So how do we go and
create a system around that? That's
something that's totally possible. So
reach out if that's in your wheelhouse
and you're trying to accomplish that.
>> Jack, we need to clip that and then we
need to put it [laughter] out for
everybody in CPG especially.
Oh my gosh. Cody, we appreciate you.
Cheers, man. Thank you, brother. Look
forward to having you back. Wow.
Ask follow-up questions or revisit key timestamps.
Cody Schneider, CEO of Grafft, discusses his innovative approach to go-to-market strategies using AI agents. He emphasizes the importance of data pipelines, analyzing competitor ad libraries to find 'blue ocean' messaging opportunities, and automating the testing of ad creatives at scale. He also explains the concept of 'TikTok real farms' as a way to generate affordable impressions and discusses the future potential for AI-driven ad production.
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