How Catchlights Can Change a Close-Up | Shutterstock Tutorials
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to create a feeling in our images it's
often centered around the perception of
a character or subject here our subject
is shrouded in darkness
we can barely make out the features of
his face
this was lit using a projection
attachment fired into a bounce above the
head with our subject sitting just
forward of the light spread to create
shadow on the face
we also had another light reflector dish
attached bouncing from the ceiling to
fill in those Shadows on the face just a
little you can just about see the eyes
and they look lifeless
since there aren't any catch lights in
the eyes it's hard to feel any emotion
from our subject and we may be left to
interpret it ourselves through the music
or the context surrounding the scene the
lack of catch lights might be suggesting
any number of things unfamiliarity
blankness Danger
there's a feeling of mystery or
ambiguity about it
let's add some catch lights into the
eyes whilst trying not to change the
exposure on the face too much
we did this by attaching a small pocket
LED panel just above our camera with the
brightness on the pocket LED turned
right down
compared to the scenario with no catch
lights we're now getting more of a
feeling from our character just from his
eyes
since the light source is small the
catch lights are small and the position
of the light by the camera places the
catch lights quite Central in the eyes
it's direct and we can feel this
directness from our character it almost
feels a bit aggressive
what if we moved our catch light a touch
higher
we boomed our pocket LED just above and
in front of our subject to achieve this
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to the previous catch lights it still
feels like our character is coming from
a place of strength but maybe somewhat
less aggressively
in the right situation this could even
feel somewhat reassuring like a strength
in the Darkness
you can see how changing the placement
of the catch light has changed our
feelings toward the character
[Music]
let's move the catch light down to the
lower part of the eye
[Music]
we simply placed our pocket LED on the
floor below our subject for this setup
in comparison to our previous catch
light scenario we've brought back that
aggressive feeling from the centrally
placed catch lights but by placing them
in an unnatural position toward the
bottom of the eye it now feels much less
like a human aggression and something
more devoid of humanity it looks a bit
scarier
notice how simply changing the position
of our catch lights changes our
perception of the character and even
though our overall lighting remains
similar between each shot the feeling of
the image changes
we can even experiment with changing the
size of the catch light in the eye
here we simply placed some bleached
muslin material on the floor in front of
our subject to reflect into the lower
part of the eyes
we can see when compared to the smaller
Source we've introduced a little more
light to the face but that's not the
only thing that's changed
the larger catch lights brings more
emotion to the eyes and although our
character still appears somewhat angry
he also seems more determined
more human
let's move these larger catch lights to
the top of the eyes
[Music]
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[Music]
we boomed a large gridded OCTA box above
our subject to achieve this
[Music]
in comparison to our smaller catch
lights at the top of the eyes we have an
overall softer look to our character's
face and this isn't just because the
light on the face itself is a bit
different if we focus on how the eyes
feel to us we might get a somewhat more
gentle feeling from our character with
larger catch lights he doesn't feel
quite as strong
there's a feeling of vulnerability
[Music]
matchlights are something that can often
go overlooked or simply used as a
functional way to get some light into
the eyes
but they can also work as a subtle tool
to create and exaggerate feeling an
emotion in your character and image
setting the tone for the ideas contained
within the scene that your audience can
pick up on in a more subconscious way
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This video demonstrates how the placement and size of catchlights in a character's eyes can drastically alter the perceived emotion and feeling of a subject in an image. By manipulating these small light reflections, a filmmaker can evoke a range of emotions from lifelessness and ambiguity to aggression, reassurance, and even fear or determination. The video emphasizes that catchlights, often overlooked, are a powerful tool for subtly conveying emotion and setting the tone of a scene.
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