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Your Ribs Stick Out When You Raise Your Arms?

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Your Ribs Stick Out When You Raise Your Arms?

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402 segments

0:00

If you raise your arm and you find the

0:01

ribs sticking out, stop stretching your

0:03

shoulders, that's not a shoulder

0:05

problem. And stop doing endless t-spine

0:08

mobility drills, it's not a mobility

0:11

problem either. If you keep chasing more

0:14

shoulder mobility without fixing the

0:16

structure underneath, you are simply

0:18

teaching your body to compensate more.

0:22

And over time that compensation can show

0:24

up as shoulder impingement, neck

0:27

tension, rotator cuff irritation, lower

0:30

back pain or constant trap tension. So

0:34

why do your ribs flare in the first

0:36

place? And why does your body need that

0:39

compensation just to get your arm

0:41

overhead? In today's episode, I'll show

0:44

you what is really happening from the

0:47

BAT perspective. In today's episode, we

0:49

will cover the common misconceptions

0:51

about rib flare, why your ribs stick out

0:54

when you raise your [music] arm, and the

0:56

beauty explanation for what is really

0:58

happening, and three movements that help

1:01

restore your shoulder function without

1:04

relying on rib flare. Hi guys, this is

1:06

Gabby. I work with Olympic level

1:08

athletes and national teams, helping

1:10

them remove pain and sustain high

1:12

performance without breaking down. My

1:15

system has been used by Olympic

1:16

medalist, national teams, and worldclass

1:19

champions. And over the past three

1:21

years, I've helped more than 20,000

1:23

people over 40 countries, including

1:26

athlete just like you, rebuild their

1:28

body from the ground up. Let's look at

1:31

the arm raising movement. First, if you

1:33

want to raise your arm to an overhead

1:35

position, there is something you need to

1:37

remember that is scapular humoral

1:40

rhythm. This describes the coordinated

1:42

movement between your arm bone and your

1:45

shoulder blade. So when you raise your

1:47

arm from 0 to 60°, it's just the humorus

1:51

moving. But if you want to raise any

1:53

further than that, can you see your

1:55

scapula gets invoked and roughly in the

1:58

ratio one to two. So every two degree of

2:02

your humorous need to move, the scapula

2:04

needs to move one degree. But somehow if

2:07

you get your scapula stuck and you still

2:09

want to move the arm into overhead

2:11

position, your body get very smart and

2:14

extend your lumbar spine. Tilt the rib

2:17

cage forward to be able to help you to

2:20

finish the movement. This is the key

2:22

idea. The rib flaring is not the

2:25

problem. It's actual smart compensatory

2:28

strategy.

2:33

First of all, let's understand the

2:36

structure of your scapula and the ribs.

2:38

Your scapula is not flat. It's actually

2:41

slightly cave in just like this spoon.

2:44

We call this concave shape. Then let's

2:48

look at your ribs. Is not flat as well.

2:51

It's a oval shape like this egg. We call

2:53

this convex shape. and your scapula is

2:57

sliding and gliding upon your ribs just

2:59

like this spoon gliding and sliding upon

3:02

this X as well. The relationship between

3:05

the scapula and the ribs is built upon

3:07

this. So when they match like in and

3:10

really well the scapula look can slide

3:12

upper rotation downward rotation right

3:15

really well. But if you have flat back

3:18

you have extended spine and then it's

3:20

loosening dog it can slide away. And if

3:23

you have really collapsed chest, if

3:25

you're sitting a lot and still it's

3:27

going to loing the relationship and

3:29

slide away. So whether the rib cage

3:32

becomes flatter or more twisted, the

3:35

shoulder blade can no longer glide and

3:37

slide smoothly along the surface beneath

3:40

it. But the body still wants to get the

3:43

arm overhead so the borous movement from

3:46

somewhere else like your thorax, like

3:48

your lower back. So you can move your

3:51

arms. Finally overhead. Then why does

3:54

your rib cage change shape at the first

3:56

place? We need to understand the

3:57

relationship between your chest and also

4:00

pelvis. Your spine is a double ace shape

4:02

curvature. The first steps forward,

4:04

backward, forward and backward. Right?

4:06

So it's all together is all connected.

4:09

So your rib cage anchoring the position

4:12

of your pelvis. If you sit a lot in a

4:15

tucked in position, look, your chest

4:17

collapse. If you prefer in a anterior

4:20

pox like this, your ch ch ch ch ch ch ch

4:22

ch ch ch ch ch ch ch ch ch ch ch ch ch

4:22

ch ch ch ch ch ch ch ch ch ch ch ch ch

4:23

ch ch ch ch ch ch ch chest changes

4:24

position as well. So if you only stretch

4:27

your shoulders or do thoracic mobility,

4:29

you never fix your pelvis and then you

4:33

only doing the bandic fix except from

4:36

the symmetrical orientation of the

4:38

pelvis anterior posterior tilt, right?

4:41

There is another way of the pelvis

4:44

misalignment which is the whole lower

4:46

body rotation. Just do remember where

4:48

you protrude your pelvis forward. You

4:50

protrude the ribs forward. Can you see

4:52

the left right organization of the ribs

4:56

has already changed. So I have like

4:58

uneven ribs. So I have uneven shoulders.

5:01

Here's the question. Why does your

5:03

pelvis change it structure? Right?

5:05

That's where we need to go deeper. The

5:08

root problem is usually not the pelvis

5:10

itself. Over time, the body gradually

5:14

loses organization, aging, years of

5:17

sitting, old [clears throat] injuries

5:19

like one side of the ankle, sprain, like

5:23

repetitive training patterns, daily

5:25

habits, compensations layered on top of

5:28

compensations. The body becomes less

5:31

efficient as distributing load through

5:33

the entire system. As organization is

5:36

lost, weight distribution changes. When

5:39

your weight distribution changes, your

5:42

side shifting, leaning, stacking changes

5:45

about, that's why your pelvis adapts and

5:48

that's why your rib cage adapts. So, it

5:52

affects your shoulder blades. Get it?

5:56

Scenario two, tension from uneven arm

5:59

use. The forces from below can alter rib

6:02

cage position and affect the shoulder

6:04

blade. But your shoulder blade can also

6:06

been pulled away from the rib cage by

6:09

uneven tension throughout arm suspension

6:12

system. Number one, left right

6:15

imbalances. Most bars naturally rotate

6:19

more to one side. For example, I am

6:22

left-handed, so my left side tends to

6:24

pull forward more. Maybe you always try

6:28

and lean the same way. Sit and lean the

6:31

same way. Carry your back always on the

6:34

same shoulder. Use the mouse with the

6:37

same hand or play asymmetrical sports

6:40

like golf, tennis or fencing. Over time,

6:44

one side gradually becomes more dominant

6:47

and more pulled forward than the other.

6:50

Number two, flex extends the imbalances.

6:53

Modern life is dominated by arm flexion.

6:56

typing, driving, scrolling, holding

6:59

phones, working at desks, gripping,

7:03

lifting, pulling. The front side muscle,

7:05

the flexes, gradually dominant the chest

7:09

collapses slowly. Your shoulder blades

7:11

drips both upward and forward. You may

7:15

ask, how do I get more shoulder motion

7:17

or how do I stop my ribs from tilting?

7:20

But underneath those question is a

7:22

deeper one. Why does my body get stuck

7:25

in this pattern in the first place? Once

7:27

you understand the structure behind it,

7:29

you stop chasing local tension. You stop

7:32

riding on short-term patch fixes. So, in

7:35

the next part, we are going to address

7:37

this shoulder issue through three BT

7:40

axis. First, the spinal axis. By

7:43

improving pressure regulation through

7:44

the rib cage and the breathing, we

7:47

restore proper rib cage pelvis

7:49

alignment. Second, the vertig axis. By

7:52

restoring stacking from the feet through

7:53

the pelvis to the shoulders, we help you

7:56

become better stacked instead of tilted

7:58

or rotated. Third, the horizontal axis.

8:02

We rebalance the suspension system of

8:04

the shoulders, arms, and rib cage. This

8:06

helps reduce excessive arm tension and

8:09

allows your shoulder blade to sit where

8:11

it should. When these three systems work

8:14

together, the shoulder blade can move

8:16

freely. Again, this movement come from

8:18

our 28 day full body alignment training

8:22

less than 15 minutes a day designed to

8:24

rebuild your structure from the ground

8:26

up. So, the rule is you put a deposit

8:29

and complete everything as a prescribed,

8:31

you get a full refund. So, if you finish

8:34

it, it's free. Our next cohort is coming

8:37

soon. Click the link below and see if

8:39

you qualify.

8:42

This movement is called chest pelvis

8:44

alignment breathing training. I want you

8:46

to lie down on your back. Make sure your

8:47

lower back fully attached on the floor.

8:49

And then bring your both of your feet on

8:51

the wall. Keep your hips, knees, and

8:53

ankles all in 90°. Most important thing

8:57

is keep your second toes upward point to

9:00

the ceiling. And how to prevent your

9:03

lower body from collapsing? You can

9:04

squeeze a pillow or plate ball between

9:06

your upper thigh to keep them aligned.

9:09

So the key is not to squeeze your knees

9:11

way too hard. That's going to also

9:13

creating the collapsing. Okay? Just keep

9:16

your second toe, kneecap and pelvis

9:18

perfectly in alignment and get your

9:20

spine fully rest on the floor. If you

9:23

can't, if you have way too tight lower

9:25

back, what you do, you get a folded

9:26

towel and tuck it beneath your pelvis.

9:30

Voila. That's it. Perfect setup

9:32

position. Okay, let's focus on the

9:35

breathing part. First of all, look,

9:37

that's our lower ribs. We call that

9:40

coastal arch. So Leah's coal arch is

9:44

slightly protruding outward, right? So I

9:47

want her to exhale first to bring her

9:51

lower ribs align with the pelvis. So

9:53

they are like two doors closing, right?

9:56

And getting low towards the pelvis.

9:59

That's what you should feel when you

10:01

exhale. Let's do it again. Relax and do

10:02

it again. Exhale.

10:05

Feel ribs closing and down towards the

10:07

pelvis. That's the first movement we do.

10:10

And then I want you to pinch your nose

10:13

and close your mouth. Seal your mouth at

10:15

the limit of exhalation. And then I want

10:17

you to just inhale. Look what's

10:20

happening is like her belly suckling in.

10:23

What's happening within her body is the

10:26

diaphrag pelvic floor. They are both

10:28

raising up. So the tension of them being

10:32

released. Okay. Relax. Very good. Let's

10:34

do it again. So exhale first.

10:38

Okay. When there is no air left here, I

10:41

want you to seal your mouth and pinch

10:43

your nose and inhale. So, it's going to

10:45

help you to release the tension of your

10:46

internal organs and restore the

10:48

elasticity of the twins diaphragm and

10:51

the pel. Okay, relax. Uh because it's

10:55

demo, so the duration is holding a bit

10:57

longer because I need to speak. But

10:59

actually, you can only hold the

11:02

inhalation. This actually called the

11:04

force inhalation technique for 3

11:06

seconds. That's it. Just please please

11:08

please pay attention. Exhale and inhale.

11:14

Do not activate any muscles around your

11:17

neck. Should we feel like upper chest

11:20

fully relax everything happening within

11:22

your belly. Nothing happening with your

11:24

upper chest and the neck. Okay, great.

11:27

Exhale first. Align the chest with your

11:30

pelvis. Pinch your nose. Seal your

11:32

mouth. We're going to do fourth

11:34

inhalation technique. Inhale.

11:36

diaphragm and pel they'll be raised

11:38

together and release the tension. Okay,

11:41

just for three seconds and when you

11:43

inhale just let it go. You don't need

11:46

think about where the air goes. Okay,

11:48

and we can repeat that for 20 reps.

11:52

Okay, so first you need to find yourself

11:54

a yoga block but that's sometimes a

11:56

little bit wobble. So a thick book would

11:58

be a a good substitute to that. Okay,

12:01

come here. So I want you to stay put

12:04

your in longitudinal foot arch upon it.

12:07

So basically your heelbone and the big

12:09

toe ball firmly upon the book like that.

12:13

Okay. Very good. And then keep your hips

12:15

knees and the second toes still aligned.

12:18

And I want you to relax your spine

12:20

first. Okay. Just relax your lower back.

12:23

Very good. And then bring your toes up.

12:26

So b shift your body weight forward and

12:28

backward. Find your balance right in the

12:30

middle. And then your balance would be

12:31

shift to the mid foot. The highest space

12:33

of your foot arch. And can you shift

12:35

your body weight left to right? What we

12:38

are doing? We bring your body weight

12:40

right to the middle and then through.

12:42

Relax your hip gro. Relax the back for

12:45

the knees. Relax your ankle. Focus on

12:48

your lower body. Okay. Maintain your

12:50

balance in the middle. Lower yourself

12:52

down. So you are sinking down until your

12:56

ankles motion get blocked.

12:59

Is that your bottom? Very good. So, you

13:01

don't need to squat low. When you're at

13:03

the bottom, I want you to push the floor

13:05

away through the big toe ball and the

13:06

heel. Push slowly. Slowly, very slowly.

13:10

Raise yourself up. If you do it slow, if

13:13

you do it correctly, the upper body's

13:15

ankle would be maintaining the same. So,

13:18

she is using her lower back. Say fishing

13:21

rod. Bring her back up. So, let's do it

13:25

another time and focus on the right

13:27

movement. Okay. So relax hip flexors.

13:31

Very good. So you can use your fingertip

13:33

touch your hipbone. They should be

13:35

literally no resistance. And then also

13:38

it happens to the back of the knees.

13:40

That's too much tension. Relax here.

13:41

Very good. Keep your knees align. Toes

13:43

align. Balance. Okay. Can only you can

13:46

only bring your balance between the heel

13:49

and the big toe ball. Slowly get

13:51

yourself down. Look. You are sinking

13:53

down.

13:55

As long as your ankles motion get

13:57

blocked, push the floor away. Okay,

14:00

relax your lower back. It's from the

14:02

lower body. Push the floor away. That's

14:04

it. And raise yourself up. I want you to

14:09

repeat this motion. Focus on the

14:11

synchronization of the lower body joint.

14:14

And repeat it for 10 reps.

14:30

For the third movement, we're going to

14:32

get the band and bring the band just

14:34

beneath the scapula here and then hook

14:37

the both end into your palm. Just cross

14:40

the root of the palm like that to make

14:42

sure the pressure on your palm is even.

14:45

And then I want you to reach your arms

14:47

to the side of the body. Just feel your

14:50

arms like a open umbrella. Stretch your

14:53

fingertips forward and slightly bring

14:56

your arms into 120 degree. Unlock your

14:59

elbows. So both of the inner elbow point

15:02

to each other. And you really need to

15:04

reach your hands forward rather than

15:06

passively bend backward. That's not

15:08

okay. Actively expanding. I want you to

15:11

exhale. Bring your rib align with the

15:14

pelvis. Exhale and inhale and expand. So

15:17

you're going to feel the expansion more

15:19

through on the muscle under your armpit

15:22

serratus everything rather than a

15:25

shrugged shoulder.

15:28

That's a big no. That's yes expanding.

15:30

Stay in this position. Breathe from 20

15:32

seconds to 1 minute. Up to you how long

15:35

can you stay there. The most important

15:37

thing is just not tilting your ribs

15:39

forward. That's a big no as well. We

15:42

just train some lateral expansion to the

15:44

side. Now we want to trim your expansion

15:46

on the s pl. So I want to expand the

15:48

both diameters with your back and the

15:51

chest forward. Okay. So at the same

15:54

setup position bring your palm upward

15:57

and reach forward. And I want you to

15:59

breathe on the one way to push your ribs

16:01

and the spine backward while pushing

16:04

your arms forward. Look, he's very

16:06

strong but he feel restricted here.

16:08

Okay. So yeah into that position still

16:12

no shrug. Show them shrug. That's a no.

16:14

That's a yes. So if your hands can be

16:16

slightly higher than your shoulder,

16:19

that's gonna even better. Okay. Unlock

16:22

elbows. Stay in this position. Breathe

16:24

both forward and backward. Look, my

16:27

model is someone who can clear 180 kg,

16:30

but still restricted in breathing this

16:33

direction. So you choose the weight

16:36

wisely and inhale both to your chest and

16:41

to the back. Stay in this position.

16:44

Breathe as long as possible, as gently

16:47

as possible. Okay? Just please do

16:50

remember just relax your neck. Do not

16:52

shrug. So if your ribs stick out every

16:54

time you raise your arms, don't assume

16:56

you have just a shoulder problem. For

16:58

99% of the time, it's never shoulder

17:01

problem, but a global organization

17:03

failure. Most of us have a bit of

17:05

everything I mentioned about. So find

17:08

the reason the compensation exists.

17:10

restore the structure underneath and the

17:13

movement often takes care of itself. Hey

17:16

guys, if you found this episode helpful,

17:18

like the video, subscribe to the channel

17:19

and share it with someone who struggles

17:22

with the same issue. Human Before

17:24

athlete, this is Gabby. See you next

17:26

time.

Interactive Summary

This video explains that "rib flare" during arm-raising is not a shoulder or mobility problem, but rather a compensatory strategy the body uses when the scapula cannot glide correctly over the rib cage. The speaker, Gabby, argues that this is often caused by a breakdown in global body organization, starting from the pelvis and spine, rather than localized issues. To fix this, she recommends addressing the root structural alignment through three axes—spinal, vertical, and horizontal—and demonstrates specific breathing and movement exercises to help restore proper function and alignment.

Suggested questions

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