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Joe Rogan Experience #2538 - Joe DeRosa

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Joe Rogan Experience #2538 - Joe DeRosa

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4996 segments

0:01

Joe Rogan podcast. Check it out.

0:03

>> The Joe Rogan Experience.

0:06

>> TRAIN BY DAY. JOE ROGAN PODCAST BY

0:08

NIGHT. All day.

0:12

>> Cheers.

0:13

>> Cheers.

0:18

>> Um, I went through a whole um

0:22

like a series of different coffee

0:23

machines that I tried out. I tried out

0:25

one of them that was like this little

0:27

thing that's like a tea dipper almost

0:29

like for an individual cup of coffee.

0:31

You put the grounds in this little

0:33

thing. It's a little tiny press.

0:35

>> Okay.

0:35

>> And you you uh boil the water, put it in

0:38

the coffee cup and then you sitting in

0:40

there like it's tea and then you press

0:42

it

0:42

>> and it makes like a French press.

0:45

>> Yeah.

0:46

>> Yeah.

0:46

>> So then I went to an arrow press. I like

0:49

that one a lot.

0:50

>> What's an arrow press?

0:51

>> I use that every day. So, with an Aerop

0:53

press, I boil the water, grind the

0:55

beans,

0:56

>> and then I pour it into this glass tube.

0:59

And the glass tube has a filter at the

1:01

bottom of it, like in a like a mesh,

1:03

>> like a a steel or an aluminum. It's some

1:07

kind of metal mesh. And then that's what

1:09

it looks like.

1:10

>> And so, you press down

1:12

>> and it makes cup of coffee real quick.

1:15

And it's one cup. And so, that's what I

1:17

like cuz I was making coffee like I was

1:19

doing French press for a while. I had a

1:21

a coffee machine, but the issue is that

1:24

you're not supposed to really be

1:25

drinking out of hot plastic. All that

1:28

shit's plastic. There's plastic. The

1:29

water goes into plastic. There's plastic

1:31

here and plastic there. I'm trying to

1:32

eliminate as much plastic in my life as

1:35

possibly as I possibly can.

1:37

>> I'll tell you too, I a couple times in

1:40

my adult life splurged on,

1:43

you know, some [ __ ]

1:46

>> one of them Italian espresso machines.

1:47

>> Yeah. those it grinds the beans every

1:50

time you're going to

1:51

>> those [ __ ] things go sideways on you

1:53

in a year and then you're like I got to

1:54

get it fixed and they're like yeah um

1:57

there's a shop it's 90 minutes north of

1:59

you drive the machine up there and

2:01

you're just like [ __ ] this [ __ ] man. So

2:04

I went back I just I have an espresso

2:06

and you put the [ __ ] pot in and

2:08

whatever. But there's a company that

2:10

makes one I should shout them out that

2:12

makes one that's all steel. I think it's

2:14

called Simply Good Coffee.

2:17

Um, I follow them on Instagram. I

2:19

haven't used their machine, but that's

2:21

all steel. It's an all steel coffee

2:23

machine. Okay, which is what you want.

2:25

>> But, uh, I've got it down to the Aerop

2:27

Press. The AeroPress to me very simple.

2:30

The minimal amount of like parts. It's

2:32

just a tube. The grind, the grinds, the

2:35

coffee tastes pure. It's simple. I make

2:38

one cup of coffee a day.

2:39

>> Here. Here is Here is what I miss

2:41

because I I I will drink a lot of coffee

2:43

if I'm able to. Here's what I miss about

2:45

like a traditional Mr. coffee. Pot of

2:48

coffee.

2:49

>> Okay,

2:50

>> you set it, it starts doing it in the

2:52

morning. You wake up, it's already

2:53

going, you know,

2:54

>> right?

2:55

>> I get two cups hot in the morning. I put

2:58

it in the fridge and then in the

3:00

afternoon when I start feeling sluggish,

3:02

I got two cold cups [clears throat] and

3:04

it's just a nice It's

3:06

>> So, you just want volume.

3:07

>> I love volume.

3:08

>> Then make a French press. It'll taste

3:10

better. This right here.

3:11

>> But then But then you got to make it

3:12

every time.

3:13

>> What do you

3:14

>> You got to do one cup. You don't have a

3:16

job, [laughter]

3:18

>> you lazy [ __ ] You don't even

3:21

have a job. You [laughter] literally

3:24

talk [ __ ] for a living. And you're like,

3:26

"Oh, making coffee so hard." Someone had

3:31

a skin of [ __ ] buffalo just to stay

3:34

warm in the winter,

3:36

>> just to stay alive. They had to shred

3:37

the skin off of it with a stone knife.

3:40

And they had to pull it and stretch it

3:41

and tan it and put animal brains on it

3:44

to make sure that it softened up and

3:47

salt it down.

3:48

>> And guess what? If you would have said

3:49

to that guy, "Hey, we got this thing

3:51

called Mr. Buffalo. It'll just do it

3:53

real fast." [laughter] He would have

3:54

been like, "Okay,

3:56

this sucks.

3:58

Mr. Buffalo." [laughter]

4:01

>> He would be [ __ ] sitting in his TV

4:04

going, "Bro, Mr. Buffalo's the shade."

4:06

Yeah, you get fat and lazy. [snorts]

4:08

>> So true.

4:09

>> The uh But yeah, it's I just I like to

4:11

make more than one cup at once. So that

4:13

thing that air

4:14

>> French press is so easy. You're talking

4:16

about making it hard. This right here,

4:19

>> this is an all metal French press. No

4:21

plastic parts at all. It's the [ __ ]

4:23

easiest thing in the world, dude.

4:24

>> So this can make a full pot, though.

4:26

>> Yes.

4:26

>> Oh, okay. Well, then that's this is And

4:29

this is not expensive. It's just a steel

4:31

French press. This is the best tasting

4:34

coffee you're ever going to get because

4:35

it's got all the oils from the beans,

4:38

man. You get like the like the real

4:40

coffee dorks, you know, the fil there's

4:42

something happens in the filter. So, in

4:44

the filter, yes, you remove the grinds.

4:47

Yes. But also, you remove some of the

4:49

flavor.

4:50

>> Yes.

4:50

>> Just a touch.

4:51

>> Yeah. It's funny, man. When I back when

4:54

I was

4:56

when I when I was still involved with

4:58

the with the sandwich shop, one of the

5:00

things I learned that I never knew

5:01

because you had to take a test to get a

5:02

food handlers license and all this [ __ ]

5:04

was um I didn't know that food started

5:07

breaking down the moment you cut it. I

5:10

didn't know that because I was getting

5:11

into at the time meal prep and [ __ ] like

5:14

if I cut if I cut up if I chop the

5:16

tomatoes now, if I chop the carrots now,

5:18

the cucumbers now, it'll be way easier

5:20

to just throw a salad together every

5:22

day. and it'll make me eat the the good

5:24

thing cuz I'll be it'll be fast.

5:26

>> And then I learned no as soon as you cut

5:28

something it starts to break down.

5:29

>> Is this just vegetables?

5:31

>> I think it's mainly vegetables. I don't

5:32

think it raw meat is fine or whatever,

5:35

but but vegetables.

5:36

>> That makes sense cuz the inside's

5:38

exposed to the air.

5:39

>> Mhm. But it's got to be the same

5:40

principle with coffee beans, I would

5:42

think. Right. Like once they're brown.

5:44

>> That's a good question. Yeah. I think

5:46

people like to grind them uh right

5:49

before they I always grind them right

5:51

before I make the coffee. Um, which is

5:53

easy. Yeah, I have a grinder. It's a one

5:56

step, one button. I press it. It take It

5:58

takes 13 seconds and I count it. Goes 13

6:02

seconds is the exact amount of beans

6:04

that I want for one strong I like a

6:06

strong cup of coffee. One strong cup of

6:08

coffee with that arrow press thing. But

6:10

it's the same thing with a French press.

6:12

You take [clears throat] it, you just

6:13

get a determined amount and you can dial

6:15

the kn the knob on the grinder. It's so

6:17

easy. Grinders are so simple. So,

6:19

listen. All you do is you take that

6:21

ground coffee after it comes into the

6:23

little cup. You pour it into the bottom

6:24

of the [ __ ] French press and then you

6:26

pour the hot water in. Done. Yeah,

6:29

>> that's it. And then you wait 1 minute

6:30

and then you push this [ __ ] plunger

6:32

down and you drink the best coffee in

6:34

the world. And it doesn't have any

6:35

plastic and it doesn't have any

6:36

[ __ ] And there's no moving parts.

6:38

Yes. There's nothing. It's just that

6:40

thing. And if the grinder breaks, you

6:42

get another [ __ ] grinder. Okay. And

6:44

grinders don't break. I've never had a

6:45

grinder break.

6:46

>> But you got to boil the water first.

6:47

Correct.

6:48

>> Oh my god. Are you okay?

6:49

>> Are you gonna be okay? [laughter]

6:51

>> You got to turn the knob on the stove.

6:52

You going to be okay. What the [ __ ] is

6:55

wrong with this guy? [laughter]

6:56

>> This guy hit a button on the on the

6:57

boiler on the water boiler that you

6:59

>> He's so ridiculous. He's like, "Whoa, I

7:02

can't be the water. I got to boil it."

7:05

>> Dude, I get out of bed.

7:08

>> Get an automatic kettle. You get a

7:09

kettle.

7:10

There's literally I have one that has a

7:12

setting that says French press on it.

7:14

It's a steel kettle

7:15

>> and it works all electronically so it's

7:18

temper regulated temperature and it

7:20

beeps when it's done. You press 200° and

7:23

then I press start and it goes

7:25

>> okay. And when that happens I pour the

7:28

water onto the beans.

7:30

>> Well, now we're talking.

7:31

>> Now we're talking.

7:32

>> An electric kettle. I'm thinking I got

7:33

to put a [ __ ] pot on the stove.

7:35

>> That's even easier. You [ __ ] lazy

7:37

[ __ ]

7:38

>> It takes too long.

7:40

Dude, I get out.

7:41

>> Such a lazy [ __ ]

7:42

>> It's not laziness.

7:43

>> You're so lazy.

7:44

>> I get out [laughter] of

7:46

>> It's I swear it's not laziness. I wake

7:48

up with the dread of humanity in my

7:51

[ __ ] brain. I'm just like, I need a

7:53

cup of coffee immediately to just start

7:55

the day and just clear the head. And the

7:58

longer that takes, the longer I got to

8:00

sit in that wake up anxiety.

8:02

>> I understand.

8:04

>> So, but now we're talking. You know what

8:06

I'm going to get? I'm going to get a

8:07

boiling pot that you can set a timer on.

8:09

Yeah, they're easy. They're electronic

8:10

kettles. They sell them online and they

8:13

have like settings for tea, settings for

8:15

this, settings for hot cocoa,

8:17

>> you know. It's like five or six

8:18

different settings or something like

8:19

that, depending on the model.

8:21

>> All right.

8:21

>> They're [ __ ] so easy, dude. It's all

8:23

my little Yeah. And it's the best

8:25

coffee. It tastes And I don't have to

8:27

think. I had a whole one of these really

8:29

nice machines and it could make an

8:31

espresso, can make a coffee, can make a

8:32

latte. It's got a little [ __ ] foam

8:35

thing that I've never used once. Never.

8:37

Never even thought about using it. Never

8:38

even thought about steaming milk in my

8:40

[ __ ] house.

8:41

>> But I always would was thinking I'm just

8:43

it's all plastic. Every time I filled up

8:46

the water thing, I'm like this is all

8:47

plastic. Everything's plastic.

8:49

>> Do you know Do you know what I saw

8:50

though that made me want to get the

8:51

thing again with this with the cream

8:53

steamer? Cuz I don't put cream in. So I

8:55

don't have any use for it.

8:56

>> Black coffee, right? Black coffee.

8:58

[ __ ] man.

8:59

>> Always. Yeah. Me too.

9:00

>> Yeah. Tony shits on it.

9:01

>> Of course he does. Tony needs a [ __ ]

9:03

umbrella in his coffee. [laughter]

9:07

He's got it.

9:08

>> He needs an umbrella, a pineapple,

9:09

>> a cookie with a

9:10

>> He holds it with one [laughter] pinky

9:11

out when he drinks his coffee.

9:15

He goes,

9:16

>> I go, I drink it black. He goes, you

9:18

[ __ ] hate condiments. I was like,

9:19

what are you talking about?

9:21

>> Cuz I like the [snorts] taste of coffee.

9:23

>> Yeah,

9:23

>> I do. I genuinely like black coffee.

9:26

>> You know what I saw though that made me

9:27

want to get the the uh foam steamer was

9:30

not for foam. I you know Alton Brown the

9:34

I love Alton Brown.

9:35

>> He did a thing he did a video where he

9:38

made this thing with eggs

9:40

>> and he used the foam steamer to like

9:42

foam the eggs up

9:44

>> and I was like this looks f I want to

9:47

get it just for that just to do the

9:49

thing with the eggs.

9:50

>> Interesting. But then you got so you're

9:51

lazy when it comes to making coffee but

9:53

you go way out of the way for some foamy

9:55

eggs.

9:55

>> I'll I'll cook you a steamer. [laughter]

9:59

>> I like to cook. I'll cook.

10:01

>> There it is. right here. Oh, wow. Look

10:03

at that. Wow.

10:05

Wow.

10:07

>> He said this is like apparently

10:08

incredible. He he it's like two eggs, a

10:11

little cheese.

10:12

>> Interesting.

10:15

Interesting. And so you uh you whisk it

10:18

up like that and then you add the foam

10:21

and the foam cooks it. Is that how he's

10:23

cooking it with the foam?

10:24

>> The he cooks the eggs with the fo.

10:28

>> So what is in the fulmer? Is it just hot

10:31

water?

10:31

>> Yeah,

10:32

>> that's it.

10:33

>> Yep.

10:33

>> Okay. So, this hot water from the steam

10:36

is cooking his eggs. That's

10:37

>> Look at the egg cooking. Look at that.

10:39

>> Pretty [ __ ] dope.

10:40

>> Look at that.

10:41

>> He's got He's eating

10:43

a [groaning]

10:44

>> Or you can just eat eggs. [ __ ] wrong

10:46

with you? Just crack some [ __ ] eggs.

10:49

Fry some eggs. What's the problem?

10:50

>> You don't [snorts] think that looks

10:51

good?

10:52

>> It doesn't look as good as sunny side up

10:53

eggs. I was looking at it. I was like,

10:55

"Fuck those foamy eggs."

10:57

>> I want I want a real egg. Could you

10:58

imagine dunking toast in those foamy

11:00

eggs? Come on.

11:01

>> No, cuz I don't need toast.

11:02

>> Come on, man.

11:03

>> Toast once in a while.

11:05

>> Occasionally.

11:05

>> Yeah.

11:05

>> You know when I get it with um uh steak

11:08

tartar? I like those little toast

11:10

points.

11:11

>> Oh yeah.

11:11

>> You ever get some steak tartar? Toast

11:13

points at J Carver. You ever go to J

11:15

Carver?

11:15

>> Oh yeah, of course. Yeah. Yeah.

11:18

>> What's your favorite spot uh in Austin

11:20

to get a meal? Like is it

11:23

>> It's impossible to say. There's so many

11:26

good spots. There's so many good spots.

11:28

Austin is crazy with the amount of great

11:30

restaurants. Like really high-end

11:32

restaurants. I've eaten steak at every

11:35

[ __ ] restaurant in town. And I gotta

11:37

think the best one is Jeff.

11:39

>> Jeff is

11:41

>> I still haven't gone. I got to go.

11:42

>> Perfection. It's perfe.

11:51

They're all great. But there's something

11:53

about whatever Jeff is doing. I think

11:55

they got rated like the number two

11:57

steakhouse in the country. Something

11:59

crazy like that.

12:00

>> I gotta go to Jeffrey's. I've been

12:01

dragging my ass. I love Jay Carver. I

12:03

love

12:03

>> J is amazing. You know, amazing. Their

12:06

steak is different. [clears throat]

12:07

>> Jeff steak, you like Jay Carver steak is

12:10

uh he's he's using one of those

12:12

Argentine grills, so it's all live fire

12:14

over wood. Delicious flavor.

12:16

>> Yeah. Yeah.

12:16

>> But man, there's like another another

12:19

level like whatever Jeffrey's doing.

12:21

Like [ __ ] I go I love Gary the

12:24

bartender at Eddie V's and he makes

12:26

killer martinis. I love to go in and get

12:28

a martini shrimp bar shrimp cocktail.

12:31

Beautiful bar.

12:31

>> Yeah.

12:32

>> And uh and some steak. But I love I got

12:34

to tell you, it's the same owners as Jay

12:36

Carver.

12:37

>> I actually think I like the uh steak at

12:40

Red Ash better than Jay Carver. how

12:45

there's just something different about I

12:46

don't I don't know what the difference

12:47

in the prep is, but just the steak and

12:50

then also having the option of all the

12:51

Italian foods that you can get with the

12:53

steak.

12:53

>> Yeah, Red Ash is phenomenal, too. They

12:55

have another place called um the

12:57

Kimberly. That's that place is

12:58

phenomenal, too.

12:59

>> Kimberly is very good. Yeah,

13:00

>> there's there's too many good

13:02

restaurants. You have a an abundance of

13:05

choices here. It took it took a minute

13:08

because when I first moved back because

13:10

I was here in 2000 for a year. When I

13:13

first moved back, you know, I was in New

13:16

York for so long, I forgot like Austin

13:18

is more of a destination city. You have

13:20

to kind of find the places.

13:23

And Tommy Pope was like, "Dude, give me

13:26

your phone." And he went into my Google

13:27

Maps and he bookmarked

13:30

10 spots and was like, "Get this here.

13:33

Get this there. Get this here. in every

13:35

spot. I was like, "Okay, now now we're

13:38

now we're rocking and rolling." It was

13:39

great.

13:39

>> Yeah. Imagine back in the day before the

13:42

internet, you couldn't just Google like,

13:44

"What's the best steakhouse in Austin?"

13:46

You couldn't I mean, that's kind of an

13:48

amazing thing now. You had to be told

13:50

about a restaurant,

13:51

>> right?

13:51

>> You know?

13:52

>> Yeah. Yeah. What's What's t I I do that

13:54

in cities. Um when I'm on the road, I'll

13:56

I'll look up what's the best Italian

13:59

sandwich in the city.

14:01

>> Sometimes it's right. Sometimes it's

14:04

like, you know, restaurant

14:05

>> the most popular touristy place.

14:07

>> Exactly. Sometimes it's just a place

14:09

that paid for publicity, so they're

14:11

getting on these lists and it's not

14:13

accurate. But when you find it, it's

14:15

great. The internet is a great tool to

14:17

help find these places. Like you said,

14:20

it used to just be word of mouth. Used

14:22

to say what's good, and now you're

14:24

depending on some guy's opinion, which

14:26

is not always the best. But [snorts]

14:27

>> yeah, but there's some certain places.

14:31

It's like people are your own little

14:33

cisl and Eert for movies, but for for

14:36

restaurants like you got to find a fat

14:38

guy who loves food. Yeah. That guy's

14:40

going to tell you where the best spots

14:41

are.

14:41

>> Oh yeah. Yeah. Yeah. Yeah. You know who

14:44

knows everything.

14:45

>> There's like East Coast places though

14:47

that you're just never going to get

14:48

anywhere else other than the East Coast.

14:50

There's certain like kind of small

14:52

Italian restaurants in particular.

14:55

>> Like there's this place I used to go to

14:56

when I lived in New Relle. Frank and

14:58

John's. I think it was Frankie and

14:59

Johnny's. I think that's what it was

15:00

called in New Relle, this Italian place.

15:02

It was so [ __ ] insane. It was so

15:05

insane. They made a movie about that.

15:08

There was a movie called Frankie and

15:09

Johnny with Alpuccino. And I think it's

15:11

about that restaurant. I think he works

15:13

at that restaurant.

15:14

>> Really?

15:15

>> Yeah. I I think it Yeah, it's it's got

15:18

to be

15:18

>> a lot of restaurants,

15:19

>> right? But it's

15:20

>> I mean, I'm 90% sure it was in New Relle

15:23

because that's where I lived. I lived in

15:24

New Relle. If it wasn't in New Relle, it

15:26

was in the surrounding areas like maybe

15:28

Mount Vernon or something like that. But

15:30

oh my god, dude was so good. When I got

15:32

my first development deal, um my manager

15:35

thought that I had a gambling problem,

15:37

but it was really just because I was

15:38

eating steak and lobster every night.

15:40

[laughter]

15:42

He's going, "Where's all your money

15:44

going?"

15:44

>> He's like, "What are you doing?

15:45

[laughter] You're spending so much

15:47

money. You have a gambling problem." And

15:50

I was like, "No, I'm eating steak and

15:51

lobster every night, dude. I've been

15:52

poor my whole life. I'm [ __ ] eating

15:54

like a king. Until this [ __ ] runs out, I

15:57

don't even know if it's gonna last, but

15:58

I'm riding this [ __ ] right into the

15:59

rocks.

16:00

>> My favorite thing about when I finally

16:04

got to a point of some financial

16:06

stability with this crazy career that

16:09

you go through for a long time without

16:11

knowing what's next. But my favorite

16:14

thing was when I could go, I can eat

16:16

whatever I want now. Like that was that

16:18

was a huge moment to me.

16:20

>> That's one of the biggest Brian Ken said

16:22

that to me once. He goes the most

16:24

important because goes other than

16:26

obviously taking care of your family and

16:28

mortgage and all that stuff. The after

16:31

like life necessity, the big change, the

16:34

big change is being able to go to a

16:37

restaurant and order whatever you want

16:38

and not think about it, not worry about

16:40

the bill.

16:41

>> Yeah.

16:41

>> And if you can do that, like you have

16:43

real freedom. Like that's like the the

16:45

big the first big leap.

16:48

>> And then everything after that is like

16:49

these little things. It's great. Oh,

16:52

look. I live in a nice apartment. Oh,

16:53

look. I have a nice car. Oh, look. I got

16:55

the shoes that I wanted. Oh, look.

16:57

That's all fine.

16:58

>> Yeah,

16:58

>> that's nice. But the the weight that's

17:01

lifted off of you when you don't have to

17:03

worry about your bills, that's number

17:04

one. That's the big one. That's the

17:06

giant leap. That's the between the two

17:08

buildings. Like, I don't know if this is

17:10

going to work out to wee bump. Okay, I'm

17:13

going to be okay. Now, it's just about

17:15

how hard do I work and

17:17

>> what kind of success do I have? I can

17:19

feed myself now with no fears.

17:22

>> Dude, um I I actually might have said

17:24

this to you the last time I was here. I

17:25

don't remember, but it's

17:29

the the the the most profound moment for

17:31

me in practicing gratitude for for my

17:35

life. I swear to God, it's the

17:38

supermarket. When I check out at the

17:40

supermarket, I try to remind myself you

17:43

just pulled whatever you wanted off the

17:45

shelf to fill your cart and you didn't

17:47

have to worry about can I pay for this

17:49

or not.

17:50

>> You're checking out and you're paying

17:51

for your groceries and it it costs what

17:53

it you're worried. I was like people

17:55

there are people that don't have this

17:56

man. Remember this. This is

17:57

>> a ton of people. Here's the question

17:59

though. Do you think that there's value

18:02

in not having that when you're young and

18:06

then developing that sort of drive and

18:08

ambition and desire to earn money and

18:12

get something because you know what it's

18:13

like to be poor?

18:14

>> Yes. Or do you think the world would be

18:18

a far better place if instead of people

18:21

having to concentrate on necessities

18:24

like food and shelter, society reaches a

18:28

point where that is a given

18:31

>> and no one ever has to worry about food

18:32

and shelter

18:34

>> and now it's all about what do you want

18:36

to pursue and how much energy you put

18:39

into it or do you think that you have to

18:41

have that struggle? I think, look, I I

18:45

don't think that that struggle and the

18:47

transition out of that struggle is ever

18:48

bad for anybody. I think it's a I think

18:50

it's a it it builds your spirit and it

18:53

builds your who you are. That said, the

18:57

other version of it, I don't know

19:00

because it's just not a thing that we

19:02

have here.

19:02

>> It's not a thing that people have ever

19:04

experienced here and I don't even know

19:06

if they really experience it anywhere

19:07

else. I mean, I think there's like forms

19:09

of socialism, but they all involve

19:11

oppression. There's they all involve

19:14

government overreach. They all any any

19:16

real socialist system always involves

19:18

like serious restrictions on what you

19:20

can and can't too.

20:21

I will tell you this and this might be a

20:23

byproduct of the culture we live in

20:25

because we don't have it. I will say I

20:29

there is a noticeable difference to me

20:31

between people I am friendly with that

20:34

grew up with money and people that that

20:36

I know that grew up that didn't have it.

20:38

>> Right. But is that because of our

20:39

society? That's my question.

20:41

>> That's this is the question that I have.

20:42

Like is it necessary that that has to be

20:45

your struggle in order to develop the

20:47

kind of discipline that you need to be

20:48

successful in life?

20:50

>> Or is it just our society is [ __ ] up

20:53

and that desperation that we're putting

20:55

into people, you're just making the

20:57

motivation different like you're

21:00

enforcing the idea of greed because

21:02

people become selfish because no one was

21:03

looking out for them and they have a

21:05

chip on their shoulder, all that [ __ ]

21:07

Well, you don't necessarily have to have

21:09

that to have interest in pursuing

21:11

something to the best of your abilities.

21:13

[snorts]

21:13

>> Yeah, it's it's it's it's a tough thing

21:15

to to define. It's it really is. I think

21:18

um I think there's bonuses to both, but

21:21

I also think too in in in in the social

21:24

society thing,

21:26

hey, isn't it great if you can go, hey,

21:29

man, um I'm a waiter and I'm able to

21:32

live a normal life and buy a house and

21:34

and and be norm, you know, whatever.

21:36

Yeah, but that's not socialist. That's

21:37

just a we we're [ __ ] in terms of like

21:40

the amount people earn versus what you

21:42

can buy, right? Versus like the 1950s.

21:45

In the 1950s,

21:48

you you know, the the way a person can

21:50

make a living and feed an entire family

21:53

off of one paycheck, it was it was way

21:55

easier.

21:56

>> Yeah,

21:56

>> it was a lot easier.

21:57

>> Yeah. Well, it always makes me laugh

21:59

because one of my favorite uh TV shows

22:01

of all time is All in the Family,

22:03

>> right? And the whole thing with All in

22:04

the Family was supposed to be that they

22:07

were kind of struggling. Like Archie was

22:09

a cab driver and they didn't have a lot

22:10

of money, whatever. You look at that

22:12

[ __ ] house they lived in. You're

22:13

like, [laughter] that house would be

22:16

$10.3 million now. They're living pretty

22:20

[ __ ] good.

22:20

>> It's a nice house, right? [laughter]

22:22

It's all clean and nice inside.

22:24

>> It's got two floors.

22:25

>> Yeah. The guy's a cab driver.

22:26

>> Yeah. Yeah. So, it's a tough uh it's a

22:29

tough thing, but uh as far as the

22:31

society we live in personally, I think

22:33

it's better to have known what nothing

22:36

is and then go to appreciating what you

22:39

do have.

22:40

>> I don't know [clears throat]

22:41

because I've never I've never grown up

22:44

any other way. But I wonder if you have

22:46

a cons if you have conscientious parents

22:49

and you're a young kid and you know your

22:52

dad just sits you down and tells you,

22:54

"Hey buddy, you can be whatever you

22:56

want, but you're going to have to

22:57

[ __ ] put in the work. Like there's

22:59

there's only one way out of this thing

23:00

and nobody nobody rides for free. And if

23:02

you do ride for free, you're going to be

23:03

depressed." If somebody gives you

23:05

everything that you have,

23:06

>> those are the people that are the most

23:08

aimless. The rich kids that I've met

23:11

that have no like they've had money

23:13

their entire life like they their

23:15

parents just give them a trust fund so

23:17

they don't have to work and they're

23:18

worth like a ton of money. They're all

23:19

sad,

23:20

>> right?

23:20

>> They're all sad. They then they have

23:22

they're all super insecure. They're all

23:24

they all act real weird.

23:26

>> Yeah. I know one or two people that had

23:29

trust funds grow up like that but still

23:31

work their asses off because again

23:33

you're saying it's what the parents what

23:35

you know

23:35

>> I think a big part of that right is what

23:37

the parents are still in you

23:38

>> there's all this talk now of nepo babies

23:40

and all that stuff I was good friends

23:42

years ago uh with uh Eden Eden Brolan um

23:46

she's Josh Brolan's daughter and she was

23:49

very close with her dad I remember I

23:51

remember she was in my house one day in

23:53

LA and she's like I'm not supposed to

23:55

tell anybody my dad's going to Thanos in

23:57

the Marvel movies. And I was like,

23:59

that's [ __ ] crazy, right? [laughter]

24:01

So,

24:03

so like, but she, dude, she worked for

24:06

every [ __ ] thing. She I became

24:08

friends with her cuz she was a hostess

24:09

at the stand in New York. Like, she

24:12

always had regular jobs. She plays in a

24:15

band now. She does some acting, but she

24:17

is not in a situation where her dad put

24:20

her wherever. And I think it's because

24:23

they're very close, but I think it was

24:24

because she was just raised in a way

24:26

where he's like, "You're going to earn

24:27

your [ __ ] and you know and and you're

24:29

going to do your thing and

24:30

>> and she's an amazing person." Like there

24:32

was none of that. None of that my dad's

24:35

famous and I'm comfortable arrogance.

24:37

>> Well, he's a cool guy. He's a very

24:39

normal guy. Like

24:40

>> I never met him.

24:41

>> He's a very nice guy. Yeah. Very, very

24:42

smart and very normal. Like you can hang

24:44

out with, talk him, jokes around.

24:46

>> He's like he's very present.

24:48

>> Yeah. And there's there's a lot of

24:50

people like that that you think of, you

24:52

know, you think of actors as all being

24:55

these [ __ ] aloof weirdos who live in

24:57

this bizarre liberal like progressive

25:01

leftist bubble. And a lot of them are.

25:03

There's there's a giant number that are,

25:05

but man, there's a ton of like really

25:07

solid cool people that are actors like

25:10

Billy Bob Thornton.

25:11

>> Yeah.

25:12

>> Cool as [ __ ] man.

25:12

>> He seems awesome.

25:13

>> So cool. He got actually got me the

25:15

short shirt. Shout out to he was wearing

25:18

and I said, "Nice shirt, man." And so he

25:20

hooked it up.

25:20

>> I'd love to meet him. I'd love to meet

25:22

him.

25:22

>> He's great. There's a lot of those guys

25:24

that are really great. Woody Harlson's

25:26

[ __ ] great.

25:27

>> I was just going to say

25:28

>> McConna is great.

25:29

>> I became friendly with Woody and his

25:32

wife through Tony.

25:33

>> He's so nice.

25:34

>> He's the [ __ ] best. They're both

25:37

amazing. They're like he's he's so

25:40

[ __ ] cool, man. Yeah. Like

25:42

>> so so cool and present. Has zero ego.

25:45

He's just always chill and hanging out.

25:47

Always like super friendly and nice to

25:49

everybody. Woody's so nice.

25:52

>> He he he said a thing to me with the

25:55

first time I ever hung out with him, he

25:57

came to kill Tony and and and we were

25:59

drinking after the show and we had a

26:01

great time. And at the end of the night,

26:04

he just goes he and Tony had plugged my

26:07

special at the beginning of the show or

26:09

whatever. And at the end of the night,

26:11

and I mean we had had a few. We were in

26:13

Mitsys. We were all kind of just getting

26:15

into that swaying around, [laughter]

26:19

you know, and uh I was like, "It's great

26:22

to meet you, man." And he goes he goes,

26:24

"Yeah, man. It was fun tonight." And he

26:25

goes, "I'm going to watch your special."

26:27

And I go, "Thanks, man." And he goes, "I

26:31

never promised you a rose garden." And I

26:33

was like, "Yeah, that's the name." And

26:34

he's like, "I'm gonna watch." I'm like,

26:35

"This [ __ ] guy remembered the name of

26:38

my special from a plug five hours ago."

26:43

And I was like, "That's [ __ ] awesome,

26:45

man." Like, what a [ __ ]

26:47

>> He's just a good dude.

26:48

>> Yeah, what an awesome dude.

26:50

>> Yeah, they exist, man. You know, there's

26:52

a lot of them out there. You'd be

26:54

shocked.

26:55

>> Matt Damon and Ben Affleck. Very cool

26:57

guys. Like, talk to them on and off air.

26:59

I've I've talked to Matt before.

27:01

actually randomly ran into Matt Damon a

27:04

few years back in Italy at a restaurant

27:06

where he was seated under a picture of

27:08

him. [laughter]

27:12

So I had already met him before at the

27:14

UFC and then uh we were in Italy. I was

27:18

with my family and he was with his

27:19

family and he sat down. We were already

27:22

sitting down and we were right across. I

27:23

go, "Oh, look at that picture of Matt

27:25

Damon." And then literally Matt Damon

27:27

walks in and sits right under the

27:30

picture of Matt Damon. And I go, "Hey,

27:32

Matt." And he's like, "Hey, what are you

27:34

doing here?" Gave me a big hug. And I

27:36

was like, "But this is so meta."

27:38

>> Do you ever see uh

27:38

>> so strange the to like look at a photo

27:41

of a guy on the wall and go, "Oh, I know

27:43

him. That's Matt Damon." And then he

27:45

comes in and sits right there right

27:47

after you say it.

27:47

>> It's so [laughter] funny.

27:48

>> What are the odds?

27:49

>> That's so funny.

27:50

>> What are the odds?

27:51

>> Do you ever see uh Do you ever see

27:52

Autofocus, the Bob Crane movie? Yes.

27:55

>> What great can

27:56

>> What a crazy movie, man.

27:57

>> I love that movie.

27:57

>> That movie is crazy. Do you think the

27:59

guy killed him, his buddy?

28:00

>> Yes,

28:01

>> I do. I do.

28:02

>> It seems like it.

28:03

>> I do. I think so. But that's when they

28:06

show how he would get laid on the road.

28:09

>> Crazy. He would wait for the reruns of

28:11

Hogan's Heroes to be on TV and he'd sit

28:13

in front of the television.

28:14

>> He knew when they were on. And there's

28:16

that scene. There's that scene where he

28:18

tells the bartender, goes, "Could you

28:19

put on channel 22?" Whatever. She puts

28:21

[clears throat] it on and he's sitting

28:21

under it and then the hot chick comes

28:23

up. She goes, "Oh my god, is that you?"

28:24

And he goes, "Oh, how embarrassing. I

28:27

think it, [laughter]

28:31

>> oh my god."

28:32

>> Well, back then you got to think Hogan's

28:33

Heroes. First of all, how much has

28:36

society changed and how much more

28:38

sensitive have people gotten

28:40

>> when you think that Hogan's Heroes was a

28:42

show about a Nazi concentration camp and

28:46

it was a comedy?

28:47

>> Yeah. Yeah. Yeah.

28:48

>> It was a comedy. It was a comedy about

28:51

prisoners of war. They were captured by

28:54

the Nazis.

28:54

>> Yeah. Yeah. And they made like they had

28:56

like lovable Nazis.

28:58

>> Lovable Nazis.

29:00

Bumbling buddies.

29:03

>> Nobody died.

29:05

>> The show was on for like 5 years. Nobody

29:07

died.

29:07

>> No.

29:08

>> Did anybody How many seasons did Hogan's

29:10

Heroes go?

29:10

>> 168 episodes, six seasons.

29:12

>> God [laughter] damn.

29:14

>> 168 episodes, six seasons, and no one

29:17

died. [laughter]

29:18

>> They didn't kill anybody. How many

29:20

people died on Hogan's Heroes? run that

29:22

through our AI sponsor, Perplexity.

29:24

[laughter]

29:25

>> Yeah.

29:26

>> How many people died during World War II

29:30

in a Nazi prison?

29:32

>> Not a one. Not a one. Nobody got

29:34

tortured

29:35

>> in 6 years and 148 episodes.

29:36

>> Yes. Yeah. It's so insane. Do you think

29:40

they they get into a little bit of this

29:42

in the movie, but they they they play it

29:44

down.

29:45

>> But do you think there was a lot of push

29:47

back? Do you think there was like the

29:49

that they were like, "What are you

29:50

[ __ ] crazy? we can't make this show.

29:51

This is nuts. Or was it just eh?

29:54

>> In the movie, was there push back? I

29:55

don't remember.

29:56

>> There's a little bit where he's like,

29:58

it's kind of crazy.

30:00

>> Almost nobody dies on screen or as a

30:02

plot event in Hogan's Heroes. It was a

30:04

broad comedy and the regular heroes

30:06

Hogan, Clink, Heroes, Clink, Colonel

30:09

Clink, Schultz, the [ __ ] Nazi guard,

30:12

he's a hero. And the prisoners survived

30:15

the series. the notable fictional death

30:16

of Major Wolf Gang Husheder who is

30:20

reportedly killed during an Allied

30:21

bombing raid and the comandant dies at

30:24

dawn. The title is misleading. Colonel

30:27

Clink is not killed. So the practical

30:29

answer is one named reoccurring

30:31

character with occasional unnamed

30:33

wartime casualties implied rather than

30:36

shown.

30:37

>> Yeah,

30:38

>> nobody died. Obviously

30:39

>> that's

30:41

>> Clink was like remember I see nothing.

30:43

He saw nothing. He was always like, "I

30:45

got to get out of here. I see nothing."

30:47

[laughter] Like, they're all plotting

30:49

[ __ ] devious things to try to get

30:51

back at the guards. And he was like, "I

30:53

see nothing."

30:54

>> It's like having a show where the clan

30:56

headnaps people [laughter] and then the

30:58

clan is like kind of funny.

31:00

>> The the the black guys are like break

31:01

dancing. The clan's having a good time

31:03

with them.

31:03

>> Yeah. The closest I've ever seen to it

31:05

is Tarantino and Django when he makes

31:08

the clan scene funny when they're all

31:10

kind of dumb. Do you remember that

31:12

scene? God, I don't remember that scene.

31:13

Unfortunately,

31:14

>> there's a scene with the clan and there

31:16

I think Jonah Hill has a cameo in it and

31:18

they're all kind of dumb and it's like

31:20

funny dialogue with the clan. You're

31:22

[laughter] like, I don't know how he

31:23

just pulled this off but he did.

31:26

>> It's the scene with the bags where

31:27

they're trying to talk [snorts] about

31:28

the like my wife made mine.

31:31

>> Oh yeah. Okay.

31:33

>> Yeah. Yeah.

31:35

>> Well, my point was that if you go back

31:38

to that year like what year was Hogan's

31:40

heroes? Was it the

31:41

>> 70s?

31:42

>> 65 to 71 is when it

31:43

>> 65 to 71.

31:45

>> Okay.

31:46

>> Being on television was a very new

31:49

thing.

31:49

>> Oh yeah.

31:50

>> Very new thing. A sitcom star was a very

31:53

new thing. It was only at the most what

31:56

two decades old. How old is the

31:59

Honeymooners?

32:01

>> What year was that?

32:02

>> Honeymooners are the early 50s I

32:04

believe. Right. I think. And it was a

32:08

spin-off of the Gleon variety hour or

32:11

whatever the [ __ ] that was called. It

32:12

>> was a sketch they did556. Yeah, it's

32:15

only on TV for a year.

32:16

>> What?

32:17

>> What year did it start?

32:18

>> Says it aire originally aired from 55 to

32:21

56.

32:22

>> Wow.

32:23

>> That's the thing.

32:24

>> The Honeymooners there's only one

32:25

season.

32:26

>> So I have both honeymooners box sets cuz

32:28

I love the show.

32:28

>> 39 episodes.

32:29

>> 39 episodes in one season. That's a lot.

32:32

The main box set is called the classic

32:34

39 because that's all the episodes that

32:36

weren't sketches on the show or anything

32:38

like that.

32:39

>> He did 39 episodes and he was like, "We

32:42

did it. It's done. It's like nobody does

32:45

that now, right?"

32:46

>> You know, Seinfeld did it and uh Ricky

32:49

Jerv does it. He does three seasons and

32:51

he goes, "That's it."

32:53

>> They did 39 and it was a massive success

32:56

and they were like, "You have to do more

32:57

of these." And he's like, "Nope, we did

32:59

it. We're good. We have nothing left to

33:01

say." Really?

33:02

>> Yeah. And then they did reunion shows

33:03

and [ __ ] but like that was it. That's

33:05

wild. That's wild.

33:07

>> He went on to do all kinds of other

33:09

[ __ ] though. He went Oh, yeah.

33:10

>> He was in the the Hustler in ' 62. He

33:12

played a

33:13

>> Minnesota serious role.

33:14

>> Minnesota Fats.

33:15

>> Yeah.

33:15

>> Yeah.

33:16

>> You know, he was he was like the only

33:19

guy that's ever been in a movie about a

33:21

pool player that was a real pool player.

33:23

>> Mhm.

33:24

>> Like he could [ __ ] play. Like when

33:26

you watch him play in the movie, you're

33:28

like, "Oh, okay. [snorts] That's a real

33:30

pool player." Yeah,

33:31

>> like the way he strokes the ball,

33:32

>> he strokes the ball like a pro

33:35

>> guy. He could run I think he ran like 75

33:37

balls in straight pool. It might be 100,

33:39

but like the 100 balls is like the

33:42

number. If you could run a 100 balls in

33:43

straight pool, people are like that

33:45

guy's legit. He's he could run 100

33:46

balls.

33:47

>> Yeah.

33:48

>> You know, and he could do that.

33:50

>> Gleon was an incredible time.

33:52

>> It's kind of interesting about the show.

33:53

the the the sketches were over 35

33:57

minutes or more and the writers felt

33:59

restricted by the halfhour format.

34:02

>> Wow.

34:02

>> So that partially had something to Also

34:04

had a contract uh issue too.

34:06

>> So they were they felt restricted but

34:08

because they didn't have enough they had

34:10

one more time to they said it was too

34:13

slapstick and fast-paced according to TV

34:15

Guide.

34:16

>> Huh. Look at this. He had

34:18

[clears throat] $7 million left in his

34:20

contract in 1956,

34:22

which is crazy money.

34:24

>> The excellence of the material could not

34:26

be maintained. I had too much fondness

34:28

for the show to cheapen it.

34:29

>> Wow.

34:29

>> I mean, that is baller [ __ ] back then.

34:32

Like, that is not something people were

34:34

doing back then.

34:34

>> Or he's he just got lazy cuz he had so

34:37

much money. He was like,

34:38

>> "Yeah, he had an they CBS was going to

34:40

give him a three-year contract for what

34:41

would been $132 million today. He was

34:44

going to get close to like a million

34:46

dollars an episode." Wow. Jesus Christ.

34:49

A million an episode back then.

34:50

>> It was close to that. No, no, no, no,

34:52

no. Like what today's? Sorry, I forget

34:54

where it was on here. But

34:55

>> but even that's like kind of unheard of

34:58

when Seinfeld when it was announced they

35:00

were all going to get a million an

35:01

episode. I remember that was like

35:02

groundbreaking. It was like this has

35:04

never been done before and whatever.

35:06

>> This guy was offered the equivalent of

35:08

that back in 56 and said nah, I'm good.

35:12

>> Well, he probably already had so much

35:13

money and he was drunk all the time.

35:15

That guy drank all the time.

35:17

>> Yeah.

35:18

>> He was so fun.

35:19

>> Did you ever watch his final interview?

35:20

>> Yes. Yes.

35:22

>> Yeah. He's in the tracksuit just chain

35:24

smoking.

35:24

>> Oh yeah. [laughter]

35:25

>> He didn't give a [ __ ]

35:27

>> Tracksuit train. Wow. He was making

35:29

$839,000

35:32

>> now. The equivalent.

35:33

>> But he had to pay for production costs.

35:36

It says

35:36

>> Oh, that's different.

35:37

>> Yeah.

35:38

>> Oh, okay.

35:39

>> Art Carne Carney received $3,500 a week,

35:43

which is $42,000 a week now. Audrey

35:45

Meadows, $2,000 a week. Wow. Women got

35:48

[ __ ] over back then.

35:49

>> No, but Jackie [laughter] Gleason

35:51

Enterprises was running the show. So, I

35:53

mean,

35:53

>> yeah, he [ __ ] her over is what I'm

35:55

saying. [laughter] She got

35:58

Art Cardi got [ __ ] almost twice as

36:01

much as her.

36:02

>> God damn.

36:03

>> Jeez.

36:04

>> She was his wife.

36:04

>> Only one person got residuals.

36:06

>> What?

36:07

>> Yeah. Reportedly only only cast member

36:09

to receive residuals when the when they

36:10

were being broadcast. Oh, because they

36:12

had to change that [ __ ] later. Yeah,

36:15

they, you know, that's where those

36:17

strikes and the writers union and the

36:20

SAG, all that stuff really plays a part

36:22

cuz you get I got residuals for news

36:25

radio and they're not what you think

36:27

they are. Like people think it's it's

36:29

it's going to like change your life. You

36:31

never have to work again. That's only

36:32

for the people like Jerry Seinfeld that

36:34

own the show. Yeah.

36:35

>> The regular people that get residuals,

36:37

it's nice. It's a good thing.

36:39

>> But it's it makes sense. They're showing

36:41

the [ __ ] show over and over and over

36:43

again. It's still your work.

36:45

>> Yeah.

36:46

>> You know, it does make sense. You're

36:47

reselling it. So, it's not the original

36:50

deal that you had to put it on NBC for

36:53

one hour. Now, it's like a thing where

36:54

you're going to sell it again and so all

36:57

the actors get paid again. It makes

36:58

sense.

36:59

>> Dude, I've told you this before. I'm

37:01

going to tell you again so it's

37:02

documented and I know you're not that

37:05

interested, but you you need to [ __ ]

37:08

keep acting, dude. You're [ __ ] great

37:10

on that show. That is not easy. I in my

37:13

opinion, multicam sitcom, despite it

37:16

being the easiest job in show business

37:18

as far as payment, time versus reward,

37:22

it is the hardest type of acting because

37:24

it is an acting where you have to land

37:26

jokes and gags and you have to make it

37:28

convincing. That is very, very, very

37:31

hard to do. You are so [ __ ] good on

37:34

that show. I I I I'm and I watch news

37:38

radio all the time still. I told you

37:39

last time I was here, it got me through

37:40

was one of the things that got me

37:41

through COVID was doing news radio front

37:43

to back. You need to you need to keep

37:46

acting.

37:46

>> That's very nice of you. Thank you very

37:47

much. But I think your idea of what's

37:49

very hard to do and my idea of what's

37:51

very hard to do are two totally

37:52

different things cuz acting on a sitcom

37:55

is easy as [ __ ]

37:56

>> Okay.

37:56

>> Boil water. [laughter]

37:58

>> Boiling water.

38:02

>> You know what? You know what this is?

38:05

This is Joe D. Ro in the green room of

38:07

the mothership. [laughter] You know

38:08

what?

38:09

HOW MANY TIMES do you have to say that

38:11

in the [ __ ] [laughter]

38:14

>> I call that green room. You're all

38:15

[ __ ]

38:17

>> I'll go after you, dude.

38:18

>> You walk funny. You You look diseased.

38:21

It's just not nonstop.

38:23

>> It's [ __ ] easy. If you're a comic,

38:25

it's easy. If you're used to doing

38:27

standup in front of a live audience,

38:29

that's a lot harder. And then the the

38:31

acting they look they give you

38:34

especially if you're working with great

38:36

people, you know, I was doing scenes

38:38

with Dave Foley and Mora Tierney and all

38:40

those they were amazing. The cast was

38:42

incredible. Kathy

38:44

uh excuse me, Vicky Lewis, Andy Dick, uh

38:47

Candy Alexander.

38:49

>> But I will say

38:49

>> Stephen Root, they were incredible.

38:51

>> I will say this to you though, the fact

38:53

that what you just said it's easy is why

38:56

I think you should be doing it. I think

38:58

you are a natural [ __ ] actor and I

39:01

think you're you I

39:02

>> it's just pretend, dude. It doesn't ch

39:04

it. Listen, it's not Daniel I've never

39:06

done Daniel D. Lewis acting. That's like

39:08

the real acting. Val Kilmer acting,

39:10

right?

39:10

>> In in Tombstone. That's real acting.

39:12

>> I think you could.

39:13

>> I don't want to do it. [laughter]

39:15

>> Not interested. If I had another life.

39:17

If I had another life. I love movies. I

39:19

[ __ ] love. You know what's a great

39:21

show? A great show. It's called Lucky.

39:24

>> It's on Apple. It's about what is that

39:27

lady's name with the big eyes?

39:28

>> The first episode.

39:29

>> She's really beautiful but very unusual

39:31

looking. What is her name again?

39:33

>> Anna Taylor Joy. Is that her name? I

39:35

>> think so.

39:36

>> She was in the Queen's Gambit. She

39:37

[ __ ] killed it in the Queen's Gambit.

39:40

>> Anya.

39:40

>> Anya Taylor from The Witch, right? The

39:43

>> Is she in that too?

39:44

>> She's I think that was her first movie

39:45

was The Witch.

39:46

>> I didn't watch The Witch. No one in my

39:47

family will watch it with me. I want to

39:49

watch it. I try I'm a giant Robert

39:51

Edgars fan. I think he [ __ ] murdered

39:53

Noserado. I think it was the best

39:54

vampire movie by far of all time.

39:57

>> NASDA was dope. The lighthouse was dope.

40:00

>> You've seen the werewolf the werewolf

40:02

trailer that's coming out.

40:03

>> Okay.

40:04

>> Don't you okay me, you son of a [ __ ]

40:05

>> I have. I have.

40:07

>> Don't you okay me, you son of a [ __ ]

40:09

>> Here's what I will say.

40:10

>> What the [ __ ] are you going to say?

40:12

>> I love Robert Edgars. I'm not knocking

40:13

it. But it's the fourth movie he's

40:16

released where in the trailer I see

40:19

black and white footage and a lot of

40:20

people twitching and I'm like, come on.

40:22

>> That's what you [laughter] need. That's

40:23

what I'm looking for.

40:25

>> I'm like, "All right, I just I don't

40:28

know if it's going to be different."

40:29

>> This looks phenomenal.

40:31

>> Yeah, it's it's

40:32

>> phenomenal. Of course, he's twitching.

40:34

He's turning into a werewolf. The [ __ ]

40:36

is wrong with you, D Roza?

40:37

>> There's no world where it'll be a bad

40:39

movie. Uh,

40:40

>> no. World

40:40

>> doesn't exist. That guy knocks it out of

40:42

the park. A+ every movie.

40:44

>> The Witch.

40:45

>> The North The Northmen. Have you seen

40:47

that?

40:48

>> I did.

40:48

>> [ __ ]

40:50

>> You didn't love that?

40:51

>> I didn't love it.

40:51

>> Get out of this room.

40:52

>> I didn't. No, go home. You You stop.

40:54

>> Go home. I'll tell everybody about your

40:55

special after you [laughter] leave.

40:57

>> You son of a [ __ ] How could you not

40:58

like the Northmen?

40:59

>> I wanted more battles. I want it more

41:01

like

41:02

>> It was perfection. A+.

41:04

>> You know what took me out of

41:05

>> He might be my favorite director of all

41:06

time.

41:07

>> You know what took me out of the

41:08

Northman?

41:08

>> What?

41:09

>> Uh,

41:10

>> you being a [ __ ]

41:11

>> No. [laughter]

41:12

>> Take it easy. [ __ ] No, I'll tell you

41:15

what took me out of it. Nicole Kidman

41:17

having full plastic surgery in 1650 or

41:20

whatever. It was taking me out of it. It

41:22

was [ __ ] me up.

41:23

>> Let me see what she looks like back

41:24

then.

41:25

>> Taylor Joy in this movie, too.

41:26

>> Is she? She's in the Northman. Of course

41:27

she is. She rules. She rules.

41:29

>> But I love I think Edgars does great

41:31

work. Or Edgars, excuse me. Does great

41:32

work.

41:33

>> Oh, dude, he's the best. I think he's my

41:35

favorite director of all time next to

41:36

Tarantino. Tarantino is always going to

41:38

be number one.

41:39

>> But this guy's cuz I feel like there's

41:41

like levels

41:42

>> to movies and I think Tarantino is he's

41:45

the undeniable peak of the mountain. And

41:47

then everything else is pretty dope. the

41:51

uh here

41:51

>> Scorsese has got some murder. He's got

41:53

some killers.

41:54

>> Scorses.

41:54

>> A bunch of those guys have a few lemons.

41:57

>> You know what I mean?

41:58

>> You're gonna you're gonna have some

41:59

lemons when you when I mean Scorsese's

42:01

output is incredibly high. And it's

42:04

like, of course, you're going to have a

42:05

few duds.

42:05

>> Well, this is one of the reasons why

42:07

Tarantino is the goat. It's cuz he

42:08

figured out how to have no lemons other

42:10

than death proof, which Tony loves. We

42:13

argue about it all the time. So, where I

42:15

don't see plastic surgery Nicole Kidman.

42:17

>> They showed her for a second.

42:18

>> Yeah, she looked good. I don't think

42:19

she's in the trailer a lot.

42:22

>> That was

42:22

>> Let me see. Nicole Kidman

42:26

>> in that was a long movie. That was a

42:28

long time ago in this movie, right? What

42:30

year was this?

42:30

>> Uh it's probably

42:32

>> The Northman pre-COVID I think

42:33

>> I think so. I think it's like 2017 or

42:38

18.

42:39

>> Does it say Jamie? [snorts] I'm amazed

42:42

with Robert Edgars that he gets wide

42:44

release theatrical releases with the

42:48

types of movies he does.

42:49

>> I think it's because they sell.

42:52

>> They [ __ ] sell, dude. I mean, they're

42:54

so good. They're so good. People love

42:56

them and they go to see them. I mean,

42:57

that's it's really that simple.

42:59

>> It's What year was it, Jimmy?

43:00

>> Four years ago.

43:01

>> Oh, really? That was only four years

43:03

ago.

43:04

>> Oh, [ __ ] Oh, crazy. Um, see if you can

43:07

find a photo of Nicole Kidman from that.

43:11

>> And I'm obviously not saying the movie's

43:12

bad cuz Nicole Kidman had plastic

43:14

surgery, but it did it does take me out

43:16

of it when I see somebody doing a period

43:18

piece with

43:18

>> See, that doesn't look like plastic

43:20

surgery to me. She looks totally normal.

43:22

>> Maybe it's just cuz I remember.

43:24

>> Maybe you just want her to have plastic

43:25

surgery cuz you're a hater.

43:26

>> I'm not [ __ ] on Nicole Kid.

43:27

>> Seems to be a little bit of a hater. She

43:29

looks perfect.

43:30

>> She's got a Yeah.

43:31

>> What are you saying?

43:32

>> Little work. A little work. Little work

43:35

though. I don't see work, dude. I see a

43:37

beautiful face. You son of a [ __ ] [ __ ]

43:39

is wrong with you?

43:40

>> Oh, you go.

43:40

>> So, down there when she's with Anya

43:42

Taylor Joy right there. That's her right

43:44

there.

43:46

>> So, that that looks a little fillery.

43:49

>> Unfortunately, that look I think has

43:51

gone away though. I think ladies are

43:52

realizing that nobody likes it.

43:54

>> No,

43:54

>> the the filler face.

43:56

>> Did you see the trailer for this thing?

43:57

The neurommancer.

43:58

>> No. What's this?

43:59

>> Uh, so

44:00

>> what's this? [clears throat]

44:01

>> Nerds are super pumped. This is like the

44:02

story where like I've heard

44:04

>> the Matrix and [ __ ] came out of this.

44:07

>> So I It's going to be a TV show.

44:09

Actually, it's not even a movie.

44:10

>> Wait, how do you mean the Matrix came

44:12

out of like the jacking in and stuff

44:15

like that?

44:15

>> Yes. Who wrote that book?

44:17

>> Uh uh off the top of my head from 1984.

44:21

William

44:22

>> William Gibson. Yeah. This is supposed

44:24

to be a movie that people were concerned

44:27

was like impossible to or a book rather

44:31

that people were concerned with

44:32

impossible to translate into a film

44:34

correctly.

44:35

>> Okay.

44:35

>> I don't know why cuz I haven't read the

44:37

book, but I read that argument like

44:38

there's no way you're ever going to

44:40

really nail this.

44:40

>> Just jacked in and now he's like in some

44:42

new space, which I I don't again I

44:44

haven't read it either and I don't it's

44:45

no spoiler alert or anything. I don't

44:47

know much about it, but people are very

44:48

pumped that they attempted this and it

44:51

looks cool.

44:51

>> But but wait a second. So, did The

44:54

Matrix just take all of its ideas from

44:56

this?

44:56

>> No. Here, I I'll find out what I mean

44:58

when I said that.

44:59

>> Okay.

45:00

>> Lucky. Watch is so lucky. It's on Apple

45:02

TV. It only has uh seven episodes and

45:05

it's only going to be one season. I

45:07

think

45:07

>> I just started watching The Shards,

45:09

which I'm feeling

45:10

>> the the term cyerspace came out of that

45:13

book and then like there you go. A

45:15

consensual Yeah.

45:17

>> consensual hallucination experienced

45:19

daily by billions of authorized

45:20

>> term. The Matrix actually itself I think

45:22

came out of there.

45:23

>> Oo. Well, um, that's coming, right?

45:28

>> That's coming. He's he was ahead of his

45:30

time. He figured it out.

45:32

>> So, now this is a weird thing. Okay. And

45:35

this is a thing you notice [snorts] with

45:37

with these directors that break through

45:39

and do an amazing first movie and then

45:42

it's kind of followed by a lot of

45:45

hoham stuff.

45:45

>> You mean The Matrix?

45:47

>> Yeah. Well, the Wakowskis, The Matrix

45:49

was this cultural phenomenon. It changed

45:51

everything and blah blah blah blah.

45:53

Their movies after that, except for

45:55

maybe V for Vendetta, none of them

45:57

really ever lived up to that. So now

45:59

we're seeing this and I'm like, well,

46:01

did they just get all the great ideas

46:02

for the Matrix from this other thing and

46:04

then they made a great movie and then

46:06

that's why they were never able to kind

46:08

of hit that again? Every Matrix sequel

46:10

is terrible.

46:11

>> They're literally jacking in the same

46:13

exact way through the back of the head.

46:15

Yeah,

46:16

>> it's the same thing.

46:16

>> And they're saying the term the matrix

46:18

came out of the this.

46:20

>> That's crazy.

46:20

>> I'm like, I thought they [laughter] made

46:21

that up.

46:22

>> You know, they got sued, too, cuz some

46:23

lady wrote um I think it was a graphic

46:26

novel. It might have been an a short

46:29

story or graphic novel. I forget what it

46:30

was, but she wrote a a story and brought

46:34

it to them apparently.

46:36

>> Well, she also said she wrote the

46:37

Terminator for both both.

46:40

>> So, is she just a cook?

46:41

>> That's a cook. She had a manuscript

46:42

titled The Third Eye from

46:44

[clears throat] 1980s and

46:47

she [snorts]

46:48

Yeah, I saw the story. I remember when

46:50

>> Yeah. Let me let me tell you why she's a

46:52

cook.

46:53

>> Har story.

46:54

>> Well, because he mentioned the

46:55

Terminator. Haron Ellison wrote an

46:58

episode of The Outer Limits called

47:00

Demon. It was called Demon with the

47:01

Glass Hand. Haron Ellison sued James

47:04

Cameron when the Terminator came out and

47:06

he goes, "That's my [ __ ] story. I did

47:09

it on the outer limits in the 60s and

47:11

Harlon Ellison got paid and they were

47:13

like, "Yeah, it's actually kind of the

47:15

same thing."

47:16

>> Huh.

47:16

>> So, this lady did not write the

47:18

Terminator in the 80s.

47:20

>> Well, it could be multiple influences,

47:23

>> but

47:24

>> it could be multiple

47:27

inspirations, right? It could be.

47:29

>> The worst one is, and I'm a fan of

47:31

>> because let's let's just not let's not

47:33

we're not accusing anyone of

47:34

plagiarizing, but we're saying if

47:36

someone was gonna plagiarize, why

47:37

wouldn't they plagiarize from multiple

47:39

sources? You can't just say just because

47:41

he stole a giant chunk of it from that

47:43

one episode of a show. That doesn't mean

47:47

that he didn't steal a bunch of other

47:48

stuff. And I'm not saying anybody stole

47:50

anything. Right. Right.

47:51

>> I don't think James Cameron stole a

47:52

goddamn thing.

47:52

>> I don't think he stole anything. I think

47:53

he saw it.

47:54

>> I think it he might not have even seen

47:56

it. There's a lot of parallel thinking

47:58

when it comes to this concept of AI and

48:00

robots being like people and taking it's

48:03

in Battlestar Galactica.

48:04

>> Sure. Sure.

48:05

>> You know, I mean, it's like there's a

48:06

lot of that where people become robots.

48:09

It's in the original Alien movie 1979,

48:12

remember? Right.

48:13

>> There's a [ __ ] an artificial

48:14

intelligence that is their guy. Yeah.

48:17

>> That they don't know is a robot until it

48:20

it has I think they beat it to death.

48:22

Frank, how' they find out that it's a

48:24

robot?

48:25

It's um

48:26

>> I think they they kill it. They knock

48:28

its head off and that's how they find

48:30

out it's a robot.

48:31

>> Blanking on the act. It's it's re um Oh

48:33

god,

48:34

>> the guy's a great actor.

48:35

>> He's one of my favorites and I'm

48:36

blanking on his name. So

48:37

>> this is 79 that they did that, right? So

48:40

that's the Terminator. Like these

48:42

concepts have been around for a long

48:44

time. The concepts of artificial

48:46

intelligence taking over.

48:48

>> I think it was more the plotline of this

48:50

this robot comes back.

48:52

>> Oh, in time.

48:53

>> It was something like that. Yeah.

48:55

>> And I don't I don't think James Cameron

48:57

stole it either because there's no other

48:58

evidence of him ever swiping something.

49:00

I But I do think like we all do this

49:02

thing where we see something, we don't

49:04

remember it. It goes into the

49:06

subconscious and maybe you go, I got a

49:07

great idea. And you're not realizing,

49:09

oh, actually that's a thing I saw when I

49:11

was 10.

49:11

>> He's pretty intensely creative. Like

49:14

[clears throat] an original. I don't I

49:16

don't imagine that he would do that.

49:18

>> I would hope not, but

49:19

>> I don't think so. But Harlon Ellison did

49:21

win the the case.

49:24

>> Interesting.

49:24

>> Um, but I

49:25

>> wonder how much he got paid. [laughter]

49:29

>> How much did Harlon Ellison get for that

49:31

that lawsuit? Did they disclose it or

49:33

did they pay him just to shut the [ __ ]

49:35

up?

49:36

>> Well, Ellison is I mean, he is

49:40

everybody's everybody that loves sci-fi,

49:42

he's their favorite sci-fi guy. Really?

49:44

Like, he is the guy.

49:44

>> Bold statement.

49:45

>> He's the guy. Ellison is the guy. You'd

49:47

love you should read up on Haron

49:49

Allison. You would love

49:50

>> I probably should.

49:52

>> There's not enough time to consume all

49:54

the things.

49:54

>> Yeah,

49:55

>> there's so many things to consume.

49:57

>> Out of [cough and clears throat]

49:58

dispute ended out of court settlement.

50:00

There you go. Rather than a court ruling

50:02

on So they just paid him to shut the

50:04

[ __ ] up. So they probably gave him a

50:07

fact check.

50:08

>> Yeah, there it is. Soldier and demon

50:10

with the glass hand. involved combatants

50:12

from a future war arriving in the

50:14

present, including a relentless

50:16

futuristic soldier sent to kill. Ellison

50:18

argued that the Terminator borrowed this

50:20

core setup. Commentators often mentioned

50:23

his Outer Limits episode, Demon with a

50:24

Glass Hand, but Ellison himself

50:26

reportedly uh said his principal claim

50:29

concerned Soldier, not that episode. So,

50:32

it seemed like it wasn't maybe it was

50:34

more than one thing. Hm.

50:37

>> Either way,

50:38

>> um,

50:39

>> you could, you know, it's like

50:42

every werewolf movie is a guy gets bit

50:45

by a werewolf.

50:46

>> Sure.

50:47

>> You know what I mean? Like you could say

50:49

no one can make a werewolf movie anymore

50:50

because of the wolf man. Cuz you're

50:52

you're all stealing from the wolf man

50:54

from

50:54

>> Well, I think the difference is that's

50:57

werewolf mythology,

50:59

>> right?

50:59

>> Overall. That's true.

51:00

>> Versus, you know what I mean?

51:02

>> That's true. Yeah. Of course. Yeah. I

51:04

mean, that's Yeah. bad bad example.

51:06

>> The uh

51:06

>> it's not an original story,

51:08

>> but you would love Harlon Ellison cuz he

51:11

was just I'm sure

51:12

>> my favorite story of his is he he talked

51:13

about when he was in college and he

51:14

goes, "My my literary professor said I

51:16

had no talent so I got expelled cuz I

51:18

punched him in the throat. [laughter]

51:23

>> He's a maniac."

51:25

>> Maniac.

51:25

>> God, how many bad teachers have ruined a

51:27

kid's future by telling them they have

51:30

no talent?

51:31

>> Yeah, right.

51:32

>> How many?

51:32

>> It's nuts.

51:33

>> So many. There's so many stories like

51:35

that. So many stories of some shitty

51:37

teacher.

51:38

>> It's nuts. Did you have when you were

51:41

getting into Well, well, how old were

51:44

you when you said, "I'm going to go do

51:45

comedy. I'm not going to do any of the

51:47

[ __ ] that I studied in school. I'm going

51:48

to actually

51:48

>> Well, I barely studied in school. I only

51:50

went to school because I didn't want to

51:52

be a loser. Literally, I went to UMass

51:54

Boston,

51:56

>> like the continuing education program,

51:57

so I didn't have to take my SATs." And I

51:59

only went for three years. I was wasting

52:01

my time. And the whole time I was doing

52:03

it, I was fighting. And that was my

52:05

primary concern. That was what I was

52:06

thinking about. And I was teaching at

52:08

Boston University.

52:09

>> Oh, you mean like like MMA fighting?

52:12

Okay. Got

52:12

>> kickboxing and taekwondo.

52:14

>> Okay.

52:14

>> Um and uh that was my concern. I really

52:18

was the the the But you tell people, you

52:21

know, oh, what do you do? Oh, I'm a

52:23

taekwond do fighter. [laughter] You

52:25

[ __ ] loser. You [ __ ] loser.

52:29

I totally I would not tell people what I

52:31

did. I'm going to school. I'm going to

52:33

UMass Boston. That was literally that's

52:35

what I was doing.

52:36

>> Oh my god, that's so [ __ ] funny,

52:38

dude.

52:39

>> Four time state taekwondo champion. I

52:41

fought all over the country.

52:42

>> I didn't know that.

52:43

>> Yeah,

52:44

>> I knew you had fighting in your

52:46

background. I didn't know you were champ

52:47

and stuff.

52:47

>> Yeah, I was really good when I was young

52:48

at Taekwondo. I was really good.

52:50

>> What made you switch gears from that to

52:52

go into comedy?

52:54

>> Well, first of all, there was no future

52:55

in it.

52:56

>> There was no future. I tried out for the

52:58

Olympics in 88. I made it to the

53:00

nationals. I won the states and I went

53:02

made to nationals. I made it to the

53:03

third fight in the nationals and I lost.

53:06

That was in Miami in 88. And then I

53:08

realized like I wasn't as enthusiastic

53:11

about it anymore. Oh yeah, you got extra

53:13

cigarettes. Thank you.

53:15

>> Look at that hair. I know. I knew you

53:17

might there for everybody.

53:19

>> Yeah. Yeah.

53:19

>> Um

53:21

and then um I was also getting brain

53:24

damage and I was very aware of that. I

53:27

would lie in bed at night after sparring

53:29

and my head would be ringing just th th

53:32

th th th th th th th th th th th th th

53:32

th th th th th th th th th th th th th

53:32

th th th th th th th th th th th th

53:32

throbbing just boom boom boom boom

53:35

>> Jesus Christ.

53:35

>> I was like I'm doing this for free.

53:37

There's no money in this. I'm not making

53:39

any money.

53:40

>> Holy [ __ ]

53:41

>> Yeah, I was sparring a lot, especially

53:44

kickboxing sparring. I was getting hit a

53:46

lot. It was a lot of like kickboxing

53:49

wars and it was just not worth it. It

53:52

was just not. And I was realizing like I

53:54

got to get out before I become that guy

53:56

at the gym because there were some guys

53:57

that I had met and then I'd watched them

54:00

deteriorate a little during the time

54:02

that I knew them and I was training with

54:04

them. I watched their personalities

54:06

change. I watched them g get like

54:09

slower.

54:10

>> Like I could see their movement was

54:11

compromised

54:12

>> because they had gotten brain damage.

54:14

They've been knocked out a few times.

54:15

And I I was realizing like, oh, this is

54:17

a real problem. And no one seems to be

54:20

thinking about it. everyone's like

54:22

pretending it doesn't exist because they

54:23

just want to be a tough guy and they

54:25

just want to fight and win and

54:27

it becomes the thing you do and the

54:29

thing you do is the the only thing you

54:31

know and if that thing is bowling then

54:33

you bowl every night you know if that

54:35

thing is golf then you golf every day if

54:36

that thing is fighting you're fighting

54:38

all the time.

54:39

>> Yeah.

54:39

>> And it was uh

54:41

>> by the time I was and I was also

54:43

realizing there's no future in this. I'm

54:44

not going to ever have any money. I'm

54:46

always going to be poor. I'm always

54:47

going to be like wondering where my next

54:48

paycheck's coming from. This is There's

54:50

no money in this. And there was no UFC

54:52

back then. And um I got talked into

54:55

doing standup by my friends.

54:57

That's literally how it started. This

54:59

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>> And then that was it. I mean, you moved

56:00

fairly fast, right, through standup.

56:03

[snorts]

56:03

>> Well, um, see, I did half hour comedy

56:07

hour, MTV half hour comedy hour. I was

56:09

like

56:12

five years in, five years into standup

56:15

and um then I got on the television show

56:18

Hard Ball, the show I did with Jim

56:20

Brewer.

56:21

>> Yeah.

56:21

>> Did that flew out here or flew out to

56:24

California rather and that got cancelled

56:26

after six episodes and then I got news

56:28

radio right away. So I only auditioned

56:30

for two shows ever.

56:32

>> Wow. Hard ball and news radio and I got

56:34

both of them. It was the luckiest streak

56:36

of all time. No acting. I took a couple

56:39

of acting classes that I had to take.

56:41

When Disney gave me the money, the first

56:43

development deal, they said, "Do you do

56:44

you know how to act?" I'm like, "I don't

56:46

know. [laughter]

56:47

Why are you guys giving me money?" It

56:49

made no sense. They just wanted to put

56:50

me on a sitcom. And you know, this was

56:53

in the '9s when sitcoms was like

56:55

Roseanne and Seinfeld. It was a gold

56:58

mine. if you could find a personality

57:00

that you thought was someone who would

57:02

click on a sitcom that people would want

57:03

to watch, you know, every Tuesday night

57:05

or whatever it was,

57:06

>> they were they were willing to pay you a

57:08

lot of money and then all of a sudden I

57:10

was out in LA, but it was never a desire

57:12

of mine.

57:14

>> So, because it wasn't a desire of mine,

57:15

I didn't get nervous.

57:17

>> Like, I didn't get nervous during

57:18

auditions. I It was not a It was not a

57:21

thing where I'm like, "This could change

57:23

my life. This could be it." It was like,

57:25

"What am I doing here? What is this?

57:27

What am I doing here?

57:28

>> It's I'm It's You're You're good at it.

57:31

That's what you were [ __ ] doing

57:32

there, man. [laughter]

57:34

>> It's not It's not hard, dude. It's

57:36

again, it's not real acting. It's not,

57:38

you know, Marlon Brando. It's It's just

57:40

You're just pretending that this thing

57:42

is happening in the the newsroom. It's

57:45

not hard. It's [ __ ] [laughter]

57:46

It's [ __ ] easy. I mean, the m

57:49

meantime, I'm doing jiujitsu. Um I was

57:52

still sparring back then. So, I'd go to

57:53

the Jet Center and kickbox and I'd spar.

57:56

And so I'd go to work, I'm like, "This

57:58

is so easy.

58:00

>> This is so easy." Compared to stand up

58:02

and kickboxing. And

58:04

>> did you notice when you said you were

58:06

you were noticing damage happening

58:08

because your head throbbing and ringing

58:10

or whatever?

58:11

>> Did you notice any other effects or did

58:13

you cut it off before any effects could

58:15

actually, you know, like long like

58:17

actual things that were affecting you?

58:19

>> No, I didn't notice anything like I was

58:21

compromised or I couldn't think well or

58:23

I was forgetting things. It wasn't like

58:25

that. I I think I cut it off before I

58:27

got that bad, but I definitely got some

58:29

brain damage 100%. And I think it it

58:31

plays a part of my uh impulsiveness and

58:34

my I I you know, I like scary things. I

58:38

I like I like things that are make me

58:41

nervous. I like things that are really

58:42

hard to do. And I think that might be

58:44

part of that,

58:45

>> right?

58:45

>> That I got rattled a bunch of times in

58:48

my formative years.

58:49

>> Yeah. [laughter]

58:50

>> Because from 15 to 21, who knows how

58:53

many times I got hit in the head. a lot.

58:57

>> You're you're we're we're very different

58:59

in that way. You're you're you're a guy

59:01

that I think like very much likes a a

59:03

challen the conquering the challenge,

59:05

you know. Uh you know,

59:07

>> well, it keeps me sane. That's what

59:09

keeps me sane. I think you make your the

59:11

voluntary things that you engage in that

59:14

are way more difficult than the rest of

59:16

your life. It makes the rest of your

59:17

life easier

59:19

>> because [clears throat] these hard

59:20

things that you do voluntarily,

59:21

voluntary adversity, you force yourself

59:23

to do hard things all the time. So then

59:26

when other things that are seemingly

59:28

hard come up, you're like, "Ah, this

59:31

ain't shit." Compared to a cold plunge,

59:33

[laughter]

59:35

this ain't [ __ ] I just did an a

59:37

workout, a hypoxia workout. And uh so

59:40

it's at I have a box in my studio that

59:42

goes to it takes all the air out. So it

59:45

puts you at the equivalent of 15,000

59:47

feet uh above sea level and you do this

59:52

interval training. So you do sprints on

59:54

the aerodyine machine, you get off of

59:56

that and you do these kettle bell cleans

59:58

and presses or swings and you get off of

60:00

that and then you do the sled and you

60:02

push the sled or you do backwards on the

60:05

sled and it's got varying resistance and

60:07

you do them in these 50-second,

60:09

40-second and then 30 second sprints.

60:13

So, like everything else is easy.

60:15

>> God damn, dude. I'm just I I can't

60:18

[laughter]

60:19

I admire it. I admire the [ __ ] out of

60:21

it, but

60:21

>> Well, it's just for me, I think

60:23

everybody should do something hard. It

60:25

keeps it keeps me sane. For me, I need

60:28

it. I don't know, you know, I'm not

60:31

other people. I don't I don't pretend to

60:34

know how they feel, but I know how I

60:36

feel. If I don't exercise regularly, I

60:39

have more anxiety. I don't feel

60:40

comfortable. I don't feel good. I'm more

60:42

irritable. I don't like it. I don't like

60:44

that feeling. When I am like when I work

60:47

out really hard and I do the things that

60:49

I'm supposed to do, I feel great. I feel

60:51

friendly. I'm feel happy. I feel light.

60:54

I feel like life is easy.

60:57

>> Yeah. It's it's a thing. I'm not I'm not

60:59

blowing smoke. It's a thing I've noticed

61:01

about you. You're you're a very I would

61:04

even say happy golucky kind of guy. Like

61:06

you're you're very friendly. You're

61:07

always in a very good mood. I've I've

61:09

very rarely seen you and I see you

61:11

frequently now at the club very rarely

61:14

seen you come in where you're like [ __ ]

61:18

like I don't think ever to be honest

61:19

with you and it's I guess everything

61:22

you're saying like it puts you

61:23

>> it's a choice it's a choice to feel like

61:25

that that that don't do you any good

61:28

unless you're trying to do something

61:29

with that [ __ ] this unless unless you've

61:31

got some [ __ ] you have to get done

61:33

that's hard and you want to have this

61:35

attitude where you're going to attack it

61:36

like [ __ ] this like regular life. Like,

61:39

why? Why? Why? Why upset? Why? Why?

61:42

You're not in Gaza, right?

61:43

>> What are you doing? You're not You're

61:44

not in Ukraine hiding in a [ __ ]

61:46

bunker. Like, what are you talking

61:47

about?

61:47

>> Yeah.

61:48

>> What are you bitching about?

61:49

>> Yeah.

61:50

>> You're You're living an easy life in

61:52

America and you're rich, right?

61:53

>> Like, what? How dare I be upset?

61:56

>> Sure.

61:57

>> How dare I? Imagine.

61:59

>> Sure.

61:59

>> With the the fortune, the luck that I've

62:01

had in this life, how me being pissed

62:03

off at things.

62:06

That's why it doesn't bother me when

62:07

people talk [ __ ] about me either. I'm

62:08

like, "Okay, like talk that shit."

62:12

>> You could have fun.

62:13

>> You could teach, remember when YouTube

62:14

was doing those master classes where

62:16

like a guy would sit down and like Steve

62:18

Martin would be like, "I'm going to

62:19

teach you how to do write comedy or

62:21

whatever and David Mamemoth did one on

62:22

writing or whatever." You could do a

62:24

master class on YouTube in how to let

62:27

the [ __ ] roll off your back because I am

62:30

astounded at how much it does not bother

62:34

you when people are releasing clips and

62:38

talking this and bull and it's all

62:40

[ __ ] whatever, [laughter] and

62:41

you're just like, "Yeah, whatever, man.

62:44

Have fun. Knock yourself out." It

62:46

doesn't you can't stop people from

62:48

having an opinion. There's always going

62:50

to be people that have an opinion. And

62:52

then in this market of hot takes,

62:54

there's always going to be people and

62:55

their opinion is negative opinions are

62:59

more valuable in terms of the commodity

63:01

of attention attacking someone being,

63:03

you know, calling someone out. It's more

63:06

valuable in this commodity. And then

63:08

there's people that have legitimate

63:10

differing opinions of me and they, you

63:12

know, they don't like this and they

63:13

don't like that. They don't like I said

63:14

this or they don't like this person that

63:16

I had on.

63:18

>> What am I supposed to do? Address all of

63:20

it? even think about it. I police myself

63:23

as much as I can. Believe me, if I [ __ ]

63:25

something up, I I'm mad at me more than

63:28

anybody's mad at me,

63:29

>> right?

63:29

>> So that way I get it out on my own. I

63:32

don't need a lot of external validation.

63:35

I don't need any.

63:36

>> I'm not interested in that. I'm

63:37

interested in doing the best that I can

63:39

and I hope people like it and that's it.

63:41

[laughter]

63:42

>> I The little [ __ ] gets me, man. I

63:45

[ __ ] get I get like

63:47

>> you need you need an outlet, Joe D.

63:49

Rosa. You need a physical outlet to to

63:51

calm your mind.

63:52

>> Yes,

63:53

>> that's what you need. You need to get a

63:54

trainer. Just hire a trainer. We talked

63:56

about this.

63:56

>> We have been talking about it.

63:57

>> Get a trainer. Get get because you're

63:59

not going to do it on your own. Get

64:01

someone who you show up three times a

64:03

week and they put you through the paces.

64:05

And a smart trainer will do it nice and

64:07

slow. So, the first few workouts, it

64:09

won't even be that hard. You leave

64:11

there, you'll feel like energized. You

64:12

won't feel exhausted. You'll feel like,

64:14

"Ah, all right. I did a little

64:16

something. Feel good." And and then he's

64:18

like, "Okay, we're this is a process,

64:20

you know, we're gonna we're gonna keep

64:21

ramping this up slowly but surely." But

64:24

you're never going to be like, "Oh my

64:25

god, I can't [ __ ] move. I went to my

64:27

[ __ ] trainer. He's killing me. My

64:29

back is killing. I can't get off the

64:30

couch." No, no, no, no, no, no. A good

64:32

trainer is going to look at you, ask you

64:35

how what you've been doing. When was the

64:36

last time you worked out? How often you

64:38

do? Okay, let's start here. And they'll

64:41

start you off with some simple body

64:42

weight stuff. They'll put you through

64:44

some different mobility exercises,

64:46

different stuff to just get the get the

64:48

joints lubed up, get everything moving,

64:50

and then build your body up nice and

64:52

slow. Nice and slow.

64:54

>> Yeah. My my boy Chuck uh you know Chuck,

64:57

Mexican OT's dad, Chuck, he Chuck, right

65:01

when you and I talked about when you

65:03

were like, "You should get a trainer."

65:04

Chuck said to me

65:06

>> unprompted, he goes, "Joe, let me train

65:09

with you,

65:10

>> dude. Take him up on it."

65:11

>> Yeah. He goes, he goes, "I'll come to

65:12

your apartment. Let's just go. I'll come

65:15

to your apartment."

65:16

>> That guy's jacked. Take him up on it. He

65:18

knows what he's doing.

65:18

>> And he said everything you just said. He

65:19

goes, "We're going to go slow. It's not

65:21

going to be this overwhelming thing."

65:22

Cuz I get overwhelmed easily, obviously.

65:25

Uh, and I was like, "Chuck, it's going

65:28

to be too much and I'm going to start."

65:29

And he goes, "We're not going to do

65:30

that. We're going to take it really

65:32

slow. Let me just come to your place and

65:33

whatever." And so I think I'm going to

65:35

start doing it with him because I just

65:36

need to

65:37

>> Yeah. If you go to the wrong trainer,

65:38

there's some trainers out there that are

65:40

meattheads or they don't really know

65:41

what they're doing and they'll beat you

65:43

down and they're like, "We're going to

65:44

[ __ ] push it today." Like, no, no,

65:46

no, no, no, no, no.

65:47

>> You can't push it when someone doesn't

65:49

work out. When someone doesn't work out,

65:51

you go nice and slow, nice and easy, and

65:54

then you slowly build up to the point

65:56

where you can push it, right? You don't

65:58

take a [ __ ] Prius and you drive it

66:01

around the racetrack sideways. It's not

66:04

designed for that. the the suspension is

66:06

going to fall off. The wheels are going

66:08

to there's no traction. You got no

66:09

tires. You're going to have to build up

66:12

everything.

66:13

>> And then once it gets built up, then you

66:15

can push it. So once you're getting Look

66:17

at Jelly Roll. Jelly Roll lost literally

66:20

almost 300 lb,

66:22

>> which is crazy.

66:24

>> Now he's running on the treadmill. He

66:26

did six miles when we came in to do a

66:28

podcast. We're all working out together

66:31

and he's [ __ ] running on the

66:32

treadmill while we're talking. We're

66:34

talking. He's saying like he can

66:35

breathe, he can talk, and he's running

66:37

at a good clip. Got in the sauna with

66:38

me, did the whole thing.

66:40

>> When I first met him, he's 500 lb.

66:42

Couldn't

66:42

>> could barely make it up to the stairs to

66:44

the comedy club. He couldn't couldn't

66:46

walk up the stairs.

66:48

>> Now he's fit. Now he's healthy. He runs

66:51

all the time.

66:52

>> So, it's just a process of building to

66:55

get to that place. like he did that show

66:58

uh McCane has this benefit every year

67:01

and we went to the benefit and um he

67:04

performed at the benefit and he's on

67:06

stage and we were backstage watching it

67:08

and so we're like in the me and Tony and

67:10

his girl and my wife were in the corner

67:12

watching this. Jelly gets off stage and

67:14

there's a railing like a ramp to get

67:16

off. He grabs the railing and hops over

67:19

it and lands on the other side. I go,

67:21

"Dude, do you know what you just did?"

67:23

>> I go, "You used to be 500 lb." Yeah.

67:26

>> And now you just jumped over that

67:28

railing like a cat.

67:29

>> It was amazing.

67:31

>> He was so happy. He's like, "Isn't this

67:33

crazy?"

67:34

>> I'm like, "It's crazy. Look what you've

67:36

done."

67:37

>> That's wild.

67:37

>> And that's what you have to do. You have

67:39

to And it took him years. And that's how

67:41

you have to do it. You have, it has to

67:42

be slowly but along the way, you'll feel

67:45

better every step of the way. It's not

67:47

about It's not about breaking your body

67:48

down. It's about slowly introducing

67:52

movement and some physical exercise and

67:55

then building upon that 10 push-ups in a

67:58

day. Then the next day you try 12 and

68:01

then a week later you're doing 15. And

68:04

then two weeks after that maybe you can

68:06

do 20 in a row or three weeks, a month,

68:08

two months, whatever it is. You

68:10

everybody's got their own timing.

68:11

Bodyweight squats very simple. Start

68:14

with 10. No big deal. Get to 90 degrees

68:17

pack up. just just enough just to get

68:19

the blood moving. Walking is [ __ ]

68:22

great. You know what's really great?

68:23

Walking with a weighted vest. Not that

68:25

hard to do. Put a 20 lb vest on, 25 lb

68:28

vest on, walk around the block. Yeah,

68:29

>> it's [ __ ] great for you. Yeah,

68:31

>> there's a lot of different things that

68:32

you could do that don't crush you. And

68:34

then you're just going to feel a little

68:36

better. You'll have a little bit of

68:38

more, you know, vitality, more blood

68:40

flow, and then you build upon that.

68:43

That's the key.

68:44

>> I was building slow. I was doing three

68:45

days a week and it was getting better

68:47

and better and better and then and end

68:51

of the summer hit, August hit, I started

68:53

going on the road again and all of a

68:56

sudden it starts to taper off cuz you're

68:58

like now I got to fly on this day when

69:00

I'm usually do my thing and and I got

69:03

lazy and I got to get back into it. I

69:05

got to get back into it. But the good

69:06

thing is this with what you're saying

69:07

with the slow build. When I start again,

69:10

I'm able to start where I stopped. I'm

69:12

able to start there again. You know what

69:14

I mean,

69:15

>> right? Rather than where you began.

69:16

>> Exactly.

69:17

>> That's great. Yeah. That's Listen, man.

69:19

It's all about momentum. Discipline is

69:21

very important. But really, momentum

69:24

makes discipline a lot easier.

69:26

>> You know, it's like you say, "Oh, you've

69:28

got really good discipline." Like,

69:31

sort of. I got I got started. Once you

69:34

get started, it's more about momentum

69:36

than it is about discipline, right?

69:38

>> And then it's also about writing things

69:39

down.

69:40

>> If you just write it down, you have to

69:42

do it,

69:42

>> right? You write it down and make a

69:44

check. That way instead of like keeping

69:45

this thing in my head, oh, I'm just

69:47

going to figure out my own workout. I'll

69:49

do this. I'll do that. No, I have a

69:51

whiteboard. I write down on the

69:52

whiteboard. This is what we're doing.

69:54

And then you just do it.

69:55

>> Yeah. I had a list in my phone. These

69:57

are your exercise. 20 reps of each of

69:59

these. And I just kept adding

70:01

>> exercises. I don't know a good app, but

70:04

I'm sure there's some out there that are

70:05

like a really good workout app that'll

70:06

vary your workout every day based upon

70:08

your level, based upon like, you know,

70:11

how much experience you have. I tr it's

70:13

there can the apps get confusing. I

70:15

tried a couple of them and

70:18

>> there's got to be a good one out there.

70:19

I just don't know what they are.

70:20

>> It's a lot of questions that I'm like I

70:22

don't [ __ ] know, man.

70:24

>> That's because they're trying to make it

70:25

good. They're going to trying to make an

70:27

app that, you know,

70:29

>> gives you what you need. But yeah,

70:31

exercise apps, again, there's there's

70:34

good ones, I'm sure, but exercise apps

70:36

kind of became like dating apps where

70:37

there's a million that are all saying,

70:39

"We're going to change your life in 3

70:41

days." And you're like, "No,

70:42

>> I think most important is a real good

70:45

trainer is more important because he can

70:47

correct your form in real time, tell you

70:49

why. Don't do it like that. You're going

70:50

to hurt your back. Don't do it like

70:51

this. You're putting too much pressure

70:52

on this and that and you're not

70:54

balanced." Whatever it is, he can get

70:55

you to do it correctly, which is more

70:57

important than anything.

70:58

>> Yeah. when especially once you start

71:00

actually lifting weights, you know, Pavo

71:03

Tatsulene, who's the um he's the guy who

71:06

really brought kettle bells to

71:07

popularity in America. It's Russian cat

71:10

and uh great system of training. And but

71:13

one of the things that he said that

71:15

really stuck with me, he said strength

71:16

is a skill

71:18

>> and you should think of strength as a

71:19

skill.

71:20

>> Okay?

71:20

>> So like when you're working on your

71:21

skills like like kettlebell cleans and

71:24

presses, you shouldn't be exhausted. you

71:26

should do. He does instead of doing it

71:29

to failure, you know, like a lot of

71:30

people like to work to fail. Like

71:31

imagine you can clean and press 50

71:34

pounds 10 times until you're like really

71:36

exhausted and on the 10th time you're

71:38

kind of cooked. Don't do 10. You do

71:40

five,

71:41

>> right?

71:41

>> Just do five and then wait a long time.

71:43

Wait like five minutes. Rest up

71:45

completely and then do another five.

71:48

>> Do it that way.

71:49

>> That's interesting

71:49

>> because that way you're always fresh and

71:51

you're you're working on skill. You're

71:53

still getting the same amount of

71:54

repetitions, but you're not torturing

71:55

your tissue. You're not taxing your

71:58

system. You're learning. And you're not

72:00

taking any shortcuts. You're not moving

72:02

weird. You know, you're not like leaning

72:04

into something in a weird way. You're

72:05

going to hurt yourself because you're

72:06

all out of line. You're doing everything

72:08

with correct form because you're not

72:09

exhausted. Yeah.

72:10

>> But you're still getting the same amount

72:11

of work in.

72:12

>> The rest time is interesting because I I

72:14

always thought, well, it like I I was

72:18

doing two different types of push-ups. I

72:20

was doing the [ __ ] 45 finger spread

72:24

down hold up, whatever.

72:26

>> And I could get through 20 of those.

72:28

Initially, I couldn't. And then when I

72:29

was able to get through 20, I was like,

72:31

"Holy shit." And then I was doing a

72:32

different push-up with the arms back

72:34

like this.

72:35

>> And those when I got to that, I'd I'd

72:38

hit 10 and I'd be like, "Fuck."

72:42

And then I'd sit for a minute and then

72:43

I' a minute would go by. I'd be like,

72:45

"You got to do the other 10." Because if

72:46

you don't if you wait too long, I always

72:48

thought waiting too long was a bad

72:49

thing, but you're saying no, actually

72:51

rest five minutes. Take take a breath.

72:53

>> Yeah, there's nothing wrong with it. As

72:54

long as you have the time to do the same

72:56

amount of reps. You just want to get

72:59

enough work in so your body forces

73:01

adaptation. It doesn't have to be all to

73:05

failure. Now, again, depends on what

73:07

we're trying to do, right? If you're

73:09

trying to build up muscular endurance,

73:11

then yeah, you go to failure. It depends

73:13

on what you're trying to do. If you're

73:14

just trying to get stronger, that's a

73:16

different thing.

73:17

>> And then, you know, obviously I do

73:19

different kinds of workouts. Like the

73:20

workout I did today. This it's all

73:22

exhaustion stuff. It's all sprinting.

73:24

It's not like the kettle bell stuff.

73:26

This is all high altitude and it's all

73:29

like maximum intensity on the aerodyine

73:31

bike, maximum intensity on the sled,

73:33

maximum intensity on the kettle bell

73:35

cleans. You're beating yourself up

73:37

because you're only doing it for 50

73:38

seconds and then or 60 seconds, 40

73:40

seconds, and and then 30 seconds. So,

73:43

it's like I do a bunch of different

73:45

kinds of exercises, but when I do like

73:47

strength stuff, I I don't ever do it to

73:50

failure.

73:51

>> Can you do is there a thing like like

73:54

some people go the 100 push-ups a day,

73:57

whatever, that's their thing.

73:58

>> I always wondered, well, is it the same

74:01

if you do a 100 push-ups just throughout

74:03

the day as

74:05

doesn't matter if you start at 9 and

74:07

finish at three?

74:08

>> Farmers don't lift hay to failure,

74:10

right? They pick up a bail of hay, they

74:13

chuck it under the pile, they go back to

74:15

get another one. They pick up a bail of

74:16

hay, they chuck it on the pile, they go

74:18

back to get another one. They push a

74:19

wheelbarrow, they [ __ ] hammer a post

74:21

down, they do a bunch of different

74:22

things. They do it all throughout the

74:24

day, but they're never doing anything

74:25

where they're just very rarely at least

74:28

where they're lying flat on their back

74:30

breathing like they think they're going

74:31

to have a [ __ ] heart attack. They

74:33

never have that. They never get to the

74:34

point where they're dropping the bail

74:36

hay cuz their arms are shaking and

74:37

they're like, "One more rep." [groaning]

74:40

But yet they get ridiculously [ __ ]

74:43

strong, right? Why? Because of all the

74:45

work.

74:46

>> It doesn't have to be work to failure.

74:48

And in our mind, we think, "Oh, you have

74:50

to go to failure in order to get

74:52

stronger, right?"

74:53

>> And again, we're talking about very

74:55

specific things. Getting stronger, using

74:58

kettle bells, especially, but you could

75:00

do dumbbells and other things as well.

75:02

If you're now if you're doing something

75:04

else like if you're trying to get

75:07

maximum amount of uh bench press, if

75:10

you're trying to like win a competition

75:12

or maximum amount of chin-ups you can

75:13

do, then it's a different thing. We're

75:15

talking about a different thing. But if

75:16

you're just talking about overall

75:18

building strength for your body, the

75:20

most important thing is volume, I think.

75:23

>> Okay. And and it's if you can, like I

75:25

said, I think this principle that Pavle

75:29

Tatsulene has is a really good one that

75:31

instead of doing 10, if you do 10 to

75:33

failure, do five, wait a while, do five

75:36

again. And I think it lessens the

75:38

opportunity to get injured. You're

75:40

you're much less likely to get injured

75:42

doing it that way. And I'm very rarely

75:45

injured from working out. Very rare from

75:47

just kettle bell stuff. Like very

75:49

rarely.

75:49

>> Right. All right. All right. You're

75:52

inspiring me to to hop back in and and

75:54

and start doing it again. I gota I've

75:57

really got

75:57

>> You just got to get somebody to help

75:59

you. You know, get Mexican OT's dad.

76:02

>> Yeah.

76:02

>> Get him to help you.

76:03

>> Yeah.

76:03

>> He knows what he's doing.

76:04

>> Yeah. Yeah. No, that dude's [ __ ]

76:06

jacked.

76:07

>> Yeah. That's that's perfect guy. And

76:09

he's the way what he said is the right.

76:11

Like he knows what he's doing. That's

76:12

why he's the the guy to get you do it

76:15

nice and slow and just build you up. And

76:17

also he's fun.

76:18

>> He's cool to hang out with. Yeah.

76:19

>> That you like that too. You don't want

76:21

to be an annoying trainer. It's always

76:22

asking you to post about him on

76:23

Instagram. [laughter]

76:25

>> [ __ ] off. You know what I mean?

76:27

>> You think you post I got an energy drink

76:29

I'm trying to promote.

76:30

>> Yeah. Yeah. Yeah. Yeah. You get those

76:32

DMs from guys.

76:33

>> Exhausting.

76:36

Yeah.

76:37

>> All right. I'm back.

76:38

>> There you go. You're back.

76:39

>> I'm back in, baby.

76:40

>> Bro, I I read the craziest thing today

76:42

and I need to find out if it's true. I

76:44

sent you the thing that where Nick

76:45

Fuentes was talking about Jamie. So

76:48

apparently there was this plot where

76:50

Iran was trying to kill Trump. Remember

76:53

when uh he was supposed to get in the

76:55

Air Force One that Carter gave him?

76:58

>> Mhm.

76:58

>> And then instead he flew in the old Air

77:01

Force One.

77:02

>> Okay.

77:02

>> Well, they're saying that he actually

77:04

didn't even go in the old Air Force One

77:07

that they snuck him out on a truck.

77:10

>> Okay.

77:10

>> Like some [ __ ] cargo truck.

77:13

>> Okay. and then put him in another kind

77:16

of plane and flew him out of there. And

77:18

then they put the press in Air Force One

77:20

because they were think they were

77:22

apparently worried they were going to

77:24

target Air Force One as well. So imagine

77:26

Trump put the press on Air Force One

77:29

[laughter] and they were thinking about

77:31

possibly targeting them.

77:33

>> Holy [ __ ]

77:34

>> He hid in an airport catering container

77:36

and was taken to a military jet for a

77:37

secret flight out of the country after

77:39

the NATO summit last month. And this is

77:41

being reported by the New York Times.

77:43

The thing is though, I think they put

77:45

the press on Air Force One.

77:48

So if they flew him out, it was because

77:51

they were worried they were going to try

77:52

to take down Air Force One and they took

77:54

the press.

77:55

>> No. If you take the press off, then then

77:57

they know that we know. [laughter]

77:59

>> Got to let them got to let them know

78:00

that we playing games. Just everything's

78:03

normal.

78:04

>> Exactly. And if the press dies, so sad.

78:07

>> Oh my god.

78:07

>> But you just get more press.

78:09

>> God, that's [ __ ] wild. If that's

78:11

true, that is so wild that he didn't

78:13

even tell them. Hey guys, uh we're not

78:15

really going to get on this plane. No

78:16

one's getting on this plane. You guys

78:18

get out of here. Go take American

78:20

Airlines home. No, he's like, "Hop on.

78:23

It's safe."

78:24

>> Yeah,

78:24

>> it's Air Force One,

78:25

>> guys. My gift to you. Take Air Force

78:27

One. Enjoy it. There's food. There's

78:30

sandwiches on there. Enjoy yourself.

78:32

>> Is that absolutely what happened?

78:34

>> Uh it says reporters on the older plane

78:36

were not told that Mr. Trump had not

78:38

flown with them from Turkey to an air

78:40

base in Britain, [clears throat] making

78:42

them unwitting participants in the ruse

78:44

and leaving them along with some White

78:45

House staff members to serve as

78:48

unknowing decoys.

78:50

>> Holy [ __ ]

78:50

>> After they arrived in Britain, he was

78:51

secretly moved back to the older version

78:53

of Air Force One.

78:54

>> Bro, Jesus Christ.

78:57

>> Those press people were signing up for

78:58

something they didn't know. [laughter]

79:00

They didn't know what they were signing

79:02

up for.

79:04

And they didn't tell them at all that

79:06

when you want to know like who's more

79:07

important, you or the president, that's

79:09

when you find out. They just throw you

79:11

on Air Force One shrimp cocktail.

79:15

[laughter]

79:16

>> It's like boom. All of a sudden, you

79:18

turn into [ __ ] protons.

79:20

>> It's like [ __ ] Good Fellas when he's

79:22

telling Karen to go, "Go now. Go down

79:24

and get the dresses. Go ahead. There's

79:26

dresses."

79:27

>> No, I'm okay. [laughter]

79:32

>> Karen. Holy [ __ ] That is [ __ ] wild.

79:36

>> Isn't that crazy?

79:37

>> That is [ __ ] wild.

79:38

>> That's crazy.

79:39

>> Yeah. Are they Are they Is there Has

79:41

there been backlash? Are they Are they

79:44

Have they Are Jamie? Are they saying

79:45

anything?

79:46

>> Who Who's saying anything?

79:47

>> The press.

79:49

>> I would imagine they're a little

79:50

perturbed.

79:52

[laughter]

79:52

>> That would perturb me.

79:55

>> Jesus Christ. [snorts]

79:57

>> That's so crazy.

79:59

>> Holy [ __ ]

79:59

>> Imagine if it blew up. It's like I

80:01

should have been there. wanted to be

80:03

there with them when they died.

80:05

>> They're heroes. [laughter]

80:08

>> He would probably talk [ __ ] about them.

80:09

>> Oh my god, that is [ __ ]

80:11

>> Maybe they had written nicer things

80:12

about me. I would have told them.

80:14

>> Oh my god. Did you I I just watched um I

80:18

just watched uh Michael the Michael

80:20

Jackson movie.

80:21

>> How was it?

80:23

>> It Look, it's the first part of his life

80:26

up till bad. They don't get into any of

80:28

the crazy [ __ ] They're saying they're

80:29

making a sequel that they might get into

80:31

the some of the crazy [ __ ] But it was

80:34

it was fun. I'm a big Michael Jackson

80:35

fan. It was fun to watch. But I I

80:37

started reading up on Michael Jackson

80:39

afterwards cuz I was like it just it was

80:41

very nostalgic to watch. Do you know

80:43

this? When he died, he was pronounced

80:45

dead at Neverland Ranch and they lied to

80:49

the press and said that he was at a

80:51

hospital already and pronounced dead

80:53

because they had to get the body out of

80:55

Neverland Ranch.

80:56

>> Wow. And they knew if he they pronounced

80:58

him dead at Neverland Ranch, they

81:00

wouldn't be able to get the [ __ ] body

81:01

out of the goddamn house.

81:03

>> Why?

81:03

>> Because they said the press would leak

81:05

it and the clamoring of fans and

81:07

whatever else would literally have

81:08

blocked them from getting the [ __ ]

81:12

>> from transporting the body. So they had

81:14

to lie and say, "He's dead already, but

81:16

he's at this hospital." And it was a

81:18

decoy because that's how [ __ ] famous

81:21

he was. They were like, "We can't drive

81:22

his dead body from this location to

81:26

another or we're never going to get it

81:27

there."

81:28

>> Steal the body. I want to get a finger.

81:30

>> Yeah. Something.

81:31

>> We get a finger. He would have garden

81:32

clippers.

81:33

>> Something

81:33

>> try to steal.

81:34

>> And here's another crazy thing cuz I I

81:37

know you've talked about the Michael

81:38

Jackson like the conspiracies around his

81:41

desk death on the show before. This is

81:43

another crazy thing I didn't know. He

81:46

[snorts] owned, you know, he had that

81:47

vast music catalog that he bought,

81:49

>> right,

81:50

>> of move music publishing,

81:51

>> right? He owned the Beatles.

81:52

>> Beatles. Eminem. He bought Eminem.

81:55

>> He bought Eminem.

81:56

>> Eminem made fun of him in a video and he

81:59

bought Eminem's [ __ ] catalog as a

82:01

[ __ ] you.

82:02

>> The most

82:04

>> pimp move ever. I'm going to buy all

82:06

your [ __ ] music.

82:07

>> Gangster.

82:07

>> Yeah. Yeah. Right. [laughter]

82:10

>> So,

82:12

he owns his catalog, right? It's it's

82:14

it's I think he he might have owned

82:16

Dylan. It was crazy that the the rights

82:18

to the music that he owned was nuts,

82:20

right? He's with Sony.

82:22

Sony wants the publishing back on all

82:24

these artists and he owns it. And when

82:28

he did his last album, he had to take

82:30

out a loan against the record company

82:34

of $200 million to do the album because

82:36

he didn't have a lot of money left. And

82:38

they said, "You got to put up

82:39

collateral."

82:41

and he goes, "All right, I'm going to

82:42

I'll put up a portion of the catalog as

82:45

collateral." And then he before he died,

82:48

he goes, "They're not promoting my

82:50

album." And because they're not

82:51

promoting my album, it's not selling.

82:54

And then everybody close to him said it

82:56

was a ruse. They didn't promote the

82:58

album on purpose so that he would lose

83:01

the [ __ ] catalog because he wouldn't

83:03

be able to pay the loan back. And then

83:05

right after that, he died. Really [ __ ]

83:08

up.

83:08

>> That's the business he was in.

83:10

>> Yeah. You buy people [ __ ] they [ __ ] you

83:12

over. That's how it works.

83:13

>> Yeah. Yeah. It's

83:14

>> Come on, man.

83:14

>> Well, it's dark.

83:15

>> You're playing war. [laughter]

83:18

>> You're playing war. If they blow up Air

83:19

Force One, you got to go, "Hey, maybe we

83:21

shouldn't have [ __ ] killed the leader

83:23

[laughter]

83:24

>> during Ramadan. This is how it works.

83:27

This is the game we're in.

83:29

>> This is the business we chose."

83:31

>> Listen, he's in the business of uh

83:33

[ __ ] over his enemies. They decided

83:35

he was their enemy. They [ __ ] him

83:36

over. the doctor that administered the

83:39

drug that killed him is out of jail

83:42

already. Two years and they're like,

83:44

"No, this guy was just a fall guy."

83:47

>> Well, you know, the thing about the

83:49

doctor is he was asking the doctor to do

83:52

that. The doctor shouldn't have done

83:53

that.

83:54

>> Mhm.

83:54

>> It's not like the doctor killed him on

83:56

purpose. Like, he wanted to get

83:58

anesthetized. I think he was so crazy

83:59

that he couldn't sleep. I He was so out

84:02

of his [ __ ] mind. And he was probably

84:03

on a bunch of stuff. He probably wasn't

84:05

just on propall. If you're willing to

84:07

take propall to go to sleep, what else

84:09

are you taking? Right. You're taking

84:10

some other things. Yeah. Right.

84:12

>> The doctor, the one thing that he said

84:14

that I found very fascinating was that

84:17

he said that Michael had been chemically

84:18

castrated when he was young to maintain

84:20

his voice.

84:22

>> I've heard that.

84:23

>> Yeah. And it makes sense. It completely

84:25

makes sense. If you look at his body, it

84:27

makes sense. His body looks like it's

84:29

devoid of testosterone.

84:31

>> Yes.

84:32

>> It has no testosterone. He's very thin.

84:34

If you look at his brothers, they're all

84:35

thick. They're all like big dudes. Yeah.

84:38

>> Germaine, they're all like men. They

84:40

look like men. Like thick men. Yeah. He

84:42

looks thin and he looks very different

84:44

than them. That's not normal. That's not

84:47

normal. That is that's not even normal.

84:49

If you don't work out

84:51

>> and he was a dancer, so he was

84:53

incredibly athletic, right? So, and all

84:56

the working out that he did, he should

84:57

have been supple. I mean, he was

84:59

obviously he could move so good. I mean

85:01

he was his movement was incredible. Did

85:04

you ever see that Bob FSY movie that

85:06

apparently he got all those moves from

85:09

>> the one? Well, okay. So, which the the

85:12

miniseries that Sam Rockwell was in or

85:14

all that jazz?

85:15

>> There was a movie. No, before that along

85:18

earlier and it's Bob Falsy doing all the

85:22

dance moves that Michael Jackson did.

85:25

>> I know what movie you're talking about.

85:26

It's him and like a little kid and he's

85:27

in the desert and doing

85:29

>> Yes. Yeah.

85:30

>> I mean, it's literally all of Michael

85:32

Jackson's signature dance moves come

85:35

from this one movie. Watch this.

85:38

>> Watch how [clears throat] he moves.

85:39

>> Yep.

85:40

>> So, there's this. He's doing this, but

85:42

then he also moonwalks. Like, look at

85:44

this.

85:47

Like all this, this is Michael Jackson.

85:49

>> Wow.

85:50

>> I mean, 100%.

85:52

>> Yo. Wow.

85:53

>> Look at this. The the kick and the point

85:56

with the toes and putting it down. The

85:58

movement.

86:00

Yeah.

86:00

>> Yeah.

86:03

I [laughter] mean, that's it's literally

86:04

every movie does. Look at that. That

86:06

that point with the kick and the toes.

86:09

>> Even the outfit.

86:10

>> It's a 1974 movie. The little prince.

86:13

Yeah. Little prince rather.

86:14

>> Even the outfit with the fedora,

86:16

>> bro. I mean, literally, he he mirrored

86:20

his movements.

86:22

I it is incredible that Bob FSY had the

86:25

stamina and ability to keep dancing like

86:29

that for his entire life until he

86:31

dropped dead because if you watch the

86:32

Sam Rockwell miniseries FSY and Viran

86:36

which is an amazing miniseries that guy

86:39

bro he was I mean it was intake that's

86:43

all it was he'd wake up he's popping

86:45

[ __ ] pills speed

86:48

>> boom boom boom coke booze

86:51

cigarettes all day long, chain smoking,

86:53

chain smoking, smit chain, drunk through

86:55

the whole [ __ ] day, popping pills,

86:57

doing coke. And the fact that he could

86:59

still stand and not just stand,

87:02

choreograph Broadway shows for hours and

87:06

be that agile, whatever is that's insane

87:09

to me.

87:09

>> It's cuz he loved it.

87:10

>> It's insane.

87:11

>> That's the thing. Find the thing you

87:13

love. Find that thing and you will have

87:16

the energy to pursue it.

87:17

>> It's really it. But you but aren't you

87:20

aren't you a little amazed that that his

87:22

intake of substance could not would not

87:25

hinder it at any point?

87:26

>> It's kind of crazy,

87:27

>> you know.

87:27

>> But I mean, we've seen that before,

87:30

[laughter]

87:30

>> you know.

87:32

>> Yeah. Yeah. There's Yeah. Yeah. I I hear

87:34

you.

87:35

>> There's There's people that have un

87:37

unreal tolerances like Shane with with

87:40

booze. It's unreal.

87:42

>> Yeah.

87:43

>> When you see him pound 16 Bud Lights and

87:46

not a slur, not a stammer. It's

87:49

>> nothing. Doesn't miss a beat. Puts the

87:51

sunglasses on. Starts getting crazy.

87:53

Like we do protect our parks and he'll

87:55

have a stack

87:57

>> of empties at the end. You're like,

87:58

"That is insane. You should be dead. You

88:02

should literally be dead." My favorite

88:04

chain story ever. Ever. I don't mean to

88:06

tell his story, but this is my favorite

88:08

chain story ever. And I was the other

88:10

day, I go, "Dude, you have to do that on

88:12

tires. It's so funny." He said he ate

88:15

chicken fingers

88:17

and he felt sick and he goes to the

88:20

doctor because he's like, I think I have

88:22

food poisoning or something. Like

88:23

something's wrong, right? [laughter]

88:25

So he goes he goes the doctor goes

88:29

uh you know he's asking all the

88:31

questions. How well how much do you do

88:32

this? Whatever. And he goes, "How many

88:33

drinks do you have in a week?" And Shane

88:35

said he took a beat and he's like, "I'm

88:37

going to be honest for once." And he

88:38

goes, "80. [laughter]

88:42

He's

88:45

so crazy.

88:46

>> Oh, that's so crazy.

88:48

>> He said the doctor starts laughing and

88:50

he goes, "No, come on, man. Seriously."

88:51

And he goes, "Ady." And the doctor goes,

88:53

"It's not the chicken fingers, man.

88:55

[laughter]

88:57

You drink 80 drinks a week, right?" And

89:00

I go, "What happened?" He goes, "I went

89:02

home. I threw up. I was fine the next

89:04

day. It was the chicken fingers,

89:06

[laughter]

89:10

dude. We were at uh we were at

89:13

Chappelle's uh summer camp thing, the

89:16

ranch thing, and we're we're hanging out

89:18

and uh I'm I'm about to go on. Shane

89:21

goes, "Come on, man. Have a drink. Have

89:22

a drink." I go, "Dude, I I already had

89:25

two, man. Like, I I got to go on, dude.

89:27

I got to be I got to be careful." Like,

89:29

he goes, "Have another drink, dude.

89:31

You'll be fine." I go, "Shane, I don't

89:32

want to I I don't want to be tipsy." He

89:34

goes, "What what number drink is that

89:36

for you?" I go, "Three." He goes, "I've

89:38

had 17 Bud Lights.

89:40

>> [laughter]

89:40

>> have another [ __ ] drink.

89:42

>> And he doesn't want to be alone in drunk

89:44

land.

89:45

>> He wants you to be there with him in

89:46

happy drunk land. He's a happy drunk

89:48

though.

89:49

>> The best.

89:49

>> I love him. He's so fun. He's such a fun

89:52

dude. He's such such a unique person.

89:56

He's very different than anybody I've

89:57

ever met. He's like, you would think by

89:59

look by, you know, you hear him talk,

90:01

you'd think like he's similar to someone

90:03

you know, but he's not.

90:04

>> No.

90:05

>> Different dude. [ __ ] smart as [ __ ]

90:06

too. Knows a fuckload about history.

90:09

loves history.

90:10

>> Loves it, man.

90:11

>> Loves history. And and and yeah, he's a

90:14

very unique specimen. He's uh and and as

90:17

you said, a very fun drug. I was just

90:19

down at the beach with him and uh he was

90:22

on the beach all day and I was at the

90:24

house. I I called it early and I was

90:25

just kind of chilling out inside with

90:27

McCusker

90:29

uh and Tommy watching a movie. We're

90:31

just chilling and Shane came back from

90:33

the beach and he was all [ __ ] tuned

90:35

up from White Claws or whatever he was

90:37

drinking and uh I was laying on the on

90:40

this love seat in in the room watching

90:42

the movie and he just kept coming up to

90:44

me and he's kept tickling me. He's

90:46

going, "Come on, dog. Come on,

90:48

[laughter] dog. Come on, dog." And I'm

90:50

like, "You're awesome. You're fun." It's

90:53

just he's so fun, man.

90:54

>> Yeah. He's he's life of the party. him

90:57

and Joey Diaz in a room together with

90:58

everybody else is like, "Oh my god, you

91:00

got two enormous personalities. Life's

91:03

at the party in the room together."

91:05

>> Diaz kills me.

91:07

>> He's the best, man. He's He's out here

91:09

all the time now.

91:09

>> I know.

91:10

>> Yeah. I mean, he's getting a place here

91:12

at the end of the month and he's going

91:13

to do a residency. So, he's going to do

91:14

like two weeks a month he's going to be

91:16

here.

91:17

>> That's awesome. That's

91:18

>> Oh, it's [ __ ] incredible. It's

91:19

incredible.

91:20

>> He's the best, man. He's the [ __ ]

91:22

best. It's It's so fun having him

91:24

around. I was doing the last time he was

91:27

here. I was doing my monthly um uh my

91:30

and friend show at at the mothership and

91:33

uh and he was

91:36

the first two the first comic was on or

91:38

whatever and he goes he's like Joe could

91:40

I go up on your show and I go [ __ ] of

91:43

course. And he went up and it was just

91:46

seeing the pop from the audience and

91:48

just I was like man this is [ __ ]

91:49

great dude. It's [ __ ] fun having him

91:51

around.

91:51

>> We're very lucky. We're very lucky. We

91:53

got an amazing group of people around us

91:55

all the time. It's a lot of fun.

91:57

>> And he said the funniest [ __ ] thing.

92:00

We were talking about like diet and

92:02

exercise and lifestyle change,

92:05

you know, and ah co I was doing too much

92:08

of this or that or what. And I go, "When

92:11

was your big change, man?" He goes, he

92:13

goes, "Joe, you know what [ __ ] day it

92:14

was?" It was the day of the [ __ ]

92:17

resurrection.

92:19

And we go, "What?" And [laughter] he

92:21

goes, "Fucking January 6, the [ __ ]

92:24

resurrection." And we [laughter] go, "Do

92:26

you mean the insurrection?"

92:30

HE GOES, "WHATEVER THE [ __ ] IT

92:31

[screaming and crying] was called, I

92:32

don't give a fuck." [laughter]

92:37

He used to call Kabib Nurmov Kalib.

92:40

[laughter]

92:41

The [ __ ] Kalabib guy.

92:44

He always It's part of his charm,

92:46

[ __ ] up people's names.

92:47

>> Oh my god, he's so funny. the best dude,

92:50

man. He lives right near where my

92:52

parents live in Jersey. And uh

92:54

>> I was like, "Oh, dude, man, when I go

92:56

see my folks, I'm gonna I'm gonna get in

92:58

the car and drive up and hang out with

93:00

you for a night cuz it'll be such a

93:01

great break from just being with my mom

93:03

and dad." And he's just the he's the

93:06

best, man. He's just got a truly

93:08

big-hearted dude, man. I was really

93:10

worried once he moved to New Jersey,

93:12

we'd never get him out here because uh I

93:15

went with him. We went out to eat New

93:17

Jersey and he's the king of New Jersey.

93:18

I'm like, "Fuck." Everywhere we go,

93:20

"Joey."

93:22

Cheer, yelling his name. Went to the

93:24

restaurant. Everybody knows him. It's

93:26

like immediately everybody's like

93:29

running over to take care of us. Joey's

93:31

here. Joey's here. And I'm like, "Oh,

93:32

he's the king of New Jersey. He's never

93:34

going to leave. He's never going to

93:35

leave. He loves it here."

93:37

>> But there wasn't enough comedy there for

93:39

him.

93:39

>> No.

93:40

>> What? Wasn't enough comics. And one of

93:42

the things that I always say is that we

93:44

don't exist in a vacuum. We always exist

93:47

with each other. Comics in particular,

93:50

you you can't really do comedy by

93:54

yourself. You can, but you can't do it

93:55

to your best.

93:57

>> You need other people doing it around

93:58

you. You need to see it. You need to be

94:00

around it. The hang the talking about

94:03

bits in the green room is so huge.

94:06

>> Like Assan has given me two killer

94:08

taglines after like seeing seeing a bit

94:11

and saying, "What about this?" I'm like,

94:12

"Oh my god, that's perfect." Yeah,

94:16

>> we're always like [ __ ] upon

94:25

him how a bit goes. He's like, "Oh my

94:27

god, I forgot that." I'm like, "Dude, go

94:29

do that. Go do that right now."

94:31

>> He went up and did it right then and

94:32

murdered.

94:32

>> That's great.

94:33

>> And they're like, "You forgot. You

94:34

forgot the bit."

94:35

>> Yeah. It's a it's [clears throat] a very

94:38

it's a very um

94:41

it's a very individualized sport in the

94:43

sense of of golf where you're playing

94:45

like you're always playing against

94:46

yourself, but it's a very communal sport

94:50

in the sense that you're not playing

94:51

necessarily in a literal sense with the

94:53

team like like a sketch group would, but

94:56

you're playing with the team. You know

94:58

what I mean? The team is is in the green

95:00

room. the team. You're playing with the

95:01

team in the sense that your buddy is on

95:03

before you. Your buddy is on after you.

95:06

>> You're all doing sets together.

95:07

>> And and the game is I got to play my

95:10

best game because I've got to follow the

95:12

guy that just had a good game and I need

95:14

the guy after me to have a good game so

95:16

I can't [ __ ] up his game.

95:17

>> Yes.

95:18

>> And it's it's a very interesting dynamic

95:21

of team versus individual play. There's

95:24

also just the atmosphere elevates you

95:27

and I noticed that for sure about the

95:29

comedy store in the glory days. And the

95:30

glory days like 2014 to 2019 when we

95:34

left

95:36

there was so much activity there. There

95:38

was so many guys that were going up.

95:40

There was so much good comedy that you

95:41

would just get elevated just being

95:43

around it. Like it raised your own

95:45

personal bar like what your high water

95:48

mark was. And it just, you know, you're

95:50

around like guys with really tight acts

95:53

and it just it really helps. It helps

95:55

everybody. It help it just it's so

95:57

important to be around other great

95:59

comics, you know, and that's why these

96:01

hubs like New York is so great for that.

96:04

LA and now Austin, it's like these hubs

96:07

are so important because you really we

96:10

go on the road on the weekends, right?

96:12

That was the thing about the store. But

96:13

on Tuesday and Wednesday were some of

96:14

the best nights because on Tuesday and

96:17

Wednesday it would be Jesseleneck Diaz,

96:21

[ __ ] uh Greg Fitz Simmons, Domera

96:25

over and over Murderers Row. So Burr

96:28

would pop in

96:29

>> and maybe Chris Rock was in town. It was

96:31

like god damn these nights were insane.

96:34

They were so good. I'll tell I'll tell

96:36

you

96:38

um the the reason I moved to Austin

96:43

and the thing that continues to be the

96:45

greatest challenge for me here in in a

96:48

in a good way, in a constructive way

96:51

because people say all the time to me

96:53

online and [ __ ] they'll be like, "Oh,

96:54

you you moved to Austin to to for Kill

96:57

Tony." I'm like, "I didn't [ __ ] move

96:58

to Austin for kill. I knew Tony and I

97:01

were friends and I had done the show. I

97:03

didn't become kind of a part of that

97:05

show until after I lived here because

97:08

Tony started to put me on and we started

97:10

to have fun and then it grew from there.

97:12

You and I were were buddies but like

97:14

we're much tighter as pals now than we

97:17

were

97:18

>> Well, we're around each other all the

97:20

time.

97:20

>> Exactly.

97:21

>> Yeah. Um, so I moved here primarily for

97:27

well number one I love Austin and I

97:29

always and I used to live here and I

97:30

always wanted to go back and once you

97:31

could do comedy here it was like a

97:33

reason to go back right and you could

97:35

work. The other reason was I was I was

97:39

like I did New York, I did LA, I want a

97:41

new challenge and and there's a new

97:42

scene now and all that stuff. But the

97:45

thing that puts me on my toes the most

97:48

uh and still does is this is the best

97:51

place for young comics to be able to

97:54

pursue comedy because they can actually

97:56

live here. They can afford it. New York

97:58

has become unaffordable. LA has become

98:00

unaffordable. a young comic can come

98:02

here, can live like a human being and

98:06

pursue their dream. And those are the

98:08

guys that keep me on my to because

98:11

you're like, "Dude, it doesn't matter if

98:12

I'm the only guy on this lineup that has

98:15

done TV or whatever." You got five

98:17

people going up that are [ __ ]

98:19

swinging for the fences because when

98:22

you're young, you really are like, I got

98:25

to [ __ ] prove myself. Yeah.

98:27

>> So you're following even if it's four

98:29

unknown people, they're doing their a

98:32

[ __ ] They are trying to kill as hard as

98:34

humanly possible

98:37

and you're like, "All right, I this is I

98:40

got I got to [ __ ] bring it." You know

98:41

what I mean? There's a

98:42

>> It's that and it's also their enthusiasm

98:44

for it,

98:46

>> you know? And and the thing about Austin

98:48

is we have a real system at the club

98:50

that actually develops talent. Yes. Like

98:53

we have two nights of open mic nights

98:55

and we have a real talent coordinator.

98:57

Adam really watches everyone. He watches

99:00

the open mic nights. He gives people

99:01

advice. He gets them spots. He helps

99:03

them. He gets them on showcase nights.

99:06

He puts them on He gives them sets.

99:08

Gives them feedback. And then they get

99:09

to work all around town. There's five

99:12

other [ __ ] clubs on the same street.

99:14

Man,

99:14

>> it's crazy, dude. You can walk from your

99:18

place to sunset to the creek to

99:23

>> Vulcan,

99:24

>> Black Rabbit to Vulcan and then if you

99:28

don't mind walking 20 minutes, you can

99:29

be at Rosco's

99:32

>> East Austin. Like it's [ __ ] nuts,

99:34

man.

99:35

>> It's crazy. And then there's also Cap

99:37

City,

99:38

>> which is on the other side of town,

99:39

which is [ __ ] awesome.

99:41

>> It's amazing here.

99:42

>> Yeah. And you know, there's so many

99:45

young people that have moved here now.

99:46

And then the Kill Tony thing. The Kill

99:48

Tony thing is so huge because it's first

99:52

of all, you have one minute. You have no

99:55

room for virtue signaling. No room for

99:57

[ __ ] claptor. Shut the [ __ ] up. Just

100:01

where's the jokes? Come come with the

100:02

jokes. And then no one takes anybody. No

100:04

[snorts] one's taking themselves

100:05

seriously. Everybody's getting cracked

100:06

on. Everyone's cracking on everybody.

100:08

It's very fun. It's a fun environment.

100:11

And it's just emphasizing funny. What is

100:14

funny? What makes people laugh? Yeah.

100:15

And there's a bunch of different styles

100:17

that do it. You know, there's a bunch of

100:20

different weirdos that go up every week

100:22

and most of them have no chance.

100:25

>> But there's some gems. And that's the

100:27

thing about having like a true

100:29

meritocracy where all that matters is if

100:32

you're funny. That's it. Doesn't matter

100:34

what you look like. It doesn't matter

100:35

what your background is. There's I mean

100:37

Kill Tony is like one of the most

100:39

diverse lineups you're ever going to

100:40

see. For all the people that think that

100:42

Tony's a Nazi, it's kind of hilarious

100:44

because trans people, disabled people,

100:48

you know, uh people from all walks of

100:49

life, home, literal homeless people

100:51

who've gone on stage, started a career

100:54

because of Kill Tony. Literally homeless

100:56

while they're doing it, sleeping in a

100:58

car, and the next thing you know, they

101:00

have a career.

101:01

>> Yeah. Yeah. Uh it's it's an it's a truly

101:04

amazing thing. Um it's it's you know we

101:07

just did uh he just did MSG and I was

101:09

there and did the show and then and then

101:12

panled with Jimmy Carr and a tell and

101:14

>> you know how crazy that is that Kill

101:15

Tony sells out Madison Square Garden two

101:18

nights in a row.

101:20

>> Crazy.

101:20

>> When I first did it with him, we did it

101:23

in the [ __ ] the belly room at the

101:26

store and the only people in the

101:27

audience were like comics. There was

101:29

nobody in the audience. There was like

101:30

10 other people maybe.

101:32

>> Dude, I remember Excuse [clears throat]

101:34

me.

101:35

I was down here to do South. It was when

101:37

I still lived in New York. I was down

101:38

here to do South by Southwest

101:41

and Tony hit me up and he goes, "Buddy,

101:43

are you in town Monday?" I go, "Yeah."

101:45

He goes,

101:45

>> "Okay." He did his voice. Yeah. He goes,

101:47

"Buddy." He goes, [laughter] he goes,

101:49

"Come do Kill Tony, right?" I go,

101:51

"Okay." I had seen him in years, you

101:54

know. Uh, and the last I saw him, I did

101:58

it in the belly room, maybe the main

102:00

room. I don't, you know, whatever. But

102:01

it was at the comedy store. Dude, I

102:03

walked into the [ __ ] Vulcan because

102:05

it was before Mothership opened. I

102:06

walked into the Vulcan.

102:09

It was like [ __ ] Thunderdome, dude.

102:11

It was two levels people go like you

102:14

could feel the excitement,

102:17

dude. I walked in the green room. Tony

102:20

goes, "There he is." I go, "What the

102:24

[ __ ] is going on, dude? [laughter] What

102:26

is going on?" I go, "Is it like this

102:28

every week?" He goes, "It sells out in

102:30

one minute." I was like, [laughter]

102:32

"What?"

102:36

I go, "Did these people fly in?" He's

102:37

like, "Yeah." I was like, "Dude, it's

102:39

broken our ticket our ticket service

102:42

multiple times where it just the the the

102:45

overwhelming demand, the people that are

102:47

trying to get tickets versus the tickets

102:48

that are available is so crazy. It

102:50

crashes the system."

102:52

>> That's nuts.

102:52

>> We had to like revamp the system like

102:54

multiple times just to deal with the

102:56

kill Tony sales.

102:57

>> That's [ __ ] nuts. That's [laughter]

102:59

nuts. Well, it's just because it's so

103:01

good. It's that simple. And if you've

103:03

gone, you want to go again. It's so fun.

103:06

>> It's It's that moment. It was like in

103:09

Remember in Casino when Peshi goes out

103:12

to Vegas for the first time and Dairo

103:15

goes and this is whatever Sharon Stone's

103:17

character's name is. Uh, and then Peshy

103:20

looks at Sharon Stone, he goes, "Holy

103:22

[ __ ] Ace, what the [ __ ] you been doing

103:23

out here?" It was that it was like I saw

103:26

that crow that crowd was Sharon Stone.

103:27

Yeah. And Tony was Daener. go, "What the

103:30

[ __ ] you been doing out here, man?"

103:31

>> Well, the Vulcan really opened up our

103:33

eyes to the fact that we needed a club.

103:36

And what happened [clears throat] was no

103:38

one had done any standup at all for

103:40

months. And then Tony and I did uh the

103:44

Houston Improv,

103:45

>> which was great. It was a lot of fun. We

103:47

did a weekend. It was in the middle of

103:49

the COVID. It was in July and everyone

103:51

was scared. And I did it and it was a

103:53

lot of fun. I hadn't done standup in

103:55

months. It was so much fun. But then I

103:58

started thinking, what if I get CO and

104:00

then give it to one of my [ __ ] guests

104:01

and kill them?

104:02

>> This is back when people were really

104:04

worried that CO was gonna kill you.

104:05

>> Sure.

104:05

>> I was like, oh no. Because I have like

104:07

these people that come in, some of them

104:09

are older,

104:10

>> you know, and I had this lady on who was

104:11

a scientist and she was older and I was

104:13

like, what if I gave her CO and killed

104:15

her? Yeah.

104:15

>> Cuz that was back in the day. That was

104:17

also but people were really convinced

104:19

that you could be asymptomatic and still

104:21

spread it which turned out really what

104:24

was going on was there was a lot of

104:25

false positives for the PCR test 80 plus

104:28

percent false positives

104:30

>> right

104:30

>> and so

104:32

>> I said let me just take time off I don't

104:34

want to do that I don't I this just

104:36

feels totally irresponsible just because

104:38

I would want to get my comedy fix let me

104:40

just ride this out and then we wound up

104:42

moving to Texas and uh by the time we

104:45

moved to Texas It was around November

104:49

and uh Dave and I were doing these

104:52

outdoor shows.

104:53

>> I remember at Stubs, right?

104:54

>> Yeah. We were doing shows at Stubs which

104:56

was a lot of fun. But everybody had to

104:57

be tested. People had to wait in line,

105:00

you know. It was like it was a big deal

105:02

and a few people tested positive. We had

105:04

to kick them out,

105:05

>> right?

105:06

>> Um then

105:08

the Vulcan just started doing shows.

105:09

[ __ ] your tests. Let's just go back to

105:12

way it was. And this is in November. And

105:14

Ron White went up and he hadn't gone up

105:16

in like eight months. He hadn't done any

105:18

stand up in eight months. And he went on

105:20

stage and the audience went [ __ ]

105:22

berserk. They went berserk. Like people

105:24

were standing up. Yeah. And he murdered.

105:29

I mean Ron White just laid it down for

105:32

15 minutes. I'm sure. And then he grabs

105:34

me by the shoulders officers. He goes,

105:35

"Whatever the [ __ ] we have to do, we're

105:37

going to keep doing this." He goes, "You

105:39

got to open up that club." And I was

105:41

like, "All right, okay. We're going to

105:42

open up a club." And that was when I

105:43

decided I'm like that's it. We're going

105:45

to open up a club. And then I

105:46

immediately started looking at real

105:47

estate. Immediately tried to find a

105:49

place.

105:50

>> Wow. I didn't know that. I didn't know

105:51

that that's how the whole

105:52

>> that was it. Ron White grabbing me. Cuz

105:54

Ron White is why I moved here in the

105:56

first place. So I knew Ron moved here in

106:00

2018. Um and you know me and Ron were

106:03

talking on the phone. He was like, "I

106:04

[ __ ] love it here." And you know,

106:06

he's telling me how great Austin was.

106:07

And everything else was locked down. I

106:09

was like, "Look, if I move to Austin, if

106:11

no one's doing standup again ever, at

106:13

least I can hang out with Ron. Like, at

106:15

least it'll be a comic that I can hang

106:17

out with and and live in a place where

106:19

it's like more relaxed and it's easier

106:21

to get around." And

106:22

>> sure,

106:22

>> you don't have to wear a mask

106:23

everywhere. It was like it was at least

106:25

it was more chill here.

106:26

>> Yeah.

106:26

>> Even if we never do standup again. And

106:28

so him doing that and just grabbing me

106:31

and saying, "We're gonna we got to

106:32

[ __ ] do this whatever the [ __ ] we

106:34

have to do." That's what he said. like

106:36

he was just on fire coming off stage

106:38

just on fire and just grabbed my

106:40

shoulders and I was like okay we're

106:42

doing it.

106:43

>> That's [ __ ] great.

106:44

>> And that's when I just because I was

106:45

always we were talking about it like we

106:47

should open up a club where and I looked

106:49

at a bunch of different places but they

106:50

kind of sucked and they were trying to

106:52

[ __ ] me. They were asking way too much

106:53

money for these places. Like during the

106:55

in the beginning stages of the pandemic

106:57

when everyone was moving here from

106:58

California, everyone got crazy with real

107:00

estate. They got really nutty.

107:01

>> Oh, it was it was bat [ __ ]

107:03

>> They got really delusional. The prices

107:05

went up like a 100% in a lot of places.

107:08

>> Yeah, I'm going through it now because I

107:09

bought a condo here and I'm trying to

107:11

sell the condo and buy a house

107:13

>> and it's very tricky now because the

107:17

market has shifted so much and values

107:19

are

107:19

>> there's way too many condos for sale.

107:21

>> Way too many. I'm worried that I'm going

107:23

to end up buying this house, not be able

107:25

to get rid of this goddamn condo.

107:26

>> You're going to have to keep the condo.

107:28

[sighs and gasps]

107:29

>> I don't have any need for it. I'm like,

107:30

I don't know what I would do with it,

107:32

you know, but [clears throat] I also

107:32

don't want to live in this condo anymore

107:34

because originally

107:35

>> That's where you take sketchy women.

107:37

[laughter]

107:38

>> Wow.

107:39

>> Women that think they're going to rob

107:40

that you think might rob you cuz I know

107:41

you you date a lot of sketchy gals.

107:44

[laughter]

107:46

>> Take them to the condo. Have a house

107:48

where it's like calm and peaceful, a

107:50

little bit off the track.

107:52

>> Get a little yard, you know, get some

107:53

peace and quiet

107:54

>> and take it to our the condo. She goes,

107:56

"Why is there only an air mattress in

107:58

here? How come you only have four pairs

107:59

of underwear? [laughter]

108:04

>> Yeah, it's not a bad It's not a bad

108:07

point you make. I've had a few people in

108:08

my condo where I'm like, you don't want

108:09

them coming.

108:10

>> I don't know if this was a mistake. Give

108:12

this address away.

108:13

>> Once you got people showing up at your

108:14

house, you're like, "Oh, no.

108:16

>> It's um it's Oh, wait. Um Oh, wait. You

108:20

were just

108:21

you you're talking about starting the

108:23

club." Oh. Oh. What's so weird um is

108:27

it's it's a it's an odd like kind of

108:28

full circle moment, but when I lived

108:30

here in 2000,

108:33

your club was the original Alamo.

108:35

>> Yeah.

108:36

>> And the Alamo Draft House at that time

108:39

was the only movie theater ever in the

108:42

country that served food and alcohol

108:46

during a movie. And I remember that

108:49

being a place that I went to frequently

108:51

because I thought it was so amazing that

108:53

you could get food during a movie. And

108:56

the kinds of movies they played, I

108:58

loved. And then on top of it, I was I

109:02

always saw that as the reason that I

109:05

loved Austin. It was sort of just a it

109:07

was just sort of a a a symbol of why I

109:09

loved Austin, the concept of it all. And

109:11

it's so weird now that I've moved back

109:14

after all these years that that's where

109:16

the mothership is. And now that's my

109:19

symbol for living in Austin and and

109:21

being a part of this club and and and

109:23

that club begetting all these other

109:25

places that we get to perform in this

109:27

scene and all that stuff. It's a very

109:29

weird like kind of full circle thing. I

109:30

didn't realize until right now as we

109:32

were talking about

109:32

>> we need to have a birthday party for the

109:35

building. The building turns 100 next

109:37

year.

109:38

>> Oh yeah.

109:39

>> Yeah. We have to have a birthday party

109:40

for the building.

109:41

>> Yeah. Yeah. You absolutely should.

109:44

>> Yeah.

109:44

>> Yeah.

109:44

>> We should do something. Lot of history

109:46

in that building. Lot of cool [ __ ]

109:49

>> You could feel it.

109:50

>> I felt it when when you never got to be

109:52

here when it was bare bones. But when it

109:54

was bare bones, when it was just the

109:56

movie theater before we did all the

109:58

renovations and raised the ceiling or

110:01

lowered the ceiling and raised the floor

110:02

and changed it and made the tunnel and

110:04

all the the the structure that we put in

110:06

place when we first got in there, like

110:08

you could feel it. You feel it like

110:10

baked into the walls. I mean, Stevie

110:12

Rayvon performed there. What was it

110:15

before the Alamo?

110:16

>> It was a bunch of different things. So,

110:18

at one point in time, it was like a a a

110:20

punk rock club.

110:22

>> Wow.

110:22

>> So, like uh Black Flag performed there.

110:25

Like, who's this?

110:26

>> Chili Peppers in '86.

110:27

>> Chili Peppers 86. [clears throat]

110:29

>> So, so that's why all of those um uh

110:32

punk flyers are in the green room.

110:34

>> The green room is all uh flyers from

110:37

people that performed at the club.

110:39

They're shows.

110:40

>> I didn't know that. Yeah,

110:41

>> I thought it was just a cool like decor

110:43

thing. I was like,

110:45

>> well, it's that too, but it's also look

110:46

at he's got the sock over his [ __ ]

110:49

>> Rob Butthole right in our stage.

110:51

>> Yeah, there you go.

110:51

>> Um, yeah. Uh, all those things on the

110:55

wall. All those different people.

110:56

>> Wow.

110:57

>> Willie Nelson, all those different

110:58

people performed there. That was their

111:00

their flyer for the show that they did

111:02

when they were at the club.

111:03

>> There's so many bands on that wall where

111:05

I'm like,

111:06

>> I love that band. I love that.

111:08

>> But hole surfers. There's Yeah, it's

111:10

tons. So, it was a punk rock band. It

111:12

was a punk rock club. It was a rock and

111:14

roll club. It was a pool hall for a

111:15

while.

111:16

>> Uh, it was a nudie movie theater.

111:21

>> Yeah.

111:21

>> Amazing.

111:22

>> Yeah. And then obviously it became the

111:24

Alamo. And then the Alamo went under I

111:27

think before the pandemic it went under

111:29

and and then it was available,

111:32

you know, like a year and I looked at it

111:34

and I was like, it's like too much work.

111:38

And and and then um that was from what

111:40

year?

111:41

>> 74.

111:42

>> 74. Wow.

111:43

>> So that's Fat Man.

111:44

>> Yep. That's what it used to look like.

111:47

>> [ __ ] man. I mean, it looks different

111:49

obviously, but it doesn't look that diff

111:51

like you.

111:52

>> It looks a lot more narrow.

111:54

>> Yeah.

111:55

>> What I don't understand like what what

111:57

happened?

111:59

>> I wonder if it was two rooms back then.

112:03

>> I don't know.

112:04

>> It looks different. It looks very

112:05

different in terms of the like that

112:07

looks more like it,

112:08

>> right?

112:09

>> Not the same one.

112:10

>> Oh, yeah. Um, yeah, the middle one looks

112:14

like it.

112:16

>> There's also multiple ditzes as I was,

112:18

>> but the middle one looks more like it.

112:20

Go back to that again. Yeah, that looks

112:22

more like the dimensions.

112:25

>> [ __ ] man.

112:27

We fit 250 people in the the big room,

112:31

but I think we could fit a lot more if

112:33

we have seating like the Comedy Works in

112:35

Denver, which I think is the best seat.

112:37

That's what it looked like when we first

112:38

got there. When we first got there, it

112:40

looked like that. And we walked in and

112:42

we were like, "Holy shit."

112:44

>> The stage was really high, obviously,

112:46

because it was like movie theater.

112:47

>> Sure.

112:48

>> And the seating was uh at an angle, a

112:51

very sharp angle, like a movie theater.

112:53

And so we had to raise the the floor up

112:58

um so it was flat in the center and

113:00

there just a slight raise in the back.

113:02

And then we kept those two balconies. Go

113:04

back up to that picture right there.

113:06

Those two balconies that we have

113:07

obviously we have the green room balcony

113:09

and then the VIP balcony which is such a

113:11

dope thing to have.

113:12

>> Yeah.

113:13

>> Because it's always always friends that

113:15

come by that want to want to come by and

113:17

see the show. And you you always have 40

113:19

seats, you know, you could always get 40

113:21

people up there. So there's always

113:23

>> those balconies fit 40 people total.

113:25

Holy [ __ ] That's crazy.

113:27

>> We always can stuff plenty of people

113:28

back back up in there.

113:30

>> That's [ __ ] Wow. I had no idea the

113:33

building was as old as you just said it

113:34

was. And I had no idea all that other

113:36

[ __ ] was

113:37

>> 1927.

113:38

>> Is this still the main room or is this

113:40

little boy Kansas City? So

113:42

>> okay. Sorry.

113:43

>> Similar looking. But you know we we

113:46

tried to figure out how to do it. Do we

113:48

do it just like like initially we

113:50

thought well maybe we should do it just

113:52

like this like have seating like movie

113:54

theater seating and then we're like no

113:57

>> we should probably like raise the floor

114:00

up and make it flat in the front. It

114:01

would make more sense you know

114:03

>> and then we had to figure out like what

114:06

to do with the stage. And then Louiesie

114:08

gave me some really good advice. We were

114:10

going to keep the ceiling the way it was

114:12

and Louis was like how can you lower it?

114:14

And I was like, I think we can lower it

114:16

like and still get some view out of the

114:18

balcony. So, we had to figure out how to

114:19

lower the ceiling just enough. So, and

114:21

it made a difference. And then he said,

114:23

lower the ceiling in the little boy,

114:24

too. And we did that. And then we also

114:27

made the stage smaller in the little

114:29

boy. This is all Louis advice. And he

114:30

was dead on. I was like, tell me what

114:32

you think. I I left listened to

114:34

everybody. Everybody had got a say in

114:36

what to do, you know, what to have. Like

114:39

Brian Simpson, it was his idea to have

114:41

the the lights in the green room. the

114:44

light that shows you. Someone's got the

114:45

light in the big room. Someone's got a

114:47

light the light in the little room. And

114:49

then I think it was Tony's idea to put

114:51

the timers. One or the other. Maybe it

114:53

was Tony for the lights, Brian for the

114:54

timer. I forget. But everybody had a

114:56

little piece of the like I think it was

114:58

uh Brian's idea to have monitors. It's

115:00

like everybody got a say in how it's

115:02

done. That's what it looked like when

115:04

you when we first walked in. Now, what

115:06

does it look like now? I never go in

115:08

through the front.

115:08

>> It It looks [laughter]

115:10

sh I'm dropping from the ceiling. And

115:12

>> I know. Go to Go to what it looks like

115:14

now. See if

115:15

>> you can find an image of the mother

115:16

ship.

115:16

>> Similar enough, it's been redone

115:18

obviously, but it looks similar enough

115:19

that you can see

115:20

>> Oh, yeah. You see the bones?

115:21

>> Yeah. Yeah.

115:22

>> I mean, it's essentially it was set up

115:23

perfectly for two um rooms.

115:28

>> That's pretty much it.

115:29

>> There's no pictures of the the UFO.

115:33

>> That's kind of crazy. So, we have a big

115:34

UFO as you walk in. Yeah, there it is.

115:37

>> That's the UFO. And it has a a

115:39

projector. So the UFO is a projector and

115:41

up on the screen it projects all the

115:43

people that are coming soon.

115:45

>> That's

115:46

>> it's been amazing. We've we've been open

115:48

for three years now and it's uh been the

115:52

most fun thing that I've ever been a

115:54

part of.

115:54

>> It's hilarious, dude. I've walked under

115:56

that projector a thousand times and I

115:58

never or realized or the UFO I mean and

116:00

I never realized it was projecting [ __ ]

116:02

on.

116:02

>> Yeah, [laughter] it's a projector.

116:04

>> That's so funny.

116:04

>> Yo, we just wanted to wanted to make it

116:06

cool. What? And it's also I think it's a

116:08

fire extinguisher. I think the center of

116:10

it is a fire I think we had to have one.

116:12

So we put it in the center of the UFO

116:14

[laughter]

116:15

>> that same that same time I was talking

116:17

about during South by Southwest and um

116:19

and when when [clears throat] I did Kill

116:20

Tony the it was me and Adam Ray were on

116:23

panel and and the next day Eric invited

116:26

us over to see the club and it wasn't

116:28

done yet you know but he walked us in. I

116:31

remember him walking me through Little

116:33

Boy

116:33

>> and being like we're going to do this.

116:36

We're going to do this. whatever it is.

116:38

>> And I remember he goes, "You going to

116:39

play here?" And I go, "I [ __ ] hope

116:42

so. [laughter]

116:44

>> I hope so." Um, but yeah, it was it was

116:46

wild seeing it like, you know, in the

116:49

construction phase and and and whatever

116:51

and then seeing the final product and

116:53

remembering like, "Oh, I remember he

116:54

told me they were going to change that."

116:56

>> It's been really fun.

116:57

>> Yeah.

116:58

>> Yeah.

116:58

>> Yeah. I mean, and you know, it's

117:01

[sighs and gasps] it's, you know, it's

117:02

it's I think few people are in a

117:04

position to have created a club that can

117:07

operate the way a club ideally should

117:09

operate. And you're one of those people

117:11

and you made it work, which is

117:13

>> Well, you have to do it not to make

117:14

money.

117:15

>> You have to like my goal in the

117:17

beginning was just break even. That was

117:19

the goal. Like, let's just break even.

117:20

So, the idea is that everybody gets paid

117:23

what they're supposed to get paid,

117:25

particularly the comics get. That's what

117:27

everybody's here to see. They're not

117:29

>> there to buy drinks in an empty room.

117:31

They're there to see the comics. So, the

117:33

comics should get the most money.

117:34

>> And that's, you know, what I used to

117:36

always think when I'd go to other clubs.

117:38

I'd be like, "This is crazy." Like, but

117:40

I would always tell comedians, be nice

117:41

to club owners because you don't want to

117:43

be one.

117:43

>> Like, you don't you don't want to be

117:45

>> right

117:46

>> the guy that has to run these [ __ ]

117:48

places and deal with these maniacs that

117:50

come in and especially some of the

117:52

nuttier ones on the road,

117:54

>> you know? Like, can you imagine if you

117:55

had to run the funny bone in Columbus,

117:56

Ohio? [ __ ] [laughter] [ __ ]

117:59

>> [ __ ] animals that show up and miss

118:01

their flights and they're [ __ ] they

118:04

do ecstasy the night before. They can't

118:06

read. [laughter]

118:07

>> Yeah. Yeah. It's 8:30. The headliner's

118:10

not there yet. Like, what the

118:11

[clears throat]

118:11

>> He's trying to score coke.

118:13

>> Yeah. It's it's I I I always I always

118:18

said that too. I was like I was like I

118:19

would never want to be in a position

118:22

where I have to deal with comics from

118:24

that side of it.

118:26

>> Especially comics coming up. There's

118:28

like most established comedians

118:31

>> once you've been doing it a long time,

118:32

you you have a career. You're you're

118:34

like you're reliable, you know?

118:37

>> You know what I'm saying? Like if if you

118:39

book,

118:40

>> you know, fill in the blank.

118:42

>> Yeah. you know, whoever it is, this like

118:45

national headliner, they're going to

118:46

show up. Yeah. you know.

118:48

>> Well, also too, like the the profile and

118:52

and correct me if I'm wrong, but the

118:54

profile that you were able to bring to

118:56

the club probably helped you circumvent

119:00

some of the horseshit that club owners

119:03

in Idaho have to deal with with agents

119:06

and all that [ __ ] where it's like, "Hey

119:08

man, sorry there's an improv there, so

119:11

we can't take our guy out of the improv

119:13

or what?" And now you're f there's a

119:14

whole other battle now that you have to

119:16

do. Well, there's that. If you pay

119:18

people more, they'll go to your place.

119:20

>> I [laughter] found out that's what they

119:21

have found out

119:22

>> and it pisses off the other clubs. But

119:24

look, that's not my fault. Like, I This

119:27

is I am a comedian. I I made a living

119:30

doing this for a long time. And I know

119:32

the value of the comedian. I know the

119:35

value of the comic. The comic should be

119:36

getting most of the money.

119:37

>> Yeah.

119:38

>> You know, I don't deserve most of the

119:39

money. We can make money. We're going to

119:41

make money on 20% of the ticket sales

119:43

and the liquor and all that jazz. we'll

119:46

make plenty of money, right?

119:47

>> Like, let's not be greedy. Let's just

119:48

make an awesome environment, right?

119:50

>> And that's what we wanted to do. So, the

119:52

goal was never to make money. So, most

119:54

people when they start a business, their

119:55

goal is to try to make money.

119:56

>> Yeah.

119:56

>> And this was a conscious decision to

119:59

just not lose money. Yeah.

120:01

>> Just make it cool.

120:02

>> It's it's again you you're Yeah. You you

120:04

were you were in a in a very uh um uh

120:08

advantageous uh position to to make it

120:10

the right way. It was also like I kind

120:13

of had to do it that way because I had

120:15

the resources and it was like look

120:17

you're supposed to do the right thing.

120:18

This is this is this is the thing you

120:19

should do. What would you like someone

120:21

in with that is your kind of money to

120:23

do. I would like someone to make an

120:25

awesome club for comics.

120:27

>> Like you're you're a comic. You know how

120:29

important it is. Make make the [ __ ]

120:31

the best creative environment welcoming

120:34

everybody. Pump everybody up.

120:36

>> Yeah.

120:37

>> That's what you should do. Dude, it's

120:38

it's it's funny because I always say if

120:42

you're if and and you did this as a

120:44

comic, right? I always say with a with a

120:46

movie star, right? Somebody who's got,

120:50

you know, real movie star bank.

120:53

I'm just like, man, why the [ __ ] don't

120:57

more of these guys that have endless

120:59

cash start creating film situations that

121:04

they want to be a part of? Not I don't

121:06

mean like we're gonna do the next

121:07

Blockbuster thing or or we've got a

121:09

franchise or whatever. It's like

121:12

>> why don't you take 10 million bucks and

121:16

make the [ __ ] art [ __ ] movie with

121:19

all of your friends that you always

121:21

wanted to make

121:22

>> because who cares? You will break even.

121:26

You will break even at at the at the

121:28

very least. I never ever ever understood

121:32

why more people in that position don't

121:35

do it. I don't get it because rock stars

121:36

do it all the time. Rockstars start a

121:38

little label

121:39

>> and they start putting on other bands

121:40

that they love and they do passion

121:42

projects to because they want to work

121:44

with their friends.

121:45

>> I've never maybe not never, but it's

121:48

very rare that you ever see a movie star

121:50

do that. And I'm like, why not do it?

121:52

For for years,

121:54

American Psycho was the big one, the

121:56

Brett Sellis novel. Why haven't they

121:59

made a accurate adaptation? Well, the

122:01

studios don't want to touch it because

122:02

it's too violent, too. This is It's like

122:05

>> somebody with $500 million who's a movie

122:09

star. [ __ ] go. I'm going to do it and

122:11

I'm going to do it the way it's supposed

122:13

to be done and it's going to work

122:14

because that's what people want to see.

122:17

And [ __ ] it, man. Like, I just I don't

122:19

get it.

122:19

>> Do you think that the uh Christian Bale

122:22

version was not accurate? I like the

122:24

Christian Bell version a lot, but it is

122:26

not the book. I mean, the book is

122:28

[ __ ] dark. It's brutal.

122:31

>> Yeah,

122:32

>> there's [ __ ] in that book. I was I was

122:35

reading that book and I was like, Brett

122:37

Stadellis has murdered somebody.

122:39

[laughter]

122:41

>> There are details in here where I was

122:42

like, I don't understand how you would

122:44

know this. Like there's one of the

122:47

darkest scenes in that book is when um

122:50

he goes to get rid of the body and the

122:52

real estate guy sees him

122:54

>> in in the room cuz they're selling the

122:56

apartment and so he realizes the real

122:58

estate guy's already gotten rid of the

122:59

body. Yeah.

123:00

>> And they look at each other and he just

123:01

leaves. Yeah.

123:02

>> And you're like, "Oh god."

123:04

>> Yeah. And there was there, by the way, I

123:06

was just joking about Sonel. I don't

123:08

think he's murdered somebody. I feel

123:10

like we have to say that for

123:11

>> It's very important to clarify.

123:13

>> Yeah. Yeah. I was just joking.

123:14

>> Just humor. Um, but but the thing the

123:17

book did, and they cut a they cut a

123:19

major scene out of the movie, it's the

123:21

one extra scene on the on the Blu-ray,

123:25

and I don't understand why they deleted

123:26

it, but there's a scene in the movie

123:28

where his friend says, they're at the

123:30

club at the beginning, and his friend

123:32

goes, "I'm out of here." And the guy

123:35

climbs up like these like rafters or

123:38

whatever and crawls into like a fan vent

123:41

in the club and you never see him ever

123:43

again. And that's the part in the book

123:46

that makes you go, is this all in this

123:48

[ __ ] guy's head? What he just

123:50

described happening is nuts.

123:53

>> And this guy is now gone and nobody

123:55

knows where he is. And I'm and I'm like,

123:57

is it that's such a key scene and they

124:00

cut it out of the movie and so whatever.

124:02

They're remaking it now again. And oh,

124:04

they are.

124:04

>> Yeah.

124:05

>> Who's going to be uh American Psycho?

124:07

>> I I think maybe Adam Driver is connected

124:10

to it. I think

124:12

>> maybe he'd be good at that.

124:13

>> Um

124:14

>> he's got a lot of psycho behind his

124:16

eyes.

124:16

>> But The Shards is the new Betty

124:18

Stanellis adaptation on on Fox.

124:20

>> What is it? It's his last novel and it's

124:24

a it's uh it's a it's a fictional

124:27

autobiography where he the main

124:29

character is him as a teenager and

124:31

there's a serial killer loose and all

124:35

these murderers are happening. They're

124:37

targeting teenagers, these brutal

124:39

[ __ ] murders. And there's a cult

124:43

happening that's reminiscent of the

124:44

Manson cult. And then he's also coming

124:47

of age and realizing he's gay and like

124:50

as he's trying to deal with the fact

124:52

that this murder thing is happening and

124:54

he thinks he knows who it is and

124:56

>> it's a wild story but they're and he's

124:59

he co-created it with Ryan Murphy the TV

125:01

show the adaptation. It's really [ __ ]

125:03

good so far. Really good.

125:05

>> So it's a period piece.

125:07

>> Yeah. It takes place in like 83 or 84.

125:09

>> You know how I could tell? The Ferrari.

125:11

>> Yeah.

125:12

>> Old Ferrari.

125:15

Oh wow.

125:18

But it's one of the adaptations where I

125:20

was like, I feel like they're really

125:21

capturing a lot of what's actually in

125:23

the book because Less Than Zero was a

125:25

cool movie, but it's not the book. Rules

125:27

of Attraction is a great movie, and

125:29

that's he said that was the closest

125:31

thing he that anybody had gotten to.

125:34

>> The books are it's one of his books.

125:35

American Psycho would be very hard to

125:37

capture the darkness of it because you

125:39

also you're capturing this guy's

125:41

internal dialogue.

125:42

>> Mhm.

125:43

>> You know, which is some of it. Yeah,

125:45

>> it's dark. So, what would you do? Would

125:46

you have a guy narrate the internal

125:48

dialogue? You're missing something.

125:50

>> Well, they did that with Bale. He he

125:52

narrates the entire thing.

125:53

>> I know, but you're missing something

125:54

there.

125:54

>> It's very funny. you you because I I

125:58

think instead of hearing it

126:01

>> when you're reading the internal

126:02

dialogue, you you you understand that

126:05

there's no you don't hear the voices,

126:07

>> right?

126:07

>> You know what I mean? Like this guy's

126:09

got some [ __ ] creepy [ __ ] going on in

126:11

his head. I mean, he he's a [ __ ]

126:14

sociopath [laughter]

126:15

psychopathic murderer.

126:16

>> Yeah.

126:17

>> It's like you get into his head in this

126:19

way that I don't think you ever do in a

126:21

movie. like you're in his head when

126:24

you're reading it because you're

126:25

imagining it all happening in his head.

126:27

You're imagining how he's viewing like

126:29

the real estate scene like he's locking

126:32

eyes this real estate guy. There's this

126:33

a creepiness to it that it's like

126:36

>> he plays the best scene acting wise in

126:40

my opinion in in that movie is when when

126:43

they're comparing uh the business cards

126:46

>> and they're like they're like one uping

126:48

each other. Look at mine man. It's bone

126:49

white and whatever. And Christian Bale

126:52

starts sweating and he gets like horse

126:55

and he's like, "It's nice. It's nice."

126:59

Because it's this [ __ ] pissing

127:00

contest where has the best business card

127:02

>> and he's so upset that he doesn't have

127:03

the best business card. Yeah.

127:05

>> That he wants to kill that guy.

127:06

>> Yeah. [laughter] Yeah. Yeah. Yeah.

127:09

Exactly. Exactly.

127:11

>> I'm I'm listening to this podcast about

127:13

Luigi, the the guy who murdered the

127:16

healthcare executive.

127:17

>> It's a very very interesting uh podcast.

127:20

Um, you know, it details how they caught

127:22

him, the whole deal. But one of the

127:24

things they brought up was one of the

127:25

first things they thought of after that

127:27

guy got assassinated was it was probably

127:29

somebody he worked with.

127:32

>> Really?

127:32

>> Yeah. They they had to find out whether

127:35

or not someone had some sort of a

127:36

grudge, someone got recently fired.

127:39

>> When you know, because when people get

127:41

murdered like that, you oftenimes think

127:43

it could be a coworker.

127:45

>> I I have a or a former coworker. I have

127:48

a question for you about Luigi. I'm glad

127:50

you brought it up. I'm so sorry. I have

127:52

to pee really bad. Uh, why don't

127:53

>> you go pee really bad?

127:54

>> I'm gonna pee really fast. I'll be back.

127:56

Question. Question about Luigi.

127:58

[laughter]

127:59

>> It'll My [ __ ] manager does it. It's

128:01

Everybody does it. It's really [ __ ]

128:02

annoying.

128:03

>> Sorry, Joe. Is it more annoying than

128:05

boiling your own coffee?

128:07

>> No. Not No. Nothing's more annoying than

128:08

that. The [snorts] um

128:10

>> turning on the stove, filling the pot.

128:15

When does it end? [laughter] When does

128:17

it end? What were we Luigi?

128:20

>> Luigi. Yeah,

128:21

>> this is what I wanted to ask you because

128:22

there were

128:23

>> Jamie has a theory.

128:24

>> I'm not.

128:25

>> Well, there were all the

128:26

>> Okay, not publicly.

128:27

>> There were all the people, [laughter]

128:30

you know, that Luigi sparked that whole

128:32

debate about justified violence or

128:34

whatever, which I thought was [ __ ]

128:36

Um,

128:38

but everybody that was rahrhing Luigi

128:40

going, he's a hero and how many people

128:43

is this healthc care guy killed and all

128:44

that [ __ ] I wonder now what

128:46

everybody's saying about the fact that

128:48

Luigi is doing the insanity plea and

128:50

it's like well he didn't really stick to

128:52

his [ __ ] I mean if that's was his

128:54

thing and he was going to be the big

128:55

crusader for him

128:56

>> he's just playing the legal system. I

128:59

mean that's the smart move. Play the

129:01

insanity.

129:02

>> Well it's the smart move if you're not

129:05

>> also might be accurate

129:06

>> but also is it the smart move if you're

129:08

trying to I know it's the smart move.

129:10

I'm saying if you're going to go out

129:11

there and go, I did this because it was

129:13

justice and whatever and then go, "Oh,

129:15

wait, actually, actually, I was a little

129:16

crazy."

129:17

>> Well, here's but here's the point. If

129:18

you did shoot a man who had nothing to

129:22

do with you because you thought it was

129:24

justice cuz he was a healthcare

129:25

executive. I don't know how he picked

129:27

that guy. I don't know the details of

129:28

what that guy has done.

129:30

>> Was he particularly bad the guy he

129:33

killed?

129:33

>> I think he was a CEO. No, he was he was

129:36

it was it was definitely targeted that

129:38

this man is this man is responsible for

129:40

decisions made that

129:41

>> was he the CEO Jamie

129:45

>> of United Healthcare. Is that what he

129:47

was?

129:47

>> So um if you think that you should go

129:51

murder somebody

129:53

like that that you you're probably

129:55

mentally ill if you think that that that

129:57

kind of violence is justified. The

130:00

problem that a lot of young people are

130:01

having right now and a lot of people

130:03

that agree with, you know, what

130:05

[clears throat] Luigi did and they

130:06

celebrated it is because everyone knows

130:10

that the system is rigged and no one is

130:12

doing anything to change it.

130:15

>> And this is what drives people [ __ ]

130:16

crazy. If you get health insurance and

130:19

their whole business model is to deny as

130:23

many claims as possible, even if they

130:25

know that your claims are justified,

130:27

because they want to make money. So

130:29

they're really in the making money

130:31

business and they're pretending they're

130:33

in the we're going to take care of you

130:35

and give you insurance business. So

130:37

they're not really in that business.

130:39

They're in the business of making the

130:40

most amount of money. If they can [ __ ]

130:42

10% of the people over or 20% of the

130:45

people over, that's 20% more money. And

130:47

that's how they look at it. And that

130:49

drives everyone nuts and rightly so. And

130:52

if they don't [ __ ] correct that,

130:54

>> people don't have a whole lot of options

130:58

>> as to how to lash out and how to get

131:01

back. And especially if like

131:03

>> let's say it's your wife. Let's say your

131:05

wife gets injured or or gets a disease

131:08

or something and they can treat her and

131:10

they deny the claim or maybe she needs a

131:12

surgery, some crazy surgery, and they

131:14

deny the claim and it bankrupts you and

131:16

and she dies.

131:18

You want to murder somebody and and it

131:20

makes sense because you're paying for

131:22

this [ __ ] insurance all this time

131:24

thinking that you're insured if

131:25

something goes wrong. It's the whole

131:26

reason why you give them money. You

131:27

don't give them money for freebies. It's

131:29

not it's not for no reason. It's not cuz

131:31

you you like them. You want United

131:33

Healthcare to have a yacht.

131:34

>> No, you you give them the money because

131:36

it's supposed to be an agreement.

131:38

>> I agree with that completely. I have no

131:40

beef with the concept behind

131:43

his his motivations for hatred of of a

131:46

healthc care CEO. I have no problem with

131:48

that. My question is, is it

131:52

is it does it take away from does it

131:56

take away from the people that were

131:57

rahrhing him for him to now go, "Oh,

132:00

that was just crazy. Sorry."

132:01

>> No, I don't think it does.

132:02

>> Do you know what I mean?

132:03

>> I don't think it does. No, he's trying

132:04

to not go to jail. And a lot of those

132:05

people think he shouldn't go to jail.

132:07

>> That's interesting.

132:08

>> I think he should go to jail. I don't

132:09

think you should be able to be walking

132:11

up to people on the [ __ ] street and

132:12

murdering them, right? But I can

132:14

understand where your anger comes from.

132:16

I get it. I really do.

132:18

>> And and there's a there's a thing

132:21

>> about capitalism, right? There's a thing

132:24

about corporations in particular that

132:26

are you're you're beholden to your

132:29

shareholders. You have to make more

132:32

money every quarter. That alone, that

132:34

motivation alone motivates sociopathic

132:38

behavior. The people that are going to

132:40

be the most successful are the ones who

132:42

are going to be the most ruthless and

132:44

they're going to squeeze the most money

132:45

possible without without crushing the

132:48

company's reputation. And that's their

132:50

goal. And in the health care market, the

132:52

problem is like what are your options?

132:55

There's no one amazing option where they

132:57

always take care of everybody and

132:59

they're real. It's ethical capitalism.

133:01

They're just trying to look, we make

133:03

plenty of money giving people real

133:05

insurance and really taking care of them

133:07

and really paying for and so let's make

133:09

less money, but let's make everybody

133:10

healthier. Nobody does that.

133:12

>> No, no. So your options if you have to

133:14

get insurance are very limited. You're

133:16

just giving money to psychos. So which

133:19

psycho gets my money? Which psycho that

133:21

doesn't give a [ __ ] about me or my

133:23

family or anybody I love if they get

133:25

hurt or or sick? every year. Every year

133:29

that I don't do a writing gig on a TV

133:33

show, which is not every year. I don't

133:36

do it frequently. I do it sometimes,

133:38

but every year I don't do a writing gig

133:40

on a TV show or I don't act enough to

133:44

clear SAG insurance. I have to make a

133:47

decision. Is this worth $600 a month for

133:51

[ __ ] health insurance? Is it? I don't

133:52

know. I don't know that it is.

133:54

Especially now with

133:55

>> just imagine how angry you would be if

133:57

you paid all that money and then you

133:58

broke your ankle or something like that

133:59

and they denied you.

134:01

>> Yeah.

134:01

>> You're like, "What?"

134:02

>> Yeah.

134:03

>> And this is why people cheer about this

134:07

Luigi guy. There are a ton of stories of

134:11

people who had treatable illnesses and

134:13

they were denied coverage. They had

134:15

surgeries that could have been done to

134:17

save them. They were denied coverage.

134:19

There's a ton of stories like that.

134:21

>> It's a dirty [ __ ] game. It's a dirty

134:23

game and it's not it's not the game

134:25

they're pretending it is. They're

134:26

pretending the game is we're going to

134:28

help care take care of you. You're going

134:30

to have a safety net. So, you pay a

134:31

little bit of money and hopefully

134:32

nothing happens. You never need us. And

134:35

that's our gamble.

134:36

>> Our gamble is if you do need us, you're

134:40

going to get more value out of it than

134:41

you put into it.

134:42

>> Yeah.

134:42

>> And they don't want that.

134:43

>> Health insurance has become like the uh

134:46

the protection plan at Best Buy when you

134:48

buy a TV. You want the two-year

134:51

protection plan in case any No, I don't

134:53

[ __ ] No, cuz No, I'm

134:55

>> Well, some places have a good protection

134:56

plan, though. They just give you a new

134:58

TV. Healthcare is not even that. It's

135:01

not even that. [laughter]

135:03

>> It's worse. It's worse than Best Buy.

135:06

>> I don't know why that made me laugh. You

135:07

just went, "Well, some places have a

135:09

good protection plan."

135:10

>> They do. [laughter]

135:11

Some places you just bring them the

135:12

computer, they give you a brand new one.

135:14

This thing sucks. It broke. Yeah.

135:15

>> They go, "Okay, hold on.

135:17

>> File out this fill out this form. We'll

135:19

go get you get another one.

135:20

>> Every time I've tried to utilize it, I

135:22

bring it in, they go, "Oh, well,

135:24

actually

135:25

>> Oh, really?

135:25

>> Yeah. This doesn't Yeah, the screens

135:27

crack. That's not really part of it. You

135:29

probably broke it. What the [ __ ]

135:30

>> You probably did something stupid.

135:32

>> They make it. It's probably your fault.

135:33

>> They make it I probably threw it across

135:35

the room in a fit of rage cuz I had to

135:37

boil water in the morning." Uh, but you

135:40

know, it's it's um it's it's it's a

135:43

dire, you know, when when when the Ne

135:45

when the Nean Marcus gang thing was

135:47

happening where these kids were running

135:48

into Nean Marcus and stealing [ __ ]

135:51

which again, I don't think is is an okay

135:53

thing to do. But, you know, like my mom,

135:55

I remember, was being like, "Can you

135:57

believe these kids are?" I go, "Mom,

135:58

they just told an entire generation of

136:00

kids they'll never own land,

136:02

>> right?

136:03

>> They're [ __ ] hopeless."

136:04

>> Yeah.

136:05

>> They're hopeless. Like what do you what

136:07

where does your head even go? Where does

136:09

it go? I have a in in my act I I have a

136:13

line. It's it's it's not even a joke. I

136:15

just go where the Gen Z's and they clap

136:16

and I go, "You'll never own land." And

136:18

it gets a huge laugh because it's so

136:21

true.

136:22

>> Isn't that crazy?

136:22

>> And it's like it's [ __ ] up.

136:24

>> And then they hear that private equity

136:25

companies are buying up houses so they

136:28

could lease them out and so they'll own

136:30

all the houses. [laughter]

136:31

>> Like [ __ ] what?

136:33

>> And the parking lots.

136:34

>> Yeah. They're buying up all the [ __ ]

136:36

parking lots. You can't park anywhere

136:37

for free or for cheap,

136:40

>> you know? It's [ __ ] crazy, man. It's

136:43

>> We We are living in a rent to live

136:46

culture anymore.

136:48

>> It's just about It's again what we were

136:50

talking about about maximizing the

136:51

amount of money you could squeeze out of

136:53

people and that's their business. And it

136:56

doesn't have to be like that. But it

136:57

does have to be like that if you're

136:58

public. It's almost like we're better

137:00

off with a bunch of private

137:01

corporations.

137:03

And if you're private, you could do

137:04

whatever you want. Like there's private

137:06

court. Like look, you could decide. I'm

137:08

going to do, you know, I'm going to give

137:10

X amount of my profits to this. I'm

137:12

going to give the Y to that. I'm going

137:14

to I'm going to do whatever I want

137:15

because it's my money. But as soon as

137:17

you have shareholders, as soon as you

137:20

you take that IPO money,

137:22

>> oo baby, that's a big windfall, though.

137:24

You got all this money, all this stock,

137:25

all this capital has been invested in

137:27

your business. Your business is going to

137:28

grow. And the business does grow. So do

137:30

your [ __ ] problems. Yes,

137:32

>> they've ruined shareholders have ruined

137:35

and I'm not saying shareholders

137:36

inherently are evil, but the board of

137:38

directors and shareholders and all that

137:40

[ __ ] They have ruined everything.

137:41

They've ruined everything. It's like

137:43

everybody goes, "Why did the last three

137:45

Star Wars movies suck?" Kathleen Kennedy

137:47

came out and said, "We were met with

137:49

demands by the shareholders to rush the

137:51

[ __ ] sequels out and we couldn't make

137:53

the movies we wanted to make."

137:55

>> So that's that's

137:56

>> Can you imagine if they did that to Jim

137:58

Cameron?

137:59

>> You can't do that. [ __ ] [laughter]

138:02

rush that guy. Imagine you rushed

138:04

Avatar. [laughter] [ __ ] you.

138:08

[ __ ] you. That movie takes forever to

138:10

make. That's why it's awesome. There's

138:12

There's certain things that you can't do

138:14

just for money. And healthcare should be

138:17

one of them. It should be one of them.

138:19

>> Well, you know what? And I don't say

138:21

this

138:23

uh to ballwash you in any way, but you

138:27

just said it 10 minutes ago about the

138:29

club

138:31

and for all the criticisms that people

138:34

can level at you, whatever the [ __ ] they

138:35

want to say, whatever. It's like, "Hey

138:36

man, here's a guy I know that has a lot

138:39

of money that started something that

138:41

helps other people in the industry he

138:43

works in and said, "I'm not worried

138:45

about making money. I'm worried about

138:46

breaking even and I want the people that

138:48

I'm working at my club to benefit.

138:52

You actually did it. You actually did

138:54

the thing that we're complaining that

138:55

other people don't do. You actually did

138:57

the thing where you said, "I am not

138:59

going to try to turn massive profits off

139:01

of this club. What I'm going to try to

139:03

do is create an environment where people

139:05

can make what they deserve to make."

139:07

That's [ __ ] pretty awesome and pretty

139:09

crazy.

139:10

>> Well, the thing is anybody could do that

139:12

that's successful already. Yeah. You

139:14

could all you could all choose to run a

139:16

business that way and a lot of people

139:17

do. I'm not unique in that way. There's

139:19

a lot of like really ethical like moral

139:22

happy people. Sure. And you make a

139:24

happier environment too. That's the

139:25

other thing. Like the environment, the

139:27

club is very happy. Everybody gets paid

139:29

really well. Everybody's h making money.

139:31

The waitresses, waiters are all making

139:33

money. Everybody's happy. Yeah.

139:34

>> That's beautiful. You go to a place

139:36

where people are happy to be there.

139:37

That's that's what you want. You don't

139:39

want to go to a place where you're

139:40

making maximum profits and everybody is

139:43

in hell. And that's a lot of people that

139:45

work in corporations, right? You're

139:46

you're working way more hours than you

139:49

should. You never see your kids. You're

139:51

constantly [ __ ] stressed out. Your

139:52

cortisol is through the roof. You're

139:54

about to have a [ __ ] heart attack.

139:56

But you bought a house in the Hamptons.

139:58

>> Yeah.

139:58

>> Look at that. I got a $15 million house

140:01

overlooking the bay. How about that? You

140:04

[ __ ] win. I got the new Ferrari. You

140:06

want to see it?

140:06

>> Yeah.

140:07

>> And meanwhile, you're dying. Yeah,

140:08

>> right. But that's the environment of

140:11

just chasing money. I think you can make

140:14

plenty of money. I mean, obviously I'm

140:16

in an unusual situation, but I think

140:18

most business owners that do well once

140:22

you're doing well, what is enough? Like

140:25

it's make it just make it better for

140:28

everybody. What's enough? What's enough

140:30

money? What's enough? You know, if

140:32

you're running a corporation, is it

140:35

really good to cut back on the

140:37

ingredients and [ __ ] people over? Like,

140:38

I was seeing this thing about powdered

140:40

sugar. Some guy went to a grocery store

140:43

and he took all these bags of 2 lb bags

140:45

of powdered sugar and he weighed them.

140:47

They're like 1.3 lb, 1.2 lb, 1.27.

140:52

>> They're just [ __ ] you.

140:54

>> You telling me that's not on purpose?

140:56

You Your machines are so off that it

140:59

doesn't know what 2 lb are. But this is

141:01

this mentality of just squeeze the most.

141:05

>> Squeeze the most.

141:07

>> I don't think you have to do that. I

141:09

think if your business is successful,

141:11

just it should be like

141:13

>> you're good. You're good. Let's like

141:15

keep it keep the ball rolling. Keep it

141:16

good. Don't try to just keep making the

141:19

most money possible every quarter. And

141:21

that's what they do in corporations

141:23

because they have to. If you don't,

141:25

you're a bad CEO. You'll get kicked out.

141:28

>> Yeah.

141:28

>> Like, hey, good news, guys. We made the

141:30

same amount of money this month as we

141:32

did last month. Like, what?

141:34

>> This guy sucks. This guy [ __ ] sucks.

141:37

Where's my return? Yeah.

141:38

>> You know, I [ __ ] we're going to vote

141:40

him out. And then you get a board

141:41

meeting together and people complain and

141:44

>> you have to do that. That's their job.

141:46

>> Yeah. Ideally, what should happen is you

141:48

say, "Hey guys,

141:50

>> we made more money this month than we

141:52

did last month, but the reason we made

141:54

more money is because we made a better

141:55

product that brought in even more

141:58

customers." And it was beneficial to

142:00

everybody,

142:01

>> right?

142:01

>> And it's not that. It's

142:02

>> not. We squeezed the same amount of

142:05

customers out of more money.

142:06

>> Yeah.

142:07

>> Yeah.

142:07

>> It's the [ __ ] potato chip thing.

142:09

>> Well, it's the other thing that you know

142:10

this avocado oil scandal that's going on

142:12

right now.

142:13

>> So, all these people that are buying

142:15

things made with avocado oil that they

142:17

think, "Oh, this is going to be super

142:18

healthy."

142:20

Turns out a lot of these corporations

142:22

are [ __ ] you over and they're using

142:24

seed oils and [ __ ] safflower oil and

142:28

rape seed oil, all these different oils

142:30

and they're pretending that it's

142:32

>> coconut or it's avocado oil.

142:34

>> I watched a thing about food where they

142:37

talked about, by the way, what I meant

142:39

by the potato chip thing was when you we

142:41

were just talking about this in the

142:42

lobby before we started recording. when

142:44

you buy a bag of potato chips now and

142:46

it's half full and it's all air.

142:49

>> And of course the excuse is,

142:51

>> well, no, that's so it protects your

142:53

chips and just get the [ __ ] out of here.

142:55

[ __ ] off. Protect my chips. Don't crush

142:57

the chips, you [laughter] [ __ ] idiot.

143:01

>> Yeah, maybe pack the chips and ship them

143:03

properly. No, no, we can't do that.

143:05

>> Have you ever had those Vandy chips?

143:07

>> No. What's Vandy chips?

143:08

>> Oh, they're chips made with beef tallow.

143:12

Okay.

143:12

>> They're just cooked in beef tallow. It's

143:14

just beef tallow and salt and potato

143:16

chips. They're the best potato chips

143:17

you've ever eaten in your [ __ ] life.

143:19

>> Where do you get them?

143:20

>> You can buy them online. I buy them

143:22

online.

143:22

>> Yeah. A lot of these

143:23

>> They're so legit, dude. If I want potato

143:26

chips Oh, they're so good. And you don't

143:28

overeat them. It's crazy. Like when it's

143:30

real food, you eat enough.

143:32

>> Yeah.

143:33

>> You know, especially they're like soaked

143:35

in beef tallow. They're so rich in fat.

143:38

>> Yeah.

143:38

>> It's actually probably good for you.

143:40

>> Yeah. Yeah. I that's that's the thing.

143:42

Most of these quality food products that

143:44

we want to buy and and enjoy now, you

143:46

have to buy them online. You can't get

143:48

them in [ __ ] stores.

143:49

>> You can get them in some stores, but the

143:50

problem is they get bought out, you

143:52

know? So, say a company comes along and

143:54

you're making something that has like

143:56

really healthy ingredients and people

143:57

really get into it and then Pepsi buys

143:59

you or some Exactly.

144:00

>> some some [ __ ] Kelloggs buys you and

144:02

they they turn it into something that's

144:04

just close enough. They change the

144:07

ingredients, make it cheaper. Did Did

144:09

that happen with is it Rouse Ra AO's

144:13

pasta sauce? Ryos.

144:14

>> Ryos. Yeah. Yeah. Rayos got bought by

144:17

[snorts]

144:18

>> I think like whoever makes Ragu or

144:20

whatever the Bisco or some [ __ ]

144:21

>> Ryos made a great sauce. They still Is

144:23

it still legit or is it They [ __ ] with

144:25

the ingredients now.

144:26

>> I don't I never thought there was any

144:28

jarred sauce that was awesome like you

144:30

know they

144:31

>> have Steve Sharipasa's when he had his.

144:34

>> No.

144:35

>> You know Steve Sheripa from the

144:36

Sopranos? Do you know Steve? Did you

144:38

ever work for him? I I worked for him

144:40

when he was uh uh the Booker at the

144:42

Riviera in Vegas.

144:43

>> I remember that.

144:44

>> Before he got on the Sopranos, before he

144:46

ever did any acting.

144:47

>> That's hilarious.

144:47

>> Yeah, I was friends with him a long

144:49

[ __ ] time ago. He's the best. I love

144:52

that guy. He is the best. So, he had an

144:55

amazing sauce. It was uh I forget the

144:58

name of it, but it was all organic and

145:00

it was, you know, like really super

145:03

topshelf ingredients. It was [ __ ]

145:06

delicious. Okay.

145:07

>> Such a good sauce, but it was too much

145:09

of a pain in the ass for him to keep the

145:11

business rolling and he got rid of it.

145:12

I'm like, god damn, dude. That's that

145:14

sucks.

145:15

>> I think he had a problem keeping up with

145:17

demand, too, because it was like he came

145:18

on the podcast and talked about it and

145:20

then he eventually just bailed on the

145:21

business. Look, man. It's one of the

145:24

reasons I left my my sandwich shop was

145:27

because I I felt like operating in New

145:31

York was too hard of a thing. And we had

145:35

to keep the four years, 5 years,

145:38

whatever that I did it. We had to keep

145:41

kind of upping prices and and whatever.

145:44

And it wasn't be it was not out of

145:46

greed. It was out of there is no way

145:49

that we stand a chance to turn a profit

145:52

unless you keep up with what the demand

145:54

in the economy of New York City is. And

145:57

I just got to a point where I was like,

145:58

you know, man, it's just not what I

146:00

thought it could be.

146:01

>> You wanted it to be fun.

146:03

>> You wanted just to be fun.

146:04

>> Yeah. And and that was it. And it was I

146:05

wish them well, but uh they're still

146:07

going. But um it was it just for me I

146:10

was like I just can't like this isn't

146:12

you know. So that what happens is with a

146:14

lot of these um companies that get

146:18

bought up, it's this Steve Sharipa thing

146:21

where it's like, "Hey man, I'd love to

146:23

keep doing this at the quality I'm doing

146:24

it and at the at the, you know, the tick

146:27

that which we're moving at or whatever."

146:29

And then somebody comes along like Pepsi

146:30

and goes, "We'll we'll buy you out for

146:33

50 million." And you probably go, "You

146:35

know what? My ship just came in. take

146:37

the [ __ ] I don't know, you know, I I

146:40

can't, you know, so I don't blame people

146:42

for selling to a big corporation. It's

146:44

kind of the position you're left in.

146:46

>> You know, this mom and pop thing is is

146:48

going away. Uh, you know,

146:51

>> co put a big dent in that.

146:52

>> Oh, destroyed it.

146:54

>> Destroyed it.

146:55

>> Destroyed it in terms of like small

146:57

restaurants. I know so many of them that

146:59

went under in LA. I think at one point

147:01

in time LA lost 70% of its restaurants.

147:04

It's that it's the the the meat monopoly

147:07

thing is is brutal. You know what like

147:10

what happened with prices of meats and

147:12

because they saw like oh actually we can

147:14

say that there's a demand and and low uh

147:18

low product availability and all this

147:20

and just charge everybody this much.

147:21

>> But there also is a demand and there

147:23

also is low product. I mean there's also

147:26

the the reality of the marketplace.

147:28

>> Yeah. Well, that what I think it is is

147:31

there's the reality of the problem and

147:33

then and some people are affected by

147:35

that very genuinely, but then there's a

147:37

lot of people that go, "This is a chance

147:39

for us to capitalize and squeeze

147:41

>> squeeze."

147:42

>> And that sucks.

147:43

>> That sucks.

147:44

>> Yep. That's the thing. And you know,

147:47

once you escape the world of need and

147:49

you're in a world of decisions based on

147:51

what you enjoy doing, then you could

147:53

choose to do a business where you do it

147:56

however you want to do it and don't

147:57

worry about it,

147:58

>> right?

147:58

>> You know, because you're not doing it

147:59

for money. You're doing it because it's

148:00

a cool thing,

148:01

>> right?

148:01

>> And ideally, that's what we would all

148:04

like to do.

148:05

>> Yeah.

148:05

>> Ideally, it's not obviously it's

148:08

difficult to achieve, but if you can get

148:10

there, that's the way to do it. It's

148:12

just everybody has this thing about

148:14

chasing the [ __ ]

148:16

>> whatever number it is. Whether it's the

148:18

number in your bank account or the

148:20

address that you're living in or the car

148:22

that you're everyone's always chasing

148:24

the new thing. There's a new thing to

148:26

justify why you're pumping all of your

148:30

energy into a business,

148:32

>> you know?

148:33

>> Yeah. It's uh it's it's the unfortunate

148:37

uh other side of of capitalism.

148:40

Capitalism. This is why it's capitalism

148:42

[ __ ] great. It's way better than

148:43

everything else.

148:44

>> Well, that that I agree with, but we're

148:46

just talking.

148:46

>> The problem is, yeah, it's got flaws and

148:49

the flaws [clears throat] are human

148:50

nature. That's the flaws.

148:52

>> Is there a way, do you think? Is there a

148:54

way to have the free market with

148:55

capitalism, but actually have some sort

148:58

of regulation so these problems that

149:00

we're talking about can occur? Or is it

149:02

just you have to take the good with the

149:03

bad and that's all there is to it?

149:04

>> I mean, there should be definitely be

149:06

regulations without a doubt. Uh but I

149:08

think too much regulations then you

149:10

stifle business and that's what

149:11

California has if over overregulated

149:14

because the government is just too too

149:16

huge of a business there. I think at one

149:18

point in time California during the

149:20

pandemic they lost a bunch of people

149:24

like a bunch of people moved out but

149:26

they doubled the size of government.

149:29

They just keep adding more government

149:30

and more like that's where they create

149:33

jobs. They create jobs through

149:34

government and just keep adding

149:36

programs, adding government, and then

149:38

you just keep siphoning off tax money

149:40

and it's a slush fund and and there's a

149:42

whole economy based on it. And those

149:44

people are the people that are in charge

149:45

of running the city and they don't want

149:46

to let it go because that's how

149:48

everybody's getting paid and nothing's

149:50

getting done and the [ __ ] homeless

149:52

crisis never gets any better and the

149:54

streets never get clean, schools never

149:56

get [ __ ] funded correctly, but yet

149:58

they keep growing their [ __ ]

150:00

business. the business of being a

150:02

[ __ ] person in government.

150:04

>> Yeah, it's I I I one of the things I

150:06

learned when I worked for the because

150:08

when I lived here in 2000, I worked for

150:10

the Senate uh during the legislative

150:12

session. It was the 76th

150:15

legislative session. I think I was a

150:17

media reporter for the for the Senate

150:18

media department. But one of the things

150:20

I learned was

150:22

how low a senator's salary is versus

150:26

what they actually make in a year

150:29

because of donations and whatever the

150:32

[ __ ] else.

150:33

>> And I was like, of course these people

150:36

don't want to ever step down from this

150:37

seat. This is the [ __ ] this is a this

150:40

is a [ __ ] joy ride right now.

150:42

>> Yeah.

150:42

>> And once you're in that position, now

150:44

you got a problem because now it's like,

150:46

well, who's actually in there to do

150:47

something?

150:48

>> Exactly. versus who's in there to keep

150:50

the job. And if you want to keep the

150:52

job, keep the constituents happy. Well,

150:54

how do you do that? Well, then you start

150:55

compromising things and cater.

150:57

>> And you learn how to be a good [ __ ]

150:59

artist.

150:59

>> Oh yeah.

151:00

>> You learn how to say the things they

151:01

want you to say. That's why people

151:02

support ridiculous positions cuz they

151:04

[ __ ] lick their finger and find out

151:06

which way the wind's blowing. And that's

151:08

the way my constituents want. So that's

151:10

how I feel. Yep.

151:11

>> You know, I think God's non-binary. Like

151:13

whatever. They just start talking. Yeah.

151:15

They start saying things. You're like,

151:16

"What are why are you saying this? This

151:18

makes no [laughter] sense.

151:20

They're saying it because they think

151:21

it's going to help them and get them to

151:23

win. It's kooky stuff, man. [laughter]

151:27

>> Yeah, man.

151:27

>> And nobody wants the job. That's the

151:29

other thing. What nobody No really

151:31

successful person who would really be

151:33

good at it wants the job. It's too much

151:35

work. It's It's a hassle. You're also

151:37

dealing with insane corruption. Once you

151:39

get in there, try untangling all the

151:41

[ __ ] webs that have been spun for

151:44

decades where they've been moving money

151:45

to this and moving money to that and you

151:48

got to pay a little of this and you got

151:49

to pay a little of that.

151:51

>> Yeah. Do you ever see uh Charlie

151:52

Wilson's War, Tom Hanks movie?

151:54

>> No.

151:55

>> It's great. You'd love it. Mike Nichols

151:57

directed it. Char Tom Hanks in a Philip

152:00

Seymour Hoffman. It's my favorite Philip

152:01

Seymour Hoffman.

152:02

>> Really performance ever. It's a [ __ ]

152:04

awesome movie. Uh but it's about how

152:08

when uh we were sending arms and funding

152:12

the Afghanis when Russia was attacking

152:14

Afghanistan

152:16

and he's in there to do a good thing.

152:18

He's like these people are getting

152:19

[ __ ] taken over. The Russians are

152:21

coming in blah blah blah blah. And he

152:24

does all this good thing. He gets all

152:25

this funding to them. He helps them

152:27

there. The the the Afghanistan start

152:29

shooting the Russian copters out of the

152:30

[ __ ] air and all this [ __ ] And he's

152:32

like, "This is great." And then all of a

152:34

sudden the powers that be are like,

152:36

"We're cutting the funding." And he's

152:38

like, "What are you talking about? We

152:40

just helped these people liberate

152:42

themselves. We we can't cut the funding

152:44

now. We have to rebuild." And they're

152:45

like, "Yeah, we're not rebuilding.

152:47

That's we're not spending any more money

152:49

in this." And the end of the movie is

152:50

Philip Seoroffin telling Tom Hanks that

152:54

he doesn't say the name, but he says the

152:56

[ __ ] loonies are in the hen house.

152:58

He's talking about Bin Laden is now

152:59

taking over Afghanistan [laughter]

153:02

and this is going to go real [ __ ]

153:03

sideways on us. And it's just such a

153:06

great encapsulation of that's how it

153:09

works. That's how it works. You do a

153:11

good thing and then all of a sudden it

153:13

creates an even bigger [ __ ] problem

153:15

than they've ever anticipated because of

153:17

funding. It's a it's you would

153:19

>> also why were they doing it in the first

153:21

place? Why the [ __ ] are they funding the

153:22

mu mujahaden? And that's how bin Laden

153:25

turned against us,

153:26

>> right? That's what what it was all

153:28

about. He realized how dirty our [ __ ]

153:30

politics are and what we're doing when

153:33

doing regime change in other countries

153:35

and

153:36

>> proxy wars and all all the insane [ __ ]

153:38

that we've been involved with forever.

153:40

It's [ __ ] up. The way it's portray the

153:42

way it's portrayed in the movie is the

153:44

Russians are attacking these people.

153:46

It's going to be this genocide. It's

153:48

blah blah blah blah. That's how it's

153:49

framed in the movie. In real life, you

153:51

know, I know there's always multiple

153:53

sides to

153:53

>> both sides. I mean, there's probably a

153:55

lot to that, too.

153:57

>> But it's it's just one of those things

153:59

where I I brought it up because you

154:00

said, "Who would ever want this job?"

154:02

And I watched that movie and thought

154:03

that I was like, "Who would want the

154:04

[ __ ] job of this guy,

154:06

>> right?

154:06

>> That he thinks he's doing the right

154:08

thing." And then it just blows up in

154:09

their face.

154:10

>> You just hope that good people come

154:12

along and want the job. That's what you

154:13

hope. But for the most part, they're

154:16

swimming in a sea of psychos,

154:18

>> right?

154:19

>> Yeah. Well, the question is is that is

154:21

is if a good person does come along, can

154:23

they stay

154:25

can they stay pure or is the system just

154:28

built in a way where it's like no,

154:30

there's no way to do this. You know,

154:32

it's I [snorts] always equate it to the

154:34

Hollywood thing. It's like it's like in

154:36

my opinion, there's no way to become or

154:38

it's a a very hard thing to become a

154:40

massive movie star and maintain your

154:44

morality and your ethics and whatever.

154:46

you're you're you're playing in a system

154:48

that is so [ __ ] foul and so dirty and

154:50

whatever. That's why we're like it's so

154:51

rare to meet a Woody Harlson or somebody

154:53

like that who's a genuine person. And

154:55

nine out of 10 of those guys, they don't

154:57

[ __ ] live there.

154:59

>> They're out they go somewhere else

155:01

>> and they dip in, they do it, they get

155:03

the [ __ ] out again. Um, so I always

155:05

wonder like is there we always say like

155:08

if only a decent man would come along

155:10

and and lead us or or or or take this

155:13

seat in this office or what is it

155:16

possible to even remain pure at that

155:18

point? I don't know. Or is it just hey

155:20

this is how it works. This is all there

155:22

is to it and you either play this game

155:24

or you will be phased out and that's it

155:26

you know.

155:26

>> Well the Hollywood game is interesting

155:28

because you have to have the same

155:30

political opinions of them.

155:31

>> Yeah. If you don't [laughter]

155:34

any variation whatsoever if you're like,

155:36

"Hey, maybe we shouldn't take this

155:37

>> weird experimental vaccine, [laughter]

155:41

>> you're cast out of the kingdom." Like

155:43

you have to be full compliance. Full

155:46

compliance to whatever ideology that

155:48

they have because they're completely in

155:49

control. They get to choose whether or

155:51

not you work. The beautiful thing about

155:54

comedy um is and music is another

155:57

version of that but less so I think is

156:00

that you just make what you make and if

156:03

people like it they come see you.

156:05

>> Real simple. Real simple. You get a

156:07

chance. Everybody gets a chance.

156:08

Everybody gets a chance to do open mic

156:10

nights.

156:11

>> Everybody gets a chance. If someone

156:12

says, "Hey Joe, you're really funny.

156:14

Will you you want to open for me on the

156:15

road?" Also, oh my god, I'm on the road.

156:17

>> Everybody gets a chance.

156:18

>> Yeah. And the thing about the movie

156:21

business is it's not that way. Like you

156:23

could be a really talented actor and you

156:25

never get cast in something. You maybe

156:28

they don't align with the way you think.

156:30

Maybe you didn't kiss their ass enough

156:32

when you went in for the audition. Maybe

156:34

you don't have a good agent. Whatever it

156:35

is, right? You you might not ever work.

156:38

>> Yeah. I There's There's a great um

156:41

Oh, what is it called? It's the

156:43

documentary I think it's just called

156:44

Frank. It's the documentary about Frank

156:46

Stallone.

156:48

Sylvester Stallone's brother.

156:49

>> Oh.

156:49

>> And Frank Stallone is an immensely

156:53

talented guy. And he sort of got reduced

156:57

to he does stuff. He works and he seems

156:59

like a happy guy. But there was a big

157:01

part of Frank Stallone where he kind of

157:02

got reduced to the punchline of like

157:04

>> Sly's brother.

157:05

>> Yeah. Exactly.

157:06

>> Well, you know, that was Charlie Murphy

157:07

always used to say that about Eddie.

157:09

>> They talk in the documentary about Frank

157:10

Stallone. They go everybody's like, "How

157:12

did this guy not become bigger? He's so

157:15

[ __ ] talented. He was a musician.

157:17

He's a great actor. He's this. He's

157:18

that. And they say in the middle of it,

157:20

they go, "Dude, it doesn't just happen.

157:22

You have to have a team of people

157:24

operating around you that make it

157:26

[ __ ] happen. It's not just dumb luck.

157:29

It's not just, oh, he's good. If you

157:32

don't have the people strategically,

157:35

let's put it this, buying you through

157:38

the system, right? It doesn't [ __ ]

157:40

happen. It just doesn't happen. It's

157:41

like look at when people get nominated

157:44

that the process of getting nominated

157:45

for an Emmy.

157:47

>> It's like you you you get the

157:50

consideration vote and then I would see

157:53

it when I was living in LA and then

157:55

people would do these PR campaigns just

157:58

based on the consideration.

157:59

>> Oh yeah. Those billboards for your

158:01

consideration. Yeah.

158:02

>> You'd see them everywhere.

158:03

>> Then you get nominated and then that's a

158:06

whole other thing. That's why I thought

158:07

it was such [ __ ] when um and I'm a

158:11

big fan. I'm not knocking the guy, but

158:13

like when the the whole thing happened

158:14

with like Bren the the year that Brendan

158:16

Frasier won for the whale was the same

158:18

year the kid that played short round one

158:21

for Everything Everywhere All at Once.

158:24

>> Do you remember that year at the Oscars?

158:26

>> And they both it was like it's the year

158:28

of the comebacks at the Oscars and

158:30

they're up there going I thought I was

158:32

done and here I am. It's like you

158:35

[ __ ] had a campaign. Like this costs

158:38

millions of dollars to get you here.

158:40

This is not some underdog story. This is

158:44

this was this was orchestrated. That's

158:46

how it works. It's crazy. It's crazy.

158:49

Nobody's Oh, yeah. I was driving a cab,

158:51

then all of a sudden I got nominated. I

158:52

won. That's [laughter] how it [ __ ]

158:54

works.

158:56

>> That's batshit.

158:57

>> Yeah. Well, it's a batshit business.

158:59

It's it's it's it's the worst and best

159:02

business of all time.

159:04

>> It's the best that we it gets us to get

159:06

to do what we want to do.

159:08

>> Sort, but it doesn't. Standup is

159:10

>> better now. It's like stand up and

159:11

podcast is such an easier pathway.

159:13

>> Yeah.

159:14

>> Than that. That was the old pathway.

159:16

>> You had to be a part of that.

159:18

>> I was I was talking to Tony about it

159:20

after MSG. We were at the afterparty and

159:23

he you know Tony I love this is what I

159:26

one of the things I love about him. He

159:27

gets, "You have a few drinks and it's a

159:29

real love fest." And he's like, but he's

159:31

like, "Buddy, we're doing it, man. We're

159:33

doing it. They told us no and we're

159:36

[ __ ] doing it." And I go, "Tony,

159:38

here's what's wild." I go, "The

159:41

mainstream of entertainment could become

159:44

the, for lack of a better term, wokest

159:47

whatever." That whole thing could come

159:49

back of PC culture and whatever, and

159:52

they could tell any one of us or all of

159:54

us, "You guys are out. There's no way

159:57

you're going to get anything on

159:58

streamers or anything anymore and we'd

160:00

all still be fine because we all said we

160:03

found another lane. So, [ __ ] it. It

160:05

doesn't matter.

160:06

>> It's a bigger lane, too.

160:07

>> Way bigger.

160:08

>> It's way bigger.

160:09

>> Way bigger.

160:10

>> Yeah. Because it's authentic.

160:12

>> Yeah.

160:12

>> It's real and it's not curated.

160:14

>> Yeah.

160:14

>> It's a real It's simple. People That's

160:16

what people want.

160:17

>> If Hollywood could send a missile to

160:20

destroy YouTube, they [laughter] would.

160:24

Meanwhile, it's come up with some of the

160:25

[ __ ] greatest talents. Like that guy

160:27

who made Obsession

160:29

>> came straight out of YouTube.

160:30

>> Yeah,

160:31

>> dude. I got to wrap this up.

160:32

>> Oh, okay.

160:32

>> Uh, your special,

160:34

>> speaking of which. Yeah.

160:35

>> John Rosa, I never promise you a rose

160:37

garden available right now on Netflix.

160:41

>> On Netflix. Uh,

160:42

>> where'd you film it?

160:44

>> We shot this in Phoenixville,

160:45

Pennsylvania.

160:46

>> It was on my YouTube. Netflix scooped it

160:49

up. It's still on my YouTube, but please

160:51

go watch it on Netflix. and and uh I

160:54

hope you all enjoy it. And then and then

160:56

my my podcast Violent Horrendous is is

160:59

now out. YMH Network uh and Joe De Roza

161:03

Comedy on uh YouTube uh is where you can

161:06

find it. So please listen and I hope you

161:08

watch the special and enjoy it. Thank

161:09

you for having me.

161:10

>> My [music] pleasure, brother. I love

161:11

you.

161:11

>> Love you. Bye. All right. Bye,

161:12

everybody.

161:15

[music]

Interactive Summary

In this episode, Joe Rogan and guest Joe DeRosa discuss various topics including coffee brewing methods, the struggle of becoming successful, and the current landscape of the entertainment industry. They share their opinions on restaurants in Austin, movies, and their experiences working within the Hollywood system. The conversation also covers the importance of maintaining physical health and the benefits of finding a healthy routine, with DeRosa sharing personal anecdotes about his career transition from a fighter to a comedian and actor.

Suggested questions

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