Joe Rogan Experience #2538 - Joe DeRosa
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>> The Joe Rogan Experience.
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>> Cheers.
>> Cheers.
>> Um, I went through a whole um
like a series of different coffee
machines that I tried out. I tried out
one of them that was like this little
thing that's like a tea dipper almost
like for an individual cup of coffee.
You put the grounds in this little
thing. It's a little tiny press.
>> Okay.
>> And you you uh boil the water, put it in
the coffee cup and then you sitting in
there like it's tea and then you press
it
>> and it makes like a French press.
>> Yeah.
>> Yeah.
>> So then I went to an arrow press. I like
that one a lot.
>> What's an arrow press?
>> I use that every day. So, with an Aerop
press, I boil the water, grind the
beans,
>> and then I pour it into this glass tube.
And the glass tube has a filter at the
bottom of it, like in a like a mesh,
>> like a a steel or an aluminum. It's some
kind of metal mesh. And then that's what
it looks like.
>> And so, you press down
>> and it makes cup of coffee real quick.
And it's one cup. And so, that's what I
like cuz I was making coffee like I was
doing French press for a while. I had a
a coffee machine, but the issue is that
you're not supposed to really be
drinking out of hot plastic. All that
shit's plastic. There's plastic. The
water goes into plastic. There's plastic
here and plastic there. I'm trying to
eliminate as much plastic in my life as
possibly as I possibly can.
>> I'll tell you too, I a couple times in
my adult life splurged on,
you know, some [ __ ]
>> one of them Italian espresso machines.
>> Yeah. those it grinds the beans every
time you're going to
>> those [ __ ] things go sideways on you
in a year and then you're like I got to
get it fixed and they're like yeah um
there's a shop it's 90 minutes north of
you drive the machine up there and
you're just like [ __ ] this [ __ ] man. So
I went back I just I have an espresso
and you put the [ __ ] pot in and
whatever. But there's a company that
makes one I should shout them out that
makes one that's all steel. I think it's
called Simply Good Coffee.
Um, I follow them on Instagram. I
haven't used their machine, but that's
all steel. It's an all steel coffee
machine. Okay, which is what you want.
>> But, uh, I've got it down to the Aerop
Press. The AeroPress to me very simple.
The minimal amount of like parts. It's
just a tube. The grind, the grinds, the
coffee tastes pure. It's simple. I make
one cup of coffee a day.
>> Here. Here is Here is what I miss
because I I I will drink a lot of coffee
if I'm able to. Here's what I miss about
like a traditional Mr. coffee. Pot of
coffee.
>> Okay,
>> you set it, it starts doing it in the
morning. You wake up, it's already
going, you know,
>> right?
>> I get two cups hot in the morning. I put
it in the fridge and then in the
afternoon when I start feeling sluggish,
I got two cold cups [clears throat] and
it's just a nice It's
>> So, you just want volume.
>> I love volume.
>> Then make a French press. It'll taste
better. This right here.
>> But then But then you got to make it
every time.
>> What do you
>> You got to do one cup. You don't have a
job, [laughter]
>> you lazy [ __ ] You don't even
have a job. You [laughter] literally
talk [ __ ] for a living. And you're like,
"Oh, making coffee so hard." Someone had
a skin of [ __ ] buffalo just to stay
warm in the winter,
>> just to stay alive. They had to shred
the skin off of it with a stone knife.
And they had to pull it and stretch it
and tan it and put animal brains on it
to make sure that it softened up and
salt it down.
>> And guess what? If you would have said
to that guy, "Hey, we got this thing
called Mr. Buffalo. It'll just do it
real fast." [laughter] He would have
been like, "Okay,
this sucks.
Mr. Buffalo." [laughter]
>> He would be [ __ ] sitting in his TV
going, "Bro, Mr. Buffalo's the shade."
Yeah, you get fat and lazy. [snorts]
>> So true.
>> The uh But yeah, it's I just I like to
make more than one cup at once. So that
thing that air
>> French press is so easy. You're talking
about making it hard. This right here,
>> this is an all metal French press. No
plastic parts at all. It's the [ __ ]
easiest thing in the world, dude.
>> So this can make a full pot, though.
>> Yes.
>> Oh, okay. Well, then that's this is And
this is not expensive. It's just a steel
French press. This is the best tasting
coffee you're ever going to get because
it's got all the oils from the beans,
man. You get like the like the real
coffee dorks, you know, the fil there's
something happens in the filter. So, in
the filter, yes, you remove the grinds.
Yes. But also, you remove some of the
flavor.
>> Yes.
>> Just a touch.
>> Yeah. It's funny, man. When I back when
I was
when I when I was still involved with
the with the sandwich shop, one of the
things I learned that I never knew
because you had to take a test to get a
food handlers license and all this [ __ ]
was um I didn't know that food started
breaking down the moment you cut it. I
didn't know that because I was getting
into at the time meal prep and [ __ ] like
if I cut if I cut up if I chop the
tomatoes now, if I chop the carrots now,
the cucumbers now, it'll be way easier
to just throw a salad together every
day. and it'll make me eat the the good
thing cuz I'll be it'll be fast.
>> And then I learned no as soon as you cut
something it starts to break down.
>> Is this just vegetables?
>> I think it's mainly vegetables. I don't
think it raw meat is fine or whatever,
but but vegetables.
>> That makes sense cuz the inside's
exposed to the air.
>> Mhm. But it's got to be the same
principle with coffee beans, I would
think. Right. Like once they're brown.
>> That's a good question. Yeah. I think
people like to grind them uh right
before they I always grind them right
before I make the coffee. Um, which is
easy. Yeah, I have a grinder. It's a one
step, one button. I press it. It take It
takes 13 seconds and I count it. Goes 13
seconds is the exact amount of beans
that I want for one strong I like a
strong cup of coffee. One strong cup of
coffee with that arrow press thing. But
it's the same thing with a French press.
You take [clears throat] it, you just
get a determined amount and you can dial
the kn the knob on the grinder. It's so
easy. Grinders are so simple. So,
listen. All you do is you take that
ground coffee after it comes into the
little cup. You pour it into the bottom
of the [ __ ] French press and then you
pour the hot water in. Done. Yeah,
>> that's it. And then you wait 1 minute
and then you push this [ __ ] plunger
down and you drink the best coffee in
the world. And it doesn't have any
plastic and it doesn't have any
[ __ ] And there's no moving parts.
Yes. There's nothing. It's just that
thing. And if the grinder breaks, you
get another [ __ ] grinder. Okay. And
grinders don't break. I've never had a
grinder break.
>> But you got to boil the water first.
Correct.
>> Oh my god. Are you okay?
>> Are you gonna be okay? [laughter]
>> You got to turn the knob on the stove.
You going to be okay. What the [ __ ] is
wrong with this guy? [laughter]
>> This guy hit a button on the on the
boiler on the water boiler that you
>> He's so ridiculous. He's like, "Whoa, I
can't be the water. I got to boil it."
>> Dude, I get out of bed.
>> Get an automatic kettle. You get a
kettle.
There's literally I have one that has a
setting that says French press on it.
It's a steel kettle
>> and it works all electronically so it's
temper regulated temperature and it
beeps when it's done. You press 200° and
then I press start and it goes
>> okay. And when that happens I pour the
water onto the beans.
>> Well, now we're talking.
>> Now we're talking.
>> An electric kettle. I'm thinking I got
to put a [ __ ] pot on the stove.
>> That's even easier. You [ __ ] lazy
[ __ ]
>> It takes too long.
Dude, I get out.
>> Such a lazy [ __ ]
>> It's not laziness.
>> You're so lazy.
>> I get out [laughter] of
>> It's I swear it's not laziness. I wake
up with the dread of humanity in my
[ __ ] brain. I'm just like, I need a
cup of coffee immediately to just start
the day and just clear the head. And the
longer that takes, the longer I got to
sit in that wake up anxiety.
>> I understand.
>> So, but now we're talking. You know what
I'm going to get? I'm going to get a
boiling pot that you can set a timer on.
Yeah, they're easy. They're electronic
kettles. They sell them online and they
have like settings for tea, settings for
this, settings for hot cocoa,
>> you know. It's like five or six
different settings or something like
that, depending on the model.
>> All right.
>> They're [ __ ] so easy, dude. It's all
my little Yeah. And it's the best
coffee. It tastes And I don't have to
think. I had a whole one of these really
nice machines and it could make an
espresso, can make a coffee, can make a
latte. It's got a little [ __ ] foam
thing that I've never used once. Never.
Never even thought about using it. Never
even thought about steaming milk in my
[ __ ] house.
>> But I always would was thinking I'm just
it's all plastic. Every time I filled up
the water thing, I'm like this is all
plastic. Everything's plastic.
>> Do you know Do you know what I saw
though that made me want to get the
thing again with this with the cream
steamer? Cuz I don't put cream in. So I
don't have any use for it.
>> Black coffee, right? Black coffee.
[ __ ] man.
>> Always. Yeah. Me too.
>> Yeah. Tony shits on it.
>> Of course he does. Tony needs a [ __ ]
umbrella in his coffee. [laughter]
He's got it.
>> He needs an umbrella, a pineapple,
>> a cookie with a
>> He holds it with one [laughter] pinky
out when he drinks his coffee.
He goes,
>> I go, I drink it black. He goes, you
[ __ ] hate condiments. I was like,
what are you talking about?
>> Cuz I like the [snorts] taste of coffee.
>> Yeah,
>> I do. I genuinely like black coffee.
>> You know what I saw though that made me
want to get the the uh foam steamer was
not for foam. I you know Alton Brown the
I love Alton Brown.
>> He did a thing he did a video where he
made this thing with eggs
>> and he used the foam steamer to like
foam the eggs up
>> and I was like this looks f I want to
get it just for that just to do the
thing with the eggs.
>> Interesting. But then you got so you're
lazy when it comes to making coffee but
you go way out of the way for some foamy
eggs.
>> I'll I'll cook you a steamer. [laughter]
>> I like to cook. I'll cook.
>> There it is. right here. Oh, wow. Look
at that. Wow.
Wow.
>> He said this is like apparently
incredible. He he it's like two eggs, a
little cheese.
>> Interesting.
Interesting. And so you uh you whisk it
up like that and then you add the foam
and the foam cooks it. Is that how he's
cooking it with the foam?
>> The he cooks the eggs with the fo.
>> So what is in the fulmer? Is it just hot
water?
>> Yeah,
>> that's it.
>> Yep.
>> Okay. So, this hot water from the steam
is cooking his eggs. That's
>> Look at the egg cooking. Look at that.
>> Pretty [ __ ] dope.
>> Look at that.
>> He's got He's eating
a [groaning]
>> Or you can just eat eggs. [ __ ] wrong
with you? Just crack some [ __ ] eggs.
Fry some eggs. What's the problem?
>> You don't [snorts] think that looks
good?
>> It doesn't look as good as sunny side up
eggs. I was looking at it. I was like,
"Fuck those foamy eggs."
>> I want I want a real egg. Could you
imagine dunking toast in those foamy
eggs? Come on.
>> No, cuz I don't need toast.
>> Come on, man.
>> Toast once in a while.
>> Occasionally.
>> Yeah.
>> You know when I get it with um uh steak
tartar? I like those little toast
points.
>> Oh yeah.
>> You ever get some steak tartar? Toast
points at J Carver. You ever go to J
Carver?
>> Oh yeah, of course. Yeah. Yeah.
>> What's your favorite spot uh in Austin
to get a meal? Like is it
>> It's impossible to say. There's so many
good spots. There's so many good spots.
Austin is crazy with the amount of great
restaurants. Like really high-end
restaurants. I've eaten steak at every
[ __ ] restaurant in town. And I gotta
think the best one is Jeff.
>> Jeff is
>> I still haven't gone. I got to go.
>> Perfection. It's perfe.
They're all great. But there's something
about whatever Jeff is doing. I think
they got rated like the number two
steakhouse in the country. Something
crazy like that.
>> I gotta go to Jeffrey's. I've been
dragging my ass. I love Jay Carver. I
love
>> J is amazing. You know, amazing. Their
steak is different. [clears throat]
>> Jeff steak, you like Jay Carver steak is
uh he's he's using one of those
Argentine grills, so it's all live fire
over wood. Delicious flavor.
>> Yeah. Yeah.
>> But man, there's like another another
level like whatever Jeffrey's doing.
Like [ __ ] I go I love Gary the
bartender at Eddie V's and he makes
killer martinis. I love to go in and get
a martini shrimp bar shrimp cocktail.
Beautiful bar.
>> Yeah.
>> And uh and some steak. But I love I got
to tell you, it's the same owners as Jay
Carver.
>> I actually think I like the uh steak at
Red Ash better than Jay Carver. how
there's just something different about I
don't I don't know what the difference
in the prep is, but just the steak and
then also having the option of all the
Italian foods that you can get with the
steak.
>> Yeah, Red Ash is phenomenal, too. They
have another place called um the
Kimberly. That's that place is
phenomenal, too.
>> Kimberly is very good. Yeah,
>> there's there's too many good
restaurants. You have a an abundance of
choices here. It took it took a minute
because when I first moved back because
I was here in 2000 for a year. When I
first moved back, you know, I was in New
York for so long, I forgot like Austin
is more of a destination city. You have
to kind of find the places.
And Tommy Pope was like, "Dude, give me
your phone." And he went into my Google
Maps and he bookmarked
10 spots and was like, "Get this here.
Get this there. Get this here. in every
spot. I was like, "Okay, now now we're
now we're rocking and rolling." It was
great.
>> Yeah. Imagine back in the day before the
internet, you couldn't just Google like,
"What's the best steakhouse in Austin?"
You couldn't I mean, that's kind of an
amazing thing now. You had to be told
about a restaurant,
>> right?
>> You know?
>> Yeah. Yeah. What's What's t I I do that
in cities. Um when I'm on the road, I'll
I'll look up what's the best Italian
sandwich in the city.
>> Sometimes it's right. Sometimes it's
like, you know, restaurant
>> the most popular touristy place.
>> Exactly. Sometimes it's just a place
that paid for publicity, so they're
getting on these lists and it's not
accurate. But when you find it, it's
great. The internet is a great tool to
help find these places. Like you said,
it used to just be word of mouth. Used
to say what's good, and now you're
depending on some guy's opinion, which
is not always the best. But [snorts]
>> yeah, but there's some certain places.
It's like people are your own little
cisl and Eert for movies, but for for
restaurants like you got to find a fat
guy who loves food. Yeah. That guy's
going to tell you where the best spots
are.
>> Oh yeah. Yeah. Yeah. Yeah. You know who
knows everything.
>> There's like East Coast places though
that you're just never going to get
anywhere else other than the East Coast.
There's certain like kind of small
Italian restaurants in particular.
>> Like there's this place I used to go to
when I lived in New Relle. Frank and
John's. I think it was Frankie and
Johnny's. I think that's what it was
called in New Relle, this Italian place.
It was so [ __ ] insane. It was so
insane. They made a movie about that.
There was a movie called Frankie and
Johnny with Alpuccino. And I think it's
about that restaurant. I think he works
at that restaurant.
>> Really?
>> Yeah. I I think it Yeah, it's it's got
to be
>> a lot of restaurants,
>> right? But it's
>> I mean, I'm 90% sure it was in New Relle
because that's where I lived. I lived in
New Relle. If it wasn't in New Relle, it
was in the surrounding areas like maybe
Mount Vernon or something like that. But
oh my god, dude was so good. When I got
my first development deal, um my manager
thought that I had a gambling problem,
but it was really just because I was
eating steak and lobster every night.
[laughter]
He's going, "Where's all your money
going?"
>> He's like, "What are you doing?
[laughter] You're spending so much
money. You have a gambling problem." And
I was like, "No, I'm eating steak and
lobster every night, dude. I've been
poor my whole life. I'm [ __ ] eating
like a king. Until this [ __ ] runs out, I
don't even know if it's gonna last, but
I'm riding this [ __ ] right into the
rocks.
>> My favorite thing about when I finally
got to a point of some financial
stability with this crazy career that
you go through for a long time without
knowing what's next. But my favorite
thing was when I could go, I can eat
whatever I want now. Like that was that
was a huge moment to me.
>> That's one of the biggest Brian Ken said
that to me once. He goes the most
important because goes other than
obviously taking care of your family and
mortgage and all that stuff. The after
like life necessity, the big change, the
big change is being able to go to a
restaurant and order whatever you want
and not think about it, not worry about
the bill.
>> Yeah.
>> And if you can do that, like you have
real freedom. Like that's like the the
big the first big leap.
>> And then everything after that is like
these little things. It's great. Oh,
look. I live in a nice apartment. Oh,
look. I have a nice car. Oh, look. I got
the shoes that I wanted. Oh, look.
That's all fine.
>> Yeah,
>> that's nice. But the the weight that's
lifted off of you when you don't have to
worry about your bills, that's number
one. That's the big one. That's the
giant leap. That's the between the two
buildings. Like, I don't know if this is
going to work out to wee bump. Okay, I'm
going to be okay. Now, it's just about
how hard do I work and
>> what kind of success do I have? I can
feed myself now with no fears.
>> Dude, um I I actually might have said
this to you the last time I was here. I
don't remember, but it's
the the the the most profound moment for
me in practicing gratitude for for my
life. I swear to God, it's the
supermarket. When I check out at the
supermarket, I try to remind myself you
just pulled whatever you wanted off the
shelf to fill your cart and you didn't
have to worry about can I pay for this
or not.
>> You're checking out and you're paying
for your groceries and it it costs what
it you're worried. I was like people
there are people that don't have this
man. Remember this. This is
>> a ton of people. Here's the question
though. Do you think that there's value
in not having that when you're young and
then developing that sort of drive and
ambition and desire to earn money and
get something because you know what it's
like to be poor?
>> Yes. Or do you think the world would be
a far better place if instead of people
having to concentrate on necessities
like food and shelter, society reaches a
point where that is a given
>> and no one ever has to worry about food
and shelter
>> and now it's all about what do you want
to pursue and how much energy you put
into it or do you think that you have to
have that struggle? I think, look, I I
don't think that that struggle and the
transition out of that struggle is ever
bad for anybody. I think it's a I think
it's a it it builds your spirit and it
builds your who you are. That said, the
other version of it, I don't know
because it's just not a thing that we
have here.
>> It's not a thing that people have ever
experienced here and I don't even know
if they really experience it anywhere
else. I mean, I think there's like forms
of socialism, but they all involve
oppression. There's they all involve
government overreach. They all any any
real socialist system always involves
like serious restrictions on what you
can and can't too.
I will tell you this and this might be a
byproduct of the culture we live in
because we don't have it. I will say I
there is a noticeable difference to me
between people I am friendly with that
grew up with money and people that that
I know that grew up that didn't have it.
>> Right. But is that because of our
society? That's my question.
>> That's this is the question that I have.
Like is it necessary that that has to be
your struggle in order to develop the
kind of discipline that you need to be
successful in life?
>> Or is it just our society is [ __ ] up
and that desperation that we're putting
into people, you're just making the
motivation different like you're
enforcing the idea of greed because
people become selfish because no one was
looking out for them and they have a
chip on their shoulder, all that [ __ ]
Well, you don't necessarily have to have
that to have interest in pursuing
something to the best of your abilities.
[snorts]
>> Yeah, it's it's it's it's a tough thing
to to define. It's it really is. I think
um I think there's bonuses to both, but
I also think too in in in in the social
society thing,
hey, isn't it great if you can go, hey,
man, um I'm a waiter and I'm able to
live a normal life and buy a house and
and and be norm, you know, whatever.
Yeah, but that's not socialist. That's
just a we we're [ __ ] in terms of like
the amount people earn versus what you
can buy, right? Versus like the 1950s.
In the 1950s,
you you know, the the way a person can
make a living and feed an entire family
off of one paycheck, it was it was way
easier.
>> Yeah,
>> it was a lot easier.
>> Yeah. Well, it always makes me laugh
because one of my favorite uh TV shows
of all time is All in the Family,
>> right? And the whole thing with All in
the Family was supposed to be that they
were kind of struggling. Like Archie was
a cab driver and they didn't have a lot
of money, whatever. You look at that
[ __ ] house they lived in. You're
like, [laughter] that house would be
$10.3 million now. They're living pretty
[ __ ] good.
>> It's a nice house, right? [laughter]
It's all clean and nice inside.
>> It's got two floors.
>> Yeah. The guy's a cab driver.
>> Yeah. Yeah. So, it's a tough uh it's a
tough thing, but uh as far as the
society we live in personally, I think
it's better to have known what nothing
is and then go to appreciating what you
do have.
>> I don't know [clears throat]
because I've never I've never grown up
any other way. But I wonder if you have
a cons if you have conscientious parents
and you're a young kid and you know your
dad just sits you down and tells you,
"Hey buddy, you can be whatever you
want, but you're going to have to
[ __ ] put in the work. Like there's
there's only one way out of this thing
and nobody nobody rides for free. And if
you do ride for free, you're going to be
depressed." If somebody gives you
everything that you have,
>> those are the people that are the most
aimless. The rich kids that I've met
that have no like they've had money
their entire life like they their
parents just give them a trust fund so
they don't have to work and they're
worth like a ton of money. They're all
sad,
>> right?
>> They're all sad. They then they have
they're all super insecure. They're all
they all act real weird.
>> Yeah. I know one or two people that had
trust funds grow up like that but still
work their asses off because again
you're saying it's what the parents what
you know
>> I think a big part of that right is what
the parents are still in you
>> there's all this talk now of nepo babies
and all that stuff I was good friends
years ago uh with uh Eden Eden Brolan um
she's Josh Brolan's daughter and she was
very close with her dad I remember I
remember she was in my house one day in
LA and she's like I'm not supposed to
tell anybody my dad's going to Thanos in
the Marvel movies. And I was like,
that's [ __ ] crazy, right? [laughter]
So,
so like, but she, dude, she worked for
every [ __ ] thing. She I became
friends with her cuz she was a hostess
at the stand in New York. Like, she
always had regular jobs. She plays in a
band now. She does some acting, but she
is not in a situation where her dad put
her wherever. And I think it's because
they're very close, but I think it was
because she was just raised in a way
where he's like, "You're going to earn
your [ __ ] and you know and and you're
going to do your thing and
>> and she's an amazing person." Like there
was none of that. None of that my dad's
famous and I'm comfortable arrogance.
>> Well, he's a cool guy. He's a very
normal guy. Like
>> I never met him.
>> He's a very nice guy. Yeah. Very, very
smart and very normal. Like you can hang
out with, talk him, jokes around.
>> He's like he's very present.
>> Yeah. And there's there's a lot of
people like that that you think of, you
know, you think of actors as all being
these [ __ ] aloof weirdos who live in
this bizarre liberal like progressive
leftist bubble. And a lot of them are.
There's there's a giant number that are,
but man, there's a ton of like really
solid cool people that are actors like
Billy Bob Thornton.
>> Yeah.
>> Cool as [ __ ] man.
>> He seems awesome.
>> So cool. He got actually got me the
short shirt. Shout out to he was wearing
and I said, "Nice shirt, man." And so he
hooked it up.
>> I'd love to meet him. I'd love to meet
him.
>> He's great. There's a lot of those guys
that are really great. Woody Harlson's
[ __ ] great.
>> I was just going to say
>> McConna is great.
>> I became friendly with Woody and his
wife through Tony.
>> He's so nice.
>> He's the [ __ ] best. They're both
amazing. They're like he's he's so
[ __ ] cool, man. Yeah. Like
>> so so cool and present. Has zero ego.
He's just always chill and hanging out.
Always like super friendly and nice to
everybody. Woody's so nice.
>> He he he said a thing to me with the
first time I ever hung out with him, he
came to kill Tony and and and we were
drinking after the show and we had a
great time. And at the end of the night,
he just goes he and Tony had plugged my
special at the beginning of the show or
whatever. And at the end of the night,
and I mean we had had a few. We were in
Mitsys. We were all kind of just getting
into that swaying around, [laughter]
you know, and uh I was like, "It's great
to meet you, man." And he goes he goes,
"Yeah, man. It was fun tonight." And he
goes, "I'm going to watch your special."
And I go, "Thanks, man." And he goes, "I
never promised you a rose garden." And I
was like, "Yeah, that's the name." And
he's like, "I'm gonna watch." I'm like,
"This [ __ ] guy remembered the name of
my special from a plug five hours ago."
And I was like, "That's [ __ ] awesome,
man." Like, what a [ __ ]
>> He's just a good dude.
>> Yeah, what an awesome dude.
>> Yeah, they exist, man. You know, there's
a lot of them out there. You'd be
shocked.
>> Matt Damon and Ben Affleck. Very cool
guys. Like, talk to them on and off air.
I've I've talked to Matt before.
actually randomly ran into Matt Damon a
few years back in Italy at a restaurant
where he was seated under a picture of
him. [laughter]
So I had already met him before at the
UFC and then uh we were in Italy. I was
with my family and he was with his
family and he sat down. We were already
sitting down and we were right across. I
go, "Oh, look at that picture of Matt
Damon." And then literally Matt Damon
walks in and sits right under the
picture of Matt Damon. And I go, "Hey,
Matt." And he's like, "Hey, what are you
doing here?" Gave me a big hug. And I
was like, "But this is so meta."
>> Do you ever see uh
>> so strange the to like look at a photo
of a guy on the wall and go, "Oh, I know
him. That's Matt Damon." And then he
comes in and sits right there right
after you say it.
>> It's so [laughter] funny.
>> What are the odds?
>> That's so funny.
>> What are the odds?
>> Do you ever see uh Do you ever see
Autofocus, the Bob Crane movie? Yes.
>> What great can
>> What a crazy movie, man.
>> I love that movie.
>> That movie is crazy. Do you think the
guy killed him, his buddy?
>> Yes,
>> I do. I do.
>> It seems like it.
>> I do. I think so. But that's when they
show how he would get laid on the road.
>> Crazy. He would wait for the reruns of
Hogan's Heroes to be on TV and he'd sit
in front of the television.
>> He knew when they were on. And there's
that scene. There's that scene where he
tells the bartender, goes, "Could you
put on channel 22?" Whatever. She puts
[clears throat] it on and he's sitting
under it and then the hot chick comes
up. She goes, "Oh my god, is that you?"
And he goes, "Oh, how embarrassing. I
think it, [laughter]
>> oh my god."
>> Well, back then you got to think Hogan's
Heroes. First of all, how much has
society changed and how much more
sensitive have people gotten
>> when you think that Hogan's Heroes was a
show about a Nazi concentration camp and
it was a comedy?
>> Yeah. Yeah. Yeah.
>> It was a comedy. It was a comedy about
prisoners of war. They were captured by
the Nazis.
>> Yeah. Yeah. And they made like they had
like lovable Nazis.
>> Lovable Nazis.
Bumbling buddies.
>> Nobody died.
>> The show was on for like 5 years. Nobody
died.
>> No.
>> Did anybody How many seasons did Hogan's
Heroes go?
>> 168 episodes, six seasons.
>> God [laughter] damn.
>> 168 episodes, six seasons, and no one
died. [laughter]
>> They didn't kill anybody. How many
people died on Hogan's Heroes? run that
through our AI sponsor, Perplexity.
[laughter]
>> Yeah.
>> How many people died during World War II
in a Nazi prison?
>> Not a one. Not a one. Nobody got
tortured
>> in 6 years and 148 episodes.
>> Yes. Yeah. It's so insane. Do you think
they they get into a little bit of this
in the movie, but they they they play it
down.
>> But do you think there was a lot of push
back? Do you think there was like the
that they were like, "What are you
[ __ ] crazy? we can't make this show.
This is nuts. Or was it just eh?
>> In the movie, was there push back? I
don't remember.
>> There's a little bit where he's like,
it's kind of crazy.
>> Almost nobody dies on screen or as a
plot event in Hogan's Heroes. It was a
broad comedy and the regular heroes
Hogan, Clink, Heroes, Clink, Colonel
Clink, Schultz, the [ __ ] Nazi guard,
he's a hero. And the prisoners survived
the series. the notable fictional death
of Major Wolf Gang Husheder who is
reportedly killed during an Allied
bombing raid and the comandant dies at
dawn. The title is misleading. Colonel
Clink is not killed. So the practical
answer is one named reoccurring
character with occasional unnamed
wartime casualties implied rather than
shown.
>> Yeah,
>> nobody died. Obviously
>> that's
>> Clink was like remember I see nothing.
He saw nothing. He was always like, "I
got to get out of here. I see nothing."
[laughter] Like, they're all plotting
[ __ ] devious things to try to get
back at the guards. And he was like, "I
see nothing."
>> It's like having a show where the clan
headnaps people [laughter] and then the
clan is like kind of funny.
>> The the the black guys are like break
dancing. The clan's having a good time
with them.
>> Yeah. The closest I've ever seen to it
is Tarantino and Django when he makes
the clan scene funny when they're all
kind of dumb. Do you remember that
scene? God, I don't remember that scene.
Unfortunately,
>> there's a scene with the clan and there
I think Jonah Hill has a cameo in it and
they're all kind of dumb and it's like
funny dialogue with the clan. You're
[laughter] like, I don't know how he
just pulled this off but he did.
>> It's the scene with the bags where
they're trying to talk [snorts] about
the like my wife made mine.
>> Oh yeah. Okay.
>> Yeah. Yeah.
>> Well, my point was that if you go back
to that year like what year was Hogan's
heroes? Was it the
>> 70s?
>> 65 to 71 is when it
>> 65 to 71.
>> Okay.
>> Being on television was a very new
thing.
>> Oh yeah.
>> Very new thing. A sitcom star was a very
new thing. It was only at the most what
two decades old. How old is the
Honeymooners?
>> What year was that?
>> Honeymooners are the early 50s I
believe. Right. I think. And it was a
spin-off of the Gleon variety hour or
whatever the [ __ ] that was called. It
>> was a sketch they did556. Yeah, it's
only on TV for a year.
>> What?
>> What year did it start?
>> Says it aire originally aired from 55 to
56.
>> Wow.
>> That's the thing.
>> The Honeymooners there's only one
season.
>> So I have both honeymooners box sets cuz
I love the show.
>> 39 episodes.
>> 39 episodes in one season. That's a lot.
The main box set is called the classic
39 because that's all the episodes that
weren't sketches on the show or anything
like that.
>> He did 39 episodes and he was like, "We
did it. It's done. It's like nobody does
that now, right?"
>> You know, Seinfeld did it and uh Ricky
Jerv does it. He does three seasons and
he goes, "That's it."
>> They did 39 and it was a massive success
and they were like, "You have to do more
of these." And he's like, "Nope, we did
it. We're good. We have nothing left to
say." Really?
>> Yeah. And then they did reunion shows
and [ __ ] but like that was it. That's
wild. That's wild.
>> He went on to do all kinds of other
[ __ ] though. He went Oh, yeah.
>> He was in the the Hustler in ' 62. He
played a
>> Minnesota serious role.
>> Minnesota Fats.
>> Yeah.
>> Yeah.
>> You know, he was he was like the only
guy that's ever been in a movie about a
pool player that was a real pool player.
>> Mhm.
>> Like he could [ __ ] play. Like when
you watch him play in the movie, you're
like, "Oh, okay. [snorts] That's a real
pool player." Yeah,
>> like the way he strokes the ball,
>> he strokes the ball like a pro
>> guy. He could run I think he ran like 75
balls in straight pool. It might be 100,
but like the 100 balls is like the
number. If you could run a 100 balls in
straight pool, people are like that
guy's legit. He's he could run 100
balls.
>> Yeah.
>> You know, and he could do that.
>> Gleon was an incredible time.
>> It's kind of interesting about the show.
the the the sketches were over 35
minutes or more and the writers felt
restricted by the halfhour format.
>> Wow.
>> So that partially had something to Also
had a contract uh issue too.
>> So they were they felt restricted but
because they didn't have enough they had
one more time to they said it was too
slapstick and fast-paced according to TV
Guide.
>> Huh. Look at this. He had
[clears throat] $7 million left in his
contract in 1956,
which is crazy money.
>> The excellence of the material could not
be maintained. I had too much fondness
for the show to cheapen it.
>> Wow.
>> I mean, that is baller [ __ ] back then.
Like, that is not something people were
doing back then.
>> Or he's he just got lazy cuz he had so
much money. He was like,
>> "Yeah, he had an they CBS was going to
give him a three-year contract for what
would been $132 million today. He was
going to get close to like a million
dollars an episode." Wow. Jesus Christ.
A million an episode back then.
>> It was close to that. No, no, no, no,
no. Like what today's? Sorry, I forget
where it was on here. But
>> but even that's like kind of unheard of
when Seinfeld when it was announced they
were all going to get a million an
episode. I remember that was like
groundbreaking. It was like this has
never been done before and whatever.
>> This guy was offered the equivalent of
that back in 56 and said nah, I'm good.
>> Well, he probably already had so much
money and he was drunk all the time.
That guy drank all the time.
>> Yeah.
>> He was so fun.
>> Did you ever watch his final interview?
>> Yes. Yes.
>> Yeah. He's in the tracksuit just chain
smoking.
>> Oh yeah. [laughter]
>> He didn't give a [ __ ]
>> Tracksuit train. Wow. He was making
$839,000
>> now. The equivalent.
>> But he had to pay for production costs.
It says
>> Oh, that's different.
>> Yeah.
>> Oh, okay.
>> Art Carne Carney received $3,500 a week,
which is $42,000 a week now. Audrey
Meadows, $2,000 a week. Wow. Women got
[ __ ] over back then.
>> No, but Jackie [laughter] Gleason
Enterprises was running the show. So, I
mean,
>> yeah, he [ __ ] her over is what I'm
saying. [laughter] She got
Art Cardi got [ __ ] almost twice as
much as her.
>> God damn.
>> Jeez.
>> She was his wife.
>> Only one person got residuals.
>> What?
>> Yeah. Reportedly only only cast member
to receive residuals when the when they
were being broadcast. Oh, because they
had to change that [ __ ] later. Yeah,
they, you know, that's where those
strikes and the writers union and the
SAG, all that stuff really plays a part
cuz you get I got residuals for news
radio and they're not what you think
they are. Like people think it's it's
it's going to like change your life. You
never have to work again. That's only
for the people like Jerry Seinfeld that
own the show. Yeah.
>> The regular people that get residuals,
it's nice. It's a good thing.
>> But it's it makes sense. They're showing
the [ __ ] show over and over and over
again. It's still your work.
>> Yeah.
>> You know, it does make sense. You're
reselling it. So, it's not the original
deal that you had to put it on NBC for
one hour. Now, it's like a thing where
you're going to sell it again and so all
the actors get paid again. It makes
sense.
>> Dude, I've told you this before. I'm
going to tell you again so it's
documented and I know you're not that
interested, but you you need to [ __ ]
keep acting, dude. You're [ __ ] great
on that show. That is not easy. I in my
opinion, multicam sitcom, despite it
being the easiest job in show business
as far as payment, time versus reward,
it is the hardest type of acting because
it is an acting where you have to land
jokes and gags and you have to make it
convincing. That is very, very, very
hard to do. You are so [ __ ] good on
that show. I I I I'm and I watch news
radio all the time still. I told you
last time I was here, it got me through
was one of the things that got me
through COVID was doing news radio front
to back. You need to you need to keep
acting.
>> That's very nice of you. Thank you very
much. But I think your idea of what's
very hard to do and my idea of what's
very hard to do are two totally
different things cuz acting on a sitcom
is easy as [ __ ]
>> Okay.
>> Boil water. [laughter]
>> Boiling water.
>> You know what? You know what this is?
This is Joe D. Ro in the green room of
the mothership. [laughter] You know
what?
HOW MANY TIMES do you have to say that
in the [ __ ] [laughter]
>> I call that green room. You're all
[ __ ]
>> I'll go after you, dude.
>> You walk funny. You You look diseased.
It's just not nonstop.
>> It's [ __ ] easy. If you're a comic,
it's easy. If you're used to doing
standup in front of a live audience,
that's a lot harder. And then the the
acting they look they give you
especially if you're working with great
people, you know, I was doing scenes
with Dave Foley and Mora Tierney and all
those they were amazing. The cast was
incredible. Kathy
uh excuse me, Vicky Lewis, Andy Dick, uh
Candy Alexander.
>> But I will say
>> Stephen Root, they were incredible.
>> I will say this to you though, the fact
that what you just said it's easy is why
I think you should be doing it. I think
you are a natural [ __ ] actor and I
think you're you I
>> it's just pretend, dude. It doesn't ch
it. Listen, it's not Daniel I've never
done Daniel D. Lewis acting. That's like
the real acting. Val Kilmer acting,
right?
>> In in Tombstone. That's real acting.
>> I think you could.
>> I don't want to do it. [laughter]
>> Not interested. If I had another life.
If I had another life. I love movies. I
[ __ ] love. You know what's a great
show? A great show. It's called Lucky.
>> It's on Apple. It's about what is that
lady's name with the big eyes?
>> The first episode.
>> She's really beautiful but very unusual
looking. What is her name again?
>> Anna Taylor Joy. Is that her name? I
>> think so.
>> She was in the Queen's Gambit. She
[ __ ] killed it in the Queen's Gambit.
>> Anya.
>> Anya Taylor from The Witch, right? The
>> Is she in that too?
>> She's I think that was her first movie
was The Witch.
>> I didn't watch The Witch. No one in my
family will watch it with me. I want to
watch it. I try I'm a giant Robert
Edgars fan. I think he [ __ ] murdered
Noserado. I think it was the best
vampire movie by far of all time.
>> NASDA was dope. The lighthouse was dope.
>> You've seen the werewolf the werewolf
trailer that's coming out.
>> Okay.
>> Don't you okay me, you son of a [ __ ]
>> I have. I have.
>> Don't you okay me, you son of a [ __ ]
>> Here's what I will say.
>> What the [ __ ] are you going to say?
>> I love Robert Edgars. I'm not knocking
it. But it's the fourth movie he's
released where in the trailer I see
black and white footage and a lot of
people twitching and I'm like, come on.
>> That's what you [laughter] need. That's
what I'm looking for.
>> I'm like, "All right, I just I don't
know if it's going to be different."
>> This looks phenomenal.
>> Yeah, it's it's
>> phenomenal. Of course, he's twitching.
He's turning into a werewolf. The [ __ ]
is wrong with you, D Roza?
>> There's no world where it'll be a bad
movie. Uh,
>> no. World
>> doesn't exist. That guy knocks it out of
the park. A+ every movie.
>> The Witch.
>> The North The Northmen. Have you seen
that?
>> I did.
>> [ __ ]
>> You didn't love that?
>> I didn't love it.
>> Get out of this room.
>> I didn't. No, go home. You You stop.
>> Go home. I'll tell everybody about your
special after you [laughter] leave.
>> You son of a [ __ ] How could you not
like the Northmen?
>> I wanted more battles. I want it more
like
>> It was perfection. A+.
>> You know what took me out of
>> He might be my favorite director of all
time.
>> You know what took me out of the
Northman?
>> What?
>> Uh,
>> you being a [ __ ]
>> No. [laughter]
>> Take it easy. [ __ ] No, I'll tell you
what took me out of it. Nicole Kidman
having full plastic surgery in 1650 or
whatever. It was taking me out of it. It
was [ __ ] me up.
>> Let me see what she looks like back
then.
>> Taylor Joy in this movie, too.
>> Is she? She's in the Northman. Of course
she is. She rules. She rules.
>> But I love I think Edgars does great
work. Or Edgars, excuse me. Does great
work.
>> Oh, dude, he's the best. I think he's my
favorite director of all time next to
Tarantino. Tarantino is always going to
be number one.
>> But this guy's cuz I feel like there's
like levels
>> to movies and I think Tarantino is he's
the undeniable peak of the mountain. And
then everything else is pretty dope. the
uh here
>> Scorsese has got some murder. He's got
some killers.
>> Scorses.
>> A bunch of those guys have a few lemons.
>> You know what I mean?
>> You're gonna you're gonna have some
lemons when you when I mean Scorsese's
output is incredibly high. And it's
like, of course, you're going to have a
few duds.
>> Well, this is one of the reasons why
Tarantino is the goat. It's cuz he
figured out how to have no lemons other
than death proof, which Tony loves. We
argue about it all the time. So, where I
don't see plastic surgery Nicole Kidman.
>> They showed her for a second.
>> Yeah, she looked good. I don't think
she's in the trailer a lot.
>> That was
>> Let me see. Nicole Kidman
>> in that was a long movie. That was a
long time ago in this movie, right? What
year was this?
>> Uh it's probably
>> The Northman pre-COVID I think
>> I think so. I think it's like 2017 or
18.
>> Does it say Jamie? [snorts] I'm amazed
with Robert Edgars that he gets wide
release theatrical releases with the
types of movies he does.
>> I think it's because they sell.
>> They [ __ ] sell, dude. I mean, they're
so good. They're so good. People love
them and they go to see them. I mean,
that's it's really that simple.
>> It's What year was it, Jimmy?
>> Four years ago.
>> Oh, really? That was only four years
ago.
>> Oh, [ __ ] Oh, crazy. Um, see if you can
find a photo of Nicole Kidman from that.
>> And I'm obviously not saying the movie's
bad cuz Nicole Kidman had plastic
surgery, but it did it does take me out
of it when I see somebody doing a period
piece with
>> See, that doesn't look like plastic
surgery to me. She looks totally normal.
>> Maybe it's just cuz I remember.
>> Maybe you just want her to have plastic
surgery cuz you're a hater.
>> I'm not [ __ ] on Nicole Kid.
>> Seems to be a little bit of a hater. She
looks perfect.
>> She's got a Yeah.
>> What are you saying?
>> Little work. A little work. Little work
though. I don't see work, dude. I see a
beautiful face. You son of a [ __ ] [ __ ]
is wrong with you?
>> Oh, you go.
>> So, down there when she's with Anya
Taylor Joy right there. That's her right
there.
>> So, that that looks a little fillery.
>> Unfortunately, that look I think has
gone away though. I think ladies are
realizing that nobody likes it.
>> No,
>> the the filler face.
>> Did you see the trailer for this thing?
The neurommancer.
>> No. What's this?
>> Uh, so
>> what's this? [clears throat]
>> Nerds are super pumped. This is like the
story where like I've heard
>> the Matrix and [ __ ] came out of this.
>> So I It's going to be a TV show.
Actually, it's not even a movie.
>> Wait, how do you mean the Matrix came
out of like the jacking in and stuff
like that?
>> Yes. Who wrote that book?
>> Uh uh off the top of my head from 1984.
William
>> William Gibson. Yeah. This is supposed
to be a movie that people were concerned
was like impossible to or a book rather
that people were concerned with
impossible to translate into a film
correctly.
>> Okay.
>> I don't know why cuz I haven't read the
book, but I read that argument like
there's no way you're ever going to
really nail this.
>> Just jacked in and now he's like in some
new space, which I I don't again I
haven't read it either and I don't it's
no spoiler alert or anything. I don't
know much about it, but people are very
pumped that they attempted this and it
looks cool.
>> But but wait a second. So, did The
Matrix just take all of its ideas from
this?
>> No. Here, I I'll find out what I mean
when I said that.
>> Okay.
>> Lucky. Watch is so lucky. It's on Apple
TV. It only has uh seven episodes and
it's only going to be one season. I
think
>> I just started watching The Shards,
which I'm feeling
>> the the term cyerspace came out of that
book and then like there you go. A
consensual Yeah.
>> consensual hallucination experienced
daily by billions of authorized
>> term. The Matrix actually itself I think
came out of there.
>> Oo. Well, um, that's coming, right?
>> That's coming. He's he was ahead of his
time. He figured it out.
>> So, now this is a weird thing. Okay. And
this is a thing you notice [snorts] with
with these directors that break through
and do an amazing first movie and then
it's kind of followed by a lot of
hoham stuff.
>> You mean The Matrix?
>> Yeah. Well, the Wakowskis, The Matrix
was this cultural phenomenon. It changed
everything and blah blah blah blah.
Their movies after that, except for
maybe V for Vendetta, none of them
really ever lived up to that. So now
we're seeing this and I'm like, well,
did they just get all the great ideas
for the Matrix from this other thing and
then they made a great movie and then
that's why they were never able to kind
of hit that again? Every Matrix sequel
is terrible.
>> They're literally jacking in the same
exact way through the back of the head.
Yeah,
>> it's the same thing.
>> And they're saying the term the matrix
came out of the this.
>> That's crazy.
>> I'm like, I thought they [laughter] made
that up.
>> You know, they got sued, too, cuz some
lady wrote um I think it was a graphic
novel. It might have been an a short
story or graphic novel. I forget what it
was, but she wrote a a story and brought
it to them apparently.
>> Well, she also said she wrote the
Terminator for both both.
>> So, is she just a cook?
>> That's a cook. She had a manuscript
titled The Third Eye from
[clears throat] 1980s and
she [snorts]
Yeah, I saw the story. I remember when
>> Yeah. Let me let me tell you why she's a
cook.
>> Har story.
>> Well, because he mentioned the
Terminator. Haron Ellison wrote an
episode of The Outer Limits called
Demon. It was called Demon with the
Glass Hand. Haron Ellison sued James
Cameron when the Terminator came out and
he goes, "That's my [ __ ] story. I did
it on the outer limits in the 60s and
Harlon Ellison got paid and they were
like, "Yeah, it's actually kind of the
same thing."
>> Huh.
>> So, this lady did not write the
Terminator in the 80s.
>> Well, it could be multiple influences,
>> but
>> it could be multiple
inspirations, right? It could be.
>> The worst one is, and I'm a fan of
>> because let's let's just not let's not
we're not accusing anyone of
plagiarizing, but we're saying if
someone was gonna plagiarize, why
wouldn't they plagiarize from multiple
sources? You can't just say just because
he stole a giant chunk of it from that
one episode of a show. That doesn't mean
that he didn't steal a bunch of other
stuff. And I'm not saying anybody stole
anything. Right. Right.
>> I don't think James Cameron stole a
goddamn thing.
>> I don't think he stole anything. I think
he saw it.
>> I think it he might not have even seen
it. There's a lot of parallel thinking
when it comes to this concept of AI and
robots being like people and taking it's
in Battlestar Galactica.
>> Sure. Sure.
>> You know, I mean, it's like there's a
lot of that where people become robots.
It's in the original Alien movie 1979,
remember? Right.
>> There's a [ __ ] an artificial
intelligence that is their guy. Yeah.
>> That they don't know is a robot until it
it has I think they beat it to death.
Frank, how' they find out that it's a
robot?
It's um
>> I think they they kill it. They knock
its head off and that's how they find
out it's a robot.
>> Blanking on the act. It's it's re um Oh
god,
>> the guy's a great actor.
>> He's one of my favorites and I'm
blanking on his name. So
>> this is 79 that they did that, right? So
that's the Terminator. Like these
concepts have been around for a long
time. The concepts of artificial
intelligence taking over.
>> I think it was more the plotline of this
this robot comes back.
>> Oh, in time.
>> It was something like that. Yeah.
>> And I don't I don't think James Cameron
stole it either because there's no other
evidence of him ever swiping something.
I But I do think like we all do this
thing where we see something, we don't
remember it. It goes into the
subconscious and maybe you go, I got a
great idea. And you're not realizing,
oh, actually that's a thing I saw when I
was 10.
>> He's pretty intensely creative. Like
[clears throat] an original. I don't I
don't imagine that he would do that.
>> I would hope not, but
>> I don't think so. But Harlon Ellison did
win the the case.
>> Interesting.
>> Um, but I
>> wonder how much he got paid. [laughter]
>> How much did Harlon Ellison get for that
that lawsuit? Did they disclose it or
did they pay him just to shut the [ __ ]
up?
>> Well, Ellison is I mean, he is
everybody's everybody that loves sci-fi,
he's their favorite sci-fi guy. Really?
Like, he is the guy.
>> Bold statement.
>> He's the guy. Ellison is the guy. You'd
love you should read up on Haron
Allison. You would love
>> I probably should.
>> There's not enough time to consume all
the things.
>> Yeah,
>> there's so many things to consume.
>> Out of [cough and clears throat]
dispute ended out of court settlement.
There you go. Rather than a court ruling
on So they just paid him to shut the
[ __ ] up. So they probably gave him a
fact check.
>> Yeah, there it is. Soldier and demon
with the glass hand. involved combatants
from a future war arriving in the
present, including a relentless
futuristic soldier sent to kill. Ellison
argued that the Terminator borrowed this
core setup. Commentators often mentioned
his Outer Limits episode, Demon with a
Glass Hand, but Ellison himself
reportedly uh said his principal claim
concerned Soldier, not that episode. So,
it seemed like it wasn't maybe it was
more than one thing. Hm.
>> Either way,
>> um,
>> you could, you know, it's like
every werewolf movie is a guy gets bit
by a werewolf.
>> Sure.
>> You know what I mean? Like you could say
no one can make a werewolf movie anymore
because of the wolf man. Cuz you're
you're all stealing from the wolf man
from
>> Well, I think the difference is that's
werewolf mythology,
>> right?
>> Overall. That's true.
>> Versus, you know what I mean?
>> That's true. Yeah. Of course. Yeah. I
mean, that's Yeah. bad bad example.
>> The uh
>> it's not an original story,
>> but you would love Harlon Ellison cuz he
was just I'm sure
>> my favorite story of his is he he talked
about when he was in college and he
goes, "My my literary professor said I
had no talent so I got expelled cuz I
punched him in the throat. [laughter]
>> He's a maniac."
>> Maniac.
>> God, how many bad teachers have ruined a
kid's future by telling them they have
no talent?
>> Yeah, right.
>> How many?
>> It's nuts.
>> So many. There's so many stories like
that. So many stories of some shitty
teacher.
>> It's nuts. Did you have when you were
getting into Well, well, how old were
you when you said, "I'm going to go do
comedy. I'm not going to do any of the
[ __ ] that I studied in school. I'm going
to actually
>> Well, I barely studied in school. I only
went to school because I didn't want to
be a loser. Literally, I went to UMass
Boston,
>> like the continuing education program,
so I didn't have to take my SATs." And I
only went for three years. I was wasting
my time. And the whole time I was doing
it, I was fighting. And that was my
primary concern. That was what I was
thinking about. And I was teaching at
Boston University.
>> Oh, you mean like like MMA fighting?
Okay. Got
>> kickboxing and taekwondo.
>> Okay.
>> Um and uh that was my concern. I really
was the the the But you tell people, you
know, oh, what do you do? Oh, I'm a
taekwond do fighter. [laughter] You
[ __ ] loser. You [ __ ] loser.
I totally I would not tell people what I
did. I'm going to school. I'm going to
UMass Boston. That was literally that's
what I was doing.
>> Oh my god, that's so [ __ ] funny,
dude.
>> Four time state taekwondo champion. I
fought all over the country.
>> I didn't know that.
>> Yeah,
>> I knew you had fighting in your
background. I didn't know you were champ
and stuff.
>> Yeah, I was really good when I was young
at Taekwondo. I was really good.
>> What made you switch gears from that to
go into comedy?
>> Well, first of all, there was no future
in it.
>> There was no future. I tried out for the
Olympics in 88. I made it to the
nationals. I won the states and I went
made to nationals. I made it to the
third fight in the nationals and I lost.
That was in Miami in 88. And then I
realized like I wasn't as enthusiastic
about it anymore. Oh yeah, you got extra
cigarettes. Thank you.
>> Look at that hair. I know. I knew you
might there for everybody.
>> Yeah. Yeah.
>> Um
and then um I was also getting brain
damage and I was very aware of that. I
would lie in bed at night after sparring
and my head would be ringing just th th
th th th th th th th th th th th th th
th th th th th th th th th th th th th
th th th th th th th th th th th th
throbbing just boom boom boom boom
>> Jesus Christ.
>> I was like I'm doing this for free.
There's no money in this. I'm not making
any money.
>> Holy [ __ ]
>> Yeah, I was sparring a lot, especially
kickboxing sparring. I was getting hit a
lot. It was a lot of like kickboxing
wars and it was just not worth it. It
was just not. And I was realizing like I
got to get out before I become that guy
at the gym because there were some guys
that I had met and then I'd watched them
deteriorate a little during the time
that I knew them and I was training with
them. I watched their personalities
change. I watched them g get like
slower.
>> Like I could see their movement was
compromised
>> because they had gotten brain damage.
They've been knocked out a few times.
And I I was realizing like, oh, this is
a real problem. And no one seems to be
thinking about it. everyone's like
pretending it doesn't exist because they
just want to be a tough guy and they
just want to fight and win and
it becomes the thing you do and the
thing you do is the the only thing you
know and if that thing is bowling then
you bowl every night you know if that
thing is golf then you golf every day if
that thing is fighting you're fighting
all the time.
>> Yeah.
>> And it was uh
>> by the time I was and I was also
realizing there's no future in this. I'm
not going to ever have any money. I'm
always going to be poor. I'm always
going to be like wondering where my next
paycheck's coming from. This is There's
no money in this. And there was no UFC
back then. And um I got talked into
doing standup by my friends.
That's literally how it started. This
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>> And then that was it. I mean, you moved
fairly fast, right, through standup.
[snorts]
>> Well, um, see, I did half hour comedy
hour, MTV half hour comedy hour. I was
like
five years in, five years into standup
and um then I got on the television show
Hard Ball, the show I did with Jim
Brewer.
>> Yeah.
>> Did that flew out here or flew out to
California rather and that got cancelled
after six episodes and then I got news
radio right away. So I only auditioned
for two shows ever.
>> Wow. Hard ball and news radio and I got
both of them. It was the luckiest streak
of all time. No acting. I took a couple
of acting classes that I had to take.
When Disney gave me the money, the first
development deal, they said, "Do you do
you know how to act?" I'm like, "I don't
know. [laughter]
Why are you guys giving me money?" It
made no sense. They just wanted to put
me on a sitcom. And you know, this was
in the '9s when sitcoms was like
Roseanne and Seinfeld. It was a gold
mine. if you could find a personality
that you thought was someone who would
click on a sitcom that people would want
to watch, you know, every Tuesday night
or whatever it was,
>> they were they were willing to pay you a
lot of money and then all of a sudden I
was out in LA, but it was never a desire
of mine.
>> So, because it wasn't a desire of mine,
I didn't get nervous.
>> Like, I didn't get nervous during
auditions. I It was not a It was not a
thing where I'm like, "This could change
my life. This could be it." It was like,
"What am I doing here? What is this?
What am I doing here?
>> It's I'm It's You're You're good at it.
That's what you were [ __ ] doing
there, man. [laughter]
>> It's not It's not hard, dude. It's
again, it's not real acting. It's not,
you know, Marlon Brando. It's It's just
You're just pretending that this thing
is happening in the the newsroom. It's
not hard. It's [ __ ] [laughter]
It's [ __ ] easy. I mean, the m
meantime, I'm doing jiujitsu. Um I was
still sparring back then. So, I'd go to
the Jet Center and kickbox and I'd spar.
And so I'd go to work, I'm like, "This
is so easy.
>> This is so easy." Compared to stand up
and kickboxing. And
>> did you notice when you said you were
you were noticing damage happening
because your head throbbing and ringing
or whatever?
>> Did you notice any other effects or did
you cut it off before any effects could
actually, you know, like long like
actual things that were affecting you?
>> No, I didn't notice anything like I was
compromised or I couldn't think well or
I was forgetting things. It wasn't like
that. I I think I cut it off before I
got that bad, but I definitely got some
brain damage 100%. And I think it it
plays a part of my uh impulsiveness and
my I I you know, I like scary things. I
I like I like things that are make me
nervous. I like things that are really
hard to do. And I think that might be
part of that,
>> right?
>> That I got rattled a bunch of times in
my formative years.
>> Yeah. [laughter]
>> Because from 15 to 21, who knows how
many times I got hit in the head. a lot.
>> You're you're we're we're very different
in that way. You're you're you're a guy
that I think like very much likes a a
challen the conquering the challenge,
you know. Uh you know,
>> well, it keeps me sane. That's what
keeps me sane. I think you make your the
voluntary things that you engage in that
are way more difficult than the rest of
your life. It makes the rest of your
life easier
>> because [clears throat] these hard
things that you do voluntarily,
voluntary adversity, you force yourself
to do hard things all the time. So then
when other things that are seemingly
hard come up, you're like, "Ah, this
ain't shit." Compared to a cold plunge,
[laughter]
this ain't [ __ ] I just did an a
workout, a hypoxia workout. And uh so
it's at I have a box in my studio that
goes to it takes all the air out. So it
puts you at the equivalent of 15,000
feet uh above sea level and you do this
interval training. So you do sprints on
the aerodyine machine, you get off of
that and you do these kettle bell cleans
and presses or swings and you get off of
that and then you do the sled and you
push the sled or you do backwards on the
sled and it's got varying resistance and
you do them in these 50-second,
40-second and then 30 second sprints.
So, like everything else is easy.
>> God damn, dude. I'm just I I can't
[laughter]
I admire it. I admire the [ __ ] out of
it, but
>> Well, it's just for me, I think
everybody should do something hard. It
keeps it keeps me sane. For me, I need
it. I don't know, you know, I'm not
other people. I don't I don't pretend to
know how they feel, but I know how I
feel. If I don't exercise regularly, I
have more anxiety. I don't feel
comfortable. I don't feel good. I'm more
irritable. I don't like it. I don't like
that feeling. When I am like when I work
out really hard and I do the things that
I'm supposed to do, I feel great. I feel
friendly. I'm feel happy. I feel light.
I feel like life is easy.
>> Yeah. It's it's a thing. I'm not I'm not
blowing smoke. It's a thing I've noticed
about you. You're you're a very I would
even say happy golucky kind of guy. Like
you're you're very friendly. You're
always in a very good mood. I've I've
very rarely seen you and I see you
frequently now at the club very rarely
seen you come in where you're like [ __ ]
like I don't think ever to be honest
with you and it's I guess everything
you're saying like it puts you
>> it's a choice it's a choice to feel like
that that that don't do you any good
unless you're trying to do something
with that [ __ ] this unless unless you've
got some [ __ ] you have to get done
that's hard and you want to have this
attitude where you're going to attack it
like [ __ ] this like regular life. Like,
why? Why? Why? Why upset? Why? Why?
You're not in Gaza, right?
>> What are you doing? You're not You're
not in Ukraine hiding in a [ __ ]
bunker. Like, what are you talking
about?
>> Yeah.
>> What are you bitching about?
>> Yeah.
>> You're You're living an easy life in
America and you're rich, right?
>> Like, what? How dare I be upset?
>> Sure.
>> How dare I? Imagine.
>> Sure.
>> With the the fortune, the luck that I've
had in this life, how me being pissed
off at things.
That's why it doesn't bother me when
people talk [ __ ] about me either. I'm
like, "Okay, like talk that shit."
>> You could have fun.
>> You could teach, remember when YouTube
was doing those master classes where
like a guy would sit down and like Steve
Martin would be like, "I'm going to
teach you how to do write comedy or
whatever and David Mamemoth did one on
writing or whatever." You could do a
master class on YouTube in how to let
the [ __ ] roll off your back because I am
astounded at how much it does not bother
you when people are releasing clips and
talking this and bull and it's all
[ __ ] whatever, [laughter] and
you're just like, "Yeah, whatever, man.
Have fun. Knock yourself out." It
doesn't you can't stop people from
having an opinion. There's always going
to be people that have an opinion. And
then in this market of hot takes,
there's always going to be people and
their opinion is negative opinions are
more valuable in terms of the commodity
of attention attacking someone being,
you know, calling someone out. It's more
valuable in this commodity. And then
there's people that have legitimate
differing opinions of me and they, you
know, they don't like this and they
don't like that. They don't like I said
this or they don't like this person that
I had on.
>> What am I supposed to do? Address all of
it? even think about it. I police myself
as much as I can. Believe me, if I [ __ ]
something up, I I'm mad at me more than
anybody's mad at me,
>> right?
>> So that way I get it out on my own. I
don't need a lot of external validation.
I don't need any.
>> I'm not interested in that. I'm
interested in doing the best that I can
and I hope people like it and that's it.
[laughter]
>> I The little [ __ ] gets me, man. I
[ __ ] get I get like
>> you need you need an outlet, Joe D.
Rosa. You need a physical outlet to to
calm your mind.
>> Yes,
>> that's what you need. You need to get a
trainer. Just hire a trainer. We talked
about this.
>> We have been talking about it.
>> Get a trainer. Get get because you're
not going to do it on your own. Get
someone who you show up three times a
week and they put you through the paces.
And a smart trainer will do it nice and
slow. So, the first few workouts, it
won't even be that hard. You leave
there, you'll feel like energized. You
won't feel exhausted. You'll feel like,
"Ah, all right. I did a little
something. Feel good." And and then he's
like, "Okay, we're this is a process,
you know, we're gonna we're gonna keep
ramping this up slowly but surely." But
you're never going to be like, "Oh my
god, I can't [ __ ] move. I went to my
[ __ ] trainer. He's killing me. My
back is killing. I can't get off the
couch." No, no, no, no, no, no. A good
trainer is going to look at you, ask you
how what you've been doing. When was the
last time you worked out? How often you
do? Okay, let's start here. And they'll
start you off with some simple body
weight stuff. They'll put you through
some different mobility exercises,
different stuff to just get the get the
joints lubed up, get everything moving,
and then build your body up nice and
slow. Nice and slow.
>> Yeah. My my boy Chuck uh you know Chuck,
Mexican OT's dad, Chuck, he Chuck, right
when you and I talked about when you
were like, "You should get a trainer."
Chuck said to me
>> unprompted, he goes, "Joe, let me train
with you,
>> dude. Take him up on it."
>> Yeah. He goes, he goes, "I'll come to
your apartment. Let's just go. I'll come
to your apartment."
>> That guy's jacked. Take him up on it. He
knows what he's doing.
>> And he said everything you just said. He
goes, "We're going to go slow. It's not
going to be this overwhelming thing."
Cuz I get overwhelmed easily, obviously.
Uh, and I was like, "Chuck, it's going
to be too much and I'm going to start."
And he goes, "We're not going to do
that. We're going to take it really
slow. Let me just come to your place and
whatever." And so I think I'm going to
start doing it with him because I just
need to
>> Yeah. If you go to the wrong trainer,
there's some trainers out there that are
meattheads or they don't really know
what they're doing and they'll beat you
down and they're like, "We're going to
[ __ ] push it today." Like, no, no,
no, no, no, no, no.
>> You can't push it when someone doesn't
work out. When someone doesn't work out,
you go nice and slow, nice and easy, and
then you slowly build up to the point
where you can push it, right? You don't
take a [ __ ] Prius and you drive it
around the racetrack sideways. It's not
designed for that. the the suspension is
going to fall off. The wheels are going
to there's no traction. You got no
tires. You're going to have to build up
everything.
>> And then once it gets built up, then you
can push it. So once you're getting Look
at Jelly Roll. Jelly Roll lost literally
almost 300 lb,
>> which is crazy.
>> Now he's running on the treadmill. He
did six miles when we came in to do a
podcast. We're all working out together
and he's [ __ ] running on the
treadmill while we're talking. We're
talking. He's saying like he can
breathe, he can talk, and he's running
at a good clip. Got in the sauna with
me, did the whole thing.
>> When I first met him, he's 500 lb.
Couldn't
>> could barely make it up to the stairs to
the comedy club. He couldn't couldn't
walk up the stairs.
>> Now he's fit. Now he's healthy. He runs
all the time.
>> So, it's just a process of building to
get to that place. like he did that show
uh McCane has this benefit every year
and we went to the benefit and um he
performed at the benefit and he's on
stage and we were backstage watching it
and so we're like in the me and Tony and
his girl and my wife were in the corner
watching this. Jelly gets off stage and
there's a railing like a ramp to get
off. He grabs the railing and hops over
it and lands on the other side. I go,
"Dude, do you know what you just did?"
>> I go, "You used to be 500 lb." Yeah.
>> And now you just jumped over that
railing like a cat.
>> It was amazing.
>> He was so happy. He's like, "Isn't this
crazy?"
>> I'm like, "It's crazy. Look what you've
done."
>> That's wild.
>> And that's what you have to do. You have
to And it took him years. And that's how
you have to do it. You have, it has to
be slowly but along the way, you'll feel
better every step of the way. It's not
about It's not about breaking your body
down. It's about slowly introducing
movement and some physical exercise and
then building upon that 10 push-ups in a
day. Then the next day you try 12 and
then a week later you're doing 15. And
then two weeks after that maybe you can
do 20 in a row or three weeks, a month,
two months, whatever it is. You
everybody's got their own timing.
Bodyweight squats very simple. Start
with 10. No big deal. Get to 90 degrees
pack up. just just enough just to get
the blood moving. Walking is [ __ ]
great. You know what's really great?
Walking with a weighted vest. Not that
hard to do. Put a 20 lb vest on, 25 lb
vest on, walk around the block. Yeah,
>> it's [ __ ] great for you. Yeah,
>> there's a lot of different things that
you could do that don't crush you. And
then you're just going to feel a little
better. You'll have a little bit of
more, you know, vitality, more blood
flow, and then you build upon that.
That's the key.
>> I was building slow. I was doing three
days a week and it was getting better
and better and better and then and end
of the summer hit, August hit, I started
going on the road again and all of a
sudden it starts to taper off cuz you're
like now I got to fly on this day when
I'm usually do my thing and and I got
lazy and I got to get back into it. I
got to get back into it. But the good
thing is this with what you're saying
with the slow build. When I start again,
I'm able to start where I stopped. I'm
able to start there again. You know what
I mean,
>> right? Rather than where you began.
>> Exactly.
>> That's great. Yeah. That's Listen, man.
It's all about momentum. Discipline is
very important. But really, momentum
makes discipline a lot easier.
>> You know, it's like you say, "Oh, you've
got really good discipline." Like,
sort of. I got I got started. Once you
get started, it's more about momentum
than it is about discipline, right?
>> And then it's also about writing things
down.
>> If you just write it down, you have to
do it,
>> right? You write it down and make a
check. That way instead of like keeping
this thing in my head, oh, I'm just
going to figure out my own workout. I'll
do this. I'll do that. No, I have a
whiteboard. I write down on the
whiteboard. This is what we're doing.
And then you just do it.
>> Yeah. I had a list in my phone. These
are your exercise. 20 reps of each of
these. And I just kept adding
>> exercises. I don't know a good app, but
I'm sure there's some out there that are
like a really good workout app that'll
vary your workout every day based upon
your level, based upon like, you know,
how much experience you have. I tr it's
there can the apps get confusing. I
tried a couple of them and
>> there's got to be a good one out there.
I just don't know what they are.
>> It's a lot of questions that I'm like I
don't [ __ ] know, man.
>> That's because they're trying to make it
good. They're going to trying to make an
app that, you know,
>> gives you what you need. But yeah,
exercise apps, again, there's there's
good ones, I'm sure, but exercise apps
kind of became like dating apps where
there's a million that are all saying,
"We're going to change your life in 3
days." And you're like, "No,
>> I think most important is a real good
trainer is more important because he can
correct your form in real time, tell you
why. Don't do it like that. You're going
to hurt your back. Don't do it like
this. You're putting too much pressure
on this and that and you're not
balanced." Whatever it is, he can get
you to do it correctly, which is more
important than anything.
>> Yeah. when especially once you start
actually lifting weights, you know, Pavo
Tatsulene, who's the um he's the guy who
really brought kettle bells to
popularity in America. It's Russian cat
and uh great system of training. And but
one of the things that he said that
really stuck with me, he said strength
is a skill
>> and you should think of strength as a
skill.
>> Okay?
>> So like when you're working on your
skills like like kettlebell cleans and
presses, you shouldn't be exhausted. you
should do. He does instead of doing it
to failure, you know, like a lot of
people like to work to fail. Like
imagine you can clean and press 50
pounds 10 times until you're like really
exhausted and on the 10th time you're
kind of cooked. Don't do 10. You do
five,
>> right?
>> Just do five and then wait a long time.
Wait like five minutes. Rest up
completely and then do another five.
>> Do it that way.
>> That's interesting
>> because that way you're always fresh and
you're you're working on skill. You're
still getting the same amount of
repetitions, but you're not torturing
your tissue. You're not taxing your
system. You're learning. And you're not
taking any shortcuts. You're not moving
weird. You know, you're not like leaning
into something in a weird way. You're
going to hurt yourself because you're
all out of line. You're doing everything
with correct form because you're not
exhausted. Yeah.
>> But you're still getting the same amount
of work in.
>> The rest time is interesting because I I
always thought, well, it like I I was
doing two different types of push-ups. I
was doing the [ __ ] 45 finger spread
down hold up, whatever.
>> And I could get through 20 of those.
Initially, I couldn't. And then when I
was able to get through 20, I was like,
"Holy shit." And then I was doing a
different push-up with the arms back
like this.
>> And those when I got to that, I'd I'd
hit 10 and I'd be like, "Fuck."
And then I'd sit for a minute and then
I' a minute would go by. I'd be like,
"You got to do the other 10." Because if
you don't if you wait too long, I always
thought waiting too long was a bad
thing, but you're saying no, actually
rest five minutes. Take take a breath.
>> Yeah, there's nothing wrong with it. As
long as you have the time to do the same
amount of reps. You just want to get
enough work in so your body forces
adaptation. It doesn't have to be all to
failure. Now, again, depends on what
we're trying to do, right? If you're
trying to build up muscular endurance,
then yeah, you go to failure. It depends
on what you're trying to do. If you're
just trying to get stronger, that's a
different thing.
>> And then, you know, obviously I do
different kinds of workouts. Like the
workout I did today. This it's all
exhaustion stuff. It's all sprinting.
It's not like the kettle bell stuff.
This is all high altitude and it's all
like maximum intensity on the aerodyine
bike, maximum intensity on the sled,
maximum intensity on the kettle bell
cleans. You're beating yourself up
because you're only doing it for 50
seconds and then or 60 seconds, 40
seconds, and and then 30 seconds. So,
it's like I do a bunch of different
kinds of exercises, but when I do like
strength stuff, I I don't ever do it to
failure.
>> Can you do is there a thing like like
some people go the 100 push-ups a day,
whatever, that's their thing.
>> I always wondered, well, is it the same
if you do a 100 push-ups just throughout
the day as
doesn't matter if you start at 9 and
finish at three?
>> Farmers don't lift hay to failure,
right? They pick up a bail of hay, they
chuck it under the pile, they go back to
get another one. They pick up a bail of
hay, they chuck it on the pile, they go
back to get another one. They push a
wheelbarrow, they [ __ ] hammer a post
down, they do a bunch of different
things. They do it all throughout the
day, but they're never doing anything
where they're just very rarely at least
where they're lying flat on their back
breathing like they think they're going
to have a [ __ ] heart attack. They
never have that. They never get to the
point where they're dropping the bail
hay cuz their arms are shaking and
they're like, "One more rep." [groaning]
But yet they get ridiculously [ __ ]
strong, right? Why? Because of all the
work.
>> It doesn't have to be work to failure.
And in our mind, we think, "Oh, you have
to go to failure in order to get
stronger, right?"
>> And again, we're talking about very
specific things. Getting stronger, using
kettle bells, especially, but you could
do dumbbells and other things as well.
If you're now if you're doing something
else like if you're trying to get
maximum amount of uh bench press, if
you're trying to like win a competition
or maximum amount of chin-ups you can
do, then it's a different thing. We're
talking about a different thing. But if
you're just talking about overall
building strength for your body, the
most important thing is volume, I think.
>> Okay. And and it's if you can, like I
said, I think this principle that Pavle
Tatsulene has is a really good one that
instead of doing 10, if you do 10 to
failure, do five, wait a while, do five
again. And I think it lessens the
opportunity to get injured. You're
you're much less likely to get injured
doing it that way. And I'm very rarely
injured from working out. Very rare from
just kettle bell stuff. Like very
rarely.
>> Right. All right. All right. You're
inspiring me to to hop back in and and
and start doing it again. I gota I've
really got
>> You just got to get somebody to help
you. You know, get Mexican OT's dad.
>> Yeah.
>> Get him to help you.
>> Yeah.
>> He knows what he's doing.
>> Yeah. Yeah. No, that dude's [ __ ]
jacked.
>> Yeah. That's that's perfect guy. And
he's the way what he said is the right.
Like he knows what he's doing. That's
why he's the the guy to get you do it
nice and slow and just build you up. And
also he's fun.
>> He's cool to hang out with. Yeah.
>> That you like that too. You don't want
to be an annoying trainer. It's always
asking you to post about him on
Instagram. [laughter]
>> [ __ ] off. You know what I mean?
>> You think you post I got an energy drink
I'm trying to promote.
>> Yeah. Yeah. Yeah. Yeah. You get those
DMs from guys.
>> Exhausting.
Yeah.
>> All right. I'm back.
>> There you go. You're back.
>> I'm back in, baby.
>> Bro, I I read the craziest thing today
and I need to find out if it's true. I
sent you the thing that where Nick
Fuentes was talking about Jamie. So
apparently there was this plot where
Iran was trying to kill Trump. Remember
when uh he was supposed to get in the
Air Force One that Carter gave him?
>> Mhm.
>> And then instead he flew in the old Air
Force One.
>> Okay.
>> Well, they're saying that he actually
didn't even go in the old Air Force One
that they snuck him out on a truck.
>> Okay.
>> Like some [ __ ] cargo truck.
>> Okay. and then put him in another kind
of plane and flew him out of there. And
then they put the press in Air Force One
because they were think they were
apparently worried they were going to
target Air Force One as well. So imagine
Trump put the press on Air Force One
[laughter] and they were thinking about
possibly targeting them.
>> Holy [ __ ]
>> He hid in an airport catering container
and was taken to a military jet for a
secret flight out of the country after
the NATO summit last month. And this is
being reported by the New York Times.
The thing is though, I think they put
the press on Air Force One.
So if they flew him out, it was because
they were worried they were going to try
to take down Air Force One and they took
the press.
>> No. If you take the press off, then then
they know that we know. [laughter]
>> Got to let them got to let them know
that we playing games. Just everything's
normal.
>> Exactly. And if the press dies, so sad.
>> Oh my god.
>> But you just get more press.
>> God, that's [ __ ] wild. If that's
true, that is so wild that he didn't
even tell them. Hey guys, uh we're not
really going to get on this plane. No
one's getting on this plane. You guys
get out of here. Go take American
Airlines home. No, he's like, "Hop on.
It's safe."
>> Yeah,
>> it's Air Force One,
>> guys. My gift to you. Take Air Force
One. Enjoy it. There's food. There's
sandwiches on there. Enjoy yourself.
>> Is that absolutely what happened?
>> Uh it says reporters on the older plane
were not told that Mr. Trump had not
flown with them from Turkey to an air
base in Britain, [clears throat] making
them unwitting participants in the ruse
and leaving them along with some White
House staff members to serve as
unknowing decoys.
>> Holy [ __ ]
>> After they arrived in Britain, he was
secretly moved back to the older version
of Air Force One.
>> Bro, Jesus Christ.
>> Those press people were signing up for
something they didn't know. [laughter]
They didn't know what they were signing
up for.
And they didn't tell them at all that
when you want to know like who's more
important, you or the president, that's
when you find out. They just throw you
on Air Force One shrimp cocktail.
[laughter]
>> It's like boom. All of a sudden, you
turn into [ __ ] protons.
>> It's like [ __ ] Good Fellas when he's
telling Karen to go, "Go now. Go down
and get the dresses. Go ahead. There's
dresses."
>> No, I'm okay. [laughter]
>> Karen. Holy [ __ ] That is [ __ ] wild.
>> Isn't that crazy?
>> That is [ __ ] wild.
>> That's crazy.
>> Yeah. Are they Are they Is there Has
there been backlash? Are they Are they
Have they Are Jamie? Are they saying
anything?
>> Who Who's saying anything?
>> The press.
>> I would imagine they're a little
perturbed.
[laughter]
>> That would perturb me.
>> Jesus Christ. [snorts]
>> That's so crazy.
>> Holy [ __ ]
>> Imagine if it blew up. It's like I
should have been there. wanted to be
there with them when they died.
>> They're heroes. [laughter]
>> He would probably talk [ __ ] about them.
>> Oh my god, that is [ __ ]
>> Maybe they had written nicer things
about me. I would have told them.
>> Oh my god. Did you I I just watched um I
just watched uh Michael the Michael
Jackson movie.
>> How was it?
>> It Look, it's the first part of his life
up till bad. They don't get into any of
the crazy [ __ ] They're saying they're
making a sequel that they might get into
the some of the crazy [ __ ] But it was
it was fun. I'm a big Michael Jackson
fan. It was fun to watch. But I I
started reading up on Michael Jackson
afterwards cuz I was like it just it was
very nostalgic to watch. Do you know
this? When he died, he was pronounced
dead at Neverland Ranch and they lied to
the press and said that he was at a
hospital already and pronounced dead
because they had to get the body out of
Neverland Ranch.
>> Wow. And they knew if he they pronounced
him dead at Neverland Ranch, they
wouldn't be able to get the [ __ ] body
out of the goddamn house.
>> Why?
>> Because they said the press would leak
it and the clamoring of fans and
whatever else would literally have
blocked them from getting the [ __ ]
>> from transporting the body. So they had
to lie and say, "He's dead already, but
he's at this hospital." And it was a
decoy because that's how [ __ ] famous
he was. They were like, "We can't drive
his dead body from this location to
another or we're never going to get it
there."
>> Steal the body. I want to get a finger.
>> Yeah. Something.
>> We get a finger. He would have garden
clippers.
>> Something
>> try to steal.
>> And here's another crazy thing cuz I I
know you've talked about the Michael
Jackson like the conspiracies around his
desk death on the show before. This is
another crazy thing I didn't know. He
[snorts] owned, you know, he had that
vast music catalog that he bought,
>> right,
>> of move music publishing,
>> right? He owned the Beatles.
>> Beatles. Eminem. He bought Eminem.
>> He bought Eminem.
>> Eminem made fun of him in a video and he
bought Eminem's [ __ ] catalog as a
[ __ ] you.
>> The most
>> pimp move ever. I'm going to buy all
your [ __ ] music.
>> Gangster.
>> Yeah. Yeah. Right. [laughter]
>> So,
he owns his catalog, right? It's it's
it's I think he he might have owned
Dylan. It was crazy that the the rights
to the music that he owned was nuts,
right? He's with Sony.
Sony wants the publishing back on all
these artists and he owns it. And when
he did his last album, he had to take
out a loan against the record company
of $200 million to do the album because
he didn't have a lot of money left. And
they said, "You got to put up
collateral."
and he goes, "All right, I'm going to
I'll put up a portion of the catalog as
collateral." And then he before he died,
he goes, "They're not promoting my
album." And because they're not
promoting my album, it's not selling.
And then everybody close to him said it
was a ruse. They didn't promote the
album on purpose so that he would lose
the [ __ ] catalog because he wouldn't
be able to pay the loan back. And then
right after that, he died. Really [ __ ]
up.
>> That's the business he was in.
>> Yeah. You buy people [ __ ] they [ __ ] you
over. That's how it works.
>> Yeah. Yeah. It's
>> Come on, man.
>> Well, it's dark.
>> You're playing war. [laughter]
>> You're playing war. If they blow up Air
Force One, you got to go, "Hey, maybe we
shouldn't have [ __ ] killed the leader
[laughter]
>> during Ramadan. This is how it works.
This is the game we're in.
>> This is the business we chose."
>> Listen, he's in the business of uh
[ __ ] over his enemies. They decided
he was their enemy. They [ __ ] him
over. the doctor that administered the
drug that killed him is out of jail
already. Two years and they're like,
"No, this guy was just a fall guy."
>> Well, you know, the thing about the
doctor is he was asking the doctor to do
that. The doctor shouldn't have done
that.
>> Mhm.
>> It's not like the doctor killed him on
purpose. Like, he wanted to get
anesthetized. I think he was so crazy
that he couldn't sleep. I He was so out
of his [ __ ] mind. And he was probably
on a bunch of stuff. He probably wasn't
just on propall. If you're willing to
take propall to go to sleep, what else
are you taking? Right. You're taking
some other things. Yeah. Right.
>> The doctor, the one thing that he said
that I found very fascinating was that
he said that Michael had been chemically
castrated when he was young to maintain
his voice.
>> I've heard that.
>> Yeah. And it makes sense. It completely
makes sense. If you look at his body, it
makes sense. His body looks like it's
devoid of testosterone.
>> Yes.
>> It has no testosterone. He's very thin.
If you look at his brothers, they're all
thick. They're all like big dudes. Yeah.
>> Germaine, they're all like men. They
look like men. Like thick men. Yeah. He
looks thin and he looks very different
than them. That's not normal. That's not
normal. That is that's not even normal.
If you don't work out
>> and he was a dancer, so he was
incredibly athletic, right? So, and all
the working out that he did, he should
have been supple. I mean, he was
obviously he could move so good. I mean
he was his movement was incredible. Did
you ever see that Bob FSY movie that
apparently he got all those moves from
>> the one? Well, okay. So, which the the
miniseries that Sam Rockwell was in or
all that jazz?
>> There was a movie. No, before that along
earlier and it's Bob Falsy doing all the
dance moves that Michael Jackson did.
>> I know what movie you're talking about.
It's him and like a little kid and he's
in the desert and doing
>> Yes. Yeah.
>> I mean, it's literally all of Michael
Jackson's signature dance moves come
from this one movie. Watch this.
>> Watch how [clears throat] he moves.
>> Yep.
>> So, there's this. He's doing this, but
then he also moonwalks. Like, look at
this.
Like all this, this is Michael Jackson.
>> Wow.
>> I mean, 100%.
>> Yo. Wow.
>> Look at this. The the kick and the point
with the toes and putting it down. The
movement.
Yeah.
>> Yeah.
I [laughter] mean, that's it's literally
every movie does. Look at that. That
that point with the kick and the toes.
>> Even the outfit.
>> It's a 1974 movie. The little prince.
Yeah. Little prince rather.
>> Even the outfit with the fedora,
>> bro. I mean, literally, he he mirrored
his movements.
I it is incredible that Bob FSY had the
stamina and ability to keep dancing like
that for his entire life until he
dropped dead because if you watch the
Sam Rockwell miniseries FSY and Viran
which is an amazing miniseries that guy
bro he was I mean it was intake that's
all it was he'd wake up he's popping
[ __ ] pills speed
>> boom boom boom coke booze
cigarettes all day long, chain smoking,
chain smoking, smit chain, drunk through
the whole [ __ ] day, popping pills,
doing coke. And the fact that he could
still stand and not just stand,
choreograph Broadway shows for hours and
be that agile, whatever is that's insane
to me.
>> It's cuz he loved it.
>> It's insane.
>> That's the thing. Find the thing you
love. Find that thing and you will have
the energy to pursue it.
>> It's really it. But you but aren't you
aren't you a little amazed that that his
intake of substance could not would not
hinder it at any point?
>> It's kind of crazy,
>> you know.
>> But I mean, we've seen that before,
[laughter]
>> you know.
>> Yeah. Yeah. There's Yeah. Yeah. I I hear
you.
>> There's There's people that have un
unreal tolerances like Shane with with
booze. It's unreal.
>> Yeah.
>> When you see him pound 16 Bud Lights and
not a slur, not a stammer. It's
>> nothing. Doesn't miss a beat. Puts the
sunglasses on. Starts getting crazy.
Like we do protect our parks and he'll
have a stack
>> of empties at the end. You're like,
"That is insane. You should be dead. You
should literally be dead." My favorite
chain story ever. Ever. I don't mean to
tell his story, but this is my favorite
chain story ever. And I was the other
day, I go, "Dude, you have to do that on
tires. It's so funny." He said he ate
chicken fingers
and he felt sick and he goes to the
doctor because he's like, I think I have
food poisoning or something. Like
something's wrong, right? [laughter]
So he goes he goes the doctor goes
uh you know he's asking all the
questions. How well how much do you do
this? Whatever. And he goes, "How many
drinks do you have in a week?" And Shane
said he took a beat and he's like, "I'm
going to be honest for once." And he
goes, "80. [laughter]
He's
so crazy.
>> Oh, that's so crazy.
>> He said the doctor starts laughing and
he goes, "No, come on, man. Seriously."
And he goes, "Ady." And the doctor goes,
"It's not the chicken fingers, man.
[laughter]
You drink 80 drinks a week, right?" And
I go, "What happened?" He goes, "I went
home. I threw up. I was fine the next
day. It was the chicken fingers,
[laughter]
dude. We were at uh we were at
Chappelle's uh summer camp thing, the
ranch thing, and we're we're hanging out
and uh I'm I'm about to go on. Shane
goes, "Come on, man. Have a drink. Have
a drink." I go, "Dude, I I already had
two, man. Like, I I got to go on, dude.
I got to be I got to be careful." Like,
he goes, "Have another drink, dude.
You'll be fine." I go, "Shane, I don't
want to I I don't want to be tipsy." He
goes, "What what number drink is that
for you?" I go, "Three." He goes, "I've
had 17 Bud Lights.
>> [laughter]
>> have another [ __ ] drink.
>> And he doesn't want to be alone in drunk
land.
>> He wants you to be there with him in
happy drunk land. He's a happy drunk
though.
>> The best.
>> I love him. He's so fun. He's such a fun
dude. He's such such a unique person.
He's very different than anybody I've
ever met. He's like, you would think by
look by, you know, you hear him talk,
you'd think like he's similar to someone
you know, but he's not.
>> No.
>> Different dude. [ __ ] smart as [ __ ]
too. Knows a fuckload about history.
loves history.
>> Loves it, man.
>> Loves history. And and and yeah, he's a
very unique specimen. He's uh and and as
you said, a very fun drug. I was just
down at the beach with him and uh he was
on the beach all day and I was at the
house. I I called it early and I was
just kind of chilling out inside with
McCusker
uh and Tommy watching a movie. We're
just chilling and Shane came back from
the beach and he was all [ __ ] tuned
up from White Claws or whatever he was
drinking and uh I was laying on the on
this love seat in in the room watching
the movie and he just kept coming up to
me and he's kept tickling me. He's
going, "Come on, dog. Come on,
[laughter] dog. Come on, dog." And I'm
like, "You're awesome. You're fun." It's
just he's so fun, man.
>> Yeah. He's he's life of the party. him
and Joey Diaz in a room together with
everybody else is like, "Oh my god, you
got two enormous personalities. Life's
at the party in the room together."
>> Diaz kills me.
>> He's the best, man. He's He's out here
all the time now.
>> I know.
>> Yeah. I mean, he's getting a place here
at the end of the month and he's going
to do a residency. So, he's going to do
like two weeks a month he's going to be
here.
>> That's awesome. That's
>> Oh, it's [ __ ] incredible. It's
incredible.
>> He's the best, man. He's the [ __ ]
best. It's It's so fun having him
around. I was doing the last time he was
here. I was doing my monthly um uh my
and friend show at at the mothership and
uh and he was
the first two the first comic was on or
whatever and he goes he's like Joe could
I go up on your show and I go [ __ ] of
course. And he went up and it was just
seeing the pop from the audience and
just I was like man this is [ __ ]
great dude. It's [ __ ] fun having him
around.
>> We're very lucky. We're very lucky. We
got an amazing group of people around us
all the time. It's a lot of fun.
>> And he said the funniest [ __ ] thing.
We were talking about like diet and
exercise and lifestyle change,
you know, and ah co I was doing too much
of this or that or what. And I go, "When
was your big change, man?" He goes, he
goes, "Joe, you know what [ __ ] day it
was?" It was the day of the [ __ ]
resurrection.
And we go, "What?" And [laughter] he
goes, "Fucking January 6, the [ __ ]
resurrection." And we [laughter] go, "Do
you mean the insurrection?"
HE GOES, "WHATEVER THE [ __ ] IT
[screaming and crying] was called, I
don't give a fuck." [laughter]
He used to call Kabib Nurmov Kalib.
[laughter]
The [ __ ] Kalabib guy.
He always It's part of his charm,
[ __ ] up people's names.
>> Oh my god, he's so funny. the best dude,
man. He lives right near where my
parents live in Jersey. And uh
>> I was like, "Oh, dude, man, when I go
see my folks, I'm gonna I'm gonna get in
the car and drive up and hang out with
you for a night cuz it'll be such a
great break from just being with my mom
and dad." And he's just the he's the
best, man. He's just got a truly
big-hearted dude, man. I was really
worried once he moved to New Jersey,
we'd never get him out here because uh I
went with him. We went out to eat New
Jersey and he's the king of New Jersey.
I'm like, "Fuck." Everywhere we go,
"Joey."
Cheer, yelling his name. Went to the
restaurant. Everybody knows him. It's
like immediately everybody's like
running over to take care of us. Joey's
here. Joey's here. And I'm like, "Oh,
he's the king of New Jersey. He's never
going to leave. He's never going to
leave. He loves it here."
>> But there wasn't enough comedy there for
him.
>> No.
>> What? Wasn't enough comics. And one of
the things that I always say is that we
don't exist in a vacuum. We always exist
with each other. Comics in particular,
you you can't really do comedy by
yourself. You can, but you can't do it
to your best.
>> You need other people doing it around
you. You need to see it. You need to be
around it. The hang the talking about
bits in the green room is so huge.
>> Like Assan has given me two killer
taglines after like seeing seeing a bit
and saying, "What about this?" I'm like,
"Oh my god, that's perfect." Yeah,
>> we're always like [ __ ] upon
him how a bit goes. He's like, "Oh my
god, I forgot that." I'm like, "Dude, go
do that. Go do that right now."
>> He went up and did it right then and
murdered.
>> That's great.
>> And they're like, "You forgot. You
forgot the bit."
>> Yeah. It's a it's [clears throat] a very
it's a very um
it's a very individualized sport in the
sense of of golf where you're playing
like you're always playing against
yourself, but it's a very communal sport
in the sense that you're not playing
necessarily in a literal sense with the
team like like a sketch group would, but
you're playing with the team. You know
what I mean? The team is is in the green
room. the team. You're playing with the
team in the sense that your buddy is on
before you. Your buddy is on after you.
>> You're all doing sets together.
>> And and the game is I got to play my
best game because I've got to follow the
guy that just had a good game and I need
the guy after me to have a good game so
I can't [ __ ] up his game.
>> Yes.
>> And it's it's a very interesting dynamic
of team versus individual play. There's
also just the atmosphere elevates you
and I noticed that for sure about the
comedy store in the glory days. And the
glory days like 2014 to 2019 when we
left
there was so much activity there. There
was so many guys that were going up.
There was so much good comedy that you
would just get elevated just being
around it. Like it raised your own
personal bar like what your high water
mark was. And it just, you know, you're
around like guys with really tight acts
and it just it really helps. It helps
everybody. It help it just it's so
important to be around other great
comics, you know, and that's why these
hubs like New York is so great for that.
LA and now Austin, it's like these hubs
are so important because you really we
go on the road on the weekends, right?
That was the thing about the store. But
on Tuesday and Wednesday were some of
the best nights because on Tuesday and
Wednesday it would be Jesseleneck Diaz,
[ __ ] uh Greg Fitz Simmons, Domera
over and over Murderers Row. So Burr
would pop in
>> and maybe Chris Rock was in town. It was
like god damn these nights were insane.
They were so good. I'll tell I'll tell
you
um the the reason I moved to Austin
and the thing that continues to be the
greatest challenge for me here in in a
in a good way, in a constructive way
because people say all the time to me
online and [ __ ] they'll be like, "Oh,
you you moved to Austin to to for Kill
Tony." I'm like, "I didn't [ __ ] move
to Austin for kill. I knew Tony and I
were friends and I had done the show. I
didn't become kind of a part of that
show until after I lived here because
Tony started to put me on and we started
to have fun and then it grew from there.
You and I were were buddies but like
we're much tighter as pals now than we
were
>> Well, we're around each other all the
time.
>> Exactly.
>> Yeah. Um, so I moved here primarily for
well number one I love Austin and I
always and I used to live here and I
always wanted to go back and once you
could do comedy here it was like a
reason to go back right and you could
work. The other reason was I was I was
like I did New York, I did LA, I want a
new challenge and and there's a new
scene now and all that stuff. But the
thing that puts me on my toes the most
uh and still does is this is the best
place for young comics to be able to
pursue comedy because they can actually
live here. They can afford it. New York
has become unaffordable. LA has become
unaffordable. a young comic can come
here, can live like a human being and
pursue their dream. And those are the
guys that keep me on my to because
you're like, "Dude, it doesn't matter if
I'm the only guy on this lineup that has
done TV or whatever." You got five
people going up that are [ __ ]
swinging for the fences because when
you're young, you really are like, I got
to [ __ ] prove myself. Yeah.
>> So you're following even if it's four
unknown people, they're doing their a
[ __ ] They are trying to kill as hard as
humanly possible
and you're like, "All right, I this is I
got I got to [ __ ] bring it." You know
what I mean? There's a
>> It's that and it's also their enthusiasm
for it,
>> you know? And and the thing about Austin
is we have a real system at the club
that actually develops talent. Yes. Like
we have two nights of open mic nights
and we have a real talent coordinator.
Adam really watches everyone. He watches
the open mic nights. He gives people
advice. He gets them spots. He helps
them. He gets them on showcase nights.
He puts them on He gives them sets.
Gives them feedback. And then they get
to work all around town. There's five
other [ __ ] clubs on the same street.
Man,
>> it's crazy, dude. You can walk from your
place to sunset to the creek to
>> Vulcan,
>> Black Rabbit to Vulcan and then if you
don't mind walking 20 minutes, you can
be at Rosco's
>> East Austin. Like it's [ __ ] nuts,
man.
>> It's crazy. And then there's also Cap
City,
>> which is on the other side of town,
which is [ __ ] awesome.
>> It's amazing here.
>> Yeah. And you know, there's so many
young people that have moved here now.
And then the Kill Tony thing. The Kill
Tony thing is so huge because it's first
of all, you have one minute. You have no
room for virtue signaling. No room for
[ __ ] claptor. Shut the [ __ ] up. Just
where's the jokes? Come come with the
jokes. And then no one takes anybody. No
[snorts] one's taking themselves
seriously. Everybody's getting cracked
on. Everyone's cracking on everybody.
It's very fun. It's a fun environment.
And it's just emphasizing funny. What is
funny? What makes people laugh? Yeah.
And there's a bunch of different styles
that do it. You know, there's a bunch of
different weirdos that go up every week
and most of them have no chance.
>> But there's some gems. And that's the
thing about having like a true
meritocracy where all that matters is if
you're funny. That's it. Doesn't matter
what you look like. It doesn't matter
what your background is. There's I mean
Kill Tony is like one of the most
diverse lineups you're ever going to
see. For all the people that think that
Tony's a Nazi, it's kind of hilarious
because trans people, disabled people,
you know, uh people from all walks of
life, home, literal homeless people
who've gone on stage, started a career
because of Kill Tony. Literally homeless
while they're doing it, sleeping in a
car, and the next thing you know, they
have a career.
>> Yeah. Yeah. Uh it's it's an it's a truly
amazing thing. Um it's it's you know we
just did uh he just did MSG and I was
there and did the show and then and then
panled with Jimmy Carr and a tell and
>> you know how crazy that is that Kill
Tony sells out Madison Square Garden two
nights in a row.
>> Crazy.
>> When I first did it with him, we did it
in the [ __ ] the belly room at the
store and the only people in the
audience were like comics. There was
nobody in the audience. There was like
10 other people maybe.
>> Dude, I remember Excuse [clears throat]
me.
I was down here to do South. It was when
I still lived in New York. I was down
here to do South by Southwest
and Tony hit me up and he goes, "Buddy,
are you in town Monday?" I go, "Yeah."
He goes,
>> "Okay." He did his voice. Yeah. He goes,
"Buddy." He goes, [laughter] he goes,
"Come do Kill Tony, right?" I go,
"Okay." I had seen him in years, you
know. Uh, and the last I saw him, I did
it in the belly room, maybe the main
room. I don't, you know, whatever. But
it was at the comedy store. Dude, I
walked into the [ __ ] Vulcan because
it was before Mothership opened. I
walked into the Vulcan.
It was like [ __ ] Thunderdome, dude.
It was two levels people go like you
could feel the excitement,
dude. I walked in the green room. Tony
goes, "There he is." I go, "What the
[ __ ] is going on, dude? [laughter] What
is going on?" I go, "Is it like this
every week?" He goes, "It sells out in
one minute." I was like, [laughter]
"What?"
I go, "Did these people fly in?" He's
like, "Yeah." I was like, "Dude, it's
broken our ticket our ticket service
multiple times where it just the the the
overwhelming demand, the people that are
trying to get tickets versus the tickets
that are available is so crazy. It
crashes the system."
>> That's nuts.
>> We had to like revamp the system like
multiple times just to deal with the
kill Tony sales.
>> That's [ __ ] nuts. That's [laughter]
nuts. Well, it's just because it's so
good. It's that simple. And if you've
gone, you want to go again. It's so fun.
>> It's It's that moment. It was like in
Remember in Casino when Peshi goes out
to Vegas for the first time and Dairo
goes and this is whatever Sharon Stone's
character's name is. Uh, and then Peshy
looks at Sharon Stone, he goes, "Holy
[ __ ] Ace, what the [ __ ] you been doing
out here?" It was that it was like I saw
that crow that crowd was Sharon Stone.
Yeah. And Tony was Daener. go, "What the
[ __ ] you been doing out here, man?"
>> Well, the Vulcan really opened up our
eyes to the fact that we needed a club.
And what happened [clears throat] was no
one had done any standup at all for
months. And then Tony and I did uh the
Houston Improv,
>> which was great. It was a lot of fun. We
did a weekend. It was in the middle of
the COVID. It was in July and everyone
was scared. And I did it and it was a
lot of fun. I hadn't done standup in
months. It was so much fun. But then I
started thinking, what if I get CO and
then give it to one of my [ __ ] guests
and kill them?
>> This is back when people were really
worried that CO was gonna kill you.
>> Sure.
>> I was like, oh no. Because I have like
these people that come in, some of them
are older,
>> you know, and I had this lady on who was
a scientist and she was older and I was
like, what if I gave her CO and killed
her? Yeah.
>> Cuz that was back in the day. That was
also but people were really convinced
that you could be asymptomatic and still
spread it which turned out really what
was going on was there was a lot of
false positives for the PCR test 80 plus
percent false positives
>> right
>> and so
>> I said let me just take time off I don't
want to do that I don't I this just
feels totally irresponsible just because
I would want to get my comedy fix let me
just ride this out and then we wound up
moving to Texas and uh by the time we
moved to Texas It was around November
and uh Dave and I were doing these
outdoor shows.
>> I remember at Stubs, right?
>> Yeah. We were doing shows at Stubs which
was a lot of fun. But everybody had to
be tested. People had to wait in line,
you know. It was like it was a big deal
and a few people tested positive. We had
to kick them out,
>> right?
>> Um then
the Vulcan just started doing shows.
[ __ ] your tests. Let's just go back to
way it was. And this is in November. And
Ron White went up and he hadn't gone up
in like eight months. He hadn't done any
stand up in eight months. And he went on
stage and the audience went [ __ ]
berserk. They went berserk. Like people
were standing up. Yeah. And he murdered.
I mean Ron White just laid it down for
15 minutes. I'm sure. And then he grabs
me by the shoulders officers. He goes,
"Whatever the [ __ ] we have to do, we're
going to keep doing this." He goes, "You
got to open up that club." And I was
like, "All right, okay. We're going to
open up a club." And that was when I
decided I'm like that's it. We're going
to open up a club. And then I
immediately started looking at real
estate. Immediately tried to find a
place.
>> Wow. I didn't know that. I didn't know
that that's how the whole
>> that was it. Ron White grabbing me. Cuz
Ron White is why I moved here in the
first place. So I knew Ron moved here in
2018. Um and you know me and Ron were
talking on the phone. He was like, "I
[ __ ] love it here." And you know,
he's telling me how great Austin was.
And everything else was locked down. I
was like, "Look, if I move to Austin, if
no one's doing standup again ever, at
least I can hang out with Ron. Like, at
least it'll be a comic that I can hang
out with and and live in a place where
it's like more relaxed and it's easier
to get around." And
>> sure,
>> you don't have to wear a mask
everywhere. It was like it was at least
it was more chill here.
>> Yeah.
>> Even if we never do standup again. And
so him doing that and just grabbing me
and saying, "We're gonna we got to
[ __ ] do this whatever the [ __ ] we
have to do." That's what he said. like
he was just on fire coming off stage
just on fire and just grabbed my
shoulders and I was like okay we're
doing it.
>> That's [ __ ] great.
>> And that's when I just because I was
always we were talking about it like we
should open up a club where and I looked
at a bunch of different places but they
kind of sucked and they were trying to
[ __ ] me. They were asking way too much
money for these places. Like during the
in the beginning stages of the pandemic
when everyone was moving here from
California, everyone got crazy with real
estate. They got really nutty.
>> Oh, it was it was bat [ __ ]
>> They got really delusional. The prices
went up like a 100% in a lot of places.
>> Yeah, I'm going through it now because I
bought a condo here and I'm trying to
sell the condo and buy a house
>> and it's very tricky now because the
market has shifted so much and values
are
>> there's way too many condos for sale.
>> Way too many. I'm worried that I'm going
to end up buying this house, not be able
to get rid of this goddamn condo.
>> You're going to have to keep the condo.
[sighs and gasps]
>> I don't have any need for it. I'm like,
I don't know what I would do with it,
you know, but [clears throat] I also
don't want to live in this condo anymore
because originally
>> That's where you take sketchy women.
[laughter]
>> Wow.
>> Women that think they're going to rob
that you think might rob you cuz I know
you you date a lot of sketchy gals.
[laughter]
>> Take them to the condo. Have a house
where it's like calm and peaceful, a
little bit off the track.
>> Get a little yard, you know, get some
peace and quiet
>> and take it to our the condo. She goes,
"Why is there only an air mattress in
here? How come you only have four pairs
of underwear? [laughter]
>> Yeah, it's not a bad It's not a bad
point you make. I've had a few people in
my condo where I'm like, you don't want
them coming.
>> I don't know if this was a mistake. Give
this address away.
>> Once you got people showing up at your
house, you're like, "Oh, no.
>> It's um it's Oh, wait. Um Oh, wait. You
were just
you you're talking about starting the
club." Oh. Oh. What's so weird um is
it's it's a it's an odd like kind of
full circle moment, but when I lived
here in 2000,
your club was the original Alamo.
>> Yeah.
>> And the Alamo Draft House at that time
was the only movie theater ever in the
country that served food and alcohol
during a movie. And I remember that
being a place that I went to frequently
because I thought it was so amazing that
you could get food during a movie. And
the kinds of movies they played, I
loved. And then on top of it, I was I
always saw that as the reason that I
loved Austin. It was sort of just a it
was just sort of a a a symbol of why I
loved Austin, the concept of it all. And
it's so weird now that I've moved back
after all these years that that's where
the mothership is. And now that's my
symbol for living in Austin and and
being a part of this club and and and
that club begetting all these other
places that we get to perform in this
scene and all that stuff. It's a very
weird like kind of full circle thing. I
didn't realize until right now as we
were talking about
>> we need to have a birthday party for the
building. The building turns 100 next
year.
>> Oh yeah.
>> Yeah. We have to have a birthday party
for the building.
>> Yeah. Yeah. You absolutely should.
>> Yeah.
>> Yeah.
>> We should do something. Lot of history
in that building. Lot of cool [ __ ]
>> You could feel it.
>> I felt it when when you never got to be
here when it was bare bones. But when it
was bare bones, when it was just the
movie theater before we did all the
renovations and raised the ceiling or
lowered the ceiling and raised the floor
and changed it and made the tunnel and
all the the the structure that we put in
place when we first got in there, like
you could feel it. You feel it like
baked into the walls. I mean, Stevie
Rayvon performed there. What was it
before the Alamo?
>> It was a bunch of different things. So,
at one point in time, it was like a a a
punk rock club.
>> Wow.
>> So, like uh Black Flag performed there.
Like, who's this?
>> Chili Peppers in '86.
>> Chili Peppers 86. [clears throat]
>> So, so that's why all of those um uh
punk flyers are in the green room.
>> The green room is all uh flyers from
people that performed at the club.
They're shows.
>> I didn't know that. Yeah,
>> I thought it was just a cool like decor
thing. I was like,
>> well, it's that too, but it's also look
at he's got the sock over his [ __ ]
>> Rob Butthole right in our stage.
>> Yeah, there you go.
>> Um, yeah. Uh, all those things on the
wall. All those different people.
>> Wow.
>> Willie Nelson, all those different
people performed there. That was their
their flyer for the show that they did
when they were at the club.
>> There's so many bands on that wall where
I'm like,
>> I love that band. I love that.
>> But hole surfers. There's Yeah, it's
tons. So, it was a punk rock band. It
was a punk rock club. It was a rock and
roll club. It was a pool hall for a
while.
>> Uh, it was a nudie movie theater.
>> Yeah.
>> Amazing.
>> Yeah. And then obviously it became the
Alamo. And then the Alamo went under I
think before the pandemic it went under
and and then it was available,
you know, like a year and I looked at it
and I was like, it's like too much work.
And and and then um that was from what
year?
>> 74.
>> 74. Wow.
>> So that's Fat Man.
>> Yep. That's what it used to look like.
>> [ __ ] man. I mean, it looks different
obviously, but it doesn't look that diff
like you.
>> It looks a lot more narrow.
>> Yeah.
>> What I don't understand like what what
happened?
>> I wonder if it was two rooms back then.
>> I don't know.
>> It looks different. It looks very
different in terms of the like that
looks more like it,
>> right?
>> Not the same one.
>> Oh, yeah. Um, yeah, the middle one looks
like it.
>> There's also multiple ditzes as I was,
>> but the middle one looks more like it.
Go back to that again. Yeah, that looks
more like the dimensions.
>> [ __ ] man.
We fit 250 people in the the big room,
but I think we could fit a lot more if
we have seating like the Comedy Works in
Denver, which I think is the best seat.
That's what it looked like when we first
got there. When we first got there, it
looked like that. And we walked in and
we were like, "Holy shit."
>> The stage was really high, obviously,
because it was like movie theater.
>> Sure.
>> And the seating was uh at an angle, a
very sharp angle, like a movie theater.
And so we had to raise the the floor up
um so it was flat in the center and
there just a slight raise in the back.
And then we kept those two balconies. Go
back up to that picture right there.
Those two balconies that we have
obviously we have the green room balcony
and then the VIP balcony which is such a
dope thing to have.
>> Yeah.
>> Because it's always always friends that
come by that want to want to come by and
see the show. And you you always have 40
seats, you know, you could always get 40
people up there. So there's always
>> those balconies fit 40 people total.
Holy [ __ ] That's crazy.
>> We always can stuff plenty of people
back back up in there.
>> That's [ __ ] Wow. I had no idea the
building was as old as you just said it
was. And I had no idea all that other
[ __ ] was
>> 1927.
>> Is this still the main room or is this
little boy Kansas City? So
>> okay. Sorry.
>> Similar looking. But you know we we
tried to figure out how to do it. Do we
do it just like like initially we
thought well maybe we should do it just
like this like have seating like movie
theater seating and then we're like no
>> we should probably like raise the floor
up and make it flat in the front. It
would make more sense you know
>> and then we had to figure out like what
to do with the stage. And then Louiesie
gave me some really good advice. We were
going to keep the ceiling the way it was
and Louis was like how can you lower it?
And I was like, I think we can lower it
like and still get some view out of the
balcony. So, we had to figure out how to
lower the ceiling just enough. So, and
it made a difference. And then he said,
lower the ceiling in the little boy,
too. And we did that. And then we also
made the stage smaller in the little
boy. This is all Louis advice. And he
was dead on. I was like, tell me what
you think. I I left listened to
everybody. Everybody had got a say in
what to do, you know, what to have. Like
Brian Simpson, it was his idea to have
the the lights in the green room. the
light that shows you. Someone's got the
light in the big room. Someone's got a
light the light in the little room. And
then I think it was Tony's idea to put
the timers. One or the other. Maybe it
was Tony for the lights, Brian for the
timer. I forget. But everybody had a
little piece of the like I think it was
uh Brian's idea to have monitors. It's
like everybody got a say in how it's
done. That's what it looked like when
you when we first walked in. Now, what
does it look like now? I never go in
through the front.
>> It It looks [laughter]
sh I'm dropping from the ceiling. And
>> I know. Go to Go to what it looks like
now. See if
>> you can find an image of the mother
ship.
>> Similar enough, it's been redone
obviously, but it looks similar enough
that you can see
>> Oh, yeah. You see the bones?
>> Yeah. Yeah.
>> I mean, it's essentially it was set up
perfectly for two um rooms.
>> That's pretty much it.
>> There's no pictures of the the UFO.
>> That's kind of crazy. So, we have a big
UFO as you walk in. Yeah, there it is.
>> That's the UFO. And it has a a
projector. So the UFO is a projector and
up on the screen it projects all the
people that are coming soon.
>> That's
>> it's been amazing. We've we've been open
for three years now and it's uh been the
most fun thing that I've ever been a
part of.
>> It's hilarious, dude. I've walked under
that projector a thousand times and I
never or realized or the UFO I mean and
I never realized it was projecting [ __ ]
on.
>> Yeah, [laughter] it's a projector.
>> That's so funny.
>> Yo, we just wanted to wanted to make it
cool. What? And it's also I think it's a
fire extinguisher. I think the center of
it is a fire I think we had to have one.
So we put it in the center of the UFO
[laughter]
>> that same that same time I was talking
about during South by Southwest and um
and when when [clears throat] I did Kill
Tony the it was me and Adam Ray were on
panel and and the next day Eric invited
us over to see the club and it wasn't
done yet you know but he walked us in. I
remember him walking me through Little
Boy
>> and being like we're going to do this.
We're going to do this. whatever it is.
>> And I remember he goes, "You going to
play here?" And I go, "I [ __ ] hope
so. [laughter]
>> I hope so." Um, but yeah, it was it was
wild seeing it like, you know, in the
construction phase and and and whatever
and then seeing the final product and
remembering like, "Oh, I remember he
told me they were going to change that."
>> It's been really fun.
>> Yeah.
>> Yeah.
>> Yeah. I mean, and you know, it's
[sighs and gasps] it's, you know, it's
it's I think few people are in a
position to have created a club that can
operate the way a club ideally should
operate. And you're one of those people
and you made it work, which is
>> Well, you have to do it not to make
money.
>> You have to like my goal in the
beginning was just break even. That was
the goal. Like, let's just break even.
So, the idea is that everybody gets paid
what they're supposed to get paid,
particularly the comics get. That's what
everybody's here to see. They're not
>> there to buy drinks in an empty room.
They're there to see the comics. So, the
comics should get the most money.
>> And that's, you know, what I used to
always think when I'd go to other clubs.
I'd be like, "This is crazy." Like, but
I would always tell comedians, be nice
to club owners because you don't want to
be one.
>> Like, you don't you don't want to be
>> right
>> the guy that has to run these [ __ ]
places and deal with these maniacs that
come in and especially some of the
nuttier ones on the road,
>> you know? Like, can you imagine if you
had to run the funny bone in Columbus,
Ohio? [ __ ] [laughter] [ __ ]
>> [ __ ] animals that show up and miss
their flights and they're [ __ ] they
do ecstasy the night before. They can't
read. [laughter]
>> Yeah. Yeah. It's 8:30. The headliner's
not there yet. Like, what the
[clears throat]
>> He's trying to score coke.
>> Yeah. It's it's I I I always I always
said that too. I was like I was like I
would never want to be in a position
where I have to deal with comics from
that side of it.
>> Especially comics coming up. There's
like most established comedians
>> once you've been doing it a long time,
you you have a career. You're you're
like you're reliable, you know?
>> You know what I'm saying? Like if if you
book,
>> you know, fill in the blank.
>> Yeah. you know, whoever it is, this like
national headliner, they're going to
show up. Yeah. you know.
>> Well, also too, like the the profile and
and correct me if I'm wrong, but the
profile that you were able to bring to
the club probably helped you circumvent
some of the horseshit that club owners
in Idaho have to deal with with agents
and all that [ __ ] where it's like, "Hey
man, sorry there's an improv there, so
we can't take our guy out of the improv
or what?" And now you're f there's a
whole other battle now that you have to
do. Well, there's that. If you pay
people more, they'll go to your place.
>> I [laughter] found out that's what they
have found out
>> and it pisses off the other clubs. But
look, that's not my fault. Like, I This
is I am a comedian. I I made a living
doing this for a long time. And I know
the value of the comedian. I know the
value of the comic. The comic should be
getting most of the money.
>> Yeah.
>> You know, I don't deserve most of the
money. We can make money. We're going to
make money on 20% of the ticket sales
and the liquor and all that jazz. we'll
make plenty of money, right?
>> Like, let's not be greedy. Let's just
make an awesome environment, right?
>> And that's what we wanted to do. So, the
goal was never to make money. So, most
people when they start a business, their
goal is to try to make money.
>> Yeah.
>> And this was a conscious decision to
just not lose money. Yeah.
>> Just make it cool.
>> It's it's again you you're Yeah. You you
were you were in a in a very uh um uh
advantageous uh position to to make it
the right way. It was also like I kind
of had to do it that way because I had
the resources and it was like look
you're supposed to do the right thing.
This is this is this is the thing you
should do. What would you like someone
in with that is your kind of money to
do. I would like someone to make an
awesome club for comics.
>> Like you're you're a comic. You know how
important it is. Make make the [ __ ]
the best creative environment welcoming
everybody. Pump everybody up.
>> Yeah.
>> That's what you should do. Dude, it's
it's it's funny because I always say if
you're if and and you did this as a
comic, right? I always say with a with a
movie star, right? Somebody who's got,
you know, real movie star bank.
I'm just like, man, why the [ __ ] don't
more of these guys that have endless
cash start creating film situations that
they want to be a part of? Not I don't
mean like we're gonna do the next
Blockbuster thing or or we've got a
franchise or whatever. It's like
>> why don't you take 10 million bucks and
make the [ __ ] art [ __ ] movie with
all of your friends that you always
wanted to make
>> because who cares? You will break even.
You will break even at at the at the
very least. I never ever ever understood
why more people in that position don't
do it. I don't get it because rock stars
do it all the time. Rockstars start a
little label
>> and they start putting on other bands
that they love and they do passion
projects to because they want to work
with their friends.
>> I've never maybe not never, but it's
very rare that you ever see a movie star
do that. And I'm like, why not do it?
For for years,
American Psycho was the big one, the
Brett Sellis novel. Why haven't they
made a accurate adaptation? Well, the
studios don't want to touch it because
it's too violent, too. This is It's like
>> somebody with $500 million who's a movie
star. [ __ ] go. I'm going to do it and
I'm going to do it the way it's supposed
to be done and it's going to work
because that's what people want to see.
And [ __ ] it, man. Like, I just I don't
get it.
>> Do you think that the uh Christian Bale
version was not accurate? I like the
Christian Bell version a lot, but it is
not the book. I mean, the book is
[ __ ] dark. It's brutal.
>> Yeah,
>> there's [ __ ] in that book. I was I was
reading that book and I was like, Brett
Stadellis has murdered somebody.
[laughter]
>> There are details in here where I was
like, I don't understand how you would
know this. Like there's one of the
darkest scenes in that book is when um
he goes to get rid of the body and the
real estate guy sees him
>> in in the room cuz they're selling the
apartment and so he realizes the real
estate guy's already gotten rid of the
body. Yeah.
>> And they look at each other and he just
leaves. Yeah.
>> And you're like, "Oh god."
>> Yeah. And there was there, by the way, I
was just joking about Sonel. I don't
think he's murdered somebody. I feel
like we have to say that for
>> It's very important to clarify.
>> Yeah. Yeah. I was just joking.
>> Just humor. Um, but but the thing the
book did, and they cut a they cut a
major scene out of the movie, it's the
one extra scene on the on the Blu-ray,
and I don't understand why they deleted
it, but there's a scene in the movie
where his friend says, they're at the
club at the beginning, and his friend
goes, "I'm out of here." And the guy
climbs up like these like rafters or
whatever and crawls into like a fan vent
in the club and you never see him ever
again. And that's the part in the book
that makes you go, is this all in this
[ __ ] guy's head? What he just
described happening is nuts.
>> And this guy is now gone and nobody
knows where he is. And I'm and I'm like,
is it that's such a key scene and they
cut it out of the movie and so whatever.
They're remaking it now again. And oh,
they are.
>> Yeah.
>> Who's going to be uh American Psycho?
>> I I think maybe Adam Driver is connected
to it. I think
>> maybe he'd be good at that.
>> Um
>> he's got a lot of psycho behind his
eyes.
>> But The Shards is the new Betty
Stanellis adaptation on on Fox.
>> What is it? It's his last novel and it's
a it's uh it's a it's a fictional
autobiography where he the main
character is him as a teenager and
there's a serial killer loose and all
these murderers are happening. They're
targeting teenagers, these brutal
[ __ ] murders. And there's a cult
happening that's reminiscent of the
Manson cult. And then he's also coming
of age and realizing he's gay and like
as he's trying to deal with the fact
that this murder thing is happening and
he thinks he knows who it is and
>> it's a wild story but they're and he's
he co-created it with Ryan Murphy the TV
show the adaptation. It's really [ __ ]
good so far. Really good.
>> So it's a period piece.
>> Yeah. It takes place in like 83 or 84.
>> You know how I could tell? The Ferrari.
>> Yeah.
>> Old Ferrari.
Oh wow.
But it's one of the adaptations where I
was like, I feel like they're really
capturing a lot of what's actually in
the book because Less Than Zero was a
cool movie, but it's not the book. Rules
of Attraction is a great movie, and
that's he said that was the closest
thing he that anybody had gotten to.
>> The books are it's one of his books.
American Psycho would be very hard to
capture the darkness of it because you
also you're capturing this guy's
internal dialogue.
>> Mhm.
>> You know, which is some of it. Yeah,
>> it's dark. So, what would you do? Would
you have a guy narrate the internal
dialogue? You're missing something.
>> Well, they did that with Bale. He he
narrates the entire thing.
>> I know, but you're missing something
there.
>> It's very funny. you you because I I
think instead of hearing it
>> when you're reading the internal
dialogue, you you you understand that
there's no you don't hear the voices,
>> right?
>> You know what I mean? Like this guy's
got some [ __ ] creepy [ __ ] going on in
his head. I mean, he he's a [ __ ]
sociopath [laughter]
psychopathic murderer.
>> Yeah.
>> It's like you get into his head in this
way that I don't think you ever do in a
movie. like you're in his head when
you're reading it because you're
imagining it all happening in his head.
You're imagining how he's viewing like
the real estate scene like he's locking
eyes this real estate guy. There's this
a creepiness to it that it's like
>> he plays the best scene acting wise in
my opinion in in that movie is when when
they're comparing uh the business cards
>> and they're like they're like one uping
each other. Look at mine man. It's bone
white and whatever. And Christian Bale
starts sweating and he gets like horse
and he's like, "It's nice. It's nice."
Because it's this [ __ ] pissing
contest where has the best business card
>> and he's so upset that he doesn't have
the best business card. Yeah.
>> That he wants to kill that guy.
>> Yeah. [laughter] Yeah. Yeah. Yeah.
Exactly. Exactly.
>> I'm I'm listening to this podcast about
Luigi, the the guy who murdered the
healthcare executive.
>> It's a very very interesting uh podcast.
Um, you know, it details how they caught
him, the whole deal. But one of the
things they brought up was one of the
first things they thought of after that
guy got assassinated was it was probably
somebody he worked with.
>> Really?
>> Yeah. They they had to find out whether
or not someone had some sort of a
grudge, someone got recently fired.
>> When you know, because when people get
murdered like that, you oftenimes think
it could be a coworker.
>> I I have a or a former coworker. I have
a question for you about Luigi. I'm glad
you brought it up. I'm so sorry. I have
to pee really bad. Uh, why don't
>> you go pee really bad?
>> I'm gonna pee really fast. I'll be back.
Question. Question about Luigi.
[laughter]
>> It'll My [ __ ] manager does it. It's
Everybody does it. It's really [ __ ]
annoying.
>> Sorry, Joe. Is it more annoying than
boiling your own coffee?
>> No. Not No. Nothing's more annoying than
that. The [snorts] um
>> turning on the stove, filling the pot.
When does it end? [laughter] When does
it end? What were we Luigi?
>> Luigi. Yeah,
>> this is what I wanted to ask you because
there were
>> Jamie has a theory.
>> I'm not.
>> Well, there were all the
>> Okay, not publicly.
>> There were all the people, [laughter]
you know, that Luigi sparked that whole
debate about justified violence or
whatever, which I thought was [ __ ]
Um,
but everybody that was rahrhing Luigi
going, he's a hero and how many people
is this healthc care guy killed and all
that [ __ ] I wonder now what
everybody's saying about the fact that
Luigi is doing the insanity plea and
it's like well he didn't really stick to
his [ __ ] I mean if that's was his
thing and he was going to be the big
crusader for him
>> he's just playing the legal system. I
mean that's the smart move. Play the
insanity.
>> Well it's the smart move if you're not
>> also might be accurate
>> but also is it the smart move if you're
trying to I know it's the smart move.
I'm saying if you're going to go out
there and go, I did this because it was
justice and whatever and then go, "Oh,
wait, actually, actually, I was a little
crazy."
>> Well, here's but here's the point. If
you did shoot a man who had nothing to
do with you because you thought it was
justice cuz he was a healthcare
executive. I don't know how he picked
that guy. I don't know the details of
what that guy has done.
>> Was he particularly bad the guy he
killed?
>> I think he was a CEO. No, he was he was
it was it was definitely targeted that
this man is this man is responsible for
decisions made that
>> was he the CEO Jamie
>> of United Healthcare. Is that what he
was?
>> So um if you think that you should go
murder somebody
like that that you you're probably
mentally ill if you think that that that
kind of violence is justified. The
problem that a lot of young people are
having right now and a lot of people
that agree with, you know, what
[clears throat] Luigi did and they
celebrated it is because everyone knows
that the system is rigged and no one is
doing anything to change it.
>> And this is what drives people [ __ ]
crazy. If you get health insurance and
their whole business model is to deny as
many claims as possible, even if they
know that your claims are justified,
because they want to make money. So
they're really in the making money
business and they're pretending they're
in the we're going to take care of you
and give you insurance business. So
they're not really in that business.
They're in the business of making the
most amount of money. If they can [ __ ]
10% of the people over or 20% of the
people over, that's 20% more money. And
that's how they look at it. And that
drives everyone nuts and rightly so. And
if they don't [ __ ] correct that,
>> people don't have a whole lot of options
>> as to how to lash out and how to get
back. And especially if like
>> let's say it's your wife. Let's say your
wife gets injured or or gets a disease
or something and they can treat her and
they deny the claim or maybe she needs a
surgery, some crazy surgery, and they
deny the claim and it bankrupts you and
and she dies.
You want to murder somebody and and it
makes sense because you're paying for
this [ __ ] insurance all this time
thinking that you're insured if
something goes wrong. It's the whole
reason why you give them money. You
don't give them money for freebies. It's
not it's not for no reason. It's not cuz
you you like them. You want United
Healthcare to have a yacht.
>> No, you you give them the money because
it's supposed to be an agreement.
>> I agree with that completely. I have no
beef with the concept behind
his his motivations for hatred of of a
healthc care CEO. I have no problem with
that. My question is, is it
is it does it take away from does it
take away from the people that were
rahrhing him for him to now go, "Oh,
that was just crazy. Sorry."
>> No, I don't think it does.
>> Do you know what I mean?
>> I don't think it does. No, he's trying
to not go to jail. And a lot of those
people think he shouldn't go to jail.
>> That's interesting.
>> I think he should go to jail. I don't
think you should be able to be walking
up to people on the [ __ ] street and
murdering them, right? But I can
understand where your anger comes from.
I get it. I really do.
>> And and there's a there's a thing
>> about capitalism, right? There's a thing
about corporations in particular that
are you're you're beholden to your
shareholders. You have to make more
money every quarter. That alone, that
motivation alone motivates sociopathic
behavior. The people that are going to
be the most successful are the ones who
are going to be the most ruthless and
they're going to squeeze the most money
possible without without crushing the
company's reputation. And that's their
goal. And in the health care market, the
problem is like what are your options?
There's no one amazing option where they
always take care of everybody and
they're real. It's ethical capitalism.
They're just trying to look, we make
plenty of money giving people real
insurance and really taking care of them
and really paying for and so let's make
less money, but let's make everybody
healthier. Nobody does that.
>> No, no. So your options if you have to
get insurance are very limited. You're
just giving money to psychos. So which
psycho gets my money? Which psycho that
doesn't give a [ __ ] about me or my
family or anybody I love if they get
hurt or or sick? every year. Every year
that I don't do a writing gig on a TV
show, which is not every year. I don't
do it frequently. I do it sometimes,
but every year I don't do a writing gig
on a TV show or I don't act enough to
clear SAG insurance. I have to make a
decision. Is this worth $600 a month for
[ __ ] health insurance? Is it? I don't
know. I don't know that it is.
Especially now with
>> just imagine how angry you would be if
you paid all that money and then you
broke your ankle or something like that
and they denied you.
>> Yeah.
>> You're like, "What?"
>> Yeah.
>> And this is why people cheer about this
Luigi guy. There are a ton of stories of
people who had treatable illnesses and
they were denied coverage. They had
surgeries that could have been done to
save them. They were denied coverage.
There's a ton of stories like that.
>> It's a dirty [ __ ] game. It's a dirty
game and it's not it's not the game
they're pretending it is. They're
pretending the game is we're going to
help care take care of you. You're going
to have a safety net. So, you pay a
little bit of money and hopefully
nothing happens. You never need us. And
that's our gamble.
>> Our gamble is if you do need us, you're
going to get more value out of it than
you put into it.
>> Yeah.
>> And they don't want that.
>> Health insurance has become like the uh
the protection plan at Best Buy when you
buy a TV. You want the two-year
protection plan in case any No, I don't
[ __ ] No, cuz No, I'm
>> Well, some places have a good protection
plan, though. They just give you a new
TV. Healthcare is not even that. It's
not even that. [laughter]
>> It's worse. It's worse than Best Buy.
>> I don't know why that made me laugh. You
just went, "Well, some places have a
good protection plan."
>> They do. [laughter]
Some places you just bring them the
computer, they give you a brand new one.
This thing sucks. It broke. Yeah.
>> They go, "Okay, hold on.
>> File out this fill out this form. We'll
go get you get another one.
>> Every time I've tried to utilize it, I
bring it in, they go, "Oh, well,
actually
>> Oh, really?
>> Yeah. This doesn't Yeah, the screens
crack. That's not really part of it. You
probably broke it. What the [ __ ]
>> You probably did something stupid.
>> They make it. It's probably your fault.
>> They make it I probably threw it across
the room in a fit of rage cuz I had to
boil water in the morning." Uh, but you
know, it's it's um it's it's it's a
dire, you know, when when when the Ne
when the Nean Marcus gang thing was
happening where these kids were running
into Nean Marcus and stealing [ __ ]
which again, I don't think is is an okay
thing to do. But, you know, like my mom,
I remember, was being like, "Can you
believe these kids are?" I go, "Mom,
they just told an entire generation of
kids they'll never own land,
>> right?
>> They're [ __ ] hopeless."
>> Yeah.
>> They're hopeless. Like what do you what
where does your head even go? Where does
it go? I have a in in my act I I have a
line. It's it's it's not even a joke. I
just go where the Gen Z's and they clap
and I go, "You'll never own land." And
it gets a huge laugh because it's so
true.
>> Isn't that crazy?
>> And it's like it's [ __ ] up.
>> And then they hear that private equity
companies are buying up houses so they
could lease them out and so they'll own
all the houses. [laughter]
>> Like [ __ ] what?
>> And the parking lots.
>> Yeah. They're buying up all the [ __ ]
parking lots. You can't park anywhere
for free or for cheap,
>> you know? It's [ __ ] crazy, man. It's
>> We We are living in a rent to live
culture anymore.
>> It's just about It's again what we were
talking about about maximizing the
amount of money you could squeeze out of
people and that's their business. And it
doesn't have to be like that. But it
does have to be like that if you're
public. It's almost like we're better
off with a bunch of private
corporations.
And if you're private, you could do
whatever you want. Like there's private
court. Like look, you could decide. I'm
going to do, you know, I'm going to give
X amount of my profits to this. I'm
going to give the Y to that. I'm going
to I'm going to do whatever I want
because it's my money. But as soon as
you have shareholders, as soon as you
you take that IPO money,
>> oo baby, that's a big windfall, though.
You got all this money, all this stock,
all this capital has been invested in
your business. Your business is going to
grow. And the business does grow. So do
your [ __ ] problems. Yes,
>> they've ruined shareholders have ruined
and I'm not saying shareholders
inherently are evil, but the board of
directors and shareholders and all that
[ __ ] They have ruined everything.
They've ruined everything. It's like
everybody goes, "Why did the last three
Star Wars movies suck?" Kathleen Kennedy
came out and said, "We were met with
demands by the shareholders to rush the
[ __ ] sequels out and we couldn't make
the movies we wanted to make."
>> So that's that's
>> Can you imagine if they did that to Jim
Cameron?
>> You can't do that. [ __ ] [laughter]
rush that guy. Imagine you rushed
Avatar. [laughter] [ __ ] you.
[ __ ] you. That movie takes forever to
make. That's why it's awesome. There's
There's certain things that you can't do
just for money. And healthcare should be
one of them. It should be one of them.
>> Well, you know what? And I don't say
this
uh to ballwash you in any way, but you
just said it 10 minutes ago about the
club
and for all the criticisms that people
can level at you, whatever the [ __ ] they
want to say, whatever. It's like, "Hey
man, here's a guy I know that has a lot
of money that started something that
helps other people in the industry he
works in and said, "I'm not worried
about making money. I'm worried about
breaking even and I want the people that
I'm working at my club to benefit.
You actually did it. You actually did
the thing that we're complaining that
other people don't do. You actually did
the thing where you said, "I am not
going to try to turn massive profits off
of this club. What I'm going to try to
do is create an environment where people
can make what they deserve to make."
That's [ __ ] pretty awesome and pretty
crazy.
>> Well, the thing is anybody could do that
that's successful already. Yeah. You
could all you could all choose to run a
business that way and a lot of people
do. I'm not unique in that way. There's
a lot of like really ethical like moral
happy people. Sure. And you make a
happier environment too. That's the
other thing. Like the environment, the
club is very happy. Everybody gets paid
really well. Everybody's h making money.
The waitresses, waiters are all making
money. Everybody's happy. Yeah.
>> That's beautiful. You go to a place
where people are happy to be there.
That's that's what you want. You don't
want to go to a place where you're
making maximum profits and everybody is
in hell. And that's a lot of people that
work in corporations, right? You're
you're working way more hours than you
should. You never see your kids. You're
constantly [ __ ] stressed out. Your
cortisol is through the roof. You're
about to have a [ __ ] heart attack.
But you bought a house in the Hamptons.
>> Yeah.
>> Look at that. I got a $15 million house
overlooking the bay. How about that? You
[ __ ] win. I got the new Ferrari. You
want to see it?
>> Yeah.
>> And meanwhile, you're dying. Yeah,
>> right. But that's the environment of
just chasing money. I think you can make
plenty of money. I mean, obviously I'm
in an unusual situation, but I think
most business owners that do well once
you're doing well, what is enough? Like
it's make it just make it better for
everybody. What's enough? What's enough
money? What's enough? You know, if
you're running a corporation, is it
really good to cut back on the
ingredients and [ __ ] people over? Like,
I was seeing this thing about powdered
sugar. Some guy went to a grocery store
and he took all these bags of 2 lb bags
of powdered sugar and he weighed them.
They're like 1.3 lb, 1.2 lb, 1.27.
>> They're just [ __ ] you.
>> You telling me that's not on purpose?
You Your machines are so off that it
doesn't know what 2 lb are. But this is
this mentality of just squeeze the most.
>> Squeeze the most.
>> I don't think you have to do that. I
think if your business is successful,
just it should be like
>> you're good. You're good. Let's like
keep it keep the ball rolling. Keep it
good. Don't try to just keep making the
most money possible every quarter. And
that's what they do in corporations
because they have to. If you don't,
you're a bad CEO. You'll get kicked out.
>> Yeah.
>> Like, hey, good news, guys. We made the
same amount of money this month as we
did last month. Like, what?
>> This guy sucks. This guy [ __ ] sucks.
Where's my return? Yeah.
>> You know, I [ __ ] we're going to vote
him out. And then you get a board
meeting together and people complain and
>> you have to do that. That's their job.
>> Yeah. Ideally, what should happen is you
say, "Hey guys,
>> we made more money this month than we
did last month, but the reason we made
more money is because we made a better
product that brought in even more
customers." And it was beneficial to
everybody,
>> right?
>> And it's not that. It's
>> not. We squeezed the same amount of
customers out of more money.
>> Yeah.
>> Yeah.
>> It's the [ __ ] potato chip thing.
>> Well, it's the other thing that you know
this avocado oil scandal that's going on
right now.
>> So, all these people that are buying
things made with avocado oil that they
think, "Oh, this is going to be super
healthy."
Turns out a lot of these corporations
are [ __ ] you over and they're using
seed oils and [ __ ] safflower oil and
rape seed oil, all these different oils
and they're pretending that it's
>> coconut or it's avocado oil.
>> I watched a thing about food where they
talked about, by the way, what I meant
by the potato chip thing was when you we
were just talking about this in the
lobby before we started recording. when
you buy a bag of potato chips now and
it's half full and it's all air.
>> And of course the excuse is,
>> well, no, that's so it protects your
chips and just get the [ __ ] out of here.
[ __ ] off. Protect my chips. Don't crush
the chips, you [laughter] [ __ ] idiot.
>> Yeah, maybe pack the chips and ship them
properly. No, no, we can't do that.
>> Have you ever had those Vandy chips?
>> No. What's Vandy chips?
>> Oh, they're chips made with beef tallow.
Okay.
>> They're just cooked in beef tallow. It's
just beef tallow and salt and potato
chips. They're the best potato chips
you've ever eaten in your [ __ ] life.
>> Where do you get them?
>> You can buy them online. I buy them
online.
>> Yeah. A lot of these
>> They're so legit, dude. If I want potato
chips Oh, they're so good. And you don't
overeat them. It's crazy. Like when it's
real food, you eat enough.
>> Yeah.
>> You know, especially they're like soaked
in beef tallow. They're so rich in fat.
>> Yeah.
>> It's actually probably good for you.
>> Yeah. Yeah. I that's that's the thing.
Most of these quality food products that
we want to buy and and enjoy now, you
have to buy them online. You can't get
them in [ __ ] stores.
>> You can get them in some stores, but the
problem is they get bought out, you
know? So, say a company comes along and
you're making something that has like
really healthy ingredients and people
really get into it and then Pepsi buys
you or some Exactly.
>> some some [ __ ] Kelloggs buys you and
they they turn it into something that's
just close enough. They change the
ingredients, make it cheaper. Did Did
that happen with is it Rouse Ra AO's
pasta sauce? Ryos.
>> Ryos. Yeah. Yeah. Rayos got bought by
[snorts]
>> I think like whoever makes Ragu or
whatever the Bisco or some [ __ ]
>> Ryos made a great sauce. They still Is
it still legit or is it They [ __ ] with
the ingredients now.
>> I don't I never thought there was any
jarred sauce that was awesome like you
know they
>> have Steve Sharipasa's when he had his.
>> No.
>> You know Steve Sheripa from the
Sopranos? Do you know Steve? Did you
ever work for him? I I worked for him
when he was uh uh the Booker at the
Riviera in Vegas.
>> I remember that.
>> Before he got on the Sopranos, before he
ever did any acting.
>> That's hilarious.
>> Yeah, I was friends with him a long
[ __ ] time ago. He's the best. I love
that guy. He is the best. So, he had an
amazing sauce. It was uh I forget the
name of it, but it was all organic and
it was, you know, like really super
topshelf ingredients. It was [ __ ]
delicious. Okay.
>> Such a good sauce, but it was too much
of a pain in the ass for him to keep the
business rolling and he got rid of it.
I'm like, god damn, dude. That's that
sucks.
>> I think he had a problem keeping up with
demand, too, because it was like he came
on the podcast and talked about it and
then he eventually just bailed on the
business. Look, man. It's one of the
reasons I left my my sandwich shop was
because I I felt like operating in New
York was too hard of a thing. And we had
to keep the four years, 5 years,
whatever that I did it. We had to keep
kind of upping prices and and whatever.
And it wasn't be it was not out of
greed. It was out of there is no way
that we stand a chance to turn a profit
unless you keep up with what the demand
in the economy of New York City is. And
I just got to a point where I was like,
you know, man, it's just not what I
thought it could be.
>> You wanted it to be fun.
>> You wanted just to be fun.
>> Yeah. And and that was it. And it was I
wish them well, but uh they're still
going. But um it was it just for me I
was like I just can't like this isn't
you know. So that what happens is with a
lot of these um companies that get
bought up, it's this Steve Sharipa thing
where it's like, "Hey man, I'd love to
keep doing this at the quality I'm doing
it and at the at the, you know, the tick
that which we're moving at or whatever."
And then somebody comes along like Pepsi
and goes, "We'll we'll buy you out for
50 million." And you probably go, "You
know what? My ship just came in. take
the [ __ ] I don't know, you know, I I
can't, you know, so I don't blame people
for selling to a big corporation. It's
kind of the position you're left in.
>> You know, this mom and pop thing is is
going away. Uh, you know,
>> co put a big dent in that.
>> Oh, destroyed it.
>> Destroyed it.
>> Destroyed it in terms of like small
restaurants. I know so many of them that
went under in LA. I think at one point
in time LA lost 70% of its restaurants.
It's that it's the the the meat monopoly
thing is is brutal. You know what like
what happened with prices of meats and
because they saw like oh actually we can
say that there's a demand and and low uh
low product availability and all this
and just charge everybody this much.
>> But there also is a demand and there
also is low product. I mean there's also
the the reality of the marketplace.
>> Yeah. Well, that what I think it is is
there's the reality of the problem and
then and some people are affected by
that very genuinely, but then there's a
lot of people that go, "This is a chance
for us to capitalize and squeeze
>> squeeze."
>> And that sucks.
>> That sucks.
>> Yep. That's the thing. And you know,
once you escape the world of need and
you're in a world of decisions based on
what you enjoy doing, then you could
choose to do a business where you do it
however you want to do it and don't
worry about it,
>> right?
>> You know, because you're not doing it
for money. You're doing it because it's
a cool thing,
>> right?
>> And ideally, that's what we would all
like to do.
>> Yeah.
>> Ideally, it's not obviously it's
difficult to achieve, but if you can get
there, that's the way to do it. It's
just everybody has this thing about
chasing the [ __ ]
>> whatever number it is. Whether it's the
number in your bank account or the
address that you're living in or the car
that you're everyone's always chasing
the new thing. There's a new thing to
justify why you're pumping all of your
energy into a business,
>> you know?
>> Yeah. It's uh it's it's the unfortunate
uh other side of of capitalism.
Capitalism. This is why it's capitalism
[ __ ] great. It's way better than
everything else.
>> Well, that that I agree with, but we're
just talking.
>> The problem is, yeah, it's got flaws and
the flaws [clears throat] are human
nature. That's the flaws.
>> Is there a way, do you think? Is there a
way to have the free market with
capitalism, but actually have some sort
of regulation so these problems that
we're talking about can occur? Or is it
just you have to take the good with the
bad and that's all there is to it?
>> I mean, there should be definitely be
regulations without a doubt. Uh but I
think too much regulations then you
stifle business and that's what
California has if over overregulated
because the government is just too too
huge of a business there. I think at one
point in time California during the
pandemic they lost a bunch of people
like a bunch of people moved out but
they doubled the size of government.
They just keep adding more government
and more like that's where they create
jobs. They create jobs through
government and just keep adding
programs, adding government, and then
you just keep siphoning off tax money
and it's a slush fund and and there's a
whole economy based on it. And those
people are the people that are in charge
of running the city and they don't want
to let it go because that's how
everybody's getting paid and nothing's
getting done and the [ __ ] homeless
crisis never gets any better and the
streets never get clean, schools never
get [ __ ] funded correctly, but yet
they keep growing their [ __ ]
business. the business of being a
[ __ ] person in government.
>> Yeah, it's I I I one of the things I
learned when I worked for the because
when I lived here in 2000, I worked for
the Senate uh during the legislative
session. It was the 76th
legislative session. I think I was a
media reporter for the for the Senate
media department. But one of the things
I learned was
how low a senator's salary is versus
what they actually make in a year
because of donations and whatever the
[ __ ] else.
>> And I was like, of course these people
don't want to ever step down from this
seat. This is the [ __ ] this is a this
is a [ __ ] joy ride right now.
>> Yeah.
>> And once you're in that position, now
you got a problem because now it's like,
well, who's actually in there to do
something?
>> Exactly. versus who's in there to keep
the job. And if you want to keep the
job, keep the constituents happy. Well,
how do you do that? Well, then you start
compromising things and cater.
>> And you learn how to be a good [ __ ]
artist.
>> Oh yeah.
>> You learn how to say the things they
want you to say. That's why people
support ridiculous positions cuz they
[ __ ] lick their finger and find out
which way the wind's blowing. And that's
the way my constituents want. So that's
how I feel. Yep.
>> You know, I think God's non-binary. Like
whatever. They just start talking. Yeah.
They start saying things. You're like,
"What are why are you saying this? This
makes no [laughter] sense.
They're saying it because they think
it's going to help them and get them to
win. It's kooky stuff, man. [laughter]
>> Yeah, man.
>> And nobody wants the job. That's the
other thing. What nobody No really
successful person who would really be
good at it wants the job. It's too much
work. It's It's a hassle. You're also
dealing with insane corruption. Once you
get in there, try untangling all the
[ __ ] webs that have been spun for
decades where they've been moving money
to this and moving money to that and you
got to pay a little of this and you got
to pay a little of that.
>> Yeah. Do you ever see uh Charlie
Wilson's War, Tom Hanks movie?
>> No.
>> It's great. You'd love it. Mike Nichols
directed it. Char Tom Hanks in a Philip
Seymour Hoffman. It's my favorite Philip
Seymour Hoffman.
>> Really performance ever. It's a [ __ ]
awesome movie. Uh but it's about how
when uh we were sending arms and funding
the Afghanis when Russia was attacking
Afghanistan
and he's in there to do a good thing.
He's like these people are getting
[ __ ] taken over. The Russians are
coming in blah blah blah blah. And he
does all this good thing. He gets all
this funding to them. He helps them
there. The the the Afghanistan start
shooting the Russian copters out of the
[ __ ] air and all this [ __ ] And he's
like, "This is great." And then all of a
sudden the powers that be are like,
"We're cutting the funding." And he's
like, "What are you talking about? We
just helped these people liberate
themselves. We we can't cut the funding
now. We have to rebuild." And they're
like, "Yeah, we're not rebuilding.
That's we're not spending any more money
in this." And the end of the movie is
Philip Seoroffin telling Tom Hanks that
he doesn't say the name, but he says the
[ __ ] loonies are in the hen house.
He's talking about Bin Laden is now
taking over Afghanistan [laughter]
and this is going to go real [ __ ]
sideways on us. And it's just such a
great encapsulation of that's how it
works. That's how it works. You do a
good thing and then all of a sudden it
creates an even bigger [ __ ] problem
than they've ever anticipated because of
funding. It's a it's you would
>> also why were they doing it in the first
place? Why the [ __ ] are they funding the
mu mujahaden? And that's how bin Laden
turned against us,
>> right? That's what what it was all
about. He realized how dirty our [ __ ]
politics are and what we're doing when
doing regime change in other countries
and
>> proxy wars and all all the insane [ __ ]
that we've been involved with forever.
It's [ __ ] up. The way it's portray the
way it's portrayed in the movie is the
Russians are attacking these people.
It's going to be this genocide. It's
blah blah blah blah. That's how it's
framed in the movie. In real life, you
know, I know there's always multiple
sides to
>> both sides. I mean, there's probably a
lot to that, too.
>> But it's it's just one of those things
where I I brought it up because you
said, "Who would ever want this job?"
And I watched that movie and thought
that I was like, "Who would want the
[ __ ] job of this guy,
>> right?
>> That he thinks he's doing the right
thing." And then it just blows up in
their face.
>> You just hope that good people come
along and want the job. That's what you
hope. But for the most part, they're
swimming in a sea of psychos,
>> right?
>> Yeah. Well, the question is is that is
is if a good person does come along, can
they stay
can they stay pure or is the system just
built in a way where it's like no,
there's no way to do this. You know,
it's I [snorts] always equate it to the
Hollywood thing. It's like it's like in
my opinion, there's no way to become or
it's a a very hard thing to become a
massive movie star and maintain your
morality and your ethics and whatever.
you're you're you're playing in a system
that is so [ __ ] foul and so dirty and
whatever. That's why we're like it's so
rare to meet a Woody Harlson or somebody
like that who's a genuine person. And
nine out of 10 of those guys, they don't
[ __ ] live there.
>> They're out they go somewhere else
>> and they dip in, they do it, they get
the [ __ ] out again. Um, so I always
wonder like is there we always say like
if only a decent man would come along
and and lead us or or or or take this
seat in this office or what is it
possible to even remain pure at that
point? I don't know. Or is it just hey
this is how it works. This is all there
is to it and you either play this game
or you will be phased out and that's it
you know.
>> Well the Hollywood game is interesting
because you have to have the same
political opinions of them.
>> Yeah. If you don't [laughter]
any variation whatsoever if you're like,
"Hey, maybe we shouldn't take this
>> weird experimental vaccine, [laughter]
>> you're cast out of the kingdom." Like
you have to be full compliance. Full
compliance to whatever ideology that
they have because they're completely in
control. They get to choose whether or
not you work. The beautiful thing about
comedy um is and music is another
version of that but less so I think is
that you just make what you make and if
people like it they come see you.
>> Real simple. Real simple. You get a
chance. Everybody gets a chance.
Everybody gets a chance to do open mic
nights.
>> Everybody gets a chance. If someone
says, "Hey Joe, you're really funny.
Will you you want to open for me on the
road?" Also, oh my god, I'm on the road.
>> Everybody gets a chance.
>> Yeah. And the thing about the movie
business is it's not that way. Like you
could be a really talented actor and you
never get cast in something. You maybe
they don't align with the way you think.
Maybe you didn't kiss their ass enough
when you went in for the audition. Maybe
you don't have a good agent. Whatever it
is, right? You you might not ever work.
>> Yeah. I There's There's a great um
Oh, what is it called? It's the
documentary I think it's just called
Frank. It's the documentary about Frank
Stallone.
Sylvester Stallone's brother.
>> Oh.
>> And Frank Stallone is an immensely
talented guy. And he sort of got reduced
to he does stuff. He works and he seems
like a happy guy. But there was a big
part of Frank Stallone where he kind of
got reduced to the punchline of like
>> Sly's brother.
>> Yeah. Exactly.
>> Well, you know, that was Charlie Murphy
always used to say that about Eddie.
>> They talk in the documentary about Frank
Stallone. They go everybody's like, "How
did this guy not become bigger? He's so
[ __ ] talented. He was a musician.
He's a great actor. He's this. He's
that. And they say in the middle of it,
they go, "Dude, it doesn't just happen.
You have to have a team of people
operating around you that make it
[ __ ] happen. It's not just dumb luck.
It's not just, oh, he's good. If you
don't have the people strategically,
let's put it this, buying you through
the system, right? It doesn't [ __ ]
happen. It just doesn't happen. It's
like look at when people get nominated
that the process of getting nominated
for an Emmy.
>> It's like you you you get the
consideration vote and then I would see
it when I was living in LA and then
people would do these PR campaigns just
based on the consideration.
>> Oh yeah. Those billboards for your
consideration. Yeah.
>> You'd see them everywhere.
>> Then you get nominated and then that's a
whole other thing. That's why I thought
it was such [ __ ] when um and I'm a
big fan. I'm not knocking the guy, but
like when the the whole thing happened
with like Bren the the year that Brendan
Frasier won for the whale was the same
year the kid that played short round one
for Everything Everywhere All at Once.
>> Do you remember that year at the Oscars?
>> And they both it was like it's the year
of the comebacks at the Oscars and
they're up there going I thought I was
done and here I am. It's like you
[ __ ] had a campaign. Like this costs
millions of dollars to get you here.
This is not some underdog story. This is
this was this was orchestrated. That's
how it works. It's crazy. It's crazy.
Nobody's Oh, yeah. I was driving a cab,
then all of a sudden I got nominated. I
won. That's [laughter] how it [ __ ]
works.
>> That's batshit.
>> Yeah. Well, it's a batshit business.
It's it's it's it's the worst and best
business of all time.
>> It's the best that we it gets us to get
to do what we want to do.
>> Sort, but it doesn't. Standup is
>> better now. It's like stand up and
podcast is such an easier pathway.
>> Yeah.
>> Than that. That was the old pathway.
>> You had to be a part of that.
>> I was I was talking to Tony about it
after MSG. We were at the afterparty and
he you know Tony I love this is what I
one of the things I love about him. He
gets, "You have a few drinks and it's a
real love fest." And he's like, but he's
like, "Buddy, we're doing it, man. We're
doing it. They told us no and we're
[ __ ] doing it." And I go, "Tony,
here's what's wild." I go, "The
mainstream of entertainment could become
the, for lack of a better term, wokest
whatever." That whole thing could come
back of PC culture and whatever, and
they could tell any one of us or all of
us, "You guys are out. There's no way
you're going to get anything on
streamers or anything anymore and we'd
all still be fine because we all said we
found another lane. So, [ __ ] it. It
doesn't matter.
>> It's a bigger lane, too.
>> Way bigger.
>> It's way bigger.
>> Way bigger.
>> Yeah. Because it's authentic.
>> Yeah.
>> It's real and it's not curated.
>> Yeah.
>> It's a real It's simple. People That's
what people want.
>> If Hollywood could send a missile to
destroy YouTube, they [laughter] would.
Meanwhile, it's come up with some of the
[ __ ] greatest talents. Like that guy
who made Obsession
>> came straight out of YouTube.
>> Yeah,
>> dude. I got to wrap this up.
>> Oh, okay.
>> Uh, your special,
>> speaking of which. Yeah.
>> John Rosa, I never promise you a rose
garden available right now on Netflix.
>> On Netflix. Uh,
>> where'd you film it?
>> We shot this in Phoenixville,
Pennsylvania.
>> It was on my YouTube. Netflix scooped it
up. It's still on my YouTube, but please
go watch it on Netflix. and and uh I
hope you all enjoy it. And then and then
my my podcast Violent Horrendous is is
now out. YMH Network uh and Joe De Roza
Comedy on uh YouTube uh is where you can
find it. So please listen and I hope you
watch the special and enjoy it. Thank
you for having me.
>> My [music] pleasure, brother. I love
you.
>> Love you. Bye. All right. Bye,
everybody.
[music]
Ask follow-up questions or revisit key timestamps.
In this episode, Joe Rogan and guest Joe DeRosa discuss various topics including coffee brewing methods, the struggle of becoming successful, and the current landscape of the entertainment industry. They share their opinions on restaurants in Austin, movies, and their experiences working within the Hollywood system. The conversation also covers the importance of maintaining physical health and the benefits of finding a healthy routine, with DeRosa sharing personal anecdotes about his career transition from a fighter to a comedian and actor.
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