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Fallout Season 1 Episode 8 - The Beginning | Full Episode | Prime Video

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Fallout Season 1 Episode 8 - The Beginning | Full Episode | Prime Video

Transcript

764 segments

0:05

You are my world.

0:09

>> Where are you taking him?

0:11

>> To the real world. You should see it

0:13

sometime.

0:14

>> You can change the future. If you can

0:18

bring me to Mulaver,

0:21

>> just my head.

0:23

>> This is the only way to get your dad

0:25

back. Aspirant Dayton, you're aware of

0:28

their injury.

0:30

>> Shoot it.

0:32

>> Stupid [ __ ] You know this is

0:34

all your fault. They'll kill you for

0:36

this.

0:37

>> They don't have to find out.

0:38

>> It's the Brotherhood.

0:39

>> They'll find out.

0:41

>> They want a head. I'm going to give them

0:43

a head.

0:44

>> You're supposed to come with me.

0:45

>> They're never going to stop looking.

0:46

Trust me.

0:49

>> America has been locked in a resource

0:52

war. VaultTech bought the means to end

0:54

that war. Cold fusion. Infinite energy.

0:58

>> Is Is that a fusion core? You don't see

1:00

those around much anymore, do you?

1:02

>> What is the ultimate weapon to destroy

1:05

your competition? It's time.

1:07

>> You ever think about working somewhere

1:09

else?

1:10

>> Well, tech exists with or without me.

1:12

Does it do anyone any good to complain

1:14

from the sidelines? It's a listening

1:16

device.

1:17

>> You want me to spy on my wife?

1:19

>> When my mother died, what happened to

1:20

her pit boy? It was buried with her. I

1:23

buried her myself.

1:25

me and your father.

1:33

>> Hello

2:14

Find me.

2:16

>> I will.

2:22

51232

2:28

3032 requesting entry service.

2:35

[music]

2:39

Philly clear for lead. The locals put up

2:41

a fight, but so did we.

2:57

Heat.

3:04

Heat.

3:09

Heat.

3:25

Heat.

3:38

>> [music]

3:50

>> You're wearing the knight's red.

3:55

Where's your knight?

4:00

>> He's dead.

4:06

This is not the first time a brother in

4:09

your company has fallen into misfortune.

4:15

Is it?

4:27

>> I fear you lied then.

4:31

>> No artifact, my lord.

4:34

>> Just as you lie now.

4:39

>> Wait, wait, wait.

4:44

>> Please listen to me.

4:46

I can get you the real head.

4:49

>> Confess.

4:49

>> Don't kill me and I can lead you to it.

5:00

>> I can help you.

5:01

>> Please, my lord.

5:04

>> My injury was my own doing, not his.

5:08

>> Please. Please. I know where the head

5:11

is. For

5:11

>> the sake of the brotherhood, please

5:13

listen to him.

5:16

Such a display of loyalty.

5:20

Don't see that much anymore.

5:34

[music]

5:42

>> [music]

5:52

>> You think you're the first squire who

5:54

coveted his knight's armor?

5:59

>> How did Titus die?

6:01

>> He died running.

6:07

The Brotherhood has lost its way.

6:11

We once ruled the wasteland.

6:18

And yet power is taken, not given. The

6:22

lesson you seem to have learned.

6:33

So if what you say is true

6:37

and you can lead us to the relic

6:40

and together

6:42

you and I we will take power

6:48

and with it

6:51

we will start a new brotherhood with me

6:55

as its head and the likes of you as its

6:59

sword.

7:09

Your entire life you've been looking for

7:11

a home.

7:22

Build one with me.

8:01

>> [music]

8:28

>> It's her.

8:49

Oh my god.

9:19

Well, thank you for the ride.

9:20

>> Oh, it's the least I could do after I

9:22

bungled your oil change. Well, I

9:24

appreciate you trying.

9:26

>> You know, most guys who could ride this

9:28

nice, they wouldn't be willing to get

9:31

their hands dirty.

9:35

>> Okay.

9:37

>> I love you.

9:38

>> Love you, too.

9:41

>> Have a great day.

9:42

>> Thank you, C.

9:43

>> Okay.

9:54

Goo.

9:56

[laughter]

9:58

>> Good to see you, buddy.

9:59

>> Yeah.

10:01

>> What's wrong?

10:02

>> Uh, my pit boy. It's been acting

10:05

strange. The transmitter is always

10:08

activated.

10:08

>> Oh, maybe take it over with the boys in

10:10

it and have them take a look.

10:11

>> No, no, I can fix it myself. I just need

10:13

to figure out where the pit boy is

10:14

trying to transmit to.

10:15

>> I'm I'm heading out. I promised Janny

10:17

that I would teach her some roping.

10:18

>> Oh, yeah. I don't have kids myself, but

10:20

I do have a training program for up and

10:22

cominging executives, and that's

10:23

basically the same thing. [laughter]

10:25

>> I imagine Barb told you about it.

10:28

>> Uh, no.

10:30

>> Oh, no.

10:31

>> Well, I call it buds butts. The basic

10:33

idea is that the biggest obstacle to

10:34

achievement has been the brevity of the

10:36

human lifespan. It's prevented us from

10:38

working on projects that require

10:39

centuries, maybe even millennia to see

10:40

through. So, ideally, Buds Buds will

10:43

keep my project on track centuries

10:44

[music] into the future. Nifty, huh,

10:46

>> bud? We're getting late.

10:47

>> Oh, yes. Let's go.

10:49

>> Big day today.

10:50

>> Yeah.

10:51

Good luck.

10:57

>> Hey, maybe uh maybe we could all go to a

11:00

cafe cabana sometime.

11:02

>> Oh, sorry.

11:06

>> No, it's

11:09

not.

11:12

[ __ ]

11:32

There we go.

11:34

[music]

12:09

Lucy

12:11

>> Dad.

12:24

Welcome.

12:32

[sighs]

12:36

[groaning]

12:38

Join us. It's my turn to hope, isn't it?

12:48

>> I've had a lot of time to think about

12:49

this moment.

12:53

You wouldn't believe the things that

12:55

went through my head.

13:00

One night, I actually tried to stuff an

13:04

old grenade into the neck hole.

13:10

Yes, I was going to walk in here and

13:14

blow everybody up,

13:17

but that's

13:19

not really how I was raised.

13:24

So,

13:26

if you don't mind, I'm going to keep

13:29

things civil.

13:35

brought you your friend just like he

13:37

asked.

13:44

[music]

13:51

>> Now, please

13:54

give me my dad back.

13:58

>> Very well.

14:07

But first,

14:11

what if I tell you how I know your

14:13

father?

14:15

Who he really is?

14:19

>> No, Lucy.

14:21

Don't listen to me.

14:22

>> You think your father was born in a

14:24

vault

14:26

like you?

14:30

like your [music] brother.

14:35

>> Hello.

14:48

>> All right.

14:50

>> Hello.

14:52

>> The key to the future of humanity. I'll

14:54

get it. I'll get it. Don't you worry.

14:58

The key. the key to the future of

15:00

humanity. [laughter]

15:02

Now, this is just ridiculous.

15:05

Here we go. In the great game of the in

15:07

the All right. All right. This one's it.

15:11

I'll get it this time. The key to the

15:13

future of humanity is a Nope. Just maybe

15:16

I have to

15:19

Thank you, Betty.

15:22

Wait, you're not Betty or Hank.

15:26

You share only 50% of Hank Mlan's DNA.

15:31

Um,

15:32

>> his son.

15:33

>> No, no, no, no, no, no, no, no, no.

15:36

>> What are you?

15:37

>> Initiate protocol 53.

15:45

No, no, no. All right, just hold still.

15:48

>> Who are you?

15:49

>> Wait, wait, wait, wait, wait, wait,

15:50

wait, wait. I won't answer your

15:51

questions unless you let me inject you

15:53

with this.

15:55

All right,

15:57

don't move. This secret must be guarded.

16:00

Don't Don't go in there. Don't you go in

16:02

there. Don't read anything in there or

16:04

turn on the lights. Don't you access the

16:07

info tree or look at the terminal. Wait,

16:10

just right there. Stop. I'm coming.

16:16

>> What is this place? Any

16:20

idea when Barb will be back?

16:21

>> I'm sorry. She's in a meeting. Something

16:23

about vertical integration or

16:25

>> above my pay grade.

16:27

>> Mine too.

16:30

>> By the way, Mr. Howard, there's a new

16:33

guy who works with Barb Henry.

16:36

He's a really big fan of yours.

16:38

>> Yes, Henry. He has called the house a

16:42

few times.

16:43

>> Do you mind if I bring him by just to

16:45

meet you for a moment?

16:46

>> Of course. Yeah, always happy to meet a

16:49

fan.

16:53

[sighs]

17:03

All of our work, everything that we've

17:05

accomplished is the result of this

17:07

fruitbearing collaboration between

17:10

like-minded corporations that make

17:11

America great.

17:15

On behalf of everyone here at VaultTech,

17:19

welcome.

17:25

>> Let's call this what it is, bud. Your

17:29

sales aren't up to snuff, and you need

17:31

money.

17:32

>> You're one to talk, Freddy. Boy, you

17:34

could lose money running a casino.

17:36

[laughter]

17:39

>> Our sales are fine.

17:41

>> Sure. The rumors of the peace

17:42

negotiations have set us back a bit, but

17:45

we're here to offer you an opportunity.

17:47

We'd like to collaborate on some of our

17:49

vaults.

17:49

>> I don't get the vaults, but it's time to

17:52

come out.

17:53

>> What if people are still alive on the

17:55

surface? They'll be stone age creatures

17:58

probably eat whoever steps out of your

18:00

vaults.

18:01

>> That isn't an issue. Our vaults have the

18:04

resources to survive for centuries.

18:06

Meanwhile, our competitors, you know,

18:09

every other human who isn't us will be

18:11

dead on the surface.

18:14

>> Because after all, what is the ultimate

18:16

weapon of mass destruction?

18:23

>> Time.

18:24

>> Time.

18:27

>> Time is the apex predator. And in

18:30

[music] the event of an incident, time

18:33

is the weapon with which we will defeat

18:35

all of our enemies.

18:37

>> That is how we will win the great game

18:39

of capitalism. Not by outfighting

18:41

anyone,

18:42

>> but by outliving them. Even if you

18:45

outlive all external threats, here's my

18:48

problem with the vaults. You can find a

18:50

bunch of rats in a nest for a long time,

18:54

they end up eating each other. So, who's

18:55

to say your rats are going to survive

18:57

better than those animals on the

18:59

surface? And you still haven't addressed

19:01

the fundamentally

19:07

people

19:08

>> probably

19:25

If I could perhaps refocus the

19:27

conversation.

19:33

>> Come on, Barb. Set him straight.

19:36

>> When I think about the future,

19:40

I think about my daughter,

19:44

Janie.

19:47

>> How do I provide her with a better

19:49

future?

19:51

That's what we've invited you here to

19:53

discuss.

19:55

Yes.

19:57

>> And how do we design our vault society

20:00

[music] so our children have that better

20:03

future? I suggest we hedge our bets.

20:07

>> Wait. I am the overseer here. My orders

20:10

must be followed.

20:12

Why isn't this working? This is conflict

20:14

resolution 101.

20:16

>> Where's the rest of the vault?

20:17

>> This is the rest of the vault.

20:20

>> Is this where my dad's from? You'll

20:23

never find out.

20:26

>> Oh, he's going to find out.

20:46

>> These are Butts. Butts. My butts.

20:49

America outsourced the survival of this

20:52

country to the private sector, but it

20:53

would have been insane to keep a failed

20:55

nation alive. So, we kept Vaulttech

20:57

alive instead, a well-trained staff of

21:00

highly supervised junior executives for

21:02

my own assistant training program.

21:05

Because the future of humanity comes

21:06

down to one word,

21:09

management.

21:12

>> Bud here has an idea for three

21:16

interconnected vaults, but we need more

21:18

ideas. is we need your ideas because it

21:22

was the spirit of competition that made

21:24

our companies great. And I propose we

21:28

bring that same spirit of competition to

21:30

our solution.

21:35

We have over a 100 vaults spread across

21:39

America.

21:41

enough for each of you to claim several

21:44

where you can play out your own ideas

21:47

for how to create the perfect conditions

21:50

for humanity. Whatever you want to do,

21:53

no one needs to know.

21:57

And may the best [music] idea win.

22:03

>> So, what's Vault 32 and 33? Just people

22:07

to be controlled.

22:08

>> What? Oh, when you put it like that,

22:10

sounds downright morally questionable.

22:12

They're our breeding pool. The ultimate

22:15

expression of HR R&D, genetically

22:17

selected to breed with my buds to create

22:19

a class of super managers. People with

22:22

positivity. People who make lemonade.

22:24

People who will inherit the earth after

22:27

we've wiped the surface clean.

22:32

>> We wiped the surface clean.

22:34

We could intentionally

22:37

overcrowd a vault so people have to

22:39

compete to survive inside it.

22:43

>> We have been developing a robot that

22:46

delivers milk to the front door. It's

22:47

quite intelligent. [music] I would like

22:48

to see a vault governed by it.

22:50

>> What about using a vault to develop a

22:53

super mutant soldier using illegal

22:55

immigrants?

22:56

>> We could pump psychotropic drugs into

22:58

the air supply.

22:59

>> We could separate parents and children

23:01

and only the smartest kids reach

23:02

adulthood. It's a fun idea.

23:05

>> There's a lot of earning potential with

23:07

the end of the world.

23:09

But we're talking about [music] making a

23:11

significant investment based on a

23:13

hypothetical. How can you guarantee

23:15

[music]

23:16

results?

23:18

>> By dropping the bomb ourselves.

23:29

Mr. Howard,

23:33

>> everything all right, Mr. Howard?

23:36

>> Uh, fine. I'm I'm I'm I'm fine. Betty,

23:40

>> he is so excited to meet you.

23:46

>> A nuclear event would be a tragedy,

23:49

but also an opportunity.

23:52

Perhaps the greatest opportunity in

23:54

history. Because when we are the only

23:57

ones left, there will be no one to

23:59

fight.

24:02

A true monopoly.

24:05

>> Mr. Howard,

24:07

huge fan. I'm Henry, but everyone calls

24:09

me Hank.

24:13

>> Wow.

24:19

>> Your father [music] has been around for

24:21

a very long time.

24:28

part of an organization that thought

24:30

they had the answers to all the world's

24:31

problems.

24:37

In that scene, that scene where you

24:38

shoot Joey Toro in the face

24:43

of

24:46

>> this [music] is our chance to make war

24:49

obsolete.

24:51

Because in our current societal

24:54

configuration, which took [music] shape

24:55

without intentional guidance, we have

24:58

friction,

25:01

we have conflict, and we have war.

25:06

and war. Well,

25:14

>> war never changes.

25:18

[music]

25:19

>> Yeah, just I can't I can't believe I

25:22

just wonder if if if you don't mind. Um

25:24

I hate to be that guy, but you think you

25:26

could give me an autograph?

25:31

He never told you where he's really

25:33

from, when he's from.

25:37

He never told your mother either.

25:50

>> What do you know about my mother?

25:53

>> She was like you.

25:56

She was kind, loving,

25:59

curious. Isn't that why you came to the

26:02

surface? [music] Really? Partly to

26:04

rescue your father, but

26:06

to know why I took him.

26:30

Thank you.

26:39

>> Wait, Dane, they're sending you

26:42

>> punishment for what I did to myself?

26:45

Hey,

26:48

I was just scared of going to the wilds.

26:50

I had no idea they'd blame you for it.

26:54

I'm sorry.

26:59

Don't be. I was meant to go on that

27:02

mission.

27:05

I met someone,

27:07

but right now she's walking into danger.

27:11

>> That's why you came back to rescue her.

27:15

>> I'm leaving with her. I am going back to

27:18

where she came from.

27:20

A vault. It's a place that's peaceful

27:23

and safe where nobody ever goes to war.

27:29

>> What?

27:30

>> Maggots. Clear out.

27:32

>> Yes, sir.

27:32

>> Let's go now.

27:38

>> There's nowhere safe, Max.

27:41

>> And there's no leaving. I wish there

27:44

was.

27:46

Heat

28:09

up here.

28:27

Rose was so clever

28:30

like you.

28:33

Lucy,

28:35

your mother discovered that something

28:37

was siphoning the vault's water away.

28:42

From that one clue, she deduced [music]

28:44

that maybe

28:47

civilization had returned to the

28:49

surface.

28:56

When she told her husband,

28:58

he said it was a ridiculous [music] idea

29:03

and that she should tell no one.

29:04

>> Lucy, let's go. Let's

29:06

>> And that's when she realized that her

29:09

husband, the [music] overseer,

29:12

was hiding things,

29:14

>> Lucy, let's go. [music] Let's get out of

29:15

here.

29:15

>> So, she ran away

29:18

like you did, Lucy,

29:22

and took her children,

29:25

and she found this wonderful city that

29:28

was everything the vaults had promised

29:30

her.

29:30

>> She is lying.

29:33

But then her husband came after her and

29:36

when [music] she decided not to return

29:38

home,

29:40

he took the children

29:45

and he burned that city to the ground.

29:54

[music]

29:54

>> Shady Sans,

29:55

>> she's lying. the same.

29:58

>> That's [music] how VaultTech deals with

30:00

competition, just like they did 200

30:03

years ago.

30:17

[music]

30:28

Lucy,

30:30

what you brought me is cold fusion. It's

30:33

limitless energy and we can build a

30:36

murderer

30:37

>> our own world.

30:38

>> Look at

30:39

>> it could be a better world. It has clean

30:41

water and medicine and power but for

30:43

everyone

30:45

>> because when Vaulttech bought my

30:47

research,

30:48

>> they made it proprietary. So only a

30:51

trusted VaultTech minion

30:53

>> do not [music]

30:54

>> can activate

30:54

>> listen

30:55

>> cold fusion

30:56

>> to her.

30:59

>> All I need is for him to give me the

31:02

code.

31:04

>> Look at me. Look at me.

31:08

I see.

31:21

My mother.

31:26

What happened to her?

31:31

I think [music] you know.

31:40

>> [snorts]

31:52

>> Lucy,

31:54

you're good.

32:20

Lucy,

32:22

she's lying. Lucy,

32:29

>> give her the code.

32:47

Give her the code.

33:00

Give her the coat, Dad.

33:34

>> [music]

33:46

>> Heat. Hey, heat. Hey, heat. Heat

33:58

[music]

34:09

up here.

34:58

Well, it was great meeting you. I

35:00

actually have to get back home.

35:01

>> You can't go home, Senator Hank.

35:09

>> Not with what you've learned.

35:13

>> So, are you just just going to keep me

35:15

here?

35:16

>> Just until we're all ready to go to the

35:18

surface. That could be hundreds of

35:20

years.

35:20

>> True. That's why I'd suggest you wait it

35:23

out in your dad's pod. Unless you want

35:25

to starve to death. Not much food in

35:27

here except the occasional very large

35:29

bug. I'd certainly put myself to sleep

35:32

if I could.

35:58

>> [music]

36:10

>> I did what was necessary

36:14

to save our people.

36:18

And that woman over there,

36:22

she is no different than me.

36:37

[music]

36:57

The Brotherhood

36:59

barricade the doors. Don't let anyone in

37:03

here.

37:04

Let's move.

37:07

Come on. Go.

37:11

>> Lucy,

37:12

I loved your mother,

37:17

but you stopped being your mother when

37:18

she left home.

37:22

And she took you into danger.

37:29

[music]

37:36

Heat. Heat.

38:06

>> [music]

38:07

>> You've seen what it's like up here.

38:19

Everyone equally afraid, equally

38:22

miserable,

38:31

forced to do horrible things in order to

38:33

survive.

38:35

[music] Lucy,

38:38

I had to make a choice.

38:42

>> [music]

38:43

>> between their violent world and our

38:46

peaceful one.

38:51

And I believe, Lucy, I know I made the

38:55

[music] right choice.

39:02

[music]

39:26

I [singing and music] don't want to see

39:29

tomorrow

39:34

unless

39:35

I [singing and music]

39:43

Tomorrow, so they say, will be a lovely

39:47

day.

39:49

A bright new sun will suddenly break

39:53

through.

39:56

But I don't [music] want to see tomorrow

39:59

[singing]

40:02

unless

40:04

I see it with you

40:09

tomorrow. So

40:10

>> if the problem with the world is

40:11

factions endlessly fighting endlessly at

40:15

war, then what is the solution but to

40:17

get rid of the factions to make the

40:20

world us?

40:22

>> Only ours to shape.

40:25

follow

40:28

unless

40:30

you're there by my side.

40:35

Don't want to walk alone.

40:39

Don't want to dream alone.

40:42

Just want you close to my heart.

40:48

For if your love is gone,

40:51

how can I face the dawn of Sunday or

40:56

Monday? I just can't [music] face one

40:59

day until you say you're mine.

41:04

Oh God, you be mine

41:07

and make it bright tomorrow young.

41:13

But I don't [music]

41:15

want to face [singing] tomorrow

41:19

unless

41:22

I see it

41:25

with

41:27

you.

41:35

I bet that outfit makes y'all feel like

41:36

a big man, don't it?

41:39

Well, I know cuz

41:42

well, I used to whale one back in the

41:43

day.

41:45

There was only one problem with it.

41:48

There was a flaw

41:50

in the welding

41:52

just below the chest plate.

41:55

I wonder if they fix that in this new

41:57

model.

42:07

I guess not.

42:22

>> Get him.

42:22

>> I can't see [ __ ]

42:33

Let the [ __ ] go.

42:50

Open the door, Lucy. Open the door.

42:52

Let's go.

42:55

Let's go.

43:03

Let's go.

43:19

Who's he?

43:27

Please open the doors.

43:50

Lucy. Lucy.

43:54

Lucy.

43:56

Lucy.

43:56

>> Hey. Hey. I'm her father. Can you get us

43:59

out of here?

44:02

>> Lucy, let's go. Come on. We got to get

44:05

out of here.

44:05

>> No, not with him.

44:07

>> Why not with him? What do you mean?

44:09

>> Because it was him. He

44:12

>> What?

44:12

>> It was him. [music]

44:13

>> What? With him?

44:17

>> Lucy, what?

44:21

Shady sounds.

44:50

It was him.

44:57

I'm sorry,

45:04

>> Lucy.

45:06

You're coming with me.

45:09

>> [screaming]

45:11

>> No.

45:15

>> Hey, Max. Max. Max, wake up. [panting]

45:31

You see what this place does to people?

45:35

I'm your father, Lucy.

45:41

You came all this way for me.

45:49

You're not going to hurt me.

45:54

[music]

46:05

>> [groaning]

46:06

>> You want another autograph? Young Henry

46:10

Fo Fuerte EA.

46:17

When your daughter said her last name

46:18

was Mlan, Will, I just couldn't believe

46:22

that it was the MLAN.

46:24

Hell, this kid used to pick up my wife's

46:27

dry cleaner.

46:29

Now I've waited over 200 years to ask

46:33

somebody one question.

46:38

Where is my [ __ ] family?

47:00

Yeah.

47:06

>> Hey, Max. Hey. Hey. [crying] Hey, Max.

47:10

Max. Wake up. Come on. Wake up. Wake up.

47:15

Come on. Come on. Come on. Come on.

47:20

Come on. Please

47:25

go.

47:28

[music]

47:39

War never changes.

47:42

You look out at this [music] wasteland,

47:45

looks like chaos.

47:51

But there's always somebody behind the

47:53

wheel,

47:56

and that's who I want to talk to.

48:00

That's where your daddy is headed.

48:03

>> But you let him go.

48:04

>> Well, it's easier to track a stuck pig

48:06

than to ask it where it's off to.

48:12

You want to know how I know your daddy,

48:14

don't you? Let's just say that [music]

48:16

everything about your whole little world

48:19

was decided over 200 years ago.

48:26

Now you could stay here with him, but

48:28

when his 10 can [music] soldier friends

48:30

take this place and they going to take

48:32

this place,

48:34

they will kill you and everybody here.

48:45

>> [music]

48:47

>> Or you could come meet your makers.

49:00

[music]

49:03

Heat.

49:24

Heat.

49:39

You coming?

49:51

Hey.

49:55

Yeah.

50:06

I'll find you.

50:28

>> [music]

50:29

>> Okie dokie.

51:09

Lucy.

51:11

>> [panting]

51:17

>> Lucy,

51:34

Lucy.

51:50

Well,

51:55

I don't know.

52:03

Heat.

52:27

Heat.

52:46

We did it, Rose.

52:56

Heat. Heat.

53:29

What do you [music] suppose your

53:30

brotherhood would do with infinite

53:32

power?

53:38

Maybe you can stop them. Maybe you

53:40

can't.

53:45

Maybe all you can do is try.

54:16

Is that their leader?

54:22

You killed her.

54:24

>> No, Dane.

54:27

>> Oh, hell Maximus. That shall be night

54:29

hereafter.

54:31

>> All hell th Max. All hail thus.

54:35

All hail thus.

54:38

All hail thus. All hail thy max. All

54:42

hail thy max. Oh hus.

54:49

We three,

54:52

>> we're all alone.

54:56

>> Living in [singing and music] a memory,

55:01

my echo, [singing]

55:04

my shadow,

55:06

and me.

55:13

We three.

55:15

We're not a crowd.

55:19

We're not even company. [singing]

55:24

My echo,

55:27

my shadow

55:30

and me.

55:36

What good is the moonlight? the silvery

55:41

moonlight that shines above.

55:49

I walk with my shadow. I talk with my

55:54

echo. But where is the one I love?

55:59

[singing]

56:00

We three

56:03

[music] will wait for you

56:08

even till eternal.

56:13

My echo,

56:16

my shadow

56:19

under me. [singing]

56:21

[music]

56:37

Heat. Heat.

56:51

[music]

56:59

Heat. Heat. [music]

57:07

[music]

57:13

[music]

57:21

>> [music]

57:35

[music]

57:44

[music]

57:50

>> Yeah.

57:52

>> [music]

58:33

>> Hey, hey, hey.

Interactive Summary

The video appears to be a dramatic narrative centered around Vault-Tec, a fictional corporation from the Fallout universe, and its experiments and machinations involving various vaults and individuals. Key plot points include a quest to retrieve a "head" or artifact, the revelation of Vault-Tec's role in a resource war and their development of cold fusion as an energy source. The narrative also delves into the concept of "Buds Buds" and "Buds," a twisted executive training program focused on extending human lifespan to achieve long-term projects. There's a significant plotline involving Lucy, her father, and the mystery surrounding her mother's past and her connection to Vault-Tech. The story touches upon themes of family, betrayal, the corrupting nature of power, and the ethical implications of Vault-Tec's experiments, including the manipulation of people within vaults and the creation of "super managers." The video culminates in a confrontation where the true nature of Vault-Tec's long-term plans and their historical actions are revealed, involving a potential nuclear event and the ultimate goal of establishing a monopoly through a twisted interpretation of "the great game of capitalism."

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