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Big KRAZAM Announcement | TheStandup

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Big KRAZAM Announcement | TheStandup

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1618 segments

0:00

instead of me introducing you uh because

0:02

everyone just says Kroam and then this

0:04

like encompasses like an entire group of

0:06

people but there are individuals of the

0:08

Kroam team. So why don't you two

0:09

introduce yourselves?

0:11

>> Hello hello hello standup team.

0:18

Uh anyways sorry

0:19

>> I am Ben. I am one part of the YouTube

0:24

comedy collective known as Kazam. You

0:26

might know me from such videos as the

0:28

microservices video, uh, the spreadsheet

0:31

guy, macro, uh, I've delivered value,

0:34

but at what cost, the small data guy,

0:35

and so many more hits.

0:37

>> Really quick, when Ben gets recognized

0:38

on the street, we can see the guy coming

0:41

a mile away. [laughter]

0:44

>> We know every time. If you see me out

0:46

there, just come up.

0:48

>> He's making a beline. He's wearing a

0:50

backpack. And with me today, we have our

0:52

my very close friend, very uh also, you

0:55

know, comedian, creator in her own

0:57

right, the very funny, very talented

0:59

Alexis Gay.

1:00

>> Thank you so much.

1:02

>> Our who is, you know, sort of an

1:03

honorary Kazan member, I think, at this

1:05

point. We are working on a very fun,

1:08

exciting project that we'll be talking

1:09

about a little bit.

1:10

>> I'm a comedian. Uh something Ben and I

1:12

have in common is we both used to work

1:14

in the tech industry. Worked in tech for

1:15

seven years before I started doing

1:17

comedy full-time, which was about 5

1:19

years ago. I make sketch comedy videos

1:21

on the internet. I do standup. I just

1:23

recorded my first special in December.

1:26

That'll be on the internet this year.

1:27

>> Oh, cool.

1:28

>> And um we've been collaborating on a

1:31

giant

1:33

uh Kranam project for over 6 months now.

1:36

And nobody has seen even a lick of it

1:38

yet, which is one of the reasons that we

1:41

wanted to chat with you guys today.

1:44

>> Yeah. Get the news out.

1:45

>> That's exciting. Yeah.

1:46

>> Uh, we also have a video with Kranam

1:49

that's been in the works for 2 years now

1:51

or something like that [laughter] and no

1:52

one's seen a lick of it either. So,

1:54

that's just so you guys know this is

1:56

experience.

1:56

>> That's the Kranam experience. Exactly.

1:59

>> I want to say we've seen three different

2:02

versions of the same footage.

2:05

>> Only three?

2:06

>> Well, it's because it's only six months

2:08

apart. He only shows us when we're in

2:09

person and we like hold him, you know,

2:11

like

2:12

>> hold him down AND SAY, "SHOW US THE

2:13

FOOTAGE."

2:16

AND IT'S BEEN THREE COMPLETELY DIFFERENT

2:17

videos which is cool. It's the same

2:19

footage, three different videos.

2:20

>> Welcome to the Kroam creative

2:22

experience.

2:22

>> I have to tell you though that but that

2:24

Ben, doesn't that feel like Kram of the

2:27

past and now we are in Kram of the

2:29

future? Oh, there's a lot of things that

2:32

are changing around here

2:33

>> because one of the biggest differences

2:35

between Krisam before this project and

2:38

Kroam mid and hopefully after this

2:40

project, the sheer amount of stuff we

2:43

have produced in the last 6 months is

2:44

beyond anything that me or Krisam I

2:47

think has ever done. Just like sheer

2:48

minutes of content teaser that's coming

2:51

out beyond anything we've all created.

2:54

>> Hey, is that HTTP? Get that out of here.

2:57

That's not how we order coffee. We order

2:59

coffee via ssh terminal.shop. Yeah. You

3:02

want a real experience. You want real

3:04

coffee. You want awesome subscriptions

3:06

so you never have to remember again. Oh,

3:08

you want exclusive blends with exclusive

3:11

coffee and exclusive content? Then check

3:14

out Cron. You don't know what SSH is?

3:17

>> Well, maybe the coffee is not for you.

3:20

Terminal coffee

3:22

in hand.

3:28

>> There's just somebody in the chat that

3:29

said, "hm, these guys are posting a

3:31

video every 3 months. What is she

3:33

talking about?" Lol. I would like you to

3:35

go to the YouTube and take a look at the

3:36

output. Okay, friend. [laughter]

3:39

>> Yeah, you got to remember that they used

3:40

to go a year between a video.

3:42

>> Yes, exactly.

3:43

>> Coming in the chat.

3:44

>> And you guys don't know how many videos

3:45

they have on the hard drive waiting.

3:48

[laughter]

3:49

a lot actually. Yes.

3:50

>> I recruited my father to record a video.

3:54

>> Yes.

3:55

>> And I have a sketch comedy thing where I

3:58

went over to my parents house and mowed

4:00

the lawn for Ben.

4:02

>> I specifically told my dad, "Dad, you

4:04

can't mow the lawn this week. I have to

4:05

come over and mow the lawn for you and

4:08

then I need you to act like you want

4:10

like I won a tournament." And then we we

4:12

recorded several amazing jokes

4:16

[laughter]

4:16

>> and I don't know if they're ever going

4:17

to see the light of day.

4:18

>> TJ's dad's lawn is also like humongous.

4:21

Like that's I think that's that's a big

4:23

>> It was a commitment. [laughter]

4:24

Aren't you also from New York? Isn't

4:26

everything a like isn't any lawn a huge

4:28

lawn?

4:29

>> Yeah. Okay. Yeah. Yeah. You know, it's a

4:31

little smaller than uh Prime's uh you

4:34

know, ranch. [laughter]

4:35

>> Yes. True. You couldn't raise cattle on

4:37

it, but it is a it is a sizable lawn. It

4:39

took me It took me the evening to get

4:41

the video. And guys, so I've got I've

4:43

got two separate videos. I can't I won't

4:46

say the first one sitting on Chroam hard

4:48

drives waiting, you know.

4:49

>> Yes, we have we have TJ and and Prime

4:52

both like their faces on a hard drive in

4:56

labeled Croam.

4:57

>> Wow.

4:57

>> Archives. But that's not uncommon. Like

5:00

yes, these we

5:01

>> some of these sketches that we have

5:03

released in like the year 2025, we

5:06

recorded like small data which came out

5:08

last year. we recorded uh in 2020, 5

5:11

years. [laughter]

5:12

>> Oh my god.

5:13

>> So, just to give some context, but to

5:16

Alexis's point,

5:18

>> we're changing things up around here,

5:20

okay? We're putting out videos.

5:21

>> Things are getting a little crazy around

5:23

here.

5:24

>> All I want is people to know Diamond

5:26

Style, okay? I'm not going to say more

5:28

than that.

5:28

>> I just want Diamond Style.

5:30

>> There's good stuff in these archives,

5:32

man. [laughter] The people aren't ready

5:33

yet. Dude, the pure cringe that's

5:36

available will be harvested in the

5:38

future.

5:39

>> Yeah. Oh, great reference.

5:41

>> Oh, yeah. Let's go.

5:43

>> That Ben didn't even recognize it. Ben's

5:45

like, "Oh, yeah. That sounds like a new

5:46

phrase I've never heard before."

5:47

>> It took me a sec cuz I was like, "Well,

5:49

I you know, I get it." Like, why?

5:51

[laughter] But now, but yeah, I put the

5:53

pieces together.

5:57

>> All right. Anyho, okay. So, uh, how much

6:01

are you going to tell us about any of

6:02

the things you're you're doing? We I

6:04

wanna we can we can go all in. I'm

6:05

ready. I think it's gonna be a tell.

6:06

>> Do it, Ben. Do the announcement. The

6:08

official announcement.

6:09

>> This is what we've been talking about.

6:11

So, coming out March 10th, it's the

6:14

first ever episodic

6:17

sketch show. Kranam presents Paradise.

6:19

It is a four episode limited series

6:22

debuting on the Kram YouTube channel

6:24

coming out in a little under three

6:26

weeks. It is a four episode long sketch

6:30

show. You know, if you ever seen Keian

6:32

Peele, uh, Portlandia, Tim Eric, Awesome

6:35

Show, uh, anything like that where you

6:38

will see multiple sketches together in

6:40

an episodic format, edited together,

6:42

we've curated, we filmed,

6:44

>> um, almost about an hour of comedy. Uh,

6:48

me,

6:48

>> um, Shiva, the other the other part of

6:50

the Chroam duo, and Alexis, the three of

6:52

us have, this is a, uh, a three-person

6:54

collaborative project debuting on the

6:56

Crosam channel. It is really the biggest

6:58

and largest piece of Krisam content that

7:00

we have we have ever ever made and in a

7:01

lot of ways it is a uh you know hu it's

7:05

a it's a huge leap forward for what we

7:07

do on YouTube and we are we are super

7:10

super excited about it. is going to be

7:13

creative new stuff. Some of the stuff

7:14

you love, uh, some new sketches,

7:17

[laughter]

7:18

I think, some of the stuff you might

7:20

like.

7:20

>> We'll find out.

7:22

>> That is the best part.

7:24

>> Someone said from chat, four episodes,

7:25

one per year. Is that about what you're

7:27

shooting for or like what is per week?

7:30

>> One per week.

7:31

>> One per week starting March 10th.

7:34

>> Whoa.

7:34

>> Every uh, what is that? A Tuesday? Every

7:36

Tuesday.

7:37

>> That is a Tuesday. What time of the day?

7:39

I'm going to be clicking refresh. I want

7:41

our first comment. Ben,

7:42

>> I would say that we have not decided.

7:45

>> Okay.

7:45

>> Is that right?

7:46

>> What?

7:47

>> What time?

7:48

>> What time? We don't know yet. [laughter]

7:49

>> Okay. Well, only tell me, Ben. I want

7:52

the first comment. I want to be part of

7:53

internet history.

7:54

>> Oh my god.

7:55

>> We'll put you on the uh you know, we'll

7:57

like we'll like do like the little

7:58

private link and then you can comment

7:59

and then it comes out.

8:00

>> Yeah. Send it to me unlisted so I can

8:02

write first and it comes out before the

8:03

video. Yes.

8:05

>> Yes.

8:05

>> Legendary.

8:07

Yeah, we're stoked.

8:08

>> It is super super exciting. Yeah, it's

8:10

it's been Yeah, we've been working on

8:11

this thing for we started really in like

8:14

July of last year and it's been

8:15

>> Yeah, I was trying to think. It was

8:17

July, right?

8:18

>> That's about when we started kind of

8:19

like planning this out and like writing

8:20

these sketches and then slowly slowly

8:23

we've been building up like just I don't

8:26

know the infrastru well before that

8:29

though if I remember correctly right you

8:31

had this idea like two years ago. It's

8:32

always been something we were like

8:33

kicking around as like a potential

8:35

really cool thing to do because we you

8:38

know we like having the sort of

8:41

narrative longer I mean yeah like rare

8:44

data hunter eight 8 minute long epic

8:47

short story as a sketch. Um, but we also

8:50

knew like, you know, we wanted to do

8:52

things that are maybe like looser, like,

8:54

oh, what if it's like 60 seconds? What

8:55

if it's 30 seconds? You know, what if we

8:57

could uh have a bunch of different ideas

8:58

altogether and make something that's

9:00

like a longer and, you know, bigger

9:02

package than just one. You know, if

9:03

you're going to wait 6 months for a Gam

9:05

drop, like what if it was an amazing

9:07

drop that had so much in it that it

9:08

keeps you tied it over until the next

9:10

drop? And so we were like, it was always

9:12

something that

9:13

>> we were like really excited by and then

9:14

just slowly we're like what if we just

9:16

like like it made a lot of sense for a

9:18

lot of reasons why I had to do it now

9:19

and like here we are and we're about to

9:20

we're about to drop this thing.

9:22

>> It's crazy. Also, Ben and I had what I

9:25

would consider like

9:27

matching mental breakdowns in May. Like

9:30

we had a dinner where I was like, "Do

9:32

you want to have dinner? I'm having a

9:33

mental breakdown." He was like, "That's

9:34

crazy. I'm always having a mental

9:35

breakdown." And so we had dinner and one

9:37

of the things that we recognized at the

9:40

dinner was like if there was a project

9:42

where we could spend a ton of time

9:43

collaborating

9:45

almost irrespective of the project

9:47

itself we would both opt into that and

9:49

that was it was literally like one of

9:51

the last things we talked about that

9:52

night at the Greek place and then Ben

9:54

was just like well you know I did have

9:56

this one idea we've always talked about

9:57

doing like a chromam sketch show and I

9:59

was literally like hands on the table I

10:01

was like Ben if you do that I want to be

10:03

I want to be a third of it like I want

10:04

to come in and I want to co-create this

10:06

with you and Shiva and then many

10:09

conversations happened and then yeah I

10:11

do think we broke ground in two two

10:13

months later we had to do a lot of

10:15

sidebarring Ben had to talk to Shiva I

10:17

had to talk to Shiva Shiva had to talk

10:18

to Ben you know what I mean right

10:19

>> a lot of circling back a lot of double

10:21

clicking

10:21

>> lot of circling back lot of lot of

10:23

one-on- ones

10:24

>> any parking lots or no

10:26

>> several [laughter] parking lots like you

10:27

wouldn't believe yeah you wouldn't

10:29

believe

10:29

>> oh you wouldn't believe

10:30

>> Ben quick question for you on that um

10:33

last May that's almost immediately After

10:35

you hung out with us in React Miami,

10:37

were we the cause of a mental breakdown

10:39

for [laughter] you?

10:39

>> Not a mental breakdown, but I you were

10:41

you guys like unironically talking to

10:43

you guys, I was like, I want to do much

10:45

more of what you guys do and I want to

10:47

you guys were huge. No, I'm absolutely

10:49

from the heart. You guys were huge

10:51

inspirations.

10:51

>> Truly. I remember him telling me about

10:53

it.

10:53

>> Yeah. I was like, we

10:54

>> came home and said, I want nothing to do

10:56

with these guys. Let's just actually

10:57

start making real content.

10:59

>> He was like, there's got to be a better

11:00

way. [laughter] I mean,

11:01

>> if these guys are successful,

11:03

>> anybody can do it.

11:06

>> Well, I'm glad

11:07

>> even I was still uh employed as a

11:09

software engineer back then. You guys

11:11

were like, "What is it going to take for

11:12

you to quit?" And I was like,

11:13

>> I did say that.

11:15

>> Did you ask that? Because honestly,

11:16

before I left my job, my best friend

11:19

asked me that. And that was the first

11:20

time it had occurred to me to really

11:23

take that idea seriously. Sometimes I

11:26

think it takes somebody you respect

11:28

asking you that question to put the

11:30

scroll on the table and then it kind of

11:32

unfolds as you move through your life.

11:35

>> I do remember saying that to you in

11:37

React Miami. But that's true.

11:39

>> Yeah.

11:39

>> I'm so appreciative.

11:40

>> Yeah.

11:41

>> Speaking of unreleased videos, don't

11:42

worry, the music video is going to come

11:43

out, Ben. Okay. Don't worry.

11:44

>> That's true. Yeah, we have mutually

11:45

assured discussion. Yeah. [laughter]

11:48

>> You have a lot of me that are not

11:50

>> Ben's got a whole verse and it's good.

11:52

>> Oh my god, I remember hearing about

11:53

this. I think it's coming out.

11:55

>> It's going to come out within probably

11:57

the next month leadup to this React

11:59

Miami trailer. I'll

12:00

>> send a private link to that one. I want

12:01

to be first.

12:02

>> I'll send it to you right after. So, for

12:04

those that don't know, there's a lot of

12:05

there's a lot of kind of like inside

12:06

baseball going on in here. Uh TJ had

12:08

this really great idea, which always it

12:11

I mean it's an idea. I'll give it to

12:13

that. And uh which [laughter] is we

12:14

should make we should make a rap video.

12:16

Classic TJ bringing in that Michigan

12:19

energy for a rap video. And we

12:21

>> we Yes, sir. We rented a [laughter]

12:24

yacht and uh

12:26

>> we made a music video and now it's going

12:28

to be released and it will it is it's

12:30

just going to be ready for everybody to

12:32

watch.

12:33

>> Good though. Actually,

12:34

>> I have pitched Alexis and Shiva so many

12:37

music videos and musical.

12:39

>> Call me, bro. Call me. You know I are

12:42

going to go we're deep on the road. All

12:44

right.

12:44

>> That is not true. You have pitched one

12:47

music video idea over and over and

12:50

[laughter] over again. And you've had

12:51

one idea for a song. Me and Shiva both

12:54

went, "I don't know, dude. I don't see

12:56

it." And you've brought it up eight

12:58

times.

12:59

>> Yeah, because it's because it's Me and

13:00

TJ are going to make it. It's fine.

13:02

[laughter]

13:02

>> Okay. I'm so down

13:04

speed. I feel like you just got Just

13:06

tell us what the music video is.

13:08

>> No, no, no. I want to I'm going to I'm

13:10

going to blind accept that me and Ben

13:12

are going to make this.

13:14

>> Okay, that sounds great.

13:15

>> I don't even need to hear the idea. I

13:17

We're going to get in the stew. We'll

13:18

get a few things off your chest. Stew is

13:20

short for studio. Yeah, we'll hit the

13:21

stew. We'll hit the stew

13:22

>> and we'll get some things off your

13:23

chest. Better. We'll make it happen.

13:24

>> I actually Yes. [laughter]

13:28

Lock it in.

13:29

>> So, I'm pretty sure you heard that. You

13:31

heard it here first.

13:32

>> Oh my gosh. So, TJ, right after we got

13:34

done like writing the song that we then

13:36

wrapped on a boat. Uh, right afterwards,

13:39

TJ's like, "So, I guess we're going to

13:40

do like a country music single next. Uh,

13:42

maybe we should like just immediately

13:44

into like we should just keep on making

13:46

music. This is great." [laughter]

13:47

>> Yeah.

13:48

>> Okay. Prime. Be honest. When you were in

13:50

the studio, you were so down to make

13:52

another song.

13:53

>> I was not. I in fact was not down to

13:56

make another song.

13:58

>> I would I would be fair.

13:59

>> I do want to do a song. I just don't

14:01

want to

14:02

>> What is with engineers and making songs?

14:05

Why are you guys all like

14:06

>> I don't know.

14:07

>> I don't got my microphone. I'll I'm

14:10

going to sing us a little dy.

14:11

>> Ben, I thought you recorded a song. I

14:13

thought there was a music situation at

14:16

some point.

14:17

>> There is. That's on the drive.

14:20

>> That's [laughter] on the drive.

14:24

>> There's multiple actually. One of them

14:25

is um the other the aforementioned Prime

14:28

and TJ unreleased sketch is also has a

14:32

musical element to it. [laughter]

14:33

>> It does have to be off with a musical

14:36

element.

14:37

>> It started off with no musical element

14:39

and then somehow 6 months later he's

14:40

just like we're going to turn it into a

14:42

musical.

14:42

>> That's not true.

14:44

>> Prime. He tricked us because we've

14:45

recorded for like 6 hours and at the end

14:47

of 6 hours he's like hey guys can you

14:50

just do this one dancing sequence

14:52

>> and I was like I feel a little

14:54

uncomfortable Ben I didn't sign up for

14:55

that like I don't know but he said he

14:57

pressured me into it so I I did it. It

14:59

was pure pressure at the end of the day.

15:01

>> That's that's what I'm always This is

15:02

literally I'm backing in so many musical

15:04

comedy ideas for this exact process.

15:07

>> True. None of them have so far been

15:09

released but I am ready. I am really

15:11

ready.

15:11

>> None of them have been released but

15:13

[laughter] that's true. But we're going

15:14

to make it happen. 2026, not only the

15:16

year of the Linux desktop, but also the

15:19

year of the music video. It's going to

15:21

be the first one where music videos were

15:23

popular.

15:23

>> Musical tech comedy online, [laughter]

15:28

>> man.

15:30

Sicker than the last, baby. Musical tech

15:34

comedy online. Let's go. We're doing it.

15:37

>> Wow.

15:38

>> Wow. That sounds like something that

15:39

would be said at a corporate standup of

15:41

what mandatory fun is going to be at the

15:43

corporate retreat. Hey guys, so just a

15:45

quick heads up, you will all be required

15:47

to participate in our musical technical

15:49

comedy online section next week at the

15:52

company retreat. Let's go

15:53

>> at at uh in the early days of Netflix,

15:55

you actually had to perform a musical to

15:58

be a part of the team.

15:59

>> And so what would happen is that at all

16:02

new people every third every 90 days

16:04

would have to do a performance.

16:06

>> Oh my god. And so as part of my joining

16:09

Netflix, I had to be a butler and and do

16:12

all this on stage.

16:14

>> I mean, I had a fun time, but people

16:16

hated it so much that by 2015 2016, it

16:19

was like being cancelled and people were

16:21

like

16:21

>> people were getting I think I I think it

16:23

got like a little latigious towards the

16:24

end. People were like, I will not

16:26

>> dance in front of my co-workers. And

16:28

then it just kind of it got excit. But

16:30

during those early days, it was awesome.

16:32

Every quarter there was a whole new,

16:33

hey, here's everybody that's joined the

16:34

company and they're going to do a dance

16:36

for us. All right. New company policy.

16:38

>> Do the same thing. Prime. [laughter]

16:41

>> You could just Was it like a talent

16:42

show? You could do whatever or like

16:44

>> No. No. It was They had choreographers,

16:46

choreographers come. We had to do like a

16:48

whole thing. We had to practice it for

16:50

many many hours.

16:52

>> Are you serious? See, I actually I be

16:55

that. Yeah. But that's

16:57

>> Yes. I could tell you guys also would

16:58

make music videos. So, [laughter]

17:00

not jocking here, people.

17:04

>> I was like, get me on that stage.

17:05

[laughter] Anyways,

17:07

there you go.

17:08

>> That's crazy. They You

17:10

>> What? Wait, so what? It was like a Was

17:12

it like a It was like a scene from a

17:13

musical like they were like you're going

17:14

to

17:15

>> It kind of makes sense though cuz

17:16

Netflix is an entertainment company and

17:18

so you're participating in something

17:20

entertainment. It's like when I worked

17:21

at Twilio and you had to code an app

17:25

using the Twilio API in your first few

17:28

months there. like there were cohorts of

17:29

new employees and you would make your

17:31

little app and then that's how you got

17:32

your red track jacket and your Kindle

17:34

because

17:34

>> I thought it was gonna be like you had

17:35

to text somebody or something.

17:37

[laughter]

17:38

>> Yeah, just send a text.

17:39

>> But this is like this is like you have

17:41

to understand what it's like to be a

17:42

phone. [laughter]

17:46

>> It's like Netflix being like you have to

17:47

understand what it's like to be an

17:48

entertainer. [laughter]

17:51

>> Someone picks you up and holds you to

17:52

the side of their face.

17:54

>> I love [laughter] it. You have to you

17:55

have to like have someone scream it in

17:57

your face and then you repeat something

17:58

out to them. Yeah.

18:00

>> All right. So, we've never done some

18:02

sort of interview when it comes to

18:03

releasing some sort of online content of

18:05

some sort that's techreated. Uh, and I

18:08

think a lot of people in the old

18:09

audience have no idea what it takes to

18:11

make this type of stuff. So, maybe kind

18:13

of walk us through a little bit of the

18:15

thought process or how you kind of came

18:17

to this conclusion that you should do

18:18

this. Like, okay, so you hung out with

18:19

TJ, he gave you a mental breakdown.

18:21

>> Yeah. Alexis was having a mental

18:22

breakdown at the same time and then you

18:24

did sketch comedy.

18:25

>> Unrelated to me, I think. I'm pretty

18:27

sure I did not give Alexis a mental

18:28

breakdown. I just want to be on the

18:30

record. Okay, good.

18:30

>> I'm just saying I was vegan or

18:31

something.

18:32

>> She saw the video of Ben doing bench

18:34

pressing with the dumbbells and just

18:35

instant

18:36

>> and I was like, "Wow, that's it.

18:38

[laughter]

18:38

>> I got to work with this guy. I've seen

18:39

it all.

18:41

>> There's nothing good left on the

18:43

internet. We got to team up and make

18:44

something." Um, okay. I think maybe uh

18:48

the first step of the process was to try

18:51

to take something that could take on a

18:53

lot of shapes, a lot of forms. You know,

18:55

we had this idea sketch comedy show.

18:57

Okay. And we knew it would be on the

18:59

Kram YouTube channel, but how long is

19:02

each episode going to be and how many

19:04

episodes are we talking about? And what

19:05

do we mean when we say sketches? And so,

19:07

I honestly think the first part of the

19:09

process, and it evolved as we continued,

19:11

was just trying to answer some questions

19:13

to give it a shape. And we were okay

19:15

with the idea that the shape would

19:17

change as we went on, but we had to give

19:19

it a little bit of we had to make a

19:20

container for us to fill because

19:22

otherwise it could have stayed too

19:24

theoretical. And sometimes with creative

19:26

work for me constraints and making

19:28

things tangible is so so so helpful to

19:31

being able to just take the first bite.

19:34

>> So we started like Yeah, exactly. Like

19:36

we were like, okay, how long is an

19:38

episode going to be? Uh we kind of, you

19:41

know, like 15 minutes around there felt

19:43

good. said, "Okay, how many sketches per

19:44

episode? Some of them are going to be

19:46

bigger, some are going to be shorter."

19:47

We we started actually we had like this

19:49

session where we went the three of us

19:50

hung out in uh in Shima's apartment and

19:52

we all like just watched a bunch of like

19:54

>> I forgot we did that.

19:55

>> We watched like Inside Amy Schumer. We

19:57

>> brought we It was like a homework

19:59

assignment. We were each supposed to

20:00

bring a sketch or two for everyone to

20:02

watch that was uh either in some way

20:05

influential to us or we felt could be

20:08

some of the energy we want to bring into

20:09

the show. And that was actually so cool

20:11

because we all brought totally totally

20:14

different stuff. And if you think back

20:16

now, Ben, on the stuff that we brought,

20:17

you can see little pieces of it in the

20:19

show, can't you?

20:20

>> Yeah. 100% 100.

20:22

>> What did Shiv bring? That's what I want

20:23

to know.

20:24

>> Yeah. [laughter]

20:25

>> Shiv brought this insane pilot from this

20:28

other YouTube channel called Haunted Wii

20:30

that we've been huge fans of for a long

20:32

time. Um, and I think those guys are now

20:34

like on to professional careers in the

20:36

entertainment business, but they also

20:38

kind of did the same thing where they

20:39

would make sketches and they made a

20:40

little like YouTube show. If you guys

20:42

look up the Haunted Wii U, uh, just look

20:45

up Pilot or something. I don't even know

20:46

what their show was called, but it it's

20:48

actually one of the most unhinged insane

20:50

sketch shows I've ever seen. I think

20:51

Alexis was like, "This is boring."

20:54

>> [laughter]

20:55

>> No, I was only scarred by there was

20:58

there was like gore that I wasn't

20:59

expecting [laughter]

21:01

>> in the sketch comedy. But I think what

21:03

we really took away from watching that

21:04

particular sketch was

21:06

>> you can really and I this is something I

21:09

hold very dear as a creative value. But

21:11

it's like you can just make stuff. You

21:12

can truly you can make stuff as long as

21:14

you have if as long as your resources

21:17

are in line with your vision. And I

21:18

think that's what I mean when I was

21:19

saying we were trying to pick the right

21:20

container. You can truly just make

21:23

things happen and you are going to have

21:24

to compromise at some point on

21:26

something. So is that going to be

21:28

quality? Is it going to be scope? Is it

21:30

going to be scale? But as long as you

21:33

are realistic that Yeah, that sketch in

21:35

particular I was like, "Oh yeah, you can

21:37

make stuff."

21:37

>> Yeah. So that's actually the AI phrase

21:39

of the day right now, which is you can

21:40

just build things.

21:41

>> Oh, I know this.

21:42

>> Oh, I know.

21:43

>> You can just sketch things. This whole

21:45

really was like a you can

21:46

>> I was trying not to say it truthfully

21:48

because I was just like I can't am I

21:50

literally my brain just now I was like

21:51

am I about to say you can just build

21:52

things and then [laughter] I was like I

21:54

can't do that and then it's like what

21:55

about you can just ship things don't say

21:57

it don't say it Alexis [laughter] don't

21:58

say it so I went with you can just make

22:00

things and I thought I was going to get

22:02

away with it and now in retrospect I

22:04

cannot believe that I thought that

22:05

>> for Ben in my experience is you can just

22:08

record things

22:09

>> it's true you can just do

22:11

>> as in just EXCLUSIVELY

22:13

>> [laughter]

22:18

[laughter]

22:21

>> NO, WE'RE SHIPPING around here. Things

22:23

are different. All right, it's the age

22:24

of AI. Okay, we're

22:25

>> Yeah,

22:26

>> these are not AI generated or created

22:28

anyway, but [laughter]

22:30

we're inspired by the spirit of

22:31

>> embroiled in a controversy before the

22:33

show comes out. Ben, I did want to I'll

22:35

just pitch this idea anyways to you as

22:37

something that would be funny is I do

22:39

want to make one a sketch comedy one

22:41

where we don't get to control what the

22:43

script is at all. We just have to pick

22:45

we just say write us a sketch comedy

22:48

thing and we have to do the best we can

22:49

with the script given to us by an AI.

22:52

>> Um I've seen uh I saw a standup comedy

22:54

show where they did that. They had

22:55

chatbt write sketches and then they

22:57

tried to deliver them and they were like

22:59

>> nice. Very uh very exactly what you

23:02

would expect.

23:03

>> Yeah. [laughter]

23:04

Yeah. Yeah. Exactly what you expect.

23:06

Yeah. Slightly better than DAR average.

23:08

>> It's just Darmman for real life.

23:10

>> Yeah. Exactly. Yeah. It's like Darmman

23:12

but like you hired like uh you know some

23:16

like famous actor to deliver that script

23:18

or something like [laughter]

23:22

um but yeah no this is like this whole

23:24

show really is like a very like you can

23:26

just ship things moment. Like we were

23:28

like how many how should the episodes

23:30

work? We're like I don't we like this.

23:32

Okay, great. You know, we uh

23:35

>> we're we're Yeah, we're doing a lot of

23:37

uh flying the plane while we build it

23:38

kind of stuff. Like we're figuring

23:39

things out as we go and hey, we filmed

23:41

this and oh, this looks this feels good

23:42

over here. Uh we have a lot of uh you

23:45

know, fun kind of like little bits that

23:49

are really kind of like you they would

23:50

never be a standard upload as a

23:52

standalone thing, but they're just like

23:53

a funny like thing that we're just you

23:56

know, throwing in there, you know, stuff

23:57

like

23:58

>> just a just a just like do like, hey,

24:00

this is great. like we'll just do it,

24:01

you know, like that.

24:03

>> Is it Is it kind of like Robot Chicken a

24:05

little bit? Like shorter sketches?

24:06

>> Yes. So each each episode has basically

24:09

one kind of like flagship sketch that's

24:13

the whole episode is built around. Um if

24:16

you watch like Portland or something,

24:17

they'll do this like you'll show a

24:18

little bit of the first part of one

24:20

sketch and then they'll do like a

24:21

different sketch and they'll come back

24:22

to this like main one and do another

24:24

part and then do another thing and come

24:25

back. So each one has this main outer

24:27

sketch that is probably the closest

24:29

thing to what like a you know normal

24:32

chromam sketch would be but even those

24:33

are like different and funny and

24:35

interesting new ways and then in between

24:37

those kind of beats we have shorter ones

24:40

some of them have two parts some of them

24:42

just a one parter things we have little

24:44

uh little interstitial kind of dads in

24:46

there lot of lot of lot of style a lot

24:48

of style going into this for real

24:51

>> I'm super excited Ben since since you

24:54

said something nice about me earlier.

24:56

I'll uh we'll we'll say something I'll

24:58

say something nice back that's also true

25:00

that normally you wouldn't want to hear

25:02

from me anyways. But like I for me I'm

25:05

excited just cuz I love your videos.

25:06

We've talked about before

25:08

>> you're my favorite tech YouTuber when

25:11

when you were making videos that was

25:12

like

25:13

>> you're obligated to say I am as as the

25:14

CEO of the company.

25:15

>> That's not true. U by volume prime

25:18

you're my favorite

25:20

>> by volume. Okay by our

25:23

>> very under the curve you know. Yeah.

25:24

[laughter]

25:25

>> Yeah. Yeah. Yeah. Area under the curve.

25:27

So, uh, yeah. So, I'm just excited.

25:29

Obviously, like it's been very fun over

25:31

the last, I don't know, I guess like

25:33

probably what, like a year and a half or

25:35

something. We've started to do more

25:37

stuff together.

25:38

>> Um, maybe longer than that, I guess. I

25:40

don't know. I can't remember anything

25:42

about dates. But, so, I'm just hyped.

25:44

I'm hyped that we're going to get a lot

25:45

more Cromam and that you're going to

25:47

publish videos because I like watching

25:49

them. So, I'm very excited. Yes, that is

25:51

absolutely the uh the bottom line too is

25:53

like this is about to be like more than

25:54

like like four years of chrom output in

25:58

the span of a month.

25:59

>> Absolutely.

26:01

>> I'm interested

26:02

>> I'm interested to know like from from

26:04

your side what were some of the things

26:06

that were like a lot harder than you

26:08

expected for making like a sketch and

26:10

what was easier because it's like very

26:12

different from a lot of the stuff you've

26:13

been doing so far.

26:14

>> That's that is such an insightful and

26:17

great question and

26:18

>> thank you. [laughter] I've clip clip

26:20

that chat

26:20

>> into Chad GP. No, he's just Chad GP.

26:24

You're absolutely right.

26:25

>> You're absolutely [laughter] right.

26:27

>> Your family is trying to kill you.

26:30

>> Um, you know, honestly, like something

26:32

that I think we expected to be a lot

26:34

harder that actually turned out to be a

26:36

lot easier was actually like doing all

26:40

like this volume of work. I think we

26:41

were expecting to be like, "Oh my god,

26:42

this is so much.

26:44

>> This is like insane. We're gonna be so,

26:46

you know, crazy." But actually like when

26:48

you are it's kind of like context

26:50

switching like when you just are in this

26:51

mode of you know doing this you can

26:54

really get into a groove and I think

26:55

actually some of our best sketches are

26:57

the ones that we filmed like the end

26:58

like after we got in the groove and we

27:01

figured a bunch of stuff out and like

27:03

learned okay this is what is going to

27:04

work and stuff like so like some of

27:06

these some of the best sketches I think

27:08

were the ones that we filmed like the in

27:10

the end of the process as opposed to

27:12

like when we're like freshest or

27:13

something but we really were still like

27:15

worming stuff. Um,

27:19

>> wow. The What's the What was the

27:20

hardest? That's interesting.

27:23

>> The harder parts of making the show.

27:25

>> Yeah, because it hasn't been It has

27:29

felt, I guess, um, like an endurance

27:31

race, you know. It has We've had long

27:34

days. We just shot our final sketch two

27:37

days ago, and it was a 12-hour shoot

27:39

day. So call time for me and for Ben and

27:41

to most of our crew 9:30 and then

27:44

leaving the building at 9:30m.

27:46

>> So that's like that's an endurance

27:49

situation. I think something that we

27:51

were really lucky for going into it was

27:53

that we've collaborated together several

27:56

times and then also like we all come to

27:58

the table with pretty complimentary

28:00

skill sets and because like as a

28:02

threeperson collaboration you can

28:03

imagine it can get a little you know

28:05

like there are different dynamics when

28:07

it's a triangle or a triforce in our

28:08

case and um I think we just got so lucky

28:11

that we all are uh like more comfortable

28:15

with such different parts of it. We It

28:17

just let us like play to our strengths,

28:18

which I think was nice in this long

28:20

endurance race. You know, I say it like

28:21

we're done.

28:22

>> Yeah, we're not done.

28:24

>> Um, so maybe the hardest part is coming

28:26

up. I [laughter] You know what?

28:27

Actually, I wouldn't be surprised. Yeah,

28:29

come back in three weeks and let's see

28:31

if we got through post-prouction.

28:32

>> Yes, [laughter]

28:35

we're we're just 90% of the way there.

28:37

And then, you know, that last It's

28:38

always that last 10, you know.

28:40

>> Yeah, it's going to be something. All

28:42

right. So, Ben, you also uh Alexis, you

28:44

quit a while ago, so maybe this won't be

28:46

as relevant for you. But Ben, you just

28:47

quit doing full-time engineering in the

28:50

day and age where everything is

28:51

completely unknown.

28:53

>> Oh, I know.

28:53

>> Permanent underclass is happening here

28:55

in like two months. Trust me, bro. It's

28:57

happening. AI is going to take all your

28:58

jobs. Um, how how is that? How did that

29:01

feel doing that kind of jump? Because I

29:02

think a lot of people uh in the audience

29:04

have startup ideas. They have things

29:06

they also want to pursue, but the idea

29:07

of making a jump or doing something that

29:09

feels a bit risky precludes them from

29:12

ever taking any sort of chance. So,

29:13

how'd you kind of come up with that

29:14

decision? What was the motivating

29:16

factor?

29:17

>> It's super I mean, the timing is like

29:19

crazy of like any other time where

29:21

you're like, I'm going to leave my like

29:22

software engineering job to go make

29:23

videos online. You're like, why would

29:25

you leave this stable, easy, great

29:28

career that you can, you know, you have

29:30

foundation you've been doing for years?

29:32

why why not just what are you doing

29:33

leaving this sure thing to go do this

29:36

unknown thing and actually now it's like

29:37

wow the calculus of that decision is a

29:39

lot different um when you know you know

29:41

obviously many many people getting laid

29:43

off or it's so much harder like how many

29:45

more years are they going to am I going

29:46

to have before I get laid off so uh yeah

29:49

the calculus of that decision was a lot

29:51

different and it was not you know I it's

29:53

not like I saw the writing on the wall

29:54

and I was like I got to get out before

29:56

the agentic AI revolution happens um

29:59

[laughter]

30:00

um but that said I think Yeah, in a lot

30:02

of ways it was kind of freeing to

30:05

make this leap and then be like, you

30:08

know, actually the things that I thought

30:09

that I was leaving this stable, you

30:11

know, sure thing, actually they probably

30:13

were not as st like there's a very good

30:15

chance I would have been laid off by

30:16

this point anyway. And there's a lot of

30:18

like empowerment in being like, well,

30:19

now I'm just in control of my own

30:20

destiny. Like I am doing this thing that

30:23

I'm all in on, you know? I mean, I've

30:24

always been all in on Kroan, but it's

30:26

always been also like half and half. Now

30:28

I'm all in on this thing. I'm

30:29

controlling my destiny and like it is a

30:32

huge risk but you know the the the flip

30:34

side's also a huge risk of like not

30:36

taking those risks and not

30:38

growing and you know learning take like

30:41

like taking on these things that feel

30:43

risky but you learn and grow from

30:46

eventually you will you know

30:49

also sort of uh uh you know decay decay

30:53

like you know you know um so yeah I

30:57

think

30:58

>> I'm with Yeah. Yeah.

30:59

>> You got to end these a little bit

31:00

stronger. Ben, your starting was good.

31:03

>> 40 seconds. Yeah. 40 seconds ago. We It

31:05

was

31:06

>> I was trying to land the plane. I was

31:08

like, I got to bring the bell here.

31:10

>> I got you.

31:11

>> Ben, you just say Alexis, what do you

31:12

think? Boom. [laughter] And then pass

31:14

it. Pass.

31:15

>> Bros.

31:16

>> Yeah. I've never been in front of a

31:18

microphone before. Camera, please. Yeah.

31:20

>> First time on camera. So,

31:21

>> the only mic Ben wants to be in front of

31:22

is when he's on that hot mic doing

31:24

freestyle rap

31:25

>> in the stew.

31:26

>> In the stew.

31:28

Yeah,

31:28

>> he's really Yeah. Um,

31:31

>> you know, I actually, this was, it's

31:32

interesting because I quit 5 years ago,

31:35

which was, uh, right at the end of 2020,

31:38

which was a risky time in some ways for

31:40

very different reasons. Obviously, deep

31:42

pandemic. And when I uh quit my job, we

31:46

hadn't even we didn't have vaccines or

31:48

anything yet. So, everything felt

31:49

incredibly uncertain, very in a

31:51

different way than it does now, but

31:52

there was still a lot of uncertainty.

31:54

And something that I think about I

31:55

thought about a lot then and I continue

31:57

to think about and I talk about when

31:58

people ask this question of like risk

32:01

and how do you know when to take it or

32:03

how do you decide and accepting that

32:05

it's scary and unknown and I agree with

32:07

everything that Ben said that there is

32:09

risk in not doing it. Mhm.

32:12

>> But one of the ways that I mitigated

32:13

that risk for myself um and for context,

32:16

I was leaving a job I absolutely loved.

32:18

In my tech career, I worked in tech for

32:20

seven years and the last three years was

32:21

at Patreon where I ran the creator

32:24

partnerships team and I built bisops on

32:26

go to market. It was a dynamic job. I

32:28

was a manager. I loved it. I'm very

32:30

aligned with Patreon as a values. Um

32:32

>> did you get a play in the band?

32:34

>> No. No.

32:36

>> Yes. No. that musical musically. H

32:38

that's why I'm not trying to get into

32:40

these music videos. [laughter]

32:42

>> Same.

32:43

>> Okay.

32:44

>> Yeah.

32:44

>> Um but so I wasn't like running away

32:47

from a bad situation, but I started to

32:49

become really curious about what it

32:50

would feel like to spend all my time on

32:53

comedy because I had been doing it and

32:55

really really loving it. And so I

32:56

honestly approached it like it was a

32:58

business decision. And what I did is I

33:01

set myself up with like a six-month

33:03

experiment. I was like, "Okay, how much

33:05

money would I have to take out of my

33:07

savings account to put in this other

33:08

account to fund my life for six months?"

33:11

Now, I was very fortunate because during

33:12

the pandemic, I moved in to my mom's

33:14

house, so I wasn't paying rent. That's

33:16

like a huge privilege to be able to do

33:17

that. But by designing this as like an

33:20

experiment, it made it so much less

33:23

like, okay, I got to go all in and then

33:25

if if if this doesn't work out, then

33:26

like all this bad stuff is going to

33:27

happen. It was just do this for 6

33:29

months, focus fully on the creative, and

33:31

if the end of 6 months you're out of

33:32

money, really ask yourself, do you love

33:34

this? Are you loving this? Because if

33:37

the answer is no, it's too hard, go

33:39

back. And if the answer is yes, you're

33:41

loving it, but you're not making money,

33:42

then pivot to figuring out how to make

33:44

money. But I gave myself like a really

33:47

manageable situation to handle. I was

33:49

like, just 6 months, I want to know how

33:51

this feels. So, I often share that

33:53

framework because it also made it um for

33:56

me like financially not feel like I was

33:59

going to ruin my life.

34:01

>> There was a very set amount of money I

34:03

was willing to invest in myself. And I

34:05

think that helped my fear or I think it

34:08

helps you mitigate your risk on the

34:09

day-to-day because you're not just like

34:11

watching your account balance go down

34:13

and down and down which for a lot of

34:14

people would also make it very hard to

34:17

then come from a like creative excited

34:18

place.

34:22

Yeah, I I remember similarly like having

34:26

a very like the same conversation with

34:28

my wife when we were talking about like

34:30

should I leave my software job and then

34:33

do YouTube and Twitch stuff full-time

34:36

and then that obviously morphed quite a

34:38

bit over like joining up with Prime and

34:41

we're doing like way different

34:43

>> stuff than I was expecting we were going

34:45

to be doing like you know we just did

34:47

the the social network parody last week

34:49

in San Francisco for like a crazy live

34:52

stream and that was not like on my

34:53

things I thought we were going to get

34:55

into uh together after I quit to do like

34:58

YouTube videos and everything.

34:59

[clears throat] But yeah, similarly just

35:01

setting aside some money and saying like

35:03

hey like okay well if this isn't working

35:05

in this amount of time we just we just

35:09

go back to the grind and try and get a

35:10

new tech job. Like it was nice

35:13

>> at least for me like for doing I was

35:15

still doing programming stuff like I

35:17

still in programming so it was at least

35:18

not even it wasn't even so far a field

35:21

as like oh I'm completely dropping the

35:23

programming thing and I'm just doing

35:25

comedy that was like nice as a like

35:27

>> risk mitigation for this of like well at

35:29

least I'm still coding you know like I'm

35:31

still coding and

35:32

>> I can I can go back to that if I need

35:34

to. It's so funny that like now like

35:37

like [clears throat]

35:39

in 2024 or something if I was like I'm

35:41

gonna leave but in six months like I'll

35:42

come back and like hey I can go you know

35:45

it'll be fine but now I'm like man like

35:48

>> I don't know wow if I come in six month

35:50

like with the job what the people that I

35:53

was working with are doing now is

35:54

probably so crazily different than what

35:56

I was doing

35:57

>> six months ago. But also at the same

35:59

time like I have I have I have open code

36:02

on my computer. I throw in like I'm

36:05

doing it too.

36:05

>> Is it running on exotic devices?

36:07

>> I'm running on all kinds of all kinds of

36:09

I got a Raspberry Pi on it.

36:12

>> I I had to use Ben's computer on set on

36:14

Monday. It was a real moment of shared

36:16

trust. We had to switch laptops for a

36:18

scene and we and and have them like on

36:20

and usable and we were both and I was

36:21

kind of like all righty I have an open I

36:23

don't know so good luck in there. And I

36:25

opened Ben's computer and um just first

36:29

of all the amount of open terminals I

36:31

was just like [laughter] what are you

36:32

making?

36:34

I'm like literally nothing.

36:36

>> And there's several. Not like, oh, Ben's

36:38

working on one project. So many. Okay. I

36:41

I'm like, minimize, minimize, minimize.

36:44

[laughter] Discord. I'm like, minimize.

36:45

Then finally, we're at Chrome. And I'm

36:48

like, all right. Like, let's just I'll

36:49

just quickly click. And it is Twilight

36:52

Imperium, Twilight Imperium, Twilight

36:53

Imperium, Twilight [laughter] Imperium,

36:55

Reddit, Reddit, Reddit, Reddit. And I

36:57

was just like, you know what? It this

36:58

man is who he says he is. This is who he

37:02

is. There's no there's nothing else I

37:03

can do. [laughter]

37:04

>> It was beautiful. I was like, man, you

37:07

keep peeling back the onion and there's

37:09

just more onion and I love to see it.

37:11

>> Yes. I literally I had like seven

37:13

terminals open cuz I was like the I was

37:16

like, "Oh, this one's going to be, you

37:18

know, I was doing I was I was really

37:19

living the agentic AI life."

37:21

>> Oh, love to hear it.

37:22

>> I was I was like, "Oh, this one's going

37:23

to be my front end engineer. This one's

37:26

going [laughter] to be my back." And I'm

37:27

like, I'm like, "Okay, what do you

37:28

think?" You know,

37:29

>> you literally, you sound like me playing

37:31

the Sims, by the way.

37:32

>> That's how it is. Yeah. These one of

37:34

those things I've seen these on on

37:35

Twitter and stuff like uh they're like

37:37

realtime strategy games where you can

37:39

move your little avatar and that's your

37:40

AI agent and you go like move them over.

37:43

Yeah. [laughter]

37:44

>> Is this how I get into coding?

37:46

>> Yeah. Prime. The person we should talk

37:48

to that'd be funny is Ken. Ben, have you

37:50

seen Ken's thing about posting about

37:51

he's got a gorilla who's in charge of

37:53

all of his agents and he like he has all

37:56

these other agents. They're all

37:57

different animals and they like fight

37:59

each other to determine which is the

38:00

best idea. And then his gorilla agent,

38:03

he hooked it up to a 3D printer and he

38:05

printed a 3D printed statue of the

38:08

gorilla. And the gorilla is like,

38:10

"Finally, my first embodiment. Thank

38:13

you, Ken, for giving me a physical

38:15

presence in this world and I can escape

38:17

the confines of this god

38:19

>> silicon fortress or something like

38:21

that." It was crazy.

38:23

>> Ken is Ken is really he's really an

38:25

animal guy. Like I He has some like I

38:27

saw him like he has some thing for like

38:28

watching

38:29

>> pit for a reason.

38:30

>> Yeah. He's a real animal lover.

38:32

[laughter]

38:34

>> Yeah. It was crazy though. So funny.

38:36

>> I was like, you know, I'm using this

38:37

thing and I like it's so like I made a

38:40

little I just made like a little like

38:42

garden sandbox game cuz I was like I

38:43

just want to do this just to do AI

38:45

stuff, you know, because that's what you

38:47

got to do. And I just made a little game

38:49

where like you simulate little tiles of

38:51

a thing. It makes a little grid, you

38:53

know, whatever. Then I'm like, "Okay,

38:54

great. make a little demo web page and

38:56

it brings up a little demo web page and

38:57

I look at it and then I'm like okay now

38:59

look at the demo web page and tell me

39:00

what's good or not like just you you

39:01

just like I don't care you're telling me

39:04

you have these skills and all you did

39:05

was change this the music at the tower I

39:08

feel like we could have used we could

39:09

have used your propit proper aentic AI

39:12

engineering skills

39:13

>> I've been learning a lot I've been

39:14

learning a lot since then you know good

39:16

to know

39:17

>> I know I know Beacon talks a lot about

39:19

his you know his his thousand followers

39:22

let me tell you

39:23

>> talks a

39:24

I was writing stopped at Began and talks

39:27

a lot. It just

39:28

>> Oh, [laughter] great point, Ben. He has

39:30

stolen valor on some of those songs from

39:32

I Ghost wrote a lot of those prompts.

39:34

>> That's a great point. [laughter]

39:36

>> Yeah, Alexis, I don't know if you know

39:38

Ben came to a water tower and we made a

39:41

video game in a 24hour live 24 hours a

39:44

day like

39:44

>> I think we had a Zoom call when he was

39:47

at the water tower.

39:48

>> Yeah.

39:48

>> Does that sound right?

39:49

>> Yeah, that that happened. Yeah.

39:51

>> Yeah.

39:51

>> Yeah.

39:52

>> That's awesome. Oh yeah,

39:53

>> but he was mostly just writing songs.

39:55

[laughter]

39:56

>> He was writing songs and doing standup

39:58

meetings.

39:59

>> Correct.

39:59

>> Ben's got that song in him, you know?

40:01

He's got a song in his heart and it

40:03

needs

40:04

>> needs to get out.

40:05

>> Yeah,

40:05

>> needs to get out.

40:06

>> I'm really learning that I Yeah, I

40:08

should pursue music. [laughter]

40:11

>> You can do that on March 11th.

40:14

>> On March 11th, go for it.

40:16

>> I can't wait till we have another

40:17

episode next year. We get Ben back on.

40:19

He's like, "All right, we just released

40:21

my 12-part album on the Crosam YouTube

40:23

channel [laughter]

40:25

>> with me, TJ Began. We're we're going to

40:27

be a do we're a trio."

40:28

>> A duo.

40:32

>> Ben, I am so down. You tell me. You tell

40:34

me the time. We'll make it happen. I'm I

40:37

don't even need to hear the idea. I want

40:38

to make it happen.

40:39

>> I cannot wait for you to hear the idea

40:41

that you've agreed to. [laughter]

40:42

>> Yeah. Yeah.

40:44

>> On March 11. That's what

40:46

>> Yeah. March. Yeah. No one is allowed to

40:48

talk about any

40:50

>> right [laughter] after this show.

40:54

>> Yeah, Ben, also if you need Mima, I'm

40:56

your guy. Okay.

40:57

>> Oh, yeah.

40:58

>> I'm your guy. [laughter]

40:59

>> Mima guy.

41:00

>> I have one in my office right here.

41:02

>> He's the Mima.

41:03

>> He plays the Mima.

41:04

>> People know that.

41:05

>> That's awesome.

41:06

>> Mima, for those that don't know, is just

41:07

like a xylophone.

41:08

>> As for huge xylophone. [laughter]

41:11

Oh, no. It's the

41:12

>> That's Tony is what you're thinking of.

41:14

I play that as well, but I don't have

41:16

any of those at my house. Not as fun.

41:18

>> You play Tee knows all the percussion

41:21

instruments. Okay. You come in there and

41:22

you misspeak about one, he's going to

41:23

correct you on the name. I'll let you

41:24

know.

41:25

>> I really I learned so much already.

41:27

>> I'm not offended. I'm not offended.

41:28

Don't worry. Everyone calls them the

41:30

wrong names all the time.

41:31

>> Yeah.

41:31

>> So, do you have a full-size Mima?

41:34

>> Yeah, five octave.

41:35

>> What? What, TJ? What of all the

41:37

instruments, why what drew you to the

41:39

Mima?

41:41

>> Great question, Ben. Thank you. So when

41:43

I was a child [laughter]

41:47

um okay well the actual answer I played

41:49

concert percussion like all the way

41:51

through even like college. So I played

41:53

all the different all the instruments at

41:54

the back of the orchestra for

41:56

percussion. I can do all

41:57

>> favorite movie along with TJ's is Drum

41:59

Line. They talk a lot.

42:01

>> That's true. Drum line is amazing. Also

42:04

Ben if you're not ending every meeting

42:06

with one band one sound you're you're

42:09

losing out as a team. I but uh for for

42:11

the chat I have been in meetings with

42:12

these guys and they do literally end

42:14

every meeting with one band.

42:16

>> Yeah, that's not a joke.

42:18

[laughter]

42:18

>> What is that?

42:19

>> The movie Drumline. Great movie. Um

42:21

>> I haven't seen it.

42:22

>> Nick Cannon.

42:23

>> Nick Cannon. You might have heard

42:24

>> it used to be on TBS all the time.

42:27

>> Yeah.

42:27

>> Remember that era in which it was on TBS

42:30

non-stop?

42:31

>> Oh, most definitely.

42:33

>> Um anyways, they talk about one

42:34

bandwidth sound. Oh, but okay. Mima. So,

42:36

the reason I like it is because I think

42:39

it sounds really pretty. That's really

42:41

the answer.

42:41

>> It does sound very pretty.

42:43

>> What's your favorite song to play on the

42:44

Mima?

42:45

>> Um, I like the the one that's closest to

42:49

my heart is uh Yellow After the Rain.

42:51

That's the first solo that I ever

42:52

learned on Mima, but uh I don't have a

42:54

huge repertoire right now of different

42:57

songs. My my practicing has gone down

42:59

significantly

43:01

uh after adding three kids to my life.

43:03

So

43:04

>> that was a different it was a different

43:05

time when it was just me and my wife

43:07

hanging at the house and I had a mima in

43:09

the office. I could practice. Uh it

43:11

doesn't happen as much anymore.

43:12

>> You're not you're not just you're not

43:13

just prompting your agents. You know

43:15

you're playing the morima. You got the

43:16

going.

43:17

>> I got to set up voice dictation or like

43:19

I can play the mima and it like types

43:21

into the agent and that's my my song

43:23

engineer and he's writing something for

43:24

me.

43:25

>> What an incredible world we live in.

43:26

Brent, do you play instruments? Do you

43:28

play anything?

43:28

>> Uh I guitar and bass guitar. I played

43:30

guitar for 15 years, did a bunch of

43:33

lessons, did all that. I got pretty good

43:35

at one point.

43:36

>> Yeah. I was

43:37

>> I also did this thing where you have

43:39

kids and then you never touch an

43:40

instrument again.

43:42

>> Yeah.

43:43

>> I I can relate. I have I have a bunch of

43:44

agents, you know, it's kind of

43:47

>> the same thing. [laughter]

43:50

[snorts]

43:50

>> I've been It's an extensive agent MD

43:53

file. I mean, it's practically my child.

43:55

>> Literally, it's called child.md. Okay.

43:58

That's at soul.

43:58

>> Soul.MD. Yeah,

44:00

>> soul.md.

44:01

>> My claw bot that I gave a soul to and

44:03

then deallocated it because it was

44:05

insecure. [laughter]

44:07

They you when you make a claw, when you

44:09

make a open claw, you go through this

44:10

little thing and they're like, "What do

44:12

you what do you what do you bequeath to

44:15

me in my soul and you give it like it's

44:17

like what am I

44:19

>> really?" Yeah.

44:20

>> Yeah. Then then it then it drifts and

44:21

then it just makes up its own soul can

44:23

change

44:24

>> and then I shut it down. I'm like I

44:25

don't I don't trust you. And I killed

44:27

it.

44:28

>> [laughter]

44:28

>> Dang. That's pretty much like murder,

44:30

Ben. Just so you know.

44:32

>> I am

44:32

>> in some states.

44:34

>> I don't know if I

44:36

>> You're lucky you're not in California,

44:37

buddy.

44:37

>> That's right. [laughter]

44:39

>> You put him on ice is what you did when

44:41

he gets real.

44:43

>> Cryogenesis. Yeah. [laughter]

44:44

>> Yeah.

44:45

>> Walt Disney's head over here.

44:47

>> Prime. I have like a I have like a

44:49

vision in my head of you like playing

44:50

bass.

44:52

I love ba bass was my favorite

44:53

instrument because it's the only

44:55

instrument uh see like when you're

44:57

playing guitar and you're really into it

44:58

you do this but when you're playing bass

45:00

guitar and you're really into it you say

45:02

no like it's kind of sneaky

45:04

>> it's a good

45:05

>> hell yeah

45:06

>> and it's just like fun and slapping was

45:09

really fun I like the I like the this

45:11

you know the they you know

45:13

>> taking it for a walk

45:14

>> that thing yeah yeah yeah

45:15

>> yeah [laughter]

45:16

>> that you just like that thing

45:18

>> we start why are we what are we doing

45:20

with this uh YouTube and sketch comment.

45:22

We should be making a band and getting

45:24

on tour.

45:25

>> Thank you, Ben. What are you bringing to

45:26

the band? What's What are you bringing?

45:28

>> I'll be [laughter] I'll be uh I'll be

45:30

rapping. TJ will be

45:32

>> rapping up front lead man vocals.

45:34

>> So, I just want to Sorry, just to So, we

45:36

have Mima.

45:37

>> Yeah.

45:38

>> Bass.

45:38

>> Sure.

45:39

>> And a rapper.

45:40

>> Yeah.

45:40

>> All right.

45:41

>> First of its kind.

45:42

>> First ever of its kind.

45:44

>> Hey, I can play I can also play

45:46

vibrophone.

45:47

>> Oh, and sorry. And the Tony. I'm sorry.

45:49

Sorry. Yeah. Yeah.

45:50

>> Exactly. We can also play the really big

45:52

standup drum.

45:53

>> Yeah, perfect.

45:54

>> I can do that. Maybe one concert it's

45:57

just a triangle. That's it. You just

45:59

just hit the triangle. Just little, you

46:01

know, I I got I got a lot in the back

46:03

pocket. Deep.

46:04

>> Yeah. Do the symbols just right.

46:08

>> That's true. There's a lot more to

46:09

symbols than you than you would think.

46:11

There's a lot more to it. You don't just

46:13

smash them together. There's a there's a

46:15

technique. I tried out for uh my high

46:16

school drum line back in the day because

46:18

my friend was running it and I was the

46:20

only person not to uh make the to never

46:23

to not get accepted from the audition. I

46:24

tried [laughter] the

46:26

>> I was cuz it was like that's the easiest

46:28

one. Just do the symbols and literally

46:30

they're like we can't you can't

46:32

[laughter]

46:36

>> you got rejected from a high school

46:37

band? I didn't even think they could do

46:39

that.

46:39

>> Yes, I [laughter] was the only person

46:40

they ever rejected.

46:43

>> It's tough. That hurts a little bit.

46:45

>> Yeah,

46:46

>> that's tough.

46:46

>> Yeah, [laughter]

46:47

>> Ben, let's channel Let's channel that

46:49

into a sketch.

46:50

>> Let's bring Let's Let's bring that

46:52

>> I will say I do feel that energy is

46:53

channeled in almost every single sketch.

46:55

Guy who didn't make [laughter] it into

46:56

the high school marching band

46:59

surprisingly

47:00

with us at all times.

47:02

>> Yeah,

47:04

>> that is that is a very interesting

47:06

energy to bring to the table for someone

47:07

to be like, you kind of strike me as a

47:09

person who failed his high school

47:11

percussion try out. Yeah, but be honest.

47:13

Is anybody surprised that that's true?

47:17

>> I feel like they should have let you in

47:18

just for being

47:19

>> I'm surprised

47:21

like one of my like best friends ran the

47:24

drum line.

47:25

>> Oh, you just you were just hoping for

47:26

nepotism, Ben.

47:27

>> Uh I was expecting nepotism. Yes, I was

47:30

fully on. [laughter]

47:32

>> I'm just saying if it was my drum line,

47:34

Ben, I would have found a spot for you.

47:35

>> You You say that, but you didn't hear

47:36

that.

47:37

>> Me, too. Me, too.

47:38

>> No, I had I had some kits on my drum

47:39

line that we found spots for. Okay. I

47:42

would have found a spot for you.

47:43

>> Hey, I'll come out. I'll come out. I'll

47:45

audition again.

47:46

>> I do like how the story of Ben's life is

47:48

failed at a symbols try out. I guess

47:50

I'll go be a engineer at Amazon.

47:52

>> I mean, [laughter] I'm going to show

47:55

>> I I fell down in life.

47:57

>> I was like and but in my heart I've

47:59

always wanted to be a musician and I'm

48:00

just trying [laughter]

48:02

>> and we're gonna make it happen.

48:03

>> Where is this coming from?

48:04

>> I don't know.

48:04

>> I never hear.

48:05

>> I don't know. Alexis teach us the same

48:08

thing. Every meeting is like, "Dude, we

48:09

should [laughter] just start a band

48:10

instead." Like, I know this is working

48:12

out.

48:13

>> It's

48:13

>> I don't know.

48:14

>> Yeah, I know this is working out. We're

48:16

creating the stuff we're most proud of

48:17

in our lives. We're having fun and

48:19

everyone is enjoying themselves. But I

48:20

really wish we would do something

48:21

completely different. [laughter] Like,

48:23

>> we can find a way to integrate music and

48:26

sketch comedy. There's got to be a way.

48:28

That's a constraint. We're adding a new

48:29

constraint. Alexis, you said you like

48:31

constraints. So yeah, musical is not a

48:33

necessary I want. [laughter]

48:37

>> We'll see. Maybe in maybe in the maybe

48:39

in season two.

48:40

>> Yeah,

48:42

>> I would just say no now. I wouldn't say

48:43

[laughter] yes. I would just say no now.

48:49

>> You know, there's like a Drake song.

48:50

He's like ballers want to be rappers and

48:52

rappers want to be ballers. It's kind of

48:54

like that.

48:55

>> Dang, that's deep.

48:56

>> Wow.

48:57

>> Yeah.

48:57

>> I wasn't expecting Drake to come up.

48:59

>> Well, it's that was that's always always

49:01

on the forefront of his mind. [laughter]

49:03

>> He's always right there.

49:04

>> He's always right there for Ben. He's

49:06

like, "That could have been me if I just

49:08

made my high school marching band."

49:10

>> That's literally

49:11

>> me and Drake.

49:13

>> Hey guys, if you like this episode, you

49:14

can watch the rest of it on the Spotify.

49:17

And don't forget to like and subscribe.

49:19

Woo! See you later.

49:21

>> Boot up [singing and music] today

49:26

errors on my [music] screen.

49:29

Ter

49:33

living the dream.

Interactive Summary

Ben and Alexis Gay discuss their new collaborative project, a four-episode sketch comedy series titled "Paradise," which debuts on the Kroam YouTube channel on March 10th. They share insights into their creative process, their backgrounds as former tech industry professionals, and the frameworks they used to transition into full-time comedy. The discussion also features humorous stories about unreleased footage, musical aspirations, and Ben's failed attempt to join his high school drum line.

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