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How Catchlights Can Change a Close-Up | Shutterstock Tutorials

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How Catchlights Can Change a Close-Up | Shutterstock Tutorials

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127 segments

0:00

foreign

0:23

to create a feeling in our images it's

0:26

often centered around the perception of

0:28

a character or subject here our subject

0:32

is shrouded in darkness

0:35

we can barely make out the features of

0:37

his face

0:39

this was lit using a projection

0:42

attachment fired into a bounce above the

0:44

head with our subject sitting just

0:47

forward of the light spread to create

0:49

shadow on the face

0:51

we also had another light reflector dish

0:54

attached bouncing from the ceiling to

0:57

fill in those Shadows on the face just a

0:59

little you can just about see the eyes

1:01

and they look lifeless

1:04

since there aren't any catch lights in

1:06

the eyes it's hard to feel any emotion

1:09

from our subject and we may be left to

1:11

interpret it ourselves through the music

1:14

or the context surrounding the scene the

1:17

lack of catch lights might be suggesting

1:19

any number of things unfamiliarity

1:22

blankness Danger

1:25

there's a feeling of mystery or

1:27

ambiguity about it

1:29

let's add some catch lights into the

1:32

eyes whilst trying not to change the

1:34

exposure on the face too much

1:43

we did this by attaching a small pocket

1:46

LED panel just above our camera with the

1:49

brightness on the pocket LED turned

1:51

right down

1:55

compared to the scenario with no catch

1:57

lights we're now getting more of a

1:59

feeling from our character just from his

2:02

eyes

2:03

since the light source is small the

2:06

catch lights are small and the position

2:08

of the light by the camera places the

2:10

catch lights quite Central in the eyes

2:14

it's direct and we can feel this

2:16

directness from our character it almost

2:19

feels a bit aggressive

2:21

what if we moved our catch light a touch

2:24

higher

2:32

we boomed our pocket LED just above and

2:35

in front of our subject to achieve this

2:39

foreign

2:42

to the previous catch lights it still

2:45

feels like our character is coming from

2:47

a place of strength but maybe somewhat

2:50

less aggressively

2:52

in the right situation this could even

2:54

feel somewhat reassuring like a strength

2:57

in the Darkness

2:59

you can see how changing the placement

3:01

of the catch light has changed our

3:03

feelings toward the character

3:07

[Music]

3:10

let's move the catch light down to the

3:12

lower part of the eye

3:17

[Music]

3:22

we simply placed our pocket LED on the

3:24

floor below our subject for this setup

3:31

in comparison to our previous catch

3:33

light scenario we've brought back that

3:35

aggressive feeling from the centrally

3:37

placed catch lights but by placing them

3:40

in an unnatural position toward the

3:42

bottom of the eye it now feels much less

3:45

like a human aggression and something

3:47

more devoid of humanity it looks a bit

3:50

scarier

3:56

notice how simply changing the position

3:59

of our catch lights changes our

4:01

perception of the character and even

4:04

though our overall lighting remains

4:06

similar between each shot the feeling of

4:09

the image changes

4:12

we can even experiment with changing the

4:14

size of the catch light in the eye

4:21

here we simply placed some bleached

4:23

muslin material on the floor in front of

4:26

our subject to reflect into the lower

4:28

part of the eyes

4:32

we can see when compared to the smaller

4:35

Source we've introduced a little more

4:37

light to the face but that's not the

4:40

only thing that's changed

4:42

the larger catch lights brings more

4:44

emotion to the eyes and although our

4:46

character still appears somewhat angry

4:48

he also seems more determined

4:51

more human

4:57

let's move these larger catch lights to

4:59

the top of the eyes

5:02

[Music]

5:04

foreign

5:06

[Music]

5:07

we boomed a large gridded OCTA box above

5:11

our subject to achieve this

5:13

[Music]

5:15

in comparison to our smaller catch

5:17

lights at the top of the eyes we have an

5:19

overall softer look to our character's

5:21

face and this isn't just because the

5:23

light on the face itself is a bit

5:25

different if we focus on how the eyes

5:28

feel to us we might get a somewhat more

5:30

gentle feeling from our character with

5:33

larger catch lights he doesn't feel

5:35

quite as strong

5:36

there's a feeling of vulnerability

5:41

[Music]

5:43

matchlights are something that can often

5:45

go overlooked or simply used as a

5:49

functional way to get some light into

5:51

the eyes

5:52

but they can also work as a subtle tool

5:55

to create and exaggerate feeling an

5:58

emotion in your character and image

6:01

setting the tone for the ideas contained

6:04

within the scene that your audience can

6:06

pick up on in a more subconscious way

6:14

foreign

Interactive Summary

This video demonstrates how the placement and size of catchlights in a character's eyes can drastically alter the perceived emotion and feeling of a subject in an image. By manipulating these small light reflections, a filmmaker can evoke a range of emotions from lifelessness and ambiguity to aggression, reassurance, and even fear or determination. The video emphasizes that catchlights, often overlooked, are a powerful tool for subtly conveying emotion and setting the tone of a scene.

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